Search results for ""Author David"

Most girls might think twice before getting engaged to someone like Reyes Farrow---but Charley Davidson is not most girls. She's a paranormal private eye and grim reaper-in-training who's known to be a bit of a hell-raiser, especially after a few shots of caffeine. Her beloved Reyes may be the only begotten son of evil, but he's dark and sultry and deeply sexy and everything Charley could hope for. Really. But when the FBI file on Reyes's childhood happens to land in her lap, she can't help herself: She opens it ...and then the real fun begins. First, Charley finds a naked corpse riding shotgun in her car. Then, a man loses his soul in a card game. Throw in a Deaf boy who sees dead people, a woman running from mobsters, and a very suspicious Reyes, and things can't get any worse for Charley. Unless, of course, the Twelve Beasts of Hell are unleashed...'Ubertalented Jones keeps stirring the plot and throwing in crazy new developments, guaranteed to keep her characters and readers off balance' RT Book Reviews

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The group known as the Southern Agrarians came out of Vanderbilt University in the wake of the 1925 Scopes Trial in Dayton, Tennessee. In response to attacks on the South and Southern culture, these scholars and poets-including Allen Tate, Donald Davidson, John Crowe Ransom, Robert Penn Warren, Andrew Lytle, Frank Owsley, and others-turned their attention to the defense of the South and its political tradition in numerous essays and books. Christopher Duncan's Fugitive Theory situates the Agrarians' political thought within the larger context of the Western political tradition in general and in the context of American political thought in particular. Duncan argues that the political theory of the Southern Agrarians is best understood in terms of a civic republicanism that has its roots in the thought of theorists such as Aristotle, Machiavelli, James Harrington, and Thomas Jefferson. In exploring this fascinating chapter of twentieth-century American history Duncan recovers a vision that included a commitment to private property in land, autonomy, and decentralized power-a vision that pitted itself against the call for centralization and materialism implicit in the ascendant industrial order.

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"Literature matters because... it allows for experiences important to the living out of a sophisticated and satisfying human life; because other arenas of culture cannot provide them to the same degree; and because a relatively small number of texts carry out these functions in so exceptional a manner that we owe it to past and future members of the species to keep such texts alive in our cultural traditions."—from Chapter One Frank B. Farrell defends a rich conception of the space of literature that retains its links to issues of self-formation and metaphysics and does not let that space collapse into just another reflection of social space. He maintains that recent literary theory has badly misread findings in the philosophy of language and the theory of subjectivity. That misreading, Farrell says, has tended to endorse ways of understanding literature that make one question why it matters at all. Farrell here opposes some recent theoretical trends and, through a mix of philosophical and literary studies, tells us why in his view literature does truly matter. Among the writers Farrell discusses are John Ashbery, Samuel Beckett, Amit Chaudhuri, Cormac McCarthy, James Merrill, Marcel Proust, Thomas Pynchon, Salman Rushdie, W. G. Sebald, and John Updike. The philosophers important to his arguments include Donald Davidson, Daniel Dennett, and Bernard Williams; G. W. F. Hegel, Martin Heidegger, Friedrich Nietzsche, and Ludwig Wittgenstein play roles as well. Among the literary theorists addressed are Stephen Greenblatt, Paul de Man, and Marjorie Perloff. In addition to his close readings of literary, philosophical, and critical texts, Farrell considers cultural studies and postcolonial studies more generally and speculates on the possible contributions of object-relations theory in psychology to the study of literature.

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"It imparts the type of educational information that all stages of jewelry collectors, as well as jewelry enthusiasts from students to dealers, will go back to again and again." — Beth Bernstein, Instore Mag "The Modern Guide to Antique Jewellery will make a collector of you yet" —Annie Davidson, JCK "...filled with fun factual titbits that are presented in a witty, conversational style, with lively narratives exploring each piece’s history." — Solitaire International "The ultimate go-to guide." — Retail Jeweller World The ultimate go-to guide, The Modern Guide to Antique Jewellery takes the reader on a tour through time, venturing from the 1700s all the way through to the early 20th century. From how to look chic while wearing jewellery that outdates you by 100 years, to how to spot and score the best pieces, this book is a must-read for all enthusiasts and collectors who have an affinity for the jewels of the past. Fun factual tidbits are presented in a witty, conversational style, and lively narratives explore each piece’s history. Part travelogue, featuring the most influential shops in New York, LA, London, Paris and Amsterdam; part educational guide, with anecdotes from dealers and experts; and part celebration of historical jewellery, this book is an invaluable and accessible reference. Topics covered include (but are not limited to): how to identify the most popular gemstones, materials, styles and collectible pieces in the market today, and how to select antique jewellery to complement your lifestyle. The Modern Guide to Antique Jewellery will reveal what to look for and where to locate rare finds, as well as how the experts score the pieces that decorate the fingers, ears, necks and wrists of the collector.

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Sophy Ridge, presenter for Sky News, has uncovered the extraordinary stories of the women who have shaped British politics. Never has the role of women in the political world ever been more on the news agenda, and Sophy has interviewed current and former politicians including among others, Nicola Sturgeon, Ruth Davidson, Betty Boothroyd gain exclusive insight into the role women play in politics at the highest level. The book also includes Theresa May's first at-length interview about her journey to becoming Prime Minister. These interviews have revealed the shocking truth about the sexism that is rife among the House of Commons both in the past and today, with sometimes shocking, and sometimes amusing anecdotes revealing how women in Westminster have worked to counter the gender bias. Sophy provides gripping insight into historical and contemporary stories which will fascinate not just those interested in politics but those who want to know more about women's vital role in democracy. From royalty to writers and from class warriors to suffragettes, Sophy tells the story of those who put their lives on the line for equal rights, and those who were the first to set foot inside the chambers of power, bringing together stories that you may think you know, and stories that have recently been discovered to reveal the truth about what it is to be a woman in Westminster. This book is a celebration of the differing ways that women have shaped the political landscape. The book also, importantly, sheds light on the challenges faced by women in government today, telling us the ways that women working in politics battle the sexism that confront them on a daily basis.

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Een Leuvenaar die ook aan zijn geboortestad Maastricht verknocht bleef. De voorzitter van het katholieke Davidsfonds, maar met een familienaam die doet denken aan dat andere, concurrerende liberaal-vrijzinnige fonds. Als telg uit een eenoudergezin waar schoolgeld niet betaald kon worden het schoppen tot secretaris van de Leuvense universiteit. Zelf een statig burgerhuis én een riant buitenverblijf bewonen en meer dan 30 arbeidershuurhuizen bouwen en een eigen straat in Leuven aanleggen. Internationaal gerespecteerd hoogleraar klassieke talen zijn en ook een verwoed verzamelaar van dialecten uit heel de Zuidnederlandse regio. Vader van negen kinderen zijn en 20 jaar lang de voorzitter van vier belangrijke Vlaamsgezinde organisaties. Pieter Willems (Maastricht 1840 – Leuven 1898) kon en was dit allemaal. De bijdragen in dit SALSA!-cahier laten u kennismaken met alle aspecten van deze veelzijdige 19de-eeuwse Leuvenaar, die gedurende 30 jaar de Belgische en Vlaamse geschiedenis mee bepaald heeft. Omdat hij 175 jaar geleden geboren werd, besloten 13 organisaties en verenigingen waarvoor hij ooit van betekenis is geweest om in 2015 samen zijn nagedachtenis in ere te herstellen. Dit herdenkingsboek is daar het blijvende resultaat van.

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Part-time PI and full-time grim reaper, Charley Davidson has asked a lot of questions throughout her life: Why can I see dead people? Who is the hot supernatural entity following me? How do I get gum out of my sister's hair before she wakes up? But, "How do I trap not one god, but three?" was never among them. Until now. And since those gods are on earth to kill her daughter, she has little choice but to track them down, trap them, and cast them from this dimension. But one of them stole her heart a very long time ago. Can a god of absolute death and destruction change his omniscient spots, or will his allegiance lie with his brothers? Those are just some of the questions Charley must answer, and quick. Add to that a homeless girl on the run for her life, a man who's been framed for murdering a woman who is still very much alive, and a pendant made from god glass that has the entire supernatural world in an uproar, Charley has her hands full. If she can manage to take care of the whole world-destroying-gods thing, we're saved. If not, well...

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With the transformation and expansion of the nineteenth-century American literary canon in the past two decades, the work of the era's American women poets has come to be widely anthologized. But scant scholarship has arisen to make full sense of it. From School to Salon responds to this glaring gap. Mary Loeffelholz presents the work of nineteenth-century women poets in the context of the history, culture, and politics of the times. She uses a series of case studies to discuss why the recovery of nineteenth-century women's poetry has been a process of anthologization without succeeding analysis. At the same time, she provides a much-needed account of the changing social contexts through which nineteenth-century American women became poets: initially by reading, reciting, writing, and publishing poetry in school, and later, by doing those same things in literary salons, institutions created by the high-culture movement of the day. Along the way, Loeffelholz provides detailed analyses of the poetry, much of which has received little or no recent critical attention. She focuses on the works of a remarkably diverse array of poets, including Lucretia Maria Davidson, Lydia Sigourney, Maria Lowell, Frances Ellen Watkins Harper, Emily Dickinson, Helen Hunt Jackson, and Annie Fields. Impeccably researched and gracefully written, From School to Salon moves the study of nineteenth-century women's poetry to a new and momentous level.

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Motorcycle road trips across the United States were a lifelong dream, and now, with children grown up and a new work posting to Texas, it finally seemed within reach for Chris and Denise Arthey. But only a few hours down the road, on an arrow-straight stretch of Highway 35, devastation struck. A drunk driver veered across the carriageway and their Harley-Davidson was involved in a head-on collision. One medic commented after the air ambulances lifted off that "the motorcyclists may not make it". The Artheys did "make it", and then some. Both lost their left leg above the knee, and Chris suffered serious head and internal injuries, but their survival was remarkable. Even more remarkable is the story of their recovery. As Chris and Denise learned to cope with pain and a new reality, they simply refused to become physically held back, or to be frozen in anger and regret. They have gone on to lead extraordinarily full lives; returning to their vocations and taking another overseas posting to the Middle East before building new roles as ambassadors in the prosthetics industry. Chris has taken on marathons and triathlons, Mount Kilimanjaro, Everest Base Camp and a master's degree along the way. With an honesty that is both raw and vulnerable, the Artheys take us on their unique journey of hope against all odds, explaining how they rebuilt their lives, 'step by step', after their accident. More than a compelling story of survival, Highway 35 is an account of astounding personal strength and fighting spirit, of depth and integrity of relationship and uncompromising faith in the face of the most difficult of challenges.

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Did the ancient Israelites perform rituals expressive of the belief in the supernatural beneficent power of the dead? Contrary to long held notions of primitive society and the euhemeristic origin of the divine, various factors indicate that the ancestor cult, that is, ancestor veneration or worship, was not observed in the Iron Age Levant. The Israelites did not adopt an ancient Canaanite ancestor cult that became the object of biblical scorn. Yet, a variety of mortuary rituals and cults were performed in Levantine society; mourning and funerary rites and longer-term rituals such as the care for the dead and commemoration. Rituals and monuments in or at burial sites, and especially the recitation of the deceased's name, recounted the dead's lived lives for familial survivors. They served broader social functions as well; e.g., to legitimate primogeniture and to reinforce a community's social collectivity.Another ritual complex from the domain of divination, namely necromancy, might have expressed the Israelite dead's beneficent powers. Yet, was this power to reveal knowledge that of the dead or was it a power conveyed through the dead, but that remained attributable to another supranatural being of non-human origin? Contemporary Assyrian necromancers utilized the ghost as a conduit through which divine knowledge was revealed to ascertain the future and so Judah's king Manasseh, a loyal Assyrian vassal, emulated these new Assyrian imperial forms of prognostication. As a de-legitimating rhetorical strategy, necromancy was then integrated into biblical traditions about the more distant past and attributed fictive Canaanite origins (Deut 18). In its final literary setting, necromancy was depicted as the Achille's heel of the nation's first royal dynasty, that of the Saulides (1 Sam 28), and more tellingly, its second, that of the Davidides (2 Kgs. 21:6; 23:24).

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"The game with yourself is often tougher than the battle againstany opponent. Smart Tennis shows you how to win the inner matchwhile having fun along the way."--Lindsay Davenport, world's #1ranked player for 1998 Become a More Competent-and Confident-Tennis Player Smart Tennis is the secret weapon that tucks right into your tennisbag. Apply these proven principles of sport psychology to your gameand gain a winning advantage both on and off the courts. "Smart Tennis is a must for players at all levels-from beginners toWimbledon champions! An outstanding book for understanding andimproving your mental game."--Vic Braden, tennis telecaster andresearcher "If you ever want to use the title of this book to describe how youplayed your last match, then Smart Tennis is for you."--DavidHigdon, senior writer,Tennis Magazine "This is an excellent book of psychological skills that can beimmediately applied on the tennis court."--E. Paul Roetert, Ph.D.,Administration of Sports Science, United States Tennis Association

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Danilo Kis (1935–89) was a Yugoslav novelist, essayist, poet, and translator whose work generated storms of controversy in his homeland but today holds classic status. Kis was championed by prominent literary figures around the world, including Joseph Brodsky, Susan Sontag, Milan Kundera, Philip Roth, Nadine Gordimer, and Salman Rushdie. As more of his works become available in translation, they are prized by an international readership drawn to Kis's innovative brilliance as a storyteller and to his profound meditation on history, culture, and the human condition at the end of the twentieth century.A subtle analysis of a rich and varied body of writing, Birth Certificate is also a careful and sensitive telling of a life that experienced some of the last century's greatest cruelties. Kis's father was a Hungarian Jew, his mother a Montenegrin of Orthodox faith. The father disappeared into the Holocaust and the son—cosmopolitan, anticommunist, and passionately opposed to the myth-drenched nationalisms of his native lands—grew up chafing against the hypocrisies of Titoism. His writing broke with the epic mode, pioneered modernist techniques in his language, fulminated against literary kitsch, and sketched out a literary heritage "with no Sun as its Center and Tyrant." Joyce and Borges were influences on his writing, which nevertheless is stunningly original. The best known of his works are Garden, Ashes; The Encyclopedia of the Dead; Hourglass; The Anatomy Lesson; and A Tomb for Boris Davidovich. Over the course of nearly two decades, Mark Thompson studied Kis's papers and interviewed his family members, friends, and admirers. His intimate understanding of the writer's life and his sure grasp of the region's history inform his revelatory readings of Kis's individual works.More than an appreciation of an important literary and cultural figure, this book is also a compelling guide to the destructive policies which would, shortly after Kis’s death, generate the worst violence in Europe since World War II. Thompson’s book pays tribute to Kis’s experimentalism by being itself experimental in form. It is patterned as a series of commentaries on a short autobiographical text that Kis called "Birth Certificate." This unusual structure adds to the interest and intrigue of the book, and is appropriate for treating so autobiographical a writer who believed that literary meaning is always deeply shaped by other texts.

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Discover the classic mystery from Dick Francis, one of the greatest thriller writers of all time'A classic. If you like a rattling good yarn, then Dick Francis is your man!' 5***** Reader Review'Brilliant, the pace keeps on racing through the whole book' 5***** Reader Review'Gallops along and keeps you enthralled throughout. Riveting' 5***** Reader Review______'Admiral met the fence perfectly. He rose to it as if flight were not only for birds. And he fell . . .'Alan York's friend, jockey Bill Davidson, was killed in Admiral's fall. After the race, York visits the fence and discovers a coil of wire lying beside the fence post and signs of where the wire had been attached.The fall was no accident - but murder. Unable to convince the police of this, York is forced to turn amateur sleuth and is soon on the trail of a ruthless gang of race-fixers operating out of Brighton.Now Alan's caught in a new race: find the gang's leaders before the gang catches up with him . . .Packed with intrigue and hair-raising suspense, Dead Cert is just one of the many blockbuster thrillers from legendary crime writer Dick Francis.Praise for Dick Francis:'As a jockey, Dick Francis was unbeatable when he got into his stride. The same is true of his crime writing' Daily Mirror'The narrative is brisk and gripping and the background researched with care . . . the entire story is a pleasure to relish' Scotsman'Dick Francis's fiction has a secret ingredient - his inimitable knack of grabbing the reader's attention on page one and holding it tight until the very end' Sunday Telegraph'A regular winner . . . as smooth, swift and lean as ever' Sunday Express'The master of suspense and intrigue' Country Life'Francis writing at his best' Evening Standard'Still the master' Racing Post

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The most important writings on the psychoanalytic understandings and treatments of drug and vice addiction Drug abuse, alcoholism, compulsive gambling, and other destructive addictions plague our society. Theories of addiction locate its cause variously—in factors related to the substance, the addict's personality, or to the addict's environment. Arguments about effective treatment programs are fierce. Essential Papers on Addiction presents the most important writing and the various sides of the debate on the psychoanalytic understanding and treatment of addiction. Daniel Yalisove outlines the history of the treatment of addiction and introduces important psychoanalytic concepts used in understanding addicts. The book includes case studies which illustrate the course of addiction and presents the work of the most influential theorists in the field. Divided into eight sections focusing on historical work on addiction, psychoanalytic theories of addiction, transference and countertransference issues in treating addiction, psychoanalytic treatment for the addictions, psychoanalytic therapy and disease concepts, and psychiatric illness and addiction, this definitive volume includes contributions by the most experienced and renowned experts on the subject. Contributors include S. Freud, E. Glover, S. Rado, R. P. Knight, L. Wurmser, N. E. Zinberg, H. Krystal, D. Jacobs, R. Fine, J. Gustafson, C. L. Brown, M. L. Selzer, V. Davidson, J. Imhof, R. Hirsch, R. E. Terenzi, M. E. Chafetz, A. Silber, R. J. Rosenthal, E. M. Pattison, M. B. Sobell, L. C. Sobell, J. E. Zweben, E. Simmel, B. Brickman, E. J. Khantzian, R. D. Weiss, S. M. Mirin, A. T. McLellan, and H. J. Richards.

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While many studies of religion in the West have focused on the region's diversity, freedom, and individualism, Todd M. Kerstetter brings together the three most glaring exceptions to those rules to explore the boundaries of tolerance as enforced by society and the U.S. government. God's Country, Uncle Sam's Land analyzes Mormon history from the Utah Expedition and Mountain Meadows Massacre of 1857 through subsequent decades of federal legislative and judicial actions aimed at ending polygamy and limiting church power. It also focuses on the Lakota Ghost Dancers and the Wounded Knee Massacre in South Dakota (1890), and the Branch Davidians in Waco, Texas (1993). In sharp contrast to the mythic image of the West as the "Land of the Free," these three tragic episodes reveal the West as a cultural battleground--in the words of one reporter, "a collision of guns, God, and government." Asking important questions about what happens when groups with a deep trust in their differing inner truths meet, Kerstetter exposes the religious motivations behind government policies that worked to alter Mormonism and extinguish Native American beliefs.

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'The best Scottish crime series since Rebus' Daily RecordThe sins of the dead are all consuming . . . While illegally street racing in the underground tunnels of Glasgow, four Harley-Davidson riders make a horrifying discovery: a dead man left in the darkness, hands together on his chest as if peacefully laid to rest. The cause of death is unclear, the only clues being a half glass of red wine and a partially eaten chunk of bread by his side that echo the ancient religious practice of sin-eating.Called to the scene, forensic scientist Rhona MacLeod is perplexed by the lack of evidence. But when another body is found near her own flat, laid out in a similar manner, she fears a forensically aware killer stalks the city and is marking the victims with their unique signature. Even more worryingly, the killer appears to be using skills they may have learned while attending her forensic science lectures at Glasgow University.There are signs that Rhona is being targeted, that the killer is playing with her and the police, drawing them into a deadly race against time, before the sin-eater’s next victim is chosen . . .Sins of the Dead is the thrilling thirteenth book in Lin Anderson’s forensic crime series featuring Rhona MacLeod, followed by Time for the Dead.

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During the 1880s, a German-born, Boston-based picture publisher successfully commissioned the most ambitious series of battle prints ever published. Louis Prang, best known as the "father of the Christmas card," hired noted military and marine artists to create original scenes of combat, and then reproduced their works in a wildly popular portfolio of chromolithographs. He called the set Prang's War Pictures. They were offered to an eager public accompanied by "descriptive texts" that told the story of each engagement through eyewitness recollection by the heroes of each action. The set proved both appealing and influential, selling vigorously in various editions for a generation, and elevating the stature of military illustration in America. For 20 years, Civil War prints for the masses had featured uninspired, one-dimensional views of armies in hand-to-hand combat.Prang and his artists demonstrated genuine skill and imaginative perspective. They showed both real carnage and important technological advances, revealing both the broad sweep of panoramic battlefields and the intimate action of individual combatants. These famously sepia-toned chromos went on to become familiar illustrations in books and magazines-often offered as definitive examples of Civil War art. But until now, the complete set of 18 chromos has never been collected in a single volume. And the original "Descriptive Texts" first offered Prang's customers as marketing brochures to boost sales-a priceless historical archive in and of themselves-have never been published since, anywhere.Holzer reunites pictures and texts in an authoritative, milestone volume orchestrating prints and descriptions that resurrect Prang's original conception of battle art for the masses for a new generation. The book also features reproductions of the original works of art that inspired the prints, created on commission by battle painter Thure de Thulstrup and naval specialist Julian Oliver Davidson-now housed in art collections around the country-but seldom seen since they were commissioned by Prang as models for his ambitious chromolithographs. This long-needed complete Prang portfolio will undoubtedly become an essential collectible for Civil War aficionados in the country, as well as for libraries and university collections increasingly aware of the importance of art and iconography in defining the Civil War experience and the impact of Civil War memory.

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The first book dedicated to the career of the preeminent American architect, Henry N. Cobb. As a builder, teacher, and mentor, Henry N. Cobb has been one of the most eloquent voices in architecture for well over half a century. A founding partner of Pei Cobb Freed & Partners, where he has worked actively and continuously since its inception in 1955, his practice encompasses a wide variety of building types, with projects across the world that resound in the public imagination. Cobb's sensitivity to place and use generate surprising and unparalleled forms in educational and civic buildings - such as the Portland Museum of Art in Maine, the Anderson School of Management at UCLA, the John Joseph Moakley U.S. Courthouse in Boston, and Palazzo Lombardia in Milan - or in corporate and commercial projects, such as the John Hancock Tower in Boston, Fountain Place Tower in Dallas, Tour EDF at La Défense in Paris, and Four Seasons Hotel and Residences at One Dalton, now under construction in Boston. Henry N. Cobb: Words & Works 1948-2018 is his first book, uniquely combining poetic analyses of his distinguished works with essays and lectures that cover topics about architecture's past, present, and future. His voice is complemented by interviews and discussions with Michael Graves, Robert A.M. Stern, Hal Foster, Charles Gwathmey, Paolo Conrad Bercah, Cynthia Davidson, Peter Eisenman, Mark Pasnik, and John Hejduk. Handsomely designed by OverUnder, this book is packaged in a portable size evocative of the Library of America series. A longtime educator--and chair of the Harvard Graduate School of Design from 1980 to 1985 - Cobb takes up his extensive subject matter in a thoughtful and engaging manner. To anyone interested in the development of American architecture in its transition from modernism to postmodernism and into the era of high-tech starchitecture, there are a number of treasures here to discover. Henry N. Cobb is a landmark survey - in words and works - of one of the great architects of our time.

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Exploring how DH shapes and is in turn shaped by the classroom How has the field of digital humanities (DH) changed as it has moved from the corners of academic research into the classroom? And how has our DH praxis evolved through interactions with our students? This timely volume explores how DH is taught and what that reveals about the field of DH. While institutions are formally integrating DH into the curriculum and granting degrees, many instructors are still almost as new to DH as their students. As colleagues continue to ask what digital humanities is, we have the opportunity to answer them in terms of how we teach DH. The contributors to What We Teach When We Teach DH represent a wide range of disciplines, including literary and cultural studies, history, art history, philosophy, and library science. Their essays are organized around four critical topics at the heart of DH pedagogy: teachers, students, classrooms, and collaborations. This book highlights how DH can transform learning across a vast array of curricular structures, institutions, and education levels, from high schools and small liberal arts colleges to research-intensive institutions and postgraduate professional development programs. Contributors: Kathi Inman Berens, Portland State U; Jing Chen, Nanjing U; Lauren Coats, Louisiana State U; Scott Cohen, Stonehill College; Laquana Cooke, West Chester U; Rebecca Frost Davis, St. Edward’s U; Catherine DeRose; Quinn Dombrowski, Stanford U; Andrew Famiglietti, West Chester U; Jonathan D. Fitzgerald, Regis College; Emily Gilliland Grover, Notre Dame de Sion High School; Gabriel Hankins, Clemson U; Katherine D. Harris, San José State U; Jacob Heil, Davidson College; Elizabeth Hopwood, Loyola U Chicago; Hannah L. Jacobs, Duke U; Alix Keener, Stanford U; Alison Langmead, U of Pittsburgh; Sheila Liming, Champlain College; Emily McGinn, Princeton U; Nirmala Menon, Indian Institute of Technology; James O’Sullivan, U College Cork; Harvey Quamen, U of Alberta; Lisa Marie Rhody, CUNY Graduate Center; Kyle Roberts, Congregational Library and Archives; W. Russell Robinson, Alabama State U; Chelcie Juliet Rowell, Tufts U; Dibyadyuti Roy, U of Leeds; Asiel Sepúlveda, Simmons U; Andie Silva, York College, CUNY; Victoria Szabo, Duke U; Lik Hang Tsui, City U of Hong Kong; Annette Vee, U of Pittsburgh; Brandon Walsh, U of Virginia; Kalle Westerling, The British Library; Kathryn Wymer, North Carolina Central U; Claudia E. Zapata, UCLA; Benjun Zhu, Peking U. Retail e-book files for this title are screen-reader friendly.

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What makes Northwest Coast Native American art authentic? And why, when most of art history is a history of the avant-garde, is tradition so deeply valued by contemporary Native American artists and their patrons? In Privileging the Past, Judith Ostrowitz approaches these questions through a careful consideration of replicas, reproductions, and creative translations of past forms of Northwest Coast dances, ceremonies, masks, painted screens, and houses. Ostrowitz examines several different art forms—two very different architectural constructions, a dance performance, and modern sculptures and dance paraphernalia—considering their relations to arts of the past. Chief Shakes’ Community House has endured, in various forms, at the same site in Wrangell, Alaska, for close to 170 years as an “old style” Tlingit tribal house. The Grand Hall of the Canadian Museum of Civilization at Hull, Quebec, is constructed as a Native village with an assemblage of replicated houses made by contemporary Native artists, both old and new totem poles, and references to the Northwest Coast landscape. The opening ceremonies of the exhibition Chiefly Feasts: The Enduring Kwakiutl Potlatch at the American Museum of Natural History in New York in October 1991 included a dance program by a group of Native performers from Vancouver Island, B.C., adapting traditional elements for a long and complex theatrical presentation. Finally, artists such as Art Thompson, Beau Dick, Doug Cranmer, Robert Davidson, Susan Point, and Jim Schoppert produce vital and lively art—masks, rattles, prints, and paintings are considered here—that utilizes inherited subject matter and conventionalized stylistic devices. Ostrowitz finds that these replicas and performances function as do most other works of art, referencing history in a highly selective manner. Ostrowitz draws on an extensive body of interviews she conducted with tribal leaders, artists, and artisans long known and highly respected in both Native and non-Native venues. Throughout the book, we hear their voices—members of the Alfred, Cranmer, Hunt, Tallio, and Webster families, and many other individuals—as they relate their responses to the modern adaptation of their cultural heritage. Privileging the Past explores intellectual issues raised by postmodern theory, supported by detailed studies of projects that will interest a broad audience of students, historians, museum-goers, and those intrigued by Native American art and cultural history.

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Featuring interviews with nineteen leading U.S. literary and cultural critics, Critics at Work offers a unique picture of recent developments in literary studies, critical theory, American studies, gay and lesbian studies, philosophy, and other fields. It provides informative, timely, and often provocative commentary on a broad range of topics, from the state of theory today and the prospects for cultural studies to the role of public intellectuals and the place of political activism. These conversations also elicit illuminating and sometimes surprising insights into the personal and professional lives of its contributors. Individually, each interview gives a significant overview of a critic's work. Taken together, they provide an assessment of literary and cultural studies from the establishment of theory and its diffusion, in recent years, into various cultural and identity studies. In addition to the interviews themselves, the volume includes useful short introductions to each critic's work and biography. Interviewees: K. Anthony Appiah, Lauren Berlant, Cathy Davidson, Morris Dickstein, Stanley Fish, Barbara Foley, Nancy Fraser, Gerald Graff, Alice Kaplan, E. Ann Kaplan, Robin D.G. Kelley, Paul Lauter, Louis Menand, Richard Ohmann, Andrew Ross, Eve Kosofsky Sedgwick, Jane Tompkins, Marianna Torgovnick, and Alan Wald.

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Winner of the Eugene Emme Astronautical Literature Prize from the American Astronautical Society For eight days in October 1984, seven men and women orbitied the Earth on Space Shuttle Mission 41-G. The mission has begun a year earlier; however, with the select of its crew. Before Lift-off is the extraordinary day-to-day story of these astronauts' training and flight-and is as close as most of us will ever come to flying on the space shuttle.New Yorker writer Henry Cooper obtained unprecedented permission from NASA to follow the 41-G crew from its formation through the completion of its mission. He was even given access to the heart of the training program: the crew's sessions in the shuttle mision simulators.More than a chronical of different phases in the astronauts' learning process, Before Lift-off tells the story of the bonding of these men and women. It would be Captain Robert Crippen's fourth space flight, his second command in six months, and Sally Ride's second shuttle voyage. For rookies Davida Leestra, Jon McBride, and Kathy Sullivan, and for two payload specialists, the experience would mark an initiation into the most elite groups-those people who have ventured into space.

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Essential reading for all involved in the educational sector in Wales (and beyond), A Class Apart investigates the effectiveness of educational policies, such as the Foundation Phase and Welsh Baccalaureate, introduced by the Welsh Government since devolution and assesses whether they have really created the potential for Wales to become a 'small, clever nation'. Spanning all major policy developments, from Primary to Higher Education, since 1999, Gareth Evans also assesses the legacy of the two main protagonists, former Education Ministers Jane Davidson and Leighton Andrews. He investigates the issues that some policymakers wished were swept under the carpet and delves deeper to analyse the big issues effecting educational practitioners in Wales, including: Welsh education's place on the world stage The growing funding gap between Wales and England The role of schools inspectorate Estyn The truth behind Wales' ambitious PISA target The 2012 GCSE grading fiasco Secrecy and personality clashes in the higher education merger saga His chronological account also includes the events up to and following the PISA results of 2013 and his close proximity to the key protagonists in Welsh education provides him with the perfect position to judge the situation in which Wales' education system finds itself today.

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Featuring innovative research by emergent and established scholars, The Fin-de-Siècle Poem throws new light on the remarkable diversity of poetry produced at the close of the nineteenth century in England. Opening with a detailed preface that explains why literary historians have frequently underrated fin-de-siècle poetry, the collection shows how a strikingly rich body of lyrical and narrative poems anticipated many of the developments traditionally attributed to Modernism. Each chapter provides insights into the ways in which late-nineteenth-century poets represented their experiences of the city, their attitudes toward sexuality, their responses to empire, and their interest in religious belief. The eleven essays presented by editor Joseph Bristow pay renewed attention to the achievements of writers such as Oscar Wilde, John Davidson, Ernest Dowson, Lionel Johnson, and W. B. Yeats, who dominated the literary scene of the 1890s. This book also explores the lesser-known but equally significant advances made by notable women poets, including Michael Field, Amy Levy, Charlotte Mew, Alice Meynell, A. Mary F. Robinson, and Graham R. Tomson. The Fin-de-Siècle Poem brings together innovative research on poetry that has been typecast as the attenuated Victorianism that was rejected by Modernism. The contributors underscore the remarkable innovations in English poetry of the 1880s and 1890s and show how women poets stood shoulder-to-shoulder with their better-known male contemporaries.

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This book contains the stories of ten women whose circumstances and choices led them to a place that seemed far removed from the fruitful, joy–filled life we are called to live in Christ. But each of their stories is a testament to the work God does through his imperfect children. Their stories will encourage and inspire, and remind you that you are not alone in your struggles. The names of some of these women are well–known, some are less so. The first five stories are about relationships with other people; the next five stories are about inner struggles. Overcoming Sexual Sin & Identity – Rosaria Butterfield Difficult Marriage and Divorce – Joy Davidman Bereavement – Elisabeth Elliot Singleness – Betsie & Corrie ten Boom Overcoming with Forgiveness – Betsie & Corrie ten Boom Eating Disorders – Christie Dondero Bettwy Illness – Susannah Spurgeon False Beliefs – Doreen Virtue Self–Righteousness – Susanna Wesley The Fear of Man – Sarah Edwards Through exploring how other women of Christ’s Kingdom began anew in him, you will be encouraged on your own path of joy and freedom. Although you may not be in the same position as these women, there are things we can learn from each of them. In every chapter, MacLeod focuses on bearing fruit for Christ even in these circumstances and includes questions to think through and discuss how the truths learned by these women could be applied to your own life.

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In the chapel of Christ's College, Cambridge, some twenty years ago, historian Alan Bray made an astonishing discovery: a tomb shared by two men, John Finch and Thomas Baines. The monument featured eloquent imagery dedicated to their friendship: portraits of the two friends linked by a knotted cloth. And Bray would soon learn that Finch commonly described his friendship with Baines as a connubium or marriage. There was a time, as made clear by this monument, when the English church not only revered such relations between men, but also blessed them. Taking this remarkable idea as its cue, The Friend explores the long and storied relationship between friendship and the traditional family of the church in England. This magisterial work extends from the year 1000, when Europe acquired a shape that became its enduring form, and pursues its account up to the eighteenth and nineteenth centuries. Spanning a vast array of fascinating examples, which range from memorial plaques and burial brasses to religious rites and theological imagery to classic works of philosophy and English literature, Bray shows how public uses of private affection were very common in premodern times. He debunks the now-familiar readings of friendship by historians of sexuality who project homoerotic desires onto their subjects when there were none. And perhaps most notably, he evaluates how the ethics of friendship have evolved over the centuries, from traditional emphases on loyalty to the Kantian idea of moral benevolence to the more private and sexualized idea of friendship that emerged during the modern era.Finely nuanced and elegantly conceived, The Friend is a book rich in suggestive propositions as well as eye-opening details. It will be essential reading for anyone interested in the history of England and the importance of friendship in everyday life. History Today’s Book of the Year, 2004 “Bray’s loving coupledom is something with a proper historical backbone, with substance and form, something you can trace over time, visible and archeologicable. . . . Bray made a great contribution in helping to bring this long history to light.”— James Davidson, London Review of Books

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"There are very few books about photography that achieve the status of essential reference, maybe even seminal. Well, I believe this is one of them. Enjoy it!" — Gilles Decamps, The Eye of Photography "...the book itself will surely go down as one of the most vivid visual documents of what were arguably the most transformative one-hundred years in human history." — Ken Scrudato, BlackBook "These photographs encapsulate the range of images that capture Fetterman’s imagination, from anonymous photographs to iconic masterworks, all with an underlying humanist spirit."—photograph “When I photograph, I project what I’m not. What I would like to be.” — Lillian Bassman "What makes the book so enjoyable is the same as the email: It is one great image after another, with personal commentary." — Tom Teicholz, Forbes "Although many of the images have standalone intensity, it is Peter’s direct encounters with the artists themselves that allow us to see them in a new light." — Eva Clifford, WhyNow The power of photography lies in its ability to ignite emotions across barriers of language and culture. This selection of iconic images, compiled by pioneering collector and gallerist Peter Fetterman, celebrates the photograph’s unique capacity for sensibility. Peter has been championing the photographic arts for over 30 years. He runs what is arguably the most important commercial photography gallery in the world. During the long months of lockdown, Peter ‘exhibited’ one photograph per day, accompanied by inspirational text, quotes and poetry. This digital collection struck a chord with followers from around the world. The Power of Photography presents 120 outstanding images from the series, along with Peter’s insightful words. This carefully curated selection offers an inspiring overview of the medium while paying homage to masters of the art. From the bizarre Boschian fantasies of Melvin Sokolsky to the haunting humanity of Ansel Adams’s family portraits; from Miho Kajioka’s interpretation of traditional Japanese aesthetics of to the joyful everyday scenes of Evelyn Hofer; from rare interior shots by famed nude photographer Ruth Bernhard to Bruce Davidson’s wistful depiction of young men playing ballgames on a street; this book gathers some of the most unique and heartening photographs from the 20th century. Each image is a time capsule, offering us a glimpse into days gone past. Yet each photograph also speaks of tranquillity, peace, and hope for the future.

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This sequel to The Black Librarian in America (Scarecrow, 1970) contains an array of contributors representing a new generation of African American librarians, addressing the same perplexing problems that their predecessors examined. This volume is being issued at a time when there is a great concern about cultural diversity in the country. Cultural diversity is laudable, but the pervasive problem in the country is institutional racism. All of the contributors aggree that it is racism that should be eradicated if a truly multicultural society that represents cultural diversity is to develop. A wide range of topics are explored. In addition, a profile of Dorothy Porter Wesley, one of the pioneer African American librarians; librarians and archivists as writers, and a provocative essay by Congresswoman Major R. Owens on "The Specter of Racism in an Age of Cultural Diversity: The New Paradigm for African American Librarians." Among the contributors are Carolyn O. Frost, Herman L. Totten, Carla Hayden, Charles M. Brown, Alexander Boyd, Jesse Carney Smith, James F Williams,II, Lou Helen Saunders, Ina A. Brown, Vivian Davidson Hewitt, Monteria Hightower, Ella Gaines Yates, and Ann Allen Shockley. Especially designed for professional librarians, library school students, and other information professionals, this volume would be a useful addition to African American collections and other scholarly collections dealing with American society. A copious index that is cross referenced makes it very useful as a reference tool.

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Poetry Projects to Make and Do, edited by Deborah Alma, The Emergency Poet, is a ‘how to’ handbook of essays, prompts, advice, and ideas designed to help both aspiring and established poets find new ways not only to create new poetry, but to share and take it out into the world through collaboration, projects, performances – and more. With an array of real-life examples from experienced poets, Poetry Projects to Make and Do provides imaginative case-studies and inspiration for readers to roll up their sleeves and get stuck in. Each essay encourages experimentation alongside plenty of practical tips and guidance. From projects which poets can try out at home, to ones which take poetry out into the streets; from having a go at making poetry films or podcasts, to hand-crafting a poetry residency; from how to apply for funding, to working in collaboration and involving music, art or photography in your poetry. This indispensable book covers a broad range of topics to empower and encourage poetry as part of everyday creativity. Poetry Projects to Make and Do follows previous popular creative writing handbook titles for Nine Arches Press – including The Craft, Why I Write Poetry and How to be a Poet – and is edited by Deborah Alma, aka The Emergency Poet and founder of the world’s first walk-in Poetry Pharmacy, based in Bishops Castle, Shropshire. Includes 20+ essays by: Deborah Alma; Jean Atkin; Casey Bailey; Roshni Beeharry; Julia Bird; Jo Bell; Jane Burn; Lewis Buxton; Jane Commane; Jonathan Davidson; Helen Dewbery; Pat Edwards; Jasmine Gardosi; Roz Goddard; Daisy Henwood; Sophie Herxheimer; Helen Ivory; Gregory Leadbetter; Arji Manuelpillai; Caleb Parkin; Nina Mingya Powles; Jacqueline Saphra; Clare Shaw; Degna Stone and Tamar Yoseloff.

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What is your highest ideal? What code do you live by? We all know that these differ from person to person. Nonetheless philosophers have long sought a single, overriding ideal that should guide everyone, always, everywhere, and after centuries of debate we're no closer to an answer. In How Should We Live?, John Kekes offers a refreshing alternative, one in which we eschew absolute ideals and instead consider our lives as they really are. Kekes argues that ideal theories are abstractions from the realities of everyday life and its problems. The well-known arenas where absolute ideals conflict-dramatic moral controversies about complex problems involved in abortion, euthanasia, plea bargaining, privacy, and other hotly debated topics - should not be the primary concerns of moral thinking. Instead, he focuses on the simpler problems of ordinary lives in ordinary circumstances. In each chapter he presents the conflicts that a real person - a schoolteacher, lawyer, father, or nurse, for example - is likely to face. He then uses their situations to shed light on the mundane issues we all must deal with in everyday life, such as how we use our limited time, energy, or money; how we balance short- and long-term satisfactions; how we deal with conflicting loyalties; how we control our emotions; how we deal with people we dislike; and so on. Along the way he engages some of our most important theorists, including Donald Davidson, Thomas Nagel, Christine Korsgaard, Harry Frankfurt, Charles Taylor, Alasdair MacIntyre, and Bernard Williams, ultimately showing that no ideal - whether autonomy, love, duty, happiness, or truthfulness-trumps any other. Rather than rejecting such ideals, How Should We Live? offers a way of balancing them by a practical and pluralistic approach - rather than a theory - that helps us cope with our problems and come closer to what our lives should be.

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A clear-eyed exploration of the career of Leon Trotsky, the tragic hero who “dreamed of justice and then wreaked havoc,” by a leading expert on human rights and the former Soviet Union Born Lev Davidovich Bronstein in southern Ukraine, Trotsky was both a world-class intellectual and a man capable of the most narrow-minded ideological dogmatism. He was an effective military strategist and an adept diplomat, who staked the fate of the Bolshevik revolution on the meager foundation of a Europe-wide Communist upheaval. He was a master politician who played his cards badly in the momentous struggle for power against Stalin in the 1920s. And he was an assimilated, indifferent Jew who was among the first to foresee that Hitler’s triumph would mean disaster for his fellow European Jews, and that Stalin would attempt to forge an alliance with Hitler if Soviet overtures to the Western democracies failed. Here, Trotsky emerges as a brilliant and brilliantly flawed man. Rubenstein offers us a Trotsky who is mentally acute and impatient with others, one of the finest students of contemporary politics who refused to engage in the nitty-gritty of party organization in the 1920s, when Stalin was maneuvering, inexorably, toward Trotsky’s own political oblivion. As Joshua Rubenstein writes in his preface, “Leon Trotsky haunts our historical memory. A preeminent revolutionary figure and a masterful writer, Trotsky led an upheaval that helped to define the contours of twentieth-century politics.” In this lucid and judicious evocation of Trotsky’s life, Joshua Rubenstein gives us an interpretation for the twenty-first century.

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Karma is the definitive autobiography from music icon, Boy George - the fabulous Grammy, Brit andIvor Novello award-winning lead singer of 80s pop/reggae band, Culture Club.Told in his inimitable style, Karma will reflect on Boy George's life as a kid growing up insixties London, through the hedonism of the seventies and the glam rock and punk rock revolutionthat birthed Culture Club, and the heydays of the nineties meeting musical legends like DavidBowie, Madonna and Prince - as well as addressing all those rumours. The book will reveal the highsand lows of love, loss, addiction, recovery, prison, and celebrity on Boy George's journey throughfame to finally embracing the man and artist that he is today: 'I went to a lot of trouble tocreate Boy George and then I went through a whole battle for years about not wanting to be him. Butnow I enjoy and embrace it in a way that I wasn't able to as a young person.... I'm learning to beGeorge Alan O'Dowd from Eltham who it turns out is quitean interesting person.'With all the humour, honesty, sarcasm (and hats!) that you'd expect, Karma gives us a uniqueinsight into Boy George's incredible story and the true evolution of a music icon.'Culture Club is always going to be one of those lovers I go back to. I've railed against it andthat Boy George character I created. For years I convinced myself I was a creature of habit,unchangeable, immovable. But eventually you have to look in the mirror. Not looking for spots, looking for something deeper. Whythe hell am I here? I would say lifeis the point of life.'

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Featuring the collection of the National Gallery of Art in Washington, DC, Belle is an enthralling adventure through three hundred years of art! Belle, a painted butterfly, has been quietly hovering over a beautiful white poppy in a seventeenth-century Dutch painting that has been her home for three hundred years. Suddenly and unexpectedly there is a sudden whoosh of air and she finds herself flying out of her picture into the void So begins the adventures of Belle, the red admiral butterfly in Jan Davidsz de Heem's Vase of Flowers. Accidentally dislodged, when her painting was being taken by museum staff to be examined by the Conservation Department, Belle and her sidekick Brimstone, a fellow butterfly who was ejected from the painting at the same time, must find their way back home. When their painting rolls into an elevator without them, their journey through the art museum begins. Because they are made of paint, they discover that they can blend into any of the other paintings in the museum, no matter what the subject or period. The characters travel through the museum galleries, morphing into and out of paintings by multiple artists and in many styles, while searching for their home painting. At the same time they must avoid becoming lunch for a painted bird in hot pursuit after being inadvertently released from another painting by an awkward bump from Brimstone! Belle and Brimstone tell their story as it happens with all the scary encounters and comic incidents that have them hiding out in unlikely places in the paintings they encounter. They dash and dart as the predatory bird flies after them, chasing them from room to room. Successful and safe in the end Brimstone is up for more adventures. Belle is not so sure! Maybe it will be safer if they stay put in their painting from now on. Can you find them? While the story is an adventure story written for young readers it will also enchant younger listeners. Featuring the collection of the National Gallery of Art, this tale is a fanciful romp through three hundred years of art history, inviting young people to delve into the world of art through the paintings of de Heem, Vermeer, Chardin, Goya, Rembrandt, Elisabeth Vigée-LeBrun, Mary Cassatt, Renoir, Monet, Tissot, Picasso, Derain, Marc, Matisse, Georgia O'keeffe, Rothko, Pollock, Lichtenstein and many others. As an added bonus Belle has taken the trouble to create Belle's Amazing, Astonishingly Magical Journal and illustrated it with her comments on each painting and ideas on where to hide when being chased! Let Belle and Brimstone be your guides and docents and mind out for that Bird! Mary Lee Corlett, an art historian and research associate at the National Gallery of Art in Washington, D.C., owes her love of art to her father, whose mechanical drawings and plans always seemed magical to her as a child, and to an inspired teacher who introduced her to the wonderful ideas and concepts that underlie all great art. As a child she drew and painted but later when, thinking she would like to teach art, she enrolled in college and attended studio art classes and studied education, she discovered that the art history classes were more exciting than her own studio work. Her first job after collecting her BA was as a teaching assistant in the Education department at the Cleveland Museum of Art, doing art projects in Mini-Masters classes of 4-5 year olds. She then moved to Washington and worked at the National Portrait Gallery before assuming her current position. She still draws and paints but her daughter has forsaken paint brush and easel for flute and music stand. They still visit the galleries together and walk through all the amazing, astonishing and magical rooms full of wonderful paintings and sculptures just to check that Belle and Brimstone are safe and sound! Phyllis Saroff is a professional artist who can't remember when she didn't draw pictures. Inspired in First Grade by an older girl drawing pictures for a story she had written Phyllis started to illustrate her own stories. Her father would bring home large stacks of used accordion-fold computer paper from his lab. It was printed on one side with his equations, and the other side was blank. The blank side was Phyllis' side. He let her leave her drawings all over the house, on the coffee table, the dining room table and the kitchen table. His daughter only had to get them out of the way to set the table for dinner. He thought each drawing was a masterpiece; each one greater than the last. He bought art supplies for every birthday and when she was eleven he bought her a small drafting table which she still uses in her studio. She now sells her paintings in galleries and illustrates books for a living and her 97 year-old father still thinks every one of her drawings is a masterpiece.

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This book presents the epic story of New York on nearly 600 pages of emotional, atmospheric photographs, from the mid-19th century to the present day. Supplementing this treasure trove of images are over a hundred quotations and references from seminal books, movies, shows, and songs. The city’s fluctuating fortunes are all represented, from the wild nights of the Jazz Age to the hedonistic disco era, from to the grim days of the Depression to the devastation of 9/11 and its aftermath, as its brokenhearted but unbowed citizens picked up the pieces. New York’s remarkable rise, reinvention, and growth are not just the tale of a city, but the story of a nation, From the building of the Brooklyn Bridge to the immigrants arriving at Ellis Island; from the slums of the Lower East Side to the magnificent art deco skyscrapers. The urban beach of Coney Island and the sleaze of Times Square; the vistas of Central Park and the crowds on Fifth Avenue. The streets, the sidewalks, the chaos, the energy, the ethnic diversity, the culture, the fashion, the architecture, the anger, and the complexity of the city are all laid out in this kaleidoscopic book. This is the greatest city in the world after all and great are its extremes, contradictions, and attitude. More than just a remarkable tribute to the metropolis and its civic, social, and photographic heritage, New York: Portrait of a City pays homage to the indomitable spirit of those who call themselves New Yorkers: full of hope and strength, resolute in their determination to succeed among its glass and granite towers. Features hundreds of iconic images, sourced from dozens of archives and private collections—many never before published—and the work of over 150 celebrated photographers, including Victor Prevost, Jacob Riis, Lewis Hine, Alfred Stieglitz, Paul Strand, Berenice Abbott, Walker Evans, Weegee, Margaret Bourke-White, Saul Leiter, Esther Bubley, Arnold Newman, William Claxton, Ralph Gibson, Ryan McGinley, Mitch Epstein, Steve Schapiro, Marvin Newman, Joel Meyerowitz, Andreas Feininger, Charles Cushman, Joseph Rodriguez, Garry Winogrand, Larry Fink, Jamel Shabazz, Allan Tannenbaum, Bruce Davidson, Helen Levitt, Eugene de Salignac, Ruth Orkin, Joel Sternfeld, Keizo Kitajima, and many more.

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The novel returns to the aftermath of the trial of Beatrice Salandy and the villagers of Rosehill on the island of Santabella first met in Flanagan's novel You Alone Are Dancing. Though Beatrice is acquitted to the joy of the village, it is clear that nothing has changed. Though Santabella has been independent for several decades, only the new Black ruling class has benefited. Most Santabellans struggle to scratch a living, find adequate schools, healthcare or even reliable basic services. Cynical corruption flourishes and the queues to get visas to escape to America grow ever longer and more desperate. For Beatrice there is the recognition that Sonny, the man she loved, has wholly abandoned her, settled in the USA with a white American wife.But there is one new element: a rapidly growing radical Muslim movement with a growing appeal to the poor Black people of Santabella with their welfare schemes, grass-roots campaigning and air of incorruptibility. And there is the Haji, the charismatic leader of movement who combines a media-savvy native wit, a well-developed mystique and a steely control over his group. Even Beatrice is impressed. Between the Mosque, regularly raided for arms by the police and army and Rosehill is Abdul, whose aunt lives in the village and who is the Haji's second in command. It is Abdul, decent serious Abdul, who is one of the main narrative voices in the novel. But does his sincerity go with honesty about the violent coup that the Haji plans? Abdul's becomes a fascinatingly unreliable voice, part revealer, part concealer of the truth.Trinidad born Brenda Flanagan teaches creative writing, Caribbean and African American Literatures at Davidson College, North Carolina. She is also a United States cultural ambassador, and has served in Kazakstan, Chad and Panama.

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In this engaging book, Douglas Anderson begins with the assumption that philosophy—the Greek love of wisdom—is alive and well in American culture. At the same time, professional philosophy remains relatively invisible. Anderson traverses American life to find places in the wider culture where professional philosophy in the distinctively American tradition can strike up a conversation. How might American philosophers talk to us about our religious experience, or political engagement, or literature—or even, popular music? Anderson’s second aim is to find places where philosophy happens in nonprofessional guises—cultural places such as country music, rock’n roll, and Beat literature. He not only enlarges the tradition of American philosophers such as John Dewey and William James by examining lesser-known figures such as Henry Bugbee and Thomas Davidson, but finds the theme and ideas of American philosophy in some unexpected places, such as the music of Hank Williams, Tammy Wynette, and Bruce Springsteen, and the writings of Jack Kerouac. The idea of “philosophy Americana” trades on the emergent genre of “music Americana,” rooted in traditional themes and styles yet engaging our present experiences. The music is “popular” but not thoroughly driven by economic considerations, and Anderson seeks out an analogous role for philosophical practice, where philosophy and popular culture are co-adventurers in the life of ideas. Philosophy Americana takes seriously Emerson’s quest for the extraordinary in the ordinary and James’s belief that popular philosophy can still be philosophy. Philosophy Americana: Making Philosophy at Home in American Culture is available from the publisher on an open-access basis.

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This is a major, wide-ranging history of analytic philosophy since 1900, told by one of the tradition's leading contemporary figures. The first volume takes the story from 1900 to mid-century. The second brings the history up to date. As Scott Soames tells it, the story of analytic philosophy is one of great but uneven progress, with leading thinkers making important advances toward solving the tradition's core problems. Though no broad philosophical position ever achieved lasting dominance, Soames argues that two methodological developments have, over time, remade the philosophical landscape. These are (1) analytic philosophers' hard-won success in understanding, and distinguishing the notions of logical truth, a priori truth, and necessary truth, and (2) gradual acceptance of the idea that philosophical speculation must be grounded in sound prephilosophical thought. Though Soames views this history in a positive light, he also illustrates the difficulties, false starts, and disappointments endured along the way. As he engages with the work of his predecessors and contemporaries--from Bertrand Russell and Ludwig Wittgenstein to Donald Davidson and Saul Kripke--he seeks to highlight their accomplishments while also pinpointing their shortcomings, especially where their perspectives were limited by an incomplete grasp of matters that have now become clear. Soames himself has been at the center of some of the tradition's most important debates, and throughout writes with exceptional ease about its often complex ideas. His gift for clear exposition makes the history as accessible to advanced undergraduates as it will be important to scholars. Despite its centrality to philosophy in the English-speaking world, the analytic tradition in philosophy has had very few synthetic histories. This will be the benchmark against which all future accounts will be measured.

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A compilation of Charles Bukowski's underground articles from his column "Notes of a Dirty Old Man" appears here in book form. Bukowski's reasoning for self-describing himself as a 'dirty old man' rings true in this book."People come to my door—too many of them really—and knock to tell me Notes of a Dirty Old Man turns them on. A bum off the road brings in a gypsy and his wife and we talk . . . . drink half the night. A long distance operator from Newburgh, N.Y. sends me money. She wants me to give up drinking beer and to eat well. I hear from a madman who calls himself 'King Arthur' and lives on Vine Street in Hollywood and wants to help me write my column. A doctor comes to my door: 'I read your column and think I can help you. I used to be a psychiatrist.' I send him away . . .""Bukowski writes like a latter-day Celine, a wise fool talking straight from the gut about the futility and beauty of life . . ." —Publishers Weekly"These disjointed stories gives us a glimpse into the brilliant and highly disturbed mind of a man who will drink anything, hump anything and say anything without the slightest tinge of embarassment, shame or remorse. It's actually pretty hard not to like the guy after reading a few of these semi-ranting short stories." —Greg Davidson, curiculummag.comCharles Bukowski was born in Andernach, Germany on August 16, 1920, the only child of an American soldier and a German mother. Bukowski published his first story when he was twenty-four and began writing poetry at the age of thirty-five. His first book of poetry was published in 1959; he went on to publish more than forty-five books of poetry and prose, including Pulp (Black Sparrow, 1994), Screams from the Balcony: Selected Letters 1960-1970 (1993), and The Last Night of the Earth Poems (1992). Other Bukowski books published by City Lights Publishers include More Notes of a Dirty Old Man, The Most Beautiful Woman in Town, Tales of Ordinary Madness, Portions from a Wine-Stained Notebook, and Absence of the Hero. He died of leukemia in San Pedro on March 9, 1994.

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What is your highest ideal? What code do you live by? We all know that these differ from person to person. Artists, scientists, social activists, farmers, executives, and athletes are guided by very different ideals. Nonetheless for hundreds of years philosophers have sought a single, overriding ideal that should guide everyone, always, everywhere, and after centuries of debate we're no closer to an answer. In How Should We Live?, John Kekes offers a refreshing alternative, one in which we eschew absolute ideals and instead consider our lives as they really are, day by day, subject to countless vicissitudes and unforeseen obstacles. Kekes argues that ideal theories are abstractions from the realities of everyday life and its problems. The well-known arenas where absolute ideals conflict--dramatic moral controversies about complex problems involved in abortion, euthanasia, plea bargaining, privacy, and other hotly debated topics--should not be the primary concerns of moral thinking. Instead, he focuses on the simpler problems of ordinary lives in ordinary circumstances. In each chapter he presents the conflicts that a real person--a schoolteacher, lawyer, father, or nurse, for example--is likely to face. He then uses their situations to shed light on the mundane issues we all must deal with in everyday life, such as how we use our limited time, energy, or money; how we balance short- and long-term satisfactions; how we deal with conflicting loyalties; how we control our emotions; how we deal with people we dislike; and so on. Along the way he engages some of our most important theorists, including Donald Davidson, Thomas Nagel, Christine Korsgaard, Harry Frankfurt, Charles Taylor, Alasdair MacIntyre, and Bernard Williams, ultimately showing that no ideal--whether autonomy, love, duty, happiness, or truthfulness--trumps any other. No single ideal can always guide how we overcome the many different problems that stand in the way of living as we should. Rather than rejecting such ideals, How Should We Live? offers a way of balancing them by a practical and pluralistic approach--rather than a theory--that helps us cope with our problems and come closer to what our lives should be.

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Examines Mendelssohn's relationship to the past, shedding light on the construction of historical legacies that, in some cases, served to assert German cultural supremacy only two decades after the composer's death. By upbringing, family connections, and education, Felix Mendelssohn was ideally positioned to contribute to the historical legacies of the German people, who in the aftermath of the Napoleonic Wars discovered that they were a nation with a distinct culture. The number of cultural icons of German nationalism that Mendelssohn "discovered," promoted, or was asked to promote (by way of commissions) in his compositions is striking: Gutenberg and the invention of the printing press, Dürer and Nuremberg, Luther and the Augsburg Confession as the manifesto of Protestantism, Bach and the St. Matthew Passion, Beethoven and his claims to universal brotherhood. The essays in thisvolume investigate from a variety of perspectives Mendelssohn's relationship to the music of the past, including the significance of Bach's music for the Mendelssohn family, the homages to Bach in Mendelssohn's organ compositions,the influence of Beethoven in the Reformation Symphony, and Mendelssohn's reception and use of Handel's oratorios. Together, the essays shed light on the construction of legacies that, in some cases, served to assert German cultural supremacy only two decades after the composer's death in 1847. Contributors: Celia Applegate, John Michael Cooper, Hans Davidsson, Wm. A. Little, Peter Mercer-Taylor, Siegwart Reichwald, Glenn Stanley, Russell Stinson, Benedict Taylor, Nicholas Thistlethwaite, Jürgen Thym, R. Larry Todd, Christoph Wolff Jürgen Thym is professor emeritus of musicology at the Eastman School of Music and editor of Of Poetry and Song: Approaches tothe Nineteenth-Century Lied (University of Rochester Press, 2010).

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In The Americas Revealed, distinguished art historian and curator Edward J. Sullivan brings together a vibrant group of essays that explore the formation, in the United States, of public and private collections of art from the Spanish- and Portuguese-speaking Americas.The contributors to this volume trace the major milestones and emerging approaches to collecting and presenting Spanish Colonial and modern Latin American art by museums, galleries, private collections, and corporations from the late nineteenth to the twenty-first century. In chronicling the roles played by determined collectors from New York to San Francisco, the essays examine a range of subjects from MoMA’s mid-twentieth-century acquisition strategies to the growing taste on the West Coast for the work of Diego Rivera. They consider the impact of various political shifts on art collecting, from reactions against the “American exceptionalism” of the Monroe Doctrine to the aesthetic biases of government-sponsored art academies in Mexico, Rio de Janeiro, and Havana. The final three chapters focus on living collectors such as Roberta and Richard Huber, Patricia Phelps de Cisneros, and Estrellita B. Brodsky.A thorough and definitive account of the changing course of private and public collections and their important connection to underlying political and cultural relations between the United States and Latin American countries, this volume gives a rare glimpse into the practice of collecting from the collectors’ own point of view.In addition to the editor, contributors to this volume are Miriam Margarita Basilio, Estrellita B. Brodsky, Vanessa K. Davidson, Anna Indych-López, Ronda Kasl, Gabriel Pérez-Barreiro, Berit Potter, Mari Carmen Ramírez, Joseph Rishel, Delia Solomons, and Suzanne Stratton-Pruitt.

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'Rarely is such an important book this funny. And rarely is such a funny book this important' - RICHARD OSMAN'The second funniest book I have read about being a Labour supporter from Blair to Brexit' - JOHN O'FARRELL'Matt Forde is brilliant at finding the comedy which often accompanies political life. This book made me laugh out loud - and wince in recognition' - TONY BLAIR'This book is smarter and funnier than Donald Trump. Matt Forde was so bad at politics that I'd have considered working for him' - ANTHONY SCARAMUCCI'That Matt Forde is able to make the current political shit-show funny shows his genius. You'll be laughing too hard to notice, but this is a very clever book' - RUTH DAVIDSON'Definitely one of the books I will claim to have read this year' - JACK DEE'Absolutely brilliant. I didn't want the book to end but I'm glad Fordy's political career did. And I mean that as both a compliment and not a compliment' - RUSSELL HOWARD-----------Part memoir, part behind-the-scenes insider view, Politically Homeless is both a fascinating and funny book for anyone who feels annoyed by the current state of politics. Which should be around 65 million people in the UK alone.Matt Forde has been obsessed with politics ever since he was 9 years old. Raised by a single mum on benefits in inner city Nottingham, he joined the Socialist Workers Party as soon as he could, foisted issues of Marxism Today on innocent bystanders and attended his first political party conference. From then on, despite some career suicide moments such as chatting to the Prime Minister at Number 10 while badly drunk, Matt's whole future looked wedded to the Labour Party as he started working for MPs in dingy back rooms in Nottinghamshire.But then Labour started to fall apart, and so did Matt's sense of purpose. With the rise of Corbyn, Brexit and Trump, his love for politics that had been so profound began to quickly crumble.Exploring themes such as tribalism, the curse of complacency and why some politicians refuse to speak normally, Politically Homeless is a hugely entertaining book of (often hilarious) personal stories and thought-provoking insights into this complicated world. And despite everything, Matt's passion is still there. Through hosting his award-winning weekly podcast, 'The Political Party' (over 5 million downloads) involving interviews with some of politics' most powerful and notorious figures including Tony Blair, Nicola Sturgeon, Sadiq Khan, Michael Heseltine, Nigel Farage and Jacob Rees-Mogg and performing critically acclaimed stand-up comedy shows, Matt has been able to keep enough faith that politics will get better. Maybe.

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This thoroughly revised and updated second edition provides a comprehensive guide to Post Keynesian methodology, theory and policy prescriptions. The Companion reflects the challenges posed by the global financial crisis that began in 2008 and by the consolidation of the New Neoclassical Synthesis in macroeconomic theory. There are 41 entirely new entries, marking the emergence of a new generation of Post Keynesian scholars. The central issues that were dealt with in the first edition remain at the core of the book, but much more attention is paid in this second edition to financial markets, to Post Keynesian economics outside its traditional Anglo-American heartland and to gender issues and environmental policy. Including major theoretical, methodological and policy issues in Post Keynesian economics, this enriching Companion will strongly appeal to postgraduate and advanced undergraduate students in economics as well as related social science disciplines including international political economy, international relations, politics, public policy and sociology.Contributors: A. Altuzarra, P. Arestis, T. Asada, A. Barba, T. Baskoy, J. Bibow, S. Blankenburg, R.A. Blecker, H. Bloch, A. Brown, D. Bunting, F.J. Cardim de Carvalho, V. Chick, J. Cornwall, W. Cornwall, J. Courvisanos, C. Danby, F. Dantas, P. Davidson, L.F. De Paula, D. Dequech, S.C. Dow, P. Downward, S. Dullien, S.P. Dunn, A.K. Dutt, S. Fazzari, F. Ferrari-Filho, B. Fine, G. Fontana, M. Forstater, G. Fujii, R. Garnett, B. Gerrard, M. Glickman, G.C. Gu, G.C. Harcourt, J.T. Harvey, M. Hayes, E. Hein, J.F. Henry, G. Hewitson, M.C. Howard, P. Howells, T. Jefferson, J. Jespersen, T.-H. Jo, D.W. Katzner, S. Keen, S. Kelton, J.E. King, P. Kriesler, M. Lavoie, J. Leclaire, F.S. Lee, J. Lodewijks, M.C. Marcuzzo, J.S.L. McCombie, E.J. McKenna, A. Mearman, J. Melmiès, W. Mitchell, G. Mongiovi, T. Mott, T. Mouakil, Y. Nersisyan, J.W. Nevile, T. Niechoj, R. O'Donnell, P.A. O'Hara, A. Pacella, T.I. Palley, G. Palma, C. Panico, S.D. Parsons, N. Perry, M. Pivetti, R. Pollin, S. Pressman, J. Priewe, A. Razmi, R. Realfonzo, C. Rider, L.-P. Rochon, C.J. Rodríguez-Fuentes, S. Rossi, C. Sardoni, M. Sawyer, R.H. Scott III, M. Setterfield, N. Shapiro, H.J. Sherman, P. Skott, J. Smithin, E. Stockhammer, R. Studart, P.R. Tcherneva, A.P. Thirlwall, Z. Todorova, J. Toporowski, G. Tortorella Esposito, A.B. Trigg, É. Tymoigne, L. Ussher, T. Van Treeck, A. Vercelli, M. Vernengo, M. Watts, E. Webster, A. Winnett, M.H. Wolfson, L.R. Wray, D.C. Zannoni

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This thoroughly revised and updated second edition provides a comprehensive guide to Post Keynesian methodology, theory and policy prescriptions. The Companion reflects the challenges posed by the global financial crisis that began in 2008 and by the consolidation of the New Neoclassical Synthesis in macroeconomic theory. There are 41 entirely new entries, marking the emergence of a new generation of Post Keynesian scholars. The central issues that were dealt with in the first edition remain at the core of the book, but much more attention is paid in this second edition to financial markets, to Post Keynesian economics outside its traditional Anglo-American heartland and to gender issues and environmental policy. Including major theoretical, methodological and policy issues in Post Keynesian economics, this enriching Companion will strongly appeal to postgraduate and advanced undergraduate students in economics as well as related social science disciplines including international political economy, international relations, politics, public policy and sociology.Contributors: A. Altuzarra, P. Arestis, T. Asada, A. Barba, T. Baskoy, J. Bibow, S. Blankenburg, R.A. Blecker, H. Bloch, A. Brown, D. Bunting, F.J. Cardim de Carvalho, V. Chick, J. Cornwall, W. Cornwall, J. Courvisanos, C. Danby, F. Dantas, P. Davidson, L.F. De Paula, D. Dequech, S.C. Dow, P. Downward, S. Dullien, S.P. Dunn, A.K. Dutt, S. Fazzari, F. Ferrari-Filho, B. Fine, G. Fontana, M. Forstater, G. Fujii, R. Garnett, B. Gerrard, M. Glickman, G.C. Gu, G.C. Harcourt, J.T. Harvey, M. Hayes, E. Hein, J.F. Henry, G. Hewitson, M.C. Howard, P. Howells, T. Jefferson, J. Jespersen, T.-H. Jo, D.W. Katzner, S. Keen, S. Kelton, J.E. King, P. Kriesler, M. Lavoie, J. Leclaire, F.S. Lee, J. Lodewijks, M.C. Marcuzzo, J.S.L. McCombie, E.J. McKenna, A. Mearman, J. Melmiès, W. Mitchell, G. Mongiovi, T. Mott, T. Mouakil, Y. Nersisyan, J.W. Nevile, T. Niechoj, R. O'Donnell, P.A. O'Hara, A. Pacella, T.I. Palley, G. Palma, C. Panico, S.D. Parsons, N. Perry, M. Pivetti, R. Pollin, S. Pressman, J. Priewe, A. Razmi, R. Realfonzo, C. Rider, L.-P. Rochon, C.J. Rodríguez-Fuentes, S. Rossi, C. Sardoni, M. Sawyer, R.H. Scott III, M. Setterfield, N. Shapiro, H.J. Sherman, P. Skott, J. Smithin, E. Stockhammer, R. Studart, P.R. Tcherneva, A.P. Thirlwall, Z. Todorova, J. Toporowski, G. Tortorella Esposito, A.B. Trigg, É. Tymoigne, L. Ussher, T. Van Treeck, A. Vercelli, M. Vernengo, M. Watts, E. Webster, A. Winnett, M.H. Wolfson, L.R. Wray, D.C. Zannoni

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From East Baltimore to Forest Park to Park Heights, from Nates and Leon's deli to Hutzler's department store, Jewish Baltimore tells stories of neighborhoods, people, and landmarks that have been important to Baltimore's Jewish experience. Gilbert Sandler, whose popular columns have appeared in Baltimore's Jewish Times and the Baltimore Sun, offers a wide-ranging history of the region's Jewish community from the 1850s to the present, covering both German Jewish and Russian Jewish communities. Sandler's archival research uncovers new details about important people and events, but the heart of his book lies in its anecdotes and quotations-the reminiscences of those who recall the rich tapestry of days gone by. More than a hundred nostalgic photographs help to bring the memories to life. Many of Sandler's essays invoke famous names in Baltimore history-names like Jack Pollack, the ex-boxer turned politician; Joseph Meyerhoff, who gave his city a symphony hall; Samuel Hecht, founder of the last surviving local department store chain. But just as often, these essays remind us of unsung heros: rabbis, merchants, teachers, and camp counselors. Sandler tells many inspirational stories, including how one young woman, escaping from Germany in 1939 on a ship headed to Bolivia, seized an opportunity when she learned the ship would stop in Baltimore. She sent a cable to her boyfriend in Richmond, Virginia, telling him to meet her at the dock, and the two were married onboard-which eventually allowed her to enter the United States. Sandler always uncovers the "human interest" in his stories. His account of the S.S. President Warfield-refitted as the Exodus to carry food, supplies, and 4,500 European refugees to Palestine in 1947-contains personal recollections from one of the local businessmen who played a key role in the secret operation, and even a statement from someone who, as a young workman, helped to load the ship. Jewish Baltimore also highlights fondly remembered institutions. Hutzler's s department store, for example, was a common meeting place for weekend shoppers; a notebook in Hutzler's balcony allowed friends to trade messages and track each other down in the large store. Hutzler's celebrated return policy stated that "anything could be returned within a reasonable amount of time"-with the word reasonable conveniently left to the customer's discretion. There was also Hendler's ice cream, whose advertisements featured a kewpie doll, proclaiming "Take home a brick!" When a competing chain bragged about producing twenty-eight flavors, Albert Hendler counted fifty flavors in his father's stock-including licorice, eggnog, and tomato aspic (the last flavor produced as a speciality for the Southern Hotel). Focusing on religious education, Sandler tells of the Talmud Torahs, the area's first highly visible, community-wide system committed to providing a Jewish education-two hours of instruction daily, in addition to a Jewish student's other lessons. The Talmud Torahs, dating from 1889, laid the foundation for later Jewish schools, such as the Isaac Davidson Hebrew School. Sandler also visits P.S. 49, a public school remembered for its high concentration of Jewish students. For recreation, the Monument Street "Y" was a popular site, providing a health club, game rooms, six-lane swimming pool, soda fountain, and library. In his essays on summer vacations, Sandler discusses family visits to Eastern Shore beaches and describes the summer camps that were frequented by Jewish children. Sandler has a knack for getting the people he interviews to recall every detail, from the names of favorite teachers or rabbis down to the price of a movie at the Avalon theater and which streetcar line they used to get there. Baltimore has a strong and historically important Jewish presence, and this book engagingly tells the story of that community.

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