Search results for ""author city"

Fear is ubiquitous but slippery. It has been defined as a purely biological reality, derided as an excuse for cowardice, attacked as a force for social control, and even denigrated as an unnatural condition that has no place in the disenchanted world of enlightened modernity. In these times of institutionalized insecurity and global terror, Facing Fear sheds light on the meaning, diversity, and dynamism of fear in multiple world-historical contexts, and demonstrates how fear universally binds us to particular presents but also to a broad spectrum of memories, stories, and states in the past. From the eighteenth-century Peruvian highlands and the California borderlands to the urban cityscapes of contemporary Russia and India, this book collectively explores the wide range of causes, experiences, and explanations of this protean emotion. The volume contributes to the thriving literature on the history of emotions and destabilizes narratives that have often understood fear in very specific linguistic, cultural, and geographical settings. Rather, by using a comparative, multidisciplinary framework, the book situates fear in more global terms, breaks new ground in the historical and cultural analysis of emotions, and sets out a new agenda for further research. In addition to the editors, the contributors are Alexander Etkind, Lisbeth Haas, Andreas Killen, David Lederer, Melani McAlister, Ronald Schechter, Marla Stone, Ravi Sundaram, and Charles Walker.

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When American Readers at Home was published in early 2018, it was met with widespread praise. The German weekly Die Zeit called it “a fascinating contemporary document of contradictions.” The manager of a major London art bookshop tweeted on April 10, 2018 that he had “checked ALL the books at London Book Fair today to find the best one and this is it: American Readers at Home […] It’s incredible!” The book soon sold out, not least because it won gold in the 2019 German Design Award and was also among the winners of the 2018 Swiss and German national book design competitions. Swiss graphic designer and photographer Ludovic Balland has now put together a new selection of the compelling material amassed on his road trip across the United States during the 2016 presidential campaign. American Readers at Home - New Cut brings together colour photographs of cityscapes and black-and-white portraits of American citizens with interviews about their use of news media, alongside facsimiles of newspapers and collages with statements about the current state of the country. Four years have passed, yet none of these stories have lost their power or urgency! French journalist Julien Gester, who writes for the French daily Libération, and Swiss curator Hilar Stadler have contributed new forewords.

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Robert Frank’s father, Henry, was both the proprietor of a bicycle shop in Zurich, and a keen amateur photographer. Father – Photographer makes public for the first time a selection of Henry Frank’s photographs including landscapes, family portraits, still-lifes and cityscapes. When Robert Frank immigrated to the United States in 1947, a wooden box containing his father’s stereophotographs was one of the few objects he brought with him. In 2008 that box and the fragile photographic glass plates within it were hand-escorted to Steidl in Göttingen, where they were scanned in tri-tone in preparation for this book. Designed by Robert Frank, Father – Photographer reveals Henry Frank to be both a talented photographer and a keen traveller. His pictures include snow-capped Alps and lakes in Switzerland, views of Venice, Pisa and Florence, and depictions of his family and friends including the young Robert. Henry Frank also reveals a passion for modern means of transport in images of aeroplanes, ships, hot-air balloons, and a car fair at the Grand Palais in Paris. Father – Photographer is a revelation of the unknown photographer Henry Frank, a historical photographic document of the early twentieth century, as well as a new chapter in Robert Frank’s ongoing bookmaking.

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Chicago is indeed the crown jewel of Illinois, with its awe-inspiring cityscape, world-class museums and dining, and diverse neighborhoods, but don’t miss the other wonderful spots. Cruise the Mississippi in a riverboat; trace the history of Abe Lincoln; see the stunning Garden of the Gods in Shawnee National Forest. Camp, canoe, swim, hike, fish, bike, or sail in the many park. Illinois's friendliness will make you feel right at home.

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16 Taschenmodelle für jede Gelegenheit zum Selbstnähen Taschen sind nicht nur praktisch, sondern auch ein Accessoire und modisches Statement. Da ist es von Vorteil, wenn man sich seine Taschen nach den eigenen Wünschen nähen kann. Petra Daniels zeigt Ihnen zuerst Schritt für Schritt die Basistechniken und erläutert das wichtigste Zubehör. Das Erlernte können Sie dann gleich an einer Henkeltasche mit einfachem Schnitt ausprobieren oder als Fortgeschrittene zu Projekten mit höherem Schwierigkeitsgrad übergehen. Bei den vielen Taschenmodellen ist für jeden Anlass etwas dabei: Von der legeren Schultertasche über die modische Clutch und den prak - tischen Cityshopper bis zur eleganten Abendtasche – hier bleiben keine Wünsche offen.

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Discover how today's amazing inventions and technologies work while developing your Scratch coding skills.Recreate the technology that lives in transport technology with code. Learn about self-driving cars, create a hoverboard game, program a drone to deliver a package across a cityscape and much more!Each book in the Code: STEM series goes inside a different machine or technology and explains the key computer code and systems that are controlling them. Step-by-step activities teach you how to create your own versions of these machines on screen, and bring them to life - with code! The focus is placed on modern technologies that actually use code to work, rather than looking back at steam engines, etc. This will keep the practice of coding firmly in the contemporary. The series uses Scratch as the coding language, as this is still the most used, user-friendly and flexible in building projects, however no prior experience of Scratch is expected and each book will include an introduction to Scratch.Perfect for exploring STEAM and other high-interest topics. Great for reader 9 and up.

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Fear is ubiquitous but slippery. It has been defined as a purely biological reality, derided as an excuse for cowardice, attacked as a force for social control, and even denigrated as an unnatural condition that has no place in the disenchanted world of enlightened modernity. In these times of institutionalized insecurity and global terror, Facing Fear sheds light on the meaning, diversity, and dynamism of fear in multiple world-historical contexts, and demonstrates how fear universally binds us to particular presents but also to a broad spectrum of memories, stories, and states in the past. From the eighteenth-century Peruvian highlands and the California borderlands to the urban cityscapes of contemporary Russia and India, this book collectively explores the wide range of causes, experiences, and explanations of this protean emotion. The volume contributes to the thriving literature on the history of emotions and destabilizes narratives that have often understood fear in very specific linguistic, cultural, and geographical settings. Rather, by using a comparative, multidisciplinary framework, the book situates fear in more global terms, breaks new ground in the historical and cultural analysis of emotions, and sets out a new agenda for further research. In addition to the editors, the contributors are Alexander Etkind, Lisbeth Haas, Andreas Killen, David Lederer, Melani McAlister, Ronald Schechter, Marla Stone, Ravi Sundaram, and Charles Walker.

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A cosmic disaster erased almost all colour from the world, and now the mutated descendants of humanity live in a moody, noir cityscape draped with shades of grey. There is great power hidden in what little colour remains, and a secretive cult known as the Order hopes to use that power to awaken their mysterious gods. Standing against them is Avidia, a gun-toting investigator and scientist who works outside the law. If he's to prevail, he'll need more power - which means surviving an incredibly dangerous new experiment, even as the Order moves ahead with the consummation of all their schemes!

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Calling all clever crafters! Get ready to transform plastic bottles into fun crafts. Turn plastic bottles into luminous lanterns. Craft a tiered plastic bottle planter. Build your own plastic bottle cityscape. What will you make?

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With exquisite detail and humble sensibilities, Geoffrey Nutter’s sixth collection of poetry offers myriad delights in language and the imagination. In cityscapes, nature, books, and color, we find respite in the complexities of the commonplace—from clocks to teardrops to moths. The poems in Giant Moth Perishes teach us how to live in the world with curious attention. And at the heart of this daydreaming is a spectacular earnestness, firmly embedded in the idea that the landscape of poetry is limitless and wild.

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This ethereal and unusual collection of 200 photographs shot around in the world, in both black and white and color, presents the artist's ongoing project that is an experiment in privacy and freedom. Using the world's public spaces as backdrop, the artist has removed all clothes and placed herself into landscapes and cityscapes to question the issue of what is private and what is public. The result is shocking not because the subject is nude, but because of the seamless way in which her body fits into these environments without interruption, almost eliminating the divide between public and private. The fact that these photographs even exist is something of a miracle. The work is filled with contradictions and unexpected experiences for the reader. Never before published in book form, and seen only rarely in exhibition spaces, these very distinctive and beautiful photographs, when seen together, offer the question of what is private and what is public, and how those distinctions impact personal and group freedoms. Emotionally evocative and artistically elegant, this totally original work beckons all investigators of humanity's place in the universe.

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The diversity of ocean beaches and high desert, majestic mountains and lush valleys, and---of course, the scenic Columbia River Gorge are what makes Oregon both unique and beloved. Rich Schafer's magnificent images convey familiar scenes and evocative places from all across the Beaver State, including the undulating wheat fields of Central Oregon, the crystallline blue waters of Crater Lake National Park, colorful expanses of wildflowers in the Cascade Range, and the dramatic beauty of Multnomah Falls. From Cannon Beach to the Wallowa Mountains, from the hillside orchards of the Hood River Valley to the volcanic monoliths along the Oregon coast, from Portland and Eugene's cityscapes to Eastern Oregon's isolated grandeur, the splendor of this state is captured in this inspiring book.

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Blue Ridge Dreaming celebrates the magic and drama of one of the most breathtaking landscapes in the United States. When New York native Mike Poggioli moved to Asheville, North Carolina, he traded in cityscapes for the towering peaks, lush forests, and sparkling rivers of the Blue Ridge Mountains. His moody, dreamy landscapes follow golden light and delicate fog through the changing seasons with his distinctive color palette of oranges and blues.Home to the country’s two most popular national parks – the Blue Ridge Parkway and Great Smoky Mountains National Park – the Blue Ridge area has fascinated nature lovers for centuries with its beauty. Let Mike Poggioli and Blue Ridge Dreaming transport you to this gorgeous terrain.

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Over twenty West Virginia glass companies of the early twentieth century, including AlleyTM, BeaumontTM, BlenkoTM, FentonTM, FostoriaTM, MonongahTM, MorgantownTM, Paden CityTM, Seneca GlassTM, Weston GlassTM, and West Virginia Glass SpecialtyTM, are featured. More than 500 color photographs display diverse forms of beautiful glassware produced from the 1920s through the 1940s. Trade journal advertisements and catalog pages along with individual essays about each company, bibliographic references for further research, and current values in the captions make this a valuable resource.

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IntroductionPart One: General InformationBackground InformationGeography, Climate, Fauna and flora, History, Government and politics, Economy, The people, Language, Religion, Education, Culture, Sport, Natural historyPractical InformationWhen to visit, Highlights and itineraries, Tour operators, Red tape, Embassies and consulates, Getting there and away, Health, Safety, What to take, Money and budgeting, Getting around, Accommodation, Eating and drinking, Public holidays and festivals, Shopping, Arts and entertainment, Photography, Media and communications, Solo traveller's, Business, Cultural dos and don'ts, Giving something backNational parksEnvironmental NGOs, Birding and special interest sportsPart Two: The GuideCaracasMaiquetía airport, Getting around, Exploring Caracas by metro, Where to stay, Where to eat, What to do, Shopping, Money, Security, Communications, Visiting El Avila mountain, Beyond the cityCentral Coast and Colonia TovarThe central coast, La Guaira, historic port, M

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Born in Munich, Sepp Werkmeister has over the course of the last decades made a name for himself as one of Germany’s leading jazz photographers. He created insightful black-and-white portraits of all of the greats, from Louis Armstrong and Ella Fitzgerald to Oscar Peterson and Miles Davis in Munich, New York and at international festivals. His New York cityscapes of the 1960s and 1970s, which provide fascinating insights into the everyday life of the American metropolis, have remained entirely unknown, however. Werkmeister captured the entire panorama of New York’s urban society using his Rolleiflex camera: the rubbish, the stranded and the homeless on the one hand, and the rich and fashionably dressed inhabitants on the other hand. This publication presents more than 120 pictures from the photographer’s archive.

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In this book, Gerhard Richter explores the aesthetic and political ramifications of the literary genre of the Denkbild, or thought-image, as it was employed by four major German-Jewish writers and philosophers of the first half of the twentieth century: Theodor W. Adorno, Walter Benjamin, Ernst Bloch, and Siegfried Kracauer. The Denkbild is a poetic mode of writing, a brief snapshot-in-prose that stages the interrelation of literary, philosophical, political, and cultural insights. Richter's careful analysis of the linguistic characteristics of this mode of writing sheds new light on pivotal concerns of modernity, including the fractured cityscape, philosophical problems of modern music, the experience of exiled homelessness, and the disaster of Auschwitz. Thought-Images not only reorients our understanding of the Frankfurt School of Critical Theory in important ways but also establishes significant links between these writers and contemporary French thinkers such as Jacques Derrida.

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A Victorian scientist and inventor creates a machine for propelling himself through time, and voyages to the year AD 802701, where he discovers a race of humanoids called the Eloi. Their gently indolent way of life, set in a decaying cityscape, leads the scientist to believe that they are the remnants of a once great civilization. He is forced to revise this assessment when he comes across the cave dwellings of threatening ape-like creatures known as Morlocks, whose dark underground world he must explore to discover the terrible secrets of this fractured society, and the means of getting back to his own time. A biting critique of class and social equality as well as an innovative and much imitated piece of science fiction which introduced the idea of time travel into the popular consciousness, The Time Machine is a profound and extraordinarily prescient novel.

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Enhances his status as a mythic avenger. . .You'll be left with a thumping heart and a racing pulse but, be warned, Chapter 63 will give you nightmares." (Evening Standard)Suicide bombers are easy to spot.They give out all kinds of tell-tale signs.There are twelve things to look for.No one who has worked in law enforcement will ever forget them.New York City.The subway, two o'clock in the morning.Jack Reacher studies his fellow passengers.Four are OK.The fifth isn't.The train brakes for Grand Central Station.Will Reacher intervene, and save lives?Or is he wrong?Will his intervention cost lives - including his own?_________Although the Jack Reacher novels can be read in any order, Gone Tomorrow is 13th in the series.And be sure not to miss Reacher's newest adventure, no.26, Better off Dead! ***OUT NOW***

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The Empire State Building is the landmark book on one of the world’s most notable landmarks. Since its publication in 1995, John Tauranac’s book, focused on the inception and construction of the building, has stood as the most comprehensive account of the structure. Moreover, it is far more than a work in architectural history; Tauranac tells a larger story of the politics of urban development in and through the interwar years. In a new epilogue to the Cornell edition, Tauranac highlights the continuing resonance and influence of the Empire State Building in the rapidly changing post-9/11 cityscape.

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Disasters strike every day, but despite the best laid plans you may find yourself in one with only the clothes on your back and without a well packed first-aid kit. In Essential Survival Gear, J. Morgan Ayres explains in detail what you need to have when a dire emergency occurs, wherever you are, whoever you are. Ayres—a former Green Beret, martial arts master, and wilderness and urban survivalist—explains his four-layer concept (clothing, day bag, backpack, basic equipment and luxuries) and profiles and provides photos of a broad range of gear, with recommendations on what works best in what scenario—from cityscapes to wilderness and everywhere in between—and how to use it.

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In The Story of Looking, Mark Cousins takes us on a lightning-bright tour - in words and images - through how our looking selves develop over the course of a lifetime, and the ways that looking has changed over the centuries. From great works of art to holiday photos, from cityscapes to cinema, through science and history, protest and propaganda, and the refusal to look, this book illuminates how we construct as well as receive the things we see.

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Explore the world's natural habitats and the plants and animals that live there. From the depths of the ocean to soaring mountain peaks - via coral reefs, deserts, rainforests, and even cityscapes - discover how unexpected wildlife partnerships make up the habitats plants and animals call home.Each habitat section starts with a fascinating illustration to explain how it works, exploring the combination of conditions, plants, and animals that make it up. It then delves deeper, telling stories about how the inhabitants interact and find their place in each habitat. Survival strategies can be extreme, including frogs that can survive frozen through winter to emerge unharmed in spring. Vying for resources, plants and animals can work together in intimate partnerships, engage in direct competition - fighting tooth and nail over resources - or adapt in particular ways to find their own niche that only they can exploit. These intricately balanced systems create an incredible and fascinating variety of life on our planet.So what are you waiting for? Dive deep into the pages of this ecological guidebook to discover:- A foreword by broadcaster, naturalist, and conservationist Chris Packham.- Beautiful double-page-spread illustrations introduce each habitat, and detailed interpretation explains how the habitat works.- Conservation stories highlight the challenges we face in preserving natural habitats alongside an expanding human population.- 64-page colour reference section on national parks, wildlife reserves, and other protected areas.Earth's pristine wildernesses are dwindling, so the book includes national parks, wildlife reserves, and other protected areas and the conservation efforts needed to preserve our precious biological diversity.

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This jewel-like book evokes unmistakable Italian landscapes and cityscapes. Anne Desmet's pen commits every detail to paper, and the small-scale format emphasises her distinctive flair for capturing the relationship between extreme foreground and distance. This is an opportunity to explore Italy, from Apennines to Veneto, through the eyes of a very particular artist.

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American Modern presents a fresh look at The Museum of Modern Art’s holdings of American art made between 1915 and 1950, and considers the cultural preoccupations of a rapidly changing American society in the first half of the 20th century. Organized thematically and featuring paintings, drawings, prints, photographs, sculpture, and film, the publication brings together some of the Museum’s most celebrated masterworks, contextualizing them across mediums and amidst lesser-seen but revelatory works. The selection of works by artists such as Edward Hopper, Georgia O’Keeffe, Charles Sheeler, Charles Burchfield and Stuart Davis include urban and rural landscapes, scenes of industry, still-life compositions and portraiture. Although varying in style and specifics, they share certain underlying visual and emotional tendencies. Cityscapes and factories are eerily emptied of the crush of residents that flocked to them, becoming both a celebration of clean modern form and technological advances, as in Sheeler’s paintings and photographs, and a reflection of anxiety about increasingly urban life-styles and their consequences for the American individual, as in Hopper’s iconic Night Windows. Equally silent rural scenes are no less haunting, but perhaps reflect a nostalgia for seemingly simpler times, and a celebration of early American traditions and values. Rather than an encyclopedic view of American art of the period, this volume is a focused look at the strengths and surprises of MoMA’s collection in an area that has played a rich and major role in the institution’s history.

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The speakers of Oracle occupy the outer-borough cityscape of New York's Staten Island, where they move through worlds glittering with refuse and peopled by ghosts—of a dead lover, of a friend lost to suicide, of a dog with glistening eyes. Marvin's haunting, passionate poems explore themes of loss, of the vulnerability of womanhood in a world hostile to it, and of the fraught, strangely compelling landscape of adolescence.

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The running theme in Michael McClure’s Simple Eyes & Other Poems is: looking at the world directly. The results are often as disquieting as they are illuminating, whether he directs his unblinking gaze on the American cityscape, the landscapes of Mexico and Kenya, or the mind’s own terrain. In the long title poem, “Simple Eyes (Fields),” the stanzas on the Persian Gulf War bloom out of images of all wars the poet has known––”the spiritual wars, the napalm and cordite and nuclear wars, and the war against nature”––and become a kind of spiritual autobiography. At the heart of the poetry is McClure’s return to the ancient concept of agnosia, the idea of knowing through unknowing, as a way of living in desperate times, in which deep human or humane feelings have almost become outlaw. Simple Eyes is an outspoken poet’s statement, unsentimental, yet with mind and eye quickened by love.

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Over the past 15 years, the town of Lewiston, Maine-once a booming mill town that had fallen on harder times - has improbably become one of the most Islamic towns in America. Some 6000 Somali immigrants have settled there, drastically changing the makeup of a town of 36,000 people in total. Lewiston now has the third highest per capita Muslim population of any U.S. cityCynthia Anderson tells the story of this fractious yet resilient town and how it is thriving in a new era. With empathy and honesty, she delivers a dramatic portrait of a community grappling with change, while humanising one of the most defining political issues in America today. Her reporting takes the reader deep into the lives of both immigrants and lifelong Mainers to tell the story of America's relationship to Islam, and deliver an honest refutation of the idea that we'd be better off without change.Read more

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A fascinating history of the carbon footprint of our concrete world—from ancient Roman architecture to urban cityscapes—and the trouble it spells for sustainability amidst rapid climate change. For readers of The Sixth Extinction and The Uninhabitable Earth , Concrete explores the history of a material that has been central to architecture and design for thousands of years—and what its future looks like in a world experiencing rapid climate change. Imagine a world without concrete: there'd be no skyscrapers, no grand irrigation projects, no out of season vegetables, no highways. There would be a shortage of electricity, more mud in some places, more solitude in others. But because of the fossil fuels and other resources required to make concrete, there also would also be less carbon dioxide in the atmosphere and less dramatic climate change. In Concrete: From Ancient Origins to a Problematic Future , Mary Soderstrom tells the story of concrete's surprising past, ext

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'See the UK at its most earth-shatteringly beautiful' The Mail on Sunday'Britain at its best' The Telegraph Foreword by Ray MearsFrom rural countryside to striking urban cityscapes, discover the best of British landscapes from the latest edition of the Landscape Photography of the Year competition. Now in its 15th year, this highly prestigious annual showcase was devised by award-winning photographer, Charlie Waite, and attracts thousands of visitors each year to its Central London exhibition. This edition features winning and highly commended entries across a range of categories.'From rolling hills to electrifying night skies, the Landscape Photographer of the Year Awards celebrate extraordinary urban, rural and coastal scenes from around the UK.' The Sunday Times'If you needed any convincing how beautiful this country can be, take a look at the winners of the annual Landscape Photographer of the Year awards' Time Out

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With exquisite detail and humble sensibilities, Geoffrey Nutter’s sixth collection of poetry offers myriad delights in language and the imagination. In cityscapes, nature, books, and color, we find respite in the complexities of the commonplace—from clocks to teardrops to moths. The poems in Giant Moth Perishes teach us how to live in the world with curious attention. And at the heart of this daydreaming is a spectacular earnestness, firmly embedded in the idea that the landscape of poetry is limitless and wild.

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Here is a Christian allegorical story that treats of superlatives. The richest man in the world, with the most varied and treasured art collection in existence, begets the most wonderful son who, like himself, loves and appreciates every creation they possess. They relish entering the very worlds of their seascapes, landscapes, cityscapes and even abstract forms, but, most of al, they cherish their portraits, sharing in the very lives of their subjects. Under the father’s solicitous eye, and with their motherly estate keeper’s assistance, the exceptional son grows in wisdom and stature, extending his wealth to whomever wants it. What becomes of this son? And what later becomes of the treasures when the father decides to offer his immensely vast collection at auction? What superlative will be the most superlative of all? The man who wins the auction for the Portrait of the Son is in for the surprise of his life, and the would-be bidders witness a miracle of conversion. This is the long-awaited third volume in a trilogy of The Theological Virtues--faith, hope, and love--which began with THE WEIGHT OF A MASS, A Tale of Faith, and TAKE IT TO THE QUEEN, A Tale of Hope. Printed on the front and back underflaps are theological insights into the text and art of this story for all ages, for the true protagonists are the Persons of the Holy Trinity, the seen and unseen world of Creation, and the Blessed Virgin Mary.

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The lifetime of Johan Huizinga (1872–1945) was marked by dramatic transformations in Europe. Cityscapes, aesthetic codes, social orders, political cultures, international travel and means of warfare developed beyond recognition; entire catalogues of hopes and fears were torn asunder and replaced by new ones during not one but two wars. Amidst all these changes, Huizinga grew to become one of the most famous historians of his time. To this day, his works are treated as monuments in the cultural historical field. This book examines how these transformations and ‘experiences of loss’ affected and informed Huizinga’s historical perspectives. Most centrally, this book contends that Huizinga’s historical works helped to accommodate and give meaning to his own experiences of uncertainty and rupture, thus offering him a way of life in turbulent times. This project offers an original and comprehensive analysis of an iconic historian writing in the age of collapse

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This is a superb photographic celebration of the unique places and people of Los Angeles. Photographer John Humble has lived and worked in Los Angeles for over thirty years - in that time he has created a stunning body of work that uniquely captures the distinctive architecture and natural environment of Southern California. "A Place in the Sun" is a magnificent celebration of Humble's distinctive view of Los Angeles - from the concrete channels of the Los Angeles River and the monumental freeways in the sky to the people and the cityscape through which they run.

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Learn all about space in this out-of-this-world addition to the bestselling Block Book series!3 . . . 2 . . . 1 . . . Blast off! In this follow-up to Alphablock, Countablock, Dinoblock, Cityblock, Buildablock, Farmblock, Loveblock, and Sharkblock, readers will experience the historic moon landing, learn about what modern astronauts do in space, read about the recent landing of Mars rover Perseverance, and more. In keeping with the rest of the series, Spaceblock features the charming art of British design team Peski Studio, die-cut pages, and ten impressive gatefolds, including one that unfolds to 30 inches wide to showcase all the planets in our solar system!

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Calling to the scattered tribes of contemporary New Zealand, The Conch Trumpet sounds the signal to listen close, critically, and "in alert reverie." David Eggleton’s reach of references, the marriage of high and low, the grasp of popular and classical allusion, his eye both for cultural trash and epiphanic beauty, make it seem as if here Shakespeare shakes down in the Pacific. There are dazzling compressions of history; astonishing paens to harbours, mountains, lakes, and rivers; wrenchingly dark, satirical critiques of contemporary politics, solipsism, narcissism, the apolitical, and the corporate, with a teeming vocabulary to match. And often too a sense of the imperative, grounding reality of the phenomenal world—the thisness of things: cloud whispers brush daylight’s ear, fern question marks form a bush encore, forlorn heat swings cobbed in webs. In this latest collection, David Eggleton is court jester, philosopher, lyricist, and a kind of male Cassandra, roving warningly from primeval swampland to gritty cityscape to the information and disinformation cybercloud.

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Discover the ultimate collection of film and TV locations with the next instalment in Lonely Planet's Spotter's Guide series. Featuring locations from more than 100 of the most iconic scenes ever committed to film, we'll show you where incredible moments from Indiana Jones, Star Wars, Thelma & Louise, Game of Thrones and many more favourites were shot. Whether you're sat in the dark of your local cinema, or curled up on the sofa, each film has the rare ability to transport you to amazing destinations around the globe. Inside this book, you'll be able to explore the real-life locations for some of the most famous productions of all time, filmed in countries including Canada, Australia, Jordan, Croatia, Iceland, Japan, New Zealand, Tunisia and India. Many of these locations effortlessly played themselves, while others were disguised as hostile, alien deserts, futuristic cityscapes, or Jedi hideaways. While a film's job is make you forget you'r

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This volume explores the appropriation of the past in modern British culture. Today, at the beginning of a new millennium, the mass media would have us believe that Britain is suffering an identity crisis. If the pundits are correct, we are witnessing a manipulation of British history at the hands of those keen to project a new national image—or in the language of commodification, to "rebrand" Britain. The twelve essays in Singular Continuities take a different tack. They argue that to distinguish between "the new" and "the traditional" in modern English culture often draws a false dichotomy, that British-ness, in fact, has been the product of continuous creation throughout the nineteenth and twentieth centuries. The contributors strongly suggest that "tradition" derives from constant reimagining, if not from calculated invention. Such reimagining has often assumed surprising forms. Thus, for example, at the end of Victoria's reign, an "enemy" culture—that of the Boer farmer—was recruited to the British ideal of pastoral self-sufficiency. Similarly, the iconoclastic surrealism of the interwar artist Humphrey Jennings was actually suffused with a celebratory sense of the British past. And during the 1970s and 1980s, working-class autobiography eulogized not the triumph of character over circumstance but rather an industrial nostalgia that recalled a cityscape where slum neighbors once knew their turf and the people who occupied it. Related themes are pursued in essays that range from the demonizing of Irish immigrants in early-Victorian London to the impact of reading on suffrage activism, from the professionalization of social work to the selling of the past in Thatcher's Britain. What has been termed "heritage-bashing" finds few echoes in this collection. "Heritage" is a remarkably protean notion, as useful to the political left as to the right, to feminists as well as to would-be patriarchs. It is the malleable nature of British cultural continuity that makes its heritage "singular."

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In this volume of papers, deriving from two conferences held in Rome and Leicester in 2016, nineteen leading European archaeologists discuss and interpret the complex evolution of landscapes – both urban and rural – across Late Antiquity and the Early Middle Ages (c. AD 300–700). The geographical coverage extends from Italy to the Mediterranean West through to the Rhine frontier and onto Hadrian’s Wall. Core are questions of impacts due to the socio-political, religious, military and economic transformations affecting provinces, territories and kingdoms across these often turbulent centuries: how did townscapes change and at what rate? What were the fates of villas? When do post-classical landscapes emerge and in what form? To what degree did Europe become an insecure, defended landscape? In what ways did people – cityfolk, farmers, nobility, churchmen, merchants – adapt? Do the elite remain visible and how prominent is the Church? Where and how do we see culture change through the arrival of new groups or new ideas? Do burials form a clear guide to the changing world? And how did the environment change in this period of stress – was the classical period landscape much altered through the attested depopulation and economic deterioration? And underlying much of the discussion is a consideration of the nature and quality of our source material: how good is the archaeology of these periods and how good is our current reading of the materials available? Combined, these expert studies offer valuable new analyses of people and places in a complex, challenging and crucial period in European history.

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Between 1919 and his death by suicide in 1963, Arthur Crew Inman wrote what is surely one of the fullest diaries ever kept by any American. Convinced that his bid for immortality required complete candor, he held nothing back. This abridgment of the original 155 volumes is at once autobiography, social chronicle, and an apologia addressed to unborn readers.Into this fascinating record Inman poured memories of a privileged Atlanta childhood, disastrous prep-school years, a nervous collapse in college followed by a bizarre life of self-diagnosed invalidism. Confined to a darkened room in his Boston apartment, he lived vicariously: through newspaper advertisements he hired “talkers” to tell him the stories of their lives, and he wove their strange histories into the diary. Young women in particular fascinated him. He studied their moods, bought them clothes, fondled them, and counseled them on their love affairs. His marriage in 1923 to Evelyn Yates, the heroine of the diary, survived a series of melodramatic episodes. While reflecting on national politics, waifs and revolutions, Inman speaks directly about his fears, compulsions, fantasies, and nightmares, coaxing the reader into intimacy with him. Despite his shocking self-disclosures he emerges as an oddly impressive figure.This compelling work is many things: a case history of a deeply troubled man; the story of a transplanted and self-conscious southerner; a historical overview of Boston illuminated with striking cityscapes; an odd sort of American social history. But chiefly it is, as Inman himself came to see, a gigantic nonfiction novel, a new literary form. As it moves inexorably toward a powerful denouement, The Inman Diary is an addictive narrative.

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Timed to coincide with the citywide celebration of Garcia Lorca in New York planned for 2013, this edition includes Garcia Lorca's letters to his family describing his feelings about America and his temporary home there, the annotated photographs that accompany those letters, a prose poem, notes, and an interpretive lecture by Garcia himself.

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Waterstones' Books of the YearNick McDonell's electrifying novel tells the story of a fictional drug called Twelve and its devastating effects on the beautiful rich and desperate poor of New York City.From page one, this novel pulsates towards its apocalyptic climax. Twelve is cool, cruel and utterly compulsive. Twelve has been adapted for film by Hollywood director Joel Schumacher starring Chace Crawford,Emma Roberts, and 50 Cent.Praise for Twelve'As fast as speed, as relentless as acid' -- Michiko Kakutani, New York Times'The hype is all true' --Sunday Telegraph'Bret Easton Ellis territory...an extraordinary assured debut' --Harper & Queen'McDonell is an authentic talent and, long after the storms of hype have died away, his novel will endure as a snapshot of his generation' --Observer'Consistently brilliant... One of the most exciting new writers around' --Independent on Sunday'A brilliant satirical debut' --Time Out'A compulsive elegy to wasted, privileged youth, lives up to the hype... lean, elegant and bleakly witty' --Elle

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Rod Mengham’s new offering comprises two complementary halves: a poetic meditation on a place (the Bronze Age site of Grimspound on Dartmoor); and a series of short essays on different cultural habitats. Grimspound is a four-part work combining prose and verse, composed on site over the course of ten years. It combines a `wild analysis’ of Hound of the Baskervilles (whose climactic scene takes place at Grimspound), a portrait of the Victorian excavator Sabine Baring-Gould, and a series of poems that draw on the Russian linguist Aharon Dolgopolsky’s experimental Nostratic Dictionary. Inhabiting Art gathers essays on cultural history in relation to landscape and cityscape, viewed either episodically or in the form of a palimpsest, where the present state of the habitat both reveals and conceals its own history and prehistory.

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CityDestinationMaps blend urban guidebook information with easy to read street maps, complete with 3D buildings. The maps are printed on waterproof, tear-resistant material that's lightweight yet very durable - idea for travel. Double-sided with beautiful photos and detailed travel information, this Prague map includes an inset map of the castle district, Charles bridge, Prague region and metro lines. An extensive index and information about points of interest in Prague is also featured.

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Featuring Jack Reacher, hero of the new blockbuster movie starring Tom Cruise, as he faces his most implacable enemy yet.Suicide bombers are easy to spot.They give out all kinds of tell-tale signs.There are twelve things to look for.No one who has worked in law enforcement will ever forget them.New York City.The subway, two o'clock in the morning.Jack Reacher studies his fellow passengers.Four are OK.The fifth isn't.The train brakes for Grand Central Station.Will Reacher intervene, and save lives?Or is he wrong?Will his intervention cost lives - including his own?

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Teleport yourself to the Forgotten Realms of Dungeons & Dragons with these licensed art posters!* OFFICIALLY LICENSED: An authentic Dungeons & Dragons product* HIGH QUALITY POSTERS: Gorgeous 8x10-inch full-color posters featuring 12 cityscapes from the Forgotten Realms * READY TO HANG: Easy removable sheets come ready to hang in your home, office, or anywhere* PERFECT GIFT FOR THE D&D FAN: Share and show-off your love for Dungeons & Dragons with these unique postersDungeons & Dragons, D&D, their respective logos, and the dragon ampersand, are registered trademarks of Wizards of the Coast LLC. 2022 Wizards of the Coast. All rights reserved.

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Recent discussions about the culture of images have focused on issues of identity - sexual, racial, national - and the boundaries that define subjectivity. In this context Victor Burgin adopts an original critical strategy. He understands images less in traditional terms of the specific institutions that produce them, such as cinema, photography, advertising, and television, and more as hybrid mental constructs composed of fragments derived from the heterogeneous sources that together constitute the 'media'. Through deft analyses of a photograph by Helmut Newton, Parisian cityscapes, the space of the department store, a film by Ousmane Sembene, and the writings of Henri Lefebvre, Andre Breton, and Roland Barthes, Burgin develops an incisive theory of our culture of images and spectacle. "In/Different Spaces" explores the construction of identities in the psychical space between perception and consciousness, drawing upon psychoanalytic theories to describe the constitution and maintenance of 'self' and 'us' - in imaginary spatial and temporal relations to 'other' and 'them' - through the all-important relay of images. For Burgin, the image is never a transparent representation of the world but rather a principal player on the stage of history.

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At times scorching, at times brimming with awe and desire, this debut book of poems resonates with a brilliant new voice.When Justine Chan worked as a park ranger at Zion National Park, she chose to retell a Southern Paiute folktale for her weekly evening program on coyotes. The more that long, hot summer unfolded, the more time she spent alone in the desert, the more she retold the story, the more the story became her life. And in that space, she began to write.Should You Lose All Reason(s) is unafraid of looking hard– back, down, towards, around, forward, at the stories we tell, at herself, at the desert, at the sun, at everything. In conversation with the Southern Paiute folktale, she weaves together a triptych of poems, poems both always on the move and stuck, in exile, in wilderness. Drawing from her experiences serving in AmeriCorps, working as a park ranger, and traveling across the United States, she explores race, loneliness, stories, hauntings, family, landscapes and cityscapes, climate change, survival, music, resilience, the West, and America itself.

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