Search results for ""jan""

The concept of assemblage has emerged in recent decades as a central tool for describing, analysing, and transforming dynamic systems in a variety of disciplines. Coined by Deleuze and Guattari in relation to different fields of knowledge, human practices, and nonhuman arrangements, assemblage is variously applied today in the arts, philosophy, and human and social sciences, forming links not only between disciplines but also between critical thought and artistic practice. Machinic Assemblages focuses on the concept's uses, transpositions, and appropriations in the arts, bringing together the voices of artists and philosophers that have been working on and with this topic for many years with those of emerging scholar-practitioners. The volume embraces exciting new and reconceived artistic practices that discuss and challenge existing assemblages, propose new practices within given assemblages, and seek to invent totally unprecedented assemblages. Contributors: Gareth Abrahams (University of Liverpool), Katarina Andjelkovic (Atelier AG Andjelkovic, Belgrade), Ian Buchanan (University of Wollongong), Edward Campbell (University of Aberdeen), Iain Campbell (University of Edinburgh), Paul Dolan (Northumbria University, ), Guy Dubious (Independent sound artist, Tel-Aviv), Vanessa Farfan (Independent artist, Berlin), Silvio Ferraz (University of Sao Paulo), Jose Gil (Nova University of Lisbon), Barbara Glowczewski (National Scientific Research Centre, CNRS), Derek Hales and Spencer Roberts (University of Salford / University of Huddersfield), Yuk Hui (Bauhaus University, Weimar), Jan Jagodzinski (University of Alberta), Niall Dermot Kennedy (Trinity College Dublin), George Lewis (Columbia University), Quirijn Menken (Avans University of Applied Sciences), Thomas Nail (University of Denver), Tero Nauha and Llona Hongisto (University of the Arts Helsinki / Macquarie University), Alex Nowitz (Stockholm University of the Arts), Peter Pal Pelbart (Pontifical Catholic University of Sao Paulo), Anne Sauvagnargues (University of Paris Ouest Nanterre La Defense), David Savat (University of Western Australia), Chris Stover (Arizona State University)

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Praise for Rebuilding the Corporate Genome "Whether you talk about capability-driven organizations, modular approaches, or networked economies, the implications of very low costs for transactions, information exchanges, and communications are clear: Business boundaries are dissolving and re-forming. Aurik, Jonk, and Willen show how innovators are creatively exploiting this trend to their decided advantage." —Gerard Hoetmer, Senior Vice President, Unilever Bestfoods "If you set your strategy at lower levels of the business, you can more effectively compete and grow-and fend off unexpected rivals. Rebuilding the Corporate Genome shows that once you look through capability lenses, new horizons and new possibilities suddenly come into focus." —Jan Oosterveld, Member, Group Management Committee, Royal Philips Electronics "This book is a compelling and prescient look at the future of the modern corporation. While the 'corporate genome project' may be a work in progress, the authors take important steps towards the goal of understanding how corporations really work, and how capability-based corporations will emerge as the organizations of tomorrow. Read this book carefully, because this is as close as you will get to a key for unlocking innovation and value in your industry." —Mohanbir Sawhney, McCormick Tribune Professor of Technology and Director, Center for Research in Technology & Innovation, Northwestern University, Kellogg School of Management "Rebuilding the Corporate Genome reveals the future before it arrives. The authors masterfully extrapolate from a set of current trends to paint a picture of how businesses and strategies will evolve. The book is a must-read for anyone charged with charting the direction of a business in these turbulent times." —Toby E. Stuart, Fred G. Steingraber-A.T. Kearney Professor of Organizations and Strategy, University of Chicago, Graduate School of Business

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'Centuries Will Not Suffice' explores how different people responded to the Lithuanian Holocaust and the roles that they played. It considers the past history of the perpetrators and those who took great risks to save Jews, as well as describing the experiences of many who were caught up in the maelstrom. Unlike the figures at the top of the Nazi hierarchy, the men who were responsible for these killings have been largely forgotten. Karl Jäger was a senior SS figure who was in charge of the units that carried out most of them. He complained that his experiences caused him to suffer nightmares but continued to order his units to carry on and refused offers of sick leave on the grounds that he regarded it as his duty to remain in his post. He took refuge in compiling painstakingly detailed reports of the killings, listing the numbers executed at every location and breaking them down into men, women and children. The roles played by other figures, from Himmler and Heydrich at the summit, through the ranks of men down to Martin Weiss and Bruno Kittel who were personally responsible for carrying out Nazi policies, are all described. Before the German invasion of Lithuania, two diplomats – Chiune Sugihara from Japan and Jan Zwartendijk from the Netherlands – recognised the great danger that lay ahead for the Jews of the Baltic region and did what they could to help them escape. Karl Plagge, a major in the army, did all he could to save Jews. What perhaps make the terrible story of the Baltic genocide unique is that the Nazi regime was able to rely upon collaboration by convincing the populace that the Soviet invasion of the area was the responsibility of the Jews.

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WINNER of the Kerry Group Irish Novel of the Year 2023WINNER of the John McGahern Prize 2023'Unputdownable . . . one of the best novels of the year' Sunday Independent* * *In the seaside town of Tramore, County Waterford, visitors arrive in waves with the tourist season, reliving the best days of their childhoods in its caravan parks, chippers and amusement arcades.Local teenager Helen Grant is indifferent to the charm of her surroundings; she dreams of escaping to art college with her glamorous classmate Stella Swaine and, from there, taking on the world. But leaving Tramore is easier said than done. Though they don't yet know it, Helen and Stella's lives are pulled by tides beyond their control.Following the Grant and Swaine families and their neighbours over three decades, The Amusements is a luminous and unforgettable story about roads taken and not taken - and a brilliantly observed portrait of a small-town community.* * *'THIS BOOK is EVERYTHING' Marian Keyes'Flannery's flawed, hopeful characters live and grow on the page' ANNE ENRIGHT, author of The Gathering'Quietly beautiful . . . Flannery's characters are very well drawn, as is her understanding of small-town mores and idle gossip. It's a book that leaves and impression long after the final page' IRISH INDEPENDENT'Effortless, perceptive, and hugely entertaining - I loved it' DONAL RYAN, author of Strange Flowers'A cracker of a book' KATHLEEN MAC MAHON, author of Nothing But Blue Sky'Fantastic . . . we were gripped' STELLAR'If you like dark humour, superbly drawn characters, caravan parks, fish suppers and slot machines, The Amusements is what you've been waiting for' JAN CARSON, author of The Fire Starters'A joy to read' LOUISE NEALON, author of Snowflake'A brilliant book. I loved meeting all these characters, who jumped off the page and stayed in my head' RÓISÍN INGLE'Brilliant. Dramatic, heartfelt, sometimes shocking and sad' IRISH EXAMINER

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Winner of a 2021 Carol Award There's a lot of irony in hitting rock bottom After a heartbreak leaves her reeling, January Sanders is open to anything--including moving into a cabin on her aunt's wedding-venue property and accepting a temporary position at her aunt's church despite being a lifelong skeptic of faith. Choosing to keep her doubts to herself, she's determined to give her all to supporting Grace Community's overworked staff while helping herself move on. What she doesn't count on is meeting the church's handsome and charming guitarist. It's a match set for disaster, and yet January has no ability to stay away, even if it means pretending to have faith in a God she doesn't believe in. Only this time, keeping her secret isn't as easy as she thought it would be. Especially when she's constantly running into her aunt's landscape architect, who seems to know everything about her past-and-present sins and makes no apologies about pushing her to deal with feelings she'd rather keep buried. Torn between two worlds that can't coexist, can January find the healing that's eluded her, or will her resistance to the truth ruin any chance of happiness? "In this touching inspirational from Gray, a faithless woman gets more than she bargained for as she rebounds from a broken heart. . . . Gray's entertaining tale showcases the power of love and faith in unexpected places."--Publishers Weekly "Once Jan opens up her heart to God, a family rift starts to mend, and she finds love and a place she belongs. Gray has crafted a sweet story."--Library Journal "I found this book to be both enjoyable and entertaining. There is quite a bit of well-written humor that is dispersed within the story. The plot is believable, and the characters are realistic. Love and a Little White Lie by Tammy L. Gray is a quick, easy read that would be perfect for reading beside the pool or at the beach. I recommend this book to anyone who enjoys sweet romance novels."--Fresh Fiction

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At the beginning of the last century, Marc Chagall, Pablo Picasso, Piet Mondrian and other acclaimed and unknown artists moved to Paris, the art capital of the world. They learnt to survive in a society that was becoming increasingly polarised, nationalistic, xenophobic and anti-Semitic. This exhibition and accompanying publication tells the story of artists in a foreign country who, despite adverse conditions, had the courage to take art to new heights. The show is an incredible chance to see the work of the great modern masters in a new light, and to discover new artists. Today, Chagall, Picasso and Mondrian are known as Masters of Modern Art, but behind their role as artistic pioneers lay struggle - all three, from different backgrounds, were migrants. In spite of their success and achievement, they faced the same insurmountable obstacle: they were not French. Picasso, born in Spain, arrived in Paris penniless, where he flourished as a creative genius. And yet he remained loyal to his Spanish roots, and often identified with being 'different', a sentiment he frequently explored in his work. As a Jewish-Russian in exile, Chagall faced loneliness, exclusion and outright anti-Semitism. Often packed with Jewish-Russian imagery like rabbis and synagogues, his paintings convey a sense of deep nostalgia. In his early years, the Dutchman Kees van Dongen also encounterd difficulties. He eventually became one of Paris' celebrated society painters, but in 1906 he complained that the newspapers consistently portrayed him as the sale étranger, or 'the dirty foreigner'. The exhibition Chagall, Picasso, Mondrian and Others: Migrant Artists in Paris shows work of, amongst others: Emmy Andriesse, Karel Appel, Eva Besnyö, Marc Chagall, Sonia Delaunay, Kees van Dongen, Gisèle Freund, Natalia Goncharova, Wassily Kandinsky, Germaine Krull, Wifredo Lam, Jacques Lipchitz, Paula Modersohn-Becker, Piet Mondriaan, Marlow Moss, Pablo Picasso, Man Ray, Diego Rivera, Gino Severini, Jan Sluijters, Chaim Soutine, Sophie Taeuber-Arp, Nicolaas Warb (Sophia Warburg), and Ossip Zadkine.

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Text in English & German. Fritz Leonhardt would have been 100 years old in 2009. The Südwestdeutsches Archiv für Architektur und Ingenieurbau (saai) at the University of Karlsruhe is presenting the first full retrospective of this famous structural engineer's work, which holds his exten-sive estate. Leonhardt studied at the Technische Hochschule in Stuttgart and then travelled in the USA. He made his professional début with the German autobahn, for which he designed the Rodenkirchen suspension bridge in 1938-41. Leonhardt supported Herrmann Giesler's plans for the "capital of the movement" with a domed structure for the new main station in Munich, a project that was never realised. In the post-war period he worked mainly on reinforced and pre-stressed concrete structures. He combined pioneering structural innovations with a high standard of creative design. The television tower in Stuttgart, which he designed in 1953/54, is a good example of this. It has had countless successors all over the world. Leonhardt made important technical innovations in bridge-building in particular. He and his colleagues worked on the Düsseldorf family of bridges from the 1950s to the 1970s, diagonal cable bridges with an aesthetic shaping the urban landscape, and the Leonhardt, Andrä und Partner practice founded by him created wide-span bridges all over the world based on these models. Leonhardt was involved as a structural engineer on the first post-war high-rise buildings in Germany. He worked with the architects concerned on the cable-net structures for the German Pavilion at the 1967 Montreal World's Fair, and for the roofs of the 1972 Munich Olympics buildings. The interplay between science and practice was crucial to Leonhardt. With texts by Hans-Peter Andrä, Wolfgang Eilzer, Holger Svens-son and Thomas Wickbold, Ursula Baus, Norbert Becker, Dirk Bühler, Hans-Wolf Reinhardt and Christoph Gehlen, Theresia Gürtler Berger, Gerhard Kabierske, Joachim Kleinmanns, Karl-Eugen Kurrer, Alfred Pauser, Eberhard Pelke, Jörg Peter, Klaus Jan Philipp, Jörg Schlaich, Dietrich W. Schmidt, Werner Sobek, Elisabeth Spieker, Christiane Weber and Friedmar Voormann, Fritz Weller, and Fritz Wenzel.

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The brothers Paul and John Nash, in their very different ways, were a major influence on twentieth century British design. Paul Nash (1889-1946) is now recognised as the most significant war artist of the last century; John Nash (1893-1977) as a plantsman artist. Both worked as designers and as tutors at the Royal College of Art, Paul encouraging a generation of designer artists that included Eric Ravilious, Edward Bawden and Enid Marx. As a committee member of the Design and Industries Association and President of the newly formed Society of Industrial Artists (now the Chartered Society of Designers) Paul promoted design as no less an art form than the fine arts of painting and sculpture. His clients included London Transport, Shell and Curwen Press and publishers the Nonesuch and Golden Cockerel Presses. John became well known for his Edward Lear influenced humorous illustrations and his superb plant drawings and wood engravings that illustrate innumerable books and publications. Paul Nash and John Nash, Design features over 150 illustrations, including graphic design, textile design, ceramics and glass, many not reproduced before. With descriptions by Brian Webb and an introductory essay by Peyton Skipwith. The Design series is the winner of the Brand/Series Identity Category at the British Book Design and Production Awards 2009, judges said: "A series of books about design, they had to be good and these are. The branding is consistent, there is a good use of typography and the covers are superb." Also available: Claud Lovat Fraser ISBN: 9781851496631 GPO ISBN: 9781851495962 Peter Blake ISBN: 9781851496181 FHK Henrion ISBN: 9781851496327 David Gentleman ISBN: 9781851495955 David Mellor ISBN: 9781851496037 E.McKnight Kauffer ISBN: 9781851495207 Edward Bawden and Eric Ravilious ISBN: 9781851495009 El Lissitzky ISBN: 9781851496198 Festival of Britain 1951 ISBN: 9781851495337 Harold Curwen & Oliver Simon: Curwen Press ISBN: 9781851495719 Jan Le Witt and George Him ISBN: 9781851495665 Rodchenko ISBN: 9781851495917 Abram Games ISBN: 9781851496778

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A hybrid of reggae and rap, reggaeton is a music with Spanish-language lyrics and Caribbean aesthetics that has taken Latin America, the United States, and the world by storm. Superstars—including Daddy Yankee, Don Omar, and Ivy Queen—garner international attention, while aspiring performers use digital technologies to create and circulate their own tracks. Reggaeton brings together critical assessments of this wildly popular genre. Journalists, scholars, and artists delve into reggaeton’s local roots and its transnational dissemination; they parse the genre’s aesthetics, particularly in relation to those of hip-hop; and they explore the debates about race, nation, gender, and sexuality generated by the music and its associated cultural practices, from dance to fashion.The collection opens with an in-depth exploration of the social and sonic currents that coalesced into reggaeton in Puerto Rico during the 1990s. Contributors consider reggaeton in relation to that island, Panama, Jamaica, and New York; Cuban society, Miami’s hip-hop scene, and Dominican identity; and other genres including reggae en español, underground, and dancehall reggae. The reggaeton artist Tego Calderón provides a powerful indictment of racism in Latin America, while the hip-hop artist Welmo Romero Joseph discusses the development of reggaeton in Puerto Rico and his refusal to embrace the upstart genre. The collection features interviews with the DJ/rapper El General and the reggae performer Renato, as well as a translation of “Chamaco’s Corner,” the poem that served as the introduction to Daddy Yankee’s debut album. Among the volume’s striking images are photographs from Miguel Luciano’s series Pure Plantainum, a meditation on identity politics in the bling-bling era, and photos taken by the reggaeton videographer Kacho López during the making of the documentary Bling’d: Blood, Diamonds, and Hip-Hop.Contributors. Geoff Baker, Tego Calderón, Carolina Caycedo, Jose Davila, Jan Fairley, Juan Flores, Gallego (José Raúl González), Félix Jiménez, Kacho López, Miguel Luciano, Wayne Marshall, Frances Negrón-Muntaner, Alfredo Nieves Moreno, Ifeoma C. K. Nwankwo, Deborah Pacini Hernandez, Raquel Z. Rivera, Welmo Romero Joseph, Christoph Twickel, Alexandra T. Vazquez

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'You ought to see Livy & me, now-a-days - you never saw such a serenely satisfied couple of doves in all your life. I spent Jan 1, 2, 3 & 5 there & left at 8 last night. With my vile temper & variable moods, it seems an incomprehensible miracle that we two have been right together in the same house half the time for a year & a half, & yet have never had a cross word, or a lover's 'tiff,' or a pouting spell, or a misunderstanding, or the faintest shadow of a jealous suspicion. Now isn't that absolutely wonderful? Could I have had such an experience with any other girl on earth? I am perfectly certain I could not...We are to be married on Feb. 2d'. So begins Volume 4 of the letters, with Samuel Clemens anticipating his wedding to Olivia L. Langdon. The 338 letters in this volume document the first two years of a loving marriage that would last more than thirty years. They recount, in Clemens' own inimitable voice, a tumultuous time: a growing international fame, the birth of a sickly first child, and the near-fatal illness of his wife. At the beginning of 1870, fresh from the success of "The Innocents Abroad", Clemens is on 'the long agony' of a lecture tour and planning to settle in Buffalo as editor of the "Express". By the end of 1871, he has moved to Hartford and is again on tour, anticipating the publication of "Roughing It" and the birth of his second child. The intervening letters show Clemens bursting with literary ideas, business schemes, and inventions, and they show him erupting with frustration, anger, and grief, but more often with dazzling humor and surprising self-revelation. In addition to "Roughing It", Clemens wrote some enduringly popular short pieces during this period, but he saved some of his best writing for private letters, many of which are published here for the first time.

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International best-selling author and theologian Tomáš Halík shares for the first time the dramatic story of his life as a secretly ordained priest in Communist Czechoslovakia. Inspired by Augustine's candid presentation of his own life, Halík writes about his spiritual journey within a framework of philosophical theology; his work has been compared to that of C. S. Lewis, Thomas Merton, and Henri Nouwen. Born in Prague in 1948, Halík spent his childhood under Stalinism. He describes his conversion to Christianity during the time of communist persecution of the church, his secret study of theology, and secret priesthood ordination in East Germany (even his mother was not allowed to know that her son was a priest). Halík speaks candidly of his doubts and crises of faith as well as of his conflicts within the church. He worked as a psychotherapist for over a decade and, at the same time, was active in the underground church and in the dissident movement with the legendary Cardinal Tomášek and Václav Havel, who proposed Halík as his successor to the Czech presidency. Since the fall of the regime, Halík has served as general secretary to the Czech Conference of Bishops and was an advisor to John Paul II and Václav Havel. Woven throughout Halík’s story is the turbulent history of the church and society in the heart of Europe: the 1968 Prague Spring, the occupation of Czechoslovakia, the self-immolation of his classmate Jan Palach, the “flying university,” the 1989 Velvet Revolution, and the difficult transition from totalitarian communist regime to democracy. Tomáš Halík was a direct witness to many of these events, and he provides valuable testimony about the backdrop of political events and personal memories of the key figures of that time. This volume is a must-read for anyone interested in Halík and the church as it was behind the Iron Curtain, as well as in where the church as a whole is headed today.

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Going well beyond graphic descriptions of death row's madness and suicide-inducing realities, Writing for Their Lives offers powerful, compassionate, and harrowing accounts of prisoners rediscovering the value of life from within the brutality and boredom of the row. Editor Marie Mulvey-Roberts brings together the writings of prisoners (many of whom are also prize-winning authors) and the words of those who work in the field of capital punishment, whose roles have included defense attorney, prison psychiatrist, chaplain and warden, spiritual advisor, abolitionist and executioner, as well as a Nobel Prize nominee and a murder victim family member. The material is presented through articles, journal extracts, letters, short stories, and poems. Exposing little-known facts about the five modes of execution practiced in the United States today, Writing for Their Lives documents the progress of life on death row from a capital trial to execution and beyond, through the testimony of the prisoners themselves as well as those who watch, listen, and write to them. What emerges are stories of the survival of the human spirit under even the most unimaginable circumstances, and the ways in which some prisoners find penitence and peace in the most unlikely surroundings. In spite of the uniformity of their prison life and its nearly inevitable conclusion, prisoners able to read and write letters are shown to retain and develop their individuality and humanity as their letters become poems and stories. Writing for Their Lives serves ultimately as an affirmation of the value of life and provides bountiful evidence that when a state executes a prisoner, it takes a life that still had something to give. This edition features an introduction by the editor as well as a foreword by Jan Arriens. Dr. Mulvey-Roberts will be donating her profits from the sale of this volume to the legal charity Amicus, which assists in capital defense in the United States."

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The Kama Sutra gives detailed instructions on how to spank it. Contemporary Italians touch it for luck before placing a bet. Americans are having it cosmetically enhanced at rates approaching breast enlargement surgery. The female butt, tush, culo, or derrière has always inspired awe, fantasy, and slavish devotion.Curiously, its primary purpose is functional rather than aesthetic: butts balance our bodies while running, according to biologists. But ask any pygophiliac—as fundament fans are clinically termed—and you’ll get the same answer: female hindquarters exist to please the eye, the hands, and parts south. A pert posterior causes instant arousal, as Zora Neale Hurston observed in Their Eyes Were Watching God: "The men noticed her firm buttocks like she had grape fruits in her hip pockets." Or, as rapper Sir Mix-a-lot proclaimed, "My anaconda don’t want none, unless you’ve got buns, hun."Having all but disappeared from western culture in the breast-obsessed second half of the 20th century, the fully formed fanny is currently enjoying a massive resurgence, attributed by some to American actress Jennifer Lopez, by others to the rise of booty-centric hip hop culture. Yet this rage for shapely butts is nothing new. The ancient Greeks worshipped at the temple of Aphrodite Kallipygos, Goddess of the Beautiful Buttocks, while a womanly rump has always been an object of worship in most of the southern hemisphere.The Big Butt Book explores this perennial fascination with female booty—from small and taut to large and sumptuous—in the fourth installment of Dian Hanson’s critically acclaimed body parts series. Over 400 photos from 1900 to the present day, including works by Elmer Batters, Ellen von Unwerth, Jean-Paul Goude, Ralph Gibson, Richard Kern, Jan Saudek, Ed Fox, Terry Richardson and Sante D’Orazio, of butts ranging from petite Pam Anderson’s to sumptuous Serena Williams’, are contextualized by interviews with porn icon John (Buttman) Stagliano, filmmaker Tinto Brass, artist Robert Crumb, bootylicious butt queens Buffie The Body, Coco and Brazil’s Watermelon Woman, plus Eve Howard and her life-long spanking obsession.

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Growing up in the Boston suburbs, Tom Werman was deeply affected by pop music from a young age. He long dreamed of a career in music -- first as Elvis, then as the next George Harrison -- but it almost turned out very differently. Dutifully following the path his parents had laid out for him, he obtained an MBA from an Ivy League university and took a plum job in an industry he came to despise. Then, in 1970, a chance letter sent to CBS Records boss Clive Davis led to a new opportunity . . . and a place in rock and roll history. As an A&R man at Epic Records, Werman helped introduce the world to REO Speedwagon, Boston, Ted Nugent, and Cheap Trick; he also discovered KISS, Rush, and Lynyrd Skynyrd, but his record label passed on all of them. Then, as an independent producer, he oversaw landmark albums by Motley Crue (Shout At The Devil), Twisted Sister (Stay Hungry), Lita Ford (Dangerous Curves), Jeff Beck (Live With Jan Hammer), Poison (Open Up And Say ... Ahh!), and many more. All in all, his record-making resume includes twenty-three gold- or platinum-selling albums and cumulative sales of more than fifty-two million copies. After bearing witness to several sea changes in the music industry, Werman retired from producing in 2001 and reinvented himself as an award-winning innkeeper in the Berkshire Hills of Massachusetts. And that might have been that, until an off-the-cuff rebuttal to a disparaging critique of his role in making the Motley Crue album Girls, Girls, Girls on a music website led to a fortnightly column and now this book -- an honest and engaging insider account on how some of the best-loved albums of the 1970s and 80s came to be. A must for anyone interested in the glory days of rock and metal, Turn It Up! offers valuable insights into the recording process, the recording studio, the role of the producer, and the production values that are essential to the creation of a hit record.

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Rediscover one of the twentieth century's greatest romances in Lawrence Durrell's seductive tale of four tangled lovers in wartime Egypt that is 'stunning' (André Aciman) and 'wonderful' (Elif Shafak)'A masterpiece.' Guardian'A formidable, glittering achievement.' TLS'One of the great works of English fiction.' Times 'Dazzlingly exuberant ... Superb.' Observer'Brave and brazen ... Lush and grandiose.' Independent 'Legendary ... Casts a spell ... Reader, watch out!' Guardian'Lushly beautiful ... One of the most important works of our time.' NYTBR Alexandria, Egypt. Trams, palm trees and watermelon stalls lie honey-bathed in sunlight; in darkened bedrooms, sweaty lovers unfurl. But in a world trembling on the brink of the Second World War, passion and death are inextricable. When Darley, a penniless schoolteacher, begins an affair with Justine - a married Egyptian woman of unparalleled glamour - their partners, Melissa and Nessim, are sucked into a whirlpool of jealousy and violence. One of the twentieth-century's greatest romances, Lawrence Durrell's scandalous 'investigation of modern love' set the world alight in 1957. Rich in political and sexual intrigue, his epic masterpiece burns just as brightly today. Introduced by Jan Morris, this oomnibus edition collects all four novels together in all their glory.What Readers Are Saying - Justine (Book 1):'Sometimes you discover a new author and know you're going to be friends for life ... One of the most beautiful books I've ever read.''I absolutely adored this book ... I felt sucked into it with an amazing force by the beauty of the words ... The backdrop of 1930s Egypt's literary circles and bohemian relationships is mesmerising ... Breathtaking.''Shimmering and dreamlike ... One of the most beautifully written books I've read ... All of life is here; can't wait for the next one.''Lush, brutal, beautiful ... Durrell captured a place and time that will never exist again.''What makes this novel truly spectacular is the language, the episodic jumps in time, the lush lyricism, and how Durrell so deftly manages to tie this all into both the city of Alexandria and the themes of passion, love, and jealousy. '

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A brand new two-hour drama celebrating the 40th anniversary of Terry Nation's classic Blake's 7 series. The Way Ahead - by Mark Wright Part 1: Project Aquitar, Part 2: Dissent. Roj Blake. Kerr Avon. Names that sent shockwaves through the galaxy, shattering the foundations of the Terran Federation and giving hope to the oppressed. But what is their legacy? Crusading heroes or dangerous enemies of the state? In the early days of Blake’s rebellion, the Liberator comes to Malanar Delta to aid resistance leader Avalon, but the crew find Space Commander Travis and his Federation forces waiting. An abandoned Federation research project could give Travis the key to finally bringing Blake to justice. Years later, in the aftermath of the Galactic War, Avon and the Liberator crew fight to survive as new battle lines are drawn and alliances forged by President Servalan. Will survival be enough when a symbol of hope is turned into a devastating engine of war? Blake's 7 proves to be one of Big Finish's most popular ranges, with fans of the original late 1970s BBC1 series enjoying many of the TV actors returning to their roles. This set marks the 40th anniversary of this hugely popular and influential British cult Sci -Fi series screening on BBC1 in 1978. The story is set in the past, present and future of the TV series, and includes Glynis Barber (who originally played gunfighter Soolin) back with the franchise for the first time since the series’ dramatic finale. Yasmin Bannerman (Doctor Who, Merseybeat) has been cast as Dayna Mellanby, a character originally played by Josette Simon. CAST: Paul Darrow (Kerr Avon), Michael Keating (Vila Restal), Jan Chappell (Cally), Steven Pacey (Del Tarrant), Jacqueline Pearce (Servalan), Yasmin Bannerman (Dayna Mellanby), Alistair Lock (Zen / Orac), Sally Knyvette (Jenna Stannis), Stephen Greif (Travis), Olivia Poulet (Avalon), Kate Brown (Cassandra), Glynis Barber (Magda), Sam Woodward (Sheltak / Freighter Captain), Catherine Bailey (Mutoid / Captain), Fanos Xenofós (Interceptor Commander/ Trooper).

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Lonely Planet: The world's leading travel guide publisherHumorous tales of travel and misadventure.Lonely Planet knows that some of life's funniest experiences happen on the road. Whether they take the form of unexpected detours, unintended adventures, unidentifiable dinners or unforgettable encounters, they can give birth to our most found travel lessons, and our most memorable - and hilarious - travel stories.These 31 globegirdling tales that run the gamut from close-encounter safaris to loss-of-face follies, hair-raising rides to culture-leaping brides, eccentric expats to mind-boggling repasts, wrong roads taken to agreements mistaken. The collection brings together some of the world's most renowned travellers and storytellers with previously unpublished writers.Includes stories by Wickam Boyle, Tim Cahill, Joshua Clark, Sean Condon, Chistopher R.Cox, David Downie, Holly Erikson, Bill Fink, Don George, Karl Taro Greenfeld, Jeff Grenwald, Pico Iyer, Amanda Jones, Kathie Kertesz, Doug Lansky, Alexander Ludwick, Linda Watanabe McFerrin, Jan Morris, Brooke Neill, Rolf Potts, Laura Resau, Michelle Richmond, Alana Semuels, Deborah Steg, Judy Tierney, Edwin Tucker, Jeff Vize, Danny Wallace, Kelly Watton, Simon Wichester, Michelle WittonAbout Lonely Planet: Started in 1973, Lonely Planet has become the world's leading travel guide publisher with guidebooks to every destination on the planet, as well as an award-winning website, a suite of mobile and digital travel products, and a dedicated traveller community. Lonely Planet's mission is to enable curious travellers to experience the world and to truly get to the heart of the places where they travel.TripAdvisor Travellers' Choice Awards 2012 and 2013 winner in Favorite Travel Guide category'Lonely Planet guides are, quite simply, like no other.' - New York Times'Lonely Planet. It's on everyone's bookshelves, it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' - Fairfax Media (Australia) *#1 in the world market share - source: Nielsen Bookscan. Australia, UK and USA. March 2012-January 2013

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'Marvellous . . . I read it with astonished delight . . . It is equally scholarly and entertaining.' - Jan Morris 'Quirky and compelling.' - The Times Once we've learned it as children, few of us think much of the alphabet and its familiar sing-song order. And yet the order of the alphabet, that simple knowledge that we take for granted, plays a major role in our adult lives. From the school register to the telephone book, from dictionaries and encyclopaedias to library shelves, our lives are ordered from A to Z. Long before Google searches, this magical system of organization gave us the ability to sift through centuries of thought, knowledge and literature, allowing us to sort, to file, and to find the information we have, and to locate the information we need. In A Place for Everything, acclaimed historian Judith Flanders draws our attention to both the neglected ubiquity of the alphabet and the long, complex history of its rise to prominence. For, while the order of the alphabet itself became fixed very soon after letters were first invented, their ability to sort and store and organize proved far less obvious. To many of our forebears, the idea of of organizing things by the random chance of the alphabet rather than by established systems of hierarchy or typology lay somewhere between unthinkable and disrespectful.A Place for Everything fascinatingly lays out the gradual triumph of alphabetical order, from its possible earliest days as a sorting tool in the Great Library of Alexandria in the third century BCE, to its current decline in prominence in our digital age of Wikipedia and Google. Along the way, the reader is enlightened and entertained with a wonderful cast of unknown facts, characters and stories from the great collector Robert Cotton, who denominated his manuscripts with the names of the busts of the Roman emperors surmounting his book cases, to the unassuming sixteenth- century London bookseller who ushered in a revolution by listing his authors by 'sirname' first.

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Before you is the tournament book of the Tata Steel Chess Tournament 2021. The event that has been won in sensational fashion by the young Dutch grandmaster Jorden van Foreest. In a tiebreak in the third blitz game, he was just a bit faster of his compatriot Anish Giri. The barrage was necessary because both players very surprisingly ended with the wonderful score of 8½ out of 13 in joint first place. With this they had left behind, among others, World Champion Magnus Carlsen (7½) and the number two in the world, Fabiano Caruana (8). An unprecedented achievement, because the tournament in Wijk aan Zee is sometimes called the "Wimbledon of chess" of the elite tournaments. After the last round, in which Van Foreest in a formidable way had left the Swede Nils Grandelius chanceless, it was waiting for the game between the Spaniard David Antón Guijarra and Anish Giri. Our compatriot was in a bad position, lost perhaps, but he managed to free himself from the tangled position and gain an important half point. It was decided beforehand that a tiebreak would be held, consisting of at least two blitz games. Should these result in a 1-1 score, an Armageddon game would be played. This turned out to be a nervous and blood-curdling fight, with the pieces flying around. In the end the younger OF the two, Jorden van Foreest, emerged victorious and thus the young Groninger booked the greatest success of his still young career. Apart from the commotion in the Dutch seaside resort of Wijk aan Zee, where the tournament was held – under strict corona rules – the whole of the Netherlands rose to its feet when this great result became known. Hadn't we had to wait since 1985, when Jan Timman won the Hoogovens chess tournament, for a Dutch chess player to stand on the highest podium? And now it was even two players from this country who could dispute together who would take the highest honor

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As seen on ABC's The View • One of W magazine’s Most Anticipated Books of Fall 2023"We reserve this space for our humanity in all of its fond, ironic, elated, grief-stricken, confused glory . . . When you find yourself alone and downtrodden, when the news is too much, return to these pages. This one is for you." —from the introduction by Cole Brown and Natalie Johnson"There's something particularly special about Black Love. When you consider the history of our people, the strife and adversity we've overcome, love seems an almost illogically ambitious act of resistance." —from the foreword by John LegendFrom celebrated Black writers, creators, and thinkers—and with a foreword by John Legend—comes a collection of letters and original illustrations on the subject of Black love, a powerful and heartfelt celebration of Blackness in all its many forms.In this exquisite anthology of letters and illustrations, Cole Brown and Natalie Johnson bring together a constellation of influential Black figures to write to the people, places, and moments that mean the most to them. With a foreword from John Legend and contributions from Brontez Purnell, Morgan Jerkins, Reverend Al Sharpton, and Dr. Imani Perry, among many others, Black Love Letters is an ode to a phenomenal community: a testament to the fact that where there has been pain and suffering, there has also always been immeasurable, irrepressible joy and love.With letters from: Akili King • Reverend Al Sharpton • Alexandra Elle • Allisa Charles-Findley • Barbara Edelin • Belinda Walker • Ben Crump • Bill Whitaker • Bilquisu Abdullah • Brianna Holt • Brontez Purnell • Cole Brown • Danez Smith • Dick Parsons • Deborah Willis • Doug Jones • Douglas Kearney • Imani Perry • Jamila Woods • Jan Menafee • Jayne Allen • Jeh Charles Johnson • Jenna Wortham • Jonathan Capehart • John Legend • Joel Castón • Joy-Ann Reid • Justus Cornelius Pugh • Kwame Dawes • Lynae Vanee Bogues • Mahogany Browne • Malachi Elijah • Michael Eric Dyson • Morgan Jerkins • Nadia Owusu • Natalie Johnson • Raka Reynolds • Rhianna Jones • Chef Rōze Traore • Sojourner Brown • Tarana Burke • Tembe Denton-Hurst • Topaz Jones • Tracey Michae’l Lewis-Giggetts • VJ Jenkins

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Aron Smart is orphaned early and brought up by his grandparents who impress on him the virtues of education. When they too die, his only support comes from an anonymous benefactor who turns out to be a white man who was an associate of Aron's father, a famous pork-knocker (gold and diamond prospector) who supports Aron out of guilt from his responsibility for Aron's father's death. But Aron's education is never completed and while he is always more educated than his working class companions, he remains less educated than the educated middle class and this contributes to his sense of division. After a period working for an Indian doctor and having an unsatisfactory affair with the daughter, Indra, for whom he is always inferior as a black man, Aron follows in his father's footsteps as a pork-knocker. He is immensely successful and becomes the legendary 'Shark', in a wild, untamed world of drinkers, get-rich-quick and lose-it-quick prospectors and the whores who haunt the diamond fields. With one, Belle, there is a relationship of a kind, but his attempt to use his wealth to buy into the middle-class and take Belle with him fails disastrously. Cheated of his fortune, he returns to the interior, mining with a reckless madness that ends in his maiming. He cannot find himself, though he dreams of returning to the life of his grandfather in the solidity of land and farming. Black Midas can be read as Carew's warning of what might happen in the postcolonial era. The house that Shark buys in Georgetown is so filled for him with the ghosts of its former white occupants that he can never really take possession of it and is condemned to mimic the ways of the former rulers. Though Shark's Eldoradean quest ends in grief, on the way there is energy, outrageous sensuality and deeply felt engagement with the Guyanese landscape, particularly of the interior.Jan Carew was born in the village of Agricola in Berbice, Guyana in 1920

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This self contained four-story set is the latest Big Finish Blake's 7 release, accompanying two complete series of full-cast adventures, and the award-winning range of Blake's 7 - Liberator Chronicles volumes. The stories are set within the third BBC TV series, as Paul Darrow's Avon begins to cement his place as the leader of the anti-heroes on their stolen alien ship. Liberation by Steve Lyons. In the aftermath of the Galactic War, everything has changed for Blake's former associates. Having lost their leader, they are forced to work with new allies - people they can't trust. And that may just get all of them killed. Outpost by Christopher Cooper. Tarrant and Vila are on a mission to the abandoned outpost Clivian 410B when a Federation taskforce attacks. The wary crewmates must learn to work together if they stand any chance of staying alive. Close Enough by Sophia McDougall. When the crew of the Liberator are lured into a trap, it's Avon's life - and the freedom of the galaxy - that hang in the balance, while Cally regains something she thought she had lost forever. Solus by George Mann. When the Liberator responds to a distress call from the Solus research station, Avon is hoping to find something valuable he can salvage. Instead, he finds only one survivor amongst the wreckage: President Servalan. Blake's 7 proves to be one of Big Finish's most popular ranges, with fans of the original late 1970s BBC1 series enjoying many of the TV actors returning to their roles. Yasmin Bannerman (Doctor Who, Merseybeat) has been cast as Dayna Mellanby, a character originally played by Josette Simon. CAST: Paul Darrow (Kerr Avon), Michael Keating (Vila Restal), Jan Chappell (Cally), Steven Pacey (Del Tarrant), Jacqueline Pearce (Servalan), Yasmin Bannerman (Dayna Mellanby), Alistair Lock (Zen/Orac), Sara Powell (Rokon), Stephen Boxer (Tarkol), Daniel Collard (Aqulia / Guard #1 / Guard #2), Sophia Hannides (Shuuna), Tracy Wiles (Valance / Roska), Keith Drinkel (Kaverin), Charlotte Watson (Imra).

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'Small Things Like These meets Under Milk Wood - this slim but devastating novel captures an entire village, an entire world, and the many ways in which a woman can be trapped. A real gem.' RUTH GILLIGAN, author of The ButchersA wonderful novella, full of atmosphere and feeling' SARA BAUME, author of A LINE MADE BY WALKING'Beautiful, incredibly painterly and full of breathtaking details. A devastating portrait of a particular place, which draws you in with its brutality and beauty' CARYL LEWIS, author of DRIFT'Incredibly assured, carefully observed, full of heart. A quietly devastating read which lingers long after the final page' JAN CARSON, author of THE RAPTURES_____________Tucked into the Welsh valleys and encircled by silver birch and pine, the village of Cwmcysgod may appear a quiet, sleepy sort of place. But beneath the surface, tensions simmer, hearts ache, and painful truths threaten to emerge.Sixteen-year-old Catrin Bone knows only what she has been told. Now, she is beginning to question her small world, and a version of the past that seems to entrap and embitter her reclusive mother, Mary.Mary had a sister once, a girl of unparalleled beauty. Why did she disappear from the village in a shroud of shame all those years ago - and where is she now?Meanwhile the Clements brothers, skint and all out of hope, run rampant across the hills and lanes. And old Dai Bevel, whose frailty masks a dark history, dreams of a girl he used to know...The sins of the past are approaching, for it takes a village: to raise a child, to bring down a woman, to hide something monstrous and to look the other way.In this tender, sly, exquisitely wrought novella, a unique cast of characters give voice to their versions of the truth. But it is the story of Rosalind Bone, of her strength and of all that she has endured, that rises above the rest, shimmering with hope and possibility...

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A definitive, all-encompassing book on digital assets of all types for investors In Mastering Crypto Assets: Investing in Bitcoin, Ethereum and Beyond, a team of seasoned investors and digital asset strategists presents a comprehensive guide aimed at institutional and professional investors for integrating crypto assets into traditional portfolios. The book offers in-depth explanations of the structure of this new asset class and its impact on investment portfolios. It guides readers on using fundamental and quantitative criteria to select blockchain-based assets, grounded in a robust foundation of knowledge and evidence. The authors demonstrate how to apply quantitative valuation concepts to digital assets like Bitcoin, understanding their role as digital stores of value in a traditional investment portfolio. The book also delves into the unique risk and return characteristics of various digital asset sectors, adapting conventional investing methods to the digital realm. It goes beyond direct crypto asset investments, introducing related equities and strategies for accessing digital assets in restricted settings. It discusses both indexed and active strategies in the context of crypto assets. A key feature of the book is exclusive interviews with industry figures such as Jan van Eck (VanEck), Peter L. Brandt (Legendary Trader), and Fred Thiel (Marathon Digital), with these interviews accessible through QR codes in the book for extended video content. This provides a dynamic and interactive learning experience. Moreover, the book benefits from invaluable research assistance from Figment and CCData, enriching its analytical depth. It also includes insightful guest articles from digital asset experts like Matthew Sigel (VanEck), Marco Manoppo (Digital Asset Research), Marcel Kasumovich (Coinbase Asset Management), Timothy Peterson (Cane Island Digital Research), Gregory Mall and Rohan Misra (AMINA), and thought leaders from Token Terminal. Mastering Crypto Assets is an invaluable resource not just for institutional and individual investors, but for anyone keen on adopting a sound, evidence-based approach to digital asset investment.

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From the Agenda for Education in a Democracy Series Sponsored by the National Network for Educational Renewal Afterword by John I. Goodlad "Everyone wants to transform teacher education. Most agree that transformation can only occur when arts and science faculty, teacher educators, and K-12 practitioners join together. Intended for provosts and college deans, school leaders and university faculty, this book provides guidance on achieving that transformation through a structural innovation called a Center of Pedagogy."—David G. Imig, chief executive officer, American Association of Colleges for Teacher Education "From vision to reality—this book provides a rationale and illustrations of ways to build bridges among the arts and sciences, education, and partner schools to create a faculty devoted to strengthening teacher preparation and schooling."—Jan Kettlewell, assistant vice chancellor for academic affairs, University System of Georgia "Administrators and teacher educators interested in and committed to building school-university partnerships ought to read Centers of Pedagogy. It will help dedicated and determined educators committed to systemic change to better respond to the challenges they face."—Robert V. Bullough, Jr., professor of educational studies, The University of Utah This volume in the Agenda for Education in a Democracy series examines a growing movement of schools and universities collaborating in ways that break down traditional barriers and promote systemic educational renewal. Centers of Pedagogy offers apractical framework for advancing university-school collaborationon educational improvement. The authors draw from their diverse experiences as university deans and focus on the Centers of Pedagogy model, a strategy conceived by John Goodlad and refined by participating institutions in the National Network for Educational Renewal. Under this model, faculty in teacher education, the arts and sciences, and the P-12 schools work together to provide aspiring teachers with a well-rounded education. This collaboration ultimately improves school curricula, teaching practice, and the education of educators. Featuring case examples from a variety of successful partnership programs, this book studies the policies, organizational structures, and other key conditions needed to establish such vital centers.

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"Although nonprofits have adopted a team approach in program delivery and even management, many nonprofits have not used this same successful approach in fundraising. This friendly guide argues for creating a fundraising team that involves board members, executive staff, line staff, and volunteers and gives examples of how such teams can operate effectively. Along the way, the author makes fundraising seem less mysterious and intimidating, and lead the reader to feel confident and enthusiastic about creating a successful fundraising team--no small achievement."--Jan Masaoka, executive director, CompassPoint Services Many nonprofits rely on a lone staff member or volunteer to raise the money they need to sustain or grow their programs. In this insightful resource, leading fundraiser Mim Carlson presents a practical approach to involving the entire organization in fundraising. In doing so, she helps board members, executive directors, and development directors turn their staff and volunteers into a cohesive team with clearly defined goals, specific roles, joint accountability, diverse talents and skills, and strong leadership. In Team-Based Fundraising Step by Step, Carlson draws on popular team-building theory and successful techniques--as well as on her years of fundraising experience--to offer a fresh framework for helping teams become more unified in their fund development activities. She argues that individuals who act alone cannot make the most of fundraising strategies and instead advises readers to include the board of directors, the executive director, staff, and other volunteers in strategic planning and development. This practical, step-by-step guide shows readers how to develop and implement a whole-organization approach. Providing both a rationale for this novel approach and illustrations of how it has produced successful results, Carlson offers important tools for effective collaboration: * Detailed implementation strategies * Sample forms * Checklists * Worksheets * Summaries of roles and responsibilities At last, nonprofit managers, board members, development professionals, and fundraisers at all levels of experience have a dynamic guide to making the most of fundraising opportunities through effective collaboration.

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Four perfect strangers. Three days. Can one weekend away change your life? The unputdownable new drama by one of Australia's most beloved storytellersComing together for a writing workshop with bestselling author Jan Goldstein, four strangers converge upon a luxury forest retreat. But along with their notepads and laptops, each of the participants has brought some emotional baggage.Beth is a solo parent and busy career woman haunted by a tragic car accident. Simone, the youngest at 26, is a successful Instagram star but she's hiding behind a facade. Jamie is the only man. He's a handsome personal trainer - but he looks out of place with a pen in his hand. Finally, Alice is a wife and mum recovering from post-natal depression. She and Jamie soon realise they are not such perfect strangers after all.Only one thing is for sure: on this creative getaway, nothing will go according to script.'The Long Weekend delivers to readers the perfect chance to escape from their own lives, if just for a few hours. Readers can expect a raft of revelations around postnatal depression, secret affairs, hidden identities, parental neglect and untold truths, with a few steamy sex scenes' Books+Publishing'Delves deep into themes of secret affairs, hidden identities, parental neglect and untold truths' Who Weekly'Fiona Palmer is a writer who demonstrates great facility for storytelling, for swiftly moving a plot along. She writes relatable characters. I have no doubt that The Long Weekend will be another bestseller' Living Arts Canberra'An emotionally charged and engaging novel, with a good and interesting cast' Canberra WeeklyPraise for Fiona Palmer:'There's an honesty to Palmer's characters that transports you into the heart of their worlds' Australian Women's Weekly'It's a story about family, female empowerment and matters of the heart' Woman's Day'Her books are tear-jerkers and page-turners' Sydney Morning Herald'Fiona Palmer just keeps getting better' RACHAEL JOHNS'Heartbreak, love and sibling relationships' New Idea

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Affectionately known as ‘Bacha’ Khan or ‘Badshah’ Khan amongst his people, Khan Abdul Ghaffar’s life was dedicated to the social reform of the Pukhtuns, who traditionally adhere to a strict code of life called ‘Pukhtunwali’, which is governed by rather rigid tribal norms. Bacha Khan is an acknowledged leader in the hearts of the Pukhtuns across the world, due to his life long struggle to modernise Pukhtun society and his teachings of non-violence, adopted by his Khudai Khidmatgar (Servants of God) party, during the struggle for independence against the British. He stands tall in the pantheon of leaders of the movement for independence. A close associate of Mahatma Gandhi, his success in mobilising the Pukhtuns of the North-West Frontier Province and the Tribal Areas through a non-violent struggle, had significant bearing on this movement, in which the Khudai Khidmatgar allied with the Indian National Congress. The Pushto edition of Bacha Khan’s autobiography was first published in 1983 in Afghanistan, when he was 93 years old. Nearly four decades later the book has been translated and published for the first time in English. This translation was painstakingly done by Sahibzada at the request of Shandana Humayun Khan, to whom he has dedicated the book. Shandana’s maternal great-grandfather was Qazi Ataullah, a close lieutenant of Bacha Khan’s and a key figure in the Khudai Khidmatgar movement. Before the translation process started, Sahibzada and Shandana visited several members of Bacha Khan’s family including his grandsons Nasir Ali Khan, Asfandayar Wali Khan and Saleem Jan. The translator shared a close friendship with Bacha Khan’s son, Abdul Ghani Khan, the greatest Pukhtun poet of the century. The book is a result of the participation of several members of his family and those who have spent their lives studying Bacha Khan’s philosophy. For the first time Bacha Khan’s thoughts on Pukhtun society, his vision for a more equitable world achieved along the lines of non-violence have been researched, translated and made available for the world in his own words.

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For 30 years illy has entrusted its iconic coffee cups to the hand of the protagonists of contemporary art, so that they interpret the white surface, to offer their own customers an experience that involves senses and mind. In these pages it’s possible to retrace the history of the illy Art Collections: a collection of unique art objects for everyday use, which since 1992 brings together signed designer cups by over 120 internationally renowned artists. Artists: Marina Abramovic, Neil Aitken, Pedro Almod var, Hannah Anderson, Ron Arad, Felipe Arturo, Atelier Van Lieshout, Matteo Attruia, Felipe Baeza, Ernesto Bautista, Michael Beutler, Francesco Bonami, Louise Bourgeois, Daniel Buren, David Byrne, Waltercio Caldas, Maria João Calisto, Maurizio Cargnelli, Giulia Cenci, Paolo Cervi Kervischer, Sandro Chia, Francesco Clemente, Michel Comte, Ross Cooper, Francis Ford Coppola, Antonio Dias, Gillo Dorfles, An Du, Hope Esser, Jan Fabre, Willie Filkowski, Clo’e Floirat, Franco Fontana, Fratelli Fortuna, Cosimo Fusco, Maurizio Galimberti, Giorgio Galli, Anna Gelman Bagaria, Mario Giacomelli, Tatiana Goloviznina, Geni Grabuleda, Mona Hatoum, Jessica Iborra, Ernesto Illy, Francesco Illy, Vittoria Illy, Cameron Jamie, Natasha Jancovich, Anish Kapoor, William Lehmann, Nelson Leirner, Michael Lin, Marco Lodola, Emanuele Luzzati, Susan Mac William, Anna Maria Maiolino, Andrea Manetti, Marino Marini, Lorenzo Mattotti, Simone Meentzen, MentalKLINIK, Gintare Minelgaite, AD Minoliti, Luca Missoni, Soto Montserrat, Alanis Morissette, Marcelo, Moscheta, Ulrike Müller, Hironori Murai, Emmanuel Nassar, Norma J., Precious Okoyomon, Yoko Ono, Nam June Paik, Mimmo Paladino, A.R. Penck, Max Petrone, Esteban Piedra León, Roberta Pietrobelli, Alexandra Pirici, Michelangelo Pistoletto, Darryl Pottorf, Emilio Pucci, MarcQuinn, Naufus Ramírez-Figueroa, Robert Rauschenberg, Tobias Rehberger, Peter Roesch, James Rosenquist, Paolo Rossetti, Stefan Sagmeister, Sebastião Salgado, Beatrice Santiccioli, Aki Sasamoto, Julian Schnabel, Regina Silveira, Elias Sime, Slavs & Tatars, Kiki Smith, Haim Steinbach, Joseph Maria Subirachs, Annamaria Testa, MatteoThun, Padraig Timoney, Dean J. Toumin, Luca Trazzi, Adan Vallecillo, Alfredo Luiz Vasquez, Cecilia Vicuña, Ai Weiwei, Liu Wei, Rufus Willis, Robert Wilson, Shizuka Yokomizo, Olimpia Zagnoli, Elisabeth Zawada. Text in English and Italian.

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A Place in the Country is a window into the brilliant mind of W. G. Sebald'The greatest writer of our time' Peter CareyWhen W. G. Sebald travelled to Manchester in 1966, he packed in his bags certain literary favourites which would remain central to him throughout the rest of his life and during the years when he was settled in England. In A Place in the Country, he reflects on six of the figures who shaped him as a person and as a writer, from Jean-Jacques Rousseau to Jan Peter Tripp. Fusing biography and essay, and finding, as ever, inspiration in place - as when he journeys to the Ile St. Pierre, the tiny, lonely Swiss island where Jean-Jacques Rousseau found solace and inspiration - Sebald lovingly brings his subjects to life in his distinctive, inimitable voice.'A fascinating volume that confirms Sebald as one of Europe's most mysterious and best-loved literary imaginations' Evening Standard'Sebald was in possession of the uncanny ability to make his own intellectual obsessions, immediately, compulsively his reader's' Observer'Irresistible . . . an intimate anatomy of the pathos, absurdity and perverse splendour of trying to find patterns in the chaos of the world' IndependentW . G. Sebald was born in Wertach im Allgäu, Germany, in 1944 and died in December 2001. He studied German language and literature in Freiburg, Switzerland and Manchester. In 1996 he took up a position as an assistant lecturer at the University of Manchester and settled permanently in England in 1970. He was Professor of European Literature at the University of East Anglia and is the author of The Emigrants, The Rings of Saturn, Vertigo, Austerlitz, After Nature, On the Natural History of Destruction, Campo Santo, Unrecounted and a selection of poetry, Across the Land and the Water.Jo Catling taught German for a number of years alongside W. G. Sebald at the University of East Anglia, where she is currently a senior lecturer in the School of Literature, Drama and Creative Writing.

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The past few years have witnessed an explosive increase in our collective knowledge of the biology of the human immunodeficiency virus (HIV). Researchers have acquired new understanding of the virus's biochemistry, molecular biology, pathogenesis, genetics, and immunobiology. Resulting therapeutic advances have significantly prolonged the lives of thousands. Yet, the need to develop better therapies is ever more acute and--given the virus's continued spread through the human population--the need for an effective vaccine is urgent. These goals can be accomplished only through the experienced synthesis of information from the many disciplines participating in HIV research and through the insights of new investigators. This volume is designed to lower the barriers imposed on investigators by the sheer volume of available information--information that often can be found only in far-flung and specialized journals. It provides, in a single resource, an in-depth overview of the diverse areas that constitute HIV research. The result is a broad introduction for students and researchers new to the field as well as an integrated overview for researchers specialized in particular areas of HIV investigation. The volume will also benefit those seeking technical understanding of the virus's biology, including physicians treating HIV-infected patients. Each chapter is a comprehensive presentation of one area of current AIDS research--including work on the virus life cycle, epidemiology, genetics, protease and reverse transcriptase inhibitors, receptor and co-receptor interactions, therapeutic targets, clinical treatment, immunobiology, and vaccines--written by a leading researcher in that area. The contributors are Jon P. Anderson, Jan Balzarini, Elana Cherry, Thomas J. Coates, Chris Collins, Jon H. Condra, Mark B. Feinberg, Richard B. Gaynor, Matthias Gotte, Daria J. Hazuda, Spyros Kalams, Nathaniel R. Landau, Gerald H. Learn, Norman L. Letvin, James I. Mullins, Willscott E. Naugler, David Nickle, Matthew Rain, Allen G. Rodrigo, Daniel Shriner, Shalom Spira, Mario Stevenson, Todd Summers, Catherine Ulich, Joseph P. Vacca, Mark A. Wainberg, Bruce D. Walker, and Yang Wang.

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** TO BE READ ON BBC RADIO 4 BOOK OF THE WEEK FROM 23 JAN 2023 **'As much le Carré as it is Hidden Figures.' AMARYLLIS FOX, author of Life Undercover 'A sweeping epic of a book [which] rescues five remarkable women from obscurity and finally gives them their rightful place in world history ... A book you won't regret reading. Five women you won't forget.' KATE MOORE, author of The Radium Girls'As entertaining as it is instructive.' GENERAL STANLEY MCCRYSTALThe never-before-told story of a small cadre of influential female spies in the precarious early days of the CIA - women who helped create the template for cutting-edge espionage (and blazed new paths for equality in the workplace). In the wake of World War II, four agents were critical in helping build a new organisation now known as the CIA. Adelaide Hawkins, Mary Hutchison, Eloise Page, and Elizabeth Sudmeier, called the 'wise gals' by their male colleagues because of their sharp sense of humour and even quicker intelligence, were not the stereotypical femme fatale of spy novels. They were smart, courageous, and groundbreaking agents at the top of their class, instrumental in both developing innovative tools for intelligence gathering - and insisting (in their own unique ways) that they receive the credit and pay their expertise deserved.Adelaide rose through the ranks, developing new cryptosystems that advanced how spies communicate with each other. Mary worked overseas in Europe and Asia, building partnerships and allegiances that would last decades. Elizabeth would risk her life in the Middle East in order to gain intelligence on deadly Soviet weaponry. Eloise would wield influence on scientific and technical operations worldwide, ultimately exposing global terrorism threats.Meticulously researched and beautifully told, Holt uses firsthand interviews with past and present officials and declassified government documents to uncover the stories of these four inspirational women. Wise Gals sheds a light on the untold history of the women whose daring foreign intrigues, domestic persistence, and fighting spirit have been and continue to be instrumental to the world's security.

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To develop a theory of world literature, this book demands that the theory of the novel can no longer ignore literary forms other than realism.Winner of the Donald Murphy Prize for a Distinguished First Book by the American Conference on Irish Studies, and the Waclaw Lednicki Award in the Humanities by the Polish Institute of Arts and Sciences of AmericaFor centuries, the standard account of the development of the novel focused on the rise of realism in English literature. Studies of early novels connected the form to various aspects of British life across the eighteenth and nineteenth centuries, including the burgeoning middle class, the growth of individualism, and the emergence of democracy and the nation-state. But as the push for teaching and learning global literature grows, this narrative is insufficient for studying novel forms outside of a predominately English-speaking British and American realm.In Estranging the Novel, Katarzyna Bartoszynska explores how the emergence and growth of world literature studies has challenged the centrality of British fiction to theories of the novel's rise. She argues that a historicist approach frequently reinforces the realist paradigm that has cast other traditions as "minor," conceding a normative vision of the novel as it seeks to explain why historical forces produced different forms elsewhere. Recasting the standard narrative by looking at different novelistic literary forms, including the Gothic, travel writing, and queer fiction, Bartoszynska offers a compelling comparative study of Polish and Irish works published across the long nineteenth century that emphasize fictionality, or the problem of world-building in literature.Reading works by Ignacy Krasicki, Jan Potocki, Narcyza Zmichowska, and Witold Gombrowicz alongside others by Jonathan Swift, Charles Maturin, Oscar Wilde, and Samuel Beckett, Bartoszynska shows that the history of the novel's rise demands a more capacious and rigorous approach to form as well as a reconceptualization of the relationship between fiction and its cultural contexts. By modeling such a heterogeneous account of the novel form, Estranging the Novel paves the way for a bracing and diverse understanding of the makeup of contemporary world literature and the many texts it encompasses—and a new perspective on the British novel as well.

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The instant #1 New York Times bestsellerThe official report and findings of the bipartisan Congressional investigation into the January 6 attack on the Capitol, and Donald Trump’s related coup conspiracies to overthrow the election, with an original foreword by attorney and Emmy-winning MSNBC anchor Ari Melber. This edition includes an exclusive breakdown of the coup conspiracy, based on Melber’s reporting and real-time coverage, highlighting the multi-pronged plot against democracy. Only the authoritative House committee report can capture the full range of plots that have been exposed over time, from the violent attack on January 6 to related efforts revealed months after the insurrection. This definitive edition features: • New independent analysis of the coup conspiracy by MSNBC Chief Legal Correspondent Ari Melber• The historic, official text of the House Committee report on the insurrection, including the full Executive Summary with endnotes and all chapter endnotes. • The definitive accounting of Donald Trump’s efforts to end American democracy This is the only edition of the report featuring an additional, original analysis of the coup by a journalist and lawyer at the center of the action -- Melber has interviewed top members of this Committee, Jan. 6 rally planners and other cooperating witnesses, and Trump White House veterans ranging from Steve Bannon to Peter Navarro (now indicted for defying this probe). His report documents how Trump’s plots comprise a continuous coup conspiracy -- not a “riot” that exploded in a “single day” -- and why that factual prism is vital for accountability, justice, and preventing the next coup attempt.In chilling detail, he shows how that process might have engineered a technical effort to “override” the election on the floor of Congress—an essential map, and warning, for those who wish to protect democracy. If warnings are ignored and there is no accountability for the plotters at the top, a failed coup may become a training exercise.This report is not only a vital document in modern American history, it can also inform efforts to protect the future of American democracy. As a matter of justice, bipartisanship, and even patriotism, this report will become essential reading for any American determined to defend our democracy.

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From 1923 until 1980, Mien Ruys created over 3,000 gardens and landscapes. While most of these are in her native Netherlands, the influence of her designs and approaches spread far wider: many of us will have a little bit of Mien in our gardens, be it a railway sleeper, a diagonal line, a Phlomis russeliana or a water ball. Her work was extraordinary in combining two exceptional elements. Firstly, Mien was one of the leading proponents of modernist design: having trained and collaborated with architects such as Ben Merkelbach, Charles Karsten, Aldo van Eyck, Jan Piet Kloos, Hein Salomonson and Gerrit Rietveld, she introduced clean lines, geometric shapes and innovative materials into garden and landscape design. One of the few women members of CIAM, she was also one of the first to call for architects and landscape architects to collaborate fully from initial design onwards. She did so regularly, often on much needed social housing schemes, but also on schools, hospitals and nursing homes. All her projects shared a desire to offer users a better quality of life. One of her most well-known collaborations was with Gerrit Rietveld in Bergeijk on the Ploeg factory and Park, which has since been listed as a historic monument. Uniquely, she combined this modernist design approach with an extensive knowledge of plants and planting, which she learnt from a very early age in her father’s Royal Moerheim Nursery in Dedemsvaart. Her father had close links with international gardeners, such as Gertrude Jekyll, who greatly influenced Mien as she developed her own loose, natural style of planting. Her book on perennials, published in 1950, was internationally influential and, in seeking deeper understanding about plants and planting, Mien created more than 20 experimental gardens at Dedemsvaart, many of which are now also historic monuments. The book includes a foreword which sets Mien’s work within the wider context, as well as interviews with gardening experts and landscape architects who knew Mien or were deeply influenced by her work, which offer rich insight into Mien’s character and the timeless lessons which can still be learnt from her work.

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Kipling's best-loved work, now in a gorgeous new clothbound edition designed by the award-winning Coralie Bickford-Smith. These delectable and collectable editions are bound in high-quality, tactile cloth with foil stamped into the design.The story of Mowgli, the man-cub who is brought up by wolves in the jungles of Central India, is one of the greatest literary myths ever created. As he embarks on a series of thrilling escapades, Mowgli encounters such unforgettable creatures as the bear Baloo, the graceful black panther Bagheera and Shere Khan, the tiger with the blazing eyes. Other animal stories in The Jungle Books range from the dramatic battle between good and evil in 'Rikki-tikki-tavi' to the macabre comedy 'The Undertakers'. With The Jungle Books Rudyard Kipling drew on ancient beast fables, Buddhist philosophy and memories of his Anglo-Indian childhood to create a rich, symbolic portrait of man and nature, and an eternal classic of childhood.Rudyard Kipling was born in Bombay in 1865. In 1882 Kipling started work as a journalist in India, and while there produced a body of work, stories, sketches and poems - notably Plain Tales from the Hills(1888) - which made him an instant literary celebrity when he returned to England in 1889. His most famous works include The Jungle Book (1894), Kim (1901) and the Just So Stories (1902). Kipling refused to accept the role of Poet Laureate and other civil honours, but he was the first English writer to be awarded the Nobel Prize, in 1907. He died in 1936. Jan Montefiore has taught at the University of Kent since 1978, where she is now Professor of 20th Century English Literature. She is the author of Men and Women Writers of the 1930s (1996); Arguments of Heart and Mind:Selected Essays 1977-2000 (2002); Feminism and Poetry (3rd edition, 2004); and Rudyard Kipling (2007). Kaori Nagai is a Research Associate at the University of Kent and author of Empire of Analogies (2006). She has also introduced Kobo Abe's Face of Another and Kipling's Plain Tales from the Hills for Penguin

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Aberrant Nuptials explores the diversity and richness of the interactions between artistic research and Deleuze studies. "Aberrant nuptials" is the expression Gilles Deleuze uses to refer to productive encounters between systems characterised by fundamental difference. More than imitation, representation, or reproduction, these encounters foster creative flows of energy, generating new material configurations and intensive experiences. Within different understandings of artistic research, the contributors to this book--architects, composers, film-makers, painters, performers, philosophers, sculptors, and writers--map current practices at the intersection between music, art, and philosophy, contributing to an expansion of horizons and methodologies. Written by musicians and artists who have been reflecting Deleuzian and Post-Deleuzian discourses in their artworks, and by established Deleuze scholars who have been working on interferences between art and philosophy, this volume reflects the current relevance of artistic research and Deleuze studies for the arts. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content). Contributors: Suzie Attiwill (RMIT University), Sara Baranzoni (Universidad de las Artes of Guayaquil), Zsuzsa Baross (Trent University), Terri Bird (Monash University), Ronald Bogue (University of Georgia), Barbara Bolt (VCA University of Melbourne), Peter Burleigh (University of Basel / HGK, Basel), Edward Campbell (University of Aberdeen / Centre for Modern Thought), Marianna Charitonidou (University of Paris West Nanterre / National Technical University of Athens), Jean-Marc Chouvel (Paris-Sorbonne University), Guillaume Collett (University of Kent), Zornitsa Dimitrova (University of Munster), Lilija Duobliene (University of Vilnius), Lucia D'Errico (Orpheus Institute), Bracha L. Ettinger (artist, painter, theorist), Henrik Frisk (Royal Academy of Music Malmoe), jan jagodzinski (University of Alberta), Oleg Lebedev (Universite Catholique de Louvain), Gustavo Penha (University of Sao Paulo), Katie Pleming (King's College London), Liana Psarologaki (University of Suffolk), Emilia Marra (University of Trieste), Tero Nauha (Helsinki Collegium), Stefan OEstersjoe (Orpheus Institute), Simon O'Sullivan (theorist, artist), Antonia Pont (Deakin University), Elisabeth Presa (University of Melbourne), Spencer Roberts (University of Huddersfield), Jonas Rutgeerts (dramaturge, performance theorist), Anne Sauvagnargues (University of Paris Ouest Nanterre La Defense), Janae Sholtz (Alvernia University), Steve Tromans (musician, independent researcher), Kamini Vellodi (University of Edinburgh), Paolo Vignola (Universidad de las Artes of Guayaquil), Audrone Zukauskaite (Lithuanian Culture Research Institute). In collaboration with Orpheus Institute

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Outdoor play is a significant and essential aspect of a young child's development and enjoys a renewed emphasis in early years practice, in keeping with the core principles embedded within the early years tradition. However, this emphasis may sit uneasily alongside a requirement to focus on the development of literacy and numeracy skills and supporting outdoor play can raise a number of thorny issues such as freedom, safety and risk. This book challenges the reader to consider: Why outdoor play is seen to be of significance within early childhood Whether this view is justified (what are the benefits of outdoor play?) The implications for practitioners who may be facing conflicting pressures in their work with young children In particular, the writers skilfully blend theory, research and practical guidance to address three important issues: What constitutes 'good' outdoor provision for young children and babies? How do we respect and respond to the young child in outdoor provision? How do we support risky play within the bounds of a statutory curriculum or regulatory regime? Incorporating chapters from internationally renowned authors working in this field, this book is recommended both for practitioners involved in early years education and care and for students at foundation, degree and post-graduate levels."This is a thought provoking book that draws on research to encourage the reader to reflect on the essence of outdoor play in early childhood. Recognising that within our society assumptions are made about outdoors and about childhood, this book challenges the reader to reflect on outdoor provision from a number of perspectives. The outdoor environment matters to young children. This book not only makes the case for outdoor play, it considers what that actually looks like in the UK and internationally, and asks us to reflect on the implications for our own working practices. Maynard and Waters set out to provoke critical reflection and inspire practitioners; they have certainly achieved their aim and this book is a welcome addition to the debate about outdoors in the early years."Gail Ryder Richardson, Early Years Consultant and Trainer, Outdoor Matters!Contributors: Valerie Huggins, Sara Knight, Helen Little, Trisha Maynard, Ellen Beate Hansen Sandseter, Alison Stephenson, Helen Tovey, Sue Waite, Jane Waters, Jan White, Karen Wickett, Helen Woolley and Shirley Wyver.

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What if the stories of trees and people are more closely linked than we ever imagined?Winner of the World Wildlife Fund's 2020 Jan Wolkers PrizeOne of Science News's "Favorite Books of 2020" A New York Times "New and Noteworthy" BookA 2020 Woodland Book of the YearGold Winner of the 2020 Foreword INDIES Award in Ecology & EnvironmentBronze Winner of the 2021 Independent Publisher Book Award in Environment/EcologyPeople across the world know that to tell how old a tree is, you count its rings. Few people, however, know that research into tree rings has also made amazing contributions to our understanding of Earth's climate history and its influences on human civilization over the past 2,000 years. In her captivating book Tree Story, Valerie Trouet reveals how the seemingly simple and relatively familiar concept of counting tree rings has inspired far-reaching scientific breakthroughs that illuminate the complex interactions between nature and people.Trouet, a leading tree-ring scientist, takes us out into the field, from remote African villages to radioactive Russian forests, offering readers an insider's look at tree-ring research, a discipline known as dendrochronology. Tracing her own professional journey while exploring dendrochronology's history and applications, Trouet describes the basics of how tell-tale tree cores are collected and dated with ring-by-ring precision, explaining the unexpected and momentous insights we've gained from the resulting samples.Blending popular science, travelogue, and cultural history, Tree Story highlights exciting findings of tree-ring research, including the fate of lost pirate treasure, successful strategies for surviving California wildfire, the secret to Genghis Khan's victories, the connection between Egyptian pharaohs and volcanoes, and even the role of olives in the fall of Rome. These fascinating tales are deftly woven together to show us how dendrochronology sheds light on global climate dynamics and uncovers the clear links between humans and our leafy neighbors. Trouet delights us with her dedication to the tangible appeal of studying trees, a discipline that has taken her to austere and beautiful landscapes around the globe and has enabled scientists to solve long-pondered mysteries of Earth and its human inhabitants.

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The highly anticipated third book in the critically acclaimed and bestselling series takes the art of being wimpy to a whole new level. Let’s face it: Greg Heffley will never change his wimpy ways. Somebody just needs to explain that to Greg’s father. You see, Frank Heffley actually thinks he can get his son to toughen up, and he enlists Greg in organized sports and other “manly” endeavors. Of course, Greg is able to easily sidestep his father’s efforts to change him. But when Greg’s dad threatens to send him to military academy, Greg realizes he has to shape up . . . or get shipped out. Greg and his family and friends, who make the Diary of a Wimpy Kid books a must-read for middle school readers, are back and at their best in this hilarious new installment of the series, which is sure to please current fans while attracting new ones. Publishers Weekly-1/19/2009: The third book in this genre-busting series is certain to enlarge Kinney’s presence on the bestseller lists, where the previous titles have taken up residence for the past two years. Kinney’s spot-on humor and winning formula of deadpan text set against cartoons are back in full force. This time, Greg starts off on New Year’s Day (he resolves to “help other people improve,” telling his mother, “I think you should work on chewing your potato chips more quietly”) and ends with summer vacation. As he fends off his father’s attempts to make him more of a man (the threat of military school looms), Greg’s hapless adventures include handing out anonymous valentines expressing his true feelings (“Dear James, You smell”), attempting to impress his classmate Holly and single-handedly wrecking his soccer team’s perfect season. Kinney allows himself some insider humor as well, with Greg noting the “racket” children’s book authors have going. “All you have to do is make up a character with a snappy name, and then make sure the character learns a lesson at the end of the book.” Greg, self-centered as ever, may be the exception proving that rule. Ages 8–12. (Jan.) F&P level: T

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The History of World War I series recounts the battles and campaigns that took place during the 'Great War'. From the Falkland Islands to the lakes of Africa, across the Eastern and Western Fronts, to the former German colonies in the Pacific, the series provides a six-volume history of the battles and campaigns on land, at sea and in the air. The assassination in Sarajevo of the Austro-Hungarian heir, Archduke Franz Ferdinand lit an explosive mixture of ethnic tensions, nationalism, political opportunism, and the quest for power within the Balkans to plunge Europe into a conflict that would cost millions of lives. Austro-Hungary faced both Serbia and Russia during the opening phase of the war, but Bulgaria's decision to join the Central Powers in October 1915 led to the opening of the Salonika front in Greece, where 150,0000 British and French troops saw little fighting until the disastrous 1918 Doiran campaign. At the war's outbreak, the British authorities in Africa were totally unprepared, with few forces available to attack the German colonies, who themselves were effectively left isolated from help. The German commander in East Africa, Paul von Lettow-Vorbeck, launched a brilliant guerrilla campaign with scant resources, conducting lightning attacks on Allied targets, particularly the Uganda Railway. He was opposed by the South African General Jan Smuts and his mixture of Boer, British, Rhodesian, Indian, African, Belgian and Portuguese soldiers: fighting continued until November 1918. Italy entered the war against the Central Powers in April 1915. For two years, Austro-Hungarian forces were kept at bay on Italy's northern borders, until a combined German and Austro-Hungarian defeated the Italian forces at the Battle of Caporetto in October 1917. Revenge came with the Allied victory at Vittorio Veneto in November 1918, which led to Austro-Hungary's collapse. With the aid of over 300 photographs, complemented by full-colour maps, The Balkans, Italy & Africa provides a detailed guide to the background and conduct of the war in the Balkan, Italian and African theatres from the assassination in Sarajevo to the surrender of the Central Powers.

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The sight of strings of wild Barnacle geese flying overhead, with a noisy chorus of honking, will be a familiar sight to many. However, following their migration, little is known about the lives of these sociable geese. "Flight of the Wild Geese" tells the story of the winter wildlife of the Solway Firth, that wonderfully wild estuary set between the rugged hills of Cumbria and the rolling farmland, moors and forests of Dumfries and Galloway. It explores the links that these beautiful places share with the most remote islands of the North Atlantic, and with the stunning landscapes of the high Arctic. This is a book of birds, of people, and of places.The author's sea journey takes in a number of remote islands, beginning with the two Scottish outliers of North Rona and Sula Sgeir, then venturing ever northwards via the stunning rocky coasts of the Faroe Islands, the black-sand volcanics of Jan Mayen, and the great sea bird colonies of Bear Island before encountering pack ice in the vast sea channel of Storfjorden. Here, in Svalbard's Arctic waters, ivory gulls roamed the ice islands searching for food, while seals hunted the open flats between. Arctic wildlife filled every space, backed by an array of glistening snow peaks, their glaciers carving rivers of ice down to the sea. This was the author's first view of Svalbard - Kingdom of the Ice Bear.The author also reflects on his life as a writer, photographer and environmental surveyor. Growing up in the flatlands of East Yorkshire where his love of wildlife was instilled, he yearned to know more about where the winter-visiting birds went during the summer. He learnt a great deal about waders, ducks, geese and swans at the Humber Estury but, once these birds had migrated to cooler climes in the summer, their lives were a mystery. Later in life and with the Solway Firth on his doorstep, where some of the largest numbers of geese are to be found, he decided to find out. Graham Uney is a writer, photographer and walking and wildlife holiday Senior Guide. He has written numerous articles for many different magazines and is the author of "Backpakers Britain", vols. I - III

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To develop a theory of world literature, this book demands that the theory of the novel can no longer ignore literary forms other than realism.Winner of the Donald Murphy Prize for a Distinguished First Book by the American Conference on Irish Studies, and the Waclaw Lednicki Award in the Humanities by the Polish Institute of Arts and Sciences of AmericaFor centuries, the standard account of the development of the novel focused on the rise of realism in English literature. Studies of early novels connected the form to various aspects of British life across the eighteenth and nineteenth centuries, including the burgeoning middle class, the growth of individualism, and the emergence of democracy and the nation-state. But as the push for teaching and learning global literature grows, this narrative is insufficient for studying novel forms outside of a predominately English-speaking British and American realm.In Estranging the Novel, Katarzyna Bartoszynska explores how the emergence and growth of world literature studies has challenged the centrality of British fiction to theories of the novel's rise. She argues that a historicist approach frequently reinforces the realist paradigm that has cast other traditions as "minor," conceding a normative vision of the novel as it seeks to explain why historical forces produced different forms elsewhere. Recasting the standard narrative by looking at different novelistic literary forms, including the Gothic, travel writing, and queer fiction, Bartoszynska offers a compelling comparative study of Polish and Irish works published across the long nineteenth century that emphasize fictionality, or the problem of world-building in literature.Reading works by Ignacy Krasicki, Jan Potocki, Narcyza Zmichowska, and Witold Gombrowicz alongside others by Jonathan Swift, Charles Maturin, Oscar Wilde, and Samuel Beckett, Bartoszynska shows that the history of the novel's rise demands a more capacious and rigorous approach to form as well as a reconceptualization of the relationship between fiction and its cultural contexts. By modeling such a heterogeneous account of the novel form, Estranging the Novel paves the way for a bracing and diverse understanding of the makeup of contemporary world literature and the many texts it encompasses—and a new perspective on the British novel as well.

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Thirty-four essays that take a serious look at the state of modern cinema Almost half a century ago, Jean-Luc Godard famously remarked, "I await the end of cinema with optimism." Lots of us have been waiting forand wondering aboutthis prophecy ever since. The way films are made and exhibited has changed significantly. Films, some of which are not exactly "films" anymore, can now be projected in a wide variety of wayson screens in revamped high tech theaters, on big, high-resolution TVs, on little screens in minivans and laptops. But with all this new gear, all these new ways of viewing films, are we necessarily getting different, better movies? The thirty-four brief essays in The End of Cinema as We Know It attend a variety of topics, from film censorship and preservation to the changing structure and status of independent cinemafrom the continued importance of celebrity and stardom to the sudden importance of alternative video. While many of the contributors explore in detail the pictures that captured the attention of the nineties film audience, such as Jurassic Park, Eyes Wide Shut, South Park: Bigger, Longer and Uncut, The Wedding Banquet, The Matrix, Independence Day, Gods and Monsters, The Nutty Professor, and Kids, several essays consider works that fall outside the category of film as it is conventionally definedthe home "movie" of Pamela Anderson and Tommy Lee's honeymoon and the amateur video of the LAPD beating of Rodney King. Examining key films and filmmakers, the corporate players and industry trends, film styles and audio-visual technologies, the contributors to this volume spell out the end of cinema in terms of irony, cynicism and exhaustion, religious fundamentalism and fanaticism, and the decline of what we once used to call film culture. Contributors include: Paul Arthur, Wheeler Winston Dixon, Thomas Doherty, Thomas Elsaesser, Krin Gabbard, Henry Giroux, Heather Hendershot, Jan-Christopher Hook, Alexandra Juhasz, Charles Keil, Chuck Klienhans, Jon Lewis, Eric S. Mallin, Laura U. Marks, Kathleen McHugh, Pat Mellencamp, Jerry Mosher, Hamid Naficy, Chon Noriega, Dana Polan, Murray Pomerance, Hillary Radner, Ralph E. Rodriguez, R.L. Rutsky, James Schamus, Christopher Sharrett, David Shumway, Robert Sklar, Murray Smith, Marita Sturken, Imre Szeman, Frank P. Tomasulo, Maureen Turim, Justin Wyatt, and Elizabeth Young.

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It is no secret that riders often neglect their own needs in order to ensure their horses' are met. Countless dollars go toward massages, chiropractic work, and various other therapies that keep our equines comfortable and performing their best. We carefully schedule their training programs to achieve peak fitness at just the right time, and we juggle our personal lives—careers, family, you name it—around it all. But horse sports are a partnership, and if we want our horses to be at their best, then we have to be at ours, and that means paying careful attention to our own athletic bodies. Most riders argue they simply don't have the time to work out and still give their horses the time they need, so certified personal trainer Laura Crump Anderson has written a book that specifically targets the ever-present dilemma of how to fit fitness into a horse-crazy lifestyle. Beginning with explanations of why strength, flexibility, and balance is important to achieve out of the tack, Anderson provides important rules and guidelines for stretching, weight training, and cardio to keep you safe. A lifelong equestrian herself, she then approaches the scheduling issue head-on, helping readers determine where best to fit in the minutes they need in the places they need to be anyway—the tack room, the arena, the barn aisle. Using only basic items you are likely to find around the stable, she keeps equipment needs straightforward, recognizing that the less likely it is you forget something, the more likely it is you'll get that workout in. Readers are then treated to seven original fitness routines, each dedicated to a specific area like the lower body or the core, or designated as a full-body program. Full color photos of top riders, including Jan Byyny, Sloane Coles, and Sharon White, demonstrate how to perform exercises effectively, and step-by-step instructions ensure you get it right. With its clear and to-the-point delivery and attention to the realities of the modern riding life, this book is the perfect way to ensure more active, effective, pain-free years in the saddle.

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Since its foundation in the ninth century Prague has punched way above its weight to become a fulcrum of European culture. The city s most illustrious figures in the fields of music, literature and film are well known: Mozart staged the premiere of his opera Don Giovanni here; in the early twentieth century Franz Kafka was at the forefront of the city's intellectual life, while later writers such as Milan Kundera and film directors such as Milos Forman chronicled Prague's fortunes under communism. Yet the city has a cultural heritage that runs far deeper than Kafka museums and Mozart-by-candlelight concerts. It encompasses the avant-garde punk group Plastic People of the Universe, the 'new wave' film directors of the 1960s who made their striking movies in the city's famed Barrandov studios, and artists such as Alfons Mucha and Frantisek Kupka whose revolutionary canvases fomented Art Nouveau and abstract art at the dawn of the twentieth century. Beyond art galleries, concert halls and cinemas the history of Prague has been one of invasion and sometimes brutal oppression. The great German chancellor Otto von Bismarck once commented that 'whoever controls Prague, controls mid-Europe' and a succession of imperialist powers have taken this advice to heart, most recently Nazi Germany and the Soviet Union. Opposition has taken many forms, from the religious reformer Jan Hus in the fifteenth century to playwright and dissident Vaclav Havel, whose elevation to the Czechoslovak presidency in 1990 made him a symbol of the rebirth of democracy in Eastern Europe. In this book Andrew Beattie also reflects on the modern city, where bold new buildings such as Frank Gehry's 'Dancing House' rub shoulders with monuments from the Gothic and Baroque eras such as the Charles Bridge and St. Vitus' Cathedral. He considers the suburbs too, home to world-renowned football and ice hockey teams, gleaming shopping centres and grim communist-era apartment blocks that are often home to Vietnamese, Romany and Muslim minority groups who live in a city with a growing international outlook. The Prague he reveals is an increasingly confident and diverse city of the new Europe.

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Wayne Thiebaud: 1958-1968 examines Thiebaud's ongoing impact on contemporary art through in-depth analysis of the paintings and drawings made at the launch of his career, at a seminal moment when the art world was moving beyond Abstract Expressionism and redefining itself. By questioning Thiebaud's relationship to Pop art, his self-imposed distance from the movement, and the popular urge to affiliate him with it, Teagle explores the role of his painting in the traffic of images at the end of the twentieth century. Organized in close cooperation with the artist, this is the first study of the emergence of Thiebaud's mature style and the only museum exhibition to date to delve into a specific period of his production, a time that coincides with the start of his teaching career at University of California at Davis. Thiebaud's art, like that of the celebrated Pop artists with whom he shared early exhibitions, is ripe for critical reappraisal. The "soft" nature of Thiebaud's famous subjects, his creamy pies and dripping ice creams, positioned his art as fodder for social-political review on occasion, but rarely for serious historical analysis. Since the beginning of his career Thiebaud reminded critics of his formal interests and his deep affiliation with the history of painting. This exhibition takes as its starting point an understanding of Thiebaud's painterly language-its historical sources and contemporary affiliations. Shaped around the seminal exhibitions that marked Thiebaud's entrance onto the stage of contemporary art, it concludes with a close reading of the artists' expanded subject matter presented in a major traveling exhibition in 1968. Portraits and landscapes now joined the food that prevailed in early exhibitions, and all pictured in the artist's now signature style of objects deployed in neutral space, bounded by halated light and casting long shadows of saturated color. With contributions from Alexander Nemerov and Margaretta Lovell. Published in association with the Jan Shrem and Maria Manetti Shrem Museum of Art, University of California, Davis. Exhibition dates: Manetti Shrem Museum of Art, University of California, Davis: January 16-May 15, 2018

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'By cultivating spiritual thoughts here on earth we can provide nourishment for the dead...When fields lie fallow they produce no crops to feed humanity and people may die of starvation. The dead cannot die of starvation, of course; all they can do is suffer when spiritual life lies fallow on earth.' - Rudolf Steiner The founding of the Anthroposophical Society in 1913 marked a major change in Rudolf Steiner's work. Although Steiner had always been an independent spiritual researcher, the break with the theosophists removed all constraints, allowing for a full flowering of anthroposophy. These lectures, presented to audiences in Germany, France and Sweden, are filled with a freshness and vitality that reflect this new beginning, providing intriguing glimpses of great themes that Steiner was to develop in the years ahead. A predominant topic here is that of death. Rudolf Steiner seeks to explain how people on earth can reach the dead in a non-mediumistic way, and how such interaction between 'living' and 'dead' is mutually beneficial. Startlingly, he states that people who do not recognize the being of Lucifer during their earthly life - who have not 'already got to intuit and know the luciferic impulses in the human soul properly whilst here in life' - will be 'vampirized' by this being after death. Rudolf Steiner also elaborates on the activities of the adversary beings in present-day civilization - spiritual powers that play a necessary role in Earth evolution - and how we can counteract them. The longer someone can stay alive, for example, is a victory over Ahriman's activity. Even the losing of teeth has beneficial aspects, allowing us to '...gain certain impulses and these overcome Ahriman'. Steiner relates the actions of such spiritual entities to child development too, indicating the various influences in the seven-year cycles of growth. Also included are lectures on the Christian festivals and various artworks, including 'The Triumph of Death' in the Composanto cemetery at Pisa, which reveals great secrets of humanity's evolution. Whatever the subject addressed, it soon becomes apparent that these lectures were not just relevant to Steiner's audience in 1913, but also speak to contemporary souls around the world seeking spiritual orientation and understanding. 10 lectures, various cities, Jan. - Dec. 1913, CW 150

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