Search results for ""author george""

Without an appropriate spiritual care model, it can be difficult to discuss existential questions about death and dying with people who are confronted with life-threatening or incurable diseases. This book offers a simple framework for interpreting existential questions with patients and helping them to cope in end-of-life situations, with illustrative examples from practice.Building on the medieval Ars moriendi tradition, the author introduces a contemporary art of dying model. It shows how to discuss existential questions in a post-Christian context, without moralising death or telling people how they should feel. Written in a straightforward manner, this is a helpful resource for chaplains and clergy, and those with no formal spiritual training, including counsellors, doctors, nurses, allied healthcare workers and other professionals who come into contact with patients in hospitals and hospices.

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Join the fan-favorite Eighth Doctor on brand new comic adventures! Eerie Victorian magic shows, living paintings, mysterious lost books, crystalline life-forms, space-barges crammed with the undead... Embrace all the Gothic Romance and interstellar terror of the Eighth Doctor in this new series starring the most-requested past incarnation!

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Covering the period of the financial crisis, this Research Handbook discusses the degree of importance of different driving forces on employee turnover. The discussions contribute to policy agendas on productivity, firm performance and economic growth. The contributors provide a selection of theoretical and empirical research papers that deal with aspects of employee turnover, as well as its effects on workers and firms within the current socio-economic environment. It draws on theories and evidence from economics, management, social sciences and other related disciplines.With its interdisciplinary approach, this book will appeal to a variety of students and academics in related fields. It will also be of interest to policy makers, HR experts, firm managers and other stakeholders. Contributors: I. Beltrán Martín, S. Bevan, M. Bossler, C. Carrillo-Tudela, W.-J.A. Chang, M. Coles, C.L. Cooper, H. Dale-Olsen, M. Daskalaki, T. Eriksson, P. Ferreira, R.W. Griffeth, K.E. Hall, L. Holbeche, J.-T. Kao, Y. Lai, C.S. Long, A.-M. Mohammed, K. Morrell, E. Parry, J. Purl, G. Saridakis, S. Taylor, R. Upward, P. Urwin, W.K. Wan Ismail, M. Wong El Leen

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The critically acclaimed, best selling complete reprint of The Phantom continues! For the first time ever, the Avon edition of The Phantom is back in print! Hermes Press is proud to announce that they will be publishing all fifteen pocket Avon books! This exciting installment, Volume 14 offers the classic Lee Falk tale: “The Assassins!” Famed artist George Wilson (Dr. Solar, Magnus Robot Fighter, The Phantom) painted the cover for Volume #14 as he did with all of the covers used for the Avon series, and they are reproduced beautifully to keep all of the details from the original books intact for a new generation of Phans to enjoy! An airplane is skyjacked, a millionairess kidnapped, and an assassination attempt made on a king and princess during a diplomatic visit to the U.S. The Phantom rushes to the rescue and in his efforts to solve these crimes comes face to face with an ancient religious cult, The Assassins, whose goal is the destruction of Western civilization. Once again, the Phantom finds himself in deadly peril as he rallies to outwit and destroy evil!

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Nothing ever happens in the sleepy village of Bani Rashid, which is why Jamal is so excited when an explorer from Europe takes an interest in his home town. At first, Jamal tries to impress Mr Moneta - until it becomes clear that this visitor wants to do more than just admire the statues that Jamal sits beneath and tells his secrets to. Jamal realises that he needs to prevent Moneta from taking the Smiling Stones away ... and from discovering an amazing lost chamber of riches hidden beneath Bani Rashid. But how can a penniless village boy defeat a man the size of a giant? A battle of wits has begun, but as the heat of the summer grows, there can only be one winner ... The Smiling Stones is part of the Reading Planet range of books for Stars (Lime) to Supernova (Red+) band. Children aged 7-11 will be inspired to love reading through the gripping stories and fascinating information books created by top authors. Reading Planet books have been carefully levelled to support children in becoming fluent and confident readers. Each book features useful notes and questions to support reading at home and develop comprehension skills.Reading age: 7-8 years

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Insubordinate spaces are places of possibility, products of acts of accompaniment and improvisation that deepen capacities for democratic social change. Barbara Tomlinson and George Lipsitz’s Insubordinate Spaces explores the challenges facing people committed to social justice in an era when social institutions have increasingly been reconfigured to conform to the imperatives of a market society.In their book, the authors argue that education, the arts, and activism are key terrains of political and ideological conflict. They explore and analyze exemplary projects responding to current social justice issues and crises, from the Idle No More movement launched by Indigenous people in Canada to the performance art of Chingo Bling, Fandango convenings, the installation art of Ramiro Gomez, and the mass protests proclaiming “Black Lives Matter" in Ferguson, MO. Tomlinson and Lipsitz draw on key concepts from struggles to advance ideas about reciprocal recognition and co-creation as components in the construction of new egalitarian and democratic social relations, practices, and institutions.

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At the end of the 20th century, Dubai attracted international media attention as the world sought to make sense of the city’s extraordinary growth. Exuberant projects such as the Burj Arab, the Burj Khalifa and the Palm Islands attracted investment in dreams to transform the region. While the global financial crisis kept dreams from becoming reality, this issue of AD seeks to present a view of architecture and urbanism in the United Arab Emirates (UAE) and other states in the wider Gulf Cooperation Council (GCC) at a time when greater economic stability promises new beginnings. The issue presents examples of architecture that transcends preoccupation with fabricating images, and traces the process of making contemporary Gulf cities, from material tectonics to large-scale masterplans. By presenting the architecture of UAE and the Gulf within the context of broader regional developments and global trends, it highlights how projects in the UAE, Qatar, Kuwait and Saudi Arabia have contributed to unprecedented urban growth, while emphasising the continuing environmental challenges of building in the region. In addition to highlighting various sustainable initiatives intended to counteract these challenges, the issue also explores how computational design and new technologies are being innovatively employed to mitigate the impact of arid climates. Contributors include: Ameena Ahmadi, Kelly Hutzell, Varkki Pallathucheril, Todd Reisz, Rami el Samahy, Terri Meyer Boake, Jeffrey Willis. International architects: Foster + Partners, Frank Gehry, HOK, IM Pei, Legoretta + Legoretta, Jean Nouvelle, Reiser + Umemoto, Allies and Morrison. Regional architects: AGi (Kuwait), DXB.lab (UAE), X Architects (UAE).

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Designing Web-Based Applications for 21st Century Writing Classrooms brings together, for the first time, a group of scholars and teachers who have been developing, on their own initiative, web-based solutions to technical and professional writing instructional problems. In industry the perennial question is whether to buy or build, but in academia, for various reasons, buy is rarely an option. Individual faculty members do not have the money to pay for software solutions, and often their interests are too local or small-scale to warrant institutional-level involvement. In addition, the design of commercial applications from vendors typically does not take into account the unique needs and considerations of teachers of writing and often reflects a design ideology quite different from theirs. This is why so many writing teachers have turned to open source solutions and, in the process of learning how to tweak them to make them more responsive to their specific needs, why so many of these teachers have developed programming and design skills. Beyond exigency, the motivation for becoming proficient at interface and database design comes from the observation that the nature of writing is changing dramatically. Text is no longer an object. It has become a place of interaction; consumers are becoming producers. And the work of technical and professional communication, indeed the work of writing teachers more generally, is becoming increasingly involved in the design and implementation of places of interaction. Words have become data; texts are becoming communities.

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Anxiety, suffering and death are not simply the “ills” of our society, nor are they uniquely the product of a sick and sinful humanity. We must all some day confront them, and we continually face their implications long before we do. In that sense, the Garden of Gethsemane is not merely a garden “outside the walls” of Jerusalem but also the essential horizon for all of us, whether we are believers or not. Emmanuel Falque explores, with no small measure of doubt, Heidegger’s famous statement that by virtue of Christianity’s claims of salvation and the afterlife, its believers cannot authentically experience anxiety in the face of death. In this theological development of the Passion, already widely debated upon its publication in French, Falque places a radical emphasis on the physicality and corporeality of Christ’s suffering and death, marking the continuities between Christ’s Passion and our own orientation to the mortality of our bodies. Beginning with an elaborate reading of the divine and human bodies whose suffering is masterfully depicted in the Isenheim Altarpiece, and written in the wake of the death of a close friend, Falques’s study is both theologically rigorous and marked by deeply human concerns. Falque is at unusual pains to elaborate the question of death in terms not merely of faith, but of a “credible Christianity” that remains meaningful to non-Christians, holding, with Maurice Blondel, that “the important thing is not to address believers but to say something which counts in the eyes of unbelievers.” His account is therefore as much a work of philosophy as of theology—and of philosophy explicated not through abstractions but through familiar and ordinary experience. Theology’s task, for Falque, is to understand that human problems of the meaning of existence apply even to Christ, at least insofar as he lives in and shares our finitude. In Falque’s remarkable account, Christ takes upon himself the burden of suffering finitude, so that he can undertake a passage through it, or a transformation of it. This book, a key text from one the most remarkable of a younger generation of philosophers and theologians, will be widely read and debated by all who hold that theology and philosophy has the most to offer when it eschews easy answers and takes seriously our most anguishing human experiences.

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Anxiety, suffering and death are not simply the “ills” of our society, nor are they uniquely the product of a sick and sinful humanity. We must all some day confront them, and we continually face their implications long before we do. In that sense, the Garden of Gethsemane is not merely a garden “outside the walls” of Jerusalem but also the essential horizon for all of us, whether we are believers or not. Emmanuel Falque explores, with no small measure of doubt, Heidegger’s famous statement that by virtue of Christianity’s claims of salvation and the afterlife, its believers cannot authentically experience anxiety in the face of death. In this theological development of the Passion, already widely debated upon its publication in French, Falque places a radical emphasis on the physicality and corporeality of Christ’s suffering and death, marking the continuities between Christ’s Passion and our own orientation to the mortality of our bodies. Beginning with an elaborate reading of the divine and human bodies whose suffering is masterfully depicted in the Isenheim Altarpiece, and written in the wake of the death of a close friend, Falques’s study is both theologically rigorous and marked by deeply human concerns. Falque is at unusual pains to elaborate the question of death in terms not merely of faith, but of a “credible Christianity” that remains meaningful to non-Christians, holding, with Maurice Blondel, that “the important thing is not to address believers but to say something which counts in the eyes of unbelievers.” His account is therefore as much a work of philosophy as of theology—and of philosophy explicated not through abstractions but through familiar and ordinary experience. Theology’s task, for Falque, is to understand that human problems of the meaning of existence apply even to Christ, at least insofar as he lives in and shares our finitude. In Falque’s remarkable account, Christ takes upon himself the burden of suffering finitude, so that he can undertake a passage through it, or a transformation of it. This book, a key text from one the most remarkable of a younger generation of philosophers and theologians, will be widely read and debated by all who hold that theology and philosophy has the most to offer when it eschews easy answers and takes seriously our most anguishing human experiences.

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Featuring essays by some of the most prominent names in contemporary political and cultural theory, Sovereignty in Ruins presents a form of critique grounded in the conviction that political thought is itself an agent of crisis. Aiming to develop a political vocabulary capable of critiquing and transforming contemporary political frameworks, the contributors advance a politics of crisis that collapses the false dichotomies between sovereignty and governmentality and between critique and crisis. Their essays address a wide range of topics, such as the role history plays in the development of a politics of crisis; Arendt's controversial judgment of Adolf Eichmann; Strauss's and Badiou's readings of Plato's Laws; the acceptance of the unacceptable; the human and nonhuman; and flesh as a biopolitical category representative of the ongoing crisis of modernity. Altering the terms through which political action may take place, the contributors think through new notions of the political that advance countermodels of biopolitics, radical democracy, and humanity. Contributors. Judith Butler, George Edmondson, Roberto Esposito, Carlo Galli, Klaus Mladek, Alberto Moreiras, Andrew Norris, Eric L. Santner, Adam Sitze, Carsten Strathausen, Rei Terada, Cary Wolfe

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By focusing on how the idea of heroism on the battlefield helped construct, perpetuate, and challenge racial and gender hierarchies in the United States between World War I and the present, Warring over Valor provides fresh perspectives on the history of American military heroism. The book offers two major insights into the history of military heroism. First, it reveals a precarious ambiguity in the efforts of minorities such as African Americans, Asian Americans, Native Americans, women, and gay men to be recognized as heroic soldiers. Paradoxically, America’s heroism discourse allowed them to press their case for full membership in the nation, but doing so simultaneously validated the dichotomous interpretations of race and gender they repudiated. The ambiguous role of marginalized groups in war-related hero-making processes also testifies to this volume’s second general insight: the durability and tenacity of the masculine warrior hero in U.S. society and culture. Warring over Valor bridges a gap in the historiography of heroism and military affairs.

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By focusing on how the idea of heroism on the battlefield helped construct, perpetuate, and challenge racial and gender hierarchies in the United States between World War I and the present, Warring over Valor provides fresh perspectives on the history of American military heroism. The book offers two major insights into the history of military heroism. First, it reveals a precarious ambiguity in the efforts of minorities such as African Americans, Asian Americans, Native Americans, women, and gay men to be recognized as heroic soldiers. Paradoxically, America’s heroism discourse allowed them to press their case for full membership in the nation, but doing so simultaneously validated the dichotomous interpretations of race and gender they repudiated. The ambiguous role of marginalized groups in war-related hero-making processes also testifies to this volume’s second general insight: the durability and tenacity of the masculine warrior hero in U.S. society and culture. Warring over Valor bridges a gap in the historiography of heroism and military affairs.

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Now in paperback, Satantango, the novel that inspired Béla Tarr’s classic film, is proof that the devil has all the good times. Set in an isolated hamlet, the novel unfolds over the course of a few rain-soaked days. Only a dozen inhabitants remain in the bleak village, rank with the stench of failed schemes, betrayals, failure, infidelity, sudden hopes, and aborted dreams. “Their world,” in the words of the renowned translator George Szirtes is “rough and ready, lost somewhere between the cosmic and tragic, in one small insignificant corner of the cosmos. Theirs is the dance of death.” Into this world comes, it seems, a messiah…

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France's experience of World War II was not primarily one of armed conflict, but rather of occupation, collaboration, resistance, and persecution. Since the end of the war, France has struggled with how to understand and remember that experience. In Divided Memory, Olivier Wieviorka recounts the role that the memory of the Occupation and the Resistance has played in shaping the sense of the past held by various segments of French society. He explores the way in which memory can focus political and social conflict. Each administration since the war has taken a different approach to responding to these memories and has attempted to steer public opinion through them. Charles de Gaulle tried to overwrite Vichy's collaboration by promoting the story of a French military victory over Germany. Others focused on memorializing victims or attempted to forget this painful time altogether. Wieviorka shows that, disparate as they are, none of these approaches have worked, and France remains divided by its memories of resistance and collaboration.

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In 1933, at the age of 15, George Dunn left the small Welsh mining village of Blaina for St Albans in Hertfordshire as part of the government’s Labour Exchange Scheme. After marrying a local girl, he was conscripted into the Royal Engineers during the Second World War, and was part of the Dunkirk Evacuation in 1940. Now aged 92, he has seen three generations of his family grow up in Hertfordshire. This is the story of his life – from Wales to St Albans to active service and home again to Hertfordshire – with reflections on how life in the twentieth- and twenty-first century has changed. In this poignant book, the author shares vivid memories of his life in Hertfordshire and his wartime experiences. From touching recollections of enjoyable days spent with loved ones to the dark moments of falling bombs, this is an honest account of one man’s life. Together with rare images, this book is a personal and moving story.

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In September 2014, a referendum will be held in Scotland to decide whether or not Scotland should become independent and cease to be part of the United Kingdom. In this book, two of the nation’s leading political commentators will address both sides of this historic debate. George Kerevan will put forward the case for voting Yes, and Alan Cochrane will make the case for voting No. In this volume, the first title in this Great Debate series, the authors will present the distinctive arguments for both sides, fully preparing you to make up your own mind on a decision that will shape the future of Scotland and of Great Britain.

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This book situates John Locke’s philosophy of knowledge and his political theory within his engagement in British monetary debates of the 17th and 18th century. Anchored in extensive archival research, George Caffentzis offers the most expansive reading of Locke’s economic thought to date, contextualizing it within the expansion of capitalist accumulation on a world scale and the universality of money as a medium of exchange. Updated with a new introduction by Paul Rekret, a new foreword by Harry Cleaver and new material by the author, Clipped Coins, Abused Words, and Civil Government continues to make a significant intervention in contemporary debates around the history of capitalism, colonialism and philosophy.

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Following a mysterious explosion, the offices of Excelsior Joinery Company are no more; the 3 directors are killed and the peace of a quiet town in Surrey lies in ruins. When the supposed cause of ignited gas leak is dismissed and the presence of dynamite revealed, Superintendent Littlejohn of Scotland Yard is summoned to the scene. But beneath the sleepy veneer of Evingden lies a hotbed of deep-seated grievances. Confounding Littlejohn’s investigation is an impressive cast of suspicious persons, each concealing their own axe to grind. Bellairs’ novel of small-town grudges with calamitous consequences revels in the abundant possible solutions to the central crime as a masterpiece of misdirection.

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Millions of years ago in the Cretaceous period, the mighty Tyrannosaurus rex--with its dagger-like teeth for tearing its prey to ribbons--was undoubtedly the fiercest carnivore to roam the Earth. Yet as What Bugged the Dinosaurs? reveals, T. rex was not the only killer. George and Roberta Poinar show how insects--from biting sand flies to disease-causing parasites--dominated life on the planet and played a significant role in the life and death of the dinosaurs. The Poinars bring the age of the dinosaurs marvelously to life. Analyzing exotic insects fossilized in Cretaceous amber at three major deposits in Lebanon, Burma, and Canada, they reconstruct the complex ecology of a hostile prehistoric world inhabited by voracious swarms of insects. The Poinars draw upon tantalizing new evidence from their amazing discoveries of disease-producing vertebrate pathogens in Cretaceous blood-sucking flies, as well as intestinal worms and protozoa found in fossilized dinosaur excrement, to provide a unique view of how insects infected with malaria, leishmania, and other pathogens, together with intestinal parasites, could have devastated dinosaur populations. A scientific adventure story from the authors whose research inspired Jurassic Park, What Bugged the Dinosaurs?? offers compelling evidence of how insects directly and indirectly contributed to the dinosaurs' demise.

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The oldest discovered statue, fashioned some fifteen to twenty thousand years ago, is of a bear. The lion was not always king. From antiquity to the Middle Ages, the bear’s centrality in cults and mythologies left traces in European languages, literatures, and legends from the Slavic East to Celtic Britain. Historian Michel Pastoureau considers how this once venerated creature was deposed by the advent of Christianity and continued to sink lower in the symbolic bestiary before rising again in Pyrrhic triumph as a popular toy.The early Church was threatened by pagan legends of the bear’s power, among them a widespread belief that male bears were sexually attracted to women and would violate them, producing half-bear, half-human beings—invincible warriors who founded royal lines. Marked for death by the clergy, bears were massacred. During the Renaissance, the demonic prestige bears had been assigned in biblical allegory was lost to the goat, ass, bat, and owl, who were the devil’s new familiars, while the lion was crowned as the symbol of nobility. Once the undefeated champions of the Roman arena, prized in princely menageries, bears became entertainers in the marketplace, trained to perform humiliating tricks or muzzled and devoured by packs of dogs for the amusement of humans. By the early twentieth century, however, the bear would return from exile, making its way into the hearts of children everywhere as the teddy bear.This compelling history reminds us that men and bears have always been inseparable, united by a kinship that gradually moved from nature to culture—a bond that continues to this day.

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This comprehensive text offers a systematic and thematic approach to West's philosophical work. It moves the reader through his distinctive form of prophetic pragmatism, his historicist and improvisational philosophy of religion, his socialist democratic and truncated Marxist political philosophy, and his reflections on a range of cultural issues.

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Since its first publication in 1920, George Saintsbury's classic Notes on a Cellar-Book has remained one of the greatest tributes to drink and drinking in the literature of wine. A collection of tasting notes, menus, and robust opinions, the work is filled with anecdotes and recollections of wines and spirits consumed—from the heights of Romanée-Conti to the simple pleasures of beer, flip, and mum. Thomas Pinney brings this unique work alive for contemporary audiences by providing the keys to a full understanding of Notes on a Cellar-Book in a new edition that includes explanatory endnotes, an essay on the book's legacy, and additional articles on wine by Saintsbury.

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The Power of Alignment Misaligned companies, like cars out of alignment, can develop serious problems if not corrected quickly. They are hard to steer and don’t respond well to changes in direction. This groundbreaking book shows you how to get—and keep—all the vital elements of your organization aligned and headed in the same direction at the same time. Managers must now keep their people centered in the midst of change, deemphasize hierarchy, and distribute leadership by distributing authority, information, knowledge, and customer data throughout their organization. Alignment is a response to the new business reality where customer requirements are in flux, where competitive forces are turbulent, and where the bond of loyalty between an organization and its people has been weakened. The old linear approach to management has given way to one of simultaneity—to alignment. As pioneers of the alignment concept, the authors have developed this unique approach based on their work with leading companies throughout the world. The Power of Alignment is packed with war stories and the firsthand perspectives of industry leaders. You’ll learn how world-class organizations, including Federal Express, the Jet Propulsion Laboratory, Columbia/HCA Healthcare, Citizens Utilities, AirTouch, and UNUM achieved extraordinary business results. Now, through the authors’ expertise, you’ll see how alignment can work for your organization. In essence, alignment links the five key elements of an organization—people, process, customers, business strategies, and, of course, leadership—to obtain breakthrough results, chief among them, sustained growth and profit, loyal customers, and a high-performing work force. The Power of Alignment: Offers a clear framework for aligning and linking the crucial elements that build and sustain a company’s success Provides self-assessment tools as well as bench-marking measures for evaluating an organization’s critical competencies Enables managers to create a work force where each employee can relate his or her activities to the goals and strategic objectives of the company Helps a company determine when and where it is out of alignment, and gives descriptions of such common company pathologies as “The Phantom Limb Syndrome,” “Strategy Interruptus,” and “Dead Man Walking” Prescribes specific steps for getting an organization back on track toward a single, shared vision of its goals Essential reading for all managers and executives, The Power of Alignment offers a new way to reestablish focus and sustained energy, and is a dynamic approach for staying balanced and achieving extraordinary levels of performance.

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The airbrush, considered a technically daunting instrument, renders mass, volume, light, color, and surface more accurately and elegantly than the customary presentation tools of architects and interior designers. But it offers rich effects worth using, even in the computer age.

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Regarded as one of Sand's best novels, Lélia is an important document in the evolution of women's consciousness. Published in 1833, when Sand was 29, it stunned Victorians by advocating the same standard of morality for men and women and by suggesting that both the prostitute and the married woman were slaves to male desire. Sand also questioned monogamy, fidelity, and monastic celibacy. She later made an unsuccessful attempt to revise the book and to expunge its despair and skepticism. Although Sand wrote copiously, until recently only a handful of her books were available in English. This first English translation of Lélia is an excellent rendering, capturing the raptures, the mysticism, and the nineteenth-century flavor ot its eternally fascinating subject.

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Here is the whole sweep of the Soviet experiment and experience as told by its last steward. Drawing on his own experience, rich archival material, and a keen sense of history and politics, Mikhail Gorbachev speaks his mind on a range of subjects concerning Russia's past, present, and future place in the world. Here is Gorbachev on the October Revolution, Gorbachev on the Cold War, and Gorbachev on key figures such as Lenin, Stalin, and Yeltsin. The book begins with a look back at 1917. While noting that tsarist Russia was not as backward as it is often portrayed, Gorbachev argues that the Bolshevik Revolution was inevitable and that it did much to modernize Russia. He strongly argues that the Soviet Union had a positive influence on social policy in the West, while maintaining that the development of socialism was cut short by Stalinist totalitarianism. In the next section, Gorbachev considers the fall of the USSR. What were the goals of perestroika? How did such a vast superpower disintegrate so quickly? From the awakening of ethnic tensions, to the inability of democrats to unite, to his own attempts to reform but preserve the union, Gorbachev retraces those fateful days and explains the origins of Russia's present crisis. But Gorbachev does not just train his critical eye on the past. He lays out a blueprint for where Russia needs to go in the next century, suggesting ways to strengthen the federation and achieve meaningful economic and political reforms. In the final section of the book, Gorbachev examines the "new thinking" in foreign policy that helped to end the Cold War and shows how such approaches could help resolve a range of current crises, including NATO expansion, the role of the UN, the fate of nuclear weapons, and environmental problems. Gorbachev: On My Country and the World reveals the unique vision of a man who was a powerful actor on the world stage and remains a keen observer of Russia's experience in the twentieth century.

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Allen Ellenzweig traces the male gaze upon men as captured by the camera throughout the history of photography. More than one hundred striking, provocative duotone photographs reflect a wide-ranging history of photographic male homoeroticism and the spiritual, physical, and intellectual exchange among men. Accompanying these images is a detailed account of the multiple, complex meanings of the homoerotic that have taken shape from the 1850s to today. Ellenzweig situates each of his artists within their historical context, with chapters devoted to specific photographers and eras. He begins with nineteenth-century French photographer Eugene Durieu and his studies of the male nude, created under the direction of painter Eugene Delacroix. He then takes readers all the way through the rebellious 1960s and the disputes surrounding Robert Mapplethorpe's controversial retrospective in 1989 and 1990. Showing that homoeroticism in photography is anything but a contemporary invention, Ellenzweig unites photographers across the stylistic spectrum within a theme that came to inspire a host of larger spiritual, physical, and intellectual ideals.

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'It is only when you meet someone of a different culture from yourself that you begin to realize what your own beliefs really are.' The Road to Wigan Pier is George Orwell's 1937 study of poverty and working-class life in northern England. It is the book which established Orwell as among Britain's foremost political and social commentators. It is, moreover, essential for any reader who wishes to gain a deeper understanding of Orwell's life, work and legacy. This non-fiction work set the tone for Orwell's subsequent career, by focusing on class relations within Britain and political solutions to social problems. The Road to Wigan Pier has remained widely read since his death, running to several editions, and providing a point of comparison for later social and political commentaries

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‘Drawings’ is a collaborative venture combining two exhibitions that have been timed to coincide: British Drawings: 1890-1990 at Sotheran’s, and Drawings 1990-2022 at Purdy Hicks Gallery. Both shows emphasise the importance of drawing to artists of the last 120 years: though many of the artists have used myriad other art forms, they have invariably returned to the honesty of drawing, time and time again.The artists reflect their times. The artists from 1890-1980 are very much associated with strong schools of thought. One school in particular, the Slade School of Fine Art, dominates. Its rigorous process of drawing underpins much that we see, but is of course interpreted differently artist by artist. There was most definitely a British School, and in terms of drawing its greatest, though largely unacknowledged, triumph can be found in the remarkable works produced by the artists of the British School at Rome with their use of drawing techniques dating back to the Renaissance.This catalogue contains outstanding examples by Winifred Knights, Evelyn Gibbs, Anne Newland, Thomas Monnington, Robert Austin, Alan Sorrell and Reginald Brill. Slade student Winifred Knights exemplified the teachings of Henry Tonks, (Professor of Fine Art at the Slade from 1918 to 1930), with her observation of nature and meticulous methodology, working through endless studies, which were in turn painstakingly transferred to create finished works. Gilbert Spencer, another of the Professor’s students, recalled how Tonks talked of dedication, the privilege of being an artist, that to do a bad drawing was like living with a lie, and he proceeded to implant these ideals by ruthless and withering criticism. I remember once coming home and feeling like flinging myself under a train, and Stan telling me not to mind as he did it to everyone.Methodology aside, many of the artists in this catalogue share common traits – an obsession with the minutiae of nature, an unbreakable attachment to landscape, an immersion in the narrative tradition, and an inability to resist humour and affection for the quirky and mundane.

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Signalling and Performance: Ancient Rock Art in Britain and Ireland presents a state of the art survey of the ancient rock art of Britain and Ireland, bringing together new discoveries and new interpretations. Ancient rock art offers unique insights into the mindsets of its makers and the landscapes in which they lived. The making of rock art was not just an aesthetic practice, but an activity informed by deep social and cultural meanings held by its makers - meanings that they were compelled to express on rocks in Britain and Ireland, through mostly abstract images, for thousands of years. For a long time, ancient rock art remained a topic on the fringes of Archaeology. Since the 1960s, however, there has been sustained recording and research into ancient rock art. Increased publicity has evoked growing interest in British and Irish rock art, with professional and amateur archaeologists and the public, with the latter being responsible for many discoveries. In 2007, Aron Mazel, George Nash and Clive Waddington published the first edited volume focusing on ancient British rock art, entitled Art as Metaphor. Since then, there have been a number of publications covering this topic. Building on the increased interest in rock art, this lavishly illustrated volume constructed of thirteen thought-provoking chapters and an Introduction will do much to further enhance of understanding of this fascinating and meaningful resource. It will further establish ancient British and Irish rock art as a significant archaeological assemblage worthy of attention and additional study.

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Meticulously selected and artfully recreated, the selection of stories in Italian is vast and ranges geographically from Corsica and Sicily to Venice and the Alps. Calvino is himself clearly captivated by the folkloric imagination and communicates this in what is a fascinating and rich addition to folk literature.

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Classica et Mediaevalia is an international, peer reviewed journal covering the field of the Greek and Latin languages and literature from classical antiquity until the late Middle Ages as well as the Greco-Roman history and traditions as manifested in the general history, history of law, history of philosophy and ecclesiastic history. Articles are published mainly in English, but also in French and German. Some of the many contributions to the present issue include Rhetoric in Classical Athens: The Recognition Scene in Aeschylus' Choephoroi and in Sophocles' and Euripides'Electra " and Aphrodite and Inanna: The Homeric Hymn to Aphrodite and Sumerian Poetry on Inanna"

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When public protests first began in Ukraine at the end of 2013, the failed promise of the Orange Revolution was still fresh in the minds of many Ukrainians. However, unlike in the aftermath of 2004/2005, the political and military crises ignited by the Euromaidan brought profound changes not only for Ukraine, but also for neighboring states and Europe more generally. The annexation of Crimea by Russia in March 2014, along with the outbreak of fighting in the Donets Basin, has resulted in a profound shift in how domestic and regional security is perceived. More broadly, these events have also called into question the durability of the post-Cold War world order, which had been based upon peaceful coexistence between states, the integrity of sovereign borders, and an acceptance of the legitimacy of international law. While the effects of the Euromaidan have already been analyzed in terms of Ukrainian politics and relations between Ukraine, Russia, and the EU, what has not yet taken place is a sustained analysis of how its legacies have reverberated throughout the post-communist region and wider Europe (and how these altered international perceptions have, in turn, affected the subsequent course of Ukraines domestic politics). Writing from a variety of viewpoints and backgrounds, this volumes contributors seek to address these lacunae. Among other topics, they focus on Russias dissatisfaction with the post-Cold War international order, examine issues of ontological insecurity in an increasingly networked world, assess the limits of Western leverage, evaluate Ukrainian public opinion concerning NATO and the EU, consider the broader security implications of the Euromaidan for Eastern Europe, explore the role of migration and demographic factors for Ukrainian security, and assess how contentious pasts are being utilized as tools of statecraft by both Ukrainian actors and outside forces.

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Believe in the impossible this Christmas - a magical story celebrating the power of imagination, from the bestselling author of STORIES FOR BOYS WHO DARE TO BE DIFFERENT.Oleg and Emma entered their den to find a cardboard spaceship standing exactly where they usually sat. Slowly, the front door opened and out stepped a boy. 'My name's Sebastian Cole,' he said. 'But you already know that.'When Oleg and Emma invent a new classmate called Sebastian, they are amazed when he appears - very much real - in their secret den.Sebastian isn't like the rest of their classmates. He's never eaten pizza, he's not sure what goose bumps are, and he has a satchel that seems to hold an endless supply of hot ice cream. But as the trio begin their adventures, more impossible things keep happening, from a runaway goat appearing at school to a sighting of some snowwomen walking down the road. Things soon take a turn for the dangerous when the three friends are pursued by the mysterious Institute of Unreality, who want to capture and erase Sebastian, restoring order to the world. With the help of a cowboy gardener, an imprisoned scientist, and the rest of their class, can Emma and Oleg protect their new friend and keep the magic of the impossible alive, just in time for Christmas?After inspiring countless young readers with tales of extraordinary people in the world around them, Ben Brooks' first children's novel is a magical adventure that celebrates friendship, the power of imagination, and ice cream.

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NAMED ONE OF THE BEST BOOKS OF THE YEAR by The New Yorker and Science News What happens when you try to recreate a woolly mammoth—fascinating science, or conservation catastrophe? Jurassic Park meets The Sixth Extinction in Rise of the Necrofauna, a provocative look at de-extinction from acclaimed documentarist and science writer Britt Wray, PhD.In Rise of the Necrofauna, Wray takes us deep into the minds and labs of some of the world’s most progressive thinkers to find out. She introduces us to renowned futurists like Stewart Brand and scientists like George Church, who are harnessing the powers of CRISPR gene editing in the hopes of “reviving” extinct passenger pigeons, woolly mammoths, and heath hens. She speaks with Nikita Zimov, who together with his eclectic father Sergey, is creating Siberia’s Pleistocene Park—a daring attempt to rebuild the mammoth’s ancient ecosystem in order to save earth from climate disaster. Through interviews with these and other thought leaders, Wray reveals the many incredible opportunities for research and conservation made possible by this emerging new field.But we also hear from more cautionary voices, like those of researcher and award-winning author Beth Shapiro (How to Clone a Woolly Mammoth) and environmental philosopher Thomas van Dooren. Writing with passion and perspective, Wray delves into the larger questions that come with this incredible new science, reminding us that de-extinction could bring just as many dangers as it does possibilities. What happens, for example, when we bring an “unextinct” creature back into the wild? How can we care for these strange animals and ensure their comfort and safety—not to mention our own? And what does de-extinction mean for those species that are currently endangered? Is it really ethical to bring back an extinct passenger pigeon, for example, when countless other birds today will face the same fate?By unpacking the many biological, technological, ethical, environmental, and legal questions raised by this fascinating new field, Wray offers a captivating look at the best and worst of resurrection science.Published in Partnership with the David Suzuki Institute.

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The second novel in Pitol's Carnival trilogy following The Love Parade continues his daring, genre-melding, picaresque style.From the famous Mexican author, Sergio Pitol, comes his 1988 classic translated by George Henson. Taming the Divine Heron tells the semi-autobiographical story of a novelist working on his newest masterpiece. The protagonist struggles to tell the perfect story—his own imagined protagonists mere imitations of the likes of Lord Jim and Alyosha Karamazov. To help eradicate writer’s block, Pitol uses his vessel to praise his own favorite authors. Pitol applauds Bakhtin’s world building, Gogol’s “carnivalesque [literary] breath,” and Dante’s dizzying intensity. The character finds a muse in Marietta Karapetiz, whom he aptly dubs Dante C. de la Estrella, and the two debate the literary greats. As the pair attempts to pull from the techniques of the world’s best writers, Pitol creates a love letter to literature from around the globe while simultaneously telling his own magical story. To quote Pitol’s protagonist, “the quality of the story, its effects, its brilliance, its intensity, ma[k]e the most absurd circumstances plausible.” Taming The Divine Heron, second in a trilogy including already-published The Love Parade (Deep Vellum, 2022), houses history, hyperrealism, myth, folklore, and memoir; to read Pitol is to appreciate the power of language.

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In a Whole New Way is a photographic self-portrait by New Yorkers who are serving a term of probation. The book also lifts the veil on this “second-chance” justice intervention that has spread from its origins in 1841 Boston to most of the world today. If all Americans serving a term of probation were gathered in one locale, they would constitute the third-largest city in the country. Yet few of us understand what the sanction involves. Nor do many Americans realize that the originally rehabilitative practice became punitive following the 1972–92 crime wave. In many jurisdictions, it still is. Probation unfortunately has become a staging area for incarceration rather than its alternative. In a Whole New Way shows how hundreds of determined city residents on probation, along with neighborhood allies, undertook to change this. Equipped with cameras and new artistic sensibilities provided by the editors’ nonprofit Seeing for Ourselves, they set off in a whole new way to reform the sanction of probation, returning it to the rehabilitative and positive program it was originally intended to be. In the process, they found themselves transformed. The result of their journey is this unique collection of stunning photographs, accentuated by deeply personal captions and lengthier testimonies, that reveal the reality of life in probation. The stories of these participants powerfully undercut their own—and probation’s—derogatory popular image. The true goal of this book is to reform the entire justice system toward decarceration. In a Whole New Way is both the sequel to the editors’ Project Lives (2015), the globally acclaimed volume resulting from a similar effort with New Yorkers living in public housing—a work catapulting Seeing for Ourselves to the front tier of “participatory photography” practitioners worldwide—and the source of today’s award-winning eponymous documentary film, airing on select public television stations in 2023.

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