Search results for ""Author Isabel"

Medieval Spain is brilliantly recreated, in all its variety and richness, in this comprehensive survey. Likely to become the standard work in English, the book treats the entire Iberian Peninsula and all the people who inhabited it, from the coming of the Visigoths in the fifth century to the reign of Ferdinand and Isabella. Integrating a wealth of information about the diverse peoples, institutions, religions, and customs that flourished in the states that are now Spain and Portugal, Joseph F. O'Callaghan focuses on the continuing attempts to impose political unity on the peninsula.O'Callaghan divides his story into five compact historical periods and discusses political, social, economic, and cultural developments in each period. By treating states together, he is able to put into proper perspective the relationships among them, their similarities and differences, and the continuity of development from one period to the next. He gives proper attention to Spain's contacts with the rest of the medieval world, but his main concern is with the events and institutions on the peninsula itself. Illustrations, genealogical charts, maps, and an extensive bibliography round out a book that will be welcomed by scholars and student of Spanish and Portuguese history and literature, as well as by medievalists, as the fullest account to date of Spanish history in the Middle Ages.

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If you loved Sophie Ranald’s Sorry Not Sorry then this is the hilariously feel good novel for you! ‘Funny, poignant and wonderfully descriptive…an unlikely but perfect romcom’ Rachel Burton ‘A lovely, uplifting story…everything I look for in a romantic comedy’ Karen Clarke ‘A proper meet-cute…DEFINITELY unputdownable’ Isabella May ‘If you are looking for a wonderful rom-com, that also had a few surprises in it, then this is definitely worth a read’ Rachel’s Random Reads *** Jen Attison likes her life Just So. But being fished out of a canal in Copenhagen by her knickers is definitely NOT on her to do list. From cinnamon swirls to a spontaneous night of laughter and fireworks, Jen’s city break with the girls takes a turn for the unexpected because of her gorgeous, mystery rescuer. Back home, Jen faces a choice. A surprise proposal from her boyfriend, ‘boring’ Robert has offered Jen the safety net she always thought she wanted. But with the memories of her Danish adventure proving hard to forget, maybe it’s time for Jen to stop listening to her head and start following her heart… A fabulously feel-good rom com that will make you laugh till you cry and fall in love with the romance! This is a must read if you love romantic comedies by Sophie Kinsella, Lindsey Kelk or Mhairi McFarlane!

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Why did the Soviet Union spark war in 1967 between Israel and the Arab states by falsely informing Syria and Egypt that Israel was massing troops on the Syrian border? Based on newly available archival sources, The Soviet Union and the June 1967 Six Day War answers this controversial question more fully than ever before. Directly opposing the thesis of the recently published Foxbats over Dimona by Isabella Ginor and Gideon Remez, the contributors to this volume argue that Moscow had absolutely no intention of starting a war. The Soviet Union's reason for involvement in the region had more to do with enhancing its own status as a Cold War power than any desire for particular outcomes for Syria and Egypt. In addition to assessing Soviet involvement in the June 1967 Arab-Israeli Six Day War, this book covers the USSR's relations with Syria and Egypt, Soviet aims, U.S. and Israeli perceptions of Soviet involvement, Soviet intervention in the Egyptian-Israeli War of Attrition (1969-70), and the impact of the conflicts on Soviet-Jewish attitudes. This book as a whole demonstrates how the Soviet Union's actions gave little consideration to the long- or mid-term consequences of their policy, and how firing the first shot compelled them to react to events.

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On October 24, 1588, Paolo Barbieri murdered his wife, Isabella Caccianemici, stabbing her to death with his sword. Later, Paolo would claim to have acted in a fit of madness—but was he criminally insane or merely pretending to be? In this riveting book, Mònica Calabritto addresses this controversy by reconstructing Paolo’s life, prosecution, and medical diagnoses.Skillfully combining archival documents unearthed throughout Italy, Calabritto brings to light the case of one person and his family as insanity ravaged their financial security, honor, and reputation. The very notion of insanity is as much on trial in Paolo’s case as the defendant himself. A case study in the diagnosis of insanity in the early modern era, Barbieri’s story reveals discrepancies between medical and legal definitions of a person’s mental state at the time of a crime. Murder and Madness on Trial bridges the micro-historical dimensions of Paolo’s murder case and the macro-historical perspectives on medical and legal evidence used to identify intermittent madness.A tragic and gripping tale, Murder and Madness on Trial allows readers to look “through a glass darkly” at early modern violence, madness, criminal justice, medical and legal expertise, and the construction and circulation of news. This erudite and engaging book will appeal to early modern historians and true crime fans alike.

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Escape to Villa Limoncello… where dreams come true in unexpected ways. Perfect for fans of Sarah Morgan, Jenny Oliver and Kat FrenchWhen Isabella Jenkins is unceremoniously fired from her fancy London job, she escapes to Tuscany. A few weeks hiding amongst rolling hills and grape vines at Villa Limoncello sounds exactly like the distraction she needs.But Italy holds emotional memories for Izzie and with a hapless handyman, a matchmaking village matriarch and a gorgeous – if infuriating – local chef named Luca Castelotti, her quiet Italian get away turns into an unending cacophony of chaos.Suddenly Izzie finds herself on a mission to pull off the wedding of the century and maybe get her life in order in the process. If only Luca’s gorgeous smile wasn’t such a powerful distraction…Praise for Wedding Bells at Villa Limoncello:‘A sweet romantic tale and it also reiterated why it is important to be honest and open with our emotions. I hope a sequel is next!’ 5* Reader review‘This is a light romcom that is perfect for when you are lounging on the beach or just want something to get lost in for a couple of hours!’ 5* Reader review‘This was a breezy, fun read in a gorgeous setting’ 4* Reader review‘I absolutely loved this novel. It is the perfect pick-me-up summer novel’ 4* Reader review

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'The best piece of nature writing since H is for Hawk, and the most powerful work of biography I have read in years' Neil Gaiman'Wonderful - I can't recommend it too highly' Helen Macdonald'One of those rare, enchanted books' Isabella Tree'Beautiful - it made me cry' Simon Amstell'I was entranced' Cathy RentzenbrinkThis is a story about birds and fathers.About the young magpie that fell from its nest in a Bermondsey junkyard into Charlie Gilmour's life - and swiftly changed it. Demanding worms around the clock, riffling through his wallet, sharing his baths and roosting in his hair... About the jackdaw kept at a Cornish stately home by Heathcote Williams, anarchist, poet, magician, stealer of Christmas, and Charlie's biological father who vanished from his life in the dead of night. It is a story about repetition across generations and birds that run in the blood; about a terror of repeating the sins of the father and a desire to build a nest of one's own. It is a story about change - from wild to tame; from sanity to madness; from life to death to birth; from freedom to captivity and back again, via an insane asylum, a prison and a magpie's nest. And ultimately, it is the story of a love affair between a man and a magpie.

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After her parents are killed in a road accident, Delia Yebarra's life is turned upside-down. At fifteen, she leaves the rural Mexican village where she grew up to embark on a new life in America. Arriving at her wealthy Aunt Isabella's huge estate in Palm Springs, California, should be a dream come true for a simple country girl like Delia - so why does it feel like a nightmare? Her aunt refuses to acknowledge Delia's heritage, relegating her to the servants' quarters with a lecherous language tutor who is intent on exploiting the beautiful young foreigner. Her cousin Edward is kind, but cousin Sophia is cruel, manipulative and resentful of Delia's sultry Latin looks. And just when Delia tries to embrace the life of an all-American girl, a heartbreaking chain of events sends her spiralling back to a Mexico she hardly recognises . . .

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In a country where violence and the threat of violence is a constant weather for queer Black people, where can the spirit rest? With lush language, the meditative poems in the Isabella Gardner Award-winning Tenderness examine the fraught nature of intimacy in a nation poisoned by anti-Blackness and homophobia. From the bedroom to the dance floor, from the natural world to The Frick, from the Midwest to Florida to Mexico City, the poems range across interior and exterior landscapes. They look to movies, fine art, childhood memory, history, and mental health with melancholy, anger, and playfulness. Even amidst sorrow and pain, Tenderness uplifts communal spaces as sites of resistance and healing, wonders at the restorative powers of art and erotic love, and celebrates the capaciousness of friendship.

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Evelina van Millingen Pisani was a modern woman in the age of Queen Victoria. She was born in Constantinople in 1831 to an eccentric French mother and an English father, who was a doctor accused of having murdered Lord Byron. Educated in Papal Rome until the age of eighteen, she was whisked back to Constantinople by her father, now working for the sultan. While visiting Venice, this striking beauty of twenty-two met and married the wealthy Count Pisani. Evelina became an exotic star in the firmament of wealthy American and English socialites, artists, and writers, for whom the artistic decadence of Venice was an antidote to the factories, materialism, and homophobic laws they saw at home. In her circle of friends were Isabella Stewart Gardner and an admiring Henry James. When her husband died after twenty-seven years of marriage, the grieving countess unexpectedly found herself saddled with his mortgage debts. Inheriting the vast but rundown Pisani estate in the misty flatlands near Padua, Evelina took full charge. Becoming a hands-on farmer, she restored swampland, built an English garden, and created a model farm for hundreds of tenant farmers. Through it all, she remained a pillar in the admiring Venetian set.

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A fun and fact-filled introduction to the dismissed Black art masters and models who shook up the world.Elegant. Refined. Exclusionary. Interrupted. The foundations of the fine art world are shaking. Beyoncé and Jay-Z break the internet by blending modern Black culture with fine art in their iconic music video filmed in the Louvre. Kehinde Wiley powerfully subverts European masterworks. Calls resonate for diversity in museums and the resignations of leaders of the old guard. It’s clear that modern day museums can no longer exist without change—and without recognizing that Black people have been a part of the Western art world since its beginnings. Quietly held within museum and private collections around the world are hundreds of faces of Black men and women, many of their stories unknown. From paintings of majestic kings to a portrait of a young girl named Isabella in Amsterdam, these models lived diverse lives while helping shape the art world along the way. Then, after hundreds of years of Black faces cast as only the subject of the white gaze, a small group of trailblazing Black American painters and sculptors reached national and international fame, setting the stage for the flourishing of Black art in the 1920s and beyond. Captivating and informative, BLK ART is an essential work that elevates a globally dismissed legacy to its proper place in the mainstream art canon. From the hushed corridors of royal palaces to the bustling streets of 1920s Paris—this is Black history like never seen before.

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'Britain's ten million acres of private gardens add up to a vital haven for wildlife. Chock-a-block with ideas for encouraging wildlife into your plot, this pocket-sized book tells you how to make your off-street parking wildlife-friendly, why you should welcome wasps into the garden and whether you should let ladybirds overwinter in your home. One for budding David Attenboroughs.' - Mail on SundayForeword written by Isabella Tree of the Knepp Wildland Project.RHS How Can I Help Hedgehogs? offers more than 100 ideas for you to help wildlife thrive in your garden. Packed with simple, low-cost ideas that will make a huge difference to the natural world, the book suggests ways to help birds, bees, butterflies, beetles and many other declining species.Hopeful, informative and entertaining, with plenty of 'I-never-knew-that' mini-features, this is a book you and your family need, and one that you'll all enjoy, too. Includes topics such as how to increase the biodiversity of your plot and how to improve your soil without using chemicals.Includes...- Can I make my garden bat-friendly?- Do green roofs work?- Why should I love my weeds?- Should I keep honey bees?- Which flowers are friendliest for moths?- Where's best for a bird box?- Is garden lighting disruptive?...and many more.

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Traditionally, the Wars of the Roses – one of the bloodiest conflicts on English soil – began in 1455, when the Duke of York attacked King Henry VI’s army in the narrow streets of St Albans. But this conflict did not spring up overnight. Blood Roses traces it back to the beginning. Starting in 1245 with the founding of the House of Lancaster, Kathryn Warner follows a twisted path of political intrigue, bloody war and fascinating characters for 200 years. From the Barons Wars to the overthrowing of Edward II, Eleanor of Castile to Isabella of France, and true love to Loveday, this is a new look at an infamous era. The first book to look at the origins of both houses, Blood Roses reframes some of the biggest events of the medieval era; not as stand-alone conflicts, but as part of a long-running family feud that would have drastic consequences.

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A fresh, funny and accessible retelling of Jane Austen's classic story, with witty black and white illustrations throughout.Catherine Morland loves nothing more than reading a romantic novel, but as one of ten children she doesn't have much time for reading or for romance.When she is seventeen, her wealthy neighbours invite her to spend the winter season with them in Bath - to experience balls, the theatre and other social delights for the first time. Catherine makes friends with the passionate Isabella, and dances with a handsome man called Henry, and it seems that all her dreams are coming true. But real life doesn't always play out like a novel, and Catherine will have to overcome many obstacles before she can find her happy ending ... Steven Butler is an actor and writer from London. His books for children include The Wrong Pong series and Dennis the Menace. Steven's love of mischief made Northanger Abbey the perfect book to rewrite and he's excited to introduce Catherine Morland to a whole new raft of readers. Eglantine Ceulemans captures all of Austen's satire and wit, bringing her colourful casts to life with warm and funny black and white illustrations.Illustrated and retold editions are also available for: Pride and Prejudice, Emma, Persuasion, Sense and Sensibility, and Mansfield Park. The perfect way to discover Austen for the first time, this bright and bold collection features some of the most inspiring and famous heroines in English literature. For readers aged eight and up.

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Este libro es importante, pues si es cierto que la tragedia ha muerto, nos hallamos ante una pérdida cultural vital. No cabe duda de que provocará polémica. La pasión y la perspicacia con que Steiner escribe sobre las tragedias que le han conmovido prueban que las palabras todavía pueden ilustrar y revelar.The New York Times Book ReviewTodos los hombres tienen conciencia de la tragedia en la vida. Pero la tragedia como forma teatral no es universal, señala George Steiner, quien, en La muerte de la tragedia, se enfrenta a una cuestión que ha preocupado también, entre otros, a Lukács, Kafka o Sartre: por qué la tragedia, que evolucionó desde la Antigüedad hasta la época de Shakespeare y Racine, calla o declina, a partir de ese momento, en el teatro? George Steiner trata de determinar a qué se debe este ocaso en un riguroso estudio que traza un fascinante recorrido desde el teatro isabelino hasta Brecht o Beckett.

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Abducted by slave traders from her home in Ruthenia - modern-day Ukraine - around 1515, Roxelana was brought to Istanbul and trained in the palace harem as a concubine for Sultan Suleyman the Magnificent, ruler of the Ottoman Empire and one of the world's most powerful men.Suleyman became besotted with Roxelana and foreswore all other concubines, freeing and marrying her. The bold and canny Roxelana became a shrewd diplomat and philanthropist, helping Suleyman keep pace with a changing world in which women - Isabella of Hungary, Catherine de Medici - were increasingly close to power.Until now Roxelana has been seen by historians as a seductress who brought ruin to the empire, but in Empress of the East, acclaimed historian Leslie Peirce reveals with panache the compelling story of an elusive woman who transformed the Ottoman harem into an institution of imperial rule.

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The Crime of Art looks at San Francisco–based artist Kota Ezawa’s (born 1969) oeuvre using crime as a lens. The book presents photographs and reproductions from Ezawa’s recent exhibitions in Los Angeles, New York and Amherst featuring remakes of paintings stolen from the Isabella Stewart Gardner Museum in Boston. In addition, the book draws connections from his current project to other work from the early 2000s to the present that contemplates crime. Among them are his animated films The Simpson Verdict (2002) and The Unbearable Lightness of Being (2005), as well as his ongoing drawing series The History of Photography Remix, which includes hand-drawn re-creations of historic crime-scene photography. While focusing on a single subject, The Crime of Art brings attention to some of Ezawa’s key projects from the last 15 years, and coincides with a solo exhibition at SITE Santa Fe in 2017.

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This collection features four urgent and explosive plays by award-winning playwright Evan Placey, each tackling issues facing young people today. They provide ideal material for teenagers to read, study and perform. Girls Like That explores the pressures caused by technology when a schoolgirl’s naked photograph goes viral. Commissioned in 2013 by Birmingham Repertory Theatre, Theatre Royal Plymouth and West Yorkshire Playhouse, it has subsequently been performed by school and youth-theatre groups across the UK, at the Unicorn Theatre, London, and in the Houses of Parliament. It won the Writers’ Guild Award for Best Play for Young Audiences. Banana Boys, published here for the first time, is about the challenges of being on the school football team – and secretly gay. It was commissioned and produced by Hampstead Theatre’s heat&light company in 2010. In Holloway Jones, Holloway dreams of being a world-class BMXer, but she is held back by the tough reality of a parent in prison. Also making its debut in print here, the play was commissioned by Synergy Theatre Project, toured schools and the Unicorn Theatre in 2011, and won the 2012 Brian Way Award for Best Play for Young People. Finally, Pronoun is a love story about two childhood sweethearts dealing with the fact that one of them, Isabella, has now become a boy. As one of the plays in the 2014 National Theatre Connections Festival it proved enormously popular with youth theatres and college companies. 'Maybe change starts with plays like this' Lyn Gardner, Guardian, on Girls Like That

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**A SUNDAY TIMES GARDENING BOOK OF THE YEAR 2020**'A must-read for every gardener who wants to up their game for wildlife and do their bit for the planet.' -- Isabella Tree'A refreshing, uplifting and positive look at the true value of a garden.' -- Alan TitchmarshThe perfect book for any gardener looking to get back in touch with their wild side.The rewilding of public spaces and farmland is vitally important to conservation, but how can we support native species and provide rich habitats on our own doorsteps?In this practical, beautifully illustrated guide horticulturalist and Gardener's World presenter Frances Tophill shows you how to plan and maintain a beautiful garden that will attract bees and birds as well as a throng of unsung garden heroes. Whether you have a small balcony or a large open space, discover the joys of welcoming natural ecosystems back into your garden - along with a host of new visitors.

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Aunque reducido a " Las firmezas de Isabela " , a los dos actos de " El doctor Carlino " y al corto fragmento atribuido de la " Comedia venatoria " , el teatro de Góngora abarca, con sus casi seis mil versos, una parte considerable de la obra del autor y constituye un ejemplo singular de perfecta inserción del culteranismo en el género dramático. Desde las primeras escenas, estos textos se muestran como no habituales y el enfoque, siempre distinto, atestigua además una pretendida voluntad de experimentar, transfigurar el deseo de llevar las tablas géneros literarios diferentes. Confirmando su deseo de dirigirse a un público seleccionado, Góngora propone una renovación del arte dramático que eleva su lenguaje y respeta los dictámenes clásicos sin renunciar al dinamismo, los equívocos, engaños, celos, traiciones amorosas, etc.

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An inspired evaluation of women leaders in war by a bestselling historian.Antonia Fraser's Warrior Queens are those women who have both ruled and led in war. They include Catherine the Great, Elizabeth I, Isabella of Spain, the Rani of Jhansi, and the formidable Queen Jinga of Angola. With Boadicea as the definitive example, her female champions from other ages and civilisations make a fascinating and awesome assembly.Yet if Boadicea's apocryphal chariot has ensured her place in history, what are the myths that surround the others? And how different are the democratically elected if less regal warrior queens of our time: Indira Ghandi and Golda Meir? This remarkable book is much more than a biographical selection. It examines how Antonia Fraser's heroines have held and wrested the reins of power from their (consistently male) adversaries.

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It's 1308 and England hovers on the brink of civil war. Edward II, his wife Isabella and the royal favourite Peter Gaveston Earl of Cornwall, have been forced to retreat to the King's folly. Just an arrowshot away lie the Great Lords and Philip IV of France, who are demanding that the Earl of Cornwall be charged with high treason.Edward is trapped, and worse, he has learnt that Philip has the 'Poison Maiden' on his side, a formidable spy who did untold damage during his father's reign. As Edward tries in vain to unmask the identity of the spy, Mathilde, handmaiden to the Queen, also attempts to identify the source of this threat. Soon the crisis spills over into violence. The Lords attempt to take Gaveston by force and the King and his Court, including Mathilde, are forced to flee. As the enemy closes in, Mathilde finds herself embroiled in a life and death struggle for the English crown.

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Feminist rewriting of history is designed not merely to reshape our collective memory and collective imaginary but also to challenge deeply ingrained paradigms about knowledge production. This feminist rewriting raises important questions for early modern scholars, especially in bringing to life the works of our foremothers and in reconsidering women’s agency.Recovering Women’s Past, edited by Séverine Genieys-Kirk, is a collection of essays that focus on how women born before the nineteenth century have claimed a place in history and how they have been represented in the collective memory from the Renaissance to the twenty-first century. Scrutinizing the legacies of such politically minded women as Catherine de’ Medici, Queen Isabella of Castile, Emilie du Châtelet, and Olympe de Gouges, the volume’s contributors reflect on how our histories of women (in philosophy, literature, history, and the visual and performative arts) have been shaped by the discourses of their representation, how these discourses have been challenged, and how they can be reassessed both within and beyond the confines of academia. Recovering Women’s Past disseminates a more accurate, vital history of women’s past to engage in more creative and artistic encounters with our intellectual foremothers by creating imaginative modes of representing new knowledge. Only in these interactions will we be able to break away from the prevailing stereotypes about women’s roles and potential and advance the future of feminism.

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Where are the limits of medieval art as a field of study? What happens when conventionally trained art historians disregard the chronological, geographical, or cultural parameters that both direct and protect their scholarship? Beginning with Thelma K. Thomas and Alicia Walker’s acute assessment of the need for a “medieval art history for now,” the essays in Out of Bounds ask what happens when the study of medieval art disregards boundaries that it once obeyed. The volume focuses on questions surrounding the production of knowledge and on how scholarly investigation beyond the conventional thematic boundaries of medieval art history is changing, demonstrating how the field can address the ethics of scholarship today by positing a global turn in response to growing demands for socially responsible medieval studies. Collectively, the contributors demonstrate how “going out of bounds” can transform modern understanding of the people, traditions, and relationships that gave rise to medieval works. As such, this book argues for the necessity of reshaping scholarly discourse about the nature and significance of medieval art and generates fresh scholarly interpretations and important new critical tools for teaching and researching the Middle Ages.The contributors to this volume are Suzanne Conklin Akbari, Michele Bacci, Jill Caskey, Eva Frojmovic, Sarah M. Guérin, Christina Maranci, Alice Isabella Sullivan, Thelma K. Thomas, Michele Tomasi, and Alicia Walker.

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''Some rise by sin, and some by virtue fall.''Can one life be measured against another? Can a woman''s body be measured against a man''s life? Can consensual sex be measured against rape? Measure for Measure explores these questions through a series of substitutions: Angelo deputises for the Duke, who disguises himself to spy on his subjects; corrupt Angelo demands that almost-nun Isabella gives her body in exchange for her brother''s life; and the Duke substitutes living bodies and decapitated heads to bring about a ''happy ending'' in this problematic comedy. Exploring corrupt power, state surveillance, and the silencing of women by powerful men, Measure for Measure continues to resonate today.The New Oxford Shakespeare offers authoritative editions of Shakespeare''s works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer

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WHAT IF YOU COULD BE SOMEBODY ELSE? Lou Gilmond's stunning debut literary mystery novel. It's 1960s Mallorca and Thomas Sebastian is an English conman on the run. Hoping to evade his creditors, he's taken an old Spanish finca as his hideout. He discovers the house untouched since the death of its last owner, the renowned and distinguished Senyor Rodriguez - with fine art on the walls, a library of books and cellar full of wine. Thomas slips easily into his new life - walking, reading and drinking; falling in love with his neighbour, the beautiful but impossibly young Isabella Ferretti. But when he puts on Rodriguez's white linen suit and heads into the city, things get a little out of hand... This literary mystery novel is a riotous tale of excess, desire and greed, set in a sultry Spanish island summer of 1964. Lou Gilmond's prose at times crackles with wit and at others is stomach-heavy with sensuality. Through it all, Thomas is thrilling if feverish company.

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‘This is the original game of thrones’ George R.R. Martin From the publishers that brought you A Game of Thrones comes the series that inspired George R.R. Martin’s epic work. “Accursed! Accursed! You shall be accursed to the thirteenth generation!” The Iron King – Philip the Fair – is as cold and silent, as handsome and unblinking as a statue. He governs his realm with an iron hand, but he cannot rule his own family: his sons are weak and their wives adulterous; while his red-blooded daughter Isabella is unhappily married to an English king who prefers the company of men. A web of scandal, murder and intrigue is weaving itself around the Iron King; but his downfall will come from an unexpected quarter. Bent on the persecution of the rich and powerful Knights Templar, Philip sentences Grand Master Jacques Molay to be burned at the stake, thus drawing down upon himself a curse that will destroy his entire dynasty…

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In Museum Skepticism, art historian David Carrier traces the birth, evolution, and decline of the public art museum as an institution meant to spark democratic debate and discussion. Carrier contends that since the inception of the public art museum during the French Revolution, its development has depended on growth: on the expansion of collections, particularly to include works representing non-European cultures, and on the proliferation of art museums around the globe. Arguing that this expansionist project has peaked, he asserts that art museums must now find new ways of making high art relevant to contemporary lives. Ideas and inspiration may be found, he suggests, in mass entertainment such as popular music and movies.Carrier illuminates the public role of art museums by describing the ways they influence how art is seen: through their architecture, their collections, the narratives they offer museum visitors. He insists that an understanding of the art museum must take into account the roles of collectors, curators, and museum architects. Toward that end, he offers a series of case studies, showing how particular museums and their collections evolved. Among those who figure prominently are Baron Dominique Vivant Denon, the first director of the Louvre; Bernard Berenson, whose connoisseurship helped Isabella Stewart Gardner found her museum in Boston; Ernest Fenollosa, who assembled much of the Asian art collection now in the Museum of Fine Arts, Boston; Albert Barnes, the distinguished collector of modernist painting; and Richard Meier, architect of the J. Paul Getty Center in Los Angeles. Carrier’s learned consideration of what the art museum is and has been provides the basis for understanding the radical transformation of its public role now under way.

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This book was previously published as Sweatpants at Tiffanie’s The knock out romantic comedy of the year! This brilliant, funny love story is perfect for fans of Jo Watson, Mhairi McFarlane and Zara Stoneley. ‘Absolutely loved Sweatpants at Tiffanie’s… I devoured every page’ Holly Martin True love packs a punch… Tiffanie Trent is not having a great week. Gavin, her boyfriend, has dumped her unceremoniously on their tenth anniversary, leaving her heartbroken and homeless. Frank Black, the owner of Blackie’s boxing gym and where Tiff has been book-keeper for the last decade, has dropped dead. He's not having a great week either. And if that wasn’t enough, Mike ‘The Assassin’ Fellner, boxer of international fame and Tiff’s first love, is back in town and more gorgeous than ever. Tiff can’t seem to go anywhere without bumping into his biceps. When she discovers Blackie has left her the gym, Tiff, with her saggy trackies and supermarket trainers, is certain she’ll fail. Can Tiff step up and roll with the punches, or will she be down and out at the first round? Readers love Pernille Hughes: ‘A fun, smart, sassy read full of likeable characters that stayed with me long after the last page’ Alex Brown ‘Punchy, pacy and packed with wit and warmth’ Sunday Times bestseller Cathy Bramley ‘A lovely, uplifting story…everything I look for in a romantic comedy’ Karen Clarke ‘A proper meet-cute…DEFINITELY unputdownable’ Isabella May ‘Funny, poignant and wonderfully descriptive…an unlikely but perfect romcom’ Rachel Burton ‘If you are looking for a wonderful rom-com, that also had a few surprises in it, then this is definitely worth a read’ Rachel’s Random Reads

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Barbara von Barghahn is Professor of Art History at George Washington University and a specialist in the art history of Portugal, Spain, and their colonial dominions, as well as Flanders (1400-1800). In 1993, she was conferred O Grão Comendador in the Portuguese Order of Prince Henry the Navigator. She has spent nearly a decade completing research about Jan van Eyck's diplomatic visits to the Iberian Peninsula. This manuscript investigates Van Eyck's patronage by the Crown of Portugal and his role as diplomat-painter of the Duchy of Burgundy following his first voyage to Lisbon in 1428-1429 when he painted two portraits of Infanta Isabella, who became the third wife of Philip the Good in 1430. New portrait identifications are provided in the Ghent Altarpiece (1432) and its iconographical prototype, the lost Fountain of Life. These altarpieces are analyzed with regard to King João I's conquest of Ceuta, achieved by his sons who were hailed as an"illustrious generation." Strong family ties between the dynastic houses of Avis and Lancaster explain Lusitania 's sustained fascination with Arthurian lore and the Grail quest. Several chapters of this book are overlaid with a chivalric veneer. A second "secret mission" to Portugal in 1437 by Jan van Eyck is postulated and this diplomatic visit is related to Prince Henrique the Navigator's expedition to Tangier and King Duarte's attempts to forge an alliance with Alfonso V of Aragon. Late Eyckian commissions are reviewed in light of this ill-fated crusade and additional new portraits are identified. The most significant artist of Renaissance Flanders appears to have been patronized as much by the House of Avis as by the Duchy of Burgundy.

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Pearls have enthralled global consumers since antiquity, and the Spanish monarchs Ferdinand and Isabella explicitly charged Columbus with finding pearls, as well as gold and silver, when he sailed westward in 1492. American Baroque charts Spain's exploitation of Caribbean pearl fisheries to trace the genesis of its maritime empire. In the 1500s, licit and illicit trade in the jewel gave rise to global networks, connecting the Caribbean to the Indian Ocean to the pearl-producing regions of the Chesapeake and northern Europe.Pearls-a unique source of wealth because of their renewable, fungible, and portable nature-defied easy categorization. Their value was highly subjective and determined more by the individuals, free and enslaved, who produced, carried, traded, wore, and painted them than by imperial decrees and tax-related assessments. The irregular baroque pearl, often transformed by the imagination of a skilled artisan into a fantastical jewel, embodied this subjective appeal. Warsh blends environmental, social, and cultural history to construct microhistories of peoples' wide-ranging engagement with this deceptively simple jewel. Pearls facilitated imperial fantasy and personal ambition, adorned the wardrobes of monarchs and financed their wars, and played a crucial part in the survival strategies of diverse people of humble means. These stories, taken together, uncover early modern conceptions of wealth, from the hardscrabble shores of Caribbean islands to the lavish rooms of Mediterranean palaces.

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Sojourner Truth: ex-slave and fiery abolitionist, figure of imposing physique, riveting preacher and spellbinding singer who dazzled listeners with her wit and originality. Straight-talking and unsentimental, Truth became a national symbol for strong black women—indeed, for all strong women. Like Harriet Tubman and Frederick Douglass, she is regarded as a radical of immense and enduring influence; yet, unlike them, what is remembered of her consists more of myth than of personality. Now, in a masterful blend of scholarship and sympathetic understanding, eminent black historian Nell Irvin Painter goes beyond the myths, words, and photographs to uncover the life of a complex woman who was born into slavery and died a legend. Inspired by religion, Truth transformed herself from a domestic servant named Isabella into an itinerant pentecostal preacher; her words of empowerment have inspired black women and poor people the world over to this day. As an abolitionist and a feminist, Truth defied the notion that slaves were male and women were white, expounding a fact that still bears repeating: among blacks there are women; among women, there are blacks. No one who heard her speak ever forgot Sojourner Truth, the power and pathos of her voice, and the intelligence of her message. No one who reads Painter's groundbreaking biography will forget this landmark figure and the story of her courageous life.

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1326 was one of the most dramatic years in English history. The queen of England, Isabella of France, invaded the country with an army of mercenaries to destroy her husband''s powerful and detested lover, Hugh Despenser the Younger, and brought down her husband King Edward II in the process. It was also a year, however, when the majority of English people carried on living their normal, ordinary lives: Eleyne Glaswreghte ran her own successful glass-making business in London, Jack Cressing the master carpenter repaired the beams in a tower of Kenilworth Castle, Alis Coleman sold her best ale at a penny and a half for a gallon in Byfleet, and Will Muleward made the king ''laugh greatly'' when he spent time with him at a wedding in Marlborough. England sweltered in one of the hottest, driest summers of the Middle Ages, a whale washed ashore at Walton-on-the-Naze, and the unfortunate John Toly died when he relieved himself out of the window of his London house at midnight, and lost his ba

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The Penguin English Library Edition of Northanger Abbey by Jane Austen'To look almost pretty, is an acquisition of higher delight to a girl who has been looking plain the first fifteen years of her life, than a beauty from her cradle can ever receive'During an eventful season at Bath, young, naïve Catherine Morland experiences the joys of fashionable society for the first time. She is delighted with her new acquaintances: flirtatious Isabella, who shares Catherine's love of Gothic romance and horror, and sophisticated Henry and Eleanor Tilney, who invite her to their father's mysterious house, Northanger Abbey. There, her imagination influenced by novels of sensation and intrigue, Catherine imagines terrible crimes committed by General Tilney. With its broad comedy and irrepressible heroine, this is the most youthful and and optimistic of Jane Austen's works.The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.

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Creating Christian Granada provides a richly detailed examination of a critical and transitional episode in Spain's march to global empire. The city of Granada—Islam's final bastion on the Iberian peninsula—surrendered to the control of Spain's "Catholic Monarchs" Isabella and Ferdinand on January 2, 1492. Over the following century, Spanish state and Church officials, along with tens of thousands of Christian immigrant settlers, transformed the formerly Muslim city into a Christian one. With constant attention to situating the Granada case in the broader comparative contexts of the medieval reconquista tradition on the one hand and sixteenth-century Spanish imperialism in the Americas on the other, Coleman carefully charts the changes in the conquered city's social, political, religious, and physical landscapes. In the process, he sheds light on the local factors contributing to the emergence of tensions between the conquerors and Granada's formerly Muslim, "native" morisco community in the decades leading up to the crown-mandated expulsion of most of the city's moriscos in 1569–1570. Despite the failure to assimilate the moriscos, Granada's status as a frontier Christian community under construction fostered among much of the immigrant community innovative religious reform ideas and programs that shaped in direct ways a variety of church-wide reform movements in the era of the ecumenical Council of Trent (1545–1563). Coleman concludes that the process by which reforms of largely Granadan origin contributed significantly to transformations in the Church as a whole forces a reconsideration of traditional "top-down" conceptions of sixteenth-century Catholic reform.

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Two boys spend the day doing nothing but imagining in this poetic ode to the freedom of summer. On a hot summer day that feels like it’s lasted forever, two brothers stretch out in the back seat of an abandoned car in a strip-mall parking lot. They pass the time thinking up another place, scattering ketchup-soaked fries around their whale of a car to attract the garbage gulls. They have to leave just the right amount, the older boy tells the younger, so enough gulls will come. Enough to lift them up in their tangle of wings and take them to the sea. Lyrical text by Dorson Plourde and expressive art by Isabella Fassler - two debut creators - combine to perfectly capture the mood of a languid summer day. Without access to a beach or summer camp, with only fries and colas and a stretch of asphalt, the brothers dream themselves to the sea the only way they can - through their shared imagination. This evocative picture book is sure to transport children throug

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A sweeping history of how Union victory in the American Civil War inspired democratic reforms, revolutions, and emancipation movements in Europe and the AmericasThe Age of Reconstruction looks beyond post–Civil War America to tell the story of how Union victory and Lincoln’s assassination set off a dramatic international reaction that drove European empires out of the Americas, hastened the end of slavery in Latin America, and ignited a host of democratic reforms in Europe.In this international history of Reconstruction, Don Doyle chronicles the world events inspired by the Civil War. Between 1865 and 1870, France withdrew from Mexico, Russia sold Alaska to the United States, and Britain proclaimed the new state of Canada. British workers demanded more voting rights, Spain toppled Queen Isabella II and ended slavery in its Caribbean colonies, Cubans rose against Spanish rule, France overthrew Napoleon III, and the kingdom of Pope Pius IX fel

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Born in 1451 in the seafaring nation of Genoa in northern Italy, Christopher Columbus grew up watching ships sail into the harbor loaded with riches from Egypt, Spain, England, and Belgium. Columbus was convinced that he could gain gold, silk, ivory, and much personal wealth for himself if he were to sail west from Europe to the East and trade with China and India. When Queen Isabella of Castile and King Ferdinand of Aragon finally provided him with three ships, a crew, and supplies for his journey, Columbus embarked on the first of four voyages to the East in 1492. Although he never reached Asia, he did land in Central and South America, establishing a firm foothold in America and opening up wider European exploration to the new continent and other foreign lands. Demi portrays Columbus as a great navigator and explorer, but she also provides a balanced view of his accomplishments, describing his enslavement of the native Taino Indians of Central America and his mismanagement of the colonies that he established in the Indies. Using Chinese paintbrushes and inks, gold overlays, and Italian marbled paper from Florence, Italy, she paints Columbus’s vast world with characteristic skill and beauty.

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This new, thoroughly updated and lavishly illustrated fourth edition of Bradt's Galápagos Wildlife is packed with information and magnificent pictures to aid in identifying key species, all in an easy-to-carry format that covers everything from the wildlife that you're likely to encounter, whether flying in the air, running along the ground or swimming underwater, to a succinct history of the islands, their habitats and volcanic origins. This guide includes the most detailed descriptions and maps of the main visitor sites of any book in print, so you can see where a boat will land and what can be seen there - enabling you to plan effectively for a rewarding visit. An overview of conservation efforts is also included, as are unique island trail plans for those looking to explore. Written and illustrated by two expert-naturalist guides, who have both been visiting the islands for decades, this new edition covers all the latest information, from the discovery of an 'extinct' tortoise species not seen for over 100 years on Fernandina island and the discovery of new rare 'pink iguanas' on Isabela island's Wolf volcano (the highest point on the Galápagos), to the change in taxonomy of 'Darwin's finches' and the new species status of the almost-extinct little vermillion flycatcher. Snorkelling with sea lions, penguins and sharks at Devil's Crown, Floreana is included, as is kayaking in pristine locations such as Española's Gardiner Bay. Travelling to the Galápagos is a rite of passage for serious wildlife enthusiasts. Now with more detailed descriptions, more photos, and updated information on conservation efforts, Bradt's Galápagos Wildlife is the perfect companion for this once-in-a-lifetime trip.

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Marlene hosts a dinner party in a London restaurant to celebrate her promotion to managing director of 'Top Girls' employment agency. Her guests are five women from the past: Isabella Bird (1831- 1904) - the adventurous traveller; Lady Nijo (b1258) - the mediaeval courtesan who became a Buddhist nun and travelled on foot through Japan; Dull Gret, who as Dulle Griet in a Bruegel painting, led a crowd of women on a charge through hell; Pope Joan - the transvestite early female pope and last but not least Patient Griselda, an obedient wife out of Chaucer's Canterbury Tales. As the evening continues we are involved with the stories of all five women and the impending crisis in Marlene's own life. A classic of contemporary theatre, Churchill's play is seen as a landmark for a new generation of playwrights. It was premiered by the Royal Court in 1982. "Top Girls has a combination of directness and complexity which keeps you both emotionally and intellectually alert. You can smell life, and at the same time feel locked in an argument with an agile and passionate mind." (John Peter, Sunday Times)

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Where there’s daring, there’s danger…Isabella Ashton has always been her father’s favourite, but when she gets involved with the new Birth Control Movement, he is scandalised. A decade has elapsed since the end of the Great War and running a family planning clinic in Salford is challenging but rewarding work.Bella is grateful for the help of Violet Howarth, a generous-hearted woman who takes her in off the street. Before long, a friendship with Violet’s son, Dan, blossoms into the beginnings of love.But Bella also crosses paths with handsome ne’er-do-well Billy Quinn, leader of an illegal betting ring, and everything she has worked for is suddenly put at risk.This is a bewitching tale of drama, jealousy and the fight for women's rights, perfect for fans of Dilly Court and Nadine Dorries.Praise for The Favourite Child ‘Compelling and fascinating’ Middlesborough Evening Gazette‘A revelation in telling us what it was like before women had rights’ 5* Reader review‘One of those books that you can’t put down, loved it’ 5* Reader review

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Who is a citizen? What is a person? Who is my neighbor? These fundamental questions about group membership and social formation have been posed repeatedly in political and religious discourses. Citizen-Saint uses keys works by Shakespeare, Marlowe, and Milton to examine the aims, limits, and legacies of classic and modern citizenship in Western literature. Turning to the potent idea of political theology to recover the strange mix of political and religious thinking during the Renaissance, Julia Reinhard Lupton unveils the figure of the citizensaint, who represents at once divine messenger and civil servant, both norm and exception. Embodied by such diverse personages as Antigone, Paul, Barabbas, Shylock, Othello, Caliban, Isabella, and Samson, the citizen-saint is a sacrificial figure: a model of moral and aesthetic extremity that inspires new regimes of citizenship with his or her traumatic passage into the public sphere. And these scenes of civic entry ultimately dramatize the literature of citizenship in both its evident impasses and its enduring potential.

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Demonstrates the central role of Bergson for modernist art and intellectual history in the UK Brings to light new evidence of British artists' direct engagement with Bergson, opening new avenues of research and interpretation for the artists Vanessa Bell, Duncan Grant, John Duncan Fergusson, and artist-writers Roger Fry and Wyndham Lewis Based on archival material in Paris and US not previously accessed? (Biblioteque Jacques Doucet, Isabella Gardner Museum, Boston and Wyndham Lewis' marginalia in his editions of Bergson's texts at The University of Texas at Austin), in addition to primary sources in UK (Universities of Cambridge, Edinburgh, London, and Strathclyde), and US (Universities of Cornell and Texas at Austin) Changes art history's standard readings of these artists as the evidence of their knowledge of and engagement with Bergson is irrefutable Explores concepts of duration, intuition, creativity; the image and perception as they were formulated by Bergson and understood by his contemporaries Demonstrates Bergson's relevance to key problematics for Art History: temporality, intuition, subjectivity, representation, the image. Charlotte de Mille shows that the reception of the philosophy of Henri Bergson by British artists and critics was far more wide spread and of far greater importance in the UK than has been previously thought. Based on archival material in Paris and the US, not all previously accessed, along with primary UK sources, she opens new avenues of research and interpretation on the work of artists Vanessa Bell, Duncan Grant, John Duncan Fergusson and artist-writers Roger Fry and Wyndham Lewis. De Mille demonstrates the profound impact of Bergson's work in UK culture immediately prior to World War One. Her interdisciplinary approach integrates philosophy, art criticism and art history. An Epilogue considers the proximity of Bergson's thought on temporality, perception, intuition and subjectivity to art history, from Alois Riegl and Aby Warburg, to practitioners today.

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The unmarried "care for the things of the Lord," said St. Paul in his first letter to the Corinthians, while married men and women "care for the things of the world." The doctrine that virginity for both men and women is superior to marriage remained strong in Augustine, who believed that consecrated virgins were "a greater blessing" than the married. Even the current edition of the New Catholic Encyclopedia privileges the state of virginity because "it has as its object a superior good." In Pure Resistance Theodora A. Jankowski surveys the history of virginity in Christian thought from ancient times though the Renaissance, contrasting the Catholic tradition on this issue with Protestant doctrine as it developed in early modern England. With the Reformation, theologians argued that marriage was the ideal, even that vowed virginity was unnatural. If the multiple sexual, erotic, economic, and communal arrangements of Catholic Europe offered possibilities for destabilizing the categories male/female, married/virgin, chaste/unchaste, she contends, Protestant thought rigidified these binary oppositions. Exploring resistance to the patriarchal sexual economy, Jankowski considers representations of female virgins in English stage plays from 1590 to about 1670. In these dramatic texts she finds characters who range from collaborators with patriarchy to women who utterly repudiate marriage, opting instead for a life completely outside the heterosexual gender paradigm-and who thus, like Isabella in Measure for Measure or Moll Cutpurse in Dekker and Middleton's The Roaring Girl, become "queer virgins."

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In the early twenty-first century, the citizens of many Latin American countries, such as Argentina, Bolivia, Brazil, Ecuador, and Venezuela, elected left-wing governments, explicitly rejecting and attempting to reverse the policies of neoliberal structural economic adjustment that had prevailed in the region during the 1990s. However, in other countries such as Chile, Colombia, Mexico, and Peru continuity and even extension of the neoliberal agenda have been the norm. What were the consequences of rejecting the neoliberal consensus in Latin America? Why did some countries stay on the neoliberal course? Contributors to Latin America Since the Left Turn address these questions and more as they frame the tensions and contradictions that currently characterize Latin American societies and politics. Divided into three sections, the book begins with an examination of the political economy, from models of development, to taxation and spending patterns, to regionalization of trade and human migration. The second section analyzes the changes in democracy and political identities. The last part explores the themes of citizenship, constitutionalism, and new forms of civic participation. With essays by the foremost scholars in the field, Latin America Since the Left Turn not only delves into the cases of specific countries but also surveys the region as a whole. Contributors: Isabella Alcañiz, Sandra Botero, Marcella Cerrutti, George Ciccariello-Maher, Tula G. Falleti, Roberto Gargarella, Adrian Gurza Lavalle, Juliet Hooker, Evelyne Huber, Ernesto Isunza Vera, Nora Lustig, Paulina Ochoa Espejo, Emilio A. Parrado, Claudiney Pereira, Thamy Pogrebinschi, Irina Carlota Silber, David Smilde, John D. Stephens, Maristella Svampa, Oscar Vega Camacho, Gisela Zaremberg.

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The de Clare sisters Eleanor, Margaret and Elizabeth were born in the 1290s as the eldest granddaughters of King Edward I of England and his Spanish queen Eleanor of Castile, and were the daughters of the greatest nobleman in England, Gilbert ‘the Red’ de Clare, earl of Gloucester. They grew to adulthood during the turbulent reign of their uncle Edward II, and all three of them were married to men involved in intense, probably romantic or sexual, relationships with their uncle. When their elder brother Gilbert de Clare, earl of Gloucester, was killed during their uncle’s catastrophic defeat at the battle of Bannockburn in June 1314, the three sisters inherited and shared his vast wealth and lands in three countries, but their inheritance proved a poisoned chalice. Eleanor and Elizabeth, and Margaret’s daughter and heir, were all abducted and forcibly married by men desperate for a share of their riches, and all three sisters were imprisoned at some point either by their uncle Edward II or his queen Isabella of France during the tumultuous decade of the 1320s. Elizabeth was widowed for the third time at twenty-six, lived as a widow for just under forty years, and founded Clare College at the University of Cambridge.

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Analysis of Latin sacred music written during the century illustrates the rapid and marked change in style and sophistication. Winner of the 2007 AMS Robert M. Stevenson prize The arrival of Francisco de Peñalosa at the Aragonese court in May 1498 marks something of an epoch in the history of Spanish music: Peñalosa wrote in a mature, northern-oriented style, and his sacred music influenced Iberian composers for generations after his death. Kenneth Kreitner looks at the church music sung by Spaniards in the decades before Peñalosa, a repertory that has long been ignoredbecause much of it is anonymous and because it is scattered through manuscripts better known for something else. He identifies sixty-seven pieces of surviving Latin sacred music that were written in Spain between 1400 and the early 1500s, and he discusses them source by source, revealing the rapid and dramatic change, not only in the style and sophistication of these pieces, but in the level of composerly self-consciousness shown in the manuscripts. Withina generation or so at the end of the fifteenth century, Spanish musicians created a new national music just as Ferdinand and Isabella were creating a new nation. KENNETH KREITNER teaches at the University of Memphis.

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A collection of beautifully illustrated essays and interviews presenting a rich, inclusive, contemporary, and global vision of design diversity. As the design industry re-examines its emphasis on Eurocentric ideologies and wrestles with its conventional practices, Centered advocates for highlighting and giving a voice to the people, places, methods, ideas, and beliefs that have been eclipsed or excluded by dominant design movements. Curated by Kaleena Sales, a powerful voice and noted advocate for diversity in the design community, the thirteen essays and interviews in this volume will feature important and underrepresented design work and projects like: Gee's Bend Quilters, by Stephen Child and Isabella D'Agnenica A Chinese Typographic Archive, by YuJune Park and Caspar Lam Indigenous Sovereignty and Design: An Interview with Sadie Red Wing (Her Shawl is Yellow) The Truck Art of India, by Shantanu Suman New Lessons from the Bauhaus: An Interview with Ellen Lupton Vocal Type: An Interview with Tre Seals Decolonizing Graphic Design, A Must, by Cheryl D. Miller And more A must-read for design practitioners, educators, students, and anyone interested in expanding narratives and gaining a more inclusive understanding of design.

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The lives, works and imagery of women artists, patrons and icons in Renaissance Italy The story of the Renaissance in Italy is often told through the work of great male artists such as Michelangelo, Raphael, Donatello and Leonardo. But what about the female half of the population? By exploring works made by, for, or about women, this book aims to reconsider a period of creative ingenuity and artistic excellence from their often-overlooked perspective. Drawing on the rich collection of paintings, ceramics, textiles, illustrated books and prints at the Museum of Fine Arts, Boston, this publication focuses on images of feminine power, both sacred and secular, telling the stories of saints such as Mary Magdalen as examples of strength and ascetic devotion, Biblical heroines such as Judith as civic and domestic role models, and the mythical sorceress Medea as the ideal of a heroic nude. Women also asserted their presence as artists, artisans and patrons: Sofonisba Anguissola, Lavinia Fontana, Artemisia Gentileschi, Vittoria Colonna, Isabella d’Este and Eleonora Gonzaga are just some of the strong women who shaped the life and art of the Italian Renaissance.

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