Search results for ""humboldt""

Polymath Alexander von Humboldt (1769-1859), a self-described 'scientific traveller', was one of the most respected scientists of his time. Humboldt's wanderlust led him across Europe and to South America, Mexico, the U.S. and Russia, and his voyages and observations resulted in the discovery of many species previously unknown to Europeans. Originating as lectures delivered in Berlin and Paris (1827â1828), his two-volume Cosmos: Sketch of a Physical Description of the Universe (1845â1860) represented the culmination of his lifelong interest in understanding the physical world. As Humboldt writes, 'I ever desired to discern physical phenomena in their widest mutual connection, and to comprehend Nature as a whole, animated and moved by inward forces'. Volume 1 explains celestial and terrestrial phenomena, while Volume 2, demonstrating Humboldt's interest in representations of the natural world, examines poetic descriptions of nature, landscape painting, and how the physical universe was

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Alexander von Humboldt was the most celebrated modern chronicler of North and South America and the Caribbean, and this translation of his essay on New Spain--the first modern regional economic and political geography--covers his travels across today's Mexico in 1803-04. The work canvases both natural-scientific and cultural-scientific objects alike, combining the results of fieldwork with archival research and expert testimony. To show how people, plants, animals, goods, and ideas moved across the globe, Humboldt wrote in a variety of styles, bending and reshaping familiar writerly conventions to keep readers attentive to new inputs. Above all, he wanted his readers to keep an open mind when confronted with cultural and other differences in the Americas. Fueled by his comparative global perspective on politics, economics, and science, he used his writing to support Latin American independence and condemn slavery and other forms of colonial exploitation. It is these voluminous and innovative writings on the New World that made Humboldt the undisputed father of modern geography, early American studies, transatlantic cultural history, and environmental studies. This two-volume critical edition--the third installment in the Alexander von Humboldt in English series--is based on the full text, including all footnotes, tables, and maps, of the second, revised French edition of Essai politique sur le royaume de de Nouvelle Espagne from 1825-27, which has never been translated into English before. Extensive annotations and full-color atlases are available on the series website.

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Alexander von Humboldt was the most celebrated modern chronicler of North and South America and the Caribbean, and this translation of his essay on New Spain--the first modern regional economic and political geography--covers his travels across today's Mexico in 1803-04. The work canvases both natural-scientific and cultural-scientific objects alike, combining the results of fieldwork with archival research and expert testimony. To show how people, plants, animals, goods, and ideas moved across the globe, Humboldt wrote in a variety of styles, bending and reshaping familiar writerly conventions to keep readers attentive to new inputs. Above all, he wanted his readers to keep an open mind when confronted with cultural and other differences in the Americas. Fueled by his comparative global perspective on politics, economics, and science, he used his writing to support Latin American independence and condemn slavery and other forms of colonial exploitation. It is these voluminous and innovative writings on the New World that made Humboldt the undisputed father of modern geography, early American studies, transatlantic cultural history, and environmental studies. This two-volume critical edition--the third installment in the Alexander von Humboldt in English series--is based on the full text, including all footnotes, tables, and maps, of the second, revised French edition of Essai politique sur le royaume de de Nouvelle Espagne from 1825-27, which has never been translated into English before. Extensive annotations and full-color atlases are available on the series website.

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In 1799, Alexander von Humboldt and Aime Bonpland set out to determine whether the Orinoco River connected with the Amazon. But what started as a trip to investigate a relatively minor geographical controversy became the basis of a five-year exploration throughout South America, Mexico, and Cuba. The discoveries amassed were staggering, and much of today's knowledge of tropical zoology, botany, geography, and geology can be traced back to von Humboldt's numerous records of these expeditions. One of these accounts, "Views of the Cordilleras and Monuments of the Indigenous Peoples of the Americas", firmly established von Humboldt as the founder of Mesoamerican studies. In Views of the Cordilleras, von Humboldt weaves together drawings and detailed texts to achieve multifaceted views of cultures and landscapes across the Americas. In doing so, he offers an alternative perspective on the New World, combating presumptions of its belatedness and inferiority by arguing that the "old" and the "new" world are of the same geological age. This critical edition contains a new, unabridged English translation of von Humboldt's French text, as well as annotations, a bibliography, and all sixty-nine plates from the original edition.

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Humboldt (1769–1859) was an intrepid explorer and the most famous scientist of his age. His life was packed with adventure and discovery, whether climbing volcanoes in the Andes, swimming with crocodiles, racing through anthrax-infected Siberia, or publishing groundbreaking bestsellers. Ahead of his time, he recognized nature as an interdependent whole and he saw before anyone else that humankind was on a path to destroy it. He was one of the first European to study the Inca, Aztec and Mayan cultures and his epic five-year expedition to Latin America (1799–1804) prompted him to denounce slavery as 'the greatest evil ever to have afflicted humanity'. To Humboldt, the melody of his prose was as important as its content, and this selection from his most famous works - the Personal Narrative of his travels to Latin America, Cosmos, Views of Nature, Views of the Cordilleras and Monuments of the Indigenous Peoples of the Americas, The Geography of Plants and his anti-slavery essay in Political Essay of the Island of Cuba - allows us the pleasure of reading his own accounts of his daring explorations and new concept of nature. Humboldt’s writings profoundly influenced naturalists and poets including Darwin, Thoreau, Muir, Goethe, Wordsworth, and Whitman. The Selected Writings is not only a tribute to Humboldt’s important role in environmental history and science, but also to his ability to fashion powerfully poetic narratives out of scientific observations.

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One of the greatest nineteenth-century scientist-explorers, Alexander von Humboldt traversed the tropical Spanish Americas between 1799 and 1804. By the time of his death in 1859, he had won international fame for his scientific discoveries, his observations of Native American peoples and his detailed descriptions of the flora and fauna of the 'new continent'. The first to draw and speculate on Aztec art, to observe reverse polarity in magnetism and to discover why America is called America, his writings profoundly influenced the course of Victorian culture, causing Darwin to reflect: 'He alone gives any notion of the feelings which are raised in the mind on first entering the Tropics'.

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The legacy of Alexander von Humboldt (1769-1859) looms large over the natural sciences. His 1799-1804 research expedition to Central and South America with botanist Aime Bonpland set the course for the great scientific surveys of the nineteenth century, and inspired such essayists and artists as Emerson, Goethe, Thoreau, Poe, and Church. The chronicles of the expedition were published in Paris after von Humboldt's return, and first among them was the 1807 "Essay on the Geography of Plants." Among the most cited writings in natural history, after the works of Darwin and Wallace, this work appears here for the first time in a complete English-language translation. Covering far more than its title implies, it represents the first articulation of an integrative "science of the earth," encompassing most of today's environmental sciences. Ecologist Stephen T. Jackson introduces the treatise and explains its enduring significance two centuries after its publication.

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The legacy of Alexander von Humboldt (1769-1859) looms large over the natural sciences. His 1799-1804 research expedition to Central and South America with botanist Aime Bonpland set the course for the great scientific surveys of the nineteenth century and inspired such essayists and artists as Emerson, Goethe, Thoreau, Poe, and Frederic Edwin Church. Views of Nature was von Humboldt's best-known and most influential work - and his personal favorite. While the essays that comprise it are themselves remarkable as innovative, early pieces of nature writing - they were cited by Thoreau as a model for his own work - the book's extensive footnotes incorporate some of von Humboldt's most beautiful prose and mature thinking on vegetation structure, its origins in climate patterns, and its implications for the arts. Written for both a literary and scientific audience, Views of Nature was translated into English (twice), Spanish, and French in the nineteenth century, and it was read widely in Europe and the Americas. But in contrast to many of von Humboldt's more technical works, Views of Nature has been unavailable in English for more than one hundred years. Largely neglected in the United States during the twentieth century, von Humboldt's contributions to the humanities and the sciences are now undergoing a revival to which this new translation will be a critical contribution.

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While the influence of Alexander von Humboldt (1769 1859) looms large over the natural sciences, his legacy reaches far beyond the field notebooks of naturalists. Von Humboldt's 1799 1804 research expedition to Central and South America with botanist Aime Bonpland not only set the course for the great scientific surveys of the nineteenth century, but also served as the raw material for his many volumes works of both scientific rigor and aesthetic beauty that inspired such essayists and artists as Emerson, Goethe, Thoreau, Poe, and Frederic Edwin Church. Views of Nature, or Ansichten der Natur, was von Humboldt's best-known and most influential work and his personal favorite. While the essays that comprise it are themselves remarkable as innovative, early pieces of nature writing they were cited by Thoreau as a model for his own work the book's extensive endnotes incorporate some of von Humboldt's most beautiful prose and mature thinking on vegetation structure, its origins in climate patterns, and its implications for the arts. Written for both a literary and a scientific audience, Views of Nature was translated into English (twice), Spanish, and French in the nineteenth century, and it was read widely in Europe and the Americas. But in contrast to many of von Humboldt's more technical works, Views of Nature has been unavailable in English for more than one hundred years. Largely neglected in the United States during the twentieth century, von Humboldt's contributions to the humanities and the sciences are now undergoing a revival to which this new translation will be a critical contribution.

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'I think it A Work of genius, I think it The Work of a Genius' John CheeverFor many years, the great poet Von Humboldt Fleisher and Charlie Citrine, a young man inflamed with a love for literature, were the best of friends. At the time of his death, however, Humboldt is a failure, and Charlie's life has reached a low point: his career is at a standstill, and he's enmeshed in an acrimonious divorce, infatuated with a highly unsuitable young woman and involved with a neurotic mafioso. And then Humboldt acts from beyond the grave, bestowing upon Charlie an unexpected legacy that may just help him turn his life around.

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The Naga form a minority in Northeast India and the northwest of Myanmar — and consist at the same time of thirty different ethnicities: three to four million people, with numerous languages. How do they manage to preserve their traditional history and integrate into altered ways of life? How do fit that together with modern tattoos, fashion, and social media? What role does Christianity play? Authors among others from Naga Land describe various facets of their contemporary and current culture and make the Naga collection of the Ethnological Museum in Berlin appear in a new light, supplemented with contemporary objects. The artist Zubeni Lotha shows the life of the Naga today in impressive photographs.

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The Naga form a minority in Northeast India and the northwest of Myanmar — and consist at the same time of thirty different ethnicities: three to four million people, with numerous languages, but no central government structures. How do they manage to preserve their traditional history and integrate into altered ways of life? How do their former practice of headhunting fit together with modern tattoos, fashion, and social media? What role does Christianity play? Authors among others from Naga Land describe various facets of their contemporary and current culture and make the Naga collection of the Ethnological Museum in Berlin appear in a new light, supplemented with contemporary objects. The artist Zubeni Lotha shows the life of the Naga today in impressive photographs.

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Protecting, healing, or punishing—people of various eras and origins have attributed such powers to the sculptures that are being presented together here for the first time: be it the sculpture of the Mangaaka from what is today the Republic of Congo, the protective goddess Mahamayuri from China, or the Maria on the globe from Southern Germany. Forty-five objects created between the fourth and the nineteenth century from two museums in Berlin provide a vivid testimony to the ever-present need for protection and orientation when dealing with individual or social crises. They represent the existence of an invisible world of gods, spirits, or ancestors, and create a connection between this world and a "different reality." As a result of how they are presented in museums, their context of use is, however, often lost—a situation that is reflected on by the authors of this book.

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Francis La Flesche (1857–1932) lived between two worlds: as an Umoⁿhoⁿ (Omaha), he fought for their rights, and as a scholar he researched his own culture. He is regarded as the first indigenous ethnologist of North America and stands representatively for the many indigenous protagonists without whom ethnological collections would never have come into being. We are no longer familiar with most of these individuals, since the focus until today has been on European and North American collectors. Francis La Flesche is an exception: his work provides insights into indigenous agency and their resistance to racism and colonialism as well as their active participation in the trade with objects. The book presents La Flesche’s records of the objects, the collection of which he contributed to what is today the Ethnological Museum in Berlin in 1894—an impressive testimony to his successful efforts to preserve the culture of the Omaha for future generations.

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Beschützen, heilen oder bestrafen – diese Kräfte schrieben Menschen verschiedener Zeiten und Herkünfte den Bildwerken zu, die hier zum ersten Mal gemeinsam vorgestellt werden: sei es die Skulptur des Mangaaka aus der heutigen Republik Kongo, die Schutzgöttin Mahamayuri aus China oder die Maria auf der Weltkugel aus Süddeutschland. 45 Objekte aus zwei Berliner Museen, entstanden zwischen dem 4. und 19. Jahrhundert, vermitteln ein lebendiges Zeugnis der allgegenwärtigen Bedürfnisse nach Schutz und Orientierung bei der Bewältigung individueller oder gesellschaftlicher Krisen. Sie stehen für die Existenz einer nicht-sichtbaren Welt von Göttern, Geistern oder Ahnen und schufen eine Verbindung zwischen dem Diesseits und einer „anderen Wirklichkeit". Durch ihre museale Präsentation ist ihr Gebrauchszusammenhang oftmals verlorengegangen – ein Umstand, der von den Autor/-innen dieses Buches kritisch reflektiert wird.

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