Search results for ""author robert"

The volume collects a rich selection of photographs from the archives of the Magnum Photos agency, taken by Robert Capa, in a combination of emblematic shots of his work and images that have appeared more rarely. The intent is to hint at some facets of a passionate and ultimately elusive character as Capa was: a courageous witness of his time, a strong, insatiable and at the same time dissatisfied personality, with the traits of a gambler. Therefore, not only the war images that made him one of the most famous photojournalists of the 20th century, but also lesser-known shots that allow you to appreciate the very high formal quality of his photography and, together with it, his personality. Text in English, Italian and French.

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This volume contains analyses and previously unpublished documents concerning Robert Havemann and his evolution to becoming an opponent of the SED regime. No other intellectual in the GDR was such a harsh opponent of the SED regime as Robert Havemann. A Communist and a Nazi resistance fighter through and through, Havemann was one of the leaders in erecting the new GDR. His advocacy against all forms of social and political subjugation, however, eventually turned him into an opponent of the reigning regime of the GDR. The contributions in this volume illuminate his development and look at his role in the historical shifts that took place in East Germany. The articles are complemented by the publication of important documents from his estate and the Stasi reports on his spectacular lectures held in 1964.

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Robert Duncan’s nine lectures on Charles Olson, delivered intermittently from 1961 to 1983, explore the modernist literary background and influences of Olson’s influential 1950 essay “Projective Verse.” These transcribed talks pay tribute to Olson and expand our knowledge of Duncan’s vision of modernist writing.

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A Modern Master   Robert E. McGinnis began his career in 1947 as a cartoonist, and produced his first cover illustrations for 1956 issues of the magazines True Detective and Master Detective. Then in 1958, he painted his first paperback book cover, and from that day forward his work was in demand.   The emergence of the “McGinnis Woman”—long-legged, intelligent, alluring, and enigmatic—established him as the go-to artist for detective novels. His work appeared on Mike Shayne titles and the Perry Mason series, and he produced 100 paintings for the Carter Brown adventures. Yet McGinnis became famous for his work in other genres as well: espionage, romance, historicals, gothics, and Westerns.   McGinnis’s first major magazine assignments were for The Saturday Evening Post, and his work has graced the pages of Cosmopolitan, National Geographic, Good Housekeeping, Guideposts

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Robert Rauschenberg’s engagement with photography began in the late 1940s under the tutelage of Aaron Siskind and Hazel Larsen Archer at Black Mountain College in North Carolina. Their combined influence was so great that for a time Rauschenberg was unsure whether to pursue painting or photography as a career. Instead he chose both. This volume gathers and surveys Rauschenberg’s numerous uses of photography for the first time. It includes portraits of friends, studio shots, photographs used in the ‘Combines’ series, silkscreens, photographs of lost works and works in progress, allowing us to re-imagine almost the entirety of the artist’s work in light of his always inventive uses of photography, while also supplying previously unseen glimpses into his social nexus of the 1950s and 60s.

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When two seemingly unconnected mysterious deaths occur on his watch, police chief Jesse Stone must pull out all the stops to unravel the truth and stop a killer from striking again. The small town of Paradise is devastated when a star high-school baseball player is found dead at the bottom of a bluff just a day after winning the team's biggest game. For Jesse, the loss is doubly difficult - the teen was the nephew of his colleague, Suitcase Simpson, and Jesse had been coaching the young shortstop. As he searches for answers about how the boy died and why, he is stonewalled at every turn, and it seems that someone is determined to keep him from digging further. Jesse suddenly must divide his attention between two cases after the shocking murder of former Paradise police chief, Charlie Farrell. Before his death, Farrell had been looking into a series of scam calls that preyed upon the elderly. But how do these 'ghost calls' connect to his murder? When threats - and gunshots - appear on Jesse's own doorstep, the race to find answers is on. Both old and new enemies come into play, and in the end, Jesse and his team must discover the common factor between the two deaths in order to prevent a third.

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During a few years in the late 1940s and early 1950s Robert Longden took a remarkable set of photographs of the narrow boat community at Hawkesbury Stop - the main meeting point for those who worked the Midlands canals. The images are of a close community and represent its members in a very intimate way, at work, at play, in their domestic affairs, and as they lived on the paired and single colourful narrow boats. They illustrate the close relationship between all ages and types within the community, and the dramatic boat shapes and infrascape of this rural and industrial area. Sonia Rolt, who herself worked the canals during the period and knew the photographer, provides an introduction, which details how Robert Longden came to this passionate involvement. It also sets the photographs in the context of their time, the last period when the narrow boats could be said to play a serious part in transporting goods in quantity. Informative captions identify the scenes before you. Providing a rare insight into the community who worked the waterways when it was still a way of life for many, this book will appeal not only to canal enthusiasts, but to anyone interesting in Britain's social and industrial heritage.

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On February 6, 1945, a 35-year-old French writer and newspaper editor named Robert Brasillach was executed for treason by a French firing squad. He was the only writer of any distinction to be put to death by the French Liberation government during the violent days of score-settling known as the Purge. In this book, Alice Kaplan, author of the memoir "French Lessons" tells the story of Brasillach's rise and fall: his emergence as the golden boy of literary fascism during the 1930s, his wartime collaboration with the Nazis, his dramatic trial and his afterlife as a martyr for French rightists and Holocaust revisionists. A prolific novelist and critic, Brasillach was a witty, flamboyant product of France's prestigious Ecole Normale Superieure. He was also an anti-Semite, an acerbic opponent of French demnocracy, and the editor in chief of France's infamous fascist weekly "Je Suis Partout". His trial and execution, carefully reconstructed in "The Collaborator", remain one of the most controversial episodes in the history of 20th-century France. In the charged days of January 1945 - with Paris liberated but France still at war - a monumental courtroom drama pitted a fierce government prosecutor against a florid defence lawyer for what each considered justice on both a personal and a national scale. Paris in 1945 is also the venue for Kaplan's ethical examination of the questions raised by Brasillach's trial. Was he in fact guilty of treason? Was he condemned for his denunciations of the resistance or singled out as a suspected homosexual? Was it right that he was executed when others who were directly responsible for the murder of thousands were set free? The verdict on these momentous issues was left to four jurors from the working-class suburbs of Paris, whose stories Kaplan presents here for the first time. In recreating the trial, she also uncovers more material never before published: damaging writings by Brasillach omitted from his "Complete Works", and the file that Charles de Gaulle used to reach his decision not to pardon the writer.

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Featuring the full contents of Robert Frost's first three volumes of poetry—A Boy's Will, North of Boston, and Mountain Interval—this unparalleled collection is a testament to the beauty of the master’s writing. It gathers more than 100 of Frost’s most renowned poems, including “Mending Wall” and “The Road Not Taken.” With illustrations by Thomas Nason, it will be a treasured addition to any home library.

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The world's most ruthlessly efficient assassin, Jason Bourne, has carved a bloody swathe through all his opponents but now he's facing the one force he can't defeat - his own past.

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In the latest thriller featuring the legendary Boston PI, Spenser heads to the City of Angels to meet old friends and new enemies in a baffling missing person case that might shake Tinseltown to its core. Gabby Leggett left her Boston family with big dreams of making it as a model/actress in Hollywood. Two years later, she disappears from her apartment. Her family, former boyfriend, friends--and the police--have no idea where she is and no leads. Leggett's mother hires Spenser to find her, with help of his former apprentice, Zebulon Sixkill, now an L.A. private eye. Spenser barely has time to unpack before the trail leads to a powerful movie studio boss, the Armenian mob, and a shadowy empowerment group some say might be a dangerous cult. It's soon clear that Spenser and Sixkill may be outgunned this time, and series favorites Chollo and Bobby Horse ride to the rescue to provide backup. From the mansions of Beverly Hills to the lawless streets of a small California town, Spenser will need to watch his step. In Hollywood, all that glitters isn't gold. And not all those who wander are lost.

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Research in the History of Economic Thought and Methodology Volume 37C features a symposium celebrating the centenary of the influential economist and historian of economic thought Robert Heilbroner. Luca Fiorito, Harald Hagemann, Edward Nell, and Steven Pressman contribute to the symposium. The volume also features original general-research contributions from Samuel Hollander and Luca Fiorito, as well as a new discovery of material made by Maxime Desmarais-Tremblay and Marianne Johnson from the archives of Richard A. Musgrave.

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Arguably no other nineteenth-century German composer was as literate or as finely attuned to setting verse as Robert Schumann. Jon W. Finson challenges long-standing assumptions about Schumann's Lieder, engaging traditionally held interpretations. He argues against the belief that the "Year of Song" simply reflects Schumann's personal life. Finson also devotes attention to the form and metric structure of German poetry that is almost entirely new to the discussion of Schumann's songs.Arranged in part thematically, rather than merely by strict compositional chronology, this book speaks to the heart of Schumann's music. Finson's sustained attention to performance, such as questions of whether two singers might divide performance of cycles or whether miscellanies form coherent entities, allows the reader to engage Schumann's songs in novel ways.Finson brings original research and the most recent scholarship to the musically literate public and the expert alike. This represents the definitive work on Schumann's songs and the standard reference for any Schumann enthusiast.

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'No one alive can write sentences like he can. He's the missing evolutionary link between William Burroughs and Virginia Woolf' Olivia Laing'Among the most brilliant novelists writing today' Robert Macfarlane'Truly gets to the heart of that strange, indefinable otherness of the wild northern landscape' Benjamin MyersRetreating from the ruins of his marriage, Mike leaves London for the wildness of the Yorkshire moors, where he falls in with a group of climbers - a band of misfits and mavericks bound by the pursuit of the unattainable: the perfect climb.Travelling from abandoned urban quarries to misty, lichened crags, Mike discovers an intensity of experience - a wash of pain, fear and excitement - that causes the rest of his world to recede. Increasingly addicted to the adrenaline, folklore and camaraderie of the sport, he begins to lose his grip on the line between passion and obsession - at a cost.With an introduction by Robert Macfarlane

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From 1992 to 2004, Dia Art Foundation presented the Robert Lehman Lectures on Contemporary Art, in which a distinguished array of scholars, critics and cultural historians engaged in cross-disciplinary critical discourse around Dia's exhibition program. The lectures were subsequently collected into a related series of publications, providing a valuable record and extending the debate on contemporary artistic practice and theory. This fifth and final volume focuses on analyses of the work of internationally recognized artists Jo Baer, Pierre Huyghe, Vera Lutter, Gerhard Richter, Rosemarie Trockel and Robert Whitman.

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Robert Bruce preached these sermons on the sacrament in 1589 at Giles Cathedral where he was a successor to John Knox. He gives us a powerful conception through the Lord's supper of the saving work of Jesus Christ. This modern edition has been translated and edited by T. F. Torrance.

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The Tragedy of Pious Antigone (1580) is the first English-language translation of Robert Garnier’s Antigone, ou la Pieté. Written by France’s earliest career tragedian, who also worked in the Paris Parliament and as a counselor at a judicial tribunal in the town of Le Mans, the play draws on various classical sources (especially Seneca, Statius, and Sophocles) to retell the well-known story of a family torn apart by war: as brothers Eteocles and Polynices fight to the death, their sister Antigone and mother Jocasta make repeated calls for peace. Originally published at the height of the French Wars of Religion (1562–1598) that pitted Catholics and Protestants against each other, the five acts of Garnier’s play would have had immediate resonance. Neither extolling nor defending one side or the other, this humanist tragedy, which also anticipates the style of Corneille and Racine, could have been appreciated not only by members of one religious community or the other, but by both as a seemingly non-partisan and earnest lamentation about, and reflection upon, troubled times. This famous story, re-imagined by countless authors including Bertolt Brecht, Jean Anouilh, Griselda Gambaro, Athol Fugard, and many others, is here re-told to emphasize empowered female voices in times of political division.

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Browning’s Fra Lippo Lippi says that we may pass things a hundred times and never see them. One thing that Browning’s readers have passed without seeing, or at least without remarking upon, is the circular conclusion in so many of his poems. Some sixty poems (almost a third of them) have such conclusions. These sixty span his entire career and include both well-known and neglected poems. The circular conclusion is so called because it returns to the introduction — circles back round to it — by repeating something from the introduction. Although in principle this rhetorical device is quite simple, in practice Browning works many and complex variations on it. Also, by incorporating this repeated words or phrases within the body of the poems, he uses them to make structural divisions. And above all, by selecting for repetition key words or phrases, he indicates central themes in the poems. An analysis of repetition in the poems allows us to see more clearly their circularity, the divisions of the circles, and their themes. It also brings to light thematic dynamism of the poems, some of them concluding with a restatement of the theme set forth in the repetition to trend at a point beyond the original idea, some reversing in their conclusions the statement made in the introduction, and some restating at the end the introductory statement after two reversals. Finally, by focusing on the introductions and conclusions of the poems, we clarify the dramatic situations, which are ordinarily established in these two places, and come to see their relationships with the monologues they encircle. All this we see, not with the optics of modern literary theory, but simply by looking at Browning’s work with the same careful attention Fra Lippo Lippi pays to God’s creation.

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This book provides an accessible and authoritative biography of the Welsh man of science, William Robert Grove. Grove was an important and highly influential figure in Victorian science. His career as both man of science and leading barrister and judge spanned the Victorian age, and he also played a vital role in the movement to reform the Royal Society. This biography will set Grove’s career and contributions in context, paying particular attention to the important role of Welsh industrial culture in forming his scientific outlook. The place of science in culture changed radically during the course of the nineteenth century, and Grove himself played a key role in some of those transformations. Looking at his life in science can, however, do more than illuminate an individual scientific career – it can offer a way of gaining new insights into the changing face of Victorian science.

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From the time they first met as undergraduates at Columbia College in New York City in the mid-1930s, the noted editor Robert Giroux (1914–2008) and the Trappist monk and writer Thomas Merton (1915–1968) became friends. The Letters of Robert Giroux and Thomas Merton capture their personal and professional relationship, extending from the time of the publication of Merton's 1948 best-selling spiritual autobiography, The Seven Storey Mountain, until a few months before Merton's untimely death in December 1968. As editor-in-chief at Harcourt, Brace & Company and then at Farrar, Straus & Giroux, Giroux not only edited twenty-six of Merton's books but served as an adviser to Merton as he dealt with unexpected problems with his religious superiors at the Abbey of Our Lady of Gethsemani in Kentucky, as well as those in France and Italy. These letters, arranged chronologically, offer invaluable insights into the publishing process that brought some of Merton's most important writings to his readers. Patrick Samway, S.J., had unparalleled access not only to the materials assembled here but to Giroux's unpublished talks about Merton, which he uses to his advantage, especially in his beautifully crafted introduction that interweaves the stories of both men with a chronicle of their personal and collaborative relationship. The result is a rich and rewarding volume, which shows how Giroux helped Merton to become one of the greatest spiritual writers of the twentieth century.

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The legend of Robert the Bruce's inspiring encounter with a tenacious spider, popularised by Sir Walter Scott, is well known throughout Scotland and the rest of the world.Following the rebellious king's journey from crushing defeat in battle and daring escape to lonely exile in a dark cave, Robert the Bruce spots a tiny spider that refuses to give up trying to spin its web. Inspired by its perseverance, King Robert returns to the cause, eventually leading his army to victory at the Battle of Bannockburn, a defining moment in Scottish history. Through stunning illustrations and a gripping story, packed with historical detail, children will experience the tension of Robert the Bruce's escape and the excitement of his return to victory. This is an engaging historical tale for children starring one of the most famous figures of the Scottish Wars of Independence.

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In this exciting and visually stunning book, the most talented Scottish novelist of his generation teams up with Jill Calder, whose bold and colourful illustrations are a perfect complement to one of the most dramatic tales in Scottish history. In addition to the big set pieces from the Bruce story - not least of course the Battle of Bannockburn - and the other famous elements - such as the murder of the Red Comyn and Bruce and the spider - book is full of accurate historical detail and imaginative touches which offer a fresh and vital perspective on one of the great heroes of Scottish history.

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Perhaps best known for his iconic paintings and sculptures of LOVE, also featured on a U.S. postage stamp, and HOPE, created in support of Barack Obama’s 2008 presidential campaign, Robert Indiana (b. 1928) has been living and working in Maine since 1978. The Star of Hope, his year-round home and studio on the island of Vinalhaven, is a former late 19th-century Odd Fellows lodge listed on the National Register of Historic Places. Robert Indiana and the Star of Hope is both a retrospective of the artist’s work based on his own holdings, and an unprecedented study of his living and working space. His studio is a home, museum, archive, and gallery, all set within the historic interiors of the former Odd Fellows lodge. This book offers a unique examination of how Indiana’s work has unfolded since his move to Vinalhaven and includes works from his student days to storied sculptures such as EAT, prematurely removed from the 1964 New York World’s Fair and not exhibited since.Distributed for the Farnsworth Art MuseumExhibition Schedule:Farnsworth Art Museum, Rockland, Maine (6/20/09 – 10/25/09)

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The first comprehensive study of the artist Robert Heinecken and his critical views on the culture of mass media This is the first book-length study dedicated to the artist Robert Heinecken, whose innovative photographic practices sought to interrogate how mass media imagery facilitated the construction of individual and collective identities. Appropriating, rephotographing, and layering pictures culled from newspapers, advertisements, pornography, and television, Heinecken recombined and transformed the ubiquitous images of mass culture to encourage viewers to critically reflect on their sense of self. From the 1960s through the late 1990s, Heinecken's controversial art continually challenged inherited ideas around consumerism, the facticity of reportage, and visual culture's relationship to gender and identity politics. Embodying the evolution of contemporary art toward increasingly hybrid and conceptual approaches, his oeuvre includes examples of painting, sculpture, photomontage, p

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On the first day of July 1863, Robert E. Lee’s Army of Northern Virginia accidentally crossed swords with George Gordon Meade’s federal Army of the Potomac. They clashed at a tiny Pennsylvania crossroads called Gettysburg. Three days later, at least 22,000 Confederate men and boys were dead, wounded or captured, and the Yankees held the field when the river of bloodshed finally stopped. Gettysburg was General Lee’s worst defeat on an open field of battle. In The Court Martial of Robert E. Lee, a discouraged Confederate Congress summons General Lee to Richmond in December 1863, to face a board of inquiry on the Battle of Gettysburg. Through this speculative board of inquiry, the reader is drawn into the true history of the Army of Northern Virginia and the real political personalities and true political intrigue of Richmond in 1863. Will General Lee be relieved of command? Perhaps sent into retirement borne of catastrophic failure, leaving behind forever his beloved Army of Northern Virginia? The reader feels his pain and the anguish of a defeated general who wrote four months after Gettysburg that, “My heart and thoughts will always be with this army.”

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As one explores Frost's ethical thinking through his body of prose and poetry, one discovers a conflicted and often confusing world. Some apparently overt claims are shaded in context by tones of cynicism or skepticism. Values he apparently lauded in his work he violated freely in his life. Ideals he longed for are often crushed under a bitter sense of reality. Consequently, the important questions to ask about Frost's ethiscs are whether any systematic patterns emerge, what influenced such patterns, and, most importantly, how they are manifested in the poetry. To examine such issues, the critical methodology of this study is contextual, with emphasis upon three primary contexts. The first context is the nature of the work itself - the fundamental influences upon Frost's art and the way he shapes the poetic work to engage an ethical issue. The second significant context entering this discussion is historical/biographical. While it is not the aim to read Frost's poems directly in the context of life events, as a poet who is often narrative in style, his own life inevitably colors the story of the work. Furthermore, the understanding of ethical situation and response is significantly enhanced by an understanding of the personal and historical details behind the work. Finally, the third and most important context comes directly from the philosophy of ethics itself, demonstrating that consistent ethics, even though intrinsically encapsulated in ambiguity and ambivalence, does in fact appear in Frost's work.

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