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A Venetian morning is alight with marvels. We have captured some of the splendid daybreak palette of the city with this Verde journal cover. The design dates back to the early 1600s and was originally crafted from red morocco leather with gold borders, checkers of green, red, blue and brown in the midfield, lace fillets and marbled endpapers.

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We honour the genius of William Butler Yeats (1865–1939) and his masterful and devastating poem “Easter, 1916,” in this Paperblanks journal emblazoned with his handwriting. “Easter, 1916” is a powerful expression of the artist coming to terms with the tragic events of the Easter Rising rebellion staged in Ireland in 1916.

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Plaid has always been a pattern that crosses lines. Closely associated with Scottish clan tartans, plaid material has been unearthed in Central Asian tombs from as far back as 1500 BC. The plaid shown on our Davenport journal cover was collected in France in the 1800s, but looks as though it could have come from last year’s runway collection. So goes the cheeky versatility of plaid!

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Laurel Burch was a self-taught artist who relied on her intuition and passion, speaking from the heart with an unmistakable style that was the manifestation of her love of life and strong imaginative nature. Based on Laurel Burch’s original “Imagine” butterflies image, Paperblanks Flutterbyes journal is the perfect notebook to match any joyful lifestyle.

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The Lindau Gospels’ bindings were designed to inspire awe when the book was carried in processions or displayed on an altar. Paperblanks Lindau journal depicts the back cover of this bookmaking masterwork, created near Salzburg between 750 and 800 AD. It was tooled in gilt, silver and enamel and adorned with jewels, making for a powerful manifestation of art as a vehicle for belief.

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Laurel Burch was a self-taught artist who created brilliantly coloured, vibrant and moving themes. In this design, her original characters, foliage and other details have been adapted by a Japanese artisan to create a new watercolour painting.

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Laurel Burch was a self-taught artist who created brilliantly coloured, vibrant and moving themes. In this design, her original characters, foliage and other details have been adapted by a Japanese artisan to create a new watercolour painting.

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Associated with the Islamic Golden Age, Persian Safavid-style designs represented a high point in the art of the book. Symmetry is the hallmark of these bindings which feature medallions, a pentagonal envelope flap closure and elaborately decorated doublures (interior covers), exquisite creations in cut-out leather and gilding. Our cover portrays a remarkable leather filigree pattern incorporating handtooled motifs that retain an elegance and style even in our modern context.

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Photographer Gérard Degeorge has travelled the world, capturing grand pieces of architectural design through the scope of his lens. This cover design comes from his vast collection of photography and is reminiscent of the Alhambra in Granada, Spain. The geometric pattern, floral design and arabesque setting are all suggestive of the art and architecture styles found in the western Islamic world.

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Laurel Burch was a self-taught artist who created brilliantly coloured, vibrant and moving themes. In this design, her original characters, foliage and other details have been adapted by a Japanese artisan to create a new watercolour painting.

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Laurel Burch was a self-taught artist who created brilliantly coloured, vibrant and moving themes with paint and paper, exquisitely embellished with gold and silver. Her celestial theme has evolved over the years in a brilliant colour palette emblazoned with shimmering details of silver and gold, including rainbow-hued fish and sprays of colourful flowers cavorting with her suns, moons and stars.

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French artist Claude Monet, one of the founders of the Impressionist movement, was particularly fascinated with capturing the transient beauty of nature. In a virtuoso display of flowers, this 1897 work portrays a vibrant bed of chrysanthemums from his prized garden in Giverny.

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The Adventures of Asterix, our series in partnership with Les Éditions Albert René, channels the spirit of Asterix the Gaul from the celebrated comic book series. In these stories, Asterix, along with his friend Obelix and canine companion Dogmatix, ventures to lands near and far with unwavering ingenuity and just a little bit of magic potion.

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Laurel Burch was a self-taught artist who created brilliantly coloured, vibrant and moving themes with paint and paper, exquisitely embellished with gold and silver. Her celestial theme has evolved over the years in a brilliant colour palette emblazoned with shimmering details of silver and gold, including rainbow-hued fish and sprays of colourful flowers cavorting with her suns, moons and stars.

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The 1688 edition of L’office de la Semaine Sainte, a Latin liturgical book, was protected by a gold-plated leather binding. Reproduced here with a vibrant blue background, the antique design features an elaborate gilt-edged tendril motif.

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Aurelia’s inspiration dates back to Paris in the 1700s. The original binding housed copies of King Louis XV’s procedures for Holy Week. This design is a marvellous riot of gold-tooled rococo elements, featuring birds, flowers and leaves.

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Featuring a German pattern dating to 1568, this design suggests an ornately engraved door or magical gateway. With an emphasis on exuberant gold decoration, the motif is emblematic of the era’s artistic expressiveness.

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Using authentic Japanese washi tape paper, metallic foiling and a touch of varnish for protection, our Portuguese Tiles washi tape set will bring a pop of colour to your bullet journal spread. This double-pack is inspired by traditional Portuguese tiles.

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For the celestially minded and lovers of dark light, we present Nova Stella. This book cover, with its central star shape, exerts an emotional pull like the North Star for nighttime wayfarers.Our Nova Stella cover comes from the 1789 binding of Missale Sacri Ordinis Praedicatorum, printed during the Settecento period by Octavio Puccinelli publishers. During this time bookbinding became at once simpler and yet more complex. The sewing was done on recessed cords to give the spines a smooth appearance and so, while the structure of books was uncomplicated, decoration became increasingly elaborate.The free space around the central object is as important as the ornamentation that surrounds it, just as deep space is part of what makes stars so inspiring. Here we see brocade with floral and heart shapes, gilt-edged broad string iron lines, single punch gilding and a cross with flowers and initials.

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These intricate details of spring and summer flowers are from an 18th-century Japanese paper screen by artist Watanabe Shiko. Rinpa is a leading historical school of Japanese painting, established in 17th-century Kyoto, whose artists were known for working in a range of formats, notably screens, fans, hanging scrolls and kimono textiles. The design on our cover shows a section of a screen with various types of blooms often believed to follow the ancient Japanese language of flowers.

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Described as the “mise en scène for the romantic drama of American business,” New York City’s Chanin Building was built by Irwin S. Chanin in the late 1920s. Ornately adorned with bronze grilles representing some of the finest Art Deco in the city, the lobby was styled around a “City of Opportunity” concept. One of these ventilator grilles, with loops, spirals and geometric lines symbolizing human thought and emotion, is reproduced here.

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Authentic Japanese washi tape paper featuring Metalic foil to enhance the Oceanie & Viola patterns

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Azulejos are painted, glazed ceramic tiles that date back to 13th-century Portugal. Today, we see these decorative tiles across a wide range of buildings, from monasteries, palaces and restaurants to bars, railway stations and family homes. The design on the tiles commonly related to the building’s unique history, and the individual pieces often end up forming an elaborate mosaic. The design seen here is pulled from the traditional tiles gracing the façades of a variety of old houses in Porto, Portugal.

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This striking Art Deco design comes from the celebrated British bookbinder Sybil Pye (1879–1959). It was crafted to hold a collection of William Wordsworth’s poems illustrated by Pye’s lifelong friend Thomas Sturge Moore. One of the youngest pre–First World War women binders, Pye was the only binder in England who specialized in inlaid leather bindings. With this series, we pay tribute to a pioneering woman in the art of book design.

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Discover Gary Grayson’s vibrantly detailed gardens in this Tropical Garden pencil case. A lifelong artist, Grayson’s affinity for both antique prints and modern graphic design is on display in this design. Grayson is an artist who defies the limitations of genre. May his boundless creativity so inspire your own expressions of imagination.

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For over a century, the Cockerell and Son Bindery represented a tradition of the highest quality bookmaking. The Bindery remains especially celebrated for their unique style of paper marbling, developed by the late Sydney (Sandy) M. Cockerell. He took the painstaking tradition of handmade marbled papers and found a way to produce the strikingly complex designs at high speeds and volumes. We are honoured to bring one of his iconic marbled papers to our collection.

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Treasures of The New York Public LibraryVirginia Woolf’s NotebooksA modernist and feminist pioneer, Virginia Woolf (1882–1941) carved out new territory for artists, particularly women writers. She wrote with sensitivity and insight about the confusion, mystery and uncertainty of everyday life. Woolf’s 1931 novel The Waves, originally drafted in a series of seven notebooks including those reproduced here, is among her best and most experimental works and is made up of soliloquies spoken by the six main characters. Today, these seven notebooks are a part of The New York Public Library’s Henry W. and Albert A. Berg Collection of English and American Literature and are featured in the new Polonsky Exhibition of The New York Public Library Treasures. We are honoured to partner with the Library to bring Woolf’s The Waves notebooks to our collection.

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This glorious design comes from Sangorski & Sutfcliffe, a world-renowned British bindery best known for their bejewelled cover of Omar Khayyam’s Rubaiyat. They were especially celebrated for their jewelled bindings, like the one reproduced here. Originally crafted in 1922 to house Rudyard Kipling’s 1897 “Recessional” poem written for Queen Victoria’s Diamond Jubilee, it incorporated real turquoise, aquamarine and ruby gemstones.

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Capturing the flavour of Renaissance-style binding at its zenith, this darkly toned book cover carefully reproduces delicate stamping patterns on an intensely rich background that showcases the markings and unique character of aged leather bindings.

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Tiptoe through the tulips with us as we discover Gary Grayson’s vibrantly detailed gardens. A lifelong artist, Grayson’s affinity for both antique prints and modern graphic design is on display in the digital artworks behind this cover. His distinctive style is an eclectic mix of vintage vector, impressionism and pop art – all combined to create a layered world. May his boundless creativity so inspire your own imagination.

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Showcasing silk dyed with beni (the pigment extracted from safflower petals) and lacquered in gold, this kimono design dates to the Edo period (1615–1868), when it was used as a costume for the theatrical style known as Noh. Karaori refers specifically to the exquisitely embroidered woman’s kimono that traditional Noh theatre was known for. Both the material itself and the pattern depicted would have helped tell the story of the character.

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H.G. Wells was a science fiction pioneer whose visions for our future have greatly impacted our modern world. His first novel, The Time Machine (1895), was an instant success, as were those that followed. As a celebration of Wells’ life and legacy, we are honoured to reproduce his handwritten The Time Machine manuscript for this Special Edition document folder.

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Our Dumas’ 150th Anniversary Special Edition document folder celebrates the great lion of French literature, Alexandre Dumas (1802–1870). It features a handwritten draft of The Count of Monte Cristo as well as Dumas’ signature. Over his career Dumas wrote nearly one hundred thousand pages and is today among the world’s most widely read authors.

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India’s Taj Mahal is one of the world’s greatest monuments to love. Our Shah cover is named for the Mughal Emperor Shah Jahan, who commissioned the grand mausoleum to house the tomb of his most favoured wife, Mumtaz Mahal. This journal cover reproduces a photograph by Gérard Degeorge of one of the Taj Mahal’s iconic marble flowers.

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Tiptoe through the tulips with us as we discover Gary Grayson’s vibrantly detailed world in this Butterfly Garden journal cover. Grayson’s distinctive style is an eclectic mix of vintage vector, impressionism and pop art – all combined in rich layers. May his boundless creativity so inspire your own imagination.

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Nineteen Eighty-Four, George Orwell’s dystopian piece of science fiction, introduced terms such as “Big Brother” and “thoughtcrime” into our social lexicon and is still widely read today. Only one handwritten copy of Nineteen Eighty-Four survives, and we are honoured to partner with Brown University to reproduce it on this journal cover.

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Nineteen Eighty-Four, George Orwell’s dystopian piece of science fiction, introduced terms such as “Big Brother” and “thoughtcrime” into our social lexicon and is still widely read today. Only one handwritten copy of Nineteen Eighty-Four survives, and we are honoured to partner with Brown University to reproduce it on this journal cover.

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In the “Maki-e” tradition, lacquerware is created by painting tree sap onto treasured objects and sprinkling them with metallic powder, such as gold, silver or copper, to create luxurious designs. Showcasing dramatic black and gold vines, this Paperblanks Karakusa journal features the image of an antique 19th-century Japanese lacquer box selected from a private collection in Kyoto.

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The design reproduced on this journal cover, originally crafted by Riviere and Son, centres around a sensitive plant surrounded by other richly hued flowers, foliage and butterflies. The binding was used for The Sensitive Plant and Early Poems by Percy Bysshe Shelley and is a celebration of the creative spirit.

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Introducing Paperblanks Flexis, a sophisticated new line of softcover notebooks. Crafted with a flexible cover material, these lightweight notebooks offer increased mobility for everyday use. Their durable, Smyth sewn spines allow the books to lie completely flat while also providing the flexibility to open 360°, connecting cover to cover for a stable writing surface on the go. These stripped-down versions of some of our bestselling Paperblanks designs give an elemental sense of warmth and tactility. We are also offering two titles with a Kraft paper cover, creating a natural and organic texture that is unique to our Flexis. These are the ultimate notebooks for writers and sketchers with somewhere to go: they are portable and lightweight enough to tuck into any bag, and with two different page count options you can choose the thickness that best suits your lifestyle. Enjoy the freedom that comes with flexibility!

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In this Polished Pearl journal cover, inspired by an exquisite example of luxury fabric, one sees the absolute perfection of tone, magnificent embroidery and subtly beautiful hues that for which French artisans have become so celebrated. This fine French design has a timeless look of haute couture elegance.

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Our Kikka journal reproduces Michiko Kamee’s “full of chrysanthemum” design originally hand-painted with gold overglaze and colour on china by employing the “Kyo-Satsuma” technique. In this Paperblanks book cover design the viewer can see hints of the kaleidoscope of flowers in bloom, as well as fine boned artistry in every brush stroke and hue.

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Picnics, summer holidays and lashings of ginger beer… it’s hard not to picture the stories of Enid Blyton when thinking of these nostalgic moments. A prolific writer, Blyton penned over 700 books and thousands of short stories that captured an idyllic childhood full of adventure in the countryside. A common theme in Blyton’s writing is the atmospheric representation of life in a rural landscape. Though her works spanned multiple genres, it was stories that focused on family that were her favourite to write. One of Blyton’s most popular works was The Famous Five, a series of children’s adventure stories that centre around a group of four cousins – Julian, Dick, Anne and George – and George’s dog, Timmy. Reproduced here are the illustrations from the covers of two books in the series, Five on a Treasure Island and Five on Finniston Farm. These classic images are the works of Eileen Soper, whose illustrations bring the wonderfully nostalgic

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This fiery Baroque-inspired cover comes from a 1725 binding of The Decameron of Giovanni Boccaccio, a masterpiece of Italian literature. Giovanni Boccaccio (1313–1375) was an Italian writer and poet who helped lay the foundations of Renaissance humanism. His defining work, The Decameron, is a collection of novellas, each narrated by one of ten main characters who find shelter from the Black Death in a secluded villa just outside Florence in 1348. With its scope from humour to tragedy and its vivid narrative structure, The Decameron remains an affirmation of humanity and moral values even when read today.  

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Showcasing silk dyed with beni (the pigment extracted from safflower petals) and lacquered in gold, this kimono design dates to the Edo period (1615–1868). It was originally used as a costume for the theatrical style known as Noh. Karaori refers specifically to the exquisitely embroidered woman’s kimono that traditional Noh theatre was known for. Both the material itself and the pattern depicted would have helped tell the story of the character. In this case, the stiff brocade creates a thick, glossed fabric that would not drape easily – this created an angular effect evoking the spirit of a noblewoman. The pattern of flowering grasses emphasized the character’s femininity. By the Meiji period (1868–1912) Noh had reached such heights that it was widely introduced overseas, and today there are still more than 70 Noh theatres throughout Japan. This beautiful example of karaori costuming can now be found at the Art Institute of Chicago. It is our great pleasu

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With its intricate flying buttresses and ornate religious sculptures, the Duomo di Milano represents the pinnacle of Italian Gothic architecture. The drawing recreated here is part of a series proposed by the architect Paolo Cesa Bianchi (1840–1920) for the decoration of the interior vaults of the Milan Cathedral. In the 19th century there were many architects, each with their own unique vision, who submitted design proposals such as this. The submission by Bianchi, crafted in 1881, centres around the use of arabesques, which create a sense of a faux relief arborescence over a golden background. The design proposals of these architects, carefully preserved in the Archive of the Veneranda Fabbrica del Duomo, allow us to discover an unprecedented Cathedral, the one imagined by architects of the past and then, for various reasons, never built. We are honoured to partner with Veneranda Fabbrica del Duomo di Milano to bring this example of sublime architectural vision to new

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