Search results for ""author daniel"

The book will coincide with the first Ashmolean NOW exhibition in Gallery 8, opening in July 2023. The Ashmolean NOW Program features exciting works by prominent early to mid-career artists based in the UK, seeking to attract new audiences interested in contemporary art. Artists who have established international reputations and emerging artists whose international status is anticipated with a strong degree of confidence are approached pro-actively. In addition to exhibiting their existing works, all artists are invited to create at least one new work as a response to the museum and/or its collections. This first exhibition presents two linked solo shows: paintings/drawings by Flora Yukhnovich, and paintings/drawings by Daniel Crews-Chubb. The double-sided style of the book will mirror the exhibition concept, while presenting itself as a unique, well designed object that has a life beyond the exhibition.

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Daniels’ Orchestral Music is the gold standard reference for conductors, music programmers, librarians, and any other music professional researching an orchestral program. This sixth edition, celebrating the fiftieth anniversary of the original work, includes over 14,000 entries with a vast number of new listings and updates.

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To find more information on Rowman & Littlefield titles, please visit us at www.rowmanlittlefield.com.

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Very rarely does a jewellery artist manage to find new pictorial worlds of such a personal nature during the course of their creative work so freely and unencumbered as Daniel Kruger (born 1951, South Africa). His experiments with the most diverse materials, decoration, forms and structures testify to an exuberant creativity for which he was honoured with the renowned Herbert Hoffmann Award for Art Jewellery in 1987 and 2005. Daniel Kruger uses found objects of every kind, or quotes historical forms and decoration. The unusual combinations of materials as well as new interpretations of techniques used in handcraft and textile work unexpectedly, yet invariably, lend his jewellery pieces new perspectives and aesthetic pleasure as well as a decidedly erotic quality, as he himself says. The works illustrate Daniel Kruger's curiosity with unconventional techniques and materials; they are also an expression of his awareness of nature and artificiality, history and tales, tradition and the present: sometimes ironic, at times restrained, but frequently also opulent and sensual. Text in English and German.

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Chief Daniel Bread (1800-1873) played a key role in establishing the Oneida Indians' presence in Wisconsin after their removal from New York, yet no monument commemorates his deeds as the community's founder. Laurence M. Hauptman and L. Gordon McLester, III, redress that historical oversight, connecting Bread's life story with the nineteenth-century history of the Oneida Nation.Bread was often criticized for his support of acculturation and missionary schools as well as for his working relationship with Indian agents; however, when the Federal-Menominee treaties slashed Oneida lands, he fought back, taking his people's cause to Washington and confronting President Andrew Jackson. The authors challenge the long-held views about Eleazer Williams's leadership of the Oneidas and persuasively show that Bread's was the voice vigorously defending tribal interests.

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This timely history of the neglected figure of Daniel Sutton—the medical revolutionary who paved the way for present-day vaccination—was named a best book of 2020 by BBC History Magazine Smallpox was the scourge of the eighteenth century: it showed no mercy, almost wiping out whole societies. Young and old, poor and royalty were equally at risk – unless they had survived a previous attack. Daniel Sutton, a young surgeon from Suffolk, used this knowledge to pioneer a simple and effective inoculation method to counter the disease. His technique paved the way for Edward Jenner’s discovery of vaccination – but, while Jenner is revered, Sutton has been vilified for not widely revealing his methods until later in life. Gavin Weightman reclaims Sutton’s importance, showing how the clinician’s practical and observational discoveries advanced understanding of the nature of disease. Weightman explores Sutton’s personal and professional development, and the wider world of eighteenth-century health in which he practised inoculation. Sutton’s brilliant and exacting mind had a significant impact on medicine – the effects of which can still be seen today.

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This book presents Daniel Berrigan’s contribution and challenge to catholic social thought. His contribution lies in his consistent, comprehensive, theoretical, and practical approach to issues of social justice and peace over the past fifty years. His challenge lies in his critique of capitalism, imperialism, and militarism, inviting Catholic activists and thinkers to undertake not just a reformist but a radical critique of and alternative to these realities. The aim of this book is, for the first time, to make Berrigan’s thought and life available to the academic Catholic community, so that a fruitful interaction takes place. How does this work enlighten and challenge such a community? To these ends, the editors have recruited scholars and thinker-activists already familiar with and sympathetic to Berrigan’s work and those who are less so identified. The result is a rich, engaging, and critical treatment of the meaning and impact of his work. What kind of challenge does he present to academic-business-as-usual in Catholic universities? How can the life and work of individual Catholic academics be transformed if such persons took Berrigan’s work seriously—theoretically and practically? Do Catholic universities need Berrigan’s vision to fulfill more integrally and completely their own missions? Does the self-knowing subject and theorist need to become a radical subject and theorist? Even though the appeal of academics is important and perhaps primary, because of the range and depth of Berrigan’s work and thought and the power of his writing there is a larger appeal to the Catholic community and to activists working for social justice and peace. This book has, therefore, not only a theoretical and academic appeal but also a popular and grassroots appeal. Given the current and ongoing U.S. military interventions in Iraq, Afghanistan, and Libya, Berrigan’s work invites us to think about the justice of such interventions or, given the destructiveness of modern weapons, whether the notion of just war makes any sense. Given the recent crisis on Wall Street, does it make sense any longer to talk about the possibility of a just capitalism? Given the most recent revelations about Guantánamo, Abu Ghraib, and Bagram, is it not imperative to think about how torture, preventative detention, and extraordinary rendition serve the ends of empire? In light of all of this, doesn’t Berrigan’s call for a pacific, prophetic community of justice rooted in the Good News of the Gospel make compelling sense?

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This group of 40 prints from the exceptional Daniel Cowin Collection captures the tumultuous aesthetic and political climate of the years surrounding World Wars I and II. An essay by Jonathan Black addresses the impact of World War I on two notable British printmakers, Edward Wadsworth and C. R. W. Nevinson. A text by Jay A. Clarke delves into the linocut movement of the 1920s and ’30s, investigating how the role of style and politics impacted this movement as well as the previously unexplored position of women printmakers and the interplay between gender, craft, and decoration. Influences of Futurism, Cubism, and the short-lived but vibrant abstraction of the Vorticist movement saturate the powerful color images, which are accompanied by artist biographies. This publication illuminates the struggle of these radical printmakers as they navigated a conservative market and the harsh economic and political realities of their time.Distributed for the Clark Art InstituteExhibition Schedule:Clark Art Institute (02/28/15–05/17/15)

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Beginning with Casino Royale (2006) and ending with No Time to Die (2021), the Daniel Craig era of James Bond films coincides with the rise of various justice movements challenging deeply entrenched systems of inequality and oppression, ranging from sexism, racism, and immigration to 2SLGBTQIA+ rights, reproductive justice and climate change. While focus is often placed on individual actions and institutional policies and practices, it is important to recognize the role that culture plays within these systems. Mainstream film is not simply 'mindless' entertainment but a key part of a global cultural industry that naturalizes and normalizes power structures. Engaging with these issues, Resisting James Bond is a multidisciplinary collection that explores inequality and oppression in the world of 007 through a range of critical and theoretical approaches. The chapters explore the embodiment and disembodiment of power and privilege across the formal, narrative, cultural and geopolitical elements that define the revisionist-reversionist world of Daniel Craig’s Bond.

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Professor Daniel Arsenault, along with his wife, Nadine Desbiens, and stepson, Jacob Desbiens-Doyle, were sadly taken from this world in 2016 following a tragic car accident. Daniel was the leading exponent in Canadian Shield rock art. Working in the northern part of Quebec, Daniel explored many hundreds of square kilometres of this vast area for rock art. Working with ethnographers and First Nation people, Daniel became a formidable force in promoting this little known assemblage, lecturing all over the world and stimulating audiences wherever he went. Complementing his knowledge of rock art, Daniel also had a deep understanding of the heritage of the people whose ancestors made the images. Shortly before his death, Daniel was made an Erasmus Mundus Professor at Polytechnic Institute of Tomar in Portugal. Here, he was due to share his wealth of knowledge and enthusiasm about rock art and cultural heritage to an attentive audience. Daniel clearly had much more to offer, and this book is an extension of his ways of thinking. He has left an important legacy that has touched the lives of many, including people who contributed to this volume. The book has 14 thought-provoking chapters and deals with Daniel’s first love - the archaeology of artistic endeavour. It gathers together both academic colleagues and family who share with the reader elements of Daniel’s life. The book is also a serious academic volume, providing the reader with new ideas about the interpretation and dating of rock art, ethnography, heritage and material culture.

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The works from Daniel Bernoulli's youth contained in this first volume of his Collected Works bear witness above all of his versatility; they deal with subjects as different as physiology, formal logic, mathematical analysis, hydrodynamics and positional astronomy. Daniel Bernoulli's contacts with Italian scientists gave rise to several controversies. The present volume documents both sides in each of these debates, which culminated with the publication of Bernoulli's first book Exercitationes mathe- maticae in 1724. The discussions with the renowned mathematician Jacopo Riccati on second-order differential equations and on the Newtonian theory of the out-flow of fluids from vessels deserve particular interest. A third group of texts goes back to the time Bernoulli spent at the newly- founded Academy of Sciences in St. Petersburg, where he had been appointed in 1725. There he worked out two more contributions to physiological research - on muscle movement and on the blind spot in the human eye - as well as his only paper in positional astronomy. This last work - suggested by a prize question of the Paris Académie des Sciences - became the occasion for a vehement conflict; the present volume documents these "Zänkereien" (squabbles) and also reproduces three competing treatises. To complete the documentation of Daniel Bernoulli's work on physiology, the volume also includes his academic ceremonial speech De Vita of 1737, where he sketches for the first time the circulation of the work done by the human heart, and its elaboration by Bernoulli's student Daniel Passavant.

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This accessible reader brings together a selection of highly influential writings by Danny Dorling which look at inequality and social justice, why they matter and what they are. Encompassing an extensive range of print and online media - including newspaper articles and key publications - 'Fair Play' provides evidence that Britain is becoming more politically, socially and economically divided whilst coming together in terms of educational outcomes and reduced segregation by ethnicity.

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When the Jews were carried off into exile in Babylon, most people assumed that it was the end of the story. In reality, God was just getting started. As senior figures in the Babylonian and Persian Empires, Daniel and Esther would discover that there is no foreign ground for God. Their faithful obedience would, in fact, lead their oppressive captors to faith in the God of Israel. God inspired the Bible for a reason. He wants you read it and let it change your life. If you are willing to take this challenge seriously, then you will love Phil Moore’s devotional commentaries. Their bite-sized chapters are punchy and relevant, yet crammed with fascinating scholarship. Welcome to a new way of reading the Bible. Welcome to the Straight to the Heart series.

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