Search results for ""author christopher""

The K-Effect shows how the roman alphabet has functioned as a standardizing global model for modern print culture. Investigating the history and ongoing effects of romanization, Christopher GoGwilt reads modernism in a global and comparative perspective, through the works of Joseph Conrad and others. The book explores the ambiguous effect of romanized transliteration both in the service of colonization and as an instrument of decolonization. This simultaneously standardizing and destabilizing effect is abbreviated in the way the letter K indexes changing hierarchies in the relation between languages and scripts. The book traces this K-effect through the linguistic work of transliteration and its aesthetic organization in transnational modernism. The book examines a variety of different cases of romanization: the historical shift from Arabic script to romanized print form in writing Malay; the politicization of language and script reforms across Russia and Central Europe; the role of Chinese debates about romanization in shaping global transformations in print media; and the place of romanization between ancient Sanskrit models of language and script and contemporary digital forms of coding. Each case study develops an analysis of Conrad’s fiction read in comparison with such other writers as James Joyce, Lu Xun, Franz Kafka, and Pramoedya Ananta Toer. The first sustained cultural study of romanization, The K-Effect proposes an important new way to assess the multi-lingual and multi-script coordinates of modern print culture.

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As commercial flight is changing dramatically and its future remains unclear, a look at how we got hereGrounded: Perpetual Flight . . . and Then the Pandemic considers the time leading up to the COVID-19 pandemic and the ensuing global plummet in commercial flight. Mobility studies scholar Christopher Schaberg tours the newly opened airport terminal outside of New Orleans (MSY) in late 2019, and goes on to survey the broad cultural landscape of empty airports and grounded planes in the early months of the novel coronavirus’s spread in 2020. The book culminates in a reflection on the future of air travel: what may unfold, and what parts of commercial flight are almost certainly relics of the past. Grounded blends journalistic reportage with cultural theory and philosophical inquiry in order to offer graspable insights as well as a stinging critique of contemporary air travel.

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A major new reading of a U.S. public health system shaped by fraught perceptions of culture, race, and criminality At the heart of Archiving Medical Violence is an interrogation of the notions of national and scientific progress, marking an advance in scholarship that shows how such violence is both an engine of medical progress and, more broadly, the production of empire. It reads the medical archive through a lens that centers how it is produced, remembered, and contested within cultural production and critical memory. In this innovative and interdisciplinary book, Christopher Perreira argues that it is in the contradictions of settler colonialism and racial capitalism that we find how medical violence is narrated as a public good. He presents case studies from across a range of locations—Hawai‘i, California, Louisiana, Guatemala—and historical periods from the nineteenth century on. Examining national and scientific conceptions of progress through the lens of medicine and public health, he places official archives in dialogue with visual and literary works, patient writing, and more. Archiving Medical Violence explores the contested public terrains for narrating value and vulnerabilities, bodies and geographical locations. Ultimately, Perreira reveals for us a medical imaginary built on racialized criminality driving contemporary politics of citizenship, memory, and identity. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

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For students, fans, and scholars alike, this wide-ranging primer on anime employs a panoply of critical approaches Well-known through hit movies like Spirited Away, Akira, and Ghost in the Shell, anime has a long history spanning a wide range of directors, genres, and styles. Christopher Bolton’s Interpreting Anime is a thoughtful, carefully organized introduction to Japanese animation for anyone eager to see why this genre has remained a vital, adaptable art form for decades.Interpreting Anime is easily accessible and structured around individual films and a broad array of critical approaches. Each chapter centers on a different feature-length anime film, juxtaposing it with a particular medium—like literary fiction, classical Japanese theater, and contemporary stage drama—to reveal what is unique about anime’s way of representing the world. This analysis is abetted by a suite of questions provoked by each film, along with Bolton’s incisive responses.Throughout, Interpreting Anime applies multiple frames, such as queer theory, psychoanalysis, and theories of postmodernism, giving readers a thorough understanding of both the cultural underpinnings and critical significance of each film. What emerges from the sweep of Interpreting Anime is Bolton’s original, articulate case for what makes anime unique as a medium: how it at once engages profound social and political realities while also drawing attention to the very challenges of representing reality in animation’s imaginative and compelling visual forms.

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Machiavelli on War offers a comprehensive interpretation of the philosopher-historian's treatment of war throughout his writings, from poems and memoranda drafted while he was Florence's top official for military matters to his posthumous works, The Prince and Discourses on Livy. Christopher Lynch argues that the issue of war permeates the form and content of each of Machiavelli's works, the substance of his thoughts, and his own activity as a writer, concluding that he was the first great modern philosopher because he was the first modern philosopher of war. Lynch details Machiavelli's understanding of warfare in terms of both actual armed conflict and at the intellectual level of thinkers competing on the field of knowledge and belief. Throughout Machiavelli's works, he focuses on how military commanders' knowledge of human necessities, beginning with their own, enables and requires them to mold soldiers, organizationally and politically, to best deploy them in operations attuned to political context and changing circumstances. Intellectually, leaders must shape minds, their own and others', to reject beliefs that would weaken their purpose; for Machiavelli, this meant overcoming the classical and Christian traditions in favor of a new teaching of human freedom and excellence. As Machiavelli on War makes clear, prevailing both on the battlefield and in the war of ideas demands a single-minded engagement in "reasoning about everything," beginning with oneself. For Machiavelli, Lynch shows, the successful military commander is not just an excellent leader but also an excellent human being in constant pursuit of the truth about themselves and the world.

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The rise of the Christian Right took many writers and literary critics by surprise, trained as we were to think that religions waned as societies became modern. In If God Meant to Interfere, Christopher Douglas shows that American writers struggled to understand and respond to this new social and political force. Religiously inflected literature since the 1970s must be understood in the context of this unforeseen resurgence of conservative Christianity, he argues, a resurgence that realigned the literary and cultural fields. Among the writers Douglas considers are Marilynne Robinson, Barbara Kingsolver, Cormac McCarthy, Thomas Pynchon, Ishmael Reed, N. Scott Momaday, Gloria Anzaldúa, Philip Roth, Carl Sagan, and Dan Brown. Their fictions engaged a wide range of topics: religious conspiracies, faith and wonder, slavery and imperialism, evolution and extraterrestrial contact, alternate histories and ancestral spiritualities. But this is only part of the story. Liberal-leaning literary writers responding to the resurgence were sometimes confused by the Christian Right’s strange entanglement with the contemporary paradigms of multiculturalism and postmodernism —leading to complex emergent phenomena that Douglas terms "Christian multiculturalism" and "Christian postmodernism." Ultimately, If God Meant to Interfere shows the value of listening to our literature for its sometimes subterranean attention to the religious and social upheavals going on around it.

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Drawing on the generous semantic range the term enjoyed in early modern usage, Experimental Selves argues that ‘person,’ as early moderns understood this concept, was an ‘experimental’ phenomenon—at once a given of experience and the self-conscious arena of that experience. Person so conceived was discovered to be a four-dimensional creature: a composite of mind or 'inner' personality; of the body and outward appearance; of social relationship; and of time. Through a series of case studies keyed to a wide variety of social and cultural contexts, including theatre, the early novel, the art of portraiture, pictorial experiments in vision and perception, theory of knowledge, and the new experimental science of the late-seventeenth and eighteenth centuries, the book examines the manifold shapes person assumed as an expression of the social, natural, and aesthetic ‘experiments’ or experiences to which it found itself subjected as a function of the mere contingent fact of just having them.

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The story of a new style of art—and a new way of life—in postwar America: confessionalism. What do midcentury “confessional” poets have in common with today’s reality TV stars? They share an inexplicable urge to make their lives an open book, and also a sense that this book can never be finished. Christopher Grobe argues that, in postwar America, artists like these forged a new way of being in the world. Identity became a kind of work—always ongoing, never complete—to be performed on the public stage. The Art of Confession tells the history of this cultural shift and of the movement it created in American art: confessionalism. Like realism or romanticism, confessionalism began in one art form, but soon pervaded them all: poetry and comedy in the 1950s and ’60s, performance art in the ’70s, theater in the ’80s, television in the ’90s, and online video and social media in the 2000s. Everywhere confessionalism went, it stood against autobiography, the art of the closed book. Instead of just publishing, these artists performed—with, around, and against the text of their lives. A blend of cultural history, literary criticism, and performance theory, The Art of Confession explores iconic works of art and draws surprising connections among artists who may seem far apart, but who were influenced directly by one another. Studying extraordinary art alongside ordinary experiences of self-betrayal and -revelation, Christopher Grobe argues that a tradition of “confessional performance” unites poets with comedians, performance artists with social media users, reality TV stars with actors—and all of them with us. There is art, this book shows, in our most artless acts.

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Offers a positive approach to literary criticism At a moment when the “hermeneutics of suspicion” is under fire in literary studies, The Practices of Hope encourages an alternative approach that, rather than abandoning critique altogether, relinquishes its commitment to disenchantment. As an alternative, Castiglia offers hopeful reading, a combination of idealism and imagination that retains its analytic edge yet moves beyond nay-saying to articulate the values that shape our scholarship and creates the possible worlds that animate genuine social critique. Drawing on a variety of critics from the Great Depression to the Vietnam War, from Granville Hicks and Constance Rourke to Lewis Mumford, C.L.R. James, Charles Feidelson, and Richard Poirier, Castiglia demonstrates that their criticism simultaneously denounced the social conditions of the Cold War United States and proposed ideal worlds as more democratic alternatives. Organized around a series of terms that have become anathema to critics—nation, liberalism, humanism, symbolism—The Practices of Hope shows how they were employed in criticism’s “usable past” to generate an alternative critique, a practice of hope.

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In Fly-Fishing, Christopher Schaberg ponders his lifetime pursuit of the widely mythologized art of fly-fishing. From the Michigan lakeshore where he learned to fish to casting flies in a New Orleans bayou, Schaberg sketches landscapes and fish habitats and shows how fly-fishing allows him to think about coexisting with other species. It offers Schaberg a much-needed source of humility, social isolation, connection with nature, and a reminder of environmental degradation. Rather than centering fishing on trophies, conquest, and travel, he advocates for a “small-fishing” that values catching the diminutive fish near one’s home. Introspective and personal, Fly-Fishing demonstrates how Schaberg’s obsession indelibly shapes how he understands and lives in the wider world.

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On July 9, 2011, South Sudan celebrated its independence as the world's newest nation, an occasion that the country's Christian leaders claimed had been foretold in the Book of Isaiah. The Bible provided a foundation through which the South Sudanese could distinguish themselves from the Arab and Muslim Sudanese to the north and understand themselves as a spiritual community now freed from their oppressors. Less than three years later, however, new conflicts emerged along ethnic lines within South Sudan, belying the liberation theology that had supposedly reached its climactic conclusion with independence. In Chosen Peoples, Christopher Tounsel investigates the centrality of Christian worldviews to the ideological construction of South Sudan and the inability of shared religion to prevent conflict. Exploring the creation of a colonial-era mission school to halt Islam's spread up the Nile, the centrality of biblical language in South Sudanese propaganda during the Second Civil War (1983--2005), and postindependence transformations of religious thought in the face of ethnic warfare, Tounsel highlights the potential and limitations of deploying race and Christian theology to unify South Sudan.

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In Counterlife Christopher Freeburg poses a question to contemporary studies of slavery and its aftereffects: what if freedom, agency, and domination weren't the overarching terms used for thinking about Black life? In pursuit of this question, Freeburg submits that current scholarship is too preoccupied with demonstrating enslaved Africans' acts of political resistance, and instead he considers Black social life beyond such concepts. He examines a rich array of cultural texts that depict slavery—from works by Frederick Douglass, Radcliffe Bailey, and Edward Jones to spirituals, the television cartoon The Boondocks, and Quentin Tarantino's Django Unchained—to show how enslaved Africans created meaning through artistic creativity, religious practice, and historical awareness both separate from and alongside concerns about freedom. By arguing for the impossibility of tracing slave subjects solely through their pursuits of freedom, Freeburg reminds readers of the arresting power and beauty that the enigmas of Black social life contain.

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In Counterlife Christopher Freeburg poses a question to contemporary studies of slavery and its aftereffects: what if freedom, agency, and domination weren't the overarching terms used for thinking about Black life? In pursuit of this question, Freeburg submits that current scholarship is too preoccupied with demonstrating enslaved Africans' acts of political resistance, and instead he considers Black social life beyond such concepts. He examines a rich array of cultural texts that depict slavery—from works by Frederick Douglass, Radcliffe Bailey, and Edward Jones to spirituals, the television cartoon The Boondocks, and Quentin Tarantino's Django Unchained—to show how enslaved Africans created meaning through artistic creativity, religious practice, and historical awareness both separate from and alongside concerns about freedom. By arguing for the impossibility of tracing slave subjects solely through their pursuits of freedom, Freeburg reminds readers of the arresting power and beauty that the enigmas of Black social life contain.

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How the suburbs can give rise to campaigns for progressive change

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How the suburbs can give rise to campaigns for progressive change

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The crusades influenced western European society in the middle ages far beyond the military campaigns themselves. Reactions and involvement did not always follow the assumptions of ideology or supporters, medieval or modern. In this wide ranging collection of articles spanning thirty years, Christopher Tyerman explores the relationships between action and perception, ambition and practice, propaganda and support. One section concentrates on the role the crusade played in the politics and elite culture of the early fourteenth century, particularly in France. A further series of essays examines the nature of crusading as a phenomenon from the twelfth to the sixteenth centuries, notably the contrasts between official, literary and popular reception, and how it was variously understood by contemporaries and promoted by apologists in England, continental Europe and the Baltic. Finally, the structure of crusading armies is explored in a sequence that analyses the organisation of expeditions, including communal decision-making on the First Crusade, the sociology of recruitment and, in a previously unpublished major study, the importance of pay to crusaders from 1096 onwards.The crusades influenced western European society in the middle ages far beyond the military campaigns themselves. Reactions and involvement did not always follow the assumptions of ideology or supporters, medieval or modern. In this wide ranging collection of articles spanning thirty years, Christopher Tyerman explores the relationships between action and perception, ambition and practice, propaganda and support. One section concentrates on the role the crusade played in the politics and elite culture of the early fourteenth century, particularly in France. A further series of essays examines the nature of crusading as a phenomenon from the twelfth to the sixteenth centuries, notably the contrasts between official, literary and popular reception, and how it was variously understood by contemporaries and promoted by apologists in England, continental Europe and the Baltic. Finally, the structure of crusading armies is explored in a sequence that analyses the organisation of expeditions, including communal decision-making on the First Crusade, the sociology of recruitment and, in a previously unpublished major study, the importance of pay to crusaders from 1096 onwards.

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In What on Earth Happened?, Christopher Lloyd tells our story from the very beginning of time to the present day, taking giant narrative leaps across millennia and continents. Along the way, he explains exactly how Muslim conquest gave Spain its paella, how the Earth's collision with another young planet created the moon, how dragonflies the size of seagulls emerged out of the prehistoric waters, and how the Big Bang can be detected in your television. Accessible and endlessly entertaining, this massive book draws on disciplines as wide-ranging as astrophysics and anthropology and will appeal to experts, amateur enthusiasts and the simply curious alike. Completed by 250 colourful photographs, maps, historic paintings, engravings and specially commissioned illustrations, What on Earth Happened? takes an entertaining and informed sideways look at the last 13.7 billion years in the life of our universe. Do you know What on Earth Happened? Test your knowledge of the earth in a five minute quiz at www.whatonearthhappened.com

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Another catchy addition to the cross-curricular songsheets series, Choices is perfect for enlivening KS2 Citizenship and for performing in assemblies and concerts.Choices is one of four new citizenship songs inthe A&C Black cross-curricular Songsheets series. Linking with the KS2 Citizenship curriculum, all four songs are catchy, easy to learn and cover key topic facts in a fun way! Perfect for assemblies, concerts and for enlivening topic work. Each SONGSHEET contains a piano/vocal score, photocopiable lyrics, teaching/performance guidance and a CD containing backing tracks, teaching and performance tracks. Completewith its own dedicated website (www.acblack.com/songsheets) containing additional resources: tuned and untuned percussion parts, teaching/performance notes and a performance schedule.

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"...an important text for practitioners...this text is a valuable tool that develops self-inquiry skills." Journal of Advanced Nursing Reflection is widely recognised as an invaluable tool in health care, providing fresh insights which enable practitioners to develop their own practice and improve the quality of their care. Guided Reflection: A Narrative Approach to Advancing Professional Practice introduces the practitioner to the concept of guided reflection, in which the practitioner is assisted by a mentor (or 'guide') in a process of self-enquiry, development, and learning through reflection in order to effectively realise one’s vision of practice and self as a lived reality. Guided reflection is grounded in individual practice, and can provide deeply meaningful insights into self-development and professional care. The process results in a reflexive narrative, which highlights key issues for enhancing healthcare practice and professional care. Reflection: A Narrative Approach to Advancing Professional Practice uses a collection of such narratives from everyday clinical practice to demonstrate the theory and practicalities of guided reflection and narrative construction. In this second edition, Chris Johns has explored many of the existing narratives in more depth. Many new contributions have been added including several more innovative reflections, such as performance and art.These narratives portray the values inherent in caring, highlight key issues in clinical practice, reveal the factors that constrain the quest to realise practice, and examine the ways practitioners work towards overcoming these constraints.

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Engaging reflection in practice: a narrative approach develops Chris Johns’ existing models and ideas for actively engaging in reflective practice and demonstrates their application to holistic practice and everyday nursing care. Central to this book is a narrative account building on extracts from his reflective journal over a period of two years, which enables the reader to fully understand what being a reflective practitioner involves, how it evolves and how reflective practice influences practice over time. Part 1 addresses the nature of reflective practice and holistic care and explores how the author developed his narrative account in part 2. Either part may be read independently of the other.

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10 Good Questions about Life and Death makes us think again about some of the most important issues we ever have to face. Addresses the fundamental questions that many of us ask about life and death. Written in an engaging and straightforward style, ideal for those with no formal background in philosophy. Focuses on commonly pondered issues, such as: Is life sacred? Is it bad to die? Is there life after death? Does life have meaning? And which life is best? Encourages readers to think about and respond to the human condition. Features case studies, thought-experiments, and references to literature, film, music, religion and myth.

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10 Good Questions about Life and Death makes us think again about some of the most important issues we ever have to face. Addresses the fundamental questions that many of us ask about life and death. Written in an engaging and straightforward style, ideal for those with no formal background in philosophy. Focuses on commonly pondered issues, such as: Is life sacred? Is it bad to die? Is there life after death? Does life have meaning? And which life is best? Encourages readers to think about and respond to the human condition. Features case studies, thought-experiments, and references to literature, film, music, religion and myth.

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One of the most famous comic book villains of all time returns to Earth - and even the most secretive superhero group of all, the Illuminati, might not be able to stop him! As the Mad Titan descends upon Earth to retrieve something he has lost, the Illuminati must band together once again to stop him... because they''re the ones who hid it from him in the first place! And to prevent Thanos from destroying the planet as part of his quest, they''ll need to bring in the biggest gun they''ve got: the Incredible Hulk! But what - or who - is Thanos looking for? And when he finds what he seeks, what fate awaits the Illuminati? Collecting: Thanos (2023) 1-4

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Following on from the successful first edition (March 2012), this book gives a clear explanation of what LTE does and how it works. The content is expressed at a systems level, offering readers the opportunity to grasp the key factors that make LTE the hot topic amongst vendors and operators across the globe. The book assumes no more than a basic knowledge of mobile telecommunication systems, and the reader is not expected to have any previous knowledge of the complex mathematical operations that underpin LTE. This second edition introduces new material for the current state of the industry, such as the new features of LTE in Releases 11 and 12, notably coordinated multipoint transmission and proximity services; the main short- and long-term solutions for LTE voice calls, namely circuit switched fallback and the IP multimedia subsystem; and the evolution and current state of the LTE market. It also extends some of the material from the first edition, such as inter-operation with other technologies such as GSM, UMTS, wireless local area networks and cdma2000; additional features of LTE Advanced, notably heterogeneous networks and traffic offloading; data transport in the evolved packet core; coverage and capacity estimation for LTE; and a more rigorous treatment of modulation, demodulation and OFDMA. The author breaks down the system into logical blocks, by initially introducing the architecture of LTE, explaining thetechniques used for radio transmission and reception and the overall operation of the system, and concluding with more specialized topics such as LTE voice calls and the later releases of the specifications. This methodical approach enables readers to move on to tackle the specifications and the more advanced texts with confidence.

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Boundless Russia, humble yet full of hidden grandeur—such visions of "the motherland" became crucial markers of Russian national identity. This Meager Nature is the first full-length study to trace the cultural construction of Russia's landscape during the nineteenth century, showing how artistic and literary representations of nature reflected and shaped Russians' ideas about themselves and their nation. In the early 1800s, Russians commonly accepted the European judgment that their land lacked aesthetic value. That view changed with the outpouring of literary and artistic creativity that followed the century's political upheavals. Artists such as Aleksei Savrasov, Fedor Vasil'ev, Ivan Shishkin, and Nikolai Nekrasov turned to their native land and revealed the power of grey skies, vast open fields, and simple birch forests. Russians came to embrace their land's modest beauty, which represented strength and hidden depths. The historical creation of Russia's sense of place resulted not so much from its citizens' encounters with their environment, Ely argues, as from their long-term struggle to distinguish Russia from Europe. The humble beauty of the Russian land served to assert the genuineness of Russia against the inauthenticity of western Europe. For those who embraced it, the "meager" beauty of the landscape provided a powerful means for experiencing and expressing Russian national identity.

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Although the radical populist movement that arose in Russia during the reign of Tsar Alexander II has been well documented, this important study opens with questions that haven't yet been addressed: How did Russian radical populists manage to carry out a three-year campaign of revolutionary violence, killing or wounding scores of people, including top government officials, and eventually taking the life of the tsar himself? And how did this all occur under the noses of the tsar's political police, who deployed vast resources and huge numbers of officials in an exhaustive effort to stop the killing? In Underground Petersburg, Christopher Ely argues that the most powerful weapon of populist terrorism was the revolutionary underground it created. Attempts to convey populist ideals in the public sphere met with resistance at every turn. When methods such as propaganda campaigns and street demonstrations failed, populists created a sophisticated urban underground. Linked to the newly discovered weapon of terrorist violence, this base of operations allowed them to live undetected in the midst of the city, produce their own weaponry, and attempt to ignite an insurrection through violent attacks—putting terrorism on the map as a technique of political rebellion. Accessible to non-specialists, this insightful study reinterprets radical populism, clarifying its crucial place in Russian history and elucidating its contribution to the history of terrorism. Underground Petersburg will appeal to scholars and students of Russia, as well as those interested in terrorism and insurrectionary movements, urban studies, and the sociology of subcultures.

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In the 1980s, a small man is pulled up out of the Indian Ocean in Port Pallid, SA, claiming to have been kidnapped as a baby. The Sergeant, whose job it is to sort the local people by colour, and thereby determine their fate, peers at the boy, then sticks a pencil into his hair, as one did in those days, waiting to see if it stays there, or falls out before he gives his verdict:'He's very odd, this Jimfish you've hauled in. If he's white he is not the right sort of white. But if he's black, who can say? We'll wait before we classify him. I'll give his age as 18, and call him Jimfish. Because he's a real fish out of water, this one is.'So begins the odyssey of Jimfish, a South African Everyman, who defies the usual classification of race that defines the rainbow nation. His journey through the last years of Apartheid will extend beyond the borders of South Africa to the wider world, where he will be an unlikely witness to the defining moments of the dying days of the twentieth century. Part fable, part fierce commentary on the politics of power, this work is the culmination of a lifetime's writing and thinking, on both the Apartheid regime and the history of the twentieth century, by a writer of enormous originality and range.

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'I consider myself a poet first and a musician second''It ain't the melodies that're important man, it's the words'There is no shortage of books about Bob Dylan. This one, however, is unique in its approach and the virtuosity of its execution.Ricks examines Dylan's songs through the biblical concepts of the seven deadly Sins, the four cardinal Virtues and the three Heavenly Graces. He does so with what one critic has described as 'an ultimately irresistible combination of laser-like intelligence with a fan's exuberant idolatry'.

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Reclaiming the aesthetic, emphasizing the "literary" in literary studies, conceptualizing a new formalism: such recent appeals represent the latest turn in ongoing debates about art and aesthetic ideology. Intervening in these debates—often characterized by predictable oppositions that set art against social action, structure against cultural practice, and the so-called imaginaries of affect against the putative reality of politics—this special issue of American Literature asks, what's new about the "new aesthetics," and what implications does this shifting ideology have for social and cultural thinking?

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The Echo of Things is a compelling ethnographic study of what photography means to the people of Roviana Lagoon in the western Solomon Islands. Christopher Wright examines the contemporary uses of photography and expectations of the medium in Roviana, as well as people's reactions to photographs made by colonial powers in the late nineteenth and early twentieth centuries. For Roviana people, photographs are unique objects; they are not reproducible, as they are in Euro-American understandings of the medium. Their status as singular objects contributes to their ability to channel ancestral power, and that ability is a key to understanding the links between photography, memory, and history in Roviana. Filled with the voices of Roviana people, The Echo of Things is both a nuanced study of the lives of photographs in a particular cultural setting and a provocative inquiry into our own understandings of photography.

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What is it like to “feel historical”? In Foundlings Christopher Nealon analyzes texts produced by American gay men and lesbians in the first half of the twentieth century—poems by Hart Crane, novels by Willa Cather, gay male physique magazines, and lesbian pulp fiction. Nealon brings these diverse works together by highlighting a coming-of-age narrative he calls “foundling”—a term for queer disaffiliation from and desire for family, nation, and history.The young runaways in Cather’s novels, the way critics conflated Crane’s homosexual body with his verse, the suggestive poses and utopian captions of muscle magazines, and Beebo Brinker, the aging butch heroine from Ann Bannon’s pulp novels—all embody for Nealon the uncertain space between two models of lesbian and gay sexuality. The “inversion” model dominant in the first half of the century held that homosexuals are souls of one gender trapped in the body of another, while the more contemporary “ethnic” model refers to the existence of a distinct and collective culture among gay men and lesbians. Nealon’s unique readings, however, reveal a constant movement between these two discursive poles, and not, as is widely theorized, a linear progress from one to the other. This startlingly original study will interest those working on gay and lesbian studies, American literature and culture, and twentieth-century history.

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In The Vanishing Christopher Pye combines psychoanalytic and cultural theory to advance an innovative interpretation of Renaissance history and subjectivity. Locating the emergence of the modern subject in the era’s transition from feudalism to a modern societal state, Pye supports his argument with interpretations of diverse cultural and literary phenomena, including Shakespeare’s Hamlet and King Lear, witchcraft and demonism, anatomy theaters, and the paintings of Michelangelo. Pye explores the emergence of the early modern subject in terms of a range of subjectivizing mechanisms tied to the birth of a modern conception of history, one that is structured around a spatial and temporal horizon—a vanishing point. He also discusses the distinctly economic character of early modern subjectivity and how this, too, is implicated in our own modern modes of historical understanding. After explaining how the aims of New Historicist and Foucauldian approaches to the Renaissance are inseparably linked to such a historical conception, Pye demonstrates how the early modern subject can be understood in terms of a Lacanian and Zizekian account of the emerging social sphere. By focusing on the Renaissance as a period of remarkable artistic and cultural production, he is able to illustrate his points with discussions of a number of uniquely fascinating topics—for instance, how demonism was intimately related to a significant shift in law and symbolic order and how there existed at the time a “demonic” preoccupation with certain erotic dimensions of the emergent social subject.Highly sophisticated and elegantly crafted, The Vanishing will be of interest to students of Shakespeare and early modern culture, Renaissance visual art, and cultural and psychoanalytic theory.

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The humanities- in their conceptual and intellectual specificity, disciplinary rigor, and ethical, social, and political potential- are very much in need of defense and rearticulation in our time, particularly from a perspective that moves beyond the political and philosophical reductions of identity politics. Leaving aside polemics, Flynn asserts that discourses in the humanities will find real ethical-political purchase when they engage with the material events in art, literature, and social life that call for humanistic reflection.

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The humanities- in their conceptual and intellectual specificity, disciplinary rigor, and ethical, social, and political potential- are very much in need of defense and rearticulation in our time, particularly from a perspective that moves beyond the political and philosophical reductions of identity politics. Leaving aside polemics, Flynn asserts that discourses in the humanities will find real ethical-political purchase when they engage with the material events in art, literature, and social life that call for humanistic reflection.

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The United States has scores of potential issues and ideologies but only two major political parties. How parties respond to competing demands for their attention is therefore central to American democracy. First to the Party argues that organized groups set party agendas by invading party nominations to support candidates committed to their interests. Where the nominees then go, the parties also go. Using in-depth archival research and interviews with activists, Christopher Baylor applies this proposition to the two most important party transformations of the twentieth century: the Democratic Party's embrace of civil rights in the 1940s and 50s, and the Republican Party's embrace of cultural conservatism in the 1980s. The choices made by the parties in these circumstances were less a response to candidates or general electoral pressures than to activist and group influences on nominations. Party change is ultimately rooted in group change, which in turn is ultimately rooted in the coalitional and organizational challenges confronting groups. Baylor surveys the factors that determine whether a coalition is viable, including issue overlap, the approval of their own members and staff, and the ability to reach new audiences. Whether groups succeed in transforming parties depends largely on choosing the right allies and adjusting accordingly. In moments of profound party change, the prevailing political forces come to light. With its fine-grained analysis of major party change, First to the Party offers new insight into the classic issues confronting parties, representation, and democracy.

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This volume juxtaposes philosophical and psychoanalytic speculation with literary and artistic commentary in order to approach a set of questions concerning the human relation to language, a relation that cannot be taken as an "object" of critical or philosophical reflection in the traditional manner. Exploring the exigencies of figuring this relation at the limits of language, the multifold writing of this volume takes the form of a "triptych" (following the model of works by Francis Bacon) rather than that of a thesis. The central (and organizing) section of the volume contains an extended dialogue on two textual passages portraying versions of what the author describes as "the death of the infans." With the strange resonance of the "primal" or the "originary," these two scenes from works by Maurice Blanchot and Jacques Lacan invite a reflection on the mortal exposure that marks the human share in the advent of language, an exposure whose figuration is necessary to any speech or conscious life. The dialogue explores the ethical and philosophical issues that surface in a practice of writing (a "pragmatics") that engages this necessary figuration, and thus the limits of language. The latter issues are also explored in a brief essay on Antigone that concludes the dialogical fiction. The first and third parts of the volume's triptych address artistic projects that realize in their respective ways a pragmatics like that of the central section. The first part focuses on the work of Francis Bacon, taking the motif of crucifixion as a path toward understanding his violent realism. This essay is prefaced by a consideration of the notion of cruelty to which Nietzsche appeals in The Genealogy of Morals. The third part, which juxtaposes a dialogue with a critical essay, concerns the work of Salvatore Puglia. Through Bacon and Puglia, the author seeks another approach to a figural imperative at the limits of language.

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The end of the Second World War saw the emergence of neorealist film in Italy. In Italian Neorealist Cinema, Christopher Wagstaff analyses three neorealist films that have had significant influence on filmmakers around the world. Wagstaff treats these films as assemblies of sounds and images rather than as representations of historical reality. If Roberto Rossellini's Roma citt aperta and Pais , and Vittorio De Sica's Ladri di biciclette are still, half a century after they were made, among the most highly valued artefacts in the history of cinema, Wagstaff suggests that this could be due to the aesthetic and rhetorical qualities of their assembled narratives, performances, locations, lighting, sound, mise en sc ne, and montage. This volume begins by situating neorealist cinema in its historical, industrial, commercial and cultural context, and makes available for the first time a large amount of data on post-war Italian cinema. Wagstaff offers a theoretical discussion of what it means to treat realist films as aesthetic artefacts before moving on to the core of the book, which consists of three studies of the films under discussion. Italian Neorealist Cinema not only offers readers in Film Studies and Italian Studies a radically new perspective on neorealist cinema and the Italian art cinema that followed it, but theorises and applies a method of close analysis of film texts for those interested in aesthetics and rhetoric, as well as cinema in general.

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At the end of the eighteenth century, when ten lawyers gathered in what is now Niagara-on-the-Lake to form the Law Society of Upper Canada, they were creating something new in the world: a professional organization with statutory authority to control its membership and govern its own affairs. Today's Law Society of Upper Canada, with more than 25,000 members, still wields these powers. Marking the bicentennial of the society's foundation, Christopher Moore's history begins by exploring the unprecedented step taken in 1797 and follows the evolution of lawyers' work and the idea of professional autonomy through two hundred years of growth and change. The Law Society of Upper Canada and Ontario's Lawyers is a broad-ranging story of the growth and development of the Law Society and the legal profession, from the days when horseback barristers travelled the backwoods by horseback, through the reforms of the late nineteenth century to the period of reaction between the two world wars and the long struggle of women and minorities for access to and equity in the legal profession. Writing in a style that is scholarly as well as entertaining, Moore traces to the present a story rich in personalities, and shows how, after a period of tremendous growth and change, questions of governance, legal aid, and practice insurance triggered a series of crises that rocked the society to its foundations. This is the first study to be based on full access to the society's two hundred years of historical records. Moore, who has organized his research into themes and periods to illuminate the story, also includes new material on the lives and careers of Ontario lawyers and on the place of the Law Society in professional and public life. Readable and extensively illustrated, The Law Society of Upper Canada and Ontario's Lawyers shows that such issues as professional autonomy and the internal organization, at the forefront of debate at the society's inception, continue to dominiate discussions today.

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Chris Maynard is an editor and writer for several children's magazines. He is the author of I Wonder Why Planes Have Wings.Josy Bloggs is an author and illustrator who has worked on a variety of nonfiction and fiction children's books. They specialise in middle grade nonfiction including STEM and STEAM topics.

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A PERFECT FAMILYMick and Amy Nash are an ordinary couple leading ordinary lives. And then, into the house next door move the Renders - beautiful, charming, perfect . . . and not at all what they pretend to be. AN EVIL SECRETToo late Mick learns that something is deeply, darkly wrong with the neighbours. Who are these people? Where did they come from? And what are they hiding in the basement?A SHOCKING TWIST ENDING As death and darkness descend on the neighbourhood, only Mick can save his family and expose the horrifying truth about the people next door - a secret already hailed as the most electrifying twist ending in years.

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