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Victor Chinnery's scholarly work covers the history and development of furniture in oak and kindred timbers in the British Isles and New England, from the Middle Ages through to 1800. The subject is broken down into a logical sequence of aspects and each section is generously illustrated. The furniture shown ranges from the finest examples of the period, to the sort of sturdy and workmanlike pieces which modern collectors will find affordable. The study of oak furniture is a remarkably rich and varied subject, which reflects at several levels the social and domestic life of many generations of our ancestors. Victor Chinnery has explored and clarified many important topics, whilst fully realising that scholarship in this field is still very much in its infancy. One of the most profound influences on the appearance of furniture in the sixteenth and seventeenth centuries was the system of rigid demarcations operated by the different furniture making trades, and in which the work of the joiners was the most important. The author explains the techniques and materials of the different trades, as well as other considerations of vital interest to the modern collector and curator. The furniture of Connecticut and Massachusetts in the seventeenth century is presented as an extension of the range of styles to be found in other English provinces at the same date.

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Boxes are beguiling because they can have the double delight of an enticing exterior and the anticipation and satisfaction of a fully fitted interior. This comprehensive guide to the decoration, style, use and contents of all types of boxes from diverse cultures is the first book to cover both these aspects. The coverage of decoration and styles of boxes is remarkably complete and includes the traditional, the exotic and the eccentric. Folk art to Faberge, tea caddies to tinder boxes, medicine chests to music boxes, ditty to document, voting to vampire, painting, sewing and writing boxes are just some of the topics that are included. The result is a pictorial treat, the text lavishly illustrated with images of nearly 2,000 boxes. It is a most valuable reference book for the dealer and the collector alike.

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Whilst many books have been published about war, the role of the prisoner of war has been largely ignored or paid scant attention. This book, along with the author's other title - The Arts and Crafts of Napoleonic and American Prisoners of War 1756-1816 - aims to correct this imbalance, and is the result of the author's quest over thirty years into this almost-forgotten field of history. Part One tells of the various wars that saw the men, from many different countries, become prisoners. Tales of individuals and their voyages, mutinies, fortunes and failures also feature, adding more personal touches to the history and, as with the author's other title, all the accounts are written in a highly evocative style. Part Two is largely devoted to the prison hulks, describing the vessels and the conditions on board that the prisoners would have had to endure. Many of these hulks were former warships. Now stripped of all their equipment, and with their masts, sails and rigging removed, they sat disabled offshore, filled with their human cargo. Part Three concerns itself primarily with the depots and prisons on land, beginning with a general overview, and going on to explore in greater detail individual establishments and the conditions within. The final three chapters in this section deal with the terms and conditions of various types of parole - many officers granted parole were able to live almost as free men, as long as they did not take up arms against their captors - as well as the punishments to be expected should parole be broken. Written with numerous personal accounts, and drawing upon many years of painstaking and dedicated research, this important book fills a significant gap in the literature of military history.

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This concise yet wide-ranging survey of collectable antique furniture, illustrated throughout in full colour, guides the new collector through almost three centuries of Western Furniture with clarity and authority. Invaluable as a reference tool, it offers collectors the means to identify key features of a wide variety of pieces, ranging from the Gothic and Renaissance period to Art Nouveau, and the beginning of the twentieth century. The book is structured chronologically by century and, within each time period, by country. Existing collectors will find all titles in the series act as a handy and portable reference, and beginners will welcome a reliable, accessible starting point from which their interests can develop. Readers will find succinct sections detailing all major phases in Western Furniture, with full-colour coverage of English, American, French, Italian, German, Austrian, Low Countries, Spanish and Portuguese pieces. The work of important furniture designers is discussed, from the French ébénistes and Chippendale, through key 19th century figures such as Biedermeier, Pugin and Stickley and the mass producers of bentwood such as the Austrian Thonet, to the Belgian and French Art Nouveau designers.

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This lavishly illustrated book is about a remarkable collection of botanical drawings in the collection at the Royal Botanic Garden Edinburgh.

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Photographer and wildlife activist, Alfie Bowen presents his two-year-long project photographing Britain''s wild horses through the eyes of someone living with autism spectrum disorder. Wild Horses is all about connection: Bowen''s personal connection to the animals he photographs; his connection to photography as an art form; the horses'' connection to one another; and our collective connection to the land and our planet.Bowen borrows the words of American landscape photographer Ansel Adams to describe his approach to his work: ''You don''t make a photograph just with a camera. You bring to the act of photography all the pictures you have seen, the books you have read, the music you have heard, the people you have loved.'' For Bowen, photography is an outlet for his emotional energy. It enables him to draw from difficult moments in his life and turn the energy that manifests from his emotions into truly mesmerising images.

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There are many books about the music scene but few that show punters in all their beautiful variety. Liam Bailey's long-term documentation has really paid off this book about the craziness of Glastonbury Festival is terrific. Martin ParrGlastonbury is the striking distillation of over 30 years'' unprecedented photographic access to the world''s largest green-field music and performing arts festival. In over 120 memorable images, Liam Bailey invites us to share his experiences of being among its diverse tribes.Although Glastonbury has evolved into a sprawling fixture of the British summer calendar, this famously vibrant event is still powered by the belief in alternative communal culture. It is this special energy that has kept Bailey returning every year since 1992. Above all, this ''access all areas'' visual diary makes a case for the positive human potential of over 200,000 people being able to get together in the open air to enj

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Award-winning writer René Balcer is best known for his hit series Law & Order and Criminal Intent. Much less is known about his startling photographic work, shared only with his close friends and colleagues – until now! This offers 500 photographs showcasing Balcer’s trademark crime scene aesthetic. The stunning images range from West Africa to the Utah desert, from a remote Arctic village to a seedy Brooklyn bar, with photos full of narrative mystery. There is a section on pre-Covid China, a China many say has since vanished. Also included is a unique homage to Balcer’s adoptive city of Los Angeles, and a ground-breaking photo-essay on Buenos Aires’ posh Recoleta neighbourhood. Marked by wry social commentary and breath-taking beauty and framed by insightful essays from noted Contemporary Art expert Robert Hobbs, renowned artist Xu Bing, and bestselling mystery writer Naomi Hirahara, these compelling never-before-seen photos are now presented in a glorious high-quality publication.

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“His images are a triumph of artistic photography and snowboard camaraderie that showcase all that is great about women’s snowboarding – something the photographer feels has been left on the margins of the sport for too long.” — Sam Haddad, Glorious Sport Heroes: Women in Snowboarding is the product of two years’ work by photographer Jérôme Tanon, following some of the most dedicated female snowboarders around the world. It is a declaration of love, highlighting the culture, passion and dedication of female snowboarders. Though women's snowboarding has developed radically over the last decade, few photographs celebrate the champions of the sport. Over two winter seasons, Tanon travelled the world to meet several snowboarders, hear their stories and photograph them in the streets, the parks and the back-country. The sheer passion they put into their sport was instantly obvious. Shared here are personal stories and artworks by the snowboarders themselves. Contributors: Estelle Pensiero, Robin Van Gyn, Mary Walsh, Crystal Legoffe, Marie-France Roy, Leanne Pelosi, Nirvana Ortanez, Desiree Melancon, Marion Haerty, Kaisa Lemley, Morgan Anderson, Sarah King, Elena Graglia, Melissa Riitano, Ylfa Runarsdottir, Elena Könz, Ivika Jürgenson, Naima Antolin, Ylfa Rúnarsdóttir, Christy Prior, Jessa Gilbert, Tina Jeler, Natasza Zurek, Anna Gasser, Hana Beaman, Jamie Anderson, Laurie Blouin, Leila Iwabuchi, Annie Boulanger, Alexis Roland, Zoë Vernon, Mia Brookes, Sina Candrian, Klaudia Medlova, Natacha Rottier, Christina “Pika” Burtner, Alicia Gilmour, Margot Rozies, Hannah Eddy, Zoi Sadowski-Synnnott.

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In the middle of the 20th century, Pierre Desfontaines, cousin of Louis Ernest Ladurée, created the first Ladurée macaron by having the genius to stick two macaron cookies together and fill them with a flavourful ganache. Ever since then, the preparation has stayed the same. Each season Ladurée celebrates this little round cake that's crispy outside and soft inside, a perfect balance of aromas and textures, by creating new flavours. Each year the palette of flavours and colours grows, from the classic chocolate or raspberry to festive macarons, exotic flavours for certain destinations, fashion designers, perfumes etc. This book presents each of the 80 Ladurée macarons, their aromas, inspirations, trend books and of course all of the recipes to make them at home. At the end of the book there is a practical, step-by-step section to show exactly how Ladurée's chefs make the cookies and the ganache fillings so you can be sure to succeed in making them too.

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‘Sexy, polished and subtly sinister. His photo archive is to die for’ – The Times "It’s a surprising book of contrasts and contradictions, a paean to the fashion image of the time, one clearly influenced by the mono-chromatic asceticism of Horst and the drenched hues of Guy Bourdin." — The Sunday Times Style "Flipping through Willie Christie's book you can discern an artistic mood in many of his fashion clicks..." — Kathimerini "An artistic work that interweaves virtuality and reality to attract the audience to explore further." — Vogue China Willie Christie’s photographs are far more than a record of fashion, style or contemporary culture. Dynamic, cinematic and stylish, they present beautifully observed moments within a narrative, leaving the viewer intrigued, beguiled and enthralled. His work from the heady mid-1970s remains highly relevant today, speaking to us through the uncompromising individuality and power of his compositions. And as recently as 2019, his ground-breaking series of advertising images for Medway Shoes threw another curve ball across the field of modern visual art. With a foreword by legendary Vogue style director Grace Coddington, this first ever collection of Christie’s vibrant work, re-examines the people and the styles of his original output, together with his own reminiscences from his days at Vogue and The Sunday Times, and from his collaborations with Pink Floyd and The Rolling Stones.

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"The difference between Normski’s photograph of me and any other is that it captures my soul." — Goldie "He was a larger-than-life character, full of energy and totally motivating. He really was the hip hop photographer of the day in the UK." — Stereo MC’s "This book contains a striking catalogue of images, many of which have been exhibited by establishments such as Tate Britain, the V&A, Somerset House and the Smithsonian National Museum of African American History and Culture." — Marcus Barnes "On the heels of Hip-Hop’s 50th anniversary, Man with the Golden Shutter is a celebratory record of hip-hop as much as it is a definitive collection of Normski’s incredible photographs." — GQ Middle East Normski was a vital witness to the period known as the Golden Age of Rap, when big US artists like Run DMC, LL Cool J and Public Enemy started to play in the UK. At the same time, a British music scene born of Black music and myriad multicultural influence was developing, giving birth to Jungle, Garage and Techno. The author, who describes himself as having been a “young Black British homeboy photographer”, was in the right place at the right time to document the emergent music, community and social movements of hip hop and rap in the UK. Normski: Man with the Golden Shutter presents Normski’s personal journey through that world from the mid-1980s to early 1990s. The book includes Normski’s often previously unseen photographs of Public Enemy, N.W.A., Cypress Hill, De La Soul, Goldie, Ice-T, Run DMC, Wu-Tang Clan and many others, alongside the photographer’s stories and anecdotes from the centre of what would become a hugely influential cultural movement.

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"A very inspiring book that shows that visions do not have to be castles in the air..." — Lovely Books Germany "The clouds the limit: an opulent book as an appreciation for a big-thinking designer." — Sueddeutsche Zeitung Norman Foster is a globally recognised figure in architecture. His agency has created more than 300 projects around the world, many of which have profoundly marked and transformed the cities and landscapes in which they reside. This new monograph, published in partnership with the Centre Pompidou, presents more than 80 of Foster’s key projects, from the Cockpit (1964), a private house in Cornwall, through to Spaceport America (2006-2014), the world’s first terminal for space tourists, built in the desert landscape of New Mexico. Each project is illustrated with drawings, sketches and photographs, placed alongside insightful text. The book also features an essay by Frédéric Migayrou, curator of an attendant Centre Pompidou exhibition on Foster; a biography by celebrated architectural critic, Philip Jodidio; and an extensive interview with Foster himself. Foster has also contributed an anthology of six analytical texts, written across the broad span of his career.

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"In an era dominated by traditionalism on one hand and the emergence of modernity on the other, Lutyens’ work serves as a compelling testament to the brilliance of harmonizing these contrasting approaches." — ArchEyes Edwin Lutyens was one of the most famous architects of the 20th century. After he died in 1944, three large volumes of his drawings and photographs were commissioned and published by Country Life as a tribute. All three volumes are in the process of being reissued. Having earned his reputation designing domestic buildings, he was soon given scope to expand his practice to the outdoors and to public projects. This second volume contains his extensive contributions to garden design and town planning, as well as the finest examples of his bridges and a selection of monumental civic constructions. These include various university buildings, the Johannesburg Art Gallery, the Washington Embassy and the Viceroy’s Palace in New Delhi. The genius of Lutyens is now universally recognised. In the work featured in this book, we can now see not just the professionalism of a great architect, but also the loving care with which he set down the most minute detail, with the result that this is one of the few books in existence that can be used to provide working drawings. Also available: The Architecture of Sir Edwin Lutyens: Volume 1, Country Houses ISBN 9781788842181.

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"The book “Rihanna and the Clothes She Wears” satisfies the cravings of fans and fashion enthusiasts alike, boasting over 100 images of Rihanna and her favorite designers who have influenced her taste." — HOLA! Magazine “I grew up on a really small Island, and I didn’t have a lot of access to fashion, but as far as I could remember, fashion has always been my defence mechanism. Even as a child I remember thinking, she can beat me, but she cannot beat my outfit.” - Rihanna, accepting the CFDA Fashion Icon of the Year Award in 2014. From the author of the runaway bestseller Harry Styles and the Clothes He Wears comes a new, fresh look at style icon Rihanna. Rihanna has learnt how to define her own terms whatever she does – whether in the worlds of fashion, music, beauty, philanthropy, business, or activism, she is both muse and creative, a collaborator and pioneer. To date she has 135 million Instagram followers and counting. In 2022 at the age of 34, largely because of her Fenty Beauty empire, she became Forbes’ youngest self-made billionaire. But it is her personal wardrobe and the way she wears it that embodies Rihanna’s charisma, integrity, and humour most: everything she does reflects what she wears herself. She is a risk-taker, but as she said on the red-carpet in 2014 “you will never be stylish if you don’t take risks.” The gamble has paid off. Rihanna’s mix-and-match method of wearing high fashion and streetwear, young designers and vintage, hip-hop classics, and avant-garde custom-made pieces, has meant that she has equal footing in both the music and fashion industries. Chairman and CEO of the LVMH group, Sidney Toledano says she is: “a style icon for today's generation”. The breadth of Rihanna’s fashion knowledge and style is astounding. In Rihanna and the Clothes She Wears, Terry Newman steps into the world of this fashion icon by examining her style. From couture catwalks to her own empire Fenty, political statements to high street casual, this chic book fizzles with facts about Rihanna’s styling choices, presenting the star’s most revered looks. With quotes from key designers, this is the perfect gift for any fan.

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"The quality of the reprint is nearly perfect, with a good selection of papers for the three sequential parts of the book: the texts, the drawings, and the black-and-white photographs. Text and drawings are on matte heavyweight pages, while the photos are on glossy paper. The inks make everything read well; in particular, the drawing reproductions are exquisite." — Archidose Edwin Lutyens, one of the most famous architectural names of the 20th century, died in 1944. As a memorial, three large volumes of his drawings and photographs were commissioned from the thousands found in his office, and were published by Country Life. All three volumes will be republished in 2023. The first volume contains his own plans, elevations and copious details of the finest examples of his domestic buildings, on which his huge reputation principally rests. The book embodies the quintessence of the man and his work; the variety of style and design seen in the houses brings together in one volume the many strands of Lutyen's fertile mind. Two further volumes will include his corporate and public buildings. The genius of Lutyens is now universally recognised. In the work featured in this book, we can now see not just the professionalism of a great architect, but also the loving care with which he set down the most minute detail, with the result that this is one of the few books in existence that can be used to provide working drawings.

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"The Wonderful World of Lydia Courteille Explored in New Book." — JCK Online "...The colorful, eye-catching gemstones splashed across each page are a feast for the eyes, and in a poignant display, Courteille’s playful pieces are depicted alongside illustrations of the women who inspired them." — Only Natural Diamonds "Sometimes provocative, sometimes sensual and always full of passion, Courteille puts jewels in the spotlight that beguile, enchant, surprise and are definitely real eye-catchers." — Lovely Books For more than 40 years, Parisian jeweller Lydia Courteille has been confounding the Place Vendome jewellery houses with her bold and brazen designs. Her unique and avant-garde style is legendary. Her collections spark the senses. In this impassioned new biography, Juliet Weir-de la Rochefoucauld takes us on a voyage around the world, sharing the stunning locations and famous women from whom Courteille draws inspiration. In the disposable world of 21st century consumerism, amidst the monotony of marketing algorithms and ceaseless production lines, Lydia Courteille has forged her own creative path, refusing to let the individuality of her work slip from her fingers. Her jewels crystalise memories, honour the dead, make powerful social statements, poke fun at modern absurdities, and transport us to the other side of the planet. Guided by an acclaimed author and jewellery expert, this colourful monograph renders her odysseys of creation and discovery in stunning visual detail.

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A new edition of the bestselling Every Picture Tells a Story from one of the greatest photographers of the last 60 years, Terry O’Neill. This updated edition includes 32 additional pages of new stories behind some of the O’Neill’s most iconic images. From the morning he spent with Faye Dunaway at the pool in Beverly Hills, to walking around Vegas with Sean Connery dressed as James Bond, a chance encounter with Bruce Springsteen on the Sunset Strip, to taking Jean Shrimpton to a doll hospital - these are the stories behind the images as only Terry O'Neill can reveal. "I was walking up the Miami Beach boardwalk to the Fontainebleau Hotel where Sinatra was staying... I just reached out with the letter in my hand and he took it. He opened it, read it... turned to his security men and said, "this kid's with me." I never found out what Ava said to him in that letter. From that moment on, I was part of his inner circle." - Terry O'Neill From The Beatles to the Rolling Stones, Terry O'Neill fast became the photographer of the 1960s. Having an eye - and ear - for music and musicians, he instinctively knew what bands to focus on. And they in turn trusted him. "I remember sitting in a pub with the Beatles and the Stones. We were just hanging-out and talking about what we'd do next, after all of this was over. By this, we meant the fame, being the 'new kids of the moment'. Usually, this sort of celebrity doesn't last. Little did we know that 60 years later, we'd still be at it." Music led O'Neill to Hollywood and working with stars resulted not only in to memorable moments but long-lasting friendships. He travelled with Frank Sinatra. Took Raquel Welch to the beach. Went in the ring with Ali. Put The Who in a cage. O'Neill captured many of the most unforgettable faces from the frontline of fame, and his photographs exude his own brand of serene simplicity, intimate behind-the-scene moments and the rare quality of trust between photographer and subject. The list of people Terry O'Neill has worked with over the past 60 years is a Who's Who in celebrity; from film to music, sports to politics. Terry O'Neill: Every Picture Tells a Story is like going through a walking tour of memory by a man who has seen, met and photographed them all.

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“Any man that loves Bond will love to get this amazing book in their life.” – Men’s Journal "A great coffee table book filled with amazing photos of everyone’s favourite spy." – Tom Lorenzo, Men's Journal "No fan of 007 will want to miss this coffee-table album..." – Michael Dirda, The Washington Post "Shy, lascivious, self-confident or sometimes completely private - O'Neill always knows. The photographs are all very aesthetic, somehow magical and an absolute must for all Bond fans." – Lovely Books Germany Terry O'Neill was given his first chance to photograph Sean Connery as James Bond in the film Goldfinger. From that moment, O'Neill's association with Bond was made: an enduring legacy that has carried through to the era of Daniel Craig. It was O'Neill who captured gritty and roguish pictures of Connery on set, and it was O'Neill who framed the super-suave Roger Moore in Live and Let Die. His images of Honor Blackman as Pussy Galore are also important, celebrating the vital role of women in the James Bond world. But it is Terry O'Neill's casual, on-set photographs of a mischievous Connery walking around the casinos of Las Vegas or Roger Moore dancing on a bed with co-star Madeline Smith that show the other side of the world's most recognisable spy. Terry O'Neill opens his archive to give readers - and viewers - the chance to enter the dazzling world of James Bond. Lavish colour and black and white images are complemented by insights from O'Neill, alongside a series of original essays on the world of James Bond by BAFTA-longlisted film writer, James Clarke; and newly conducted interviews with a number of actors featured in O'Neill's photographs.

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Milton H. Greene (1922-1985), famous for his fashion photography and celebrity portraits from the golden age of Hollywood, met Marilyn Monroe on a photo shoot for Look magazine in 1953. The pair developed an instant rapport, quickly becoming close friends and ultimately business partners. In 1954, after helping her get out of her studio contract with 20th Century Fox, they created Marilyn Monroe Productions, Inc. Milton and Marilyn were much more then business partners, Marilyn became a part of the Greene family. By the time their relationship had ended in 1957, the pair had produced two feature films, in addition to more than 5,000 photographs of the iconic beauty. There was magic in Milton and Marilyn's working relationship. The trust and confidence they had in each other's capabilities was on full display in each photo. Greene passed in 1985, thinking his life's work was succumbing to the ravages of time. His eldest son, Joshua, began a journey to meticulously restore his father's legacy. A photographer himself, Joshua spent years researching ways to restore his father's photographs as well as cataloging and promoting Milton's vast body of work all over the world. As a result, Joshua established "The Archives," a company committed to the restoration and preservation of photography. After spending nearly two decades restoring his father's archive, Joshua Greene and his company are widely regarded as one of the leaders in photographic restoration and have been at the forefront of the digital imaging and large-format printing revolution. Now Joshua Greene, in conjunction with Iconic Images, presents The Essential Marilyn Monroe: Milton H. Greene, 50 Sessions. With 280 photographs, including newly scanned and restored classics, as well as images that have appeared only once in publication, Greene's Marilyn Monroe archive can finally be viewed as it was originally intended when these pictures were first produced more than 60 years ago. These classic sessions - 50 in all - cover Monroe at the height of her astonishing beauty and meteoric fame. From film-sets to the bedroom, at home and at play, Joshua has curated a lasting tribute to the work of a great photographer and his greatest muse. Poignant and powerful, joyful and stunning - these breathtaking images of an icon stand above all the rest. The Essential Marilyn Monroe: Milton H. Greene, 50 Sessions is sure to be a book that will become the platinum standard in photography monographs.

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The Bargue-Gerome Drawing Course is a complete reprint of a famous, late nineteenth-century drawing course. It contains a set of almost two hundred masterful lithographs of subjects for copying by drawing students before they attempt drawing from life or nature. Consequently it is a book that will interest artists, art students, art historians, and lovers and collectors of drawings. It also introduces us to the work and life of a hitherto neglected master: Charles Bargue. The Drawing Course consists of three sections. The first consists of plates drawn after casts, usually of antique examples. Different parts of the body are studied in order of difficulty, until full figures are presented. The second section pays homage to the western school of painting, with lithographs after exemplary drawings by Renaissance and modern masters. The third part contains almost 60 academies, or drawings after nude male models, all original inventions by Bargue, the lithographer. With great care, the student is introduced to continually more difficult problems in the close observing and recording of nature. Charles Bargue started his career as a lithographer of drawings by hack artists for a popular market in comic, sentimental and soft-porn subjects. By working with Gerome, and in preparing the plates for the course, Bargue was transformed into a spectacular painter of single figures and intimate scenes; a master of precious details that always remain observation and never became self-conscious virtuosity, and colour schemes that unified his composition in exquisite tonal harmonies. The last part of the book is a biography of Bargue, along with a preliminary catalogue of his paintings, accompanied by reproductions of all that have been found and of many of those lost.

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London's record shop scene is at its most vital and buoyant point since the 1990s, following a resurgence of interest in vinyl over recent years. Tom Greig, who has immersed himself in the world of London's record shops for close to two decades, profiles and tells the story of 60 distinctive independent record stores, selling both new and used vinyl. Vinyl London is at once a practical guide, featuring maps, addresses, opening times and stock information, and an attractive visual celebration of London's record shops. The book is organised geographically, and contains the following chapters; Soho; North; East; South; West; Suburbs; Markets; Vinyl Cafes. Also in the series: Rock 'n' Roll London ISBN 9781788840163 London Peculiars ISBN 9781851499182 Art London ISBN 9781788840385

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Fairings were made specifically for the huge English Fair market. The word 'fair' comes from the Latin feria meaning holiday, a great day for the masses, a chance to catch up on gossip, fashions, new ideas and generally to have a good time and perhaps buy or win a small china ornament. Today we call these small German ornaments of the Victorian/ Edwardian period, Fairings. This comprehensive work is the definitive guide for the novice and experienced collector of fairings, covering the history, values, repairs and fakes, with over 400 beautiful photographs in colour. These photographs are all indexed for quick, easy reference as to identification and value. The only book available on the subject, Victorian China Fairings - The Collectors' Guide is an absolute must-have reference for collectors, auctioneers and dealers.

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When they met at a party in the early 1950s, Marilyn Monroe remarked to Eve Arnold that she'd seen the photographer's images of Marlene Dietrich. If you could do that well with Marlene,' Monroe said, can you imagine what you could do with me?' A star in her day and one that continues to captivate the world, Monroe''s multifaceted persona is brilliantly captured through Arnold''s lens in this revised and redesigned edition of the 1987 publication, Marilyn Monroe: An Appreciation. Including newly discovered and restored photographs in colour and in black and white, alongside insightful commentary, Eve Arnold takes us on a photographic journey of Monroe''s life. A detailed biography in Arnold''s own words allows a rare glimpse into the stories behind the photographs and her unique relationship with Monroe. As these two female artists come together in the creation of this stunning photographic collection, an important historical testimonial has been actualised, showing wome

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The countdown has started! In 2025 and 2026, NASA will launch two missions to the moon and beyond.Not only will they go further into space than ever before, but they will seek to establish the first permanent moon base.Space Posters and Paintings: A Collection of Art About NASA showcases a superb selection of paintings and illustrations recording the history of space exploration.From as early as 1962, the NASA Art Program commissioned artists to capture the importance of their work by giving them unprecedented access to on-site life at NASA, from the technicians at work and the suiting-up of astronauts, to the launch sites. Originally created for educational purposes, the artworks also include incredible, stylised posters portraying humans' ambitions far beyond our planet, among them astronauts working on the moon, space shuttles and far away planets. This book is a real treasure for all those fans of life beyond Earth.

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Worldwide heart-throbs BTS exploded onto the internet in 2010 with their infectious tunes and youthful looks. As cheeky as the Beatles and as stylish as Rihanna, these electric, rapping, K-pop crooners have brought a fresh dose of Korean culture to the Western World, along with a series of awesome outfits.From the close harmonies of their stage-show uniforms to the fabulous discordance of their solo styles, BTS have dressed for success from day one. And it's no wonder every announcement, every new song and every social media post is met with a web-breaking rapture. Having changed the face of the music biz forever, their ascent to the highest reaches of pop stardom continues to defy borders, language barriers and cultural differences everywhere.The perfect gift for fans and fashionistas alike, BTS and the Clothes They Wear celebrates the Bangtan Boys' biggest fashion mic drops.

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The latest instalment of the International ARC Salon Competition, featuring over a thousand original works of art. Determined to restore the universal language of realism in the visual arts, a group of fine artists and experts formed the Art Renewal Center in 1999. Since their genesis, this non-profit educational foundation has dedicated itself to encouraging rigorous skill-based training in the methods of the Old Masters, bestowing the title of ‘ARC Approved’ on ateliers who share their core values and demonstrate technical mastery. Their annual competition is the largest and most prestigious for realist-based art in the USA, arguably the world. This year’s winners demonstrate the great breadth and originality that can be found in all facets of fine art. Categories include: Figurative, Portraiture, Imaginative Realism, Landscape, Animals, Sculpture, Drawing, Still Life, Plein Air and the DaVinci Initiative Award for the Young Aspiring Artists.

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Britain has been blessed with many fine poets; Simon Drew isn't one of them. It is tempting to call this a book of doggerel, but maybe that's aiming a little high. This book makes a Co-Op receipt seem intellectual. However, there are many collectors of Drew's work (some of them locked up) who will welcome a collection of all the best verses. This book will be left lying around the best homes with the aim of impressing odd people and passing hyenas.

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Born in Yugan, near Jingdezhen, the birthplace of porcelain, Bai Ming has contributed to the revival of contemporary Chinese ceramics and introduced it to a new worldwide audience through numerous exhibitions. Today he is arguably China's greatest exponent of this most traditional art form. In this book, Bai Ming traces his career, revealing a sensitive yet creative and flamboyant style, built on the most rigorous traditional techniques. Focussing particularly on his blue and white ceramic work, this book, through a large selection of glorious images and the artist's own words, reveals Bai Ming's exquisite style and superb attention to detail.

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A multitude of colourful and naïve biblical and other religious pottery figures found their way into 19th century Victorian homes in Britain. They were bought by tradesmen, shop-keepers, clerks, teachers and the more skilled working class people. This book tells the story of these Staffordshire pottery figures, which sold in their thousands to stand on the mantelpieces of Christian families, both Protestant and Catholic. Three chapters provide a social history context: the religious background, an assessment of who purchased the figures, the Victorian home and how it was furnished. The final four chapters review the pottery figures themselves, which are based on the Old Testament, the New Testament, relevant religious themes and portraits of preachers. A catalogue of well over 200 figures in full colour with an assessment of their dating and rarity completes the book. This is the first comprehensive record of Victorian religious figures placed in the context of their times.

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"This richly illustrated volume explores the Lobanov-Rostovsky collection... includes a thorough glossary and bibliography" Apollo "The essays and commentaries here provide valuable documentation and insights into the designs, their genesis, and the extent of this astonishing period in theatrical history" The Financial Times Masterpieces of Russian Stage Design 1880-1930 examines the Lobanov-Rostovsky collection of stage design, in turn outlining the history of modern Russian art: one of the most important interludes within the cultural renaissance of the early twentieth century. Unique in size, scope, and composition, the collection is unequalled; artists include celebrities such as Bakst, Benois, Goncharova, Larionov, Malevich, Popova, Rodchenko, and Tatlin as well as less familiar names such as Anisfeld, Lissim, Remisoff, and Soudeikine. This volume (the first of a two-part set) includes over 200 colour illustrations of selected designs as well as an introduction, interview, indices (to artists, theatre companies, and primary productions), a glossary of terms, and a comprehensive bibliography for the visual and performing arts in Russia. From Neo-Nationalism and Symbolism through Cubo-Futurism and Suprematism to Constructivism and Socialist Realism, Masterpieces of Russian Stage Design guides the reader through the movements, styles, productions and projects that attracted many of Russia's early twentieth-century artists to the stage. The companion volume, Encyclopedia of Russian Stage Design ISBN: 9781851497195 (to be published in 2013), is the catalogue raisonné of the Lobanov-Rostovsky collection.

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"Stars, stripes, hearts and targets... If Peter Blake's name is not the first thing you spot on the cover of the latest addition to the Antique Collectors' Club's highly regarded Design series, the Pop motifs in the background positively shout it" Eye, Winter 2010/2011 This new title in the highly successful Design series features the design work of the acclaimed artist Peter Blake. Best known of the British pop artists, Peter Blake came to fame in the late 1950's and early 1960's with iconic works like On the Balcony and First Real Target both now in the Tate Gallery. Tate held an exhibition of his works in 1983 as well as a more recent retrospective at Tate Liverpool in 2007. His famous works for album covers, such as The Beatles Sgt. Pepper's Lonely Hearts Club Band the Band Aid single Do They Know Its Christmas, the Oasis greatest hits album Stop the Clocks and Paul Weller's Stanley Road brought him to a wider audience. This stunningly designed book celebrates the brilliant creative talent of this unique British artist. The Design series is the winner of the Brand/Series Identity Category at the British Book Design and Production Awards 2009, judges said: "A series of books about design, they had to be good and these are. The branding is consistent, there is a good use of typography and the covers are superb." Also available: Claud Lovat Fraser ISBN: 9781851496631 GPO ISBN: 9781851495962 FHK Henrion ISBN: 9781851496327 David Gentleman ISBN: 9781851495955 David Mellor ISBN: 9781851496037 E.McKnight Kauffer ISBN: 9781851495207 Edward Bawden and Eric Ravilious ISBN: 9781851495009 El Lissitzky ISBN: 9781851496198 Festival of Britain 1951 ISBN: 9781851495337 Harold Curwen & Oliver Simon: Curwen Press ISBN: 9781851495719 Jan Le Witt and George Him ISBN: 9781851495665 Paul Nash and John Nash ISBN: 9781851495191 Rodchenko ISBN: 9781851495917 Abram Games ISBN: 9781851496778

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A new title in the Design series and an excellent introduction to the life and work of this versatile Russian artist. Alexander Mikhailovich Rodchenko (1891-1953) was a central figure in the Russian Constructivist art movement; a radical activist, a pioneer of photomontage, a theorist, and a teacher. He was an active force in the organization of the first museums of modern art that arose in Russia in the first years after the Russian Revolution of 1917. Attending art school in 1914 in Kazan was to be a defining influence: that year Russian Futurists performed in the town, and Rodchenko saw their leading figures in action. It transformed his vision and he was still working with Futurist artists and their ideas twenty-five years later. And it was at art school where Rodchenko first met the artist Varvara Stepanova, with whom he collaborated extensively, and who would become his life-long partner. Central in the re-examination of art and its place in society after the Revolution, and in the search for a new culture without the class implications of the past, Rodchenko's radical approach proposed a new understanding of a constructed, rather than a tastefully composed, culture. This concise, comprehensive and informative work focuses largely on Rodchenko's graphic work in the form of book jackets, posters and advertising. The Design series is the winner of the Brand/Series Identity Category at the British Book Design and Production Awards 2009, judges said: "A series of books about design, they had to be good and these are. The branding is consistent, there is a good use of typography and the covers are superb." Also available: Claud Lovat Fraser ISBN: 9781851496631, GPO ISBN: 9781851495962, Peter Blake ISBN: 9781851496181, FHK Henrion ISBN: 9781851496327, David Gentleman ISBN: 9781851495955, David Mellor ISBN: 9781851496037, E.McKnight Kauffer ISBN: 9781851495207, Edward Bawden and Eric Ravilious ISBN: 9781851495009, El Lissitzky ISBN: 9781851496198, Festival of Britain 1951 ISBN: 9781851495337, Harold Curwen & Oliver Simon: Curwen Press ISBN: 9781851495719, Jan Le Witt and George Him ISBN: 9781851495665, Paul Nash and John Nash ISBN: 9781851495191, and Abram Games ISBN: 9781851496778.

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Nearly 200 works by Thomas Churchyard and his various talented children tell the story of provincial Suffolk just before the advent of photography.

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Jan Le Witt and George Him were a comparative rarity, a graphic design duo; signing their work as 'Lewitt-Him' they brought an innovative use of colour, imaginative abstraction and symbolism to commercial design. Both Polish by birth, they arrived in London in 1937, sponsored by the Victoria and Albert Museum and Lund Humphries. They established their reputation for fine poster work in World War II, and for their exhibition work with their much loved Guinness Clock at the Festival of Britain. In Poland their illustrations for Lokomotywa helped make it a children's classic and they continued with book illustration throughout their partnership. Of very different temperaments and artistic interests the partnership lasted some twenty years, to January 1955, when Le Witt left to develop his career as an artist. Him continued his commitment to graphic design - illustration, exhibitions and general commercial work - most remarkable of which were his witty illustrations marrying Stephen Potter's texts for Schweppes - 'Schweppshire', one of the longest lasting advertisement campaigns. The Design series is the winner of the Brand/Series Identity Category at the British Book Design and Production Awards 2009, judges said: "A series of books about design, they had to be good and these are. The branding is consistent, there is a good use of typography and the covers are superb." Also available: Claud Lovat Fraser ISBN: 9781851496631 GPO ISBN: 9781851495962 Peter Blake ISBN: 9781851496181 FHK Henrion ISBN: 9781851496327 David Gentleman ISBN: 9781851495955 David Mellor ISBN: 9781851496037 E.McKnight Kauffer ISBN: 9781851495207 Edward Bawden and Eric Ravilious ISBN: 9781851495009 El Lissitzky ISBN: 9781851496198 Festival of Britain 1951 ISBN: 9781851495337 Harold Curwen & Oliver Simon: Curwen Press ISBN: 9781851495719 Paul Nash and John Nash ISBN: 9781851495191 Rodchenko ISBN: 9781851495917 Abram Games ISBN: 9781851496778

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Expedition Naga is a multisensory trip into one of the world's most remote and least accessible regions. Diaries written by British administrators/explorers during punitive expeditions in the 1920s and '30s against the Naga, a people once notorious for their headhunting activities, are compared with contemporary notes written during the last 5 years when the authors were given special permission to do fieldwork in the long-forbidden border areas between India and Myanmar (Burma). Four hundred contemporary and historic photographs, most of which are published here for the first time ever, along with film and sound material on the enclosed free DVD, allow the reader to explore both the present and the past of one of the least known, yet most interesting cultural realms as it has never been possible before. The book will appeal to travellers, anthropologists, people interested in exploration and photography. Furthermore, the subject is spectacular in that many rituals, such as headhunting and other rites associated with fertility, are still taking place, the area having been closed for such a long time. The culture of the Naga people is amazing to witness in the twenty-first century when such cultural traits rarely exist. Furthermore, they are not associated with Indian culture, but rather with African or Indonesian.

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This catalogue of the Ewers-Tyne Collection provides lovers of fine porcelain with a very special opportunity. Curiously, this is the first time that all three centuries of Worcester porcelain have been presented together in a single book. The earliest pieces at Cheekwood were made in the middle of the eighteenth century. During the Dr Wall Period, Worcester porcelain was inspired by China and Japan and yet has an English charm all of its own. Important early coloured wares copy royal productions from Dresden and Sèvres. Here are special pieces from famous services, some painted in the Giles workshop in London. Split into two separate factories during the Regency period, the Flight family ran the original Worcester works in partnership with the Barrs. Meanwhile the Chamberlain family set up a rival factory across the city. Many masterpieces from the early nineteenth century are in the Ewers-Tyne Collection, including specimens from some of the finest armorial services finished off with sumptuous gilding. The Worcester Royal Porcelain Company, known today as Royal Worcester, was established in 1862. The Victorian period is represented at Cheekwood by the incredible figures of James Hadley and Thomas Brock, while painted porcelain by senior artists show how the traditions of fine craftsmanship continued into the twentieth century. Henry and John Sandon are the leading authorities on Worcester porcelain and their informative text accompanies clear colour illustrations of every piece. The result is a beautiful as well as invaluable reference book detailing the long history of porcelain making at Worcester. This sumptuous volume provides a fitting tribute to an inspired collection housed in the gorgeous setting of Cheekwood in Nashville, Tennessee.

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This wide-ranging study is the outcome of the author's thirty-year quest to collect information about a neglected and almost forgotten field of history - the prisoner of war, the conditions under which he was held and how he employed his time during long years of captivity. In this instance, the whole is set against an historical background dating from the Seven Years War (1756-63) to Napoleon's downfall in 1816. Information has been painstakingly acquired by detailed searches through the Public Records Offices of England, Scotland and Wales and the archives of numerous county towns. The author has also studied more than one hundred towns and villages, where paroled captured officers were detained, and visited the sites of prison depots - great and small - and ports and rivers where the dreaded prison hulks had once been moored. The gathering and examination of artefacts, relics and other relevant material was a further important aspect of this extensive study. During the course of his lengthy researches, the author assembled what may well be one of the largest private collections of prisoner of war artefacts in existence. Although thousands of items of prisoners' work have survived to the present day, most have disappeared into private collections and museums, at home or abroad. A representative selection of items from the author's own extensive collection is featured in the second part of this book and will show the extraordinary high standard of workmanship achieved by many of the prisoners of war.

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Lewis Foreman Day (1845-1910) is one of the most neglected figures in late nineteenth-century design. In exploring Day's dual career as an industrial designer of extraordinary range and versatility and a major writer and critic, this well-illustrated book restores his place among the influential figures of his time. Day's relationships with colleagues William Morris, Walter Crane, W.A.S. Benson and others situated him in the vortex of developments of design in Britain. Design historian Joan Maria Hansen examines Day's work as a prolific industrial designer whose mastery of pattern, colour, ornament and superb draughtsmanship resulted in tiles and art pottery, clocks and furniture, wallpapers, textiles, stained glass, and interiors of remarkable diversity and beauty. Day embraced modern technology. His views on the role of the designer for industry, along with his unshakable belief that a marriage of design and industrial processes was essential to produce beautiful furnishings for the majority of people, reveal him to be startlingly modern in his attitudes and practice in the changing world of industrial production. Today, collectors prize Lewis F. Day's clocks, furniture, tiles and art pottery, and books - which he both wrote and designed - and reproductions of his patterns for wallpapers and textiles are enjoyed by enthusiasts. Day's textbooks on design continue to influence designers, and his magazine journalism provides insightful and balanced commentary on developments in late nineteenth- and early twentieth-century design. This book - the very first full treatment of this major figure - is the definitive reference on Day's life and work and is an invaluable reference for collectors and dealers, decorative arts professionals, designers, business historians and enthusiasts of late nineteenth- and early twentieth-century design.

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The Vine Pottery was founded by Lawrence Arthur Birks and Charles Frederick Goodfellow in Stoke-upon-Trent in 1894. Beginning with small scale production of fine bone china tableware, the company fortunes were transformed in 1901 when Edmund G. Reuter was employed as designer. He introduced an ivory porcelain with middle eastern decoration known as 'Persindo Porcelain'. Many new designers were then attracted to the firm resulting in numerous international awards and even royal patronage from Queen Mary. Troubled times in the 1920s after the National Strike and the Wall Street Crash led ultimately to closure in 1934.

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This is the first major book on English blue and white porcelain since the early 1970s. Not only is it the latest and most up-to-date work, but it includes types not previously studied and extends the range of wares into the early years of the nineteenth-century. It is a unique, comprehensive study. The number of instructive illustrations exceeds seven hundred, including helpful comparison photographs and details of identifying features - footrims, handle forms, manufacturing characteristics and marks. Apart from introductory chapters on collecting blue and white and on the introduction and development of this popular mode of decoration, this unique coverage comprises details of over twenty distinct makes, including the relatively newly researched eighteenth century factories at Isleworth, Limehouse and Vauxhall. The inclusion of the several post-1790 factories covers new ground. The section on fakes and reproductions will also prove instructive and helpful. Guidance is given on the popularity of the various types in the market and on past and more recent prices paid for specimens in the London auction rooms. Particular attention has been directed at the three large sales of the late Dr. Bernard Watney's world renowned collection, held by Messrs. Phillips in 1999 and 2000. General estimates of market values are also offered.

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White Salt-Glazed Stoneware of the British Isles is the first book on salt-glazed stoneware since 1971. This book is the first to cover salt-glazed production in the whole of the British Isles, not simply the production in Staffordshire. Beginning with the introduction of salt-glazed stoneware into England by German and Dutch potters in the mid-seventeenth century, and John Dwight's patent of 1672, this book goes on to discuss in detail early industrial stoneware, the manufacture from raw materials to producing and decorating the pots, to marketing and distribution, and even the history of collecting salt-glazed stoneware. There is a chapter on the American market and the final chapter identifies, for the first time, a number of manufacturers who produced salt-glazed stoneware, attributions made possible by the excavations of pottery sites. Beyond that, there are five invaluable appendices with details of all manufacturers of salt-glazed stoneware identified thus far, price lists from the eighteenth century and an extensive bibliography.

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Spode Transfer Printed Ware has been extensively enlarged and revised since it was first published in 1983. With over 100 newly discovered prints, the volume now illustrates every known transfer print issued by the Spode family at their works in Stoke-on-Trent. The book's 1000 illustrations allow the reader to understand the great variety of shapes produced by Spode, as well as the imprints that they marked their decorated wares with. Crucially, the volume also outlines the difference between methods of manufacture used in the past and those practiced today, with detailed texts discussing early ceramic printing techniques such as bat printing and pluck and dust printing.

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Surprisingly, this is the first book to be devoted to British Ironstone China and the related stone china and granite ceramic bodies. Yet they are as important in their way as the well-known, highly respected and well documented English creamwares or indeed bone china itself. Initially, the ironstone-type bodies were introduced - like most European ceramics, to emulate, rival and undersell the vast and popular importation of Oriental porcelains. Not only did the ironstone manufacturers succeed in this ideal but they progressed to take over the trade, develop new markets and supply the world with inexpensive but durable tableware. In the middle and latter half of the nineteenth century the British potters won markets undreamed of by the pioneers in the trade. The major manufacturers such as Mason and Spode produced superbly potted, richly decorated, ironstone or stone china table services and ornamental goods. Yet perhaps more importantly the smaller firms concentrated on less expensive utilitarian objects that were shipped to all parts of the world for everyday use. A large part of the world, therefore, would have eaten off or drunk from British ironstone type wares at this time.

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Treen is a lavishly illustrated book which concentrates on pieces related to eating and drinking and celebrates the range and richness of the turner's art from 1600 to 1900. It covers a wide range of objects for everyday and ceremonial use; goblets to nutcrackers, platters to lemon squeezers, mortars to salts, wassail bowls to egg cups. It discusses the work of the 'jobbing' village turner or 'bodger', the skilled craftsman's workshop and the grand Court turner producing complex rose engine turning. It illustrates pieces only to be found in museums and examples you can find today in your local antiques market or fair. Information is given on where treen may be seen and found and there is practical advice on pitfalls for the collector, dating and cleaning, as well as a chapter dealing with surfaces and patina and one asking for readers' help in identifying the purpose of some curious objects. This volume will appeal not only to new collectors seeking guidance and inspiration and antique dealers who may come across treen, but also to experts who can compare the objects in their own collections with those illustrated in this veritable feast of treen.

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Back in their '90s heyday, the Spice Girls were unstoppable. Their individual style choices and Britpop-tastic attitude aimed a defiant kick at the cultural status quo, defining a new era of British creativity and challenging the male-dominated music industry to change. With their unapologetic energy and knockout charisma, they launched a global pop-culture tidal wave, while their rallying cry of Girl Power!' changed the face of feminism almost overnight.Featuring insights from bestselling author Terry Newman, Spice Girls and the Clothes They Wear celebrates their iconic outfits from the early days to their grown-up designer wardrobes. From Scary Spice's animal prints to the story of Ginger Spice's repurposed Union Jack tea towel, their bold looks once epitomised Y2K fashion and continue to occupy a special place in our hearts. Amid rumours of a massive reunion for the upcoming 30th anniversary of their formation, this latest addition to a popular ce

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"Newman’s preternaturally piercing baby blue eyes shine through in every picture, and he was well aware of how his fame rested on the colour of his irises." — Peter Sheridan, Daily Express Once, when asked how he’d like to be remembered, Paul Newman replied: "I’d like to be remembered as a guy who tried. Tried to be part of his times, tried to help people communicate with one another, tried to find some decency in his own life, tried to extend himself as a human being." As an actor who became a film star, Newman repeatedly tapped into his times and in doing so redefined what movie stardom could be. Newman was a new kind of movie star, bringing a particular authenticity, intensity and sensitivity to his performances. Throughout his career, Newman was extensively photographed: these images enriched film audiences’ connection to him as a cool and graceful presence both on and off-screen. Milton Greene, Douglas Kirkland, Lawrence Fried, Terry O’Neill, Al Satterwhite and Eva Sereny are amongst the photographers who worked with Newman on and off-set across his career. From early stage work with his wife, Joanne Woodward, to his love of racing cars, to the essential 1980s drama Absence of Malice to the great success of the new western Butch Cassidy and the Sundance Kid and the cult favourites, Pocket Money and The Life and Times of Judge Roy Bean, Newman’s movies were an essential part of American culture. With comment and contributions from the photographers, Paul Newman: Blue-Eyed Cool, gathers together portraits, stage, racing and on-set photography — including never before seen images — in a celebration of an actor who was always… cool.

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