Search results for ""Edinburgh University Press""

A radical reinterpretation of Willa Cather's oeuvre Distinctive contribution to 'Body Studies' Offers a new way to understand Cather's relationship to literary /cultural Modernism Deploying the concepts and techniques of Body Studies, Guy J. Reynolds remaps Cather's vast and diverse range of writing from the 1890s through to 1940. His study of embodiment and narrative focuses on the senses and reads Cather as a writer at the transition from late Victorian to Modernist modes of representation. The book presents suggestive new ways of understanding her depictions of disability, male bodies and Native American culture, not to mention her narratives of whiteness and of the black body.

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This volume brings together a range of essays by eminent and emergent scholars working at the intersection of modern literary, cinema and sound studies.

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Presenting the first comprehensive analysis of the sound patterns of a Breton variety treated in a substance-free phonological framework, this book will enhance the understanding of Celtic phonology and offers a valuable reference for postgraduate students, academics and researchers working in phonological theory and Celtic studies.

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Traces the very beginnings of Arab women making documentaries in the Middle East and North Africa (MENA), from the 1970s and 1980s in Egypt and Lebanon, to the 1990s and 2000s in Morocco and Syria.

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In this ground-breaking investigation into the seldom-studied film culture of colonial Korea (1910-1945), Dong Hoon Kim brings new perspectives to the associations between colonialism, modernity, film historiography and national cinema.

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Using Chow's transnational and trans-regional star persona as a case study, Lin Feng investigates stardom as an agent for mediating the sociocultural construction of Hong Kong and Chinese identities.

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World-leading experts take a multi-disciplinary approach to explore how presidents, including Washington, Jefferson, Lincoln, the Roosevelts, Kennedy, Lyndon Johnson, Eisenhower, Reagan, Obama and Trump, are remembered in film, museums, public art, political invocations, pop culture, literature and evolving technological advancements.

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From early Islam to the modern world, and from Iran, Egypt, Turkey and India to West and East Africa, the Yemen and Southeast Asia, this richly illustrated book is a sweeping tour of the minaret's position as the symbol of Islam.

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The ownership of Scotland’s foreshore has been a matter of a prolonged controversy. In the past, the debate centered on whether the shore was owned by the Crown or by adjacent proprietors and on how, and by whom, Crown-owned foreshore should be managed. Scotland’s Foreshore tells the story of the battle that took place during the nineteenth century and into the early twentieth century between the Crown and private proprietors over the ownership of the foreshore. Drawing on his expert knowledge of law and its evolution, MacAskill provides new and valuable insights into the foreshore controversy and the contest between proprietors and the Crown and he discusses the important issues as to the management of the foreshore, issues that culminated in responsibility for the management of Scotland’s Crown-owned foreshore being devolved to the Scottish Parliament at a time when the question of land ownership is central to Scottish political debate.

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The Ottoman Syrians residents of modern Syria and Lebanon formed the first Arabic-speaking Evangelical Church in the region. This book offers a fresh narrative of the encounters of this minority Arab Protestant community with American missionaries, Eastern churches and Muslims at the height of the Nahda, from 1860-1915

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This collection offers the first place for the importance of Brainard's poetry, collaborations and art to be recognised for their contribution and influence, all in one place.

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A systematic treatment of Hume's conception of imagination in all the main topics of his philosophyThe prominence of the imagination in David Hume's philosophy has been recognised by generations of readers. In this rich study, Timothy Costelloe gives us the most complete picture yet of Hume's view of imagination and its place in his philosophy.Costelloe convincingly shows that Hume's concept of imagination is coherent, formulating the features that compose its distinctive character. Discover how this understanding of imagination informs Hume's approach to the various subjects he treats in his work: metaphysics, morals and politics, aesthetics, history, religion and the practice of philosophy itself.Key FeaturesThe first systematic, book-length study on the nature and role of the imagination in Hume's philosophyGives a completely new perspective on Hume's thought, which opens up a great deal of further debate and discussionDraws from the whole of Hume's corpus Treats all the major areas Hume considers in his philosophy including metaphysics, morals and politics, aesthetics, history, religion and philosophy

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This collection brings together a selection of original, research-led essays on more than a dozen avant-garde British writers of the 1960s, revealing this to be a crucial and crucially overlooked period of British literary history.

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Uncommon Alliances: Cultural Narratives of Migration in the New Europetakes a critical stance toward both assimilationist and multicultural imaginings of community in the European Union that occlude neocolonial relations of dependence and exclusion.

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Wes Furlotte critically evaluates Hegel's philosophy of human freedom in terms of his often-disregarded conception of nature. In doing so, he gives us a new portrait of Hegel's final system that is surprisingly relevant for our contemporary world, connecting it with recent work in speculative realism and new materialism.

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Drawing on insights from linguistics, multimodality and media studies, this book explores the ideological dimensions of media representation and its function in discursively constructing public understandings of, and attitudes toward, civil disorder.

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The first in-depth study of the concept of the vision of God in Sufi eschatology, not only focusing on the hereafter, but also on this-worldly vision.

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A vibrant collection of writings about America from its earliest Arab immigrants, as they reflected on and described the United States for the very first time.

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Helen Palmer examines the Russian formalist concept of defamiliarisation, or making-strange, from a contemporary critical perspective, bringing together new materialist feminisms, experimental linguistic formalism and queer theory. She explores how we might radically restructure this gesture of making-strange to create a dialogue with the affirmations of deviant, errant, alternative and multiple modes of being which have become synonymous with queer theory. Queer theory affirms multiple dimensions of sexuality and gender, while defamiliarisation celebrates shifts in perception. Palmer explores these processes from a number of literary and philosophical angles, concluding with a creative epilogue written in the voices of women throughout history.

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This book is an invaluable survey of the allusions to ancient Greek and Roman culture in the work of seven major modern American novelists: Willa Cather, F. Scott Fitzgerald, William Faulkner, Ralph Ellison, Toni Morrison, Philip Roth and Marilynne Robinson.

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Presents 35 thematically organised, research-led essays on women, periodicals and print culture in Victorian Britain.

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Imaginary Distance' is the first book to undertake a survey of the literature produced by nineteenth-century settler emigration. It argues that the demographic shift in the nineteenth century to settler colonies in Canada, Australia, New Zealand was also a textual one: a vast literature supported and underpinned this movement of people. The monograph brings printed emigrants' letters, manuscript shipboard newspapers and settler fiction into conversation with each other across the first three chapters to explore the generic features of 'emigration literature': textual mobility, a sense of place, and home-making. The last two chapters demonstrate how pervasive the textual cultures of settler emigration were in shaping the nineteenth-century cultural imagination: concerns raised in emigration literature were pervasive and seeped through representations of space and place: the works of Charles Dickens, Elizabeth Gaskell and Ford Madox Brown, amongst others, draw upon emigration to explore the networks of people and texts extending across the settler world.

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Reveals the Hobbesian origins of contemporary political concerns, especially the relationships between state, individual and lawYves Charles Zarka shows you how Hobbes established the framework for modern political thought. Discover the origin of liberalism in the Hobbesian theory of negative liberty; that Hobbesian interest and contract are essential to contemporary discussions of the comportment of economic actors; and how state sovereignty returns anew in the form of the servility of the state. At the same time, Zarka controversially argues against received readings claiming that Hobbes is a thinker of a state monopoly on legitimate violence.

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Robb exposes the true competitive nature of the relationship during Carter's presidency, as well as providing an original understanding to how both countries approached the breakdown of superpower detente; the subject of international human rights promotion; the tackling of common economic and energy challenges and to the Anglo-American nuclear and intelligence relationship.

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A new generation of Muslims – activists, academics, religious scholars and professionals – are drawing on contemporary reformist thinking emerging from outside their parents' or grandparents' tradition and are using this to inform their activism. This positive new thinking is traced as it impacts and shapes the burgeoning field of Muslim women’s activism, the formation of religious leaders, what is to count as `Muslim politics’, the dynamics of de-radicalisation and what has been dubbed the `New Muslim Cool’ in music, fashion and culture. A collaboration between two academics, one Muslim and one not, the book gives a distinctive take on understanding Islam and Muslims in Britain today.

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Builds a revisionary theoretical framework for researching intelligence knowledge and applies it to the Swedish Military and Security DirectorateGunilla Eriksson revises our perception of intelligence as carefully collected data and objective truth, arguing that there are hidden aspects to intelligence analysis that need to be uncovered and critically examined. This twofold study investigates the character of intelligence knowledge and the social context in which it is produced, using the Swedish Military and Security Directorate (MUST) as a case study.Eriksson argues that there is an implicit framework that continuously influences knowledge production: what kind of data is considered relevant, how this data is interpreted and the specific social and linguistic context of the organisation, surrounded by unarticulated norms and specific procedures. She asks whether these conventions hamper or obstruct intelligence assessments; an essential analysis, given that history has shown us the grave consequences basing policy on intelligence's wrong conclusions.Sources includeThe annual Swedish Armed Forces Strategic Intelligence Estimates from 1998 2010Lengthy and highly valuable interviews with the analysts, including managers, working at MUST, giving insights into everyday life at the institution and leading to many important resultsParticipant observation carried out by the author at MUST working meetings and seminars during the production process of the 2010 estimate, and drawing on her experience from her years working as an active analyst

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Proposes a new Deleuzian model for understanding narrativeWhat is narrative? Ridvan Askin brings together aesthetics, contemporary North American fiction, Gilles Deleuze, narrative theory and the recent speculative turn to answer this question. Through this process, he develops a transcendental empiricist concept of narrative. Askin argues against the established consensus of narrative theory for an understanding of narrative as fundamentally nonhuman, unconscious and expressive. Close readings include:Ana Castillo, The Mixquiahuala Letters (1986)Michael Ondaatje, The Collected Works of Billy the Kid (1970)Colson Whitehead, The Intuitionist (1999)Mark Z. Danielewski, House of Leaves (2000)

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The first comprehensive analysis of Muslim movements of reform in modern sub-Saharan AfricaBased on twelve case studies (Senegal, Mali, Nigeria, Niger, Chad, Sudan, Ethiopia, Somalia, Kenya, Tanzania, Zanzibar and the Comoros), this book looks at patterns and peculiarities of different traditions of Islamic reform. Considering both Sufi- and Salafi-oriented movements in their respective historical contexts, it stresses the importance of the local context to explain the different trajectories of development.The book studies the social, religious and political impact of these reform movements in both historical and contemporary times and asks why some have become successful as popular mass movements, while others failed to attract substantial audiences. It also considers jihad-minded movements in contemporary Mali, northern Nigeria and Somalia and looks at modes of transnational entanglement of movements of reform. Against the background of a general inquiry into what constitutes 'reform', the text responds to the question of what 'reform' actually means for Muslims in contemporary Africa.Key featuresBiographies of reformist scholars complement the textCase studies are placed in the context of the dynamics of 'reform' in the larger world of IslamAddresses the importance of trans-national entanglements and their formative powerFocuses on the dynamics of social and religious development, the political dynamics of Islamic 'reform' and issues of youth, generational change and gender

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The first comprehensive collection on the subject of Hong Kong neo-noir cinemaThe first comprehensive collection on Hong Kong neo-noir cinema, this book examines the way Hong Kong has developed its own unique version of noir since the late 1940s, while drawing upon and enriching global neo-noir cinemas. With a range of contributions from established and emerging scholars, this book illuminates the origins of Hong Kong neo-noir, its styles and contemporary manifestations, and its connection to mainland China before and after the 1997 Handover.Case studies include classics such as 'The Wild, Wild Rose' (1960) and more recent films like 'Full Alert' (1997), 'Exiled' (2007) and 'Shinjuku Incident' (2008). It provides a fresh look at the careers of iconic figures Johnnie To, Jackie Chan and Fruit Chan. By examining the films of emigre Shanghai directors, the cool women killers, the hybrids and noir cityscapes, 'Hong Kong Neo-Noir' explores the complex connections between a vibrant cinema and global noir.ContributorsAdam Bingham, Edge Hill UniversityJinhee Choi, King's College LondonDavid Desser, University of IllinoisKenneth E. Hall, East Tennessee State UniversityLaw Kar, Hong Kong Film ArchiveKwai-Cheung Lo, Hong Kong Baptist UniversityGina Marchetti, University of Hong KongLisa Odham Stokes, Seminole State College in Central FloridaJulian Stringer, University of NottinghamKristof Van den Troost, Chinese University of Hong KongTony Williams, Southern Illinois University, CarbondaleEsther C. M. Yau, University of Hong Kong

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Based on rare archival documents and films, this anthology is the first to focus primarily on the use of official and colonial documentary films in the South and South-East Asian regions. Drawing together a range of international scholars, the book sheds new light on historical, theoretical and empirical issues pertaining to the documentary film, in order to better comprehend the significant transformations of the form in the colonial, late colonial and immediate post-colonial period. Covering diverse geographical and colonial contexts in countries like Singapore, Malaysia, the Philippines and Hong Kong, and focusing on under-researched or little-known films, it demonstrate the complex set of relations between the colonisers and the colonised throughout the region.

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Examines women's constructions of selfhood through film and literature in interwar Britain'Off to the Pictures: Cinemagoing, Women's Writing and Movie Culture in Interwar Britain' offers a rich new exploration of interwar women's fictions and their complex intersections with cinema. Interrogating a range of writings, from newspapers and magazines to middlebrow and modernist fictions, the book takes the reader through the diverse print and storytelling media that women constructed around interwar film-going, arguing that literary forms came to constitute an intermedial gendered cinema culture at this time.Using detailed case studies, this innovative book draws upon new archival research, industrial analysis and close textual readings to consider cinema's place in the fictions and critical writings of major literary figures such as Winifred Holtby, Stella Gibbons, Elizabeth Bowen, Jean Rhys, Elinor Glyn, C. A. Lejeune and Iris Barry. Through the lens of feminist film historiography, 'Off to the Pictures' presents a bold new view of interwar cinema culture, read through the creative reflections of the women who experienced it.

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With contributions from an international range of specialists, and with considerations of works by contemporary directors like Rachid Bouchareb, Abderrahmane Sissako and Rithy Panh, Cinema-monde explores the porous borders around francophone spaces and the ways in which languages and identities 'travel' in contemporary cinema.

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Female Agency and Documentary Strategies centres on how self-portraiture and contemporary documentary manifestations such as blogging and the prevalent usage of social media shape and inform female subjectivities and claims to truth.

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This book examines key sculptural motifs and cinematic sculpture in film history through a series of case studies and through an extensive reference gallery of 150 different films.

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The first major study of the relationship between Scottish Romanticism and medical cultureIn the early nineteenth century, Edinburgh was the leading centre of medical education and research in Britain. It also laid claim to a thriving periodical culture. 'Literature and Medicine in the Nineteenth-Century Periodical Press' investigates how Romantic periodicals cultivated innovative literary forms, ideologies and discourses that reflected and shaped medical culture in the nineteenth century. It examines several medically-trained contributors to 'Blackwood's Edinburgh Magazine', the most influential literary periodical of the time, and draws upon extensive archival and bibliographical research to reclaim these previously neglected medico-literary figures. Situating their work in relation to developments in medical and periodical culture, Megan Coyer's book advances our understanding of how the nineteenth-century periodical press cross-fertilised medical and literary ideas. Key FeaturesDescribes a distinctive Scottish medical culture of the Romantic-era and its synergistic relationship with literary cultureAdvances our understanding of the medical content of key periodicals of the nineteenth centuryDraws upon extensive archival and bibliographical research to reclaim several previously neglected medico-literary figuresExamines the ideological roots of nineteenth-century popular medical writing

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What sorts of things do we think about when we're driving or being driven in a car? Drivetime seeks to answer this question by drawing upon a rich archive of British and American texts from 'the motoring century' (1900-2000), paying particular attention to the way in which the practice of driving shapes and structures our thinking. While recent sociological and psychological research has helped explain how drivers are able to think about 'other things' while performing such a complex task, little attention has, as yet, been paid to the form these cognitive and affective journeys take. Pearce uses her close readings of literary texts ranging from early twentieth-century motoring periodicals, Modernist and inter-war fiction , American 'road-trip' classics , and autobiography in order to model different types of 'driving-event' and, by extension, the car's use as a means of phenomenological encounter, escape from memory, meditation, problem-solving and daydreaming.

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Provides the first scholarly study of the films of William Friedkin Contextualizes the entire trajectory of Friedkin's work both historically and theoretically, from his first production in 1962, The People vs. Paul Crump, to Killer Joe Offers a comprehensive understanding to his creative oeuvre, closely analyzing the director's films and television productions Explores key theoretical issues around melodrama, the ideological boundaries between good and evil, the formations of modern institutions, problems of sovereignty, transgression, and the phenomenology of his obsessive imagery William Friedkin is the director of genre-defining works such as The French Connection (1971) and The Exorcist (1973), controversial productions like Cruising (1980) and Killer Joe (2011), as well as understudied films including The Birthday Party (1968), Sorcerer (1977) and The Hunted (2003). This book, the first scholarly study of Friedkin's films, reveals how they confront the ambiguities of law and morality, issues of subjectivity and problems of faith, while raising key questions around emotion and narrative in the cinema. Placing his work in the historical contexts of the Vietnam War and Nixon's presidency, ReFocus: The Films of William Friedkin also examines the director's representations of sex and violence after the dismantling of the Production Code and in light of the rise and fall of New Hollywood cinema.

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This book examines the strategies and military tactics of the Byzantines and their enemies in Eastern Anatolia, Syria and in Upper Mesopotamia in the tenth century.

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