Search results for ""Author Walt Whitman"

Here is the story, told firsthand through electric, deeply engaged writing, of America’s living theater, high and low, mainstream and experimental. Drawing on history, criticism, memoir, fiction, poetry, and parody, editor Laurence Senelick presents writers with the special knack “to distill both the immediate experience and the recollected impression, to draw the reader into the charmed circle and conjure up what has already vanished.” Through the words of playwrights and critics, actors and directors, and others behind the footlights, the entertainments and high artistic strivings of successive eras come vividly, sometimes tumultuously, to life.Observers from Washington Irving and Fanny Trollope to Walt Whitman and Mark Twain evoke the world of the nineteenth-century playhouse in all its raucous vitality. Henry James confesses his early enthusiasm for playgoing; Willa Cather reviews provincial productions of Uncle Tom’s Cabin and Antony and Cleopatra. The increasing diversity and ambition of the American theater is reflected in Hutchins Hapgood’s account of New York’s Yiddish theaters at the turn of the century, Carl Van Vechten’s review of the Sicilian actress Mimi Aguglia, Alain Locke’s comments on the emerging African-American theater in the 1920s, and Ezra Pound’s response to James Joyce’s play Exiles and theatrical modernism. Enthusiasts for the New Stagecraft, such as Lee Simonson and Djuna Barnes, are matched by champions of pop culture such as Gilbert Seldes and Fred Allen. S. J. Perelman lampoons Clifford Odets; Edmund Wilson acclaims Minsky’s Burlesque; Harold Clurman explains Stanislavski’s Method; Gore Vidal dissects the compromises of commercial playwriting. A host of playwrights—among them Thornton Wilder, Arthur Miller, Tennessee Williams, Lorraine Hansberry, Edward Albee, Wendy Wasserstein, David Mamet, and Tony Kushner—are joined by such renowned critics as Stark Young, George Jean Nathan, Brooks Atkinson, and Eric Bentley.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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This third volume of the ground-breaking eyewitness narrative that has been called a “masterpiece” traces events from January 1863 to March 1864—a crucial period in the American Civil War Spanning the crucial months from January 1863 to March 1864, this third volume of The Library of America’s highly acclaimed four volume series presents an incomparable portrait of a nation at war with itself while illuminating the military and political events that brought the Union closer to victory and slavery closer to destruction. It brings together more than 140 contemporary letters, diary entries, speeches, articles, messages, and poems by more than eighty participants and observers, among them Abraham Lincoln, Jefferson Davis, Ulysses S. Grant, William T. Sherman, Robert E. Lee, Frederick Douglass, Walt Whitman, Herman Melville, Mary Chesnut, Clement Vallandigham, Henry Adams, Charlotte Forten, Joshua Lawrence Chamberlain, and George Templeton Strong, as well as Union officers Robert Gould Shaw, Charles B. Haydon, and Henry Livermore Abbott; Confederate diarists Catherine Edmondston, Kate Stone, and Judith McGuire; and Alabama soldier Samuel Pickens, Iowa housewife Catharine Peirce, Kentucky preacher George Richard Browder, and Kansas clergyman Richard Cordley. The selections include vivid and haunting eyewitness narratives of some of the war’s most famous battles—Chancellorsville, Gettysburg, Vicksburg, Fort Wagner, Chickamauga, Chattanooga—as well as firsthand accounts of the merciless guerrilla war in Missouri and Kansas; the Richmond bread riot and the New York draft riots; the controversies surrounding the use of black soldiers and the Lincoln administration’s curtailment of civil liberties; and the struggles of civilians both black and white to survive increasingly harsh wartime conditions. Each volume features a detailed chronology of events, biographical notes about the writers, textual and explanatory notes, and original hand-drawn endpaper maps by expert Civil War cartographer Earl McElfresh. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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Winner of the John S. Tuckey 2017 Lifetime Achievement Award for Mark Twain Scholarship from The Center for Mark Twain Studies American novelist E.L. Doctorow once observed that literature “endows places with meaning.” Yet, as this wide-ranging new book vividly illustrates, understanding the places that shaped American writers’ lives and their art can provide deep insight into what makes their literature truly meaningful. Published on the eve of the 50th anniversary of the Historic Preservation Act, Writing America is a unique, passionate, and eclectic series of meditations on literature and history, covering over 150 important National Register historic sites, all pivotal to the stories that make up America, from chapels to battlefields; from plantations to immigration stations; and from theaters to internment camps. The book considers not only the traditional sites for literary tourism, such as Mark Twain’s sumptuous Connecticut home and the peaceful woods surrounding Walden Pond, but also locations that highlight the diversity of American literature, from the New York tenements that spawned Abraham Cahan’s fiction to the Texas pump house that irrigated the fields in which the farm workers central to Gloria Anzaldúa’s poetry picked produce. Rather than just providing a cursory overview of these authors’ achievements, acclaimed literary scholar and cultural historian Shelley Fisher Fishkin offers a deep and personal reflection on how key sites bore witness to the struggles of American writers and inspired their dreams. She probes the global impact of American writers’ innovative art and also examines the distinctive contributions to American culture by American writers who wrote in languages other than English, including Yiddish, Chinese, and Spanish. Only a scholar with as wide-ranging interests as Shelley Fisher Fishkin would dare to bring together in one book writers as diverse as Gloria Anzaldúa, Nicholas Black Elk, David Bradley, Abraham Cahan, S. Alice Callahan, Raymond Chandler, Frank Chin, Elizabeth Cook-Lynn, Countee Cullen, Frederick Douglass, Paul Laurence Dunbar, Jessie Fauset, William Faulkner, F. Scott Fitzgerald, Allen Ginsberg, Jovita González, Rolando Hinojosa, Langston Hughes, Zora Neale Hurston, Lawson Fusao Inada, James Weldon Johnson, Erica Jong, Maxine Hong Kingston, Irena Klepfisz, Nella Larsen, Emma Lazarus, Sinclair Lewis, Genny Lim, Claude McKay, Herman Melville, N. Scott Momaday, William Northup, John Okada, Miné Okubo, Simon Ortiz, Américo Paredes, John P. Parker, Ann Petry, Tomás Rivera, Wendy Rose, Morris Rosenfeld, John Steinbeck, Harriet Beecher Stowe, Henry David Thoreau, Mark Twain, Yoshiko Uchida, Tino Villanueva, Nathanael West, Walt Whitman, Richard Wright, Hisaye Yamamoto, Anzia Yezierska, and Zitkala-Ša. Leading readers on an enticing journey across the borders of physical places and imaginative terrains, the book includes over 60 images, and extended excerpts from a variety of literary works. Each chapter ends with resources for further exploration. Writing America reveals the alchemy though which American writers have transformed the world around them into art, changing their world and ours in the process.

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Excerpt from Bigly:"Mirth, with thee I mean to live."—John Milton"My whole life is about winning."—Donald TrumpCall It KobeThey're loaded, loaded with cars.So they send millions of cars over here.We sell them beef—beef.They don't want it.Half the time they send it back.They want to send it back.The farmers over there don't want it.So we take it back.That's not good beefBy the time you get it back.I said the other day—No, no, I say it's aged;Now they call it Kobe beefAnd we sell it for more money.—September 25, 2015, remarks at Values Voters Summit, discussing trade with ChinaTable At Le CirqueI know one man in particular.He's one of the most successful men in New York,And he couldn't get a table at a restaurant.He's worth maybe four or five hundred million dollars,And he's standing at Le Cirque or one of themAnd he couldn't get a table. So I see him standing there and he's a little embarrassedAnd he says, "Don, could you help me get a table?" So I got him a table. So he calls the next day and I said,"No one knows you, you're very successful,"And he says, "No, no no, I like to keep a low profile."That's great. But in the meantime He can't get a table in a restaurant. —November 11, 1984, interview with the Washington Post How Do I Back Thee?I want to just let you know,I am so behind you.And I know maybe sometimesYou haven't gotten the backing that you've wanted,And you're going to get so much backing.Maybe you're going to say,Please don't give us so much backing. Mr. President,Please, We don't need that much backing. But you're going to have that.—January 21, 2017, speech at CIA headquarters Langley, VirginiaBook Praise & Description:A hilarious collection of Trump quotes arranged as poetry!"Poets, wrote Shelley, are 'the unacknowledged legislators of the world.' Big deal. But now for the first time ever a poet is the Leader of the Free World, and he's even more totally unacknowledged—by Democrats, the media, Lena Dunham, Deep State leakers, and other losers. This superb collection of winning verse, brilliantly edited by Rob Long, spans the decades from the early 'Table at Le Cirque' to my personal favorite 'The Mantle of Anger.' With this dazzling anthology, bitter fake-news hacks for whom Trump is beyond reason will have to admit that he's also beyond rhyme (except for page 74)." —MARK STEYN, bestselling author of America Alone, After America, and The Undocumented Mark Steyn "This book pleased me so much, I culturally appropriated Haiku to contribute to the cover." — MILO YIANNOPOULOS"More lyrical than Walt Whitman, pithier than Robert Frost—and making a heck of a lot more sense than Emily Dickinson, this book should be required reading for every Literature major on campus."—JAMES DELINGPOLE, columnist at Breitbart.com and The Spectator and author of 365 Ways to Drive a Liberal Crazy and The Little Green Book of Eco-FascismBigly is hilarious compilation of memorable quotes from President Donald Trump arranged as poetry that will have the president's fiercest supporters and harshest critics asking the same question: Can a president appoint himself Poet Laureate? Divided into sections on Life, Love, Beauty, and Death—and including a dedicatory haiku by Milo Yiannopoulos, a foreword by How to Lose Friends and Alienate People author Toby Young, and poignant editor's notes that reveal the hidden meaning in Trump's expert verse—Bigly is a must-have for political junkies who've been following President Donald Trump's unconventional speeches, interviews, complaints, jokes, quips, and witticisms.

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Nueva edición.Un libro absoluto, lleno de imágenes verbales y visuales y donde podemos escuchar el simple crecimiento de las hierbas.

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The publication of "Leaves of Grass" in July 1855 was a landmark event in literary history. Ralph Waldo Emerson judged the book "the most extraordinary piece of wit and wisdom America has yet contributed." Nothing like the volume had ever appeared before. Everything about it - the unusual jacket and title page, the exuberant preface, the twelve free-flowing, untitled poems embracing every realm of experience - was new. The 1855 edition broke new ground in its relaxed style, which prefigured free verse; in its sexual candor; in its images of racial bonding and democratic togetherness; and in the intensity of its affirmation of the sanctity of the physical world.

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