Search results for ""Author Paul"

Gauguin began his artistic life as an Impressionist in Paris, but yearning for a wider world view he experimented with decorative art and bright colours to create what some have termed Symbolism. He painted briefly with Van Gogh but was strongly drawn by the otherness of the South Pacific to which he travelled frequently, and finally settled far away from his origins and early influences to create a unique and intensely personal body of work. The new edition of this beautiful new book revels in the scenes of Tahiti, the sunlit bodies, the shapes and styles of the South Pacific each of which have secured him a unique place in the history of art.

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Paul Ben-Haim (1897-1984) is considered one of Israel's foremost composers. His music has been performed by some of the twentieth century's greatest musicians. The author gives a detailed description of selected compositions using the La Rue system of analysis, including 'timelines,' a graphic representation of musical events as they happen. There is also a chapter dealing with performance problems of selected works and their solutions. A biographical sketch traces Ben-Haim's career from his beginnings in Munich, Germany, through his development as a professional musician.

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How did Paul understand time? Standard interpretations are that Paul modified his inherited Jewish apocalyptic sequential two-age temporality. Paul solved the conundrum of Christ's resurrection occurring without the resurrection of the righteous by asserting that the ages are not sequential but rather that they overlap. Believers live in already-not yet temporality. In this groundbreaking book, Ann Jervis instead proposes that Paul thought not in terms of two ages but in terms of life in this age or life in Christ. Humans apart from Christ live in this age, whereas believers live entirely in the temporality of Christ. Christ's temporality, like God's, is time in which change occurs--at least between Christ and God and creation. Their temporality is tensed, but the tenses are nonsequential. The past is in their present, as is the future. However, this is not a changeless now but a now in which change occurs (though not in the way that human chronological time perceives change). Those joined to Christ live Christ's temporality while also living chronological time. In clear writing, Jervis engages both philosophical and traditional biblical understandings of time. Her inquiry is motivated and informed by the long-standing recognition of the centrality of union with Christ for Paul. Jervis points out that union with Christ has significant temporal implications. Living Christ's time transforms believers' suffering, sinning, and physical dying. While in the present evil age these are instruments purposed for destruction, in Christ they are transformed in service of God's life. Living Christ's time also changes the significance of the eschaton. It is less important to those in Christ than it is for creation, for those joined to the One over whom death has no dominion are already released from bondage to corruption. Scholars and students will profit from this lively contribution to Pauline studies, which offers big-picture proposals based on detailed work with Paul's letters. The book includes a foreword by John Barclay.

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For some players, the final whistle heralds the beginning of an infinitely more difficult chapter in their lives. Some simply find it impossible to cope, replacing one addiction with another. Not well known is the story of Paul Vaessen, perhaps the most powerful and tragic tale of them all. Paul was the Bermondsey boy who rose from working-class roots to overnight fame in Turin when in April 1980, as an unknown 18-year-old, he scored one of the most dramatic goals in Arsenal's distinguished history. But all too soon Paul would discover how fragile and fickle the world of football could be as he experienced unforgiving injuries, loss of form and merciless barracking by his own fans. Just three years down the line, he was on the scrapheap, discarded by the game he'd devoted his young life to, and descending quickly into the only other world he knew, that of drugs. Paul would spend his lonely final days reliving his moment of glory with anybody willing to listen, that one moment in which he had effectively become stuck.

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In 2009 the legendary Les Paul passed away at the age of 94. In celebration of his life this book capturing Paul's own reflections on his remarkable inventions and guitar playing was published as a high-end collector's edition. In 2015 Les Paul reached his centennial and Backbeat Books is pleased to celebrate the legend once more in the first-ever paperback edition of ÊLes Paul in His Own WordsÊ making his fascinating story available to a wide range of readers.ÞThis book is the definitive work on the recording and electric guitar pioneer whose prodigious talents and relentless work ethic single-handedly launched a new era in American popular music. This authentic account of Les Paul's life is packed with words of wisdom and experience from one of the most important contributors to modern music.

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What is the ultimate purpose of pastoral ministry? What emphases and priorities should take precedence? In the day-to-day emphasis on various pastoral roles and pragmatic concerns, what can sometimes get lost is the theological foundation for understanding pastoral ministry. James Thompson is a New Testament scholar with a concern for relating biblical studies to practical ministry. Here he does a careful study of several of Paul's epistles in order to see what Paul's vision and purpose were for his own ministry. He finds that Paul's aim was an ethical transformation of the communities (not just individuals) with which he worked, so that they would live lives worthy of the gospel until Christ's return. Using this as a framework, Thompson offers suggestions for practical application to contemporary ministry.

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Although representations of medieval Christians and Christianity are rarely subject to the same scholarly scrutiny as those of Jews and Judaism, "the Christian" is as constructed a term, category, and identity as "the Jew." Medieval Christian authors created complex notions of Christian identity through strategic use of representations of Others: idealized Jewish patriarchs or demonized contemporary Jews; Woman represented as either virgin or whore. In Western thought, the Christian was figured as spiritual and masculine, defined in opposition to the carnal, feminine, and Jewish. Women and Jews are not simply the Other for the Christian exegetical tradition, however; they also represent sources of origin, as one cannot conceive of men without women or of Christianity without Judaism. The bifurcated representations of Woman and Jew found in the literature of the Middle Ages and beyond reflect the uneasy figurations of women and Jews as both insiders and outsiders to Christian society. Gender and Jewish Difference from Paul to Shakespeare provides the first extended examination of the linkages of gender and Jewish difference in late medieval and early modern English literature. Focusing on representations of Jews and women in Chaucer's Canterbury Tales, selections from medieval drama, and Shakespeare's Merchant of Venice, Lampert explores the ways in which medieval and early modern authors used strategies of opposition to—and identification with—figures of Jews and women to create individual and collective Christian identities. This book shows not only how these questions are interrelated in the texts of medieval and early modern England but how they reveal the distinct yet similarly paradoxical places held by Woman and Jew within a longer tradition of Western thought that extends to the present day.

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Marking the 400th anniversary of Paul Gerhardt's (1607-1676) birthday, Christian Brunners presents his comprehensive study of the great and still well-known baroque poet's life and work - the most extensive such study that has been published for nearly a century. Brunners not only describes in detail the life of Paul Gerhardt, but is equally thorough in presenting and interpreting his work and its manifold impacts. Besides questions relating to the history of Church, piety and poetry, he gives attention to approaches that view Gerhardt's work under the perspective of mentality, music and social history. The reception of that greatest German baroque poet has hardly been explored yet. In this complex and knowledgeable biography, Brunners focuses on Gerhardt's reception as a lieder and hymns but also describes his international and pastoral reception, for instance in the works of Philipp Jakob Spener and John Wesley, Dietrich Bonhoeffer and Joachim Ernst Berendt; and he depicts the resonance of Gerhardt's lieder and hymns in Johann Sebastian Bach, Ernst Pepping and jazz music, as well as in Thomas Mann, Theodor Fontane and Gënter Grass.

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Barely contained within this book is the high octane work of Paul Bonner, an intrepid artist able to vividly recall in paints his visits to Valhalla, the blasted future, and sundry haunted and ravaged stopping off points in between.Here you will find over 150 of Paul's vibrant and compelling full colour paintings, along with numerous character studies and sketches, produced by the artist over the last twenty-five years for the biggest names in fantasy role playing, such as Games Workshop, Mutant Chronicles, Fasa, Riot Minds and Rackham.So, saddle the dragon storm riders, suit up storm troopers, and prepare to have your worlds revealed anew!

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The impressions which Paul Klee collected on his journey to Tunisia in 1914, and especially to the city of Kairouan, were of fundamental significance: »Colour and I are one. I am a painter.« A few years later, in 1921, Wilhelm Hausenstein placed his friend Paul Klee at the centre of his book Kairuanand was thus one of the first people to recognise the artist’s genius.This commented edition, which opens with a foreword by Peter Härtling, combines Hausenstein’s original text with important works by Klee and a profound essay by Michael Haerdter. Its particular charm lies in the combination of Klee monograph, novel narrating the development of the artist and exclusive book presentation: a treasure for established lovers of Klee as well as those whose interesthas just been awakened. It grants an incomparable insight into the life of Paul Klee as an artist within the context of European art and society.

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A detailed study of the well-known, yet poorly understood, music theory of composer Paul Hindemith (1895-1963). The music theory of composer Paul Hindemith (1895-1963), originally entitled Unterweisung im Tonsatz, is well known, yet poorly understood. This book provides a critical engagement with Hindemith's Unterweisung, particularly concerning its relationship to existing acoustic music theories. By examining different Unterweisung-versions, it charts the evolution of Hindemith's use of language and mode of communication, including his reference to polytonality, atonality, Fuxian species counterpoint, and avoidance of existing music for his examples. It also elaborates the source material on which the theory is based, using a reconstruction of Hindemith's personal library. Central to the book is the relationship of Hindemith's Unterweisung to his compositional practice. Hindemith's fascination with the challenges of music theory falls into a middle period in his oeuvre, enabling profitable comparisons with his compositional practice both before and after his theory-making. The book also comprises a detailed discussion of Hindemith's theoretical and compositional legacy. Beginning with an overview of existing polemics, it draws together unpublished materials from the Yale Hindemith Institute with reminiscences from former students to construct an Unterweisung reception history. The book shows that, while many areas of Hindemith's theory have been overtaken by recent interests in music theory that relate to cognition and geometry, his influence has been deeply felt. SIMON DESBRUSLAIS is Lecturer in Music and Director of Performance at the University of Hull and an internationally acclaimed trumpet soloist.

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The concept of God's power is a leading motif in Pauline theology. It functions in key passages of Paul's letters and is intrinsically linked to his theology of the cross and its soteriological explication in the message of justification. Because this concept is so closely related to the message of the cross, Paul often speaks of 'power' in a paradoxical context. Although 'power' is generally assumed to be an important motif in Pauline theology, the concept has not yet been fully explored.Petrus J. Gräbe investigates the concept of God's power in Paul's letters. He also gives an overview of God's power in the broader New Testament context in order to distinguish more clearly the specific Pauline interpretation of the power of God.The investigation comprises three sections: A lexico- and conceptual-historical overview of the concept of power, an exegetical investigation of the concept of God's power in Paul's letters and a theological scope of the concept of God's power in the Pauline letters. In the last section Petrus J. Gräbe distinguishes between a theological-christological and a pneumatological emphasis. The concept of God's power plays an important role in the way Paul views his apostolic ministry. In the concluding chapter the author therefore deals with Paul's ministry within the christological perspective on weakness and power."The work is an important contribution to Pauline studies and is a well-researched, thorough, and scholarly study."Jeffrey R. Asher in The Catholic Biblical Quarterly vol. 64. (2002), page 762"This book is a useful refresher course on Paul, with a valuable dialogue with the most recent monographs and commentaries on his letters."Benedict T. Viviano in Zeitschrift für Missions- und Religionswissenschaft Jahrgang 86 (2002), p. 74

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An original study of Gauguin’s writings, unfolding their central role in his artistic practice and negotiation of colonial identity As a French artist who lived in Polynesia, Paul Gauguin (1848–1903) occupies a crucial position in histories of European primitivism. This is the first book devoted to his wide-ranging literary output, which included journalism, travel writing, art criticism, and essays on aesthetics, religion, and politics. It analyzes his original manuscripts, some of which are richly illustrated, reinstating them as an integral component of his art. The seemingly haphazard, collage-like structure of Gauguin’s manuscripts enabled him to evoke the “primitive” culture that he celebrated, while rejecting the style of establishment critics. Gauguin’s writing was also a strategy for articulating a position on the margins of both the colonial and the indigenous communities in Polynesia; he sought to protect Polynesian society from “civilization” but remained implicated in the imperialist culture that he denounced. This critical analysis of his writings significantly enriches our understanding of the complexities of artistic encounters in the French colonial context.

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This volume examines the relationship between poetic language and place in the work of Paul Muldoon. Through a close reading of the formal and stylistic aspects of his poems, the book explores the question of how poetry as an art form can be engaged to map the complex exchanges between language and the material, phenomenal, personal and social dimensions of our sense of place. In particular, it demonstrates how various forms of repetition and return, in language and memory, are crucial to Muldoon’s approach to place and landscape. Each chapter focuses on a specific aspect of the poet’s work: the naming of place; the genre of the long poem; poetry, music and nostalgia; and, finally, the place of poetry in the information age.

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This unique narrative retelling of the story of Saint Paul is both an engaging day-to-day account of life in the first century as well as a remarkable chronicle of the key events that ultimately laid the foundations for Christianity.It covers his childhood, when he was known as Saul, in his father's tent-making workshop, his momentous encounter with Christ on the road to Damascus and his transformation into Paul the apostle, one of Christianity's most significant figures. Siegwart Knijpenga draws on extensive experience of sharing religious lessons with young people to retell the story of Saint Paul in a lively and accessible way, ideal for readers aged 10 and up.

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Paul Klee''s stunning paintings were groundbreaking and thrilling, and their appeal endures still today. A fine new art calendar from Flame Tree.Paul Klee was one of the most inventive artists of the twentieth century. Influenced by Surrealism, Cubism and Impressionism, he had an undoubtedly distinctive style. A keen student of colour theory, his works are powerfully effective, and this calendar features a fantastic selection, including pieces such as City R, Super Chess, and Window in the Garden. Informative text accompanies each work and the datepad features previous and next month’s views. Printed on FSC-certified paper, with plastic-free packaging.

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Film star. Icon. Agitator. Martyr. Paul Robeson was a twentieth-century icon; the most famous African-American of his time. The son of a former slave, he found worldwide fame as a performer, travelling from Hollywood to the West End, and even to communist Russia. A champion of social justice and equality, he would go on to lose everything for the sake of his principles. Here, Jeff Sparrow traces Robeson’s remarkable life. Part travelogue, part biography, this is a story of political ardour, heritage, and trauma — a luminous portrait of a man and an urgent reflection on the politics that define us now.

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Fighting over the beaches of Dunkirk and in the Battle of Britain, guarding the night skies during the perilous months of the Blitz, pioneering electronic countermeasures, and serving air-sea rescue roles all around our coasts, the Boulton Paul Defiant played a vital part through most of the Second World War, finishing it in the important target-tug role. The Defiant is rightly considered Wolverhampton’s highest profile contribution to the war, and the most important product of Boulton Paul Aircraft. This book celebrates the contribution of the Defiant to the war in over 200 illustrations, most from Boulton Paul’s own archives, and many never published before. It exposes some of the false myths attached to an aircraft held in great affection by many of its crews.

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Foreword by Martyn Ware (Heaven 17, The Human League) Tina Turner: singer, trailblazer, icon. One of the best-known and most-beloved performers of all time, Simply Tina documents her life, career and relationship with celebrated music photographer, Paul Cox. When Paul Cox captured Tina's legendary 1983 comeback performance with Heaven 17 on Channel 4's The Tube, it was the beginning of a friendship that would last for over two decades. During that time, Paul was commissioned to photograph Tina on numerous video shoots and live performances. This unique and intimate collection contains a variety of never-before-seen images, telling the story of Tina's career through a mixture of live photos, video shoots, promo shots, candid images and sessions in the recording studio, as well as a few featuring some such high-profile names as David Bowie, Rod Stewart, Bryan Adams and many more.

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Shows that the writings of Paul Bowles, who is often seen as a literary renegade, owe much to the antinomian American tradition of Emerson and his literary descendants. Paul Bowles has often been considered a cult writer, a literary renegade: he lived more than fifty years as an expatriate in Morocco, and according to Norman Mailer, his works "let in the murder, the drugs, the incest . . . the call of the orgy, the end of civilization." In recent decades Bowles has found greater acceptance as a serious writer, as evidenced by the two-volume, 2,000-page Library of America edition of his works published in 2002. Still, he has rarely if ever been seen as having written in the antinomian tradition of Emerson and his literary descendants. The present book makes the case for doing so by demonstrating basic Emersonian attitudes and objectives in Bowles' life and works, especially in his focus on human consciousness and perception and on the need for the individual to escape from the trammels of social and cultural conditioning. Bowles' intellectual pursuits seem to have developed at first from his own spontaneous attitudes, which were then reinforced by his conservative and individualistic New England background on both sides of his family and deepened by a serious study of anthropology, Emersonian transcendentalism, and related "Oriental" thought such as the theosophy of Krishnamurti. Despite his half century in Tangier, Bowles is a writer who is thoroughly "in the American grain."

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One of the major intellectual figures of the twentieth century, Paul Ricoeur has influenced a generation of thinkers. In this, the first philosophically informed biography of Ricoeur, student, colleague, and confidant Charles E. Reagan provides an unusually accessible look at both the philosophy of this extraordinary thinker and the pivotal experiences that influenced his development."A valuable introduction to Ricoeur; highly recommended."—Library Journal"[A] lively introduction to the life and thought of one of this century's most notable philosophers."—Norman Wirzba, Christian Century"Reagan lucidly explains Ricoeur's difficult philosophy while shining overdue light on the personality behind it."—Carlin Romano, Philadelphia Inquirer"Combines biographical and philosophical essays with a more personal memoir that makes Ricoeur's humane and magnanimous nature abundantly evident. Four revealing interviews, coupled with photographs, and an extensive bibliography of primary and secondary sources, complete this illuminating study."—Choice

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As a noted composer and critic, Paul Dukas was a major figure in fin-de-siècle and early twentieth-century French music. Best known for L'Apprenti sorcier, he was internationally recognised as an artist and intellectual ofdistinction who contributed significantly to Parisian musical cultures and critical debates. As a noted composer and critic, and later an editor and composition teacher, Paul Dukas (1865-1935) was a major figure in fin-de-siècle and early twentieth-century French music. Although his catalogue of published scores was relatively modest in quantity, he was internationally recognised as an artist and intellectual of distinction who contributed significantly to Parisian musical cultures and critical debates as they evolved from the 1890s until the 1930s Moving in the same circles as Debussy and Fauré, as well as networking with trailblazers such as the Ballets Russes director Sergei Diaghilev and the conductor Serge Koussevitzky, Dukas created works that reflect French sensibilities but also resonate with transnational audiences. L'Apprenti sorcier is still his best-known work, while the opera Ariane et Barbe-Bleue has been revived and remains relevant for the twenty-first century. Works such as the Piano Sonata and the ballet La Péri respectively exemplify the twin attractions of tradition and progress for the composer. Intensely self-critical, however, he ended up destroying many of his scores. This book is the first full-length Anglophone study of Dukas. It perceives his critical essays as a form of creative, philosophical thought that synthesised the riches of the Parisian music scene yet also represented the formationand development of his own artistic voice. Investigating Dukas's interrelated identities as composer and critic, it seeks to explain his broad aesthetic motivations and artistic agenda. LAURA WATSON is Lecturer in Musicat Maynooth University.

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For nearly thirty years, anthropologist and physician Paul Farmer has traveled to some of the most impoverished places on earth to bring comfort and the best possible medical care to the poorest of the poor. Driven by his stated intent to 'make human rights substantial', Farmer has treated patients - and worked to address the root causes of their disease - in Haiti, Boston, Peru, Rwanda, and elsewhere in the developing world. In 1987, with several colleagues, he founded Partners In Health to provide a preferential option for the poor in health care. Throughout his career, Farmer has written eloquently and extensively on these efforts. "Partner to the Poor" collects his writings from 1988 to 2009 on anthropology, epidemiology, health care for the global poor, and international public health policy, providing a broad overview of his work. It illuminates the depth and impact of Farmer's contributions and demonstrates how, over time, this unassuming and dedicated doctor has fundamentally changed the way we think about health, international aid, and social justice. A portion of the proceeds from the sale of this book will be donated to Partners In Health.

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To have been alive during the last sixty years is to have lived with the music of Paul Simon. The boy from Queens scored his first hit record in 1957, just months after Elvis Presley ignited the rock era. As the songwriting half of Simon & Garfunkel, his work helped define the youth movement of the '60s. On his own in the '70s, Simon made radio-dominating hits. He kicked off the '80s by reuniting with Garfunkel to perform for half a million New Yorkers in Central Park. Five years later, Simon's album "Graceland" sold millions and spurred an international political controversy. And it doesn't stop there.The grandchild of Jewish immigrants from Hungary, the nearly 75-year-old singer-songwriter has not only sold more than 100 million records, won 15 Grammy awards and been installed into the Rock 'n' Roll Hall of Fame twice, but has also animated the meaning and flexibility of personal and cultural identity in a rapidly shrinking world.Simon has also lived one of the most vibrant lives of modern times; a story replete with tales of Carrie Fisher, Leonard Bernstein, Bob Dylan, Woody Allen, Shelley Duvall, Nelson Mandela, the Grateful Dead, drugs, depression, marriage, divorce, and more. A life story with the scope and power of an epic novel, Carlin's Homeward Bound is the first major biography of one of the most influential popular artists in American history.

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The brothers Paul and John Nash, in their very different ways, were a major influence on twentieth century British design. Paul Nash (1889-1946) is now recognised as the most significant war artist of the last century; John Nash (1893-1977) as a plantsman artist. Both worked as designers and as tutors at the Royal College of Art, Paul encouraging a generation of designer artists that included Eric Ravilious, Edward Bawden and Enid Marx. As a committee member of the Design and Industries Association and President of the newly formed Society of Industrial Artists (now the Chartered Society of Designers) Paul promoted design as no less an art form than the fine arts of painting and sculpture. His clients included London Transport, Shell and Curwen Press and publishers the Nonesuch and Golden Cockerel Presses. John became well known for his Edward Lear influenced humorous illustrations and his superb plant drawings and wood engravings that illustrate innumerable books and publications. Paul Nash and John Nash, Design features over 150 illustrations, including graphic design, textile design, ceramics and glass, many not reproduced before. With descriptions by Brian Webb and an introductory essay by Peyton Skipwith. The Design series is the winner of the Brand/Series Identity Category at the British Book Design and Production Awards 2009, judges said: "A series of books about design, they had to be good and these are. The branding is consistent, there is a good use of typography and the covers are superb." Also available: Claud Lovat Fraser ISBN: 9781851496631 GPO ISBN: 9781851495962 Peter Blake ISBN: 9781851496181 FHK Henrion ISBN: 9781851496327 David Gentleman ISBN: 9781851495955 David Mellor ISBN: 9781851496037 E.McKnight Kauffer ISBN: 9781851495207 Edward Bawden and Eric Ravilious ISBN: 9781851495009 El Lissitzky ISBN: 9781851496198 Festival of Britain 1951 ISBN: 9781851495337 Harold Curwen & Oliver Simon: Curwen Press ISBN: 9781851495719 Jan Le Witt and George Him ISBN: 9781851495665 Rodchenko ISBN: 9781851495917 Abram Games ISBN: 9781851496778

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How can we explain the difference between the "miraculous" Christianity expressed in the Gospels and the nearly miracle-free Christianity of Paul? In this historically informed study, senior New Testament scholar Graham Twelftree challenges the view that Paul was primarily a thinker and reimagines him as an apostle of Jesus for whom the miraculous was of profound importance. Highlighting often-overlooked material in Paul's letters, Twelftree offers a fresh consideration of what the life and work of Paul might teach us about miracles in early Christianity and sheds light on how early Christians lived out their faith.

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This book contains six of his most famous paintings and, with over 75 large-sized stickers, it allows both children and adults to experiment themselves, placing the re-usable stickers on different paintings to see how small - and large - changes, completely change a work of art.

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Republished for the first time since 1951, Beware of Johnny Washington is Francis Durbridge’s clever reworking of the very first Paul Temple radio serial using his new characters, the amiable Johnny Washington and newspaper columnist Verity Glyn. Includes as a bonus the first Paul Temple short story, ‘A Present for Paul’. When a gang of desperate criminals begins leaving calling cards inscribed ‘With the Compliments of Johnny Washington’, the real Johnny Washington is encouraged by an attractive newspaper columnist to throw in his lot with the police. Johnny, an American ‘gentleman of leisure’ who has settled at a quiet country house in Kent to enjoy the fishing, soon finds himself involved with the mysterious Horatio Quince, a retired schoolmaster who is on the trail of the gang’s unscrupulous leader, the elusive ‘Grey Moose’. Best known for creating Paul Temple for BBC radio in 1938, Francis Durbridge’s prolific output of crime and mystery stories, encompassing plays, radio, television, films and books, made him a household name for more than 50 years. A new radio character, ‘Johnny Washington, Esquire’, hit the airwaves in 1949, leading to the publication of this one-off novel in 1951. This Detective Club classic is introduced by writer and bibliographer Melvyn Barnes, author of Francis Durbridge: A Centenary Appreciation, who reveals how Johnny Washington’s only literary outing was actually a reworking of Durbridge’s own Send for Paul Temple.

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Each building by this Geneva-based architectural team is based on a powerful idea that is often developed from the eminently urban location. The idea serves as the basis for sophisticated solutions for major residential developments, commercial and administrative buildings and houses that are often refined into architectural gems with a poetic appearance.

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The Latvian-German politician and journalist Paul Schiemann was a passionate advocate of independence for the indigenous Baltic peoples. He unflinchingly resisted all forms of political extremism and wrote one of the earliest extended critical analysis of National Socialism. Schiemann vigorously opposed Nazi infiltration of the German minorities' movement and through this the European Nationalities' Congress. He also endured and commented bitingly on his experience of life under communist rule in the Baltic states. His memories, which he began to dictate to a young Jewish girl whom he was hiding, testify to his ideas on minority rights, extremism and Europe's future. Hiden's biography of this courageous man who battled against both Baltic and German nationalism opens up a little-explored chapter of Baltic history in a region today seen once more as the litmus test of the new Europe.

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Paul the apostle is usually imagined as a man of prestige and power – comfortably conversing with philosophers, seeking an audience with the emperor, and composing compelling letters for Christians throughout the Mediterranean. Yet this portrait of a safe and conventional figure at the origins of Christianity airbrushes out many strange things about him. This volume repositions Paul as a man at the periphery of power. Recovering an Undomesticated Apostle explores the ways that Paul has been “domesticated” in both popular and scholarly imagination. By isolating selected crises of the apostle’s life and legacy and examining the social and material dimensions of his world, these essays collectively chip away at the received image of his strength and status. The result is a series of glimpses of Paul that frame the apostle as surprisingly marginal and weak within Roman society. Published in honour of New Testament scholar Leif E. Vaage, Recovering an Undomesticated Apostle presents Paul as a man operating from a position of desperation, making virtue out of necessity as he attempted to claw his way up in the dog-eat-dog world of the ancient Mediterranean.

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