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Privacy is disappearing. From our sex lives to our workout routines, the details of our lives once relegated to pen and paper have joined the slipstream of new technology. As a MacArthur fellow and distinguished professor of law at the University of Virginia, acclaimed civil rights advocate Danielle Citron has spent decades working with lawmakers and stakeholders across the globe to protect what she calls intimate privacy—encompassing our bodies, health, gender, and relationships. When intimate privacy becomes data, corporations know exactly when to flash that ad for a new drug or pregnancy test. Social and political forces know how to manipulate what you think and who you trust, leveraging sensitive secrets and deepfake videos to ruin or silence opponents. And as new technologies invite new violations, people have power over one another like never before, from revenge porn to blackmail, attaching life-altering risks to growing up, dating online, or falling in love. A masterful new look at privacy in the twenty-first century, The Fight for Privacy takes the focus off Silicon Valley moguls to investigate the price we pay as technology migrates deeper into every aspect of our lives: entering our bedrooms and our bathrooms and our midnight texts; our relationships with friends, family, lovers, and kids; and even our relationship with ourselves. Drawing on in-depth interviews with victims, activists, and advocates, Citron brings this headline issue home for readers by weaving together visceral stories about the countless ways that corporate and individual violators exploit privacy loopholes. Exploring why the law has struggled to keep up, she reveals how our current system leaves victims—particularly women, LGBTQ+ people, and marginalized groups—shamed and powerless while perpetrators profit, warping cultural norms around the world. Yet there is a solution to our toxic relationship with technology and privacy: fighting for intimate privacy as a civil right. Collectively, Citron argues, citizens, lawmakers, and corporations have the power to create a new reality where privacy is valued and people are protected as they embrace what technology offers. Introducing readers to the trailblazing work of advocates today, Citron urges readers to join the fight. Your intimate life shouldn’t be traded for profit or wielded against you for power: it belongs to you. With Citron as our guide, we can take back control of our data and build a better future for the next, ever more digital, generation.

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This expert-curated guide book to the Isle of Skye & the Western Isles shines a spotlight on a more unusual British break, with a wealth of practical information on what to see and do. Each area or neighbourhood featured in this Isle of Skye & the Western Isles travel guide is explored in-depth with detailed coverage of the points of interest, shops, restaurants, cafes and bars on offer. Excursions to surrounding areas give plenty of options for those looking to enjoy a longer stay. This Isle of Skye & the Western Isles guide book has been fully updated post-COVID-19.The Pocket Rough Guide to the Isle of Skye & the Western Isles covers: Portree, Trotternish, Waternish and Duirinish, Sleat, the Cuillin, Minginish and Raasay, The Small Isles, The Western Isles, Lewis (Leodhas), Harris (Na Hearadh), North Uist (Uibhist a Tuath), Benbecula (Beinn na Faoghla) and South Uist (Uibhist a Deas), Barra (Barraigh) and Vatersay (Bhatarsaigh).Inside this travel guide to the Isle of Skye & the Western Isles you will find:RECOMMENDATIONS FOR EVERY TYPE OF TRAVELLER Experiences selected for every kind of trip to the Isle of Skye & the Western Isles, from off-the-beaten-track adventures in the Trotternish peninsula, to family activities in child-friendly places like Fairy Pools, or breaks in popular tourist areas, like Portree.INCISIVE AREA-BY-AREA OVERVIEWSCovering the Storr, The Fairy Pools, and Callanish Standing Stones, and more, the practical 'Places' section of this Isle of Skye & the Western Isles travel guide provides all you need to know about must-see sights and the best places to eat, drink, sleep and shop.TIME-SAVING ITINERARIESThe routes suggested by Rough Guides' expert writers cover top attractions like Sligachan Old Bridge and Eigg, and hidden gems like Gearrannan Blackhouse Village and Lealt Falls.DAY-TRIPSVenture further afield to Trotternish peninsula or North Uist. This travel guide to Isle of Skye & the Western Isles tells you where to go, how to get there, and what to see when you arrive.HONEST INDEPENDENT REVIEWSWritten with Rough Guides' trademark blend of humour, honesty and expertise, our expert writers will help you make the most of your trip to the Isle of Skye & the Western Isles.COMPACT FORMATPacked with pertinent practical information, this Isle of Skye & the Western Isles guide book is a convenient companion when you're out and about exploring the Fairy Pools. ATTRACTIVE USER-FRIENDLY DESIGNFresh magazine-style layout, inspirational colour photography and colour-coded maps throughout this Isle of Skye & the Western Isles travel guide.PRACTICAL TRAVEL INFORMATIONIncludes invaluable background information on how to get to the Isle of Skye & the Western Isles, getting around, tourist information, festivals and events, plus an A-Z directory.FREE EBOOK Free eBook download with every purchase of this guide book to the Isle of Skye & the Western Isles to access all the content from your phone or tablet, for on-the-road exploration.

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Featuring over 600 wildflowers, flowering shrubs, and vines, this user-friendly field guide is the first to focus on the rare, fragile lands and species of the Sandhills region of the Carolinas and Georgia. Characterized by longleaf pine forests, rolling hills, abundant blackwater streams, several major rivers, and porous sandy soils, the Sandhills region stretches from Fayetteville, North Carolina, southwest to Columbus, Georgia, and represents the farthest advance of the Atlantic Ocean some 2 million years ago. Wildflowers of the Sandhills Region is arranged by habitat, with color tabs to facilitate easy browsing of the nine different natural communities whose plants are described here. Bruce A. Sorrie, a botanist with over 30 years of experience, includes common plants, region-specific endemics, and local rarities, each with its own species description, and over 540 color photos for easy identification. The field guide's opening section includes an introduction to the Sandhills region's geology, soil types, and special relationship to fire ecology; an overview of rare species and present conservation efforts; a glossary and key to flower and leaf structures; and a listing of gardens, preserves, and parklands in the Sandhills region and nearby where wildflowers can be seen and appreciated. Wildflower enthusiasts and professional naturalists alike will find this comprehensive guide extremely useful. Southern Gateways Guide is a registered trademark of the University of North Carolina Press |Featuring over 600 wildflowers, flowering shrubs, and vines, this user-friendly field guide includes an introduction to the Sandhills region's geology, soil types, and special relationship to fire ecology; an overview of rare species and present conservation efforts; a glossary and key to flower and leaf structures; and a listing of gardens, preserves, and parklands in the Sandhills region and nearby where wildflowers can be seen and appreciated.

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At first glance, the U.S. decision to escalate the war in Vietnam in the mid-1960s, China's position on North Korea's nuclear program in the late 1990s and early 2000s, and the EU resolution to lift what remained of the arms embargo against Libya in the mid-2000s would appear to share little in common. Yet each of these seemingly unconnected and far-reaching foreign policy decisions resulted at least in part from the exercise of a unique kind of coercion, one predicated on the intentional creation, manipulation, and exploitation of real or threatened mass population movements. In Weapons of Mass Migration, Kelly M. Greenhill offers the first systematic examination of this widely deployed but largely unrecognized instrument of state influence. She shows both how often this unorthodox brand of coercion has been attempted (more than fifty times in the last half century) and how successful it has been (well over half the time). She also tackles the questions of who employs this policy tool, to what ends, and how and why it ever works. Coercers aim to affect target states' behavior by exploiting the existence of competing political interests and groups, Greenhill argues, and by manipulating the costs or risks imposed on target state populations. This "coercion by punishment" strategy can be effected in two ways: the first relies on straightforward threats to overwhelm a target's capacity to accommodate a refugee or migrant influx; the second, on a kind of norms-enhanced political blackmail that exploits the existence of legal and normative commitments to those fleeing violence, persecution, or privation. The theory is further illustrated and tested in a variety of case studies from Europe, East Asia, and North America. To help potential targets better respond to-and protect themselves against-this kind of unconventional predation, Weapons of Mass Migration also offers practicable policy recommendations for scholars, government officials, and anyone concerned about the true victims of this kind of coercion—the displaced themselves.

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Told in alternating tales at once haunting and redemptive, A Tangled Mercy is a quintessentially American epic rooted in heartbreaking true events examining the harrowing depths of human brutality and betrayal, and our enduring hope for freedom and forgiveness. After the sudden death of her troubled mother, struggling Harvard grad student Kate Drayton walks out on her lecture—and her entire New England life. Haunted by unanswered questions and her own uncertain future, she flees to Charleston, South Carolina, the place where her parents met, convinced it holds the key to understanding her fractured family and saving her career in academics. Kate is determined to unearth groundbreaking information on a failed 1822 slave revolt—the subject of her mother’s own research. Nearly two centuries earlier, Tom Russell, a gifted blacksmith and slave, grappled with a terrible choice: arm the uprising spearheaded by members of the fiercely independent African Methodist Episcopal Church or keep his own neck out of the noose and protect the woman he loves. Kate’s attempts to discover what drove her mother’s dangerous obsession with Charleston’s tumultuous history are derailed by a horrific massacre in the very same landmark church. In the unimaginable aftermath, Kate discovers a family she never knew existed as the city unites with a powerful message of hope and forgiveness for the world.

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We stare at each other because we don't know which tribe, and then nod at the last possible instant. Standard procedure. You pick it up the first time a white friend leads you across a room just to stand you up by another Indian, arrange you like furniture, like you should have something to say to each other. As one character after another tells it in these stories, much that happens to them does so because "I'm an Indian." And, as Stephen Graham Jones tells it in one remarkable story after another, the life of an Indian in modern America is as rich in irony as it is in tradition. A noted Blackfeet writer, Jones offers a nuanced and often biting look at the lives of Native peoples from the inside. A young Indian mans journey to discover America results in an unsettling understanding of relations between whites and Natives in the twenty-first century, a relationship still fueled by mistrust, stereotypes, and almost casual violence. A character waterproofs his boots with transmission fluid; another steals into Glacier National Park to hunt. One man uses watermelon to draw flies off poached deer; another, in a modern twist on the captivity narrative, kidnaps a white girl in a pickup truck; and a son bleeds into the father carrying him home. Rife with arresting and poignant images, fleeting and daring in presentation, weighty and provocative in their messages, these stories demonstrate the power of one of the most compelling writers in Native North America today.

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As natural disasters begin to befall them the closer they become, Milo and Marcos soon begin to wonder if the universe itself is plotting against them in this young adult debut by the playwright and creator of The Two Princes podcast, Kevin Christopher Snipes. Milo Connolly has managed to survive most of high school without any major disasters, so by his calculations, he’s well past due for some sort of Epic Teenage Catastrophe. Even so, all he wants his senior year is to fly under the radar.Everything is going exactly as planned until the dreamy and charismatic Marcos Price saunters back into his life after a three-year absence and turns his world upside down. Suddenly Milo is forced to confront the long-buried feelings that he’s kept hidden not only from himself but also from his deeply religious parents and community.To make matters worse, strange things have been happening around his sleepy Florida town ever since Marcos’s return—sinkholes, blackouts, hailstorms. Mother Nature is out of control, and the closer Milo and Marcos get, the more disasters seem to befall them. In fact, as more and more bizarre occurrences pile up, Milo and Marcos find themselves faced with the unthinkable: Is there a larger, unseen force at play, trying to keep them apart? And if so, is their love worth risking the end of the world?

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THE SUNDAY TIMES TOP TEN BESTSELLER & BEST HISTORY BOOK OF 2023 THE NEW YORK TIMES BESTSELLER A TELEGRAPH BEST HISTORY BOOK OF 2023 A BLOOMBERG BEST BOOK OF 2023 A PROSPECT BEST HISTORY BOOK OF 2023 BLACKWELL'S NON-FICTION BOOK OF THE YEAR SHORTLISTED FOR THE WATERSTONES BOOK OF THE YEAR 2023 '[Mary Beard] has always had the sharpest eyes for telling detail and colourful anecdote' Sunday Times 'Britain's most famous classicist ... at the peak of her powers' The Times 'Extraordinary ... a deliciously varied tapestry of detail drawn from across nearly three centuries' Telegraph 'The reigning Queen of Classics' Spectator What was it really like to rule and be ruled in the Ancient Roman world? In her international best-seller SPQR, Mary Beard told the thousand-year story of ancient Rome. Now, she shines her spotlight on the emperors who ruled the Roman empire, from Julius Caesar (assassinated 44 BCE) to Alexander Severus (assassinated 235 CE). Emperor of Rome is not your usual chronological account of Roman rulers, one after another: the mad Caligula, the monster Nero, the philosopher Marcus Aurelius. Beard asks bigger questions: What power did emperors actually have? Was the Roman palace really so bloodstained? Emperor of Rome goes directly to the heart of Roman (and our own) fantasies about what it was to be Roman, offering an account of Roman history as it has never been presented before.

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SHERLOCK HOLMES IS NOT ONLY THE MOST FAMOUS CHARACTER IN CRIME FICTION BUT THE MOST FAMOUS CHARACTER IN ALL OF FICTION.'Holmes has a timeless intelligence that puts him head, shoulders and deer-stalker above all other detectives' Alexander McCall Smith_______________This complete volume contains four novels and fifty-six short stories about the most engaging detective of all time, with a foreword by crime writer Ruth Rendell.Sherlock Holmes, together with his faithful sidekick Doctor John H. Watson, proves himself as the quintessential detective. Time after time his pits his extraordinary wits and courage against foreign spies, blackmailers, cultists, petty thieves, murderers, swindlers, policemen (both stupid and clever), and his arch-nemesis Moriarty.Continuing to enthral millions in film and TV adaptations, Arthur Conan Doyle's creation has inspired readers and writers of crime stories for well over a century. Join their ranks with this collection._______________'The immense talent, passion and literary brilliance that Conan Doyle brought to his work give him a unique place in English letters. Personally, I'd walk a million miles in tight boots just to read his letters to the milkman' Stephen Fry'Now, as in his lifetime, cab drivers, statesmen, academics, and raggedy-assed children sit spellbound at his feet. No wonder, then, if the pairing of Holmes and Watson has triggered more imitators than any other duo in literature' John Le Carré

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Real heroes never die. But they do get grouchy in middle age. The beloved King Ik is dead, and there was barely time to check his pulse before the royal throne was supporting the suspiciously shapely backside of an impostor pretending to be Ik’s beautiful long-lost daughter. With the land’s heroic hunks busy drooling all over themselves, there’s only one man left who can save the kingdom of Jenair. His name is Dungar Loloth, a rural blacksmith turned innkeeper, a surly hermit and an all-around nobody oozing toward middle age, compensating for a lack of height, looks, charm, and tact with guts and an attitude. Normally politics are the least of his concerns, but after everyone in the neighboring kingdom of Farrawee comes down with a severe case of being dead, Dungar learns that the masquerading princess not only is behind the carnage but also has similar plans for his own hometown. Together with the only person senseless enough to tag along, an eccentric and arguably insane hobo named Jimminy, he journeys out into the world he’s so pointedly tried to avoid as the only hope of defeating the most powerful person in it. That is, if he can survive the pirates, cultists, radical Amazonians, and assorted other dangers lying in wait along the way. Logan J. Hunder’s hilarious debut blows up the fantasy genre with its wry juxtaposition of the fantastic and the mundane, proving that the best and brightest heroes aren’t always the best for the job.

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Smoke. Shadows. Moody strains of jazz. Welcome to the world of "noir musical" films, where tormented antiheroes and hard-boiled musicians battle obsession and struggle with their music and ill-fated love triangles. Sultry divas dance and sing the blues in shrouded nightclubs. Romantic intrigue clashes with backstage careers. In her pioneering study, Music in the Shadows, film noir expert Sheri Chinen Biesen explores musical films that use film noir style and bluesy strains of jazz to inhabit a disturbing underworld and reveal the dark side of fame and the American Dream. While noir musical films like A Star Is Born include musical performances, their bleak tone and expressionistic aesthetic more closely resemble the visual style of film noir. Their narratives unfold behind a stark noir lens: distorted, erratic angles and imbalanced hand-held shots allow the audience to experience a tortured, disillusioned perspective. While many musicals glamorize the quest for the spotlight in Hollywood's star factory, brooding noir musical films such as Blues in the Night, Gilda, The Red Shoes, West Side Story, and Round Midnight stretch the boundaries of film noir and the musical as film genres collide. Deep shadows, dim lighting, and visual composition evoke moodiness, cynicism, pessimism, and subjective psychological points of view. As in her earlier study of film noir, Blackout: World War II and the Origins of Film Noir, Biesen draws on extensive primary research in studio archives to situate her examination within a historical, industrial, and cultural context.

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The story of the Native peoples of the Great Plains--including the Arapaho, Cheyenne, Lakota, Shoshone, Blackfeet, Kiowa, Pawnee, Arikara, Gros Ventre, Assiniboine, Mandan, Hidatsa, and Crow tribes-- is integral to the history and heritage of the American West. These buffalo-hunting and horticultural people once dominated the vast open region of the Great Plains, west of the Mississippi River and east of the Rocky Mountains, that stretches from present-day Canada to Texas. The Native people of the Plains found this vast, harsh land rich in resources, with tall grass prairies abundant with herds of buffalo and other grazing animals and fertile river valleys that supported farming. Economic practices were intertwined with spiritual ceremonial activities and core beliefs about the people's relationships to the land, sky, and universe. The magnificent arts of Plains Indian people also had such spiritual underpinnings, which, together with their historical and cultural contexts, can provide greater insight into and appreciation of their tribal significances. Lavishly illustrated with more than 300 images of objects from traditional feather bonnets to war shirts, bear claw necklaces, pipe tomahawks, beadwork, and quillwork, as well as archival photographs of historical events and individuals and photographs of contemporary Native life, Memory and Vision is a comprehensive examination of the environments and historic forces that forged these cultures, and a celebration of their ongoing presence in our national society.

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Cinema was one of the Cold War's most powerful instruments of propaganda. Movies blended with literary, theatrical, musical and broadcast representations of the conflict to produce a richly textured Cold War culture. Now in paperback, this timely book fills a significant gap in the international story by uncovering British cinema's contribution to Cold War propaganda and to the development of a popular consensus on Cold War issues. Tony Shaw focuses on an age in which the 'first Cold War' dictated international (and to some extent domestic) politics. This era also marked the last phase of cinema's dominance as a mass entertainment form in Britain. Shaw explores the relationship between film-makers, censors and Whitehall, within the context of the film industry's economic imperatives and the British government's anti-Soviet and anti-Communist propaganda strategies. Drawing upon rich documentation, he demonstrates the degree of control exerted by the state over film output. Shaw analyses key films of the period, including High Treason, which put a British McCarthyism on celluloid; the fascinatingly ambiguous science fiction thriller The Quatermass Experiment; the dystopic The Damned, made by one of Hollywood's blacklisted directors, Joseph Losey; and the CIA-funded, animated version of George Orwell's novel "Animal Farm". The result is a deeply probing study of how Cold War issues were refracted through British films, compared with their imported American and East European counterparts, and how the British public received this 'war propaganda'.

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A Russian Defector—A Worldwide Dragnet—A Looming Assassination—Max Geller is back in Moscow Former CIA Russia expert Max Geller is recovering from an intense mission while lying low in Australia, enjoying his sudden wealth in the company of his new girlfriend. But his beachy bliss is short-lived when Max, while relaxing by the ocean, is ambushed by the CIA. He soon learns that his girlfriend, Vanessa, is being used as blackmail by his former CIA boss, Rodney, to convince Max to go to Moscow. His mission? Smuggle out a defector with knowledge of a secret Kremlin war plan. Max is wanted by the Russians, so the defector could be bait to lure him into the hands of his old enemy, FSB Colonel Zabluda. But it’s either Max or Vanessa who must go, so Max takes the bait and heads off. When Max is spotted in Moscow, Zabluda launches a manhunt, pursuing him and the defector across country lines. Max and the defector race to evade countless attacks and attempts at capture as they escape to the United States. Will they make it in time? And what happens when the defector reveals crucial information that indicates U.S. democracy could be in peril? Max must figure out a way to avoid capture and halt imminent attacks—before it’s too late.Perfect for fans of Daniel Silva and Nelson DeMille While the novels in the Max Geller Spy Thriller Series stand on their own and can be read in any order, the publication sequence is:The President’s Dossier The Blood of Patriots and Traitors

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The Welfare of Animals used in Research: Practice and Ethics gives a complete and balanced overview of the issues surrounding the use of animals in scientific research. The focus of the book is on the animal welfare implications and ethics of animals in research. It covers the topics with sufficient depth to show a real understanding of varied and complex subjects, but conveys the information in a beautifully reader-friendly manner. Key features: Provides those who are not working in the field with a reasonable understanding as to why and how animals are used in research. Gives an introduction to the ethical issues involved in using animals, and explains how these are addressed in practice. Details the advances in animal welfare and the use and development of the 3Rs principles, and how these have become fundamental to the everyday use and regulation of animals used in research. The focus is on principles making it suitable for an international audience. This book is a useful introduction to the issues involved in laboratory animal welfare for those who intend to work in research involving animals. It is also useful to prospective animal care staff and animal welfare scientists, and to those involved in ethical review. It will help inform debate amongst those who are not involved in experimentation but who are interested in the issues. Published as a part of the prestigious Wiley-Blackwell – UFAW Animal Welfare series. UFAW, founded 1926, is an internationally recognised, independent, scientific and educational animal welfare charity. For full details of all titles available in the series, please visit the UFAW Animal Welfare series website.

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Introduces readers to the modes of literary and cultural study of the previous half century A Companion to Literary Theory is a collection of 36 original essays, all by noted scholars in their field, designed to introduce the modes and ideas of contemporary literary and cultural theory. Arranged by topic rather than chronology, in order to highlight the relationships between earlier and most recent theoretical developments, the book groups its chapters into seven convenient sections: I. Literary Form: Narrative and Poetry; II. The Task of Reading; III. Literary Locations and Cultural Studies; IV. The Politics of Literature; V. Identities; VI. Bodies and Their Minds; and VII. Scientific Inflections. Allotting proper space to all areas of theory most relevant today, this comprehensive volume features three dozen masterfully written chapters covering such subjects as: Anglo-American New Criticism; Chicago Formalism; Russian Formalism; Derrida and Deconstruction; Empathy/Affect Studies; Foucault and Poststructuralism; Marx and Marxist Literary Theory; Postcolonial Studies; Ethnic Studies; Gender Theory; Freudian Psychoanalytic Criticism; Cognitive Literary Theory; Evolutionary Literary Theory; Cybernetics and Posthumanism; and much more. Features 36 essays by noted scholars in the field Fills a growing need for companion books that can guide readers through the thicket of ideas, systems, and terminologies Presents important contemporary literary theory while examining those of the past The Wiley-Blackwell Companion to Literary Theory will be welcomed by college and university students seeking an accessible and authoritative guide to the complex and often intimidating modes of literary and cultural study of the previous half century.

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The Jerry Sandusky child molestation case stunned the nation. As subsequent revelations uncovered an athletic program operating free of oversight, university officials faced criminal charges while unprecedented NCAA sanctions hammered Penn State football and blackened the reputation of coach Joe Paterno. In Wounded Lions, acclaimed sport historian and longtime Penn State professor Ronald A. Smith heavily draws from university archives to answer the How? and Why? at the heart of the scandal. The Sandusky case was far from the first example of illegal behavior related to the football program or the university's attempts to suppress news of it. As Smith shows, decades of infighting among administrators, alumni, trustees, faculty, and coaches established policies intended to protect the university, and the football team considered synonymous with its name, at all costs. If the habits predated Paterno, they also became sanctified during his tenure. Smith names names to show how abuses of power warped the "Penn State Way" even with hires like women's basketball coach Rene Portland, who allegedly practiced sexual bias against players for decades. Smith also details a system that concealed Sandusky's horrific acts just as deftly as it whitewashed years of rules violations, coaching malfeasance, and player crime while Paterno set records and raised hundreds of millions of dollars for the university. A myth-shattering account of misplaced priorities, Wounded Lions charts the intertwined history of an elite university, its storied sports program, and the worst scandal in collegiate athletic history.

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NOW A MAJOR NETFLIX FILM starring Lily James, Armie Hammer, Kristin Scott Thomas and Lily Collins. 'The moment I finished this story, I turned to page one and started it over again' MALORIE BLACKMAN'Excellent entertainment . . . du Maurier created a scale by which modern women can measure their feelings' STEPHEN KING'Rebecca is a masterpiece in which du Maurier pulls off several spectacular high-wire acts that many great writers wouldn't attempt' JIM CRACE, GUARDIAN On a trip to the South of France, the shy heroine of Rebecca falls in love with Maxim de Winter, a handsome widower. Although his proposal comes as a surprise, she happily agrees to marry him. But as they arrive at her husband's home, Manderley, a change comes over Maxim, and the young bride is filled with dread. Friendless in the isolated mansion, she realises that she barely knows him. In every corner of every room is the phantom of his beautiful first wife, Rebecca, and the new Mrs de Winter walks in her shadow.Not since Jane Eyre has a heroine faced such difficulty with the other woman. An international bestseller that has never gone out of print, Rebecca is the haunting story of a young girl consumed by love and the struggle to find her identity.This beautiful cover design on this deluxe edition is by textile designer Neisha Crosland.'As a new generation of readers are introduced to the wicked housekeeper Mrs Danvers and learn Maxim de Winter's terrible secret, this chilling, suspenseful tale is as fresh and readable as it was when it was first written' DAILY TELEGRAPH

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A STORY OF WARMTH, WIT AND THE SPIRIT OF A WORKING-CLASS COMMUNITY.PERFECT for fans of TV's Call The Midwife and The Pursuit of Love - and readers of Nadine Dorries, Nancy Revell and Anne Baker will adore the Hopkins family! READERS LOVE OUR KID!***** 'After just a few pages gripped me like pliers' - AMAZON READER REVIEW ***** 'Beautifully written. Hard to put down. Many laughs, and touching moments' - AMAZON READER REVIEW ***** 'Give an insight into a Northern life of a different world written with a sense of hardship, sadness, humour and real emotion' - AMAZON READER REVIEW ***** 'I was howling with laughter one minute and in tears the next ... It's my favourite book'___________________________________________Billy Hopkins' Our Kid is a warm-hearted and nostalgic tale of a boy's life: from the 1920s Manchester slums, through tough times as an evacuee during World War II, to the challenges of the post-war world for a hard-up family.'How wonderful to have a book like this... A glimpse of a lost reality' - Manchester Evening NewsIt was on a Sunday night in 1928 that Billy Hopkins made his first appearance. Billy's tenement home on the outskirts of Manchester would be considered a slum today, but he lived there happily with his large Catholic family, hatching money-making schemes with his many friends.When war came, and the Luftwaffe dominated the night sky, Billy was evacuated to Blackpool. There he lived on a starvation diet while his own rations went to feed his landlady's children - 'I might as well be in Strangeways!'But even the cruel blows that were to be dealt to the family on his return to Manchester would not destroy Billy's fighting spirit - or his sense of humour. What readers are saying about Our Kid: 'Billy Hopkins is a masterful storyteller who draws you into his world of a working class household coping with, and surviving, the ups and downs of life''The characters are brilliant - I will never ever forget this book for as long as I live''The best read ever'

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On Memorial Day 1937, thousands of steelworkers, middle-class supporters, and working-class activists gathered at Sam's Place on the Southeast Side of Chicago to protest Republic Steel's virulent opposition to union recognition and collective bargaining. By the end of the day, ten marchers had been mortally wounded and more than one hundred badly injured, victims of a terrifying police riot. Sam's Place, the headquarters for the steelworkers, was transformed into a bloody and frantic triage unit for treating heads split open by police batons, flesh torn by bullets, and limbs mangled badly enough to require amputation. While no one doubts the importance of the Memorial Day Massacre, Michael Dennis identifies it as a focal point in the larger effort to revitalize American equality during the New Deal. In Blood on Steel, Dennis shows how the incident-captured on film by Paramount newsreels-validated the claims of labor activists and catalyzed public opinion in their favor. In the aftermath of the massacre, Senate hearings laid bare patterns of anti-union aggression among management, ranging from blacklists to harassment and vigilante violence. Companies were determined to subvert the right to form a union, which Congress had finally recognized in 1935. Only in the following year would Congress pass the Fair Labor Standards Act, which established a minimum wage and a maximum work week, outlawed child labor, and regulated hazardous work. Like the Wagner Act that protected collective bargaining, this law aimed to protect workers who had suffered the worst of what the Great Depression had inflicted. Dennis' wide-angle perspective reveals the Memorial Day Massacre as not simply another bloody incident in the long story of labor-management tension in American history but as an illustration of the broad-based movement for social democracy which developed in the New Deal era.

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A groundbreaking reference work on the revolutionary philosophy and intellectual legacy of Richard Rorty A provocative and often controversial thinker, Richard Rorty and his ideas have been the subject of renewed interest to philosophers working in epistemology, metaphysics, analytic philosophy, and the history of philosophy. Having called for philosophers to abandon representationalist accounts of knowledge and language, Rorty introduced radical and challenging concepts to modern philosophy, generating divisive debate through the new form of American pragmatism which he advocated and the renunciation of traditional epistemology which he espoused. However, while Rorty has been one of the most widely-discussed figures in modern philosophy, few volumes have dealt directly with the expansive reach of his thought or its implications for the fields of philosophy in which he worked. The Blackwell Companion to Rorty is a collection of essays by prominent scholars which provide close, and long-overdue, examination of Rorty’s groundbreaking work. Divided into five parts, this volumecovers the major intellectual movements of Rorty’s career from his early work on consciousness and transcendental arguments, to the lasting impacts of his major writings, to his approach to pragmatism and his controversial appropriations from other philosophers, and finally to his later work in culture, politics, and ethics. Offers a comprehensive, balanced, and insightful account of Rorty's approach to philosophy Provides an assessment of Rorty’s more controversial thoughts and his standing as an “anti-philosopher’s philosopher” Contains new and original exploration of Rorty’s thinking from leading scholars and philosophers Includes new perspectives on topics such as Rorty's influence in Central Europe Despite the relevance of Rorty’s work for the wider community of philosophers and for those working in fields such as international relations, legal and political theory, sociology, and feminist studies, the secondary literature surrounding Rorty’s work and legacy is limited. A Companion to Rorty address this absence, providinga comprehensive resource for philosophers and general readers.

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*** SHORTLISTED FOR SPORTS ENTERTAINMENT BOOK OF THE YEAR AT THE SUNDAY TIMES SPORTS BOOK AWARDS 2023 ***'fascinating, frank, funny' Jim White, Daily Telegraph'insightful' Henry Winter, The Times'engaging ... revealing ... a warm and often funny read' FourFourTwo'very entertaining ... great stories' Hawksbee & Jacobs, talkSPORT radio'an incredible book' The Football Show, Sky Sports News'a kaleidoscope of anecdotes and detours packed with wisdom acquired on the hoof' The i newspaper'Yeah, I'm all that plus a bag of chips''Come round my house and we'll have a fight on the front lawn''I'm as chuffed as a badger at the start of the mating season''I thought his bum cheeks looked very pert'Football management is like being a potato - you're never too far from the sack and everyone is constantly chipping away at you. It's not for the faint-hearted and unless you've got skin as thick as rhino and, more importantly, a wicked sense of humour, you've no chance of surviving.Ian Holloway - aka 'Ollie' - has all the above and more besides. His press conferences are the stuff of legend. He's been there, seen it and done it in his 40 years as player and manager, and has been entertaining football fans on and off the pitch for most of his life. He's been head honcho at clubs in all four divisions in English football, experiencing everything from the giddy heights of taking Blackpool to the Premier League to fighting relegation from the Football League with Grimsby Town. There's never been a dull moment.In the joyful How to Be a Football Manager, Holloway weaves a fantastically rich tapestry of hilarious anecdotes to reveal what being the boss is really like. This is not a handbook to tell you when to play a Christmas tree formation or throw on a false nine - it's about dealing with the ridiculous, fighting your corner and always having a comeback.

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Concerns about censorship have once again reached a fever pitch across the liberal West. In other historical periods, such concerns may have marked reactions to book bans and burnings. Often, they followed prosecutions and subsequent jailtime for things spoken or written. During the Red Scare, they were the hushed response to chilling state-sponsored watch-lists and employer-supported blacklists designed to ensure victory against communism. Against this history, complaints about the new censorship appear differently. With respect to the new censorship, there are no books burnings, no prosecutions, no laws or committees. Indeed, there is no coercive state involvement at all. With a few notable exceptions, complaints about censorship in the 21st-century West are complaints about the behavior of private parties: social groups, employers, media conglomerates, social media platforms, and search engines. To better understand the concerns surrounding nonstate interference with speech, Private Censorship offers an account of censorship, as well as an assessment of the ethical and political issues it raises across contexts. J.P. Messina asks and variously answers questions like: what should we think when employees get fired for things they say and how might patterns of such firings create a climate of fear inimical to free inquiry? When is it appropriate for social media firms to deplatform users, and what does it mean for our democracy that those in charge of such decisions are often wealthy Silicon Valley executives? Do search engines act as massive gatekeepers to information in troubling ways, and how might they be constrained, if they do? Along the way, Messina casts a critical eye on many popular proposals for responding to these complaints. Unlike these popular approaches, Private Censorship foregrounds the importance of rights to property, association, and free expression for thinking well about 21st-century censorship concerns.

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Bristol and Bath are two beautiful, closely connected cities. They are portrayed through the eyes of their artists in a delightful variety of styles in this stunning book. The Bristol and Bath Art Book portrays two very different cities. The beautiful images in the book capture the breath-taking landscape of rivers, hills and gorges which they share, but also the cities’ sights that are so unique. Bristol is painted as busy, quirky and vibrant, where Bath glows in more tranquil hues. These important cities in the history of the world are intimately connected. The river Avon that flows through both cities, gouges the spectacular Avon Gorge at Bristol, which is where its international maritime connections begin. The regenerated old docks (the ’floating harbour’), Wapping Wharf and the quayside are lovingly depicted by various artists. Now that the main docks are outside the city, the harbour-side now bustles with shops, bars and offices, but there are still cranes to be seen at the M shed. Underfall boatyard remains a home to maritime businesses and is also pictured in this lovely book, along with pleasure craft and houseboats in the harbour. John Cabot’s The Matthew is the ship that put America on the map. The reconstruction is depicted in drawings and paintings. She may have been a pirate ship at one time, too, as Bristol was the birthplace of Blackbeard and had a thriving piracy business. From this Atlantic connection, the list of items traded expanded from wool, wine and grain to tobacco and alas, to slaves. The profits from this trade endowed many of the fine public monuments drawn and painted here. Like many places, Bristol is undertaking a new reckoning with its history. The great engineer Isambard Kingdom Brunel designed the Clifton Suspension Bridge to span the deep Avon Gorge. In the book, there are many images of this vertiginous bridge: ringed by balloons, luminous in the gloaming, stark in the snow, or painted to resemble a cathedral arch from below. It is a much-loved, living monument to the great man. His Great Western Railway terminus at Temple Meads features here in drawings and prints, along with his pioneering Bristol-built steamship, the SS Great Britain. Crossing Brunel’s famous bridge over the Avon, you will find yourself in the tranquil Leigh woods, painted as a hotspot for bluebells in spring. The old Railway Path, flat, traffic-free and lined with greenery, takes you from Bristol to Bath, where you will find more gorgeous parks: the Georgian garden in the town centre, Alexandra Park with panoramas of the city and the Botanical Gardens with its aerial walkway. Bath is a UNESCO world heritage site because of its Roman remains and exquisite Georgian architecture. Its famous Roman Baths were built around a hot spring the Romans believed sacred to the Goddess Sulis and the city became a centre for health and an inspiration for artists. Its 18th-century architecture: The Royal Crescent, The Circus, Pulteney Bridge and Assembly Rooms, are all examples of Bath’s heyday as a Georgian spa town and are featured in the art book in stunning paintings, drawings and collages. They capture the Bath that Jane Austen would have known from her time in the city. Here, movies of some of her novels have been filmed, along with many other Regency era series e.g. the record-breaking series Bridgerton.

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"A must for anyone interested in the Roman Empire and its impact on world history."—Tony Robinson, star of Blackadder and Time Team This entertaining and informative guide is the perfect introduction to the amazing world of ancient Rome and its emperors, epic wars, awesome architecture, heroes, and villains. With a complete rundown of Roman history alongside fascinating insights into the lives of everyday Romans, you'll discover the amazing people and events involved in the rise and fall of one of the greatest of all ancient civilizations and how its influence is felt around the world today. If you've tuned into any of several TV shows focused on Rome and want to learn more about this fascinating part of history, The Romans For Dummies is the book for you. Schoolteachers and lecturers looking for light-hearted inspiration for lessons will also benefit from this riotous Roman adventure chronicling the rise and fall of the Empire. The Romans For Dummies is an accessible guide written in plain English giving you the fascinating facts of this ancient civilization. You'll learn about the following (and more): How Roman society was divided into classes The assemblies that ruled Rome Why villas were important to the Romans Details about the Roman army, including a Roman soldier's equipment The wonder of Roman architecture, cities, roads, aqueducts, and sewers Everything you ever wanted to know about gladiators and then some The importance of Roman temples, shrines, and the gods How Rome became a republic, an empire, and then collapsed Additionally, you'll learn about turning points in Roman history, (mostly) good and (some) bad Romans, Rome’s greatest enemies, and great places to visit you won’t want to miss on your next Roman holiday. Grab a copy of The Romans For Dummies to discover this and so much more. Guy de la Bédoyère is a historian, archaeologist, and Roman expert, he is well known for his numerous books and appearances on TV, especially Channel 4's Time Team.

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When the protests are over, a guide to creating long-lasting social change beyond the barricades From the Women’s March in D.C. to #BlackLivesMatter rallies across the country, there has been a rising wave of protests and social activism. These events have been an important part of the battle to combat racism, authoritarianism, and xenophobia in Trump’s America. However, the struggle for social justice continues long after the posters and megaphones have been packed away. After the protests are heard, how can we continue to work toward lasting change? This book is an invaluable resource for anyone invested in the fight for social justice. Welch highlights examples of social justice work accomplished at the institutional level. From the worlds of social enterprise, impact investing, and sustainable business, After the Protests Are Heard describes the work being done to promote responsible business practices and healthy, cooperative communities. The book also illuminates how colleges and universities educate students to strive toward social justice on campuses across the country, such as the Engaged Scholarship movement, which fosters interactions between faculty and students and local and global communities. In each of these instances, activists work from within institutions to transform practices and structures to foster justice and equality. After the Protests Are Heard confronts the difficult reality that social change is often followed by spikes in violence and authoritarianism. It offers important insights into how the nation might more fully acknowledge the brutal costs of racism and the historical drivers of racial injustice, and how people of all races can contain such violence in the present and prevent its resurgence in the future. For many members of the social justice community, the real work begins when the protests end. After the Protests Are Heard is a must-read for everyone interested in social justice and activism – from the barricades and campuses to the breakrooms and cubicles.

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The sequel and companion volume to C.A. Bayly's ground-breaking The Birth of the Modern World, 1780-1914, this wide-ranging and sophisticated study explores global history since the First World War, offering a coherent, comparative overview of developments in politics, economics, and society at large. Written by one of the leading historians of his generation, an early intellectual leader in the study of World History Weaves a clear narrative history that explores the themes of politics, economics, social, cultural, and intellectual life throughout the long twentieth century Identifies the themes of state, capital, and communication as key drivers of change on a global scale in the last century, and explores the impact of those ideas Interrogates whether warfare was really the pre-eminent driving force of twentieth-century history, and what other ideas shaped the course of history in this period Explores the causes behind the resurgence of local conflict, rather than global-scale conflict, in the years since the turn of the millennium Delves into the narrative of inequality, a story that has shaped and been shaped by the events of the last hundred years Part of The Blackwell History of the World Series The goal of this ambitious series is to provide an accessible source of knowledge about the entire human past, for every curious person in every part of the world. It will comprise some two dozen volumes, of which some provide synoptic views of the history of particular regions while others consider the world as a whole during a particular period of time. The volumes are narrative in form, giving balanced attention to social and cultural history (in the broadest sense) as well as to institutional development and political change. Each provides a systematic account of a very large subject, but they are also both imaginative and interpretative. The Series is intended to be accessible to the widest possible readership, and the accessibility of its volumes is matched by the style of presentation and production.

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The last twenty years have witnessed a proliferation of radical social and political movements around the world, in wave after wave of struggles against intersecting forms of exploitation, domination, and subalternization. From the International Women's Strike and Occupy, to #BlackLivesMatter and direct action against the climate emergency, a series of common questions have continually re-emerged as immediate and practical challenges. How should radical political movements relate to the state? What makes emancipatory politics fundamentally different from both technocratic and populist models of "politics as usual"? Which forms of organization are most likely to deepen and extend the dynamics that led to the emergence of these movements in the first place? To investigate the goal, nature, method, and organizational forms of radical political engagement against the neoliberal consensus, Peter D. Thomas draws on the work of Antonio Gramsci, the Italian Communist Party leader and political theorist best known for his ideas about hegemony. Hegemony is a concept that, most commonly understood, describes either the way in which a political system functions from the top down, through a culture of passive consent, or a process of neutralizing cultural and political differences to form unity in a nation state. Interestingly, both the left and right have seized on this idea, but, of course, to different political ends. In Radical Politics, Thomas argues that both of these interpretations are misapprehensions of the radical potential of Gramsci's ideas. Offering a new reading of Gramsci, Thomas contends that hegemony is a process of differentiation in which political culture is always changing, and always with the goal of moving toward expanded freedom. Over the course of the book, Thomas looks at the way in which various theorists have approached the dilemma of how to engage productively in radical politics and explains why hegemony is a method of doing politics rather than an end goal. A distinctive and forceful contribution to ongoing debates about the nature and orientation of contemporary emancipatory movements, Radical Politics provides a counterintuitive interpretation of Gramsci's famous and newly relevant work.

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A Times Book of the Year 2019'You should not deny yourself the pleasure of reading it' Sunday Times'A remarkable work and an important addition to the extraordinary wartime history of literary London' Literary ReviewWho were the Lost Girls? At least a dozen or so young women at large in Blitz-era London have a claim to this title. But Lost Girls concentrates on just four: Lys Lubbock, Sonia Brownell, Barbara Skelton and Janetta Parlade. Chic, glamorous and bohemian, as likely to be found living in a rat-haunted maisonette as dining at the Ritz, they cut a swathe through English literary and artistic life in the 1940s. Three of them had affairs with Lucian Freud. One of them married George Orwell. Another became the mistress of the King of Egypt and was flogged by him on the steps of the Royal Palace. And all of them were associated with the decade's most celebrated literary magazine, Horizon, and its charismatic editor Cyril Connolly. Lys, Sonia, Barbara and Janetta had very different - and sometimes explosive personalities - but taken together they form a distinctive part of the war-time demographic: bright, beautiful, independent-minded women with tough upbringings behind them determined to make the most of their lives in a highly uncertain environment. Theirs was the world of the buzz bomb, the cocktail party behind blackout curtains, the severed hand seen on the pavement in the Bloomsbury square, the rustle of a telegram falling through the letter-box, the hasty farewell to another half who might not ever come back, a world of living for the moment and snatching at pleasure before it disappeared. But if their trail runs through vast acreages of war-time cultural life then, in the end, it returns to Connolly and his amorous web-spinning, in which all four of them regularly featured and which sometimes complicated their emotional lives to the point of meltdown.The Lost Girls were the product of a highly artificial environment. After it came to an end - on Horizon's closure in 1950 - their careers wound on. Later they would have affairs with dukes, feature in celebrity divorce cases and make appearances in the novels of George Orwell, Evelyn Waugh, Anthony Powell and Nancy Mitford. The last of them - Janetta - died as recently as three months ago. However tiny their number, they are a genuine missing link between the first wave of newly-liberated young women of the post-Great War era and the Dionysiac free-for-all of the 1960s. Hectic, passionate and at times unexpectedly poignant, this is their story.

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She could lose the perfect life... if she tells the truth. At the school gates in Wimbledon Village, Faiza fits in. It took a few years and a brand new wardrobe, but now the snobbish mothers who mistook her for the nanny treat her as one of their own. But the perfect life costs money. When her husband Tom loses his job, Faiza realises she'll have to reveal her biggest secret: she's spent her family's entire life savings. Unless she doesn't... It only takes a second to lie to Tom. Now Faiza has six weeks to find £75,000 or risk losing the family she has worked so hard to protect. Readers and reviewers are loving Would I Lie to You? 'Warm, intelligent [...] and keeps up the tension right till the end' Sophie Kinsella 'A properly indulgent page turner' Adele Parks, Platinum 'A fresh take on domestic dynamics and moral dilemma... Great for book clubs' Clare Mackintosh 'Convincing and compelling' Stacey Halls 'I couldn't put it down... Tense and funny' Claire Douglas 'I was immediately hooked' Lizzie Damilola Blackburn 'Wise and warm... A page turner' Woman & Home 'A breathtaking, tense ride' Jesse Sutanto 'I just fell into it and couldn't stop' Sarah Pearse 'A refreshing new voice in commercial fiction' Cosmopolitan 'Intelligent and original' Lesley Kara 'So warm, funny, sad and brilliantly written' Laura Marshall 'Not just entertaining, but intelligent and original too [...] and the resourceful Faiza will steal your heart' Lesley Kara 'A warm, funny, compelling, escapist read' Debbie Howells 'Tense, funny, poignant and very clever' Claire Douglas

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Screenwriters are storytellers and dream builders. They forge new worlds and beings, bringing them to life through storylines and idiosyncratic details. Yet up until now, no one has told the story of these creative and indispensable artists. The Writers is the only comprehensive qualitative analysis of the history of writers and writing in the film, television, and streaming media industries in America. Featuring in-depth interviews with over fifty writers—including Mel Brooks, Norman Lear, Carl Reiner, and Frank Pierson—The Writers delivers a compelling, behind-the-scenes look at the role and rights of writers in Hollywood and New York over the past century. Granted unprecedented access to the archives of the Writers Guild Foundation, Miranda J. Banks also mines over 100 never-before-published oral histories with legends such as Nora Ephron and Ring Lardner Jr., whose insight and humor provide a window onto the enduring priorities, policies, and practices of the Writers Guild.With an ear for the language of storytellers, Banks deftly analyzes watershed moments in the industry: the advent of sound, World War II, the blacklist, ascension of television, the American New Wave, the rise and fall of VHS and DVD, and the boom of streaming media. The Writers spans historical and contemporary moments, and draws upon American cultural history, film and television scholarship and the passionate politics of labor and management. Published on the sixtieth anniversary of the formation of the Writers Guild of America, this book tells the story of the triumphs and struggles of these vociferous and contentious hero-makers.

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Fully updated to include Sir Chris Hoy’s incredible, record-breaking golds at London 2012 (making him his country’s greatest ever Olympian), this is the story of a sporting legend in his own words. This 33-year-old cycling fanatic from Murrayfield in the suburbs of Edinburgh defied the doubters who thought he would struggle when his specialist discipline, the 1km time trial, was dropped from the Olympics, and went on to reinvent himself as a track cycling sprinter and triple Olympic gold medallist in Beijing. His return to these shores sparked unprecedented celebrations and real admiration that here was a role model who was the epitome of all things that are good in sport. What makes a champion in sport? In his autobiography, Hoy returns to his roots as a child fully engaged with the BMX craze of the Eighties; when, even as a seven year old his will to succeed allied to an unyielding mental strength set him apart from other youngsters of his age. A promising rower and rugby player in school, it was when he joined his first local cycling club and spent most weekends of the year competing in national events from Blackpool to Bristol that the seeds of his future career were sown. With the devoted support of his family, Hoy drove himself to the pinnacle of his sport at the same time as British track cycling established itself as a pioneering force on the world stage. In the wake of his unparalleled achievements at London 2012, which filled the whole country with pride, there is no sporting icon better placed to demonstrate what it takes to reach the top than Sir Chris Hoy.

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"I listen and gather people's stories. Then I write them down in a way that I hope will communicate something to others, so that seeing these stories will give readers something of value. I tell myself that this isn't going to be done unless I do it, just because of who I am. It's a way of making my mark, leaving something behind . . . not that I'm planning on going anywhere right now." So explains Stephen Murphy-Shigematsu in this touching, introspective, and insightful examination of mixed race Asian American experiences. The son of an Irish American father and Japanese mother, Murphy-Shigematsu uses his personal journey of identity exploration and discovery of his diverse roots to illuminate the journeys of others. Throughout the book, his reflections are interspersed among portraits of persons of biracial and mixed ethnicity and accounts of their efforts to answer a seemingly simple question: Who am I? Here we meet Norma, raised in postwar Japan, the daughter of a Japanese woman and an American serviceman, who struggled to make sense of her ethnic heritage and national belonging. Wei Ming, born in Australia and raised in the San Francisco of the 1970s and 1980s, grapples as well with issues of identity, in her case both ethnic and sexual. We also encounter Rudy, a "Mexipino"; Marshall, a "Jewish, adopted Korean"; Mitzi, a "Blackinawan"; and other extraordinary people who find how connecting to all parts of themselves also connects them to others. With its attention on people who have been regarded as "half" this or "half" that throughout their lives, these stories make vivid the process of becoming whole.

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The adoption of firearms by American Indians between the seventeenth and nineteenth centuries marked a turning point in the history of North America’s indigenous peoples—a cultural earthquake so profound, says David Silverman, that its impact has yet to be adequately measured. Thundersticks reframes our understanding of Indians’ historical relationship with guns, arguing against the notion that they prized these weapons more for the pyrotechnic terror guns inspired than for their efficiency as tools of war. Native peoples fully recognized the potential of firearms to assist them in their struggles against colonial forces, and mostly against one another.The smoothbore, flintlock musket was Indians’ stock firearm, and its destructive potential transformed their lives. For the deer hunters east of the Mississippi, the gun evolved into an essential hunting tool. Most importantly, well-armed tribes were able to capture and enslave their neighbors, plunder wealth, and conquer territory. Arms races erupted across North America, intensifying intertribal rivalries and solidifying the importance of firearms in Indian politics and culture.Though American tribes grew dependent on guns manufactured in Europe and the United States, their dependence never prevented them from rising up against Euro-American power. The Seminoles, Blackfeet, Lakotas, and others remained formidably armed right up to the time of their subjugation. Far from being a Trojan horse for colonialism, firearms empowered American Indians to pursue their interests and defend their political and economic autonomy over two centuries.

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"... succeeds in conveying the exciting and fascinating character of the concert party genre, as well as showing clearly how this material can be used to rethink a number of contemporary theoretical themes and issues." —Karin BarberUnder colonial rule, the first concert party practitioners brought their comic variety shows to audiences throughout what was then the British Gold Coast colony. As social and political circumstances shifted through the colonial period and early years of Ghanaian independence, concert party actors demonstrated a remarkable responsiveness to changing social roles and volatile political situations as they continued to stage this extremely popular form of entertainment. Drawing on her participation as an actress in concert party performances, oral histories of performers, and archival research, Catherine M. Cole traces the history and development of Ghana’s concert party tradition. She shows how concert parties combined an eclectic array of cultural influences, adapting characters and songs from American movies, popular British ballads, and local story-telling traditions into a spirited blend of comedy and social commentary. Actors in blackface, inspired by Al Jolson, and female impersonators dramatized the aspirations, experiences, and frustrations of their audiences. Cole’s extensive and lively look into Ghana’s concert party provides a unique perspective on the complex experience of British colonial domination, the postcolonial quest for national identity, and the dynamic processes of cultural appropriation and social change. This book will be essential reading for scholars and students of African performance, theatre, and popular culture.

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The Jerry Sandusky child molestation case stunned the nation. As subsequent revelations uncovered an athletic program operating free of oversight, university officials faced criminal charges while unprecedented NCAA sanctions hammered Penn State football and blackened the reputation of coach Joe Paterno. In Wounded Lions, acclaimed sport historian and longtime Penn State professor Ronald A. Smith heavily draws from university archives to answer the How? and Why? at the heart of the scandal. The Sandusky case was far from the first example of illegal behavior related to the football program or the university's attempts to suppress news of it. As Smith shows, decades of infighting among administrators, alumni, trustees, faculty, and coaches established policies intended to protect the university, and the football team considered synonymous with its name, at all costs. If the habits predated Paterno, they also became sanctified during his tenure. Smith names names to show how abuses of power warped the "Penn State Way" even with hires like women's basketball coach Rene Portland, who allegedly practiced sexual bias against players for decades. Smith also details a system that concealed Sandusky's horrific acts just as deftly as it whitewashed years of rules violations, coaching malfeasance, and player crime while Paterno set records and raised hundreds of millions of dollars for the university. A myth-shattering account of misplaced priorities, Wounded Lions charts the intertwined history of an elite university, its storied sports program, and the worst scandal in collegiate athletic history.

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Despite the ubiquity of automobility, the reality of automotive death is hidden from everyday view. There are accident blackspots all over the roads that we use and go past every day but the people that have died there or been injured are not marked, unless by homemade shrines and personal memorialization. Nowhere on the planet is this practice as densely actioned as in the United States.Road Scars is a highly visual scholarly monograph about how roadside car crash shrines place the collective trauma of living in a car culture in the everyday landscapes of automobility. Roadside shrines—or road trauma shrines—are vernacular memorial assemblages built by private individuals at sites where family and friends have died in automobile accidents, either while driving cars or motorcycles or being hit by cars as pedestrians, bicyclists, or motorcyclists. Prevalent for decades in Latin America and in the American Southwest, roadside car crash shrines are now present throughout the U.S. and around the world. Some are simply small white crosses, almost silent markers of places of traumatic death. Others are elaborate collections of objects, texts, and materials from all over the map culturally and physically, all significantly brought together not in the home or in a cemetery but on the roadside, in drivable public space—a space where private individuals perform private identities alongside each other in public, and where these private mobilities sometimes collide with one another in traumatic ways that are negotiated in roadside shrines. This book touches on something many of us have seen, but few have explored intellectually.

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Despite the ubiquity of automobility, the reality of automotive death is hidden from everyday view. There are accident blackspots all over the roads that we use and go past every day but the people that have died there or been injured are not marked, unless by homemade shrines and personal memorialization. Nowhere on the planet is this practice as densely actioned as in the United States.Road Scars is a highly visual scholarly monograph about how roadside car crash shrines place the collective trauma of living in a car culture in the everyday landscapes of automobility. Roadside shrines—or road trauma shrines—are vernacular memorial assemblages built by private individuals at sites where family and friends have died in automobile accidents, either while driving cars or motorcycles or being hit by cars as pedestrians, bicyclists, or motorcyclists. Prevalent for decades in Latin America and in the American Southwest, roadside car crash shrines are now present throughout the U.S. and around the world. Some are simply small white crosses, almost silent markers of places of traumatic death. Others are elaborate collections of objects, texts, and materials from all over the map culturally and physically, all significantly brought together not in the home or in a cemetery but on the roadside, in drivable public space—a space where private individuals perform private identities alongside each other in public, and where these private mobilities sometimes collide with one another in traumatic ways that are negotiated in roadside shrines. This book touches on something many of us have seen, but few have explored intellectually.

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The second book in Alexander McCall Smith's new DETECTIVE VARG series . . . 'Reading the novel feels like a form of meditation . . . There is much to enjoy' Scotsman'Wonderfully soothing and relaxing' Telegraph'Heaven is in the detail with this sort of escapist writing. It's like AA Milne meets Karl Ove Knausgaard' Financial Times Spring is coming slowly to Sweden - though not quite as slowly as Detective Ulf Varg's promised promotion at the Department of Sensitive Crimes. For Varg, referred by his psychoanalyst to group therapy at Malmö's Wholeness Centre, life now seems mostly a circle of self-examination, something which may or may not be useful when it comes to the nature of his profession and the particularly sensitive cases that have recently come to light.All in a day's work for Detective Varg, except that one of his new investigations involves fellow detective Anna; it will require every ounce of self-discipline he has in order to remain professional. The other, more curious case is centred around internationally successful novelist Nils Personn-Cederström. According to his girlfriend, Cederström is being blackmailed - but by whom and for what reason?Accompanied by his irritating but kindly colleague Blomquist, Varg begins his enquiries and soon the answers fall neatly into place. Nothing and no one is ever that simple, however, and not for the first time he learns as much about his own emotional and moral landscape as he does about the motives of others. Now Varg must make a possibly life-changing decision. Will he choose his own happiness over that of his heart's desire?

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When and where did the ancestors of modern birds evolve? What enabled them to survive the meteoric impact that wiped out the dinosaurs? How did these early birds spread across the globe and give rise to the 10,600-plus species we recognise today ― from the largest ratites to the smallest hummingbirds? Based on the latest scientific discoveries and enriched by personal observations, The Ascent of Birds sets out to answer these fundamental questions. The Ascent of Birds is divided into self-contained chapters, or stories, that collectively encompass the evolution of modern birds from their origins in Gondwana, over 100 million years ago, to the present day. The stories are arranged in chronological order, from tinamous to tanagers, and describe the many dispersal and speciation events that underpin the world's 10,600-plus species. Although each chapter is spearheaded by a named bird and focuses on a specific evolutionary mechanism, the narrative will often explore the relevance of such events and processes to evolution in general. The book starts with The Tinamou’s Story, which explains the presence of flightless birds in South America, Africa, and Australasia, and dispels the cherished role of continental drift as an explanation for their biogeography. It also introduces the concept of neoteny, an evolutionary trick that enabled dinosaurs to become birds and humans to conquer the planet. The Vegavis's Story explores the evidence for a Cretaceous origin of modern birds and why they were able to survive the asteroid collision that saw the demise not only of dinosaurs but of up to three-quarters of all species. The Duck's Story switches to sex: why have so few species retained the ancestral copulatory organ? Or, put another way, why do most birds exhibit the paradoxical phenomenon of penis loss, despite all species requiring internal fertilisation? The Hoatzin's Story reveals unexpected oceanic rafting from Africa to South America: a stranger-than-fiction means of dispersal that is now thought to account for the presence of other South American vertebrates, including geckos and monkeys. The latest theories underpinning speciation are also explored. The Manakin’s Story, for example, reveals how South America’s extraordinarily rich avifauna has been shaped by past geological, oceanographic and climatic changes, while The Storm-Petrel’s Story examines how species can evolve from an ancestral population despite inhabiting the same geographical area. The thorny issue of what constitutes a species is discussed in The Albatross's Story, while The Penguin’s Story explores the effects of environment on phenotype ― in the case of the Emperor penguin, the harshest on the planet. Recent genomic advances have given scientists novel approaches to explore the distant past and have revealed many unexpected journeys, including the unique overland dispersal of an early suboscine from Asia to South America (The Sapayoa’s Story) and the blackbird's ancestral sweepstake dispersals across the Atlantic (The Thrush’s Story). Additional vignettes update more familiar concepts that encourage speciation: sexual selection (The Bird-of-Paradise's Story); extended phenotypes (The Bowerbird's Story); hybridisation (The Sparrow's Story); and 'great speciators' (The White-eye's Story). Finally, the book explores the raft of recent publications that help explain the evolution of cognitive skills (The Crow's Story); plumage colouration (The Starling's Story); and birdsong (The Finch's Story)

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This book is described as being 'in a genre all its own'. Truly it is. Simeon the cat has two ambitions. the first is to become famous, which is why he writes this book, and the second is to meet the White Rabbit. While pursuing these goals, he takes time to air his views on Oxford, Mr Bean, the internet, on how the British do not value words, and on a while host of other things. He guides us through Oxford's history, landmarks and legends, and provides an entertaining and original introduction to the city. Over-confident in his ability to reason, he enjoys talking with academics and students. All use their real names in the story - Profs of Physics and Medieval German, and postgraduate students. He creates havoc in Blackwell's, discovers an unpublished poem. by Gerard Manley Hopkins, and lays plans to take the grin off the face of the Cheshire Cat. Does he really meet the White Rabbit? It seems he does! Oxford is unique in so many ways. It is the only city in the world where one is in and out of stories all the time. Morse, Mr Bean, Bridgehead, Dickens, Alice in Wonderland, Harry Potter. There is no book that does the job of this one in linking story to reality. It's laugh-out-loud funny, in a dry, sixth-form-humour way. You'll love it!

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‘These guitars have been really good tools; they’re not just museum pieces. They all have a soul and they all come alive.’ – Eric Clapton ‘In his own words, Clapton tells his story through the history of his instruments.’ – Rolling Stone In Six-String Stories Eric Clapton reflects on a legendary career as told through the tools of his trade: his guitars. Collected together here for the first time are the instruments Clapton sold in three record-breaking auctions between 1999 and 2011 to benefit the Crossroads treatment centre he founded in 1998. Featuring some of the most famous guitars ever played, Clapton guides the reader through nearly 300 instruments as he discusses their provenance, reveals insights about his own playing, and shares anecdotes from each chapter of his spectacular life in music. ‘One by one these guitars were the chapters of my life. They belong to a very well-loved family.’ – Eric Clapton Six-String Stories presents a ‘family tree’ that makes connections between iconic instruments, such as Clapton’s famous ‘Blackie’ Stratocaster, and previously unknown rarities, placing them in the chronology of his career. Clapton recalls the instruments he bought to emulate his heroes, the guitars with unknown origins that became their own legend, the ones that never left his side, and the legacy they left behind. Every piece has been individually photographed, revealing every curve, detail and scratch, while the work of over 80 of the world’s best rock photographers shows the instruments in play. See Clapton’s evolution from the psychedelic Sixties, through the stripped-back Seventies, electric Eighties, and unplugged Nineties, right up to the sale of the last guitar. ‘As an avid rock or blues fan, I would look at all the pictures in this book.’ – Eric Clapton Historical and technical information for each piece in the collection – including playlists and concert dates for those instruments used on records and at public appearances – completes the story behind each guitar. ‘The guitars are things of great beauty.’ – Eric Clapton

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______________ ‘One of the best writers of my generation’ - John Irving ‘A playful yet searching novel of gay life in the New York of Ed Koch and Studio 54’ - Kirkus ‘Smart, worldly, erudite, well-connected, and funny’ - New York Review of Books ‘Remarkable … America’s most significant gay writer’ - Literary Review ______________ ‘Has everyone always been in love with you? Of course they have, who am I kidding? What did they say about Helen of Troy? That her face launched a thousand ships? That’s you, you’re that beautiful. A thousand ships’ New York City in the eighties, and at its decadent heart is Guy. The darling of Fire Island's gay community and one of New York’s top male models, Guy is gliding his way to riches that are a world away from his modest provincial upbringing back home in France. Like some modern-day Dorian Gray he seems untouched by time: the decades pass, fashions change, yet his beauty remains as transcendent and captivating as ever. Such looks cannot help but bring him adoration. From sweet yet pathetic Fred to the wealthy and masochistic Baron, from the acerbic and cynical Pierre-Georges to Andre, fabricating Dalí fakes and hurtling towards prison and the abyss, all are in some way fixated on him. In return for the devotion and expensive gifts they lavish on him, he plays with unswerving loyalty whatever role they project onto him: unattainable idol, passionate lover, malleable client. But just as the years are catching up on his smooth skin and perfect body, so his way of life is closing in on him and destroying the men he loves. Edmund White has in Our Young Man created some of the richest representations of gay male identity, from the disco era to the age of AIDs. What links them all is the allure and enchantment they find in beauty. Revelling in its magic, Our Young Man nonetheless slips beneath the seductive surface to examine its dangerous depths, exploring its power to fascinate, enslave and deceive. Mesmerising, blackly comic, and delicately crafted, this is an exquisite novel from a contemporary master.

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Celebrated novelist, biographer and critic Peter Ackroyd paints a vivid picture of one of the world's greatest cities in this brilliant and original work, exploring how the city's many hues have come to shape its history and identity. Think of the colours of London and what do you imagine? The reds of open-top buses and terracotta bricks? The grey smog of Victorian industry, Portland stone and pigeons in Trafalgar square? Or the gradations of yellows, violets and blues that shimmer on the Thames at sunset – reflecting the incandescent light of a city that never truly goes dark? We associate green with royal parks and the District Line; gold with royal carriages, the Golden Lane Estate, and the tops of monuments and cathedrals.Colours of London shows us that colour is everywhere in the city, and each one holds myriad links to its past. The colours of London have inspired artists (Whistler, Van Gogh, Turner, Monet), designers (Harry Beck) and social reformers (Charles Booth). And from the city’s first origins, Ackroyd shows how colour is always to be found at the heart of London’s history, from the blazing reds of the Great Fire of London to the blackouts of the Blitz to the bold colours of royal celebrations and vibrant street life. This beautifully written book examines the city's fascinating relationship with colour, alongside specially commissioned colourised photographs from Dynamichrome, which bring a lost London back to life. London has been the main character in Ackroyd's work ever since his first novel, and he has won countless prizes in both fiction and non-fiction for his truly remarkable body of work. Here, he channels a lifetime of knowledge of the great city, writing with clarity and passion about the hues and shades which have shaped London's journey through history into the present day. A truly invaluable book for lovers of art, history, photography or urban geography, this beautifully illustrated title tells a rich and fascinating story of the history of this great and ever-changing city.

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'Disturbing, blackly funny and completely compulsive' - ALEX NORTH 'a SERIOUSLY creepy thriller. I may never venture into the loft again' - MARK BILLINGHAM 'A brilliantly chilling story with tension on every page' - T.M. LOGAN ________________________________________ THERE'S A SERIAL KILLER ON THE RUN AND HE'S HIDING IN YOUR HOUSE Thomas Brogan is a serial killer. With a trail of bodies in his wake and the police hot on his heels, it seems like Thomas has nowhere left to hide. That is until he breaks into an abandoned house at the end of a terrace on a quiet street. And when he climbs up into the loft, he realises that he can drop down into all the other houses through the shared attic space. That's when the real fun begins. Because the one thing that Thomas enjoys even more than killing is playing games with his victims - the lonely old woman, the bickering couple, the tempting young newlyweds. And his new neighbours have more than enough dark secrets to make this game his best one yet... Do you fear The Resident? Soon you'll be dying to meet him. ________________________________________ 'Brilliant. So twisted, clever and funny. Highly recommended' - MARK EDWARDS 'Dark and disturbing yet so absorbing. Jackson knows how to reel you in' - MEL SHERRATT 'A brilliantly creepy, edge-of-your-seat, tense thriller' - WILL CARVER 'Superb. Creepy, pacy, and oh so witty' - CAZ FREAR 'A chilling psycho thriller with a very novel twist' - PAUL FINCH 'Utterly compelling and impossible to put down. Incredible' - LUCA VESTE 'Twisted as hell. I loved it!' - MANDASUE HELLER 'Clever, addictive and brazenly terrifying. I slept with the lights on after reading this one' - CHRIS WHITAKER 'Darkly thrilling and utterly compulsive. A tour de force!' - VICTORIA SELMAN 'A devilishly dark, wickedly funny crime novel' - PAUL BURSTON 'I highly recommend this book, had me terrified. I'm never going in the attic again. Ever' - LISA HALL 'Menacing, disturbing, compelling and unique' ALEX SHAW 'I devoured this skin-crawling tale of your worst fears come true' SJI HOLLIDAY 'Breathtaking, engrossing and deliciously dark, I dare you to read The Resident and think differently' - STEPHEN EDGER

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'Sexy chemistry and gut-wrenching emotions kept me turning the pages!' Kristen ProbyNine years ago, Emery Saunders moved to Hartwell to start her life over as a bookstore owner. Her inability to trust people made it hard for her to find a place in the small community until Jessica Lawson moved to town and befriended the shy beauty.But there was one person in Hartwell who tried to befriend Emery long before Jessica arrived . . .Jack Devlin has his secrets. One of them is that he fell hard for Emery the moment she appeared in Hartwell. Another is that his father blackmailed him into covering up a dark family tragedy. It forced Jack to sever his relationships to protect the people he cared about. Yet, staying away from Emery has not been easy throughout the years and he hasn't always succeeded. When Jack's mixed signals hurt Emery once again, she puts him out of her heart for good.Until the Devlin family secret is finally revealed, freeing Jack from his father's machinations. What Jack wants more than anything is to repair his relationships, starting with Emery.However, Emery isn't ready to forgive and Jack's not ready to give up.And when the town's latest scandal ties Jack and Emery together, Jack is not above using their new reality to prove to Emery once and for all that their love is worthy of the legend of Hart's Boardwalk.Discover why readers love Samantha Young . . . '[Samantha Young's] enchanting couples and delicious romances make her books an autobuy' Smexy Books'Smart and sexy, Young writes stories that stay with you long after you flip that last page' Under the Covers'Charismatic characters, witty dialogue, blazing-hot sex scenes, and real-life issues make this book an easy one to devour' Fresh Fiction'The one thing you can count on from Ms. Young is some of the best, steamy, sexual chemistry' Fiction Vixen'Scotland's answer to E.L. James' Closer'[Young] is a goddess when it comes to writing hot scenes' Once Upon a Twilight

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Words sting. Songs kill.'Everything about Burton's debut is razor-sharp' NATASHA NGANThe Cruel Prince meets To Kill a Kingdom in this seductive YA fantasy debut, in which a siren must choose between protecting her family and following her heart in a prejudiced kingdom where her existence is illegal. Saoirse Sorkova survives on secrets. As the last siren in her kingdom, she can sing any man to an early grave - but her very existence is illegal, and if her true identity were ever discovered, it would be her life on the line.By day, Saoirse disguises herself as a fae, pretending to be the perfect soldier-in-training. By night, she satisfies her darker urges working as an assassin for dangerous mercenaries. And all the while, she keeps the biggest secret of all: that she is not always in control of her Siren powers, or her desire to kill.Then a blackmailer threatens her sister, and Saoirse's investigation takes her to the royal palace, and her most dangerous job yet: personal bodyguard to the Crown Prince.Saoirse expects to despise Prince Hayes. But he is kind, thoughtful, and charming, and she finds herself increasingly drawn to him . . . until he tasks her with investigating a killer plaguing the kingdom. The problem: the killer is Saoirse.Trapped by her deadly double life, Saoirse can't leave the palace until she saves her sister . . . but who will save her from herself?*** READERS LOVE SING ME TO SLEEP ***'OH MY GOD THIS BOOK IS ABSOLUTELY INCREDIBLE!' Netgalley - 5 star review'I would recommend it to fans of sirens and readers who enjoyed The Cruel Prince and To Kill A Kingdom' Netgalley - 5 star review'Mesmerizing faes, sirens, enchanting siren song - you will feel pulled into this story right from the beginning! Sing Me to Sleep was beautiful, terrific, magical and extremely unique!' Netgalley - 5 star review'Oh my freaking god I loved this book! I read it in under 24 hours it was so damn good. A captivating story of hidden identities, secrets, betrayals and a slow burn romance to die for' Netgalley - 5 star review'I looooved this book! I never knew who was trustworthy' Netgalley - 5 star review'WOW WOW WOW!' Netgalley - 5 star review

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August 1948 was an exceptional month. There were 90mph gales in Belgium, snowfalls in Switzerland and in the Scottish Borders one of the heaviest rainfalls ever in one day, while the Tweed received more than a third of its annual rainfall in only six days. The flood plain of the Tweed could just about cope with the deluge, but smaller rivers such as the Tyne at Haddington, the Biel, the Blackadder, Whiteadder Water, Rivers Till and Eye were disasters waiting to happen. The main problem was not the twenty-four-hour deluge but the rain of the previous two weeks that had already seen the rivers rise to bursting point. ‘The Glorious Twelfth’ was a day of disaster and the next few days were to affect the Borders for months to come. The sheer volume of water flowing down the rivers resulted in them bursting their banks, causing widespread flooding over a large area. The East Coast Main Line was breached in many places and was closed for eleven weeks as a result of the damage. Trees and other debris swept down with the floodwater had blocked culverts and the resultant lakes of water put so much pressure on the embankments that they were simply swept away, leaving railway lines dangling in mid-air. Roads were damaged and houses, cars and livestock swept away with the floodwater. There were many lucky escapes: a train passing over a bridge at Greenlaw just minutes before the bridge was swept away; people were rescued from their houses literally seconds before they collapsed from underneath them. Many deeds of bravery performed in that wet and windy August are also recorded in Lawson Wood’s 'The Great Borders Flood of 1948'. Illustrated with over 100 images of the greatest natural disaster to hit the Borders, this book is a unique record of that fateful month of August 1948.

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