Search results for ""author james""

Moo's Law is the latest title from successful investor Jim Mellon, to help readers understand the investment landscape in cultivated and plant-based proteins and materials. Jim has a vision that within the next couple of decades world agriculture will be radically transformed by the advent of cultivated meat technology. This book grounds the reader in why such an advancement is absolutely necessary and informs them of the investments they could make to become part of the New Agricultural Revolution themselves. The harrowing effects on our environment, animal cruelty in food and fashion, and the struggling ability to feed the world's ever-growing population gives us no choice but to grow meat in labs or derive our proteins from plant-based sources. Not only this, he outlines what he sees as the major hurdles to the industry's success in terms of scalability of production and the smart designing of regulatory frameworks to stimulate innovation in this sector. The future of food is being developed in labs across the world - it will be cleaner, safer, more ethical and, importantly soon, cheaper too! Once price parity with conventional meats is reached, there will be no turning back -- this is Moo's Law(TM).

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Inspiring firsthand account of how in-prison vocational training programs at Riker's Island Jail lead to meaningful post-release employment and reduce recidivism - the Green House and GreenTeam run by James Jiler for the Horticultural Society of New York. James Jiler combines an engaging personal account of running a highly successful horticultural vocation program at the largest jail complex in the United States with a practical guide to starting and managing prison and re-entry gardening programs. The Greenhouse Project gives horticultural job-training to male and female inmates at New York City's Rikers Island jail system. After release, ex-offenders can intern with the GreenTeam, which provides landscaping and gardening services to community groups and institutions throughout New York State. Jiler's humor and heartfelt stories about prison community and clear explanations of what works broaden this book's appeal to all social activists involved with at-risk populations.

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Art criticism was once passionate, polemical, and judgmental; now critics are more often interested in ambiguity, neutrality, and nuanced description. And while art criticism is ubiquitous in newspapers, magazines, and exhibition brochures, it is also virtually absent from academic writing. How is it that even as criticism drifts away from academia, it becomes more academic? How is it that sifting through a countless array of colorful periodicals and catalogs makes criticism seem to slip even further from our grasp? In this pamphlet, James Elkins surveys the last fifty years of art criticism, proposing some interesting explanations for these startling changes."In What Happened to Art Criticism?, art historian James Elkins sounds the alarm about the perilous state of that craft, which he believes is 'In worldwide crisis . . . dissolving into the background clutter of ephemeral cultural criticism' even as more and more people are doing it. 'It's dying, but it's everywhere . . . massively produced, and massively ignored.' Those who pay attention to other sorts of criticism may recognize the problems Elkins describes: 'Local judgments are preferred to wider ones, and recently judgments themselves have even come to seem inappropriate. In their place critics proffer informal opinions or transitory thoughts, and they shy from strong commitments.' What he'd like to see more of: ambitious judgment, reflection about judgment itself, and 'criticism important enough to count as history, and vice versa.' Amen to that."—Jennifer Howard, Washington Post Book World

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Bodypopping Belgians and bicycle couriers populate a world of public fountains and archaeological debris in this original and eclectic collection by James Wilkes.Weather A System includes poems, found text, scripts, ephemera and imaginary reviews; subversive broadcasts that cut through the 'civil drizzle' of contemporary life. Wilkes' work excavates the present, looting and salvaging to craft an innovative, playful and multi-dimensional poetics. Weather A System captures shifts of weather, power and fashion: an energetic and darkly witty intervention in an eroded culture. "James Wilkes views the city 24/7 from a podium of his own. When he talks he talks quickly, capturing the details that pedestrians miss: the shuffle of clothes, the background tracks. His ambition is to move with the flaneurial swagger that knows the city is always subject to the ever-shifting weather. Through the commuter and traffic crush, as the crowds run for cover, the poet exposes himself under 'a cavernous pigeon sky'. Because the forecasts for gloom were long since predicted by himself his energy never flags and his wit doesn't err. It's Apollinaire's rain that runs through his ink though he opts instead to leave the Little Car behind and send by courier. Where others find congestion and grime Wilkes cuts between the parnassian dead freights, weaving the forms that function for now: reviews, questionnaries, plays. 'Who would not want to glamorize these fast people?'."Chris McCabe"The eagerly anticipated new collection by James Wilkes does not disappoint. It has genuine range and depth, is ambitious in scope and artfully enjoys the possibilities and playfulness of discourse. 'The Review Pages' section in particular reverberates beyond its beguiling humour and the 'Collected Civil Ephemera' gleans a sure psycho-geographical harvest. There is much to savour in this stimulating and inspiring collection. I thoroughly recommend a poem a day."David Caddy"Wilkes keeps his 'ethereal cannonade' going right through to the end, gathering up the debris of weather reports and fashion shows alike and reassembling them into tottering word-sculptures, ransacking everything from books to pub chatter for pieces which he can fit together into some out-of-control jigsaw. [...] this is a book where the pleasure is in the technicolour range of the language and the urgent sense of not quite being there."Jon StoneJames Wilkes was born in Poole in 1980. A graduate of Oxford University and UEA, he has taught English in Japan and writes art criticism. Interior Traces, a radio drama about brain imaging technologies, was broadcast in 2009. His previous publications include Ex Chaos, A DeTour (both Renscombe Press, 2006) and Reviews (Burner Veer, 2009). A selection of his work was included in the anthology Generation Txt (Penned in the Margins, 2006). In 2008 he started a PhD on the construction of landscape in the Isle of Purbeck.

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Three wars have dominated world events in recent years: The conflict which erupted between the United Kingdom and Argentina over the Falkland/Malvinas Islands; the multinational conflict in Lebanon involving Irsaeli, Syrian, and FLO forces in Lebanon; and the savage struggles between ground and air units of the Iranian and Iraqi forces. The scale and intensity of these wars, their potential for global conflict, make them crucial for an understanding among citizens in general, and defense and political analysts in particular.The authors and contributors to this most unusual volume come to several common conclusions: professionalism is a crucial factor in military effectiveness, but not necessarily dependent on modes of recruitment; high technology is crucial, but only in relation to the quality and training of the personnel; public support is necessary to sustain military morale in democratic and authoritarian regimes alike. These are only some of the incisive findings registered and explored in The Regionalization of Warfare.The volume a'ssembles experts not only on these three major regional and interregional conflicts, but on current U.S. defense policies; Soviet strategic interests in Middle East and Persian Gulf conflicts; and a series of papers on lessons learned and unlearned as a result of these "small wars" of the early 1980s. For those interested in military history, global strategy, and regional rivalries, this -collection of finely written, sophisticated papers will prove to be of intense concern.

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During the 1820s, Illinois witnessed one of the earliest and most important battles between slavery and antislavery forces in the new American republic—one that unleashed riots, arson, and mob violence across the state. In this deeply researched and finely argued book, James Simeone contends that the contest over slavery in Illinois prefigured the course of national politics up to the Civil War, revealing the complexity of the slave problem in the early republic. In attempting to bring slavery to a free state, white migrants from southern states hoped to create a Bottomland Republic of free and equal white yeoman farmers who could own slaves on the basis of "popular sovereignty." Abolitionists thus found themselves allied with the governing class of "aristocrats" against the upstart, proslavery migrants. The struggle permanently changed the state's political culture and foreshadowed the Democratic-Whig cleavage in antebellum politics by posing questions of regional and sectional identity, of the relation between republicanism and the market, and of the role of religion in public life. Democracy and Slavery in Frontier Illinois reveals the paradoxes within the quest for a democracy that also fostered slavery. Placing early Illinois politics in the context of the national politics of the Jacksonian era, it will appeal to readers interested in the political development of the early republic and the midwestern frontier, the roles of race and class in constructing political identity, and the nature of liberal democracy in nineteenth-century America.

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The twenty-first-century revival of James Purdy continues with his classic novel of innocence and corruption. Introduced simply as "the boy on the bench", the titular character of Malcolm is a Candide-like figure who is picked up by the "most famous astrologer of his period" and introduced to a series of increasingly absurd characters and bizarre situations.

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This huge novel, closer in scope to a Russian epic than to any English counterpart, opens at the turn of the twentieth-century in the extreme poverty of the Rhinns of Galloway, an agicultural backwater of the southern-most part of Scotland.With a loving regard for the land and its people, Barke traces the lives of David and Jean Ramsay who, full of hope, painstakingly uproot themselves and their family in the search for prosperity. Their efforts to retain respect and a decent way of life are thwarted by unemployment in increasingly hostile circumstances, and a harsh environment inevitably leaves its mark.But a generation emerges to question the authority of an uncaring society and, even as Fascism rages through Europe, a new hope is born.

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EVERY ACTION HAS A CONSEQUENCEBec Shepherd is a scientist struggling to lead a good life Ritchie, her brother, is a TV star with skeletons in his closet Alex wants a family if he could only meet the right woman . . . One man has the information to destroy them all

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Rural West Cork, Ireland. Two Kids, Joseph and Paul, and their struggling, poet father, Fraser, are battling grief and poverty. When a letter arrives with a summons to Dublin and the promise of publication, it offers a chink of light - the hope of rescue. But Dublin is a long, wet and hungry way from West Cork in the mid-70s, especially when they have no money - just the clothes they stand up in and an old, battered suitcase. So begins an almost anti-roadtrip of flipsides and contradictions - dreams and nightmares, promises and disappointments, generosity and meanness, unconditional love and shocking neglect. In simple, beautiful, lyrical prose, James Yorkston's new novel takes us on that trip, as seen through the eyes of a brave and resourceful but poor and frightened child. It tells of the emptying, paralysing pain of grief and loss, tempered only by the hope of rescue and the redemption of parental love. It also tells of Fraser's love for his children's dead mother, as hidden within the battered suitcase is Fraser's heart-breaking collection of poems - The Book of the Gaels.

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Covers much of the acoustics a student needs, without mathematics or scientific background. Choice Outstanding Academic Title A survey of intervals and scales, tone pitch, loudness and time in Western music raises many questions about the hearing mechanism and throws doubt on the conventional role of harmonics. James Beament's account of how musical sounds are coded by the ear and the brain's processing units, provides answers to most of these questions. It concludes that music started with simple instruments which voices imitated, and that the need to know sound direction determined the characteristics of hearing. This book will interest students, practising musicians and music psychologists, and assumes no scientific knowledge. The late ProfessorSir JAMES BEAMENT was a distinguished scientist and musician, who taught and examined music students at Cambridge University.

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A history of holy wells from the pagan cult of water to the Christian wells of the middle ages, and including a full gazetteer. The holy well is the absolute combination of mystery and utility. There are hundreds of them still to be found, some easily, others with good maps. This useful book lists them all, and in so doing takes us into the realm of a still little-known spiritual area... It also leads us through many exceedingly interesting though remote areas of Celtic and English Christian history. RONALD BLYTHE [TABLET] Holy wells are an ancient and mysterious part of the landscape, yet have been the subject of little serious study. James Rattue has been fascinated by them for many years, and has now written the first general history of wells and their religious and cultural associations. He begins the story in the ancient world, exploring the archetypal motifs present in the cult of water, then traces the distinctive development of the holy well in England, examining pagan wells and their Christianisation, the role played byecclesiastical history and institutions, the importance of saints' cults, and the social functions of wells in the middle ages.

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In one systematic volume James Boice provides a readable overview of Christian theology. Students and pastors will both benefit from this rich source that covers all of the major doctrines of Christianity. With scholarly rigour and a pastor's heart, Boice carefully opens the topics of the nature of God, the character of his natural and special revelation, the fall, and the person and work of Christ. He then goes on to consider the work of the Holy Spirit in justification and sanctification. The book closes with careful discussions of ecclesiology and eschatology. In this revised edition of a formerly four-volume work, Boice maintains a remarkable practicality and thoroughness that will make this a standard reference and text for years to come.

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James Thompson examines the concept of value as it came to be understood in eighteenth-century England through two emerging and divergent discourses: political economy and the novel. By looking at the relationship between these two developing forms—one having to do with finance, the other with romance—Thompson demonstrates how value came to have such different meaning in different realms of experience. A highly original rethinking of the origins of the English novel, Models of Value shows the novel’s importance in remapping English culture according to the separate spheres of public and domestic life, men’s and women’s concerns, money and emotion.In this account, political economy and the novel clearly arise as solutions to a crisis in the notion of value. Exploring the ways in which these different genres responded to the crisis—political economy by reconceptualizing wealth as capital, and the novel by refiguring intrinsic or human worth in the form of courtship narratives—Thompson rereads several literary works, including Defoe’s Roxana, Fielding’s Tom Jones, and Burney’s Cecilia, along with influential contemporary economic texts. Models of Value also traces the discursive consequences of this bifurcation of value, and reveals how history and theory participate in the very novelistic and economic processes they describe. In doing so, the book bridges the opposition between the interests of Marxism and feminism, and the distinctions which, newly made in the eighteenth century, continue to inform our discourse today. An important reformulation of the literary and cultural production of the eighteenth century, Models of Value will attract students of the novel, political economy, and of literary history and theory.

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Originally published in 1982, James Clifford's analytical biography of Maurice Leenhardt (1878–1954)—missionary, anthropologist, founder of French Oceanic studies, historian of religion, and colonial reformer—received wide critical acclaim for its insight into the colonial history of anthropology. Drawing extensively on unpublished letters and journals, Clifford traces Leenhardt's life from his work as a missionary on the island of New Caledonia (1902–1926) to his subsequent return to Paris where he became an academic anthropologist at the École Practique des Hautes Études, where he followed Marcel Mauss and was succeeded in 1951 by Claude Lévi-Strauss. Clifford sees in Leenhardt's career a foreshadowing of contemporary anthropological concerns with reflexivity, cultural hybridity, and colonial and post-colonial entanglements.

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Language is integral to our social being. But what is the status of those who stand outside of language? The mentally disabled, “wild” children, people with autism and other neurological disorders, as well as animals, infants, angels, and artificial intelligences, have all engaged with language from a position at its borders. In the intricate verbal constructions of modern literature, the ‘disarticulate’—those at the edges of language—have, paradoxically, played essential, defining roles. Drawing on the disarticulate figures in modern fictional works such as Billy Budd, The Sound and the Fury, Nightwood, White Noise, and The Echo Maker, among others, James Berger shows in this intellectually bracing study how these characters mark sites at which aesthetic, philosophical, ethical, political, medical, and scientific discourses converge. It is also the place of the greatest ethical tension, as society confronts the needs and desires of “the least of its brothers.” Berger argues that the disarticulate is that which is unaccountable in the discourses of modernity and thus stands as an alternative to the prevailing social order. Using literary history and theory, as well as disability and trauma theory, he examines how these disarticulate figures reveal modernity’s anxieties in terms of how it constructs its others.

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The sheer scale and brutality of the hostilities between Russia and Chechnya stand out as an exception in the mostly peaceful breakup of the Soviet Union. Chechnya: From Nationalism to Jihad provides a fascinating analysis of the transformation of secular nationalist resistance in a nominally Islamic society into a struggle that is its antithesis, jihad. Hughes locates Chechen nationalism within the wider movement for national self-determination that followed the collapse of the Soviet empire. When negotiations failed in the early 1990s, political violence was instrumentalized to consolidate opposing nationalist visions of state-building in Russia and Chechnya. The resistance in Chechnya also occurred in a regional context where Russian hegemony over the Caucasus, especially the resources of the Caspian basin, was in retreat, and in an international context of rising Islamic radicalism. Alongside Bosnia, Kashmir, and other conflicts, Chechnya became embedded in Osama Bin Laden's repertoire of jihadist rhetoric against the "West." It was not simply Russia's destruction of a nationalist option for Chechnya, or "Wahabbist" infiltration from without, that created the political space for Islamism. Rather, we must look also at how the conflict was fought. The lack of proportionality and discrimination in the use of violence, particularly by Russia, accelerated and intensified the Islamic radicalization and thereby transformed the nature of the conflict. This nuanced and balanced study provides a much-needed antidote to the mythologizing of Chechen resistance before, and its demonization after, 9/11. The conflict in Chechnya involves one of the most contentious issues in contemporary international politics—how do we differentiate between the legitimate use of violence to resist imperialism, occupation, and misgovernment, and the use of terrorism against legitimate rule? This book sets out indispensable lessons for understanding conflicts involving the volatile combination of nationalist insurgency, jihad, and terrorism, most notably for the wars in Iraq and Afghanistan.

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James Baldwin was born for truth. It called upon him to tell it on the mountains, to preach it in Harlem, to sing it on the Left Bank in Paris. . . . He was a giant. — Maya AngelouThis collectible edition celebrates James Baldwin’s 100th-year anniversary, delving into his years in France and SwitzerlandOriginally published in Notes of a Native Son, the essays, Encounter on the Seine: Black Meets Brown, A Question of Identity, Equal in Paris, and Stranger in the Village will appeal to readers interested in Baldwin's observations as a Black man overseas.During his transformative time in Europe, Baldwin uncovers what it means to be American, immersing the reader in his life as a foreigner, his troubling encounter with a Parisian prison, and his unprecedented arrival to a tiny Swiss village.This final collection in the Baldwin centennial anniversary series raises issues of identity, belonging, nationhood, and race within a glob

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This volume of correspondence, the last in a three-volume edition, spans a pivotal moment in American history: the mid-twentieth century, from the beginning of World War II, through the years of rebuilding and uneasy peace that followed, to the election of President John F. Kennedy. Robinson Jeffers published four important books during this period—Be Angry at the Sun (1941), Medea (1946), The Double Axe (1948), and Hungerfield (1954). He also faced changes to his hometown village of Carmel, experienced the rewards of being a successful dramatist in the United States and abroad, and endured the loss of his wife Una. Jeffers' letters, and those of Una written in the decade prior to her death, offer a vivid chronicle of the life and times of a singular and visionary poet.

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Each essay in Cinematic Thinking is organized around an interpretation of a postwar filmmaker and the philosophical issues his or her work raises. The filmmakers covered are Alfred Hitchcock, Luchino Visconti, Michelangelo Antonioni, Robert Altman, Carlos Saura, Glauber Rocha, Margarethe von Trotta, Rainer Werner Fassbinder, Wim Wenders, and Claire Denis. As the authors collected here are philosophers, rather than film critics, the volume approaches its subjects with a different set of interests and commitments from the bulk of works in film theory. Memory, judgment, subjectivity, terrorism, feminism, desire, race relations, experience, the work of mourning, and utopia are among the questions discussed in relation to some of the most significant films of the last fifty years. This collection analyzes the theoretical and political contexts in which the films were made and examines their reception down to the present day.

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In 1933 the philosopher Martin Heidegger declared his allegiance to Hitler. Ever since, scholars have asked to what extent his work is implicated in Nazism. To address this question properly involves neither conflating Nazism and the continuing philosophical project that is Heidegger's legacy, nor absolving Heidegger and, in the process, turning a deaf ear to what he himself called the philosophical motivations for his political engagement. It is important to establish the terms on which Heidegger aligned himself with National Socialism. On the basis of an untimely but by no means unprecedented understanding of the mission of the German people, the philosopher first joined but then also criticized the movement. An exposition of Heidegger's conception of Volk hence can and must treat its merits and deficiencies as a response to the enduring impasse in contemporary political philosophy of the dilemma between liberalism and authoritarianism.

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Nahuatl was the primary native language of central Mexico both before and after the Spanish conquest. It is the Latin of the indigenous languages of the New World. Its tradition of alphabetic writing goes back to the middle years of the sixteenth century and embraces not only grammars, dictionaries, collections of preconquest lore, and works of religious instruction, but also, above all, a great mass of mundane writing by the Nahuas themselves for their own purposes. Though the past quarter century has seen a flourishing of ethnohistorical, philological, and grammatical studies based on this corpus, those interested in the world of Nahuatl texts still find access to it difficult. James Lockhart, an eminent historian of early Latin America, is also perhaps the leading interpreter of this large body of work. He has translated and edited a wide range of texts, analyzed their cultural and linguistic implications, and over the years trained a large number of students, several of whom have gone on to become well known scholars of Nahuatl and other indigenous languages. Lockhart's main tools of instruction were: (1) a gradually growing set of lessons consisting primarily of examples culled from many sources of the sixteenth through eighteenth centuries (or concocted in the spirit of that time), and (2) the grammar or Arte of Nahuatl published in Spanish by the Florentine Jesuit Horacio de Carochi in 1645. In small groups of students, with a maximum of personal instruction and discussion, these materials accomplished their purpose, but the lessons were only in skeletal form, and the Carochi grammar, too, in the Spanish editions available, needed extensive explanation. Now, Lockhart has organized and expanded these materials into volumes that can be understood by students working alone or used in organized Nahuatl classes. The two books together will allow any seriously interested person to master Nahuatl sufficiently to begin reading the texts, and they will provide essential reference works as one progresses. They are geared primarily to the older form of the language and its written texts, but they can also be extremely useful to those studying the spoken Nahuatl of later times. Nahuatl as Written presumes no previous knowledge of the language. Treating all essential features of Nahuatl, it is organized on purely pedagogical principles, using techniques developed over many years of practical teaching experience. The book is in large format, almost like a workbook, with a great abundance of examples that serve as exercises; the examples are also available separately for the student's convenience. The orthography and vocabulary are those found in texts of the time, and the last several of the twenty lessons give the student training in working with texts as they were actually written. Some of the lessons deal with syntax in a way not found elsewhere and develop notions of anticipation and crossreference that are basic to Nahuatl grammar. In line with Lockhart's wish to bring more people into the Nahuatl documentary world, an Epilogue surveys many of the published Nahuatl texts and an Appendix presents substantial selections from ten different texts. Carochi's 1645 Grammar is the most influential work ever published on Nahuatl grammar and remains an essential work of reference. The best recent grammars of Nahuatl are based on it, but they have not exhausted it. It includes an extensive discussion of adverbial expressions and particles that is found nowhere else, as well as an irreplaceable fund of authentic examples from the time, translated by a contemporary. Though a facsimile edition is available, the original is very difficult to read, and only a few experts can fully understand the seventeenth-century Spanish and Latinate grammatical terms. This new edition presents the original Spanish and an English translation on facing pages. Helpful footnotes provide explanatory commentary and more literal translations of some of Carochi's examples. The volume is at once an indispensable pedagogical tool and the first critical edition of the premier monument of the Nahuatl grammatical literature. The two books are published jointly with UCLA Latin American Center Publications.

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A monumental achievement of scholarship, this volume on the Nahua Indians of Central Mexico (often called Aztecs) constitutes our best understanding of any New World indigenous society in the period following European contact. Simply put, the purpose of this book is to throw light on the history of Nahua society and culture through the use of records in Nahuatl, concentrating on the time when the bulk of the extant documents were written, between about 1540-50 and the late eighteenth century. At the same time, the earliest records are full of implications for the very first years after contact, and ultimately for the preconquest epoch as well, both of which are touched on here in ways that are more than introductory or ancillary.

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Author Under Sail offers the first complete literary biography of Jack London as a professional writer. Jay Williams examines the authorial imagination in London’s work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a three-volume biography, Williams traverses the years 1893 to 1902, from London’s “Story of a Typhoon” to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on theatricality and the representation of the seen and the unseen.Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.

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In Author Under Sail: The Imagination of Jack London, 1902–1907, Jay Williams explores Jack London’s necessity to illustrate the inner workings of his vast imagination. In this second installment of a three-volume biography, Williams captures the life of a great writer expressed though his many creative works, such as The Call of the Wild and White Fang, as well as his first autobiographical memoir, The Road, some of his most significant contributions to the socialist cause, and notable uncompleted works. During this time, London became one of the most famous authors in America, perhaps even the author with the highest earnings, as he prepared to become an equally famous international writer.Author Under Sail documents London’s life in both a biographical and writerly fashion, depicting the importance of his writing experiences as his career followed a trajectory similar to America’s from 1876 to 1916. The underground forces of London’s narratives were shaped by a changing capitalist society, media outlets, racial issues, increases in women’s rights, and advancements in national power. Williams factors in these elements while exploring London’s deeply conflicted relationship with his own authorial inner life. In London’s work, the imagination is figured as a ghost or as a ghostlike presence, and the author’s personas, who form a dense population among his characters, are portrayed as haunted or troubled in some way. Along with examining the functions and works of London’s exhaustive imagination, Williams takes a critical look at London’s ability to tell his stories to wide arrays of audiences, stitching incidents together into coherent wholes so they became part of a raconteur’s repertoire. Author Under Sail provides a multidimensional examination of the life of a crucial American storyteller and essayist.

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Despite their many similarities, Central American countries during the twentieth century were characterized by remarkably different political regimes. In a comparative analysis of Guatemala, El Salvador, Costa Rica, Honduras, and Nicaragua, James Mahoney argues that these political differences were legacies of the nineteenth-century liberal reform period. Presenting a theory of "path dependence," Mahoney shows how choices made at crucial turning points in Central American history established certain directions of change and foreclosed others to shape long-term development. By the middle of the twentieth century, three types of political regimes characterized the five nations considered in this study: military-authoritarian (Guatemala, El Salvador), liberal democratic (Costa Rica), and traditional dictatorial (Honduras, Nicaragua). As Mahoney shows, each type is the end point of choices regarding state and agrarian development made by these countries early in the nineteenth century. Applying his conclusions to present-day attempts at market creation in a neoliberal era, Mahoney warns that overzealous pursuit of market creation can have severely negative long-term political consequences. The Legacies of Liberalism presents new insight into the role of leadership in political development, the place of domestic politics in the analysis of foreign intervention, and the role of the state in the creation of early capitalism. The book offers a general theoretical framework that will be of broad interest to scholars of comparative politics and political development, and its overall argument will stir debate among historians of particular Central American countries.

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Is there poetry in the Bible? Does it have rhyme or meter? How did ancient Hebrew writers compose their works? James Kugel's provocative study provides surprising new answers to these age-old questions. Biblical "poetry" is not a concept native to the Bible itself, he proposes, and the idea that the Bible is divided into prose and verse is merely an approximation of the reality of biblical style. Arguing that the Bible presents a continuum of speech heightened in varying degrees by different means, Kugel sets out to describe Hebrew's high style on its own terms. He also offers a thorough history of the idea of biblical poetry, starting with Philo of Alexandria and Josephus in the first century C.E. and charting its development through the Church Fathers, medieval Jewish writers, the Christian Hebraists of the Renaissance, and on into modern times. The story of how each age understood the nature biblical poetry, Kugel concludes, is a key to understanding the Bible's place in the history of Western thought.

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In the domain of visual images, those of fine art form a tiny minority. This original and brilliant book calls upon art historians to look beyond their traditional subjects—painting, drawing, photography, and printmaking—to the vast array of "nonart" images, including those from science, technology, commerce, medicine, music, and archaeology. Such images, James Elkins asserts, can be as rich and expressive as any canonical painting. Using scores of illustrations as examples, he proposes a radically new way of thinking about visual analysis, one that relies on an object's own internal sense of organization. Elkins begins by demonstrating the arbitrariness of current criteria used by art historians for selecting images for study. He urges scholars to adopt, instead, the far broader criteria of the young field of image studies. After analyzing the philosophic underpinnings of this interdisciplinary field, he surveys the entire range of images, from calligraphy to mathematical graphs and abstract painting. Throughout, Elkins blends philosophic analysis with historical detail to produce a startling new sense of such basic terms as pictures, writing, and notation.

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Perspective has been a divided subject, orphaned among various disciplines from philosophy to gardening. In the first book to bring together recent thinking on perspective from such fields as art history, literary theory, aesthetics, psychology, and the history of mathematics, James Elkins leads us to a new understanding of how we talk about pictures. Elkins provides an abundantly illustrated history of the theory and practice of perspective. Looking at key texts from the Renaissance to the present, he traces a fundamental historical change that took place in the way in which perspective was conceptualized; first a technique for constructing pictures, it slowly became a metaphor for subjectivity. That gradual transformation, he observes, has led to the rifts that today separate those who understand perspective as a historical or formal property of pictures from those who see it as a linguistic, cognitive, or epistemological metaphor. Elkins considers how the principal concepts of perspective have been rewritten in work by Erwin Panofsky, Hubert Damisch, Martin Jay, Paul Ricoeur, Jacques Lacan, Maurice Merleau-Ponty, and E. H. Gombrich. The Poetics of Perspective illustrates that perspective is an unusual kind of subject: it exists as a coherent idea, but no one discipline offers an adequate exposition of it. Rather than presenting perspective as a resonant metaphor for subjectivity, a painter's tool without meaning, a disused historical practice, or a model for vision and representation, Elkins proposes a comprehensive revaluation. The perspective he describes is at once a series of specific pictorial decisions and a powerful figure for our knowledge of the world.

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America’s Classic Ballparks takes you out to the ballgame with an interactive tour through America’s ballpark landmarks. Baseball parks are as American as apple pie and America’s Classic Ballparkscommemorates nine ballparks guaranteed to spark nostalgia for the old ball game. Featuring striking images, America’s Classic Ballparks offers a wealth of information on these beloved national landmarks. The iconic ballparks featured include: Ebbets Field Tiger Stadium Polo Grounds Original Yankee Stadium Fenway Park Wrigley Field Dodger Stadium Oriole Park at Camden Yards Oracle Park Reliving everything from opening day at Fenway Park to the top ten moments in Yankee stadium, ballpark enthusiasts will revel in stadium trivia and cherish the historic photographs found throughout these pages. Authored by prolific sportswriter James Buckley Jr., America’s Classic Ballparks is the perfect addition to any sports library.

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'Simply Brilliant' THE SECRET BARRISTER'Passionate and brilliantly argued' DAVID OLUSOGA'An admirably personal guide' MARINA HYDE'Smart, analytical, self-aware and important' ALASTAIR CAMPBELLTHE INTIMATE, REVEALING NEW BOOK FROM THE AUTHOR OF THE BESTSELLING, PRIZE-WINNING HOW TO BE RIGHT There's no point having a mind if you're not willing to change it James O'Brien has built well over a million loyal listeners to his radio show by dissecting the opinions of callers live on air, every day. But winning the argument doesn't necessarily mean you're right. In this deeply personal book, James turns the mirror on himself to reveal what he has changed his mind about and why, and explores how examining and changing our own views is our new civic duty in a world of outrage, disagreement and echo chambers. He writes candidly about the stiff upper lip attitudes and toxic masculinity that coloured his childhood, and the therapy and personal growth that have led him question his assumptions and explore new perspectives. Laying open his personal views on everything from racial prejudice to emotional vulnerability, from fat-shaming to tattoos, he then delves into the real reasons -- often irrational or unconscious -- he holds them. Unflinchingly honest, revealing and funny, How Not to Be Wrong is a tonic for a world more divided than ever and a personal manifesto for a better way of thinking and living. Because after all, if we can't change our own minds we'll never really be able to change anyone else's.

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Describes the history of how the 'Africa Trade' formed the backbone of the British Empire. This book retells the story of how the international commodity market in Africans operated, how transportation of millions of Africans over thousands of miles developed and how the experience affected slaves both in bondage and then in freedom.

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They were the most unlikely siblings - one, Adolf Hitler's most trusted henchman, the other a fervent anti-Nazi. Hermann Goering was a founder member of the Nazi Party, who became commander of the Luftwaffe, ordering the terror bombing of civilians and prompting the use of slave labour in his factories. His brother, Albert, loathed Hitler's regime and saved hundreds - possibly thousands - across Europe from Nazi persecution. He deferred to Hermann as head of the family but spent nearly a decade working against his brother's regime. If he had been anyone else, he would have been imprisoned or executed. Despite their extreme and differing beliefs, Hermann sheltered his brother from prosecution and they remained close throughout the war. Here, for the first time, James Wyllie brings Albert out of the shadows and explores the extraordinary relationship of the Goering brothers.

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In the whole course of the war,’ conceded Britain’s chief press censor, ‘there was no story which gave me so much trouble as that of the attempted German invasion, flaming oil on the water and 30,000 burned Germans.’ Sparked by the Directorate of Military Intelligence and MI6, rumours that Britain had set fire to the English Channel to defeat a German invasion in 1940 quickly spread around the world. Highly popular in America, the incendiary ‘Big Lie’ became Britain’s first significant propaganda victory of the Second World War. Yet the unlikely deception was founded in fact. Dead German soldiers were washed ashore on British beaches, a secret Petroleum Warfare Department tested lethal flame barrages on land and sea, and fire ships were hastily dispatched to enemy ports as part of Operation Lucid. British intelligence agencies even managed to plant the burning sea story on their opposite numbers in Nazi Germany. Burn the Sea is the definitive account of the origin, circulation and astonishing longevity of the myth of the ‘invasion that failed’ in 1940, as well as its remarkable revival in 1992.

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Art continues to prove itself a sound, not to mention exhilarating and satisfying investment, and The International Art Markets shows the huge scope for diversification within that market. Despite the financial crisis of 2007/8 and its after effects, international trade in art and collectibles has grown over 55% from $29bn in 2009 to $45bn in 2013. That now includes major art trading countries from the recently developed and developing world. In 43 chapters, written by 58 mostly locally-based experts from the art trade, it covers 21 countries from Europe, 12 from Asia and Australasia, five from South America, four from the Middle East and Africa, and two from North America. Each chapter provides the following essential information you need to understand the market in each country: art market history including taste, fashion, value, artists, art types, subjects, sales, prices and records; market structure and performance, including auctioneers, dealers, trade associations, museums, exhibitions, fairs, training and education; and tax and regulation. Comprehensive, informed and packed with valuable information, The International Art Markets will be the first point of reference for art collectors and investors and anyone who wants to understand the enormous breadth and complexity of the world's art markets. To complement this book, some of the individual countries featured in the text are accompanied by additional online material on the historical background of their particular market.

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This is a critical study of the 'happy ending' in classical and contemporary Hollywood cinema. The Hollywood 'happy ending' has long been considered among the most famous and standardised features in the whole of narrative filmmaking. Yet, while ceaselessly invoked, this notorious device has received barely any detailed attention from the field of film studies. This book is thus the first in-depth examination of one of the most overused and under-analysed concepts in discussions of popular cinema. Concentrating especially on conclusions featuring an ultimate romantic union - the final couple - this wide-ranging investigation probes traditional associations between the 'happy ending' and homogeneity, closure, 'unrealism', and ideological conservatism, testing widespread assumptions against the evidence offered by a range of classical and contemporary films. Breaking new critical ground, this book encourages students and scholars of film to reconsider some tenacious critical preconceptions, inviting them to approach afresh their understandings of perhaps the most infamous narrative convention in Hollywood cinema. It defines key features of the Hollywood 'happy ending' through detailed textual analysis and theoretical debate. It traces the historical development of the scholarly approaches taken towards the cinematic 'happy ending'. It reassesses the concept of cinematic closure and its relationship to genre, ideology and 'unrealism'.

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