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Being BAD has never felt so GOOD! The second book in the villainously funny, highly illustrated young middle-grade series from author-illustrator Ryan Hammond. For fans of Amelia Fang, Dog Man and Grimwood. Don’t miss the third installment, How to Win the Gruesome Games, out in April 2024! ‘A charmingly villainous adventure about friendship, school and unspeakable evil.’ Louie Stowell, author of Loki: A Bad God’s Guide to Being Good ‘Criminally fun!’ Danny Wallace, author of The Day the Screens Went Blank It’s the start of the winter term and there’s a new teacher in town at Villains Academy – the notorious dragon-rider Felix Frostbite. Class Z are in awe of him and his lessons on venomous beasts and mythical creatures, but werewolf Bram is suspicious. Soon Bram and his friends the Cereal Killers uncover Felix Frostbite’s evil plan to steal all the dragons from the Wicked Woods and leave Villains Academy undefended. Have the gang learnt enough to outsmart their troublesome teacher, or will Felix Frostbite’s heist go down in villain history?PRAISE FOR VILLAINS ACADEMY: ‘Frightfully fun – Villains Academy had me cackling from the very first page!’ Katie Tsang, co-author of the Dragon Realm series ‘I loved the spookily funny Villains Academy. It's a work of (evil) genius!’ Jenny McLachlan, author of The Land of Roar ‘Heart-warming and hilarious – Villains Academy is a spookalicious treat, set to terrify every other book on your shelf.’ Jack Meggitt-Phillips, author of The Beast and the Bethany ‘An absolute HOOT! Evil laughs aplenty!’ Sophy Henn, author and illustrator of the Pizazz series ‘A joyful hug of a book with genuine warmth and heart.’ Hannah Gold, author of The Last Bear ‘A delightfully fun adventure with real heart and humour.’ Benjamin Dean, author of Me, My Dad and the End of the Rainbow ‘Immersive, funny, and with a cast of scarily loveable characters, Villains Academy made me feel like I was IN the book!’ Mel Taylor-Bessent, author of The Christmas Carrolls ‘A fabulously funny adventure. I want to enrol in Villains Academy!’ Nick Sheridan, author of The Case of the Runaway Brain ‘Wickedly funny and full of quirky yet loveable characters.’ Iona Rangeley, author of Einstein the Penguin ‘This is a brilliant, bonkers work packed with top-notch illustration.’ Jack Noel, author and illustrator of the Comic Classics series ‘Full of wonderful characters, Villains Academy is such a FUN read!’ Rikin Parekh, illustrator of The Worst Class in the World series

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The first instalment of the EPIC Crescent City series from multi-million and #1 Sunday Times bestselling author Sarah J. Maas Maas has established herself as a fantasy fiction titan - Time Think Game of Thrones meets Buffy the Vampire Slayer with a drizzle of E.L. James – Telegraph Spiced with slick plotting and atmospheric world-building ... a page-turning delight – Guardian Sarah J. Maas does not disappoint … To be devoured with relish – Mail ****** BOUND BY BLOOD. TEMPTED BY DESIRE. UNLEASHED BY DESTINY. Bryce Quinlan loves her life. Every night is a party, and Bryce is going to savour all the pleasures Lunathion – also known as Crescent City – has to offer. But when a brutal murder shakes the very foundations of the city, Bryce’s world comes crashing down. Two years later, Bryce still haunts the city’s most notorious nightclubs – but seeking only oblivion now. Then the murderer attacks again. And when an infamous Fallen angel, Hunt Athalar, is assigned to watch her every footstep, Bryce knows she can’t forget any longer. As Bryce and Hunt fight to unravel the mystery and their own dark pasts, the threads they tug ripple through the underbelly of the city, across warring continents and down to the deepest levels of Hel, where things that have been sleeping for millennia are beginning to stir … House of Earth and Blood is a blockbuster modern fantasy set in a divided world where one woman must uncover the truth to seek her revenge. With unforgettable characters and page-turning suspense, this richly inventive new fantasy series by #1 New York Times bestselling author Sarah J. Maas delves into the heartache of loss, the price of freedom – and the power of love. ***Reader reviews for House of Earth and Blood *** ‘I DEVOURED this book. I could not stop gobbling up the words, I loved it so much’ ***** READER REVIEW ‘This book in one word... Epic! And I wholeheartedly mean that! Read it and then tell everyone you know, and their Granny, to read it too! It's just that good!’ ***** READER REVIEW ‘It was brilliant, I was gripped, absolutely loved it, bits of it I forgot to breathe as I was reading. One of the best books I’ve read in a long time’ ***** READER REVIEW ‘I don't even know where to start. This is by far THE BEST BOOK SJM HAS EVER WRITTEN’ ***** READER REVIEW ‘Another incredible book by my favourite author - the depths of the world she builds and each character are just indescribable - what a wonderful talent to have to write at this level - no one else is doing it better’ ***** READER REVIEW

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The chronicles of Jean le Bel are one of the most important sources for the beginning of the Hundred Years' War. This is the first English translation of a work written from eyewitness accounts and personal experience. The chronicles of Jean le Bel, written around 1352-61, are one of the most important sources for the beginning of the Hundred Years' War. They were only rediscovered and published at the beginning of the twentieth century, thoughFroissart begins his much more famous work by acknowledging his great debt to the "true chronicles" which Jean le Bel had written. Many of the great pages of Froissart are actually the work of Jean le Bel, and this is the first translation of his book. It introduces English-speaking readers to a vivid text written by a man who, although a canon of the cathedral at Liège, had actually fought with Edward III in Scotland, and who was a great admirer of the English king. He writes directly and clearly, with an admirable grasp of narrative; and he writes very much from the point of view of the knights who fought with Edward. Even as a canon, he lived in princely style, with a retinue oftwo knights and forty squires, and he wrote at the request of John of Hainault, the uncle of queen Philippa. He was thus able to draw directly on the verbal accounts of the Crécy campaign given to him by soldiers from Hainault who had fought on both sides; and his description of warfare in Scotland is the most realistic account of what it was like to be on campaign that survives from this period. If he succumbs occasionally to a good story from one of theparticipants in the wars, this helps us to understand the way in which the knights saw themselves; but his underlying objective is to keep "as close to the truth as I could, according to what I personally have seen and remembered, and also what I have heard from those who were there". Edward may be his hero, a "gallant and noble king", but Le Bel tells the notorious story of his supposed rape of the countess of Salisbury because he believed it to be true,puzzled and shocked though he was by his material. It is a text which helps to put the massive work of Jean Froissart in perspective, but its concentrated focus and relatively short time span makes it a much more approachable and highly readable insight into the period.

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“Old Poets is an indispensable jewel.” —Washington Post“An astonishing array of encounters...Hall’s observations are shrewd and generous.” —Boston Globe Intimate portraits of great poets in old age, giving new insight into their work and their lives, and context to the often flawless art created by flawed human beings. The best of themselves endure, and the old poets’ existence and endurance gives readers courage to pursue their own vision. Donald Hall (Essays After Eighty and A Carnival of Losses: Notes Nearing Ninety) knew a great deal about work, about poetry, and about age. Each of those things come together in this unique collection. We hear about Robert Frost as Hall knew him: vain and cruel, a man possessed by guilt. But, as Hall writes, “The poet who survives is the poet to celebrate; the human being who confronts darkness and defeats it is the one to admire. For all his vanity, Robert Frost is admirable: He looked into his desert places, confronted his desire to enter the oblivion of the snowy woods, and drove on.”Hall’s essays are once both intimate portraits and learned treatises. He takes us on a pub crawl through the Welsh countryside with the word-mad Dylan Thomas; to the Faber & Faber office of T. S. Eliot, who had discovered more happiness in age than in youth; to a reading where Robert Frost’s public persona hid the truth; to Brooklyn for lunch with the enigmatic Marianne Moore; and to Italy and for a visit with the notorious Ezra Pound. By the time Hall met them, each poet was, he observed, “old enough to have detached from ongoing poetry, to feel alien to the ambitions of the grandchildren.”Also included are portraits of the poets who taught Hall as a writer: the unfailingly kind Archibald MacLeish and Yvor Winters, from whom he learned the most about poetry. Along the way are observations about many other poets and the literary cultures that sustained them.Contents include: “Vanity, Fame, Love, and Robert Frost,” “Dylan Thomas and Public Suicide,” “Notes on T. S. Eliot,” “Rocks and Whirlpools: Archibald MacLeish and Yvor Winters,” “Marianne Moore: Valiant and Alien,” and “Fragments of Ezra Pound.”For lovers of literature, this is a gorgeous remembrance and likely to compel an immediate visit to the poetry section of the nearest bookstore—as Hall writes, “Their presences have been emblems in my life, and I remember these poets as if I kept them carved in stone.”

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‘A thrilling new voice in Scottish fiction’ Marion ToddIf the dead could speak, what secrets would they tell?With her daughter on an archaeological dig, the only bodies DI Shona Oliver expects to find are long-dead. But when a corpse from the 1980s is unearthed, Shona quickly realises that it may be one of the missing “Girls in the Glen”, victim of a notorious serial killer.Shona’s superiors want her to stop looking to the past, and focus on a fresher crime scene. The attempted shooting of a local politician who likes to stoke controversy.As Shona finds herself pulled between crimes past and present, she soon realises that the secrets buried on Beild Moss are reaching into the present day.But when even her own officers are keeping things from her, who can she trust? Especially when more lives may be at stake…The third instalment in the thrilling DI Shona Oliver series, perfect for fans of Neil Lancaster, G. R. Halliday and Ann Cleeves.Praise for The Girls in the Glen ‘A gripping murder mystery and a must-read for fans of Scottish crime. The landscape is beautifully drawn and becomes a character in this tale of dark reprisal’ Stuart Johnstone, author of Into the DarkWhat readers are saying about the DI Shona Oliver series‘Full of twists and turns’ ⭐⭐⭐⭐⭐ Reader review‘Shona Oliver is the real McCoy… exceptional leader, mother and wife fighting crime and personal family issues in equal proportions with heart, skill, compassion, integrity and humanity’ ⭐⭐⭐⭐⭐ Reader review‘Great twists and turns and … a shocking climax. A brilliant read, I really enjoyed this one’ ⭐⭐⭐⭐⭐ Reader review‘A haunting and absorbing novel set against the backdrop of a notoriously stunning but dangerous landscape’ ⭐⭐⭐⭐⭐ Reader review‘Fast paced, unexpected turns and great character development’ ⭐⭐⭐⭐⭐ Reader review‘The sort of read that keeps you glued and up all night’ ⭐⭐⭐⭐⭐ Reader review‘This book has so many elements I enjoy; a strong, intelligent woman, an atmospheric setting and the history of this wild area. Lynne McEwan makes her characters come alive’ ⭐⭐⭐⭐⭐ Reader review‘Unputdownable! I was absolutely entranced with this and quickly read the whole book on tender hooks. One of the best I've read this year’ ⭐⭐⭐⭐⭐ Reader review‘Well written and plenty of interesting characters woven through a clever plot’ ⭐⭐⭐⭐⭐ Reader review

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“Tim O'Brien is the one American author whose works I look forward to the most. His new novel’s ironic depiction of a post-Iraq war, mid-COVID, and mid-Trump world is piercing and razor-sharp.” —HARUKI MURAKAMIAn American Master returns: the author of The Things They Carried delivers his first new novel in two decades, a brilliant and rollicking odyssey, in which a bank robbery sparks “a satirical romp through a country plagued by deceit” (Kirkus, starred review)One of Esquire's 20 Best Books of the Year * Named one of Fall 2023's most anticipated books: New York Times, Associated Press, Kirkus, Goodreads, St. Louis Post-Dispatch, and moreAt 11:34 a.m. one Saturday in August 2019, Boyd Halverson strode into Community National Bank in Northern California.“How much is on hand, would you say?” he asked the teller. “I’ll want it all.”“You’re robbing me?”He revealed a Temptation .38 Special.The teller, a diminutive redhead named Angie Bing, collected eighty-one thousand dollars.Boyd stuffed the cash into a paper grocery bag.“I’m sorry about this,” he said, “but I’ll have to ask you to take a ride with me.”So begins the adventure of Boyd Halverson—star journalist turned notorious online disinformation troll turned JCPenney manager—and his irrepressible hostage, Angie Bing. Haunted by his past and weary of his present, Boyd has one goal before the authorities catch up with him: settle a score with the man who destroyed his life. By Monday the pair reach Mexico; by winter, they are in a lakefront mansion in Minnesota. On their trail are hitmen, jealous lovers, ex-cons, an heiress, a billionaire shipping tycoon, a three-tour veteran of Iraq, and the ghosts of Boyd’s past. Everyone, it seems, except the police.In the tradition of Jonathan Swift and Mark Twain, America Fantastica delivers a biting, witty, and entertaining story about the causes and costs of outlandish fantasy, while also marking the triumphant return of an essential voice in American letters. And at the heart of the novel, amid a teeming cast of characters, readers will delight in the tug-of-war between two memorable and iconic human beings—the exuberant savior-of-souls Angie Bing and the penitent but compulsive liar Boyd Halverson. Just as Tim O’Brien’s modern classic, The Things They Carried, so brilliantly reflected the unromantic truth of war, America Fantastica puts a mirror to a nation and a time that has become dangerously unmoored from truth and greedy for delusion.

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The Black Widows of of The Eternal City offers, for the first time, a book-length study of an infamous cause célèbre in seventeenth-century Rome, how it resonated then and has continued to resonate: the 1659 investigation and prosecution of Gironima Spana and dozens of Roman widows, who shared a particularly effective poison to murder their husbands. This notorious case has been frequently discussed over 350 years, but the earliest writers concentrated more on fortifying their reading constituency’s shared attitudes than accurately narrating facts. Subsequent authors remained largely content to follow their predecessors or keen to improve upon them. Most recent writers and bloggers were unaware that their earlier sources were generally unconcerned with a correct portrayal of real events. In the present study, Craig A. Monson takes advantage of a recent discovery—the 1,450-page notary’s transcript of the 1659 investigation. It is supplemented here by many ancillary archival sources, unknown to all previous writers. Since the story of Gironima Spana and the would-be widows is partially about what people believed to be true, however, this investigation also juxtaposes some of the “alternative facts” from earlier, sensational accounts with what the notary’s transcript and other, more reliable archival documents reveal. Written in a style that avoids arcane idioms and specialist jargon, the book can potentially speak to students and general readers interested in seventeenth-century social history and gender issues. It rewrites the life story of Gironima Spana (largely unknown until now), who has dominated all earlier accounts, usually in caricatures that reiterate the tropes of witchcraft. It also concentrates on the dozen other widows whose stories could be the most recovered from archival sources and whom Spana had totally eclipsed in earlier accounts. Most were women “of a very ordinary sort” (prostitutes; beggars; wives of butchers, barbers, dyers, lineners, innkeepers), the kinds of women commonly lost to history. The book seeks to explain why some women were hanged (only six, in fact, most of whom may not have directly poisoned anyone), while dozens of others who did poison their husbands escaped the gallows and, in some cases, were not even interrogated. It also reveals what happened to these other alleged perpetrators, whose fates have remained unknown until now. Other purported culprits, about whom less complete pictures emerge, are briefly discussed in an appendix. The study incorporates illustrations of archival manuscripts to demonstrate the challenges of deciphering them and illustrates “scenes of the crime” and other important locations, identified on seventeenth-century, bird’s eye-perspective views of Rome and in modern photographs. It also includes GPS coordinates for any who might wish to revisit the sites.

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'Rarely is such an important book this funny. And rarely is such a funny book this important' - RICHARD OSMAN'The second funniest book I have read about being a Labour supporter from Blair to Brexit' - JOHN O'FARRELL'Matt Forde is brilliant at finding the comedy which often accompanies political life. This book made me laugh out loud - and wince in recognition' - TONY BLAIR'This book is smarter and funnier than Donald Trump. Matt Forde was so bad at politics that I'd have considered working for him' - ANTHONY SCARAMUCCI'That Matt Forde is able to make the current political shit-show funny shows his genius. You'll be laughing too hard to notice, but this is a very clever book' - RUTH DAVIDSON'Definitely one of the books I will claim to have read this year' - JACK DEE'Absolutely brilliant. I didn't want the book to end but I'm glad Fordy's political career did. And I mean that as both a compliment and not a compliment' - RUSSELL HOWARD-----------Part memoir, part behind-the-scenes insider view, Politically Homeless is both a fascinating and funny book for anyone who feels annoyed by the current state of politics. Which should be around 65 million people in the UK alone.Matt Forde has been obsessed with politics ever since he was 9 years old. Raised by a single mum on benefits in inner city Nottingham, he joined the Socialist Workers Party as soon as he could, foisted issues of Marxism Today on innocent bystanders and attended his first political party conference. From then on, despite some career suicide moments such as chatting to the Prime Minister at Number 10 while badly drunk, Matt's whole future looked wedded to the Labour Party as he started working for MPs in dingy back rooms in Nottinghamshire.But then Labour started to fall apart, and so did Matt's sense of purpose. With the rise of Corbyn, Brexit and Trump, his love for politics that had been so profound began to quickly crumble.Exploring themes such as tribalism, the curse of complacency and why some politicians refuse to speak normally, Politically Homeless is a hugely entertaining book of (often hilarious) personal stories and thought-provoking insights into this complicated world. And despite everything, Matt's passion is still there. Through hosting his award-winning weekly podcast, 'The Political Party' (over 5 million downloads) involving interviews with some of politics' most powerful and notorious figures including Tony Blair, Nicola Sturgeon, Sadiq Khan, Michael Heseltine, Nigel Farage and Jacob Rees-Mogg and performing critically acclaimed stand-up comedy shows, Matt has been able to keep enough faith that politics will get better. Maybe.

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A compelling and timely vision for gay reparations in the United States In the last two decades many nations have adopted "gay reparations," or policies intended to make amends for a history of discrimination, stigmatization, and violence on the basis of sexual orientation and gender identity. Far from being a homogenous or uniform phenomenon, gay reparations encompass a small constellation of approaches including a formal apology to the LGBT community for past wrongdoing, financial compensation for victims of anti-LGBT laws and actions, and the erection of monuments to the memory of those who suffered because of structural homophobia. The United States, however, has been reluctant to embrace gay reparations, making the country something of an outlier among Western democracies. Beyond making the case for gay reparations in the United States, this book explores a wide range of questions provoked by the rise of the gay reparations movement. Among these questions, three stand out for what they reveal about the puzzling and complex nature of this new front in the struggle for LGBT equality. Why, after centuries of attempts to marginalize, dehumanize, and even eradicate LGBT people, are governments coming around to confront this dark and painful historical legacy? How do we make sense of the diversity of gay reparations being implemented by governments around the world? And, finally, what would an American policy of gay reparations look like? Omar G. Encarnación draws upon the rich history of reparations to confront the legacies of genocide, slavery, and political repression and argue that gay reparations are a moral obligation intended to restore dignity to those whose human rights have been violated because of their sexual orientation and gender identity. Reparations are also necessary to close painful chapters of anti-LGBT discrimination and violence and to remind future generations of past struggles for LGBT equality. To this end, he traces America's dark and painful LGBT history--from colonial-era laws criminalizing homosexual conduct, to a postwar ban on homosexuals working in the federal bureaucracy, to the government's support of the junk-science underpinning the practice of "gay conversion" therapy promoted by the Christian Right. The book also examines how other Western democracies notorious for their repression of homosexuals--specifically Spain, Britain, and Germany--have implemented gay reparations. These foreign experiences reveal potential pathways for gay reparations in the United States. More importantly, they show that while there is no universal approach to gay reparations it is never too late for countries to seek to right past wrongs.

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The first instalment of the EPIC Crescent City series from multi-million and #1 Sunday Times bestselling author Sarah J. Maas Maas has established herself as a fantasy fiction titan - Time Think Game of Thrones meets Buffy the Vampire Slayer with a drizzle of E.L. James – Telegraph Spiced with slick plotting and atmospheric world-building ... a page-turning delight – Guardian Sarah J. Maas does not disappoint … To be devoured with relish – Mail ****** BOUND BY BLOOD. TEMPTED BY DESIRE. UNLEASHED BY DESTINY. Bryce Quinlan loves her life. Every night is a party, and Bryce is going to savour all the pleasures Lunathion – also known as Crescent City – has to offer. But when a brutal murder shakes the very foundations of the city, Bryce’s world comes crashing down. Two years later, Bryce still haunts the city’s most notorious nightclubs – but seeking only oblivion now. Then the murderer attacks again. And when an infamous Fallen angel, Hunt Athalar, is assigned to watch her every footstep, Bryce knows she can’t forget any longer. As Bryce and Hunt fight to unravel the mystery and their own dark pasts, the threads they tug ripple through the underbelly of the city, across warring continents and down to the deepest levels of Hel, where things that have been sleeping for millennia are beginning to stir … House of Earth and Blood is a blockbuster modern fantasy set in a divided world where one woman must uncover the truth to seek her revenge. With unforgettable characters and page-turning suspense, this richly inventive new fantasy series by #1 New York Times bestselling author Sarah J. Maas delves into the heartache of loss, the price of freedom – and the power of love. ***Reader reviews for House of Earth and Blood *** ‘I DEVOURED this book. I could not stop gobbling up the words, I loved it so much’ ***** READER REVIEW ‘This book in one word... Epic! And I wholeheartedly mean that! Read it and then tell everyone you know, and their Granny, to read it too! It's just that good!’ ***** READER REVIEW ‘It was brilliant, I was gripped, absolutely loved it, bits of it I forgot to breathe as I was reading. One of the best books I’ve read in a long time’ ***** READER REVIEW ‘I don't even know where to start. This is by far THE BEST BOOK SJM HAS EVER WRITTEN’ ***** READER REVIEW ‘Another incredible book by my favourite author - the depths of the world she builds and each character are just indescribable - what a wonderful talent to have to write at this level - no one else is doing it better’ ***** READER REVIEW

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A suspense filled tale of murder on the American frontier—shedding new light on a family of serial killers in Kansas, whose horrifying crimes gripped the attention of a nation still reeling from war. 'A carefully researched and horribly compelling examination of unimaginable evil intruding upon everyday life' The Observer In 1873 the people of Labette County, Kansas made a grisly discovery. Buried by a trailside cabin beneath an orchard of young apple trees were the remains of countless bodies. Below the cabin itself was a cellar stained with blood. The Benders, the family of four who once resided on the property were nowhere to be found. The discovery sent the local community and national newspapers into a frenzy that continued for decades, sparking an epic manhunt for the Benders. The idea that a family of seemingly respectable homesteaders—one among the thousands relocating farther west in search of land and opportunity after the Civil War—were capable of operating "a human slaughter pen" appalled and fascinated the nation. But who the Benders really were, why they committed such a vicious killing spree and whether justice ever caught up to them is a mystery that remains unsolved to this day. Set against the backdrop of postbellum America, Hell’s Half-Acre explores the environment capable of allowing such horrors to take place. Drawing on extensive original archival material, Susan Jonusas introduces us to a fascinating cast of characters, many of whom have been previously missing from the story. Among them are the families of the victims, the hapless detectives who lost the trail, and the fugitives that helped the murderers escape. Hell’s Half-Acre is a journey into the turbulent heart of nineteenth century America, a place where modernity stalks across the landscape, violently displacing existing populations and building new ones. It is a world where folklore can quickly become fact and an entire family of criminals can slip through a community’s fingers, only to reappear in the most unexpected of places. “Dark and bloody, hard-nosed but lyrical, Hell’s Half-Acre is a true-crime mass-murder mystery from the Old West. Susan Jonusas has stripped down a notorious story, researched it to hell and back, and rebuilt in prose so immediate and immersive that it feels like she must have been there. Beware the Benders, but all hail Susan Jonusas. This is a stunning debut from a great and powerful new voice in narrative non-fiction.” Dan Jones, Sunday Times bestselling author of The Templars, The Plantagenets and Blood and Thrones

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From the New York Times bestselling author of such “sizzling Stark novels” (RT Book Reviews) as Release Me and Say My Name comes a Stark International Novel featuring provocative bad boy Dallas Sykes—the first in a new trilogy in the S.I.N. series.It was wrong for us to be together, but it was even harder to be apart. The memory of Dallas Sykes burns inside of me. Everyone knows him as a notorious playboy, a man for whom women and money are no object. But to me, he’s still the one man I desperately crave—yet the one I can never have. Dallas knows me better than anyone else. We bear the same scars, the same darkness in our past. I thought I could move on by staying away, but now that we’re drawn together once more, I can’t fight the force of our attraction or the temptation to make him mine. We’ve tried to maintain control, not letting ourselves give in to desire. And for so long we’ve told ourselves no—but now it’s finally time to say yes.Praise for Dirtiest Secret “[A] high-octane contemporary, the first in [J. Kenner’s] new Stark International Novel (S.I.N.) trilogy . . . Kenner skillfully builds a top-notch thriller.”—Publishers Weekly “Fans of Kenner’s steamy, decadent and daring plotlines will feel right at home in her new S.I.N. series and revel in the escapades of her tortured characters and their forbidden passion. As always, Kenner delivers a sensual and heady physical relationship, fraught with danger, forbidden love and high-stakes complications.”—RT Book Reviews “Strong writing propels an exciting tale of longing, danger, and forbidden desire. The ending’s twist will leave readers eager for the next installment.”—Library Journal“This book had a little bit of everything. Mystery, suspense, emotion and dirty, hot sex.”—Shameless Book Club “Kenner wrote Dallas in such a way that you are enthralled with his character from the first page he graces. He’s sexy and extremely controlling but not quite what you think he is.”—Black Heart Reviews “Seduction and tangled emotions led the way in this first book of the Stark International Novels (S.I.N.) series. With a happy-for-now ending that had a twist at the end, I can’t wait to see what happens next in Jane and Dallas’s intriguing story.”—Harlequin Junkie “It was literally like [eating] the most decadently sinful piece of chocolate, knowing that you really need to lose those last ten pounds. I do believe that I just found my newest guilty pleasure and his name is Dallas Sykes.”—Hooker Heels Book Blog Dirtiest Secret is intended for mature audiences.

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In the early hours of May 6, 1856, the steamboat Effie Afton barreled into a pillar of the Rock Island Bridge—the first railroad bridge ever to span the Mississippi River. Soon after, the newly constructed vessel, crowded with passengers and livestock, erupted into flames and sank in the river below, taking much of the bridge with it. As lawyer and Lincoln scholar Brian McGinty dramatically reveals in Lincoln's Greatest Case, no one was killed, but the question of who was at fault cried out for an answer. Backed by powerful steamboat interests in St. Louis, the owners of the Effie Afton quickly pressed suit, hoping that a victory would not only prevent the construction of any future bridges from crossing the Mississippi but also thwart the burgeoning spread of railroads from Chicago. The fate of the long-dreamed-of transcontinental railroad lurked ominously in the background, for if rails could not cross the Mississippi by bridge, how could they span the continent all the way to the Pacific? The official title of the case was Hurd et al. v. The Railroad Bridge Company, but it could have been St. Louis v. Chicago, for the transportation future of the whole nation was at stake. Indeed, was it to be dominated by steamboats or by railroads? Conducted at almost the same time as the notorious Dred Scott case, this new trial riveted the nation’s attention. Meanwhile, Abraham Lincoln, already well known as one of the best trial lawyers in Illinois, was summoned to Chicago to join a handful of crack legal practitioners in the defense of the bridge. While there, he succesfully helped unite the disparate regions of the country with a truly transcontinental rail system and, in the process, added to the stellar reputation that vaulted him into the White House less than four years later. Re-creating the Effie Afton case from its unlikely inception to its controversial finale, McGinty brilliantly animates this legal cauldron of the late 1850s, which turned out to be the most consequential trial in Lincoln's nearly quarter century as a lawyer. Along the way, the tall prairie lawyer's consummate legal skills and instincts are also brought to vivid life, as is the history of steamboat traffic on the Mississippi, the progress of railroads west of the Appalachians, and the epochal clashes of railroads and steamboats at the river’s edge. Lincoln's Greatest Case is legal history on a grand scale and an essential first act to a pivotal Lincoln drama we did not know was there.

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John Dickinson’s entry into public life in Delaware and Pennsylvania is a highlight of the ninety-eight documents written over four years printed in Volume Two of The Complete Writings and Selected Correspondence of John Dickinson. The volume opens with Dickinson’s legal notes as he established himself as one of the most prominent and learned lawyers in colonial British North America. His cases dealt with, among other issues, interpretation of wills, disputes over land, sailors suing for wages, a fine on a Quaker who refused military service, and a notorious murder in a prominent Philadelphia family. It concludes with Dickinson offering thoughtful advice to a young man who was considering the arduous work in becoming a lawyer. “I think,” he wrote, “those must be infinitely the most happy, whose fatigues are softend by a conscious Benevolence of mind wishing & endeavouring to [pro]mote the Happiness of others as well as their own.” Dickinson’s hard work on behalf of his clients brought him success in other areas of his public life. In October 1759, he was elected to his first public position as a representative for Kent County, Del., the following year he was elevated to the position of speaker, and in 1762, he became a representative for Philadelphia County, Pa. As a legislator in two colonies, learning his craft as a global war unfolded, he contributed to bills on military and defense, Indian relations, infrastructure improvements and city management, and served on various committees. The death of George II occasioned debates over laws and judges, in which Dickinson participated. This era concludes with Dickinson playing a central role in managing the unfolding Paxton Riots, in which frontiersmen massacred peaceful Indians and threatened the Quaker leadership of Pennsylvania. In private, Dickinson lost the two most prominent male figures in his life in 1760, his father, Samuel, and soon thereafter, his mentor, colleague, and friend, John Moland. In honor of Moland, Dickinson published a poem and became a proxy head to Moland’s large family. Though his extant correspondence during this period is small, he exchanged letters with Mary Cadwalader Dickinson, Israel Pemberton, William Allason, George Read, Thomas McKean, and others. Perhaps most significant, he wrote a lengthy, unpublished essay on the flag-of-truce trade and also maintained commonplace books as he considered his place within the British Empire, opening up the next phase in Dickinson’s life as a leader of the resistance against Britain. Published by the University of Delaware Press. Distributed worldwide by Rutgers University Press.

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A Sunday Times Book of the YearShortlisted for The Pol Roger Duff Cooper Prize 'This magnificent, highly readable double biography...brings these two driven, complicated women vividly to life' The Financial Times'A gripping saga of a double-biography' Daily Mail'A masterful portrait' The Times'Vastly enjoyable' Literary Review'Deeply absorbing and meticulously researched' The Oldie In 1815, the clever, courted and cherished Annabella Milbanke married the notorious and brilliant Lord Byron. Just one year later, she fled, taking with her their baby daughter, the future Ada Lovelace. Byron himself escaped into exile and died as a revolutionary hero in 1824, aged 36. The one thing he had asked his wife to do was to make sure that their daughter never became a poet. Ada didn't. Brought up by a mother who became one of the most progressive reformers of Victorian England, Byron's little girl was introduced to mathematics as a means of calming her wild spirits. Educated by some of the most learned minds in England, she combined that scholarly discipline with a rebellious heart and a visionary imagination. As a child invalid, Ada dreamed of building a steam-driven flying horse. As an exuberant and boldly unconventional young woman, she amplified her explanations of Charles Babbage's unbuilt calculating engine to predict, as nobody would do for another century, the dawn today of our modern computer age. When Ada died - like her father, she was only 36 - great things seemed still to lie ahead for her as a passionate astronomer. Even while mired in debt from gambling and crippled by cancer, she was frenetically employing Faraday's experiments with light refraction to explore the analysis of distant stars.Drawing on fascinating new material, Seymour reveals the ways in which Byron, long after his death, continued to shape the lives and reputations both of his wife and his daughter. During her life, Lady Byron was praised as a paragon of virtue; within ten years of her death, she was vilified as a disgrace to her sex. Well over a hundred years later, Annabella Milbanke is still perceived as a prudish wife and cruelly controlling mother. But her hidden devotion to Byron and her tender ambitions for his mercurial, brilliant daughter reveal a deeply complex but unsuspectedly sympathetic personality. Miranda Seymour has written a masterful portrait of two remarkable women, revealing how two turbulent lives were often governed and always haunted by the dangerously enchanting, quicksilver spirit of that extraordinary father whom Ada never knew.

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"At the same time that the dangerous war was being fought in the jungles of Vietnam, Campus Wars were being fought in the United States by antiwar protesters. Kenneth J. Heineman found that the campus peace campaign was first spurred at state universities rather than at the big-name colleges. His useful book examines the outside forces, like military contracts and local communities, that led to antiwar protests on campus." —Herbert Mitgang, The New York Times "Shedding light on the drastic change in the social and cultural roles of campus life, Campus Wars looks at the way in which the campus peace campaign took hold and became a national movement." —History Today "Heineman's prodigious research in a variety of sources allows him to deal with matters of class, gender, and religion, as well as ideology. He convincingly demonstrates that, just as state universities represented the heartland of America, so their student protest movements illustrated the real depth of the anguish over US involvement in Vietnam. Highly recommended." —Choice "Represents an enormous amount of labor and fills many gaps in our knowledge of the anti-war movement and the student left." —Irwin Unger, author of These United States The 1960s left us with some striking images of American universities: Berkeley activists orating about free speech atop a surrounded police car; Harvard SDSers waylaying then-Secretary of Defense Robert McNamara; Columbia student radicals occupying campus buildings; and black militant Cornell students brandishing rifles, to name just a few. Tellingly, the most powerful and notorious image of campus protest is that of a teenage runaway, arms outstretched in anguish, kneeling beside the bloodied corpse of Jeff Miller at Kent State University. While much attention has been paid to the role of elite schools in fomenting student radicalism, it was actually at state institutions, such as Kent State, Michigan State, SUNY, and Penn State, where anti-Vietnam war protest blossomed. Kenneth Heineman has pored over dozens of student newspapers, government documents, and personal archives, interviewed scores of activists, and attended activist reunions in an effort to recreate the origins of this historic movement. In Campus Wars, he presents his findings, examining the involvement of state universities in military research — and the attitudes of students, faculty, clergy, and administrators thereto — and the manner in which the campus peace campaign took hold and spread to become a national movement. Recreating watershed moments in dramatic narrative fashion, this engaging book is both a revisionist history and an important addition to the chronicle of the Vietnam War era.

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** CONTAINS NEW MATERIAL ** THE SUNDAY TIMES BESTELLER & WINNER OF THE ATTITUDE BOOK AWARD 'Refreshing, inspiring and candid.' ATTITUDE 'I love this man so much. He was, and always will be, my knight in shining Westwood.' DAVINA MCCALL'This is a story that should never have been told' KATE MOSS'The perfect beach read' THE SUNDAY TIMES'If you want to change your life but can't.. I strongly advise you read this book' TRACEY EMINAs one of club culture's most notorious - and best loved - figures, Tony is a complete force of nature. Here he tells the most extraordinary stories of depravity and hedonism, of week-long benders and extreme self-destruction - and of recovery, redemption, friendship and the joy of a good tune.___________________________________________________________________________'Anyone can get a party started, but no one keeps it going like Fat Tony, the energy never dips andwhat a life he's lived.. He's a tosser but we still love him.' ELTON JOHN & DAVID FURNISH___________________________________________________________________________Harrowing, honest and funny, this is the candid and outrageous memoir of a life of extremes. It's a story of getting it all and losing it all. Addiction, recovery, and starting again. Drawing a vivid portrait of Britain's street culture from the 1980s to the noughties, DJ Fat Tony describes his childhood on a London estate where he honed his petty criminality, was abused by an older man and became best friends with Boy George. He spent his teenage years parading the Kings Road in his latest (mostly stolen) clobber, worked as a receptionist at a brothel, hung out with Leigh Bowery and Andy Warhol, and created his drag persona, before becoming DJ to the stars (including Prince and Madonna) and spiralling into a life-threatening drug addiction.This is a story of loss and redemption and living to tell all the tales in glorious, funny and often heart-breaking detail, from one of social media's best-loved meme-thieves and the world-renowned DJ.___________________________________________________________________________'There is nobody in London, let alone the world who has lived a more extraordinary life... his journey from villain to real life hero is one of the most beautiful examples of humanity I have ever witnessed. I wouldn't be without this c*nt.' KELLY OSBOURNE'Hearing Tony's story is brutal and shocking. He is nothing short of a miracle and his willingness to be of service to others seeking sobriety is testament to how far he has come from the days of pulling his own teeth out.' MARC JACOBS

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“Thompson-Hernández's portrayal of Compton's black cowboys broadens our perception of Compton's young black residents, and connects the Compton Cowboys to the historical legacy of African Americans in the west. An eye-opening, moving book.”— Margot Lee Shetterly, New York Times bestselling author of Hidden Figures“Walter Thompson-Hernández has written a book for the ages: a profound and moving account of what it means to be black in America that is awe inspiring in its truth-telling and limitless in its empathy. Here is an American epic of black survival and creativity, of terrible misfortune and everyday resilience, of grace, redemption and, yes, cowboys.”— Junot Díaz, Pulitzer prize-winning author of This is How You Lose HerA rising New York Times reporter tells the compelling story of The Compton Cowboys, a group of African-American men and women who defy stereotypes and continue the proud, centuries-old tradition of black cowboys in the heart of one of America’s most notorious cities.In Compton, California, ten black riders on horseback cut an unusual profile, their cowboy hats tilted against the hot Los Angeles sun. They are the Compton Cowboys, their small ranch one of the very last in a formerly semirural area of the city that has been home to African-American horse riders for decades. To most people, Compton is known only as the home of rap greats NWA and Kendrick Lamar, hyped in the media for its seemingly intractable gang violence. But in 1988 Mayisha Akbar founded The Compton Jr. Posse to provide local youth with a safe alternative to the streets, one that connected them with the rich legacy of black cowboys in American culture. From Mayisha’s youth organization came the Cowboys of today: black men and women from Compton for whom the ranch and the horses provide camaraderie, respite from violence, healing from trauma, and recovery from incarceration. The Cowboys include Randy, Mayisha’s nephew, faced with the daunting task of remaking the Cowboys for a new generation; Anthony, former drug dealer and inmate, now a family man and mentor, Keiara, a single mother pursuing her dream of winning a national rodeo championship, and a tight clan of twentysomethings--Kenneth, Keenan, Charles, and Tre--for whom horses bring the freedom, protection, and status that often elude the young black men of Compton. The Compton Cowboys is a story about trauma and transformation, race and identity, compassion, and ultimately, belonging. Walter Thompson-Hernández paints a unique and unexpected portrait of this city, pushing back against stereotypes to reveal an urban community in all its complexity, tragedy, and triumph.The Compton Cowboys is illustrated with 10-15 photographs.

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‘A lovely, sunshiney story, bursting with wit and joy’ – MILLY JOHNSON ‘Has the Bella Osborne hallmark combination of wit, wonderful characters and meaningful conflicts … a fantastic read’ – SUE MOORCROFT The brand-new summery rom com from Bella Osborne, full of laughter, love and life’s twists and turns! ***An Invitation to Seashell Bay was originally published as a four-part serial. This is the complete story in one package.*** One ambitious businesswoman. One irresponsible heir. A deal that will turn both their lives upside down… To grow her craft business, Nancy is in desperate need of two things: help and money. So when a potential investor she’s looking to impress recommends an assistant, she jumps at the chance to secure both. Freddy Astley-Davenport is a notorious playboy with zero work experience. He’s poised to inherit his family’s estate in sunny Seashell Bay – but only if he can hold down a job for six months first. His plan is to take the assistant role in name only, then do the least work he possibly can. Nancy has other ideas, though, and the pair butt heads from day one. However, as they argue, sparks begin to fly, and they soon discover exactly why opposites attract… An absolutely escapist, funny, feel-good summer romance. Fans of Cathy Bramley, Katie Fforde and Milly Johnson will adore Bella Osborne. Everyone is loving An Invitation to Seashell Bay!: ‘A lovely, sunshiney story, bursting with wit and joy’ bestselling author Milly Johnson ⭐⭐⭐⭐⭐ ‘Not your typical romance book … I laughed a lot as the sparring between Nancy and Freddie was wonderfully written.’NetGalley review ⭐⭐⭐⭐⭐ ‘(Bella) never fails to provide a fantastic read’ Sue Moorcroft ⭐⭐⭐⭐⭐ ‘A lovely book full of warmth, humour and a naughty peacock!’NetGalley review ⭐⭐⭐⭐⭐ ‘Sparkling and laugh out loud’ Phillipa Ashley ⭐⭐⭐⭐⭐ ‘Great characters and well-crafted dialogue. Everything you want in a romance book.’NetGalley review ⭐⭐⭐⭐⭐ ‘Another gorgeous page turner of a story’ Jules Wake ⭐⭐⭐⭐⭐ ‘This is a really positive, uplifting and relaxing read which I sped through in no time.’NetGalley review ⭐⭐⭐⭐⭐ ‘The summer invite you need to accept … a funny, warm and gloriously uplifting romance’ Cressida McLaughlin ⭐⭐⭐⭐⭐ ‘There are some hilarious action scenes that would look great in a movie. I definitely recommend this book!’NetGalley review ⭐⭐⭐⭐⭐ ‘Pure joyous escapism bursting with sunshine! An absolute delight to read!’ Christie Barlow ⭐⭐⭐⭐⭐ ‘A contemporary romance novel perfect to pack in your suitcase’My Weekly ⭐⭐⭐⭐⭐

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Inspired by Oscar Wilde's classic story of hedonism and corruption, The Confessions of Dorian Gray imagines a world where Dorian Gray was real, and his friendship with Oscar Wilde once spawned the notorious novel. Starring Alexander Vlahos as Dorian Gray, this fifth and final series comprises four hour-long episodes, reuniting Dorian with a host of familiar friends from throughout his extended lifetime. 1. One Must Not Look At Mirrors by Guy Adams. London, 1888. When Oscar Wilde befriends a young man by the name of Dorian Gray, he finds himself immersed in a world devoid of morals. But as a celebrated killer stalks the streets, and he struggles to come to terms with inhuman actions, can he find any humanity in Dorian...? 2. Angel of War by Roy Gill. France, 1915. In the trenches of the Great War, Lieutenant Dorian Gray reports to Captain James Anderson, shortly before a routine mission into No Man's Land. His comrades rely on their faith to get them through - but is there any truth behind the story of the legendary Angel of Mons...? 3. The Valley of Nightmares by David Llewellyn. Los Angeles, 1948.Reunited in the heart of the Hollywood Hills, Dorian Gray and Dorothy Parker quickly find themselves embroiled in a conspiracy that takes them behind-the-scenes of the region's booming movie industry. But how much of it is an act...? 4. Ever After by Scott Handcock. London, 2016. The end. This is the last in the series of hugely popular adventures based on the premise, "what if Oscar Wilde's character Dorian Gray was real?" The adventures span the decades as an immortal man lives through the years and encounters some of the darkness therein...Star Alexander Vlahos has not only played Dorian across five series for Big Finish, and in several spin-offs, but may also be recognised from BBC TV's Saturday night hit Merlin, or his role in Kenneth Branagh's Macbeth on stage. This collection includes a bonus disc of behind-the-scenes interviews with cast and crew. Guest star Sarah Douglas is still regarded for her iconic role of Ursa in Superman II (1980) Note: The Confessions of Dorian Gray contains adult material and is not suitable for younger listeners.C AST: Alexander Vlahos (Dorian Gray), Guy Adams (German Officer), Samuel Barnett (Stuart Knight), Daniel Brocklebank (James Anderson), Steven Cree (Fraser Collins), Ben Crystal (Richard Dadd), Sarah Douglas (Dorothy Parker), Stephanie Ellyne (Mary Harris), Ben Flohr (Tommy Coogan), Lizzie Hopley (Emma Elizabeth Smith), Jo Joyner (Constance Wilde), Mac McDonald (Walter van Kirk), Lewis Reeves (Walter Sickert), Steffan Rhodri (Oscar Wilde), John Schwab (Jim Harris). Note: The Confessions of Dorian Gray contains adult material and is not suitable for younger listeners.

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A staggering debut novel of murder, loyalty, love, and survival at all costs, set in the teeming underbelly of Calcutta's most infamous neighbourhood.In Calcutta's notorious red-light district, Lalee aspires to a better life. Her unfailingly loyal client Tilu Shau has dreams too. A heady romantic and marginal novelist, Tilu is in love with the indifferent Lalee and wants to liberate her from her street life with marriage. But when a fellow sex worker and young mother is brutally murdered, the solicitous madam of the Blue Lotus invites Lalee to take the woman's place "upstairs" as a high-end escort. The offer comes with the promise of a more lucrative life but quickly spirals into violence, corruption, and unfathomable secrets that threaten to upset the fragile stability of Lalee's very existence. As Tilu is drawn deeper into his rescue mission, he and Lalee embark on life-altering journeys to escape a savage fate.As much a page-turner as it is poignant, Small Deaths is a brilliantly drawn modern noir that exposes the reality of society's preyed-upon outcasts, their fierce resilience, and the dangerous impediments that stand in the way of their dignity, love, and survival.'Rijula Das has evaded the prevalent tropes of writing. It is very difficult to pin down the genre she is writing in — is it a love story, for instance; is it a murder mystery; is it a novel about social justice? The book gives light to the popular and wrong notion that literature needs to necessarily be heavy. It manages to achieve everything that good literature does while at the same time being entertaining. It is full of beautiful humorous touches and outstanding at zooming in to details.' — Judges of the JCB Prize for Literature 2021'An intensely gripping tale of a crime and an investigation set against the dark side of the city of Calcutta; yet, at the same time, it is a story that is luminous with redeeming touches of love and hope, and a final sense of justice.' — Judges of the Tata Literature Live! First Book Award 2021'Rijula Das’s book is as gripping as the best crime fiction but also as intricate and well constructed as good literature should be. It’s relentless action, but the characters are not caricatures…The observations are so acute and at the same time so funny.' — Amit Varma'Rijula Das surprises you with everything in this book: the writing, the scenes, the characters, the story. A debut you cannot stop reading.' — Arunava Sinha'Addictive and hilarious. Rijula Das is a writer to watch.' — Avni Doshi, author of Burnt Sugar, shortlisted for the Booker Prize'It takes a keen insight to portray women like Lalee, Maya, Amina, and Sonia in all their profundity and shallowness. Das knows her women well.' — Feminism in India

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“Owen Pataki’s second novel emerges from the rubble of the French Revolution into the legendary conquests of Napoleon. Readers will love the richly drawn characters and evocative settings in this story that pits the values of humanity against those lusting after power and greed.” —Steven Pressfield, bestselling author of Gates of FireThe year is 1806, and a new French Empire is rising from the shadow of the Reign of Terror. The citizens who shouted “Death to Kings” now chant “Vive l’Empereur!” for Napoleon, who is seeking to consolidate his power. While the peace and prosperity he promised is decadently enjoyed in Paris, fear spreads across Europe, and a new coalition has united against him. In Poland, Andre Valiere’s efforts to serve out his conscription and return home to his family are complicated when he finds himself lured into a plot to seize a hidden fortune. Containing enough riches to bestow glory and wealth upon whoever delivers it to Napoleon, this elusive cache soon draws other, more powerful forces, wishing to claim it. In Normandy, Sophie Valiere strives to manage the family estate in Andre’s absence, but her efforts are imperiled by an influx of refugees and their growing friction with the local farmers. Amidst the infighting that threatens to unleash chaos on the entire province, she is visited by an intriguing Count returning from exile. It isn’t long before this mysterious nobleman has his sights on a new prize. In Paris, retired republican lawyer and former revolutionary, Jean-luc St. Clair, finds himself returning to politics. As his fortunes grow so does his list of enemies, and the opulent streets prove just as dangerous as Napoleon’s battlefields. Inspired by the mysterious origins of the famed Rothschild’s fortune, the bloody battles of the Napoleonic wars, the notorious gangs of nineteenth century Naples, and the real-life mistress who charmed Napoleon into granting Poland a nation-state, Searchers in Winter sets a cast of unforgettable characters—against epic historical events—into thrilling motion from the opening pages. “Armchair time travelers who’ve wondered what it’s like to be embedded in Napoleon's Grande Armée will devour Owen Pataki’s Searchers in Winter.” —Juliet Grey: Author of the Marie Antoinette trilogy “From the very first page of Searchers in Winter, you know you're in the hands of a master storyteller. Owen Pataki brings Napoleon's era to such vivid life you will think you spent time with the people themselves. An utterly absorbing and completely fantastic read!” —Michelle Moran, international bestselling author of Madame Tussaud “Pataki’s keen attention to historical detail and devotion to his subject matter bring readers directly into the heart and grit of the Napoleonic wars. Searchers in Winter boldly plants two feet in the past and never flinches.” —Sarah McCoy, New York Times and international bestselling author of The Baker’s Daughter

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An LA Times Best Book of the Year • A New York Times Editors' Pick • A Newsweek 25 Best Fall Books • A The Millions Most Anticipated Book of the Year"Gripping and beautiful. With the artistry of a poet and the intensity of a revolutionary, Lovato untangles the tightly knit skein of love and terror that connects El Salvador and the United States." —Barbara Ehrenreich, author of Natural Causes and Nickel and DimedAn urgent, no-holds-barred tale of gang life, guerrilla warfare, intergenerational trauma, and interconnected violence between the United States and El Salvador, Roberto Lovato’s memoir excavates family history and reveals the intimate stories beneath headlines about gang violence and mass Central American migration, one of the most important, yet least-understood humanitarian crises of our time—and one in which the perspectives of Central Americans in the United States have been silenced and forgotten. The child of Salvadoran immigrants, Roberto Lovato grew up in 1970s and 80s San Francisco as MS-13 and other notorious Salvadoran gangs were forming in California. In his teens, he lost friends to the escalating violence, and survived acts of brutality himself. He eventually traded the violence of the streets for human rights advocacy in wartime El Salvador where he joined the guerilla movement against the U.S.-backed, fascist military government responsible for some of the most barbaric massacres and crimes against humanity in recent history. Roberto returned from war-torn El Salvador to find the United States on the verge of unprecedented crises of its own. There, he channeled his own pain into activism and journalism, focusing his attention on how trauma affects individual lives and societies, and began the difficult journey of confronting the roots of his own trauma. As a child, Roberto endured a tumultuous relationship with his father Ramón. Raised in extreme poverty in the countryside of El Salvador during one of the most violent periods of its history, Ramón learned to survive by straddling intersecting underworlds of family secrets, traumatic silences, and dealing in black-market goods and guns. The repression of the violence in his life took its toll, however. Ramón was plagued with silences and fits of anger that had a profound impact on his youngest son, and which Roberto attributes as a source of constant reckoning with the violence and rebellion in his own life. In Unforgetting, Roberto interweaves his father’s complicated history and his own with first-hand reportage on gang life, state violence, and the heart of the immigration crisis in both El Salvador and the United States. In doing so he makes the political personal, revealing the cyclical ways violence operates in our homes and our societies, as well as the ways hope and tenderness can rise up out of the darkness if we are courageous enough to unforget.

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"It is emphatically the province and duty of the judicial department," John Marshall wrote in Marbury v. Madison, "to say what the law is." As its Chief Justice from 1801 to 1835, Marshall made the Supreme Court a full and equal branch of the federal government. In so doing, he joined Washington, his mentor, and Jefferson, his ideological rival, in the first rank of American founders. His legacy extends far beyond Marbury, which held for the first time that the Supreme Court has the power to declare acts of Congress unconstitutional. Under his leadership, the Court upheld the constitutionality of a national bank, established the supremacy of the federal judiciary over state courts and legislatures in matters of constitutional interpretation, and profoundly influenced the economic development of the nation through vigorous interpretation of the contract and interstate commerce clauses. His major judicial opinions are eloquent public papers, written with the conviction that "clearness and precision are most essential qualities," and designed to inform and persuade the citizens of the new republic about the meaning and purpose of their Constitution. This volume collects 200 documents written between 1779 and 1835, including Marshall's most important judicial opinions, his influential rulings during the Aaron Burr treason trial, speeches, newspaper essays, and revealing letters to friends, fellow judges, and his beloved wife, Polly. It follows Marshall's varied career before becoming Chief Justice: as an officer in the Revolution, a supporter of the ratification of the Constitution, an envoy to France during the notorious "XYZ Affair," a congressman, and secretary of state in the Adams administration. The personal correspondence gathered here reveals the conviviality, good humor, and unpretentiousness that helped him unite the Court behind many of his landmark decisions, while selections from his biography of George Washington offer vivid descriptions of battles he fought in as a young man. Charles F. Hobson, editor, is the author of The Great Chief Justice: John Marshall and the Rule of Law. He is the editor of The Law Papers of St. George Tucker at the Omohundro Institute of Early American History and Culture and was the editor of The Papers of John Marshall. "A marvelous and much-needed single-volume collection of the writings of America's greatest Chief Justice, selected by the scholar who knows him best." -Gordon Wood, author of Empire of LibertyLIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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“Thompson-Hernández's portrayal of Compton's black cowboys broadens our perception of Compton's young black residents, and connects the Compton Cowboys to the historical legacy of African Americans in the west. An eye-opening, moving book.”— Margot Lee Shetterly, New York Times bestselling author of Hidden Figures“Walter Thompson-Hernández has written a book for the ages: a profound and moving account of what it means to be black in America that is awe inspiring in its truth-telling and limitless in its empathy. Here is an American epic of black survival and creativity, of terrible misfortune and everyday resilience, of grace, redemption and, yes, cowboys.”— Junot Díaz, Pulitzer prize-winning author of This is How You Lose HerA rising New York Times reporter tells the compelling story of The Compton Cowboys, a group of African-American men and women who defy stereotypes and continue the proud, centuries-old tradition of black cowboys in the heart of one of America’s most notorious cities.In Compton, California, ten black riders on horseback cut an unusual profile, their cowboy hats tilted against the hot Los Angeles sun. They are the Compton Cowboys, their small ranch one of the very last in a formerly semirural area of the city that has been home to African-American horse riders for decades. To most people, Compton is known only as the home of rap greats NWA and Kendrick Lamar, hyped in the media for its seemingly intractable gang violence. But in 1988 Mayisha Akbar founded The Compton Jr. Posse to provide local youth with a safe alternative to the streets, one that connected them with the rich legacy of black cowboys in American culture. From Mayisha’s youth organization came the Cowboys of today: black men and women from Compton for whom the ranch and the horses provide camaraderie, respite from violence, healing from trauma, and recovery from incarceration. The Cowboys include Randy, Mayisha’s nephew, faced with the daunting task of remaking the Cowboys for a new generation; Anthony, former drug dealer and inmate, now a family man and mentor, Keiara, a single mother pursuing her dream of winning a national rodeo championship, and a tight clan of twentysomethings--Kenneth, Keenan, Charles, and Tre--for whom horses bring the freedom, protection, and status that often elude the young black men of Compton. The Compton Cowboys is a story about trauma and transformation, race and identity, compassion, and ultimately, belonging. Walter Thompson-Hernández paints a unique and unexpected portrait of this city, pushing back against stereotypes to reveal an urban community in all its complexity, tragedy, and triumph.The Compton Cowboys is illustrated with 10-15 photographs.

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SHE CAME TO STAY is the stunning debut novel from the author of THE UNSPEAKABLE ACTS OF ZINA PAVLOU, now a feature title on BBC2's Between the Covers, and also named one of Woman & Home's Best Historical Fiction Reads of 2020.'Secrets and lies, poverty and elegance, old loyalties and new friendships all combine to make Eleni Kyriacou's debut novel a compelling page-turner' - Fiona Valpy, bestselling author of The Dressmaker's GiftIn a city of strangers, who can you trust?London, 1952. Dina Demetriou has travelled from Cyprus for a better life. She's certain that excitement, adventure and opportunity are out there, waiting - if only she knew where to look.Her passion for clothes and flair for sewing land her a job repairing the glittering costumes at the notorious Pelican Revue. It's here that she befriends the mysterious and beautiful Bebba.With her bleached-blonde hair and an appetite for mischief, Bebba is like no Greek Dina has ever met before. She guides Dina around the fashionable shops, bars and clubs of Soho, and Dina finally feels life has begun.But Bebba has a secret. And as thick smog brings the city to a standstill, the truth emerges with devastating results. Dina's new life now hangs by a thread. What will be left when the fog finally clears? And will Dina be willing to risk everything to protect her future?Further praise for SHE CAME TO STAY:'An atmospheric page-turner perfectly set in the smoke and glitter of a vanished world . . . gripping' - Erin Kelly, bestselling author of He Said/She Said'Compelling and beautifully observed. Kyriacou brilliantly evokes the violence and the grime beneath the sequins and surface glamour of 1950s Soho' - Rachel Rhys, bestselling author of Dangerous Crossing 'I absolutely loved it. A gripping, enthralling story . . . I was completely engrossed' - Laura Marshall, bestselling author of Friend Request 'An absorbing story of friendship, betrayal and resilience' - Sarah Maine, bestselling author of Beyond the Wild River 'A gripping, evocative story . . . well researched and utterly convincing. A real gem of a book' - Gill Paul, bestselling author of The Lost Daughter'An evocative page-turner full of memorable characters. A wonderful debut' - Jenny Quintana, author of The Missing GirlReaders are loving SHE CAME TO STAY!'I can highly recommend this book. You will be hooked from start to finish.' 5 STARS'A cracking storyline packed with secrets, as well as unexpected twists and turns make this, cliche or no, a proper page-turner.' 5 STARS'A brilliant read.' 5 STARS'The plot moves quickly and is gripping. I didn't want to put the book down but then was sorry to leave the characters and their London haunts behind when I got to the end.' 5 STARS'A really enjoyable read.' 5 STARS

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An epic and unforgettable love story begins in Binding 13, the first in the international bestselling and TikTok-phenomenon The Boys of Tommen series, from Chloe Walsh. The power and pain of first love has never been more deeply felt than in Chloe Walsh's extraordinary stories about the irresistible Boys of Tommen, which will give you the ultimate book hangover.The reader reaction to The Boys of Tommen says it all!'This universe is all consuming. Chloe Walsh has some serious talent'⭐ ⭐ ⭐ ⭐ ⭐'If you're looking for a beautifully written, heart wrenching, hilarious book . . . and want one hell of a book hangover, then do yourself a favour and read these pronto'⭐ ⭐ ⭐ ⭐ ⭐'To say I loved this book is an understatement, It has ripped my guts out shattered my heart had me biting my nails with anticipation and bawling like a baby all in one phenomenal read'⭐ ⭐ ⭐ ⭐ ⭐'I adore this world & the found family this series has brought into my life and I don't know what I was before I read this'⭐ ⭐ ⭐ ⭐ ⭐'Chloe Walsh will always be my number one author'⭐ ⭐ ⭐ ⭐ ⭐.........................They are from opposites sides of the track - but when their two worlds collide, nothing will ever be the same again.Johnny Kavanagh has everything going for him. On the rugby pitch, he's a force to be reckoned with. Primed for stardom, he's heading straight for the top. Nothing can possibly get in his way, right? Not even the shy new girl at Tommen College. The one with the sad eyes and hidden bruises. The one that distracts him like no one ever has. Life has never been easy for Shannon Lynch. Bullied and tortured, she arrives at Tommen College mid-way through the school year praying for a fresh start and desperate to shake off the demons that plague her. On her very first day at the prestigious private school, she comes into contact with the notorious Johnny Kavanagh. Thrown through a hoop over her feelings for him, and desperate to keep a low-profile, Shannon finds herself once again the target of bullies as she forms a fragile alliance with rugby's rising star. Falling into a complicated friendship and grappling with their undeniable chemistry, Johnny and Shannon could never have foreseen the obstacles that will threaten their blossoming relationship . . . .........................Want more of Johnny, Shannon and the rest of The Boys of Tommen? Read the rest of the series so far:Binding 13Keeping 13Saving 6Redeeming 6Taming 7 - preorder Claire and Gibsie's story now!

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'Secrets and lies, poverty and elegance, old loyalties and new friendships all combine to make Eleni Kyriacou's debut novel a compelling page-turner' - Fiona Valpy, bestselling author of The Dressmaker's GiftOne of Woman & Home's Best Historical Fiction Reads of 2020In a city of strangers, who can you trust?London, 1952. Dina Demetriou has travelled from Cyprus for a better life. She's certain that excitement, adventure and opportunity are out there, waiting - if only she knew where to look.Her passion for clothes and flair for sewing land her a job repairing the glittering costumes at the notorious Pelican Revue. It's here that she befriends the mysterious and beautiful Bebba.With her bleached-blonde hair and an appetite for mischief, Bebba is like no Greek Dina has ever met before. She guides Dina around the fashionable shops, bars and clubs of Soho, and Dina finally feels life has begun.But Bebba has a secret. And as thick smog brings the city to a standstill, the truth emerges with devastating results. Dina's new life now hangs by a thread. What will be left when the fog finally clears? And will Dina be willing to risk everything to protect her future?A story of friendship, family, love and loss set against the grimy and glittering streets of fifties Soho. For fans of Kate Furnivall and Rachel Rhys.Further praise for SHE CAME TO STAY:'An atmospheric page-turner perfectly set in the smoke and glitter of a vanished world . . . gripping' - Erin Kelly, bestselling author of He Said/She Said'Compelling and beautifully observed. Kyriacou brilliantly evokes the violence and the grime beneath the sequins and surface glamour of 1950s Soho' - Rachel Rhys, bestselling author of Dangerous Crossing 'I absolutely loved it. A gripping, enthralling story . . . I was completely engrossed' - Laura Marshall, bestselling author of Friend Request 'An absorbing story of friendship, betrayal and resilience' - Sarah Maine, bestselling author of Beyond the Wild River 'A gripping, evocative story . . . well researched and utterly convincing. A real gem of a book' - Gill Paul, bestselling author of The Lost Daughter'An evocative page-turner full of memorable characters. A wonderful debut' - Jenny Quintana, author of The Missing GirlReaders are loving SHE CAME TO STAY, too!'I can highly recommend this book. You will be hooked from start to finish.' 5 STARS'A cracking storyline packed with secrets, as well as unexpected twists and turns make this, cliche or no, a proper page-turner.' 5 STARS'A brilliant read.' 5 STARS'The plot moves quickly and is gripping. I didn't want to put the book down but then was sorry to leave the characters and their London haunts behind when I got to the end.' 5 STARS'A really enjoyable read.' 5 STARS

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THE SUNDAY TIMES BESTSELLERSHORTLISTED FOR THE CWA NON-FICTION DAGGER'Thomas Grant has brought together Hutchinson's greatest legal hits, producing a fascinating episodic cultural history of post-war Britain that chronicles the end of deference and secrecy, and the advent of a more permissive society . . . Grant brings out the essence of each case, and Hutchinson's role, with clarity and wit' Ben Macintyre, The Times'An excellent book . . . Grant recounts these trials in limpid prose which clarifies obscurities. A delicious flavouring of cool irony, which is so much more effective than hot indignation, covers his treatment of the small mindedness and cheapness behind some prosecutions' Richard Davenport-Hines, GuardianBorn in 1915 into the fringes of the Bloomsbury Group, Jeremy Hutchinson went on to become the greatest criminal barrister of the 1960s, '70s and '80s. The cases of that period changed society for ever and Hutchinson's role in them was second to none. In Case Histories, Jeremy Hutchinson's most remarkable trials are examined, each one providing a fascinating look into Britain's post-war social, political and cultural history.Accessibly and entertainingly written, Case Histories provides a definitive account of Jeremy Hutchinson's life and work. From the sex and spying scandals which contributed to Harold Macmillan's resignation in 1963 and the subsequent fall of the Conservative government, to the fight against literary censorship through his defence of Lady Chatterley's Lover and Fanny Hill, Hutchinson was involved in many of the great trials of the period. He defended George Blake, Christine Keeler, Great Train robber Charlie Wilson, Kempton Bunton (the only man successfully to 'steal' a picture from the National Gallery), art 'faker' Tom Keating, and Howard Marks who, in a sensational defence, was acquitted of charges relating to the largest importation of cannabis in British history. He also prevented the suppression of Bernardo Bertolucci's notorious film Last Tango in Paris and did battle with Mary Whitehouse when she prosecuted the director of the play Romans in Britain.Above all else, Jeremy Hutchinson's career, both at the bar and later as a member of the House of Lords, has been one devoted to the preservation of individual liberty and to resisting the incursions of an overbearing state. Case Histories provides entertaining, vivid and revealing insights into what was really going on in those celebrated courtroom dramas that defined an age, as well as painting a picture of a remarkable life.To listen to Jeremy Hutchinson being interviewed by Helena Kennedy on BBC Radio 4's A Law Unto Themselves, please follow the link: http://www.bbc.co.uk/programmes/b04d4cpvYou can also listen to him on BBC Radio 4's Desert Island Discs with Kirsty Young: http://www.bbc.co.uk/programmes/b03ddz8m

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Many books and memoirs have been written on prisoner of war captivity in the Far East during the Second World War. Some contain incredible detail concerning the fall of Singapore and are full of military historical facts. This book is not like that. Instead, it is written from the viewpoint of a young girl who experienced the bittersweet homecoming of her traumatised father, Jack, following the end of the war. June and her mother, Beatrice, had lovingly prepared for Jack's long-awaited return from his imprisonment at the hands of the Japanese out in the Far East. June recounts that they quickly realised how ill-prepared they were to deal with Jack's post-war traumas. The man who returned home did not resemble the man who had left in 1941\. It proved to be a troubled journey as they navigated a path back to a semblance of normal family life. Their only way to cut through Jack's decompression from three and a half years of intensely cruel mental stress in the notorious POW camps was by exercising incredible patience and, ultimately, talking it through with brutal honesty. Jack was not a man who would have sought out help, especially concerning how he felt inside. Today, we comfortably talk about mental health and, in Jack's case, PTSD. Following recent conflicts across the world, the topic of mental suffering has been thrown wide open. It has become part of our everyday language and is viewed with compassion. There is no shame in any type of mental health issue. However, June admitted that thirty years ago she would have been nervous to put her story down on paper. We are now acutely aware of what those unfortunate returning prisoners of war were suffering back in 1945\. There is no shame to call out what it was - Post-Traumatic Stress Disorder (PTSD). This was a psychological trauma gained in horrific circumstances. Invisible injuries that became imprinted on minds. The military and government put the traumatised returning prisoners of war under immense pressure not to speak of their experiences in captivity. Sadly, many of them took the instruction seriously and never discussed it with their families or friends. The message that had been conveyed was that they were nothing more than an embarrassing inconvenience. Jack recalled how they were told Britain was over the war and that people were moving on with their lives. No one would be interested in their tales of horror and, indeed, they may not even have believed them. Jack told us they were given leaflets concerning the matter on board their repatriation ships as they sailed homewards. Those returning POWs had already been dubbed The Forgotten Army, and then they were told to just disappear into society without recognition.

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This is an eclectic, interdisciplinary overview of persuasive strategies and propaganda techniques. Living in a saturated media environment, we are crowded from all sides by persuasive messages and information. Advice, promotion and propaganda form a spectrum of persuasion - and everywhere we see it performed in its full theatricality, complete with actors, scripts, props and costumes. Media, Persuasion and Propaganda guides the reader through the many varieties of persuasion and its performance, exploring the protocols of rhetoric unique to the medium, from orality and print to film and digital images. Using case studies and exercises, this innovative study poses challenging questions: How do individuals and organisations exert influence to build communities and networks? What role do media play in communicating persuasive messages? How do we use recent discoveries in cognitive science to promote a cause, advocate social change or market ideas and products? How do we defend ourselves against manipulation and undue influence and when does persuasion turn into propaganda? It uses global examples and case studies to define the spectrum of persuasion, from promotion to propaganda. It examines the performance of propaganda, from orality to new media. It includes exercises in each chapter to reinforce the key themes and promote discussion. 1. Orientalism: it explores western scholarly and media portrayals of the Orient the Middle East, North Africa, and Islam for ideological purposes; 2. Abu Ghraib Exposed; it examines the disturbing images which emerged in the US media in 2004 exposing the torture of Iraqi prisoners by the American military and CIA operatives in Abu Ghraib prison, Baghdad; 3. PR and Climate Change: it delves into Cuba's Revolutionary Landscape to look at the presentation of climate issues; 4. The Power of Nightmares; British filmmaker Adam Curtis argues that the global 'War on Terror' is based on a myth providing politicians with their power to govern; and; 5. Rupert Murdoch and his News Corporation Scanda. It also includes: 6. The Israel Lobby: In March 2009, British MP George Galloway was denied entry into Canada because he supported Hamas, an elected political party in Gaza identified as a terrorist organisation by the Canadian government. Soules examines the pro Israel lobby as a significant source of flak challenging media reports on Israeli Palestinian relations; 7. Fox News: raises issues about journalistic ethics and management interference, especially when that interference is sustained, partisan, and inflammatory; and 8. Ai Wei Wei: Never Sorry. In his notorious 1995 performance piece, dissident Chinese artist Ai Wei Wei photographed himself dropping an ancient Han Dynasty urn which smashed at his feet. This case study explores the aftermath and how Ai Wei Wei became a hero of dissent for critics of China's human rights policies.

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The Holocaust as history ended seventy-five years ago, about the span of a full human life; the Holocaust as culture is very much of the present, its meanings and lessons still actively in formation. For twenty-five years, Jason Francisco has wrestled with the afterlife of the genocide, creating a large number of photoworks and essays, including extensive work with the Galicia Jewish Museum in Kraków, Poland. At the center of his work work has been his long-term project Alive and Destroyed: A Meditation on the Holocaust in Time, begun in 2010. With a large format camera and antique lenses, Jason Francisco has undertaken a series of deep journeys extending from Berlin in the west to Kharkov in the east, Riga in the north to Bucharest in the south—for the sake of images that might carry the complications of remembering and forgetting in the places where the events we collectively call the Holocaust occurred. His destinations included the notorious sites of the genocide, such as Auschwitz and the ghettos of Warsaw and Łódź, which often are taken to stand for the whole. And has made his way to hundreds of small, often remote concentrationary sites in Poland, Ukraine, Moldova, Belarus, Lithuania, Latvia, Russia, Hungary and Slovakia—massacre sites in forests, fields, riverbanks and cemeteries, deportation routes, subcamps, labor camps, transit camps, short-term ghettoes, escape routes, hiding places, not to mention countless sites of erstwhile Jewish life and civilization, some intact, more in ruins, vastly more in states of nothingness. Jason Francisco's decentralized approach follows recent scholarship, which has identified more than 42,500 locations in Nazi-occupied Europe where the Holocaust was perpetrated: venturing into the physical geography of the genocide venturing into the territory of remembrance and forgetting, and search for an image form that might carry register what he found and felt. In its method and form, Alive and Destroyed is an unconventional work of witness. Documentary in spirit and conceptualist in method, it does not use photography to “capture” the worlds that the Holocaust left behind—to use the most common metaphor for the photographic act, itself reflecting a carceral understanding of photography as a medium. Rather Alive and Destroyed draws on the capacities of photography to test and redefine what we mean by presence and absence in memory and imagination. The photographs in Alive and Destroyed set out to release—to uncapture—the volatile mixture of incomprehension, argument, reclamation and loss that constitute the Holocaust as an inheritance for the living. Beyond being representations of sites in the world the Holocaust left behind, the images in Alive and Destroyed are themselves primary sites of meditation and mourning.

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Most of the world remembers Ronald Reagan and Nancy (Davis) Reagan as geriatric figures in the White House in the 1980s. And it remembers Jane Wyman as the fierce empress, Angela Channing, in the decade's hit TV series, Falcon Crest. But long before that, two young wannabee stars, Ronald Reagan and Jane Wyman, had arrived as untested hopefuls in Hollywood. Each of them separately stormed Warner Brothers, looking for movie stardom and loveand finding both beyond their wildest dreams. They were followed, in time, by Nancy Davis, who began her career posing for cheesecake in a failed attempt by the studio to turn her into a sex symbol. In their memoirs, Ronald and Nancy (Jane didn't write one) paid scant attention to their wild and wonderful years" in Hollywood. To provide that missing link in their lives, Blood Moon's Love Triangle explores in depth the trio's passions, fury, betrayal, loves won and lost, and the conflicts and rivalries they generated. A liberal New Deal Democrat, Reagan quickly became a handsome leading man in B" pictures and a babe magnet," as studio mogul Jack Warner defined him, a swordsman like our resident Don Juan, Errol Flynn." Reagan himself admitted he developed Leading Lady-itis" even for stars he didn't appear with. He launched a bevy of affairs with such glamorous icons as Lana Turner, Betty Grable and Susan Hayward, even a too young Elizabeth Taylor." He eventually married Jane, but he was not faithful to her, enjoying back alley affairs with the likes of The Oomph Girl," Ann Sheridan. Jane, too, had her affairs on the side, notably with Lew Ayres (Ginger Rogers' ex) while filming her Oscar-winning Johnny Belinda. After dumping Reagan, Jane launched a series of affairs herself, battling Joan Crawford (for Hollywood's most studly and newsworthy attorney, Greg Bautzer), and Marilyn Monroe (for bandleader Fred Karger, divorcing him, marrying him again, and finally divorcing him for good.) Reagan's oldest son, Michael (adopted), later said, If Nancy knew that one day she would be First Lady, she would have cleaned up her act." He was referring to her notorious days as a starlet in the late 1940s and early 50s, when the grapevine had it that: her phone number was passed around a lot." The list of her intimate involvements is long, including Clark Gable, whom she wanted to marry; Spencer Tracy; Yul Brynner; Frank Sinatra; Marlon Brando; Milton Berle; Peter Lawford; Robert Walker; et al. Love Triangle, a proud and presidential addition to Blood Moon's Babylon series, digs deep into what these three young movie stars were up to decades before two of them took over the Free World. In 2015, this one-of-a-kind triple biography was designated Runner-up to BEST BIOGRAPHY OF THE YEAR at the 2015 Hollywood Book Festival

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'Like Auschwitz, like Stalin's purges, the mass murders of the Khmer Rouge are one of those extraordinary events that make us wonder about the human capacity for evil. Through a profoundly moving tale that weaves together the connected stories of a victim, his surviving family, and members of the regime, Robert Carmichael brings us into the heart of the darkness that took over Cambodia, bringing it alive in the way no mere statistics can. I've not seen a comparable book about these horrors.'Adam Hochschild, award-winning author of King Leopold's Ghost'What does it mean to say two million people lost their lives during the years of Khmer Rouge rule? The true answer can only be told in microcosm, as Robert Carmichael has done in this intimate and heartbreaking story of the disappearance of one man, and the decades of suffering that followed as his family searched for answers.'Seth Mydans, former Southeast Asia correspondent for the New York Times'As moving as it is well researched. Robert Carmichael's sharp prose and depth of knowledge of Cambodia's history transforms a daughter's search for her missing father into a nation's journey to find peace and reconciliation with its brutal history of genocide.'Loung Ung, author of First They Killed My FatherDuring the Khmer Rouge's four-year reign of terror, two million people died in Cambodia. In describing one family's quest to learn their husband's and father's fate and the war crimes trial of Comrade Duch, who ran the notorious S-21 prison in Phnom Penh, When the Clouds Fell from the Sky illuminates the tragedy of a nation.Having been found responsible for the deaths of more than 12,000 people, Duch was the first Khmer Rouge member to be jailed for crimes committed during Pol Pot's catastrophic 1975-9 rule during which millions were executed or died from starvation, illness and overwork. The Khmer Rouge closed Cambodia's borders, barred all communication with the outside world and sought to turn the clock back to Year Zero. They outlawed religion, markets, money, education and even the concept of family.But the revolution soon imploded, driven to destruction by the incompetence and paranoia of the leadership. Like hundreds of others, when he returned in 1977, Ouk Ket was utterly unaware of the terrors being wrought in the revolution's name.Carmichael has woven together the stories of five people whose lives intersected to traumatic effect: Duch; Ket's daughter, Neary, who was just two when her father disappeared; Ouk Ket himself; Ket's French wife, Martine; and Ket's cousin, Sady, who never left Cambodia and still lives there today.Through these personal stories and months spent following Duch's trial, Carmichael extrapolates from the experience of one man to tell the story of a nation. In doing so, he reaffirms the value of the individual, countering the Khmer Rouge's nihilistic maxim that: 'To keep you is no benefit, to destroy you is no loss.'

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Celebrate the music that has shaped the culture and given us some of the greatest hits of all time with this vibrantly illustrated anthology, featuring 50 of the most lauded, controversial, and iconic hip-hop albums!From underground roots to mainstream popularity, hip-hop's influence on music and entertainment around the world has been nothing short of extraordinary. Ode to Hip-Hop chronicles the journey with profiles of fifty albums that have defined, expanded, and ultimately transformed the genre into what it is today. From 2 Live Crew's groundbreaking As Nasty As They Wanna Be in 1989 to Cardi B's similarly provocative Invasion of Privacy almost thirty years later, and more, Ode to Hip-Hop covers hip-hop from coast to coast. Organized by decade and with sidebars on fashion, mixtapes, and key players throughout, the result is a comprehensive homage to hip-hop, published just in time for the fiftieth anniversary. Enjoyed in the club, at a party, through speakers or headphones--the albums in this book deserve to be listened to again and again, for the next fifty years and beyond.Albums featured: Kurtis Blow (self-titled, 1980); The Message (Grandmaster Flash and the Furious Five, 1982); Run-D.M.C (self-titled, 1984), Hot, Cool & Vicious (Salt-N-Pepa, 1986); Paid in Full (Eric B. & Rakim, 1987); Straight Outta Compton (N.W.A, 1988); Lyte as a Rock (MC Lyte, 1988); As Nasty as They Wanna Be (2 Live Crew, 1989); Mama Said Knock You Out (LL Cool J, 1990); People's Instinctive Travels and the Paths of Rhythm (A Tribe Called Quest, 1990); The Chronic (Dr. Dre, 1992); Enter the Wu-Tang (36 Chambers) (Wu-Tang Clan, 1993); Black Reign (Queen Latifah, 1993); Doggystyle (Snoop Dogg, 1993); Illmatic (Nas, 1994); Ready to Die (The Notorious B.I.G., 1994); The Diary (Scarface, 1994); Funkdafied (Da Brat, 1994); Mystic Stylez (Three 6 Mafia, 1995); Hard Core (Lil' Kim, 1996); Ridin' Dirty (UGK, 1996); All Eyez On Me (2Pac, 1996); Supa Dupa Fly (Missy Elliott, 1997); Aquemini (Outkast, 1998); The Miseducation of Lauryn Hill (Lauryn Hill, 1998); It's Dark and Hell Is Hot (DMX, 1998); Things Fall Apart (The Roots, 1999); Da Baddest B***h (Trina, 2000); The Marshall Mathers LP (Eminem, 2000); The Blueprint (JAY-Z, 2001); Lord Willin' (Clipse, 2002); Get Rich or Die Tryin' (50 Cent, 2003); The College Dropout (Kanye West, 2004); Let's Get It: Thug Motivation 101 (Young Jeezy, 2005); King (T.I., 2006); Lupe Fiasco's the Cool (Lupe Fiasco, 2007); The Carter III (Lil Wayne, 2008); The State vs. Radric Davis (Gucci Mane, 2009); Pink Friday (Nicki Minaj, 2010); Watch the Throne (JAY-Z & Kanye West, 2011); Nothing Was the Same (Drake, 2013); To Pimp a Butterfly (Kendrick Lamar, 2015); DS2 (Future, 2015); Culture (Migos, 2017); Invasion of Privacy (Cardi B., 2018); Whack World (Tierra Whack, 2018); Eve (Rapsody, 2019); City on Lock (City Girls, 2020); Montero (Lil Nas X, 2021); Traumazine (Megan Thee Stallion, 2022)

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Ian Nyschens (pronounced "nations") shot as many elephants as Walter Bell did—well over 1,000—and under much more difficult circumstances. His book will rank or surpass the best elephant-ivory hunting books published in the twentieth century. Remarkably, his adventures took place much later than the likes of Bell, Sutherland, Neumann, and others. The stories of his hunts with his double rifle are sure to impress. Ian’s career as an elephant hunter began in 1947 in Southern Rhodesia when he found a companion—Faanie Joosten—and the pair of them started hunting for ivory for a living. They roamed far and wide, often outside of the law, as far north as southern Tanzania and as far east as the coast of Mozambique. But Ian's stronghold was the thick jess bush of the Zambezi Valley, a place he loved more than any other. There, visibility was so poor that sometimes a hunter could be close enough to touch an elephant with the barrel of his rifle before he could see it. Ian’s life was one fantastic epic adventure after another. He once faced a stampede of seventeen furious elephants in reeds over twelve feet tall and had to shoot a “wall” of elephants to prevent him and his companions from being overrun. On another occasion Ian and Faanie developed a method of hunting crocodiles for their skins that entailed walking chest-deep into the Zambezi River at night. They would stand next to an anchored hippo leg and "brain" the crocs. In the end that got a bit too much even for Ian, and he gave it up as being too hazardous. Ian was married for a time, but his lifestyle was not conducive to domestic bliss, and the marriage did not last. Once the Kariba Dam was completed in 1959, it flooded a great deal of his beloved Zambezi Valley, and Ian's world began to shrink. He continued to shoot elephant under the control scheme set by Rhodesian authorities, but his footloose days were at an end. He joined the wildlife department as a game ranger for a while, but his unsociable character made for a short career. He shot most of his elephants with a Rigby .450 3¼. He used the Rigby so much that the barrels separated from use (the solder disengaged), and he had to send it back to London to have it repaired. Not many people use a double rifle to that extent! Ian Nyschens was the most notorious elephant poacher in Rhodesia until the time he was finally appointed a warden to help protect the game. This is a highly entertaining story of an irascible loner whose violent adventures make Jesse James sound like a Sunday school teacher! Footnote: Sadly, Ian Nyschens died on 6 December 2006 in Harare, Zimbabwe. May he now tread in the eternal hunting grounds where all elephants carry tusks of a minimum of eighty pounds per side. Farewell old friend, you will be missed by many.

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“When they heard the allies were coming, we were given extra rice to have the strength and energy to dig our own graves.“ In February 1942, ten-year old Olga Morris and her family were living in Singapore when the city fell to the Japanese Imperial Army in the biggest defeat in history of the British Forces. Turned back at an evacuation ship’s gangway as the bombs fell, Olga and her parents and siblings were forced to take their chances and hide out until, captured by Japanese soldiers, they were sent on a forced march to the notorious Changi Prison. There’s a certain stereotype of the British in Singapore in the ‘30s and early ‘40s, which Olga Morris – Henderson as she is now – definitely did not fit. Her family was not part of the privileged Raffles Hotel set, with their big houses and servants. Her father worked in construction, building roads, the city’s hospital and a mosque. Olga and her siblings grew up in Johor Bahru, a diverse part of Malaya just across the causeway from Singapore, amongst children of all faiths and cultures, who played together without a thought to race or class. It was a very happy upbringing. All that changed in 1942. Olga was playing with her guinea pigs when a British Army officer arrived to tell her mother that the family had just 20 minutes to pack what they could and get out. The Japanese were ten miles away. Olga’s mother grabbed the family photograph album and they ran... Three years of captivity followed. Three years of disease, malnutrition, deprivation and oppression. Olga and her friends bravely raided the vegetable plot; “dodging the searchlights” and sometimes enduring severe punishments. She stood alongside the other women and children through the ordeal of Tenko in the blazing sun. They were used as slave labour. Halfway through their captivity, Olga’s ten-year-old brother William was put into the men’s camp, where he suffered terribly cruelty that scarred him for life. February 2022 marked 80 years since the Fall of Singapore and at last Olga is ready to tell the story of her years as a child prisoner of war. It’s a story of great fear and deprivation; of a childhood utterly lost to conflict. It’s also a story of class prejudice and unkindness that didn’t end when Olga was freed from the camp and returned to England as an unwanted refugee. Yet moments of humour and camaraderie also live on in Olga’s memory. The camp’s girl guide group held clandestine meetings, where they worked on sewing a quilt. The ‘Changi Quilt’ is now held at the Imperial War Museum in London, as an emblem of the guides’ courage and faith. As Olga says, “We always felt the end of the war would come, we lived for it, from month to month and tried never to lose hope.”

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'Richly evocative and glittering with atmosphere, this tale of ambition and identity had me gripped from start to finish' STACEY HALLS, Sunday Times bestselling author of The Familiars'Theatre of Marvels is a fascinating, empowering story of a young woman's search for identity and justice in Victorian London, a world which Lianne Dillsworth evokes so richly' JENNIFER SAINT, author of Ariadne_________________________________Behind the spectacle there are always secrets.Unruly crowds descend on Crillick's Variety Theatre. A black, British actress, Zillah, is headlining tonight. An orphan from the slums of St Giles, her rise to stardom is her ticket out - to be gawped and gazed at is a price she's willing to pay.Rising up the echelons of society is everything Zillah has ever dreamed of. But when a new stage act disappears, Zillah is haunted by a feeling that something is amiss. Is the woman in danger?Her pursuit of the truth takes her into the underbelly of the city - from gas-lit streets to the sumptuous parlours of Mayfair - as she seeks the help of notorious criminals from her past and finds herself torn between two powerful admirers.Caught in a labyrinth of dangerous truths, will Zillah face ruin - or will she be the maker of her fate?A deliciously immersive tale, Theatre of Marvels whisks you on an unforgettable journey across Victorian London in this bold exploration of race, class and gothic spectacle.AVAILABLE FOR PRE-ORDER NOW_______________________________'Zillah is a memorable heroine' Sunday Times'Exploitation and empowerment, race and class are all explored in this gripping historical novel. Dillsworth is a class act' Woman & Home'A thought-provoking, atmospheric debut' Daily Express'Very much enjoyed Theatre of Marvels. Zillah is a brilliant character who leads us through a Victorian London little spoken of, making for an illuminating, page-turning tale of self-actualisation. Loved it' KATE SAWYER'A tale steeped in Victorian London, I fell in love with Zillah and her theatre world. I was gripped from the opening pages - highly recommended for anyone who loves mystery, drama and Victorian London' LOUISE HARE, author of This Lovely City'A startling, original and utterly compelling novel which subtly navigates the core issues of race, gender and class' MARY CHAMBERLAIN, author of The Dressmaker of Dachau'Thrilling, eye-opening and absorbing' LIZZIE POOK, author of Moonlight and the Pearler's Daughter'Fresh, original and full of atmosphere - a compelling story with a heroine I'll remember for a long time' FRANCES QUINN, author of The Smallest Man'A story that shines a spotlight into the shadows of the 19th century, while also exploring very relevant themes of identity. So fantastic to read a novel that centres POC in the Victorian era. Loved it!' SAARA EL-ARIFI, author of The Final Strife'Loved Lianne Dillsworth's Theatre of Marvels. A gripping story about identity and belonging with a strong sense of place. Can't wait for everybody to meet Zillah who is such strong and nuanced heroine.' LAURE VAN RENSBURG, author of Nobody But Us

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The lyrical fantasy masterpiece about stories, legends and how they change the world. The Name of the Wind is an absolute must-read for any fan of fantasy fiction.'This is a magnificent book' Anne McCaffrey'I was reminded of Ursula K. Le Guin, George R. R. Martin, and J. R. R. Tolkein, but never felt that Rothfuss was imitating anyone' THE TIMES'I have stolen princesses back from sleeping barrow kings. I burned down the town of Trebon. I have spent the night with Felurian and left with both my sanity and my life. I was expelled from the University at a younger age than most people are allowed in. I tread paths by moonlight that others fear to speak of during day. I have talked to Gods, loved women, and written songs that make the minstrels weep.My name is Kvothe.You may have heard of me'So begins the tale of Kvothe - currently known as Kote, the unassuming innkeepter - from his childhood in a troupe of traveling players, through his years spent as a near-feral orphan in a crime-riddled city, to his daringly brazen yet successful bid to enter a difficult and dangerous school of magic. In these pages you will come to know Kvothe the notorious magician, the accomplished thief, the masterful musician, the dragon-slayer, the legend-hunter, the lover, the thief and the infamous assassin.The Name of the Wind is fantasy at its very best, and an astounding must-read coming-of-age adventure.Readers adore The Name of the Wind:'The quality of the writing breathes magic into even fairly ordinary scenes, and makes some of the important ones extraordinary' Mark Lawrence'This is why I love fantasy so much . . . The writing style is smooth, the pacing just right . . . I would easily recommend this to anyone who enjoys fantasy, but also to people who enjoy great stories told wonderfully well' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'For the love of God, if you haven't read this book and love these kinds of high fantasy novels, READ IT!' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'The story is fantastic, the writing is amazing, and if you have a heart the main character will capture it' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'Patrick Rothfuss is such a talented storyteller and there was never a dull moment throughout the entire book! . . . The Name of the Wind is a masterpiece and Patrick Rothfuss is a freaking genius' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'This story was, simply put, excellent . . . Rothfuss has more than earnt his reputation. I'm so glad this book lived up to the hype . . . A jaw dropping five stars' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'One of the best fantasy books of all time' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'A legitimately wonderful story that is written beautifully . . . This should be one of the required reading books for any fan of fantasy' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐

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"The chapters in this volume painfully drive home the point that certainly as far as Germany is concerned, the lessons of the Third Reich have not yet been learned...These significant attempts by younger recruits to the larger medical establishment to change things through eye-opening reflection and analysis, however uncomfortable, need support."-Michael H. Kater, author of Doctors under Hitler, in the foreword. The infamous Nuremberg Doctors' Trials of 1946-47 revealed horrifying crimes -ranging from grotesque medical experiments on humans to mass murder-committed by physicians and other health care workers in Nazi Germany. But far more common, argue the authors of Cleansing the Fatherland, were the doctors who profited professionally and financially from the killings but were never called to task-and, indeed, were actively shielded by colleagues in postwar German medical organizations. The authors examine the role of German physicians in such infamous operations as the "T 4" euthanasia program (code-named for the Berlin address of its headquarters at Number 4 Tiergartenstrasse). They also reveal details of countless lesser known killings-all ordered by doctors and all in the name of public health. Maladjusted adolescents, the handicapped, foreign laborers too illto work, even German civilians who suffered mental breakdowns after air raids were "selected for treatment." (One physician who persisted in speaking of "killings" was officially reprimanded for his "negative attitude.") The book also includes original documents-never before published in English-that give unique and chilling insight into the everyday workings of Nazi medicine. Among them: * Minutes from a 1940 meeting of the Conference of German Mayors, at which a Nazi official gives the assembled politicians detailed instructions for the secret burial of murdered mental patients. * A pre-Nazi era questionnaire sent by the head of a state mental institution to parents of disabled children. (Sample question: "Would you agree to a painless shortening of your child's life after an expert had determined him incurably imbecilic?" Sample answer: "Yes, but I would prefer not to know.") * The diary of Dr. Hermann Voss, chief anatomist at the Reichs University of Posen (and later a highly respected physician in postwar Germany), who delights in the flowers blooming outside his window and worries that the overstock of Polish cadavers from his Gestapo suppliers might cause his crematory oven to break down. * Letters of Dr. Friedrich Mennecke, director of the notorious Eichberg Clinic, who writes with cloying sentimentality to the wife he calls "mommy" and comments offhandedly about visiting concentration camps to select "patients" for death. Today, as reports of mass death in Europe are once again cast in terms of public hygiene, and as euthanasia is advocated-even applauded-on U.S. television, the relevance of what Michael H.Kater here calls "the lessons of the Third Reich" is perhaps greater than ever. Against this background, Cleansing the Fatherland sends a stark message that is difficult to ignore.

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Winner of The National Jewish Book Awards Gold­berg Prize for Debut Fic­tion.. How far would you go to hide the truth from the ones you love the most? Atlantic City, 1934. Every summer, Esther and Joseph Adler rent their house out to holidaymakers and move into the apartment above the bakery they own. The apartment is where they raised their two daughters, Fannie and Florence, and, despite the cramped quarters, it still feels like home. Now Florence has returned from college, determined to spend the summer training to swim the English Channel, and Fannie, pregnant again after recently losing a baby, is on bedrest, leaving her seven-year-old daughter Gussie in Esther’s care. After Joseph insists they take in Anna, a young woman whom he recently helped emigrate from Nazi Germany, the apartment is bursting at the seams. Esther wants nothing more than to keep her daughters close and safe but some matters are beyond her control: there’s Fannie’s risky pregnancy—not to mention her always-scheming husband, Isaac—and the fact that Stuart Williams, the heir of a hotel notorious for its anti-Semitic policies, seems to be in love with Florence. When tragedy strikes during one of Florence’s practice swims, Esther makes the shocking decision to keep the truth about Florence’s death from Fannie—at least until the baby is born. She pulls the rest of the family into an elaborate web of secret keeping and lies, forcing to the surface long-buried tensions that show us just how quickly the act of protecting those we love can turn into betrayal. Told with humour and tenderness and based on a true story, Rachel Beanland’s debut is a breathtaking meditation on the lengths we go to in order to keep our families together. At its heart, it is an uplifting portrayal of how the human spirit can endure—and even thrive—after tragedy. Praise for Florence Adler Swims Forever: ‘A wonderfully assured and completely engrossing first novel. From the very first page, I was completely invested in the lives of Florence, Gussie, Anna and the rest. Florence Adler Swims Forever has muchto say about family, loss and all the ways we have to wonder what might have been, and it does so with great skill and a deeply humane vision. I could not recommend it more highly." —Kevin Powers, author of The Yellow Birds ‘A perfect summer read… What's remarkable is not how quickly the book hooked me, but how it held my attention during and after reading…I simply couldn't put it out of my head. I finished in two days…. I felt awe’—USA Today ‘Beanland’s novel draws the reader in… The situation she describes is poignant and the characters she develops win us over with their private grief. This is a book about the American dream. The dream is not without costs, and the dreamers are not immune to tragedy’ — New York Times Book Review

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"Terry was everywhere in the 60s - he knew everything and everyone that was happening" Keith Richards "Terry O'Neill rates rightly as one of the best photographers in the world. He captures something special" Sir Michael Caine "When it comes to photographic legends there can be few more prolific or revered than Terry O'Neill, the man who shot the greats." VOGUE "This sumptuous collection of portraits, taken over six decades, represents the best of his memorable career and should grace every coffee table in the land" The Daily Mail "I've been repeatedly asked to write my autobiography - I have seen an awful lot of famous people at their best and worst - but I'm not interested in making money trading their secrets or mine. I want my pictures to tell a story not sell a story." Terry O'Neill Terry O'Neill is one of the world's most celebrated and collected photographers. No one has captured the frontline of fame so broadly - and for so long. For more than 50 years, he has photographed rock stars and presidents, royals and movie stars, at work, at play, in private. He pioneered backstage reportage photography with the likes of Frank Sinatra, David Bowie, Sir Elton John and Chuck Berry and his work comprises a vital chronicle of rock and roll history. Now, for the first time, an exhaustive cataloguing of his archive conducted over the last three years has revisited more than 2 million negatives and has unearthed unseen images that escaped the eye over a career spanning 53 years. Similarly, his use of 35mm cameras on film sets and the early pop music shows of the 60s opened up a new visual art form using photojournalism, to revolutionise formal portraiture. His work captured the iconic, candid, and unguarded moments of the famous and the notorious - from Ava Gardner to Amy Winehouse, from Churchill to Nelson Mandela, from the earliest photographs of young emerging bands such as the Beatles and the Rolling Stones to her Majesty the Queen at Buckingham Palace. O' Neill spent more than 30 years photographing Frank Sinatra, amassing a unique archive of more than 3,000 Sinatra negatives. Add to that the magazine covers, album sleeves, film poster and fashion shoots of 1,000 stars, and Terry O'Neill - comprises the most compelling and epic catalogue of the age of celebrity. Terry O'Neill has worked for the most prestigious magazines in the world including Time, Newsweek, Stern, Bunte, Figaro, The Sunday Times, Vanity Fair, People, Parade, Vogue and many others. And his award launched to showcase the work of young emerging photographers is now one of the most highly prized global competitions in art. The Royal Society of Arts has honoured him with the rare Centenary Medal for his lifetime achievement. Only a dozen have ever been awarded in recognition of 'outstanding contributions to the art and science of photography.'

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A Times/Sunday Times Book of the Year'Powerful . . . there is rage in his ink. McKay's book grips by its passion and originality. Some 25,000 people perished in the firestorm that raged through the city. I have never seen it better described' Max Hastings, Sunday TimesIn February 1945 the Allies obliterated Dresden, the 'Florence of the Elbe'. Explosive bombs weighing over 1,000 lbs fell every seven and a half seconds and an estimated 25,000 people were killed. Was Dresden a legitimate military target or was the bombing a last act of atavistic mass murder in a war already won?From the history of the city to the attack itself, conveyed in a minute-by-minute account from the first of the flares to the flames reaching almost a mile high - the wind so searingly hot that the lungs of those in its path were instantly scorched - through the eerie period of reconstruction, bestselling author Sinclair McKay creates a vast canvas and brings it alive with touching human detail.Along the way we encounter, among many others across the city, a Jewish woman who thought the English bombs had been sent from heaven, novelist Kurt Vonnegut who wrote that the smouldering landscape was like walking on the surface of the moon, and 15-year-old Winfried Bielss, who, having spent the evening ushering refugees, wanted to get home to his stamp collection. He was not to know that there was not enough time.Impeccably researched and deeply moving, McKay uses never-before-seen sources to relate the untold stories of civilians and vividly conveys the texture of contemporary life. Dresden is invoked as a byword for the illimitable cruelties of war, but with the distance of time, it is now possible to approach this subject with a much clearer gaze, and with a keener interest in the sorts of lives that ordinary people lived and lost, or tried to rebuild.Writing with warmth and colour about morality in war, the instinct for survival, the gravity of mass destruction and the manipulation of memory, this is a master historian at work.'Churchill said that if bombing cities was justified, it was always repugnant. Sinclair McKay has written a shrewd, humane and balanced account of this most controversial target of the Anglo-American strategic bombing campaign, the ferocious consequence of the scourge of Nazism' Allan Mallinson, author of Fight to the Finish'Beautifully-crafted, elegiac, compelling - Dresden delivers with a dark intensity and incisive compassion rarely equalled. Authentic and authoritative, a masterpiece of its genre' Damien Lewis, author of Zero Six Bravo'Compelling . . . Sinclair McKay brings a dark subject vividly to life' Keith Lowe, author of Savage Continent'This is a brilliantly clear, and fair, account of one of the most notorious and destructive raids in the history aerial warfare. From planning to execution, the story is told by crucial participants - and the victims who suffered so cruelly on the ground from the attack itself and its aftermath' Robert Fox, author of We Were There

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'Megan Bannen has created a world that you'll never want to leave and characters that will carve a spot into your heart. This series is playfully unique, delightfully steamy, utterly romantic, and overall unmissable!' Ali HazelwoodThe Princess Bride meets You've Got Mail in this enchantingly quirky, completely refreshing fantasy with a rom-com-worthy premise.Hart is a marshal, tasked with patrolling the magical wilds of Tanria. It's an unforgiving job, and he's got nothing but time to ponder his loneliness.Mercy never has a moment to herself. She's been single-handedly keeping Birdsall & Son Undertakers afloat in defiance of sullen jerks like Hart-ache Hart, the man with a knack for showing up right when her patience is thinnest. After yet another run-in with Merciless Mercy, Hart finds himself penning a letter addressed simply to "A Friend". Much to his surprise, he receives an anonymous reply, and a tentative friendship is born. Little does Hart know he's baring his soul to the person who infuriates him most. . . Set in a world equally full of magic and demigods as it is donuts and small-town drama, this utterly unique fantasy is sure to sweep you off your feet.Praise for The Undertaking of Hart and Mercy:'Romantic, wildly creative, and utterly charming, The Undertaking of Hart and Mercy is a fantasy unlike any I've read before' Lana Harper, author of Payback's a Witch'The Undertaking of Hart and Mercy broke my heart, put it back together, then tucked me into bed with a forehead kiss. Packed with earnest characters, wit, action, and reluctant yearning, this is easily my favourite fantasy romance of the year' Jen DeLuca, author of Well Met'A uniquely charming mixture of whimsy and the macabre that completely won me over' Helen Hoang, author of The Kiss Quotient'Megan Bannen remains the queen of swoons upon swoons upon swoons! The Undertaking of Hart and Mercy is a playful, quirky gem-full of feels and guaranteed to deliver the perfect grumpy/sunshine fix!' Sierra Simone'An unabashedly offbeat adventure' Freya Marske, author of A Marvellous Light'A lovely, macabre fantasy romance about life, death, and Actually Living. I cried twice and smiled plenty' Olivia Atwater, author of Half a Soul'Megan Bannen broke me, made me laugh, then put me back together again. . . The Undertaking of Hart and Mercy is one of those books you'll be thinking about long after you've read the last page' Manda Collins'A truly outstanding romantic fantasy' India Holton, author of The Wisteria Society of Lady Scoundrels'A little sweet, a little spicy, a little sharp and entirely moreish!' Davinia Evans, author of Notorious Sorcerer 'I showed up for the fantastic, fun fantasy setting but it was Hart and Mercy that kept me reading' Ruby Dixon, author of Ice Planet Barbarians'Megan Bannen has found her voice with this incredibly smart, and hilariously weird debut. A must read' Nisha Sharma, author of Dating Dr. Dil 'Warm, compassionate and compelling' Vivian Shaw, author of Strange Practice

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Tune into the divine power of Goddess Magic, featuring a directory of deities alongside 50 spells, altars, and exaltations to amplify your highest vibes and attract fulfillment, success, friendship, growth, love, and fortune. Goddesses, both new and old, will lend their powers to those who seek their favor. Goddess Magic helps you channel divine power while also helping you find your patron deity of choice. Connect with your spiritual heritage and tap into the powers of your ancestors and all the mystical beings around you. This beautiful handbook contains well-known goddesses from the ancient world famously claimed by witches throughout the ages as well as other, less common ones, like catholic patron saints, around whom specific spells and rituals have grown. Each goddess rules over her domain, protecting and inspiring those who seek her favor with traditional rituals and spells praising her. Her symbols, favorite offerings, and favored forms of worship are all explained in the same illustrated and informative way as the previous books in the series. Here is but a taste of the powerful patrons you can learn about: HECATE is the Greek goddess of witchcraft and divination. Her roman counterpart is called TRIVIA and both accept offerings at crossroads. She transmits good news of the future, resides as a patron deity over divination spells. She’s an excellent guide for new ventures and is a powerful guardian. KAMALA is an incarnation of the Hindu goddess Lakshmi, the goddess of wealth and creativity. Invoke her to bring creative skills so that you can fill your life with pleasure and wealth of every kind by offerings of rice and ghee. MARIE LAVEAU may be the most influential American practitioner of the magical arts. The notorious Voudou Queen of New Orleans dispensed charms and potions (even saving several condemned men from the gallows), told fortunes, and healed the sick. SAINT LUCIA is the bearer of light in the darkness of winter. She is the patron saint of the blind, authors, cutlers, glaziers, laborers, martyrs, peasants, saddlers, salesmen, and stained glass workers. YEMAYA is the Yorùbá Orisha or Goddess of the living Ocean, considered the mother of all. She is the source of all the waters, including the rivers of western Africa, especially the River Ogun. She is associated with the Orisha Olokin (Who is variously described as female, male, or hermaphrodite), Who represents the depths of the Ocean and the unconscious, and together They form a balance. She is the sister and wife of Aganju, the God of the soil, and the mother of Oya, Goddess of the winds. The Mystical Handbook series from Wellfleet takes you on a magical journey through the wonderful world of spellcraft and spellcasting. Explore a new practice with each volume and learn how to incorporate spells, rituals, blessings, and cleansings into your daily routine. These portable companions feature beautiful foil-detail covers and color-saturated interiors on a premium paper blend. Other titles in the series include: Witchcraft, Moon Magic, Love Spells, Knot Magic, Superstitions, House Magic, and Herbal Magic.

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‘Grit, twists and great characters. Alex Kane at her finest!’ Emma Tallon, author of Her PaybackBeing head of a family is what she knows bestA decade ago, Cara Fraser, wife to one of Glasgow’s most notorious gangsters, was left a widow after Kyle Fraser was slain on the city streets.The intervening years haven’t been easy – not least as Kyle’s murder left her to bring up little Ryan and Sean alone.Now, Ryan and Sean are adults, and honouring their father’s memory by rising up to become the top gangsters on the dark streets of Glasgow.Cara’s kept her head down, but has spent the last few years vowing to take vengeance on the crime family who killed her beloved husband and left her children without a father.Glasgow gangland is about to discover that a mother will do anything for her family… even murder.A gritty crime thriller that fans of Kimberley Chambers and Mandasue Heller won’t be able to put down.Praise for The Mother:‘Another fantastic gritty Gangland thriller from Alex Kane. Five stars from me!’ Gemma Rogers, author of The Feud'This is a phenomenal read…perfectly written and paced. You absolutely cannot predict this one.’ ⭐⭐⭐⭐⭐ Reader Review‘One hell of a book, full of action… five stars from me, especially for the slap bang ending that I didn't see coming.’ ⭐⭐⭐⭐⭐ Reader Review‘I love her ability to make each character likeable, even the bad guys. I’m counting down the days till the next book by this author. Highly recommended.' ⭐⭐⭐⭐⭐ Reader Review‘Another jaw dropping explosive read from Alex Kane, her writing just gets better and better every time.’ ⭐⭐⭐⭐⭐ Reader Review'This was addictive, fast paced and ruthless. I loved it. A brilliant story line kept me hooked and wanting more.’ Reader Review‘Action packed, gripping and I found it hard to put the book down. I never saw that ending coming.’ Reader Review‘Fast paced, gritty, exciting, highly recommend’ ⭐⭐⭐⭐⭐ Reader ReviewPraise for Alex Kane’s utterly unputdownable gangster thrillers:‘A must read! Highly deserving of all the stars and completely unputdownable.’ ⭐⭐⭐⭐⭐ Reader Review‘A brilliant read. I couldn’t put it down – the writing is so good you feel like you’re part of the action.’ ⭐⭐⭐⭐⭐ Reader Review‘So gripping and unputdownable…Fantastic, with loads of full on action. I loved it all.’ ⭐⭐⭐⭐⭐ Reader Review‘Wow. These books just get better and better…just brilliant.’ ⭐⭐⭐⭐⭐ Reader Review‘I read this book in one night and all I have is 3 words. Oh my god.’ ⭐⭐⭐⭐⭐ Reader Review‘I was gripped from page one and had sleepless nights because I couldn’t put it down. Worth way more than five stars.’ ⭐⭐⭐⭐⭐ Reader Review

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Winner of the Britain at War Book of the Month Award for May 2019.Churchill's Abandoned Prisoners tells the previously suppressed story of fifteen British prisoners captured during the Russian civil war. The Bolshevik Revolution in 1917 seriously compromised the Allied war effort. That threat rather than an ideological wish to defeat the Bolsheviks was the driving force behind the formation of an Allied force including British, American, French, Czech, Italian, Greek and Japanese troops, who were stationed to locations across Russia to suppor t the anti-Bolsheviks (the ‘White Russians’). But war-weariness and equivocation about getting involved in the Civil War led the Allied powers to dispatch a sufficient number of troops to maintain a show of interest in Russia's fate, but not enough to give the 'Whites' a real chance of victory.Caught up in these events is Emmerson MacMillan, an American engineer who through loyalty to his Scottish roots joins the British army in 1918. Emmerson travels to England, where he trains with the Inns of Court Officer Training Corps and volunteers for service in the Far East.The book explains how the bitter fighting ebbed and flowed along the Trans-Siberian Railway for eighteen months, until Trotsky’s Red Army prevailed. It includes the exploits of the only two British battalions to serve in the East, the “Diehards” and “Tigers”. An important chapter describes the fractious relationships between the Allies, together with the unenviable dilemmas faced by the commander of the American Expeditionary Force and the humanitarian work of the Red Cross.The focus turns to the deeds of Emmerson and the other soldiers in the select British group, who are ordered to “remain to the last” and organise the evacuation of refugees from Omsk in November 1919. After saving thousands of lives, they leave on the last train out of the city before it is seized by the Bolsheviks. Their mad dash for freedom in temperatures below forty degrees centigrade ends abruptly, when they are captured in Krasnoyarsk.Abandoned without communications or mail, they endure a fearful detention with two of them succumbing to typhus. The deserted group become an embarrassment to the Prime Minister, David Lloyd George and the War Secretary, Winston Churchill after a secret agreement fails to secure the release of the British prisoners. Deceived in Irkutsk, they are sent 3,500 miles to Moscow and imprisoned in notorious jails. After a traumatic incarceration, they are eventually released, having survived against all the odds.The spectre of armed conflict between Russia and the West has dramatically increased with points of tension stretching from the Arctic to Aleppo, while cyber warfare and election interference further increase pressure. As a new Cold War hots up it is ever-more important to understand the origins of the modern relationship between Russia and the West. The events described in this book are not only a stirring tale of courage and adventure but also only lift the lid on an episode that did much to sow distrust and precipitate events in World War Two and today.

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The action swings from London to Sweden, and then back into the past, to Franco’s Spain, as Roy & Castells hunt a monstrous killer … in the latest instalment of Johana Gustawsson’s award-winning, international bestselling series. ***Longlisted for the CWA International Dagger*** ‘Historical sections highlight, in distressing detail, the atrocious treatment of mothers-to-be in Franco’s Spain … A satisfying, full-fat mystery’ The Times ‘Assured telling of a complex story’ Sunday Times ‘Gustawsson’s writing is so vivid, it’s electrifying. Utterly compelling’ Peter James _________________ Spain, 1938: The country is wracked by civil war, and as Valencia falls to Franco’s brutal dictatorship, Republican Therese witnesses the murders of her family. Captured and sent to the notorious Las Ventas women’s prison, Therese gives birth to a daughter who is forcibly taken from her. Falkenberg, Sweden, 2016: A wealthy family is found savagely murdered in their luxurious home. Discovering that her parents have been slaughtered, Aliénor Lindbergh, a new recruit to the UK’s Scotland Yard, rushes back to Sweden and finds her hometown rocked by the massacre. Profiler Emily Roy joins forces with Aliénor and soon finds herself on the trail of a monstrous and prolific killer. Little does she realise that this killer is about to change the life of her colleague, true-crime writer Alexis Castells. Joining forces once again, Roy and Castells’ investigation takes them from the Swedish fertility clinics of the present day back to the terror of Franco’s rule, and the horrifying events that took place in Spanish orphanages under its rule. Terrifying, vivid and recounted at breakneck speed, Blood Song is not only a riveting thriller and an examination of corruption in the fertility industry, but a shocking reminder of the atrocities of Spain’s dictatorship, in the latest, stunning instalment in the award-winning Roy & Castells series. _________________ ‘French novelist Johana Gustawsson writes novels of startling originality. Blood Song [is] truly horrifying’ Sunday Times ‘Her sleuths tracking a monstrous killer, transporting us from modern-day fertility clinics in Sweden to the abuses of Spanish orphanages under the brutal rule of General Franco … a truly European thriller’ Financial Times ‘Gritty, bone-chilling, and harrowing – it’s not for the faint of heart, and not to be missed’ Crime by the Book ‘A relentless heart-stopping masterpiece, filled with nightmarish situations that will keep you awake long into the dark nights of winter’ New York Journal of Books ‘Emotional and atmospheric’ New Books Magazine ‘Intricately plotted, visceral and emotional the author ramps up the tension and the unfolding keeps the reader guessing to the very end. Scenes are raw, vivid and gripping’ Promoting Crime ‘I don’t think there’s a crime writer who writes with such intelligence, darkness and deep sadness as Johana Gustawsson. This was extraordinary’ Louise Beech ‘Blood Song caught and has held onto my thoughts, it is clever, provocative, and a seriously good read’ LoveReading ‘A fascinating and engrossing read, but also one that I found intensely harrowing, deeply intimate and which made me cry’ Live & Deadly ‘A real page-turner, I loved it’ Martina Cole ‘Cleverly plotted, simply excellent’ Ragnar Jónasson ‘A must-read’ Daily Express ‘Bold and audacious’ R. J. Ellory

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