Search results for ""yale university press""

This richly illustrated publication explores the lasting influence of Gainsborough’s Blue Boy on British art and culture Marking the return of Gainsborough’s Blue Boy to the UK exactly 100 years since it left for the United States, this richly illustrated publication will explore the lasting influence of this iconic painting on British art and culture. During the nineteenth century, the painting’s fame grew and full-length portraits by Gainsborough and his contemporaries became much sought after by wealthy American collectors. The sale of The Blue Boy to the American railroad magnate and collector Henry E. Huntington in 1921 was unsurprisingly viewed as a national tragedy—emblematic of a shift in economic and cultural power. However, its afterlife, as a permanent ambassador for British art, has undoubtedly fed into ideas of Britain and Britishness—its history, society, culture and character—that still resonate today. Including a select group of paintings that demonstrate the profound influence of Sir Anthony van Dyck and the old master tradition on Gainsborough’s practice and identity, Gainsborough’s Blue Boy will examine this masterpiece within the context of the National Gallery’s collection. Published by National Gallery Company/Distributed by Yale University Press

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From the first millennium B.C. until the arrival of Europeans in the 16th century, artists from across the ancient Americas created small-scale architectural effigies to be placed in the tombs of important individuals. These works in stone, ceramic, wood, and metal range from highly abstracted, minimalist representations of temples and houses to elaborate complexes populated with figures, conveying a rich sense of ancient ritual and daily life. Although described as models, these effigies were created not so much as reflections or prototypes of existing structures, but rather as critical, conceptual components of funerary practice and beliefs about an afterlife. Design for Eternity is the first publication in English to explore these architectural works, providing new insights into ancient American design and how it reflected the practices of daily life. The vivid illustrations and texts focus on architectural representation, as well as the role these intriguing sculptures played in mediating relationships among the living, the dead, and the divine. Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art (10/26/15–09/18/16)

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Nineteenth-century stoneware by enslaved and free potters living in Edgefield, South Carolina, highlights the central role of Black artists in the region’s long-standing pottery traditions Recentering the development of industrially scaled Southern pottery traditions around enslaved and free Black potters working in the mid-nineteenth century, this catalogue presents groundbreaking scholarship and new perspectives on stoneware made in and around Edgefield, South Carolina. Among the remarkable works included are a selection of regional face vessels as well as masterpieces by enslaved potter and poet David Drake, who signed, dated, and incised verses on many of his jars, even though literacy among enslaved people was criminalized at the time. Essays on the production, collection, dispersal, and reception of stoneware from Edgefield offer a critical look at what it means to collect, exhibit, and interpret objects made by enslaved artisans. Several featured contemporary works inspired by or related to Edgefield stoneware attest to the cultural and historical significance of this body of work, and an interview with acclaimed contemporary artist Simone Leigh illuminates its continued relevance.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art, New York (September 9, 2022–February 5, 2023) Museum of Fine Arts, Boston (March 6–July 9, 2023) University of Michigan Museum of Art, Ann Arbor (August 26, 2023–January 7, 2024) High Museum of Art, Atlanta (February 16–May 12, 2024)

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A comprehensive and breathtakingly illustrated presentation of the genius of Michelangelo by the world’s leading expert on the artist The Italian Renaissance master Michelangelo Buonarroti (1475–1564) was especially celebrated for his disegno, a term that embraces both drawing and conceptual design. Featuring more than 200 drawings as well as paintings, sculpture, and architectural plans and views, this authoritative examines Michelangelo as “the divine draftsman and designer” whose work, according to Giorgio Vasari, embodied the unity of the arts. Carmen C. Bambach delivers a thorough and engaging narrative of the artist’s long career, beginning with his training under Ghirlandaio and Bertoldo and ending with his 17-year appointment as chief architect of St. Peter’s Basilica at the Vatican. In each thematic chapter, related drawings and other works are illustrated and discussed together, many for the first time, to provide new insights into Michelangelo’s creative process. In addition to St. Peter’s, other featured projects include the Sistine Chapel ceiling, the Tomb of Pope Julius II, and the architecture of the Campidoglio in Rome. Michelangelo’s theories of art are also explored, and new consideration is given to his personal life and affections and their effect on his creative output. Magnificent in every way, this book will be the foremost publication about this remarkable artist for many years.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art (11/13/17–02/12/18)

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The first comprehensive, posthumous monograph and retrospective on Bernd and Hilla Becher, best known for their photographs of industrial structures in Europe and North America For more than five decades, Bernd (1931–2007) and Hilla (1934–2015) Becher collaborated on photographs of industrial architecture in Germany, France, Belgium, Holland, Great Britain, and the United States. This sweeping monograph features the Bechers’ quintessential pictures, which present water towers, gas tanks, blast furnaces, and more as sculptural objects. Beyond the Bechers’ iconic Typologies, the book includes Bernd’s early drawings, Hilla’s independent photographs, and excerpts from their notes, sketchbooks, and journals. The book’s authors offer new insights into the development of the artists’ process, their work’s conceptual underpinnings, the photographers’ relationship to deindustrialization, and the artists’ legacy. An essay by award-winning cultural historian Lucy Sante and an interview with Max Becher, the artists’ son, make this volume an unrivaled look into the Bechers’ art, life, and career. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule:The Metropolitan Museum of Art, New York (July 11–October 30, 2022)San Francisco Museum of Modern Art (December 17, 2022–April 2, 2023)

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This survey of women-led fashion design centered around the twentieth and twenty-first centuries emphasizes the creative agency and artistic legacy of female creators “This excellent book is recommended for readers interested in women fashion designers, particularly those who are not well-known today.”—Sandra Rothenberg, Library Journal (starred review) Exploring the enduring impact of fashions created by and for women, this book traces a historical and conceptual lineage across more than 70 female designers— from unidentified dressmakers in eighteenth-century France, to contemporary makers who are leading the direction of fashion today—all culled from the incredible permanent collection of The Costume Institute. Insightful essays that consider notions of anonymity, visibility, agency, and absence/omission reveal women’s impact within the field of fashion, highlighting celebrated designers and forgotten histories alike. The publication includes fashion houses such as Mad Carpentier, Elsa Schiaparelli, and Madeleine Vionnet, American makers like Ann Lowe, Claire McCardell, and Isabel Toledo, along with contemporary designers such as Rei Kawakubo, Anifa Mvuemba, Simone Rocha, and Iris van Herpen. New photography, created especially for this volume, uses light, shadow, and reflection to connect the garments to the four themes of the essays, which situate the works within a larger social context, and a fold-out genealogical chart traces connections between the makers featured. This overdue look at women-led design will be essential reading for anyone interested in the history of fashion. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: Metropolitan Museum of Art, New York (December 7, 2023–March 3, 2024)

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Positioning Alice Neel as a champion of civil rights, this book explores how her paintings convey her humanist politics and capture the humanity, strength, and vulnerability of her subjects “One of the most ambitious and thorough collections of Neel’s work to date.”—Allison Schaller, Vanity Fair “For me, people come first,” Alice Neel (1900–1984) declared in 1950. “I have tried to assert the dignity and eternal importance of the human being.” This ambitious publication surveys Neel’s nearly 70-year career through the lens of her radical humanism. Remarkable portraits of victims of the Great Depression, fellow residents of Spanish Harlem, leaders of political organizations, queer artists, visibly pregnant women, and members of New York’s global diaspora reveal that Neel viewed humanism as both a political and philosophical ideal. In addition to these paintings of famous and unknown sitters, the more than 100 works highlighted include Neel’s emotionally charged cityscapes and still lifes as well as the artist’s erotic pastels and watercolors. Essays tackle Neel’s portrayal of LGBTQ subjects; her unique aesthetic language, which merged abstraction and figuration; and her commitment to progressive politics, civil rights, feminism, and racial diversity. The authors also explore Neel’s highly personal preoccupations with death, illness, and motherhood while reasserting her place in the broader cultural history of the 20th century.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art, New York (March 22–August 1, 2021) Guggenheim, Bilbao (September 17, 2021–January 30, 2022) de Young Museum, San Francisco (March 12–July 10, 2022)

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With new photography of extraordinarily rare works of art, this pioneering study features discoveries and research essential to understanding the origins and meaning of Buddhist artistic traditions “Both the show and the book are extraordinary achievements. . . . They will astonish even those who think they are familiar with the art of Buddhism.”—William Dalrymple, New York Review of Books Named for two primary motifs in Buddhist art, the sacred bodhi tree and the protective snake, Tree & Serpent: Early Buddhist Art in India is the first publication to foreground devotional works produced in the Deccan from 200 BCE to 400 CE. Unlike traditional narratives, which focus on northern India (where the Buddha was born, taught, and died), this groundbreaking book presents Buddhist art from monastic sites in the south. Long neglected, this is among the earliest corpus of Buddhist art surviving, and among the most sublimely beautiful. An international team of researchers contributes new scholarship on the sculptural and devotional art associated with Buddhism, and masterpieces from recently excavated Buddhist sites are published here for the first time—including Kanaganahalli and Phanigiri, the most important new discoveries in a generation. With its exploration of Buddhism’s emergence in southern India, as well as of India’s deep commercial and cultural engagement with the Hellenized and Roman worlds, the definitive study expands our understanding of the origins of Buddhist art itself. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art, New York (July 21–November 13, 2023) National Museum of Korea, Seoul (December 22, 2023–April 14, 2024)

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A unique and compelling view of the work of leading contemporary artist Nalini Malani through the lens of her most recent commission This publication presents the latest work of Nalini Malani (b. 1946), recipient of the 2022 National Gallery Contemporary Fellowship with ArtFund. For over five decades, Malani’s art has focused on giving a voice to the stories of those marginalized by history⁠—particularly women. She is one of the most incisive artists of our time, and the acute analysis and poetic compassion of her experimental film, photography, painting, and drawing has influenced generations of others from the 1960s to the present day. For her first museum commission in the United Kingdom, Malani has created an immersive installation of large-scale, animated drawings inspired by the sites, histories, and collections of the National Gallery, London, and the Holburne Museum, Bath. With a floating palimpsest of digital images, Malani reveals, annotates, and shares new, underlying stories in some of Europe’s best-known paintings, offering a contemporary and critical dialogue between past and present. With leading articles based on new research, sumptuous illustrations, and artist-led design, this extensive study documents the Fellowship alongside the artist’s previous work. Published by National Gallery Global/Distributed by Yale University Press

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A timely and definitive exploration of the art and culture of the ancient civilizations situated between Rome and the Middle East that presents a new way of understanding the region’s influential heritage This publication examines the art and architecture of regions that served as major trade routes between the Roman and Parthian Empires from 100 B.C. to A.D. 250. The book examines the cultural histories of cities including Petra, Baalbek, Palmyra, Dura-Europos, and Hatra together for the first time, capturing the intricate web of influence that emerged in the Ancient Middle East through the exchange of goods and ideas across the region. Works illustrated and discussed include statues, coins, reliefs, architectural elements and friezes, painted tiles and wall fragments, jewelry, textiles, and more. The World Between Empires is the definitive book on this subject, contextualizing the significance of these works on a local and global scale, including a thoughtful discussion of recent cultural heritage destruction and preservation efforts in the region, particularly in Iraq, Syria, and Yemen, and the role of museums.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art, New York (03/11/19–06/23/19)

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As prominent members of the Victorian cultural and artistic world, Sir Charles and Lady Elizabeth Eastlake, along with their nephew Charles Locke Eastlake, enjoyed the friendship and support of influential figures including Prince Albert, Sir Thomas Lawrence, J. M. W. Turner, and Sir Robert Peel. This fascinating original biography brings the unique personality of each of the Eastlakes into sharp focus while also exploring their important contributions during the early days of the National Gallery. Charles Eastlake, an artist and connoisseur, was chosen to be not only the President of the Royal Academy from 1850, but also the National Gallery's first Director in 1855. With his capable wife, a literary critic and art historian in her own right, he traveled throughout Europe acquiring significant paintings for the Gallery and implementing important changes to their display and description. Nephew Charles, an architect and popularizer of the Arts and Crafts style, was Keeper at the National Gallery from 1878 to 1898. Art for the Nation tells the remarkable story of the Eastlake family's devotion to art and to the National Gallery during its crucial formative years.Published by National Gallery Company / Distributed by Yale University PressExhibition Schedule:National Gallery, London(07/27/11-10/30/11)

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A detailed look at the ambition and artistic legacy of Emperor Maximilian I and his passion for armor and chivalry Holy Roman Emperor Maximilian I (1459–1519) crafted a public persona and personal mythology that earned him the romantic sobriquet the “Last Knight” and that perpetuates his legend to this day. In his lifelong quest to establish himself as Europe’s noblest ruler, he commissioned art, epics, and lineages, as well as exceptional armor from the most celebrated armorers in Europe. Published to coincide with the 500th anniversary of his death, this book discusses the ramifications of Maximilian’s wide-ranging political aspirations and artistic legacy and is the first to concentrate on the importance of armor and concepts of chivalry in the construction of his identity. Maximilian established the prominence of the Habsburgs through advantageous alliances, expanding their dominions across Europe and into the New World. He commissioned grandiose projects, some of which rank among the most ambitious in European history. But more than this, he created a profile for the ruler—a combination of idealism and vainglory—that not only helped shape the identity of the growing German nation but also has resonances in the current political climate worldwide. This superb volume provides a rare picture of how art, armor, and the cult of personality helped shape the politics of Europe at the dawn of the Renaissance.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art, New York (October 7, 2019–January 5, 2020)

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The first major exhibition catalogue to focus on Jacques Louis David’s drawings and their crucial role in his iconic history paintings made before, during, and after the French Revolution “A superb survey . . . a first-rate catalog . . . [a] cornucopia of masterworks.”—Colin B. Bailey, New York Review of Books Jacques Louis David’s (1748–1825) paintings are among the most iconic in the history of Western art, but comparatively little is known about the artist’s nearly 2,000 drawings—from quick chalk sketches scribbled in notebooks to exquisite ink compositions enlivened with oil paint—that formed the basis of beloved masterpieces such as The Oath of the Horatii and The Death of Socrates. Jacques Louis David: Radical Draftsman is the first major publication to focus on the often years-long process of trial and experimentation that progressed from initial idea to finished canvas. Including several recently discovered drawings published here for the first time, this book provides a new perspective on the celebrated master. Essays by international experts on the artist explore how David’s preparatory works on paper reveal the development of his creative process, while also bearing witness to the tumultuous years before, during, and after the French Revolution. As both a participant and an observer, David helped establish the new French society while documenting the drama, violence, and triumphs of modern history-in-the-making. Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art, New York (February 17–May 15, 2022)

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An unprecedented look at the little-known paintings from Louise Bourgeois’s early years in New York that laid the groundwork for her sculptural practice “The catalog Louise Bourgeois: Paintings, and the revelatory exhibition, . . . were overseen by Clare Davies, who has commissioned an insightful essay from the art historian Briony Fer. But there’s another bonus: Beyond the paintings in the show, the catalog reproduces around 25 more, meaning that three-quarters of Bourgeois’s contribution to modern painting can now be seen in one place.”—Roberta Smith, New York Times, “Best Art Books of 2022” Louise Bourgeois (1911–2010) is celebrated today for her sculptures. Less known are the paintings she produced between her arrival in New York in 1938 and her turn to three-dimensional media in 1949. Crucial to her artistic practice, these early works—the focus of this groundbreaking publication—show how Bourgeois evolved her deeply personal artistic lexicon, and how the themes and motifs she explored in her paintings coalesced into symbols of her sculptural practice. Informed by new archival research and the artist’s extensive diaries, Louise Bourgeois: Paintings explores Bourgeois’s relationship to the New York art world of the 1940s and her development of a unique pictorial language, adding a key element to our understanding of this crucial artist’s career. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art, New York (April 11–August 7, 2022) New Orleans Museum of Art (September 8, 2022–January 8, 2023)

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A completely new way of looking at and understanding Surrealism, with a focus on the worldwide sweep of the movement“The variety of discoveries, detailed with exceptional scholarship in a ravishing keeper of a catalogue, defeat generalization.”—Peter Schjeldahl, New Yorker This groundbreaking book challenges conventional narratives of Surrealism, tracing its impact and legacy from the 1920s to the late 1970s in places as diverse as Colombia, Czechoslovakia, Egypt, Japan, Mexico, the Philippines, Romania, Syria, Thailand, and Turkey. In doing so, it presents a more inclusive and accurate understanding of the fundamentally international character and lasting significance of the revolutionary artistic, literary, and philosophical movement. Vibrantly illustrated with more than 300 works of art by both well-known figures—including Dalí, Ernst, Kahlo, Magritte, and Miró—and numerous underrepresented artists, this expansive book pushes beyond the borders of history, geography, and nationality to provocatively redraw the map of the Surrealist movement, investigating how its visual languages, ideals, theories, and practices were framed or reframed in contexts far from its Parisian origins. Contributions from more than 40 distinguished international scholars explore themes such as the channels used to transmit ideas; artists’ responses to the challenges of political oppression, social unrest, and the effects of colonialism; and experiences of displacement and exile in the twentieth century. Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art, New York (October 4, 2021–January 30, 2022)Tate Modern, London (February 25–August 29, 2022)

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A fascinating new look at the artistic legacy of the Tudors, revealing the dynasty’s influence on the arts in Renaissance England and beyond Ruling successively from 1485 through 1603, the five Tudor monarchs changed England indelibly, using the visual arts to both legitimize and glorify their tumultuous rule—from Henry VII’s bloody rise to power, through Henry VIII’s breach with the Roman Catholic Church, to the reign of the “virgin queen” Elizabeth I. With incisive scholarship and sumptuous new photography, the book explores the politics and personalities of the Tudors, and how they used art in their diplomacy at home and abroad. Tudor courts were truly cosmopolitan, attracting artists and artisans from across Europe, including Hans Holbein the Younger (1497/8–1543), Jean Clouet (ca. 1485–1540), and Benedetto da Rovezzano (1474–1552). At the same time, the Tudors nurtured local talent such as Isaac Oliver (ca. 1565–1617) and Nicholas Hilliard (ca. 1547–1619) and gave rise to a distinctly English aesthetic that now defines the visual legacy of the dynasty. This book reveals the true history behind a family that has long captured the public imagination, bringing to life the extravagant and politically precarious world of the Tudors through the exquisite paintings, lush textiles, gleaming metalwork, and countless luxury objects that adorned their spectacular courts.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art, New York (October 10, 2022–January 8, 2023) The Cleveland Museum of Art (February 26–May 14, 2023) Fine Arts Museums of San Francisco (June 24–September 24, 2023)

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Articulating eight decades of American style through the emotive language of clothing—from celebrated designers that established the modern legacy of sportswear to emerging creatives shaping the future of fashion in the United States “The design of the exhibition and the catalog is straightforward and compartmentalized, allowing the clothes to speak for themselves and contain their own narratives.”—Laird Borrelli-Persson, Vogue.com This new presentation of American fashion features a revised vocabulary that emphasizes its expressive qualities. Stunning new photography showcases over 100 garments from the 1940s to the present that offer a timely new perspective on the diverse and multifaceted nature of American fashion. The catalogue features works that display qualities such as belonging, comfort, desire, exuberance, fellowship, joy, nostalgia, optimism, reverence, spontaneity, strength, and sweetness by designers, from the pioneers who established the nation’s style to the up-and-coming creatives shaping its future. In America: A Lexicon of Fashion includes designs by Gilbert Adrian, Geoffrey Beene, Thom Browne, Bonnie Cashin, Willy Chavarria, Telfar Clemens, Dauphinette (Olivia Cheng), Oscar de la Renta (Fernando Garcia and Laura Kim), Denim Tears (Tremaine Emory), Perry Ellis, Tom Ford, Rudi Gernreich, Halston, Elizabeth Hawes, Carolina Herrera, Conner Ives, Charles James, Donna Karan, KidSuper (Colm Dillane), Calvin Klein, Michael Kors, Ralph Lauren, LRS (Raul Solís), Vera Maxwell, Claire McCardell, Norman Norell, Heron Preston, Pyer Moss (Kerby Jean-Raymond), Christopher John Rogers, Collina Strada (Hillary Taymour), Diane von Furstenberg, Vera Wang, and many more. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art, New York (September 18, 2021–September 5, 2022)

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An expert look at the life and captivating work of the Dutch painter Nicolaes Maes, Rembrandt’s most famous pupil This book offers a close look at the art of Dutch Golden Age painter Nicolaes Maes (1634–1693). One of Rembrandt’s most talented students, Maes began by painting biblical scenes in the style of his famous teacher. He later produced extraordinary genre pieces, in which the closely observed actions of the main figure, often a woman, have a hushed, almost monumental character. Maes also depicted mothers with children or older women praying or sleeping; such works have placed him among the most popular painters of the Dutch Golden Age. From around 1660, Maes turned exclusively to portraiture, and his elegant style attracted wealthy and eminent clients from Dordrecht and Amsterdam. This generously illustrated volume is the first in English to cover the full range of his repertoire. The authors—curators from the National Gallery, London, and the Mauritshuis, The Hague—bring extensive knowledge to bear for the benefit of specialists and the general public.Published by National Gallery Company in association with the Mauritshuis, The Hague, and Waanders Publishers, Zwolle/Distributed by Yale University PressExhibition Schedule:Mauritshuis (October 17, 2019–January 19, 2020)National Gallery, London (February 22–May 31, 2020)

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A critical reexamination of Carpeaux’s bust Why Born Enslaved! and other nineteenth-century antislavery images—this book interrogates the treatment of the Black figure as a malleable political symbol and locus of exoticized beauty This critical reexamination of Jean-Baptiste Carpeaux’s iconic bust Why Born Enslaved! unpacks the sculpture’s complex and sometimes contradictory engagement with an antislavery discourse. Noted art historians and writers discuss how categories of racial difference grew in popularity in the nineteenth century alongside a crescendo in cultural production in France during the Second Empire. By focusing on Why Born Enslaved! and comparing it to works by Carpeaux’s contemporaries on both sides of the Atlantic, as well as to objects by twenty-first-century artists Kara Walker and Kehinde Wiley, this volume explores such key themes as the portrayal of Black enslavement and emancipation; the commodification of images of Black figures; the role of sculpture in generating the sympathies of its audiences; and the relevance of Carpeaux’s sculpture to legacies of empire. The book also provides a chronology of events central to the histories of transatlantic slavery, abolition, colonialism, and empire.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art, New York (March 10, 2022–March 5, 2023)

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Featuring texts by leading scholars of the history and culture of medieval Armenia, this book offers an in-depth look at its art, trade, and religious traditions The papers in this volume, first presented at an international symposium celebrating The Met’s blockbuster 2018 exhibition, Armenia!, explore the art and culture of a civilization that served as a pivotal crossroads on the border between East and West. Contributors address Armenia’s roles in facilitating exchange with the Mongol, Ottoman, and Persian empires to the East and with Byzantium and European Crusader states to the West. Essays also explore the ways in which elements of these cultures commingled in Armenian art and religion—Armenian artists and craftspeople produced an astonishing range of religious objects that drew upon influences from both Europe and Asia but ultimately created a uniquely Armenian visual identity. The authors explore the effects of this dualistic tension in the history of Armenian art and how it persists into the present, as this land situated at a crossroads of civilization continues to grapple with the legacy of genocide and counters new threats to its sovereignty, integrity, and cultural language. Published by The Metropolitan Museum of Art/Distributed by Yale University Press

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Explores how artists from the European Renaissance to the global present have used sculpture and color to evoke the presence of the living body Since the earliest myths of the sculptor Pygmalion bringing a statue to life through desire, artists have explored the boundaries between sculpture and the physical materiality of the body. This groundbreaking volume examines key sculptural works from 13th-century Europe to the global present, revealing new insights into the strategies artists deploy to blur the distinction between art and life. Sculpture, which has historically taken the human figure as its subject, is presented here in myriad manifestations created by artists ranging from Donatello and Degas to Picasso, Kiki Smith, and Jeff Koons. Featuring works created in traditional media such as wood and marble as well as the unexpected such as wax, metal, and blood, Like Life presents sculpture both conventional and shocking, including effigies, dolls, mannequins, automata, waxworks, and anatomical models. Containing texts by art and cultural historians as well as interviews with contemporary artists, this is a provocative exploration of three-dimensional representations of the human body.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Met Breuer (03/21/18–07/22/18)

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The first publication to consider the relationship between these two major artists of the High Renaissance Through most of Michelangelo’s working life, one of his closest colleagues was the great Venetian painter Sebastiano del Piombo (1485­–1541). The two men met in Rome in 1511, shortly after Sebastiano’s arrival from his native city, and while Michelangelo was based in Florence from 1516 to 1534 Sebastiano remained one of his Roman confidants, painting several works after partial designs by him. This landmark publication is about the artists’ extraordinary professional alliance and the friendship that underpinned it. It situates them in the dramatic context of their time, tracing their evolving artistic relationship through more than three decades of creative dialogue. Matthias Wivel and other leading scholars investigate Michelangelo’s profound influence on Sebastiano and the Venetian artist’s highly original interpretation of his friend’s formal and thematic concerns. The lavishly illustrated text examines their shared preoccupation with the depiction of death and resurrection, primarily in the life of Christ, through a close analysis of drawings, paintings, and sculpture. The book also brings the austerely beautiful work of Sebastiano to a new audience, offering a reappraisal of this less famous but most accomplished artist. Published by National Gallery Company/Distributed by Yale University PressExhibition Schedule:The National Gallery, London (03/15/17–06/25/17)

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New scholarship on a little-known decorative commission undertaken by Pablo Picasso offers insight into the artist’s painting process and the evolution of Cubism In 1910, Pablo Picasso began a series of 11 decorative paintings intended for the Brooklyn residence of American artist, collector, and critic Hamilton Easter Field. This publication is the first in-depth examination of this commission which, despite never being completed, offers new insights into a little-known chapter in Picasso’s art that coincided with a critical moment in the development of Cubism. Based on new research, including letters and archival material from both Picasso and Field, this book shows how the unrealized commission challenged Picasso to move beyond easel painting and adapt Cubist forms to an immersive aesthetic experience. Authors investigate the progression of Cubist ideas and show how Picasso used Easter Field’s proposal as a place of experimentation by both subverting and paying homage to decorative painting traditions. Published to coincide with Celebration Picasso, marking the fiftieth anniversary of the artist’s death, this compact volume provides a compelling look at what might have been, as well as a fascinating portrait of art and patronage in the early twentieth century. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule:The Metropolitan Museum of Art, New York (September 12, 2023–January 14, 2024)

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Illuminating three centuries of European artistry and ingenuity, this volume in The Met’s acclaimed How to Read series provides a wide-ranging exploration of decorative arts from British writing tables to Russian snuffboxes Spanning three centuries of creativity, from the High Renaissance to the Industrial Revolution, this volume in The Met’s How to Read series provides a peek into daily lives across Europe—from England, Spain, and France to Germany, Denmark, and Russia. Featuring 40 exemplary objects, including furniture, tableware, utilitarian items, articles of personal adornment, devotional objects, and display pieces, this publication covers many aspects of European society and lifestyles, from the modest to the fabulously wealthy. The book considers the contributions of renowned masters, such as the Dutch cabinetmaker Jan van Mekeren and the Italian goldsmith Andrea Boucheron, as well as talented amateurs, among them the anonymous young Englishwoman who embroidered an enchanting chest with scenes from the Story of Esther. The works selected include both masterpieces and less familiar examples, some of them previously unpublished, and are discussed not only in light of their art-historical importance but also with regard to the social issues relevant to each, such as the impact of colonial slavery or the changing status of women artists. Published by The Metropolitan Museum of Art/Distributed by Yale University Press

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Significant and iconic photographs created over the last 100 years provide an essential history and new interpretation of the medium Beginning with Paul Strand’s landmark From the Viaduct in 1916 and continuing through the present day, Photography’s Last Century examines defining moments in the history of the medium. Featuring nearly 100 masterworks, it includes both rare and iconic examples of works by photography’s most renowned and influential artists, including Diane Arbus, Richard Avedon, Walker Evans, László Moholy-Nagy, Man Ray, and Cindy Sherman, as well as a diverse group of lesser-known practitioners who helped define photography in the 20th and early 21st centuries. Jeff Rosenheim’s detailed and perceptive text addresses the avant-garde artists of the early decades of the 20th century, the changing role of the camera after the Second World War, the rise of the international market for fine photographic prints in the 1960s, the photography boom in the late 1970s, and the implications of calling this period the “last” century of photography. Exquisitely designed and produced, this book offers new insight on the development and significance of photography as an art form over the course of the past 100 years.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art, New York (March 10–June 28, 2020)

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The National Gallery in London houses one of the richest collections of Western European paintings in the world, ranging from the 13th to the 20th century. In this beautiful book, one hundred of the greatest works from the collection, each by a different artist, are presented in chronological order, and accompanied by a lively, informative text and full-page color reproductions. From the earliest—a remnant of an Italian altarpiece dating from around 1265—to the most recent—Paul Cézanne’s great Bathers, of about 1894–1905—each painting has been carefully chosen for the unique significance it holds; whether representing a particular artist, place or time, or simply for its beauty and the pleasure it provides to the viewer. The painters featured here include some of the most famous names in European art—Duccio, Giotto, Dürer, Holbein, van Eyck, Botticelli, Leonardo, Michelangelo, Raphael, Titian, Rubens, Rembrandt, El Greco, Velázquez, Zurbarán, Goya, Caravaggio, Claude, Poussin, Hogarth, Gainsborough, Reynolds, Constable, Turner, Courbet, Manet, Monet, Renoir, Degas, Rousseau, and Van Gogh—and some of the most iconic paintings in the world—The Wilton Diptych, The Arnolfini Portrait, The Ambassadors, and Sunflowers. These selected highlights introduce some of the most inspiring paintings ever made. The reader can dip in to explore individual paintings, or read from cover to cover for a full survey.Published by the National Gallery Company/Distributed by Yale University Press

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A look at the artistic and technical innovation of British printmaking from World War I to the eve of World War II, as artists from the Grosvenor School and beyond harnessed an emerging modernist style Throughout the tumultuous decades of the early twentieth century, the graphic arts flourished in Great Britain as artists sought to portray everyday life during the machine age. This richly illustrated volume reintroduces rare print works from the collection of Leslie and Johanna Garfield into the narrative of modernism, demonstrating their relationship to other movements such as Cubism, Futurism, and Constructivism. Essays explore how artists turned to printmaking to alleviate trauma, memorialize their wartime experiences, and capture the aspirations and fears of the twenties and thirties. Special attention is given to the linocut technique revolutionized by Claude Flight and his students at London’s Grosvenor School of Modern Art. Highlighted as well are the pioneering works of artists such as C. R. W. Nevinson, Sybil Andrews, Cyril E. Power, Paul Nash, Edward Wadsworth, Edith Lawrence, Ursula Fookes, and Lill Tschudi. In their quest to promote a more democratic art, these artists created innovative graphics that portrayed in subject, form, material, and technique the dynamic era in which they lived.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art, New York (October 21, 2021–January 17, 2022)

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Innovation, technology, and spectacle combine in wondrous works of decorative art and furniture that embody the splendor and luxury of the royal courts of Europe At once beautiful works of art and technological wonders, the objects featured in Making Marvels demonstrate how European royalty from the Renaissance to the Enlightenment signaled their status through their collections of ingeniously crafted inventions. Featuring 150 exemplary objects ranging from mechanical toys to scientific instruments, timepieces to automata, this groundbreaking study brings to life a glorious period when luxury, a quest for knowledge, scientific invention, and political power combined to produce remarkable works of art. More than frivolous playthings, these works inspired technical innovations that influenced a broad spectrum of activities, including astronomy, engineering, and artisanal craftsmanship. This remarkable volume explores works in a wide range of materials, including precious metals, gemstones, pietra dura, marble, ivory, wood, bone, shell, glass, and paper. The book’s compelling essays address the layered historical context in which these objects were fashioned and gathered into cabinets of wonder at courts throughout Europe; elucidate their complex blending of art and science; and provide fascinating details about the patrons who commissioned them and the specialists who made them.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art, New York (November 25, 2019–March 1, 2020)

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An illuminating study of the singularly gifted Dutch artist Frans Hals, a true revolutionary in the field of portraiture and one of the most sought-after painters of his generation This beautifully illustrated book offers a fresh scholarly appraisal of Frans Hals, more than 30 years since the last large exhibition devoted to his work. Essays cover all the important aspects of Hals’s oeuvre, including his militia paintings, his spectacular family portraits and his depictions of laughter: he was one of very few artists throughout the history of Western painting who successfully managed to paint people smiling and laughing. The texts also provide an overview of the artist’s life, and examine his extraordinarily virtuoso technique, which involved painting extremely fast straight on to the canvas. The authors set out to place Hals and his work firmly in the context of his time, employing new previously unpublished archival research and technical findings. For the first time, an overview is given of all the apprentices who worked for Hals. Other themes, such as the design for portrait prints or the humour seen in the works of Frans Hals, have never before been treated separately. Published by National Gallery Global/Distributed by Yale University Press Exhibition Schedule: The National Gallery, London (September 30, 2023–January 21, 2024) The Rijksmuseum, Amsterdam (February 15–June 9, 2024)

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Reveals how American art in the 1930s—intertwined with the political, social, and economic tumult of an era not so unlike our own—engaged with the public amid global upheaval This publication examines the search for artistic identity in the United States from the stock market crash of 1929 that began the Great Depression to the closure of the Works Progress Administration in 1943 with a focus on the unprecedented dissemination of art and ideas brought about by new technology and government programs. During this time of civil, economic, and social unrest, artists transmitted political ideas and propaganda through a wide range of media, including paintings and sculptures, but also journals, prints, textiles, postcards, and other objects that would have been widely collected, experienced, or encountered. Insightful essays discuss but go beyond the era’s best-known creators, such as Thomas Hart Benton, Walker Evans, Marsden Hartley, and Georgia O’Keeffe, to highlight artists who have received little scholarly attention, including women and artists of color as well as designers and illustrators. Emphasizing the contributions of the Black Popular Front and Leftist movements while acknowledging competing visions of the country through the lenses of race, gender, and class, Art for the Millions is a timely look at art in the United States made by and for its people. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art, New York (September 6–December 10, 2023)

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"This is a wonderful anthology. Its texts not only span the whole of Luther's reforming career, but also cover the theological, political, and social issues that mattered most to him and his age. Best of all, the original integrity of the texts remains perceptible, even when abridged. This valuable collection will be a great teaching tool and also a most useful resource for anyone interested in Luther or the Protestant Reformation." —Carlos Eire, Yale University, author of Reformations: The Early Modern World, 1450-1650 (Yale University Press)CONTENTS: Thematic Table of Contents General Introduction 1. Preface to the Complete Edition of the Latin Writings (1545) 2. Disputation on the Power of Indulgences (The Ninety-Five Theses) (1517) 3. Sermon on Indulgence and Grace (1518) 4. Disputation Held at Heidelberg (1518) 5. To the Christian Nobility of the German Nation (1520) 6. The Babylonian Captivity of the Church (1520) 7. On the Freedom of a Christian (1520) 8. Preface to the New Testament (1522) 9. Preface to the Epistle of St. Paul to the Romans (1522) 10. On Married Life (1522) 11. On Secular Authority: To What Extent It Must Be Obeyed (1523) 12. That Jesus Christ Was Born a Jew (1523) 13. Against the Heavenly Prophets Concerning Images and the Sacrament (1525) 14. Against the Robbing and Murdering Hordes of Peasants (1525) 15. The Bondage of the Will (1525) 16. The German Mass and Order of Divine Service (1526) 17. How Christians Should Regard Moses (1527) 18. Concerning Rebaptism (1528) 19. Hymns (pre-1529) 20. On the War against the Turks (1529) 21. The Small Catechism (1529) 22. Commentary on St. Paul's Epistle to the Galatians (1535) 23. The Schmalkald Articles (1537) 24. Letter to Landgrave Philipp of Hesse (1539) 25. On the Jews and Their Lies (1543) Suggestions for Further Reading Index

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Cambodian-English Glossary contains over 8,800 words. Originally published by Yale University Press, 1977. Reissued with permission by Cornell Southeast Asia Program, 1988. This is the third in a series of Cambodian readers prepared by Franklin Huffman and Im Proum, following their Cambodian System of Writing and Beginning Reader and Intermediate Cambodian Reader. The reader contains thirty-two selections from some of the most important and best-known works of Cambodian literature in a variety of genres—historical prose, folktales, epic poetry, didactic verse, religious literature, the modern novel, poems and songs, and so forth. The introduction is a general survey in English of Cambodian literature, and each section has an introduction in Cambodian. For pedagogical reasons, the selections are presented roughly in reverse chronological order, from modern prose to the very esoteric and somewhat archaic verse of the Ream-Kie (the Cambodian version of the Ramayana). The reader concludes with a bibliography of some sixty items on Cambodian literature. The glossary combines the 4,000 or so items introduced in this reader with the more than 6,000 introduced in the previous two readers, making it the largest Cambodian-English glossary compiled to date. The definitions are more general and complete than one usually finds in a simple reader glossary, in which definitions are normally context-specific. Because the glossary is so useful in itself, it is being made available separately as well as bound with the reader.

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In the summer of 1905, the French painters Henri Matisse and André Derain changed the course of art history with their radical color experiments During the summer of 1905, Henri Matisse and André Derain went on holiday in Collioure, a modest French fishing village fifteen miles from the Spanish border. This groundbreaking book examines how two artists, entranced by the shifting light and stunning imagery of the eastern Mediterranean, laid the groundwork for the movement known as Fauvism (from the French fauve, or “wild beast”). Featuring more than 70 paintings, watercolors, and drawings produced by Matisse and Derain during their stay, the book also brings to life their personal and artistic revelations with 21 of their letters, published here for the first time in English. Vivid and engaging texts detail their daring experiments with color, form, structure, and perspective; the scandal their paintings caused when they were exhibited several months later; and how, despite the jeering remarks from critics, these works changed the course of French painting. Emphasizing as never before the legacy of that summer, this publication shows how the two artists’ radical investigations galvanized their contemporaries, and how this strain of modernism, created almost by accident, resonates even into the present day. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition ScheduleThe Metropolitan Museum of Art, New York (October 13, 2023–January 21, 2024)The Museum of Fine Arts, Houston (February 25–May 27, 2024)

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Leos Janácek (1854-1928) occupied a pre-eminent position in Moravian (and wider Czech) culture, not only as a composer but also as a folksong collector, journalist, educator and nationalist. One of the greatest and most original composers of the early twentieth century, Leos Janácek (1854-1928) occupied a pre-eminent position in Moravian culture, not only as a composer but also as a folksong collector, journalist, educator and nationalist. His friends and associates included artists, writers, ethnographers and politicians, as well as conductors, singers and instrumentalists. Janácek's many pupils included the conductor Bretislav Bakala and thecomposer Pavel Haas. He had important associations with publishers in Vienna and Prague and with the earliest years of Czech Radio. Janácek was strongly attached to particular places - Hukvaldy, Brno, Luhacovice - and had professional links with Prague, Berlin, London and beyond. The Janácek Compendium includes nearly 300 entries on every aspect of Janácek's life and works, with detailed notes on all his significant compositions - above all the operas - providing the latest information to emerge about some of his most famous pieces. An extensive bibliography supports the entries, which are cross-referenced to enable wider exploration of particular topics. NIGELSIMEONE is a widely respected writer and lecturer on music, with a lifelong interest in Czech music. His books include Janacek's Works (Oxford University Press, 1997, co-authored with John Tyrrell and Alena Nemcová), TheLeonard Bernstein Letters (Yale University Press, 2013), and Charles Mackerras (Boydell Press, 2015, co-edited with John Tyrrell). He is a regular broadcaster on BBC radio.

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The Metropolitan Museum of Art celebrates 150 years by presenting its evolution into one of the world’s greatest museums and its vision for the future“'Making the Met'” is all about the ambitions and blind spots of an institution—and the changing schemes of meaning, value and interpretation that form an invisible frame around all the world’s beauty."--Jason Farago, The New York Times (exhibition review) Published to celebrate the Museum’s 150th anniversary, Making The Met examines the institution’s evolution from an idea—that art can elevate anyone who has access to it—to one of the most beloved encyclopedic collections in the world. Focusing on key transformational moments, this richly illustrated book provides insight into events that led The Met in new directions, broadened its audience, and expanded its collection. Eleven chapters illuminate topics such as the impact of momentous acquisitions, the global cooperation that resulted from international excavations, the Museum’s association with the “Monuments Men” and its role in preserving cultural heritage during and after the Second World War, and The Met’s interaction with modern and contemporary art and artists. Illustrations include rarely seen archival and behind-the-scenes images, in addition to more than 200 key works that changed the way we look at art. The final chapter considers contemporary philosophies for collecting art from around the globe, strategies for reaching new and diverse audiences, and the role of museums today.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art, New York (March 30–August 2, 2020)

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A lavishly illustrated monograph that spans the entire career of Gerhard Richter, one of the most celebrated contemporary artists "Spans the contemporary German artist's six-decade career. . . . [A] stirring exhibition in [its] own right."—New York Times"[A] weighty catalogue... illuminat[es] some less-visited corners of Richter's oeuvre."—New York Review of Books Over the course of his acclaimed 60-year career, Gerhard Richter (b. 1932) has employed both representation and abstraction as a means of reckoning with the legacy, collective memory, and national sensibility of post–Second World War Germany, in both broad and very personal terms. This handsomely designed book features approximately 100 of his key canvases, from photo paintings created in the early 1960s to portraits and later large-scale abstract series, as well as select works in glass. New essays by eminent scholars address a variety of themes: Sheena Wagstaff evaluates the conceptual import of the artist’s technique; Benjamin H. D. Buchloh discusses the poignant Birkenau paintings (2014); Peter Geimer explores the artist’s enduring interest in photographic imagery; Briony Fer looks at Richter’s family pictures against traditional painting genres and conventions; Brinda Kumar investigates the artist’s engagement with landscape as a site of memory; André Rottmann considers the impact of randomization and chance on Richter’s abstract works; and Hal Foster examines the glass and mirror works. As this book demonstrates, Richter’s rich and varied oeuvre is a testament to the continued relevance of painting in contemporary art.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Met Breuer, New York (March 4–July 5, 2020)Museum of Contemporary Art, Los Angeles (August 14, 2020–January 19, 2021)

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A compelling look at the aesthetic and historical significance of Lagerfeld’s work—from his elegantly tailored pieces for Chanel to the witty, playful ensembles that came to define the Lagerfeld brand “The Met’s latest tome expertly narrates the journey that earned Lagerfeld his seat at the hallowed throne of modern high fashion.”—V Magazine Unparalleled in its luxurious presentation, this publication celebrates the virtuoso artistry of Karl Lagerfeld (1933–2019). Designed to evoke an elegant parchment-and-cloth artist’s portfolio, it boasts a pageant of stunning fashion photography alongside Lagerfeld’s original sketches, offering a behind-the-scenes window into his process as well as his sartorial brilliance. Silver inks and select gold pages punctuate the book’s stylish packaging and recall the designer’s signature accessories. An illustrated timeline, unfurling from the back of the volume, chronicles the designer’s long and illustrious career. Lagerfeld produced over 10,000 pieces of clothing across his extraordinary 65 years as a powerhouse fashion designer, from his time at Chloé and Fendi in the 1960s and 1970s to his celebrated leadership in the 1980s and beyond at Chanel and with his own label. His voracious curiosity and boundless imagination yielded beautiful, evocative garments, more than 200 of which are showcased here. These are accompanied by personal reflections from Lagerfeld’s premières d’ateliers—the seamstresses behind his extraordinary creations—as well as by Anna Wintour, Patrick Hourcade, Amanda Harlech, and Tadao Ando. A lavish work of art in its own right, this book is also an essential resource on Lagerfeld and how his designs transformed the entire fashion industry. Published by The Metropolitan Museum of Art/Distributed by Yale University Press

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