Search results for ""Faber Faber""

Winner of the Oscar's Book Prize 2018 What if a PIG got stuck up your NOSE? How ever would you get it out? When Natalie has to go to school with a pig stuck up her nose, her whole class gets together to find a way to get the pig out. But how will they do it? The zany humour of Sue Hendra (of Supertato and Barry the Fish with Fingers fame) meets Babe the Pig in this funny picture book. This delightfully silly tale, brought to life by warm, comical artwork from rising star Laura Hughes, will have children giggling and oinking out loud to try to work out how to get a farmyard animal out of someone's nose. The perfect picture book for boys and girls aged 3 years and up – or for anyone who has ever got something stuck up their nose! "This very funny, sweet story won the hearts of the judging panel. Oink!" @oscarsbookprize "The surprise comes right at the start, and what a wonderfully dotty premise to begin a story with, about problem solving in the classroom. Brilliantly structured too" – Julia Eccleshare "Everything about There's a Pig Up My Nose! is entrancing, from the title onwards; it also features the best PE excuse note ever" – The Guardian “…we really want to understand and pick out the books that kids want, as opposed to the books that adults think they should want. The winner that epitomises that more than any other is John Dougherty and Laura Hughes’ There’s A Pig Up My Nose from 2018, which is just glorious.” – James Ashton, co-founder of Oscar's Book Prize (The Bookseller) John Dougherty was born in Larne, Northern Ireland and worked as a children's primary school teacher for several years before leaving to concentrate on his writing. He has published several books for children and has been shortlisted for a number of prestigious awards. His book, Zeus Sorts It Out, was one of The Times children's books of the year 2011. Laura Hughes studied illustration at Kingston University and is the illustrator and artist behind Daddy’s Sandwich, nominated for the Kate Greenaway Medal 2016. She has worked with several publishers including Bloomsbury, Harper Collins US and Faber & Faber. She lives in east London with her cat. Disclaimer: neither of them have ever had a pig stuck up their nose …

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“Old Poets is an indispensable jewel.” —Washington Post“An astonishing array of encounters...Hall’s observations are shrewd and generous.” —Boston Globe Intimate portraits of great poets in old age, giving new insight into their work and their lives, and context to the often flawless art created by flawed human beings. The best of themselves endure, and the old poets’ existence and endurance gives readers courage to pursue their own vision. Donald Hall (Essays After Eighty and A Carnival of Losses: Notes Nearing Ninety) knew a great deal about work, about poetry, and about age. Each of those things come together in this unique collection. We hear about Robert Frost as Hall knew him: vain and cruel, a man possessed by guilt. But, as Hall writes, “The poet who survives is the poet to celebrate; the human being who confronts darkness and defeats it is the one to admire. For all his vanity, Robert Frost is admirable: He looked into his desert places, confronted his desire to enter the oblivion of the snowy woods, and drove on.”Hall’s essays are once both intimate portraits and learned treatises. He takes us on a pub crawl through the Welsh countryside with the word-mad Dylan Thomas; to the Faber & Faber office of T. S. Eliot, who had discovered more happiness in age than in youth; to a reading where Robert Frost’s public persona hid the truth; to Brooklyn for lunch with the enigmatic Marianne Moore; and to Italy and for a visit with the notorious Ezra Pound. By the time Hall met them, each poet was, he observed, “old enough to have detached from ongoing poetry, to feel alien to the ambitions of the grandchildren.”Also included are portraits of the poets who taught Hall as a writer: the unfailingly kind Archibald MacLeish and Yvor Winters, from whom he learned the most about poetry. Along the way are observations about many other poets and the literary cultures that sustained them.Contents include: “Vanity, Fame, Love, and Robert Frost,” “Dylan Thomas and Public Suicide,” “Notes on T. S. Eliot,” “Rocks and Whirlpools: Archibald MacLeish and Yvor Winters,” “Marianne Moore: Valiant and Alien,” and “Fragments of Ezra Pound.”For lovers of literature, this is a gorgeous remembrance and likely to compel an immediate visit to the poetry section of the nearest bookstore—as Hall writes, “Their presences have been emblems in my life, and I remember these poets as if I kept them carved in stone.”

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