Search results for ""Author Pete"

Text in English and German. The surprising success of Bonnie and Clyde, The Graduate and Easy Rider in the late 60s marks a turning-point in the history of the American cinema, as these are films that differ fundamentally from the traditional Hollywood style. They revised the traditional genre formulae and overturned the rules of classical narrative structure, but they were also aimed at a young audience influenced by alternative culture, a group that the big studios had ignored until then. The American film industry, which was in financial crisis and a phase of artistic stagnation in the sixties because it had tried to meet increasing competition from television by producing blockbusters, started to think again, and became more receptive to new ideas. This created a degree of artistic scope that young directors and filmmakers with artistic ambitions were not slow to exploit in order to realise their creative ideas in the context of mainstream cinema. A period of artistic renewal began, of a kind that had never been possible before in America on such a radical scale. The first wave of New Hollywood was starting to die down in 1971, as the films were often too experimental, too self-referential and too alien for a mass audience, and the market for the limited target group of a young audience interested in culture was quickly saturated. But important stimuli emerged, and made it possible for a series of film-makers like Robert Altman, Arthur Penn, Mike Nichols, Alan Pakula, Sydney Pollack, Stanley Kubrick, Sam Peckinpah, Paul Mazursky, Hal Ashby and ultimately an exceptional figure like Woody Allen establish themselves permanently. They were joined in the seventies by the younger generation of so-called 'whiz kids' like Francis Ford Coppola, Peter Bogdanovich, William Friedkin, Martin Scorcese, Steven Spielberg, Brian De Palma, Paul Schrader or George Lucas. They all represented the liberation of the director from the dictates of the studio, the acquisition of a right to have individual artistic handwriting and the era of the director as superstar.

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"I went to Noma and interviewed René (Redzepi). We were talking about art and food but the restaurant was closed. Everybody asked me how was the food, what did you eat - and he basically gave me some marmite. The best marmite I've ever had." - David Shrigley “This is not a coffee table book….notions of ‘taste’ get a grilling, while there are some fruity artist interviews....that make for entertaining accompaniments.” - Melanie Gerlis, The Financial Times “This comprehensive and expansive explorations of art restaurants marries the nourishment of senses, both visual and taste, along with the meeting of minds.” - Chris Corbin, Corbin and King group “A new and unique book.” - Layla Maghribi, The National News This is the definitive guide to Art Restaurants — a new way to appreciate food. Christina Makris, collector of art and a Patron of The Tate and RA, takes the reader on a tour of 25 of the world's greatest art restaurants, from New York to Hong Kong and Cairo to London. Makris traces their stories, details the art highlights, and meets artists, restaurateurs and chefs including Vik Muniz, Julian Schnabel and Tracy Emin. A captivating guide to where great art and memorable food meet. Restaurants featured include: Abou el Sid, Cairo; Bibo, Hong Kong; Casa Lever, New York; Chateau la Coste, Aix en Provence; Colombe d'Or, St Paul de Vence; Currency Exchange Café, Chicago; del Cambio, Turin; Dooky Chase, New Orleans; Gunton Arms, Norwich; Hix Soh, London; Kronenhalle, Zurich; Langan's, London; Lucio's, Sydney; Michael's, Santa Monica; Mr Chow, London; Osteria Francescana, Modena; Paris Bar, Berlin; Red Rooster, New York; Scott's, London; Sketch­, London; The Ivy, London. Including interviews with: Ai Weiwei; Antony Gormley; Beatriz Milhazes; Bill Jacklin; Conrad Shawcross; Damien Hirst; David Bailey; David Hockney; David Shrigley; Gary Hume; John Beard; John Olsen; Julian Schnabel; Maggi Hambling; Michael Craig-Martin; Michael Landy; Peter Blake; Polly Morgan; Sanford Biggers; Tracey Emin; Vik Muniz.

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The Rootes Story – The Chrysler Years focuses on the Rootes Group during the 1960s and 70s, the vehicles produced by the company, the people that created them and the events that led to Rootes selling out to Chrysler Corporation of America and eventual acquisition by the French Peugeot company. A valuable backdrop to the events is provided throughout the book by ex- Rootes employees and management. Chronicles the Rootes Group’s efforts to survive as a major car and truck manufacturer in Britain’s turbulent 1960s and 1970s. From a position as a respected global name in manufacturing, the Rootes Group found itself struggling to compete in a new buyers’ market, in which foreign competition was starting to overtake British manufacturers. Despite the challenges that confronted them, Rootes designed and built some of the most popular cars of the period: the Hillman Minx and Super Minx, the Singer Vogue and the Humber Sceptre, and the iconic but ill-fated Hillman Imp, as well as some of the most rugged and well-purposed vans and trucks, built by Commer, Karrier and Dodge. The book highlights the competition pedigree of the Sunbeam Rapier, the Alpine, the Imp and the Ford V8-engined Tiger. Famous names such as Paddy Hopkirk, Rosemary Smith and Peter Procter all give their stories as works drivers for Rootes, while engineers at ‘comps’ tell the background stories of how races and rallies were won and lost. Andrew Cowan, Rootes’ works rally driver and winner of the 1968 London–Sydney Marathon in a Hillman Hunter, shares his story in what was a remarkable and unexpected victory for Rootes. This complex story is told through the eyes of ex-Rootes and Chrysler personnel, giving ‘from the horse’s mouth’ accounts of the company and its exploits. Geoff Carverhill takes you inside the boardroom, into the drawing office and on to the production line to give the reader an insider’s view of Rootes, Chrysler and Peugeot.

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Get away from it all and reignite your wanderlust with this unique collection of epic landscape photography from some of the remotest and most spectacular locations around the globe. Curated by award-winning travel and lifestyle photographer Finn Beales, Let’s Get Lost offers pure visual escapism with over 200 spectacular shots of remote and beautiful places which will inspire you to get back out into the world after months and years of lockdowns and travel restrictions.For the adventurous amongst us, this book dares you to get off the beaten track andgo in search of the most remarkable natural environments on the planet. Chapters capturing off-grid coastal views, rugged mountain landscapes, majestic forests and expansive wildernesses are all featured, stirring within you a sense of adventure. From the Pacific Northwest to Southeast Asia, New Zealand to Scandinavia, these are the places where amazing photos are taken, now you need to experience them.For the armchair traveller, this book represents a breathtaking visual compendium of how beautiful the world can be, with truly awe-inspiring full page reproductions of some of instagram's most talented landscape photographers. Each of the photographers profiled reveal their unique stories and the little-known locations they have discovered that allow them to capture such breathtaking images, from Chris Burkard’s perilous tour of Russia’s extremities, and Emilie Ristevski’s wanderlust-filled journey through Namibia’s wild heart, to Timothy Allen’s airborne search for a long-lost Bulgarian monument. Photographers featured: Finn Beales (finn) Alex Strohl (alexstrohl) Jonathan Gregson (jonathangregsonphotography) Richard Gaston (richardgaston) Cath Simard (cathsimard) Emilie Ristevski (helloemilie) Reuben Wu (itsreuben) Laura Pritchett (bythebrush) Lucy Laucht (lucylaucht) Chris Burkard (chrisburkard) Molly Steele (moristeele) Benjamin Hardman (benjaminhardman) Greg Lecoeur (greg.lecoeur) Charly Savely (charlysavely) Timothy Allen (timothy_allen) Hannes Becker (hannes_becker) Tobias Hagg (airpixels) Callum Snape (calsnape) Nicolee Drake (cucinadigitale) Holly-Marie Cato (h_cato) Mads Peter Iversen (madspeteriversen_photography)

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The book behind Anton Corbijn’s film Squaring the Circle (the story of Hipgnosis)Founded in 1968 by Aubrey “Po” Powell, Storm Thorgerson and Peter Christopherson, graphic design firm Hipgnosis gained a legendary status by transforming the look of album art through their designs for AC/DC, Black Sabbath, The Police, Genesis, Led Zeppelin, Pink Floyd, Paul McCartney, Syd Barrett, and The Who. In this lively volume, Powell presents brutally honest, entertaining and revealing insider stories from the world of rock, featuring an eclectic cast of pop stars, comedians, actors, managers, gangsters, and inspirational world figures from 1966 on. His thrilling narrative is packed with anecdotes - from the founding of Hipgnosis to surviving drugs busts, and from the creative process behind the most iconic album artworks of all time to mounting the Pink Floyd exhibition, Their Mortal Remains - and is richly illustrated with Hipgnosis artwork and Powell’s own photographs. Drama and creativity are the common threads throughout these amazing stories. With candor and insightful reflection, Powell reveals how he and Storm became an effective creative partnership despite their volatile relationship; how the final colour artwork for Led Zeppelin’s Houses Of The Holy was created; how the most iconic album cover of all time – The Dark Side Of The Moon – came about; and how the 2017 Pink Floyd retrospective became the largest and most successful music exhibition ever mounted by the Victoria and Albert Museum – despite the deeply antagonistic and dysfunctional relationship between Roger Waters and David Gilmour. Throughout, Powell exposes how the trappings of fame and glory upset the balance of everyday life, bringing creativity and destruction in equal measure. Packed with exciting insider stories and anecdotes featuring famous musicians, managers, and actors, Through the Prism is a must-have for music and pop-culture fans.With 253 illustrations

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‘Grab a copy and a box of tissues ASAP – simply beautiful’ Reader Review ⭐⭐⭐⭐⭐‘Summer read of the year! Absolute perfection’ Reader Review ⭐⭐⭐⭐⭐‘Wow…there are still tears in my eyes!’ Reader Review ⭐⭐⭐⭐⭐ Will walking in her mother’s footsteps help Sophie discover who she was meant to be all along…? Devastated by her mother’s death, Sophie longs to get away from an empty house full of memories and a life that hasn’t quite turned out as she had imagined. So when a chance discovery among her mother’s belongings hints at a past Sophie knows nothing of, she jumps at the opportunity for escape and a chance to heal. The magical, idyllic Greek town of Methoni awaits… But Sophie – determined to uncover her mother’s secrets – is about to discover so much more. Among the tranquil waters and cosy tavernas, Methoni’s locals offer Sophie the answers she craves, along with unexpected romance and, if she’ll take it, a chance at her own happiness… The breathtaking, escapist debut novel from Emma Cowell, perfect for fans of Victoria Hislop, Carol Kirkwood and Karen Swan. Praise for One Last Letter from Greece: ‘This book made me cry (a lot)! A gorgeous read I can’t recommend enough!’ Reader Review ⭐⭐⭐⭐⭐ ‘A compelling and tender story, beautifully told by an exciting new voice’ Santa Montefiore ‘I’m in love with this story – I couldn’t stop reading’ Reader Review ⭐⭐⭐⭐⭐ ‘Emma’s written a beauty’ Peter Andre ‘This book has it all…romance, forbidden love, highs, lows, a great setting and a happy ever after. An easy 5 star read from me’ Reader Review ⭐⭐⭐⭐⭐ ‘Emma Cowell tells an emotional, gripping tale about family secrets, love and loss’ Adriana Trigiani ‘Gripping…heartbreaking…simply wonderful’ Reader Review ⭐⭐⭐⭐⭐ ‘An emotional rollercoaster. I fell in love with Theo and with Methoni which sounds so beautiful. Such an emotive tale of love and loss’ Rosanna Ley ‘Your perfect summer escape guaranteed!’ Reader Review ⭐⭐⭐⭐⭐ ‘A delicious slice of Greek life. A beautiful love story. A lovely tribute to a mother's love’ Jo Thomas

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The Trans-Antarctic Expedition of 1953-58 organised and led by Sir Vivian Fuchs and supported by Sir Edmund Hillary was one of the most extraordinary exploits ever undertaken in Antarctica - but it has been underappreciated. On the sixtieth anniversary of the crossing, this book tells the complete story of this remarkable episode in the history of exploration. The Crossing is illustrated with photographs from the Royal Geographical Society, with the kind permission of Mary Lowe, widow of expedition photographer George Lowe, and from Peter and Sarah Hillary and the Auckland War Memorial Museum. Sir Ernest Shackleton had tried unsuccessfully to cross the Antarctic in 1914. He called it the Last Great Journey, but he and his men escaped by the skin of their teeth. The new post-war expedition was therefore, with knowledge of what had gone before, a brave attempt to conquer the vast frozen continent. For this historic endeavour, planning had to be done at opposite ends of the Earth, in the UK and New Zealand, and members of the expedition were drawn from the Commonwealth. The plan was meticulous but flawed, and the stakes were high: national, political and scientific interests all depended on its success. John Knight's account shows how the expedition was organised, from the scientific insight it relied on, to the voyage to Antarctica and the choice of the largely mechanised transport intended to carry the men across the ice desert - though the courageous dog teams would be crucial as pathfinders. Survival at times was touch and go, and controversies arose amid the pressure of the journey. This book not only provides a technical insight into a ground-breaking venture but touches on the human aspects of the challenge. Crucially, did Ed Hillary exceed his remit by pushing on south, when his specific instructions were to establish depots for ‘Bunny’ Fuchs’s journey, not to engage in a ‘Second Race to the Pole’? The Crossing charts a unique event in postwar history.

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A new generation of teachers envisions a liberal arts education that is good for everyone. Why would anyone study the liberal arts? It’s no secret that the liberal arts have fallen out of favor and are struggling to prove their relevance. The cost of college pushes students to majors and degrees with more obvious career outcomes. A new cohort of educators isn’t taking this lying down. They realize they need to reimagine and rearticulate what a liberal arts education is for, and what it might look like in today’s world. In this book, they make an honest reckoning with the history and current state of the liberal arts. You may have heard – or asked – some of these questions yourself: Aren’t the liberal arts a waste of time? How will reading old books and discussing abstract ideas help us feed the hungry, liberate the oppressed and reverse climate change? Actually, we first need to understand what we mean by truth, the good life, and justice. Aren’t the liberal arts racist? The “great books” are mostly by privileged dead white males. Despite these objections, for centuries the liberal arts have been a resource for those working for a better world. Here’s how we can benefit from ancient voices while expanding the conversation. Aren’t the liberal arts liberal? Aren’t humanities professors mostly progressive ideologues who indoctrinate students? In fact, the liberal arts are an age-old tradition of moral formation, teaching people to think for themselves and learn from other perspectives. Aren’t the liberal arts elitist? Hasn’t humanities education too often excluded poor people and minorities? While that has sometime been the case, these educators map out well-proven ways to include people of all social and educational backgrounds. Aren’t the liberal arts a bad career investment? I really just want to get a well-paying job and not end up as an overeducated barista. The numbers – and the people hiring – tell a different story. In this book, educators mount a vigorous defense of the humanist tradition, but also chart a path forward, building on their tradition’s strengths and addressing its failures. In each chapter, dispatches from innovators describe concrete ways this is being put into practice, showing that the liberal arts are not only viable today, but vital to our future. *** Contributors include Emily Auerbach, Nathan Beacom, Jeffrey Bilbro, Joseph Clair, Margarita Mooney Clayton, Lydia Dugdale, Brad East, Don Eben, Becky L. Eggimann, Rachel Griffis, David Henreckson, Zena Hitz, David Hsu, L. Gregory Jones, Brandon McCoy, Peter Mommsen, Angel Adams Parham, Steve Prince, John Mark Reynolds, Erin Shaw, Anne Snyder, Sean Sword, Noah Toly, Jonathan Tran, and Jessica Hooten Wilson

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'A belter of a thriller. Creepy, convincing, it kept me gripped and guessing' Peter James A twisty and chilling thriller about a woman who did one bad thing when she was young... and must now suffer the consequences. She thought she'd got away with it. She was wrong. Hannah Godley is an agony aunt on a London radio show Queen of Hearts. She's warm and empathetic; a good listener. Her catchphrase is: Always be kind. But when a stranger phones in to tell a tragic story about her brother who killed himself after he was the victim of a terrible prank by two people, Hannah goes cold. Because she remembers Diane's brother well. In fact, all these years later, he still haunts her dreams. All because of that one bad thing she did when she was young... Is Diane just a sad, lonely woman looking for a friend, or does she know what Hannah did, and is looking for revenge? Because as Diane insinuates herself into her life and family, Hannah is going to discover that you can never truly escape that One Bad Thing you did – sooner or later, you're going to have to pay the price... Praise for M.K. Hill: 'One Bad Thing is chock-full of suspense... I genuinely had no nails left by the end!' Lisa Hall 'A tense and twisted page-turner that kept me guessing right to the very clever end' Susi Holliday 'Thoroughly enjoyable' Daily Mail 'An engaging, creepy thriller full of twists. One Bad Thing had me so absorbed I read it in a day' Elisabeth Carpenter 'Chilling' Crime Monthly 'A rollercoaster ride with an abundance of twists' William Ryan 'One Bad Thing is addictive right from the go... Impossible to put down!' Rachael Blok 'An addictive read that pulled me in and didn't let go' Cass Green 'Absorbing and twisty' Mark Edwards 'This is a real rollercoaster of a read! Packed full of twists, turns, secrets and suspicions it's a total must read for all psychological thriller lovers. Murderously good!' Steph Broadribb

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Shakesqueer puts the most exciting queer theorists in conversation with the complete works of William Shakespeare. Exploring what is odd, eccentric, and unexpected in the Bard’s plays and poems, these theorists highlight not only the many ways that Shakespeare can be queered but also the many ways that Shakespeare can enrich queer theory. This innovative anthology reveals an early modern playwright insistently returning to questions of language, identity, and temporality, themes central to contemporary queer theory. Since many of the contributors do not study early modern literature, Shakesqueer takes queer theory back and brings Shakespeare forward, challenging the chronological confinement of queer theory to the last two hundred years. The book also challenges conceptual certainties that have narrowly equated queerness with homosexuality. Chasing all manner of stray desires through every one of Shakespeare’s plays and poems, the contributors cross temporal, animal, theoretical, and sexual boundaries with abandon. Claiming adherence to no one school of thought, the essays consider The Winter’s Tale alongside network TV, Hamlet in relation to the death drive, King John as a history of queer theory, and Much Ado About Nothing in tune with a Sondheim musical. Together they expand the reach of queerness and queer critique across chronologies, methodologies, and bodies.Contributors. Matt Bell, Amanda Berry, Daniel Boyarin, Judith Brown, Steven Bruhm, Peter Coviello, Julie Crawford, Drew Daniel, Mario DiGangi, Lee Edelman, Jason Edwards, Aranye Fradenburg, Carla Freccero, Daniel Juan Gil, Jonathan Goldberg, Jody Greene, Stephen Guy-Bray, Ellis Hanson, Sharon Holland, Cary Howie, Lynne Huffer, Barbara Johnson, Hector Kollias, James Kuzner , Arthur L. Little Jr., Philip Lorenz, Heather Love, Jeffrey Masten, Robert McRuer , Madhavi Menon, Michael Moon, Paul Morrison, Andrew Nicholls, Kevin Ohi, Patrick R. O’Malley, Ann Pellegrini, Richard Rambuss, Valerie Rohy, Bethany Schneider, Kathryn Schwarz, Laurie Shannon, Ashley T. Shelden, Alan Sinfield, Bruce Smith, Karl Steel, Kathryn Bond Stockton, Amy Villarejo, Julian Yates

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On April 4, 1866, just as Alexander II stepped out of Saint Petersburg's Summer Garden and onto the boulevard, a young man named Dmitry Karakozov pulled out a pistol and shot at the tsar. He missed, but his "unheard-of act" changed the course of Russian history—and gave birth to the revolutionary political violence known as terrorism. Based on clues pulled out of the pockets of Karakozov's peasant disguise, investigators concluded that there had been a conspiracy so extensive as to have sprawled across the entirety of the Russian empire and the European continent. Karakozov was said to have been a member of "The Organization," a socialist network at the center of which sat a secret cell of suicide-assassins: "Hell." It is still unclear how much of this "conspiracy" theory was actually true, but of the thirty-six defendants who stood accused during what was Russia's first modern political trial, all but a few were exiled to Siberia, and Karakozov himself was publicly hanged on September 3, 1866. Because Karakozov was decidedly strange, sick, and suicidal, his failed act of political violence has long been relegated to a footnote of Russian history. In The Odd Man Karakozov, however, Claudia Verhoeven argues that it is precisely this neglected, exceptional case that sheds a new light on the origins of terrorism. The book not only demonstrates how the idea of terrorism first emerged from the reception of Karakozov's attack, but also, importantly, what was really at stake in this novel form of political violence, namely, the birth of a new, modern political subject. Along the way, in characterizing Karakozov's as an essentially modernist crime, Verhoeven traces how his act profoundly impacted Russian culture, including such touchstones as Repin's art and Dostoevsky's literature. By looking at the history that produced Karakozov and, in turn, the history that Karakozov produced, Verhoeven shows terrorism as a phenomenon inextricably linked to the foundations of the modern world: capitalism, enlightened law and scientific reason, ideology, technology, new media, and above all, people's participation in politics and in the making of history.

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Homelessness became a conspicuous facet of Russian cityscapes only in the 1990s, when the Soviet criminalization of vagrancy and similar offenses was abolished. In spite of the host of social and economic problems confronting Russia in the demise of Soviet power, the social dislocation endured by increasing numbers of people went largely unrecognized by the state. Being homeless carries a special burden in Russia, where a permanent address is the precondition for all civil rights and social benefits and where homelessness is often regarded as a result of laziness and drinking, rather than external factors. In Needed by Nobody, the anthropologist Tova Höjdestrand offers a nuanced portrait of homelessness in St. Petersburg. Based on ethnographic work at railway stations, soup kitchens, and other places where the homeless gather, Höjdestrand describes the material and mental world of this marginalized population. They are, she observes, "not needed" in two senses. The state considers them, in effect, as noncitizens. At the same time they stand outside the traditionally intimate social networks that are the real safety net of life in postsocialist Russia. As a result, they are deprived of the prerequisites for dealing with others in ways that they themselves value as "decent" and "human." Höjdestrand investigates processes of social exclusion as well as the remaining "world of waste": things, tasks, and places that are wanted by nobody else and on which "human leftovers" are forced to survive. In this bleak context, Höjdestrand takes up the intimate worlds of the homeless—their social relationships, dirt and cleanliness, and physical appearance. Her interviews with homeless people show that the indigent have a very good idea of what others think of them and that they are liable to reproduce the stigma that is attached to them even as they attempt to negotiate it. This unique and often moving portrait of life on the margins of society in the new Russia ultimately reveals how human dignity may be retained in the absence of its very preconditions.

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WINNER OF THE FRENCH GRAND PRIX DU ROMAN POLICIER'Beautifully written . . . An excellent thriller.' WALL STREET JOURNAL'Zen is one of the greatest creations of contemporary crime fiction.' OBSERVERAN AURELIO ZEN MYSTERYPrince Ludovico Ruspanti died falling a hundred and fifty feet in St Peter's church, in the heart of the Vatican. But did he fall, or was he pushed? Inspector Aurelio Zen finds that getting answers isn't easy, as witness after witness is mysteriously silenced - by violent death. To crack the secrets of the Vatican, Zen must penetrate the most secret place of all: the Cabal.'A terrific read combining history, travel, sex, violence and of course the very understated brilliance of that complex character Aurelio Zen.' 5* reader review'Excellent.' 5* reader review'You plunge straight into Zen's Italian crime-world. Gripping in its intensity, its atmosphere and its understanding of character: this is a masterpiece and I read and re-read it.' 5* reader reviewPRAISE FOR MICHAEL DIBDIN AND THE INSPECTOR ZEN SERIES:'He wrote with real fire.' IAN RANKIN'A maestro of crime writing.' SUNDAY TIMES'One of the genre's finest stylists . . . And Zen himself is a masterly creation: he is anti-heroic and pragmatic but obstinate, cunning and positively burdened with integrity.' GUARDIAN'Dibdin tells a rollicking good tale that you want both to read fast, because of its gripping storyline, and to linger over, to savour the evocative descriptions of place and mood.' INDEPENDENT'One of British crime fiction's most distinguished and distinctive voices.' ANDREW TAYLOR'Dibdin has a gift for shocking the unshockable reader.' Ruth Rendell'Zen is one of the greatest creations of contemporary crime fiction.' OBSERVER'I love the way these books capture the atmosphere and contradictions of Italy.' 5* reader review'Aurelio Zen novels are a great treat.' 5* reader review'There is no better writer than Dibdin. His books are a joy to read.' 5* reader review'Love these books . . . I am sure you will get hooked too!' 5* reader review

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Nietzsche, warning his countrymen in the Bismarck era against the nationalism that sought to promote all that was anti-rational in the German tradition, exhorted them to be "good Europeans", avatars of the enlightened economic man of the eighteenth-century. Yet as RG Collingwood observed in his last great inquiry into the nature of civilisation, a book written to the glory of Hobbes at the height of the London blitz, Nietzsche was himself a victim of the disease he diagnosed. In "The Good European" Iain Bamforth reports on fifteen years of "experimental living" during which his attachment to the old continent brought him from Berlin, in the week in which he saw the fall of the Wall in 1989, to Strasburg, heart of aboriginal Europe and the city of noses in "Tristram Shandy". Thrown into a deep identity crisis by Bismarck's victories against the French in 1870, pilot region for some of the modern state's most radical policies (health insurance, public relations), Alsace's divided loyalties have affected the nature of Europe itself. With his ear attuned to the complexities of culture and politics, Bamforth attempts to discover Europe through extra-diplomatic channels: he offers essays on writers and thinkers who have done much to define the small archipelago on the edge of Asia, including classics such as Kleist, Kafka, Roth and Benjamin, WG Sebald and Mavis Gallant. He provides a portrait of the Nazi jurist Carl Schmitt, a send-off for Bernard Pivot's classic literary chat-show "Bouillon de Culture", a scrutiny of philosophising media pundit Peter Sloterdijk, landscapes from Provence and Bavaria, reports from Prague and Geneva, Franco-German shibboleths, a sarcastic letter from 'Kakania', and an anatomy of the Alsatian humorist Tomi Ungerer. Europe often reeks of the terminally nostalgic and the curatorial: here a sceptical Scots intelligence reaches out to Musil, Heine, Gogol, Sterne, Montaigne, Rabelais and beyond the 'standard average European' to the gallant, helpless, hero-smitten Don, in the hope that they can help him find the way towards a more generous Europe.

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The all-American spirit of midcentury modernism, in three US State Department-sponsored exhibitions This revelatory volume recovers and presents the history of three exhibitions organized by the US State Department’s Traveling Exhibition Service almost 70 years ago: Contemporary American Textiles, curated by Florence Knoll, Contemporary American Wallpapers, curated by Tom Lee, and Containers & Packaging, curated by Will Burtin. These exhibitions were made for presentation in West German schools, museums and trade fairs, and through the Amerika Haus program. By joining consumer choice with political choice, the State Department tried to convince West Germans and other Europeans that the United States, its system of government and its capitalist values offered more and better lifestyle choices than those of the Soviet bloc. This book is both an exhibition catalog and a reader. It restores the spirit of these three exhibitions to the public memory and challenges the idea that design has little political purpose. By piecing together primary sources found within archival collections, libraries and special collections, the book reveals how the State Department deliberately employed design, a process that binds people to daily life, to embody a connection between a rhetoric of political freedom and capitalist values of consumer freedom. Considering these exhibitions and their showcased objects, characteristically associated with midcentury modernism, A Designed Life suggests that, even now, the Cold War affects our lives, habits and culture. Designers and curators include: Anni Albers, Evelyn Anselevicius, Richard Lee Brecker, Will Burtin, Serge Chermayeff, Morton and Millie Goldsholl, Elizabeth Gordon, Eszter Haraszty, Peter Harnden, Ilonka Karasz, Katzenbach and Warren Inc., Juliet Kepes, Florence Knoll, Walter Landor, Laverne Originals, Tom Lee, Dorothy Liebes, Raymond Loewy, Jack Masey, George Nelson, Walter Paepcke, Annemarie Henle Pope, Noémi Raymond, Bernard Rudofsky, Herwin Schaefer, Saul Steinberg, Angelo Testa and the Tilletts.

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Text in English and German. The basic features of Deutsche Lufthansa's present corporate image emerged almost 45 years ago. It was created by Otl Aicher, one of the principal figures at the now legendary Hochschule für Gestaltung in Ulm. Another work by Aicher that spoke to the whole of Germany, as it were (and still does, in rudiments), is the 1972 corporate image for the Zweites Deutsches Fernsehen. The corporate image he created for the Olympic Games in Munich, which made an essential contribution to the ambience of the event, has also remained memorable. Since the ideas developed by Aicher and his colleagues were implemented in the early sixties, the airline has been seen world-wide as a perfect example of a consistently developed corporate image. Aicher based himself on ideas from the Deutscher Werkbund and took the company's entire inventory into consideration: "house colours, pictorial and typographic logos, typeface, graphic and typographic rules and standards, photographic style, quality of support materials, packaging, exhibition systems, architectural characteristics, forms (design) of interior furnishings and equipment, style of work and service clothes". As well as Otl Aicher, numerous other product and graphic designers, fashion designers and advertising and marketing agencies have worked for Lufthansa. They include Otto Firle, whose ideas led to the crane logo, Hartmut Esslinger and his company frog design, Priestman & Goode, Müller Romca Industriedesign, Don Wallance, Wilhelm Wagenfeld, Hans Theo Baumann, Nick Roericht, Wolfgang Karnagel, Topel & Pauser and the bhar design practice, fashion designers Uli Richter, Ursula Tautz and Werner Machnick, Jürgen Weiss, Gabriele Strehle and the Jobis company as well as the agencies Zintzmeyer & Lux, the Peter Schmidt Group, Ogilvy & Mather, Young & Rubicam, Spiess/Ermisch/Abel, Springer & Jacoby, McCann & Erickson and Fanghänel & Lohmann. An exhibition of the same name at the Museum for Applied Arts in Frankfurt deals with the same subject as the book.

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As a survivor of a brutal attack by the Yorkshire Ripper, this book gives fresh insight into the consequences of being labeled a victim of this notorious serial killer. Mo Lea was followed home and attacked by Peter Sutcliffe, who hit her over the head repeatedly with a hammer. She was stabbed with a screwdriver leaving her with life threatening injuries. The book reveals how Mo has wrestled with the past, struggling to come to terms with the well-trodden, morbid narrative. She has written a new, fresh perspective for the present day. Her writing offers an alternative account, one which repositions her as a survivor with a success story. While sympathy has its place for the victims, this book gives insight into processes of recovery and success. Mo had no control over unwanted media interventions. Sometimes the Ripper story would appear on the morning news while she was getting ready to go to work. She learnt to contain her anxiety but she could neither predict or escape these uncomfortable moments that reminded her of her past trauma. Mo Lea's art practice has been an important factor in her life. She has been fortunate to use this as an outlet to explore her pain, anger, suffering and recovery. After years of personal growth and recovery, a short film was made of Mo Lea creating a drawing from the iconic photograph of the man who had tried to take her life. She is filmed ripping up the Ripper. She is filmed tearing up the portrait that she had so carefully drawn, rendering him as disposable as a piece of litter. The film shows how Mo turned her story around, making Sutcliffe the victim and herself, the triumphant survivor. Mo had finally found a way of stepping out of the frame. She no longer felt Iike running away. The illustrations contained within describe better than any words, her journey from tragic despair to calmness and acceptance. By writing this book Mo Lea has found a way to reclaim her story.

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"Now Michael, you're the son of a naval officer, you must behave like a naval officer at all times..."What Captain William Rutherford told his seven-year-old son Michael was to stay with him all his life. Born in 1950, Michael was truly his father's son, even serving in the naval section of the student cadet corps at one of England's top public schools, Charterhouse. Mike's future lay in the civil service: it was a subject that he discussed with his father at Captain Crawford's gentlemen's club. But then something happened. Mike discovered rock music. As one of the founder members of Genesis, Mike was to tour the world and achieve international fame. From unpromising beginnings - demonised by his teachers as a fomenter of revolution, driving to gigs in a bread van - Mike would go on to crisscross the globe with bandmates Peter Gabriel and, later, Phil Collins, playing to packed-out stadiums and achieving record sales of over 150 million. Swapping old school ties and Savile Row suits for flares and Afghan coats, Mike and Genesis would pioneer the pomp and theatricality of 1970s progressive rock before becoming household names in the 1980s with hits like Turn It On Again, Mama and Land of Confusion. There was drink, there were drugs; there were arguments and excess. But, in the background - and sometimes in the audience - there was also the loyal Captain Rutherford, earplugs at the ready, Melody Maker in hand. A proud father still.The Living Years spans the entire history of Genesis, from the earliest days as a school band to the triumphant 2007 reunion tour when Genesis played to over 500,000 people in Rome. But this is not just another rock 'n' roll memoir. This is also a book about two men whose lives and complex relationship reflect the seismic social and cultural shifts that took place during the twentieth century. A book for every father and son.

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A woman starved to death. A tech genius with his hands hacked off. The heist of the century.When DC Fiona Griffiths and her colleagues piece together the clues to several grim crimes, they realise they're staring at one of the world's most daring robberies. Fiona is asked to take on her toughest case yet: will she go undercover to penetrate this criminal gang from within?When Fiona says yes, she has to give up her old life entirely. She becomes Fiona Grey, a homeless woman struggling to get her life back together again. When the criminal gang adopt her as one of their own, she's totally alone, vulnerable - and dangerous as hell.Praise for the Fiona Griffiths mystery series: 'With Detective Constable Fiona 'Fi' Griffiths, Harry Bingham...finds a sweet spot in crime fiction...think Stieg Larsson's Lisbeth Salander...[or] Lee Child's Jack Reacher... The writing is terrific' The Boston Globe 'The easiest five stars I've ever awarded a book. Fiona Griffiths is by far the most original detective I've come across' Loretta Milan'Gritty, compelling...a procedural unlike any other you are likely to read this year' USA Today 'Compelling...a new crime talent to treasure' Daily Mail 'Fiona Griffiths may be the most fascinating protagonist in fiction. She is similar to Lisbeth Salander, an intelligent but profoundly damaged young woman, but Fiona is less hostile and more curious, sort of a good guy sociopath. This is definitely one my favourite thriller series' Audrey, Top 500 ReviewerFans of Angela Marsons, Peter James and Ann Cleeves will be gripped by the other titles in the Fiona Griffiths mystery series: 1. Talking to the Dead2. Love Story, With Murders3. The Strange Death of Fiona Griffiths4. This Thing of Darkness5. The Dead House 6. The Deepest Grave (coming soon!)If you're looking for a crime thriller series to keep you hooked, then go no further: you've just found it.** Each Fiona Griffiths thriller can be read as a standalone or in series order **

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A freezing cold winter. A dead body from the past. A tale of love - and murder. A human leg is discovered in a suburban freezer. The victim is a teenage girl killed some ten years earlier. But then other body parts start appearing. And these ones are male, dark-skinned, and very fresh...Is this a tangled tale of love gone wrong? Or are there more sinister lines connecting the dead bodies to a recent tragedy in a Cardiff prison, and an engineering company that's up to a whole lot more than is first apparent?Fiona Griffiths starts to investigate, in the midst of the coldest winter on record. Up in a remote cottage in the Welsh Black Mountains, she finds the data that contains the clue to the entire mystery. But, as the first snow starts to fall, she discovers that she's not alone...Praise for the Fiona Griffiths mystery series: 'Compelling...a new crime talent to treasure' Daily Mail 'A dark delight, and I look forward to Fiona's future struggles with criminals, her demons and the mysteries of her past' Washington Post 'With Detective Constable Fiona 'Fi' Griffiths, Harry Bingham...finds a sweet spot in crime fiction...think Stieg Larsson's Lisbeth Salander...[or] Lee Child's Jack Reacher... The writing is terrific' The Boston Globe 'A police procedural with a twist. Quirky, gripping, and rather like its lead character, utterly unconventional. That's what makes it such a delight to read. Highly recommended' Crime Thriller Girl'A cracking read that is both fresh and compelling' Red HandedFans of Angela Marsons, Peter James and Ann Cleeves will be gripped by the other titles in the Fiona Griffiths mystery series: 1. Talking to the Dead2. Love Story, With Murders3. The Strange Death of Fiona Griffiths4. This Thing of Darkness5. The Dead House 6. The Deepest Grave (coming soon!)If you're looking for a crime thriller series to keep you hooked, then go no further: you've just found it.** Each Fiona Griffiths thriller can be read as a standalone or in series order **

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A BRUTAL ACT OF VIOLENCEA body has been found dumped on the shores of Southend. Already under scrutiny following the murder of a corrupt cop, DS Frank Pearson and DC Cat Russell of the Essex Major Investigation Team are tasked with solving the case quickly, and quietly.A WOMAN TOO SCARED TO TALKWhen the victim's identity is revealed, the list of suspects begins to grow: a young woman knows more than she's letting on, but is she really involved? Or there's the estranged father, who's been trying to find the victim for months. One thing is clear: no one is telling the whole truth.A KILLER BACK FOR MORE?Then a shocking tragedy leads Pearson to a similar murder case from decades before. Is it a coincidence, or is history repeating itself? As Pearson and Russell search for the answer, they find themselves drawn into a terrifying cover-up going back fifty years...If you like Peter James, LJ Ross, Erin Kelly, TM Logan and Patricia Gibney, then you'll love Mark Hardie's gripping novels.****Praise for Mark Hardie:'Immensely impressive' The Times'The investigation into a copper's dramatic death in downbeat Southend scoops a cast of equally downbeat characters into its net, and tensions rise as their stories fold around each other. An accomplished debut' Sunday Times'Emotional, intelligent, sensual and with such a strong voice, Burned and Broken by Mark Hardie is a crime debut that deserves huge success' Harry Illingworth (Goldsboro Books)'I absolutely LOVED, LOVED, LOVED this book and I would recommend it to anybody. I can't wait to read more investigations led by DS Frank Pearson and DC Cat Russell' Amanda Oughton (Ginger Book Geek)'The story is easy to follow without being too simple, and the novel really manages to evoke a sense of atmosphere and reality within its pages. I didn't find myself becoming distracted whilst reading at all, and raced through it in hours. I will certainly be reading any future novels, particularly in this series which I wholeheartedly enjoyed' Laura Naz (Snazzy Books)

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In full command of both Hollywood stylistics and camp aesthetics, Spain's Pedro Almodóvar (b. 1951) has become a master of the audacious and the unorthodox, of the permissive and the polemical. Pedro Almodóvar: Interviews documents the 22-year-long cinematic career of the most internationally celebrated Spanish art-film director since Luís Buñuel. Many of these interviews, from French, Italian, and Spanish periodicals, appear for the first time in English. Almodóvar's early cinematic ventures in Super 8 and 16mm in the 1970s marked and memorialized the rise of the Movida, Madrid's underground vanguard artistic movement. Almodóvar's critical success in his native Spain came with What Have I Done to Deserve This? Almodóvar made his mark in the United States with his kitschy, melodramatic comedy and Academy Award nominee Women on the Verge of a Nervous Breakdown, and his outlandish and irreverently funny Tie Me Up! Tie Me Down! For all its taboo-breaking plots, eccentric characterizations, and explosive palettes, Almodóvar's cinema of excess has matured into one of tender compassion. All About My Mother, winner of the Best Foreign Language Film Oscar and of Best Director at the Cannes Film Festival, and his fourteenth feature to date, Talk to Her, winner of the Oscar for Best Original Screenplay, 2003, cement Almodóvar's commitment to characters on the margins and to social critique. Covering more than two decades, the interviews collected here trace Almodóvar's journey from the small village of Calzada de Calatrava to Madrid, from his humble and Catholic provincial upbringing to his superstar status as Spain's leading postmodern auteur. Originally published in Spain, France, Italy, and the United States, these conversations disclose as much about Almodóvar's personal biography as they do about his thematic universe, his directorial personality, and his maturing style. Paula Willoquet-Maricondi is assistant professor of media arts at Marist College, in Poughkeepsie, New York. She is the co-editor of Peter Greenaway's Postmodern/Poststructuralist Cinema.

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Voices of Cherokee Women is a compelling collection of first-person accounts by Cherokee women. It includes letters, diaries, newspaper articles, oral histories, ancient myths, and accounts by travelers, traders, and missionaries who encountered the Cherokees from the 16th century to the present. Among the stories told by these “voices” are those of Rebecca Neugin being carried as a child on the Trail of Tears; Mary Stapler Ross seeing her beautiful Rose Cottage burned to the ground during the Civil War; Hannah Hicks watching as marauders steal her food and split open her feather beds, scattering the feathers in the wind; and girls at the Cherokee Female Seminary studying the same curriculum as women at Mount Holyoke. Voices of Cherokee Women recounts how Cherokee women went from having equality within the tribe to losing much of their political and economic power in the 19th century to regaining power in the 20th, as Joyce Dugan and Wilma Mankiller became the first female chiefs of the Cherokee Nation. The book’s publication was timed for the commemoration of the 175th anniversary of the Trail of Tears. Carolyn Ross Johnston has a B.A. from Samford University and a Ph.D. in history from the University of California–Berkeley. Her previous publications Cherokee Women in Crisis: Removal, The Civil War, and Allotment, 1838-1907; Sexual Power: Feminism and the Family in America; Jack London: An American Radical; and My Father’s War: Fighting with the Buffalo Soldiers in World War II. A recipient of Woodrow Wilson and Danforth fellowships and a Pulitzer-prize nominee, Johnston teaches at Eckerd College in St. Petersburg, Florida, where she is professor of history and American studies and the Elie Wiesel Professor of Humane Letters. "In her spirited and well-sourced collection, Johnston...unfolds history through the voices of people who remembered terrible events....An academic account that respectfully resurrects long-dead voices from a people who still have a lot to tell us." - Kirkus Reviews"

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The Worlds of Jacob Eichholtz explores the life and times of an oft-overlooked figure in early American art. Jacob Eichholtz (1776–1842) began his career in the metal trades but with much practice, some encouragement from his friend Thomas Sully, and a few weeks instruction from America’s preeminent portraitist, Gilbert Stuart, he transformed himself into one of the nation’s most productive portrait painters. Eichholtz worked primarily in the Middle Atlantic region from his homes in Lancaster and Philadelphia. While Stuart and Sully concentrated on the elite of American society, Eichholtz captured the images of a rising middle class with its craftsmen, merchants, doctors, lawyers, and their families. From a lifetime that spanned the American Revolution to the Industrial Revolution, and a career that produced more than 800 paintings, Eichholtz offers a collective portrait of early American culture in the first half of the nineteenth century.The Worlds of Jacob Eichholtz begins with four insightful essays by Thomas Ryan, David Jaffee, Carol Faill, and Peter Seibert that examine Eichholtz’s life and work. The second part of the book—a visual essay—brings together for the first time more than 100 color reproductions of Eichholtz’s work. These images include over 60 oil-on-canvas portraits, more than 30 profiles on panel, and seven of the landscape, historical, or biblical paintings he produced. Also illustrated are artifacts associated with Eichholtz and his family, examples of the tinsmith’s and coppersmith’s trade, and the work of artists who influenced his career. The Worlds of Jacob Eichholtz promises to be the finest color catalog of Eichholtz’s oeuvre for years to come. This book, made possible by the Richard C. von Hess Foundation, accompanies a major three-part exhibition that will run concurrently at the Lancaster County Historical Society, the Heritage Center Museum of Lancaster County, and the Phillips Museum of Art at Franklin & Marshall College from April through December 2003.

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Culture is the lens through which we make sense of the world. In any conflict, from petty disputes to wars between nation-states, the players invariably view that conflict through the filter of their own cultural experiences. This innovative volume prompts us to pause and think through our most fundamental assumptions about how conflict arises and how it is resolved. Even as certain culturally based disputes, such as the high-profile cases in which an immigrant engages in conduct considered normal in the homeland but which is explicitly illegal in his/her new country, enter public consciousness, many of the most basic intersections of culture and conflict remain unexamined. How are some processes cultured, gendered, or racialized? In what ways do certain groups and cultures define such concepts as "justice" and "fairness" differently? Do women and men perceive events in similar fashion, use different reasoning, or emphasize disparate values and goals? Spanning a wide array of disciplines, from anthropology and psychology to law and business, and culling dozens of intriguing essays, The Culture and Conflict Reader is edited for maximum pedagogical usefulness and represents a bedrock text for anyone interested in conflict and dispute resolution. Contributors include: Kevin Avruch, Peter W. Black, Jeffrey Z. Rubin, Frank E. A. Sander, John Paul Lederach, Heather Forest, Sara Cobb, Janet Rifkin, Ryunosuke Akutagawa, Laura Nader, Pat Chew, Stella Ting-Toomey, Harry C. Triandis, Christopher McCusker, C. Harry Hui, Anita Taylor, Judi Beinstein Miller, Carol Gilligan, Trina Grillo, James W. Grosch, Karen G. Duffy, Paul V. Olczak, Michele Hermann, Martha Chamallas, Loraleigh Keashly, Phil Zuckerman, Tracy E. Higgins, Howard Gadlin, Janie Victoria Ward, Kyeyoung Park, Taunya Lovell Banks, Margaret Read MacDonald, Mary Patrice Erdmans, Manu Aluli Meyer, Doriane Lambelet Coleman, Bruce D. Bonta, Paul E. Salem, Mohammed Abu-Nimer, Marc H. Ross, Z.D. Gurevitch, Mari J. Matsuda, Charles R. Lawrence III, Hsien Chin Hu, Glenn R. Butterton,Walter Otto Weyrauch, Maureen Anne Bell, Martti Gronfors, Thomas Donaldson, Marjorie Shostak, and Heather Forest.

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Boost your confidence and change your life for the betterLow self-esteem can make life difficult in all sorts of ways. It can make you anxious and unhappy, tormented by doubts and self-critical thoughts. It can get in the way of feeling at ease with other people and stop you from leading the life you want to lead. It makes it hard to value and appreciate yourself in the same way you would another person you care about.Melanie Fennell's acclaimed and bestselling self-help guide Overcoming Low Self-esteem has become a classic of self-help literature, winning widespread praise for its practical and user-friendly approach. At last, this benchmark work is available as a large format, practical manual, complete with worksheets, diaries and exercises.The Overcoming Low Self-esteem Handbook will help you to understand your low self-esteem and break out of the vicious circle of self-destructive thinking, distress and unhelpful behaviour. Using practical techniques from cognitive behavioural therapy (CBT), this book will help you learn the art of self-acceptance and so transform your sense of yourself for the better. Specifically, you will:· Find out how low self-esteem develops and what keeps it going· Question your negative thoughts and the attitudes that underlie them· Identify your strengths and good qualities, allow yourself to enjoy life to the full, and discover a more balanced, kindly view of yourself· Trace your progress, monitor your behaviour and record step-by-step improvementsIdeal for working through on your own or with guided assistance, this is a complete step-by-step treatment guide.Overcoming self-help guides use clinically proven techniques to treat long-standing and disabling conditions, both psychological and physical. Many guides in the Overcoming series are recommended under the Reading Well scheme.Series Editor: Emeritus Professor Peter Cooper

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The Baltic Story recounts the shared history of the countries around the Baltic, from the events of a thousand years ago to today. It shows the ties of blood and commerce that have bound the different lands which now lie in Denmark, Sweden, Finland, Estonia, Latvia, Lithuania, Poland, Western Russia and eastern Germany. The narrative encompasses the foundation of some of Europe’s greatest cities, including St Petersburg, Stockholm, Copenhagen and Gdánsk. The earliest settlers created a commercial network. As these Hansa merchants became wealthier, they began to impose on the political affairs of their neighbours. In Poland, descendants of her first rulers eventually united their territories and created a state offering religious tolerance and an elective monarchy. Meanwhile, one of Europe’s most ancient dynasties, the Oldenburgs, assumed power in Denmark, but the king was deposed after his massacre of Swedish nobles. When Gustav Vasa takes the Swedish throne, the Kalmar Union collapses. The Catholic king of Poland invades Russia and his son is elected tsar. Russia’s turmoil ends with the election of Michael, the first of the Romanovs. As the feud between the Poles and Swedes continues, Karl X ravages Poland and moves on to Denmark, where he crosses the frozen sea to attack Copenhagen. Having stood firm against further Swedish assault, the Danish king attains absolute power. This history shows the growth of autocracy, from Denmark’s absolutist kings to the opulent world of the eighteenth-century Russian empresses. It analyses the period of the Enlightenment, in particular the achievements of Frederick II of Prussia and Catherine II of Russia and the problems facing Poland that ended with the country’s collapse. And it shows how Enlightenment thinking influenced Denmark and Sweden and rocked the monarchies. It also explores the threat of Napoleon’s France to the Baltic and the impact of the First World War and the Russian Revolution, which led to the radical re-shaping of the region.

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This book investigates the life and work, and the literary and historical background, of the most popular Armenian poet and minstrel of the early modern era, Arut'in called Sayat'-Nova (c. 1712-1795). The most important of his songs in Armenian, Tiflis Armenian, Georgian and Azeri Turkish, one in four languages (these plus Persian), are edited in a unified transliteration from the original Georgian and Armenian scripts on the texts in the Tetrak, a 1765/6 MS in at least partly his own hand, and versions made in 1823 at St. Petersburg by his youngest son Ioane, with notes on variants, loanwords, cryptica ("trobar clus"), puns, etc. Six odes in poor Russian, hitherto ignored, are examined for motive and sentiments. Chapters are devoted to versification, genres and influences (mainly Persian), an attempt being made to analyse the attraction of his verse. Comparisons are drawn with the work, and where relevant the lives of Sappho, Ovid (fellow exile), Hafiz, Bernard de Ventadorn (fellow victim of the backbiter), Shakespeare (and his Dark Lady), etc. Sayat'-Nova's poems are mainly love-songs, others, mainly in Georgian, are complaints to his patron (eulogised as "the Emperor of China", etc.) concerning injustices at his hand and those of Georgian courtiers who held him, and Armenian Orthodox (which he was proud to be, as he declared in Azeri) among Georgian Orthodox and Muslims, for an unwelcome upstart. His religious odes (ilahis) and his religious views, to some extent coloured by Islam, are discussed. According to tradition, he died a martyr, refusing to apostasize when challenged by the troops of Agha Mahmad Khan on the invasion of Tiflis in 1795. Sayat'-Nova considered himself a builder of bridges between the various ethnic cultures of Georgia in whose languages he sang, reflecting the statesman-like aspirations of his royal patron. The present work is one of the few to treat the poems in each language on an equal basis.

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A collection of the most important writings on understanding and treating PTSD Essential Papers on Post Traumatic Stress Disorder collects the most important writings on the comprehension and treatment of Post Traumatic Stress Disorder. Editor Mardi J. Horowitz provides a concise and illuminating introductory essay on the evolution of our understanding of Post Traumatic Stress Disorder, and establishes the conceptual framework and terminology necessary to understand the disorder. The collected essays which follow provide a rich and comprehensive take on the complexity of Post Traumatic Stress Disorder, illuminating such issues as the variety of individual and cultural responses, the roles of pre- and post-traumatic causative forces, and the fluctuating complexities of diagnostic categories. Divided into sections addressing the broad topics of diagnosis, etiology, and treatment, Essential Papers on Post Traumatic Stress Disorder combines classic essays with more challenging and controversial approaches. Contributors include Sigmund Freud, Erich Lindemann, Leo Eitinger, Carol C. Nadelson, Malkah T. Notman, Hannah Zackson, Janet Gornick, Bonnie L. Green, Mary C. Grace, Jacob D. Lindy, James L. Titchener, Joanne G. Lindy, Lenore C. Terr, Rosemarie Galante, Dario Foa, Edna B. Foa, Barbara Olasov Rothbaum, David S. Riggs, Tamara B. Murdock, James H. Shore, Ellie L. Tatum, William M. Vollmer, Roger K. Pittman, Scott P. Orr, Dennis F. Forgue, Bruce Altman, Jacob B. de Jong, Lawrence R. Herz, Judith Lewis Herman, Rachel Yehuda, Alexander McFarlane, Frank W. Putnam, Robert Jay Lifton, Eric Olson, Nancy Wilner, Nancy Kaltrider, William Alvarez, Michael R. Trimble, Epstein, Terence M. Keane, Rose T. Zinering, Juesta M. Caddell, John H. Krystal, Thomas R. Kosten, Steven Southwick, John W. Mason, Bruce D. Perry, Earl L. Giller, David Spiegel, Thurman Hunt, Harvey E. Dondershire, Bessel A. van der Kolk, Peter J. Lang, Robert S. Pynoos, Spencer Eth, Matthew J. Friedman, Francine Shapiro, John P. Wilson, Jacob D. Lindy, I. Lisa McCann, and Laurie Anne Pearlman.

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"In Rough Meditations, reading about golf courses is almost as much fun as playing them." --Arnold Palmer "Many golfers have strong opinions when it comes to course architecture. Nobody, however, matches Brad Klein's ability to explain the difference between good and bad design. Rough Meditations deserves a place on that select list of must-reads for anyone who cares about the art of the golf course." --Peter Jacobsen "Rough Meditations is eloquently written, blends a variety of topics seamlessly together, and touches repeatedly on aspects of golf that are barely acknowledged by the majority of golfers and pretty much disregarded by devotees of the 'aerial game.' If you haven't done so already, buy this book. Read it. Digest what it says. Become architecturally 'literate.' It's worth it." --Bob Weisgerber, Golf Today Magazine Rough Meditations is a unique collection of fascinating essays that bring the world's greatest golf courses to life with brilliantly colorful prose. These charming and often hilarious essays take golf enthusiasts on an intimate tour of the game's most distinguished courses. Along the way, readers gain a privileged look at the differences between good and bad golf course design. Featured essays include: * In Golf as in Life * Longest Wait That Was Worth It * Goofiest Modern Green * Business or Art? * Read Any Good Greens Lately? * In the Beginning There Was Sand * Worst Shot in Golf * Treasure Hunting Long considered one of golf's most talented writers, Bradley Klein offers more than fifty essays, ranging from instructive to inspirational, that cover the architecture of courses, how to read greens, the ins and outs of green committees, the relationships that grow from the game, and much more. With a style all his own, Klein takes readers to where he was for years as a caddie on the PGA and LPGA tours--onto the grass and into the game.

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'The Mueller report is that rare Washington tell-all that surpasses its pre-publication hype…the best book by far on the workings of the Trump presidency.' Carlos Lozada, The Washington PostThe only book with exclusive analysis by the Pulitzer Prize-winning staff of The Washington Post, and the most complete and authoritative available. Read the findings of the Special Counsel’s investigation into Russian interference in the 2016 election, complete with accompanying analysis by the Post reporters who’ve covered the story from the beginning. This edition from The Washington Post/Simon & Schuster contains: * The long-awaited Report On The Investigation Into Russian Interference In The 2016 Presidential Election * An introduction by The Washington Post titled 'A President, a Prosecutor and the Protection of American Democracy' * A timeline of the major events of the Special Counsel’s investigation from May 2017, when Robert Mueller was appointed, to the report’s delivery * A guide to individuals involved, including in the Special Counsel’s Office, the Department of Justice, the FBI, the Trump Campaign, the White House, the Trump legal defence team and the Russians* Key documents in the Special Counsel’s investigation, including filings pertaining to General Michael T. Flynn, Paul Manafort, Michael Cohen, Roger Stone and the Russian internet operation in St Petersburg. Each document is introduced and explained by Washington Post reporters. One of the most urgent and important investigations ever conducted, the Mueller inquiry focuses on Donald Trump, his presidential campaign and Russian interference in the 2016 election, and draws on the testimony of dozens of witnesses and the work of some of the country’s most seasoned prosecutors. The special counsel’s investigation looms as a turning point in American history. The Mueller Report is essential reading for all citizens concerned about the fate of the presidency and the future of our democracy.

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When Jean-Jacques Dessalines proclaimed Haitian independence on January 1, 1804, Haiti became the second independent republic, after the United States, in the Americas; the Haitian Revolution was the first successful antislavery and anticolonial revolution in the western hemisphere. The histories of Haiti and the early United States were intimately linked in terms of politics, economics, and geography, but unlike Haiti, the United States would remain a slaveholding republic until 1865. While the Haitian Revolution was a beacon for African Americans and abolitionists in the United States, it was a terrifying specter for proslavery forces there, and its effects were profound. In the wake of Haiti's liberation, the United States saw reconfigurations of its geography, literature, politics, and racial and economic structures. The Haitian Revolution and the Early United States explores the relationship between the dramatic events of the Haitian Revolution and the development of the early United States. The first section, "Histories," addresses understandings of the Haitian Revolution in the developing public sphere of the early United States, from theories of state sovereignty to events in the street; from the economic interests of U.S. merchants to disputes in the chambers of diplomats; and from the flow of rumor and second-hand news of refugees to the informal communication networks of the enslaved. The second section, "Geographies," explores the seismic shifts in the ways the physical territories of the two nations and the connections between them were imagined, described, inhabited, and policed as a result of the revolution. The final section, "Textualities," explores the wide-ranging consequences that reading and writing about slavery, rebellion, emancipation, and Haiti in particular had on literary culture in both the United States and Haiti. With essays from leading and emerging scholars of Haitian and U.S. history, literature, and cultural studies, The Haitian Revolution and the Early United States traces the rich terrain of Haitian-U.S. culture and history in the long nineteenth century. Contributors: Anthony Bogues, Marlene Daut, Elizabeth Maddock Dillon, Michael Drexler, Laurent Dubois, James Alexander Dun, Duncan Faherty, Carolyn Fick, David Geggus, Kieran Murphy, Colleen O'Brien, Peter P. Reed, Siân Silyn Roberts, Cristobal Silva, Ed White, Ivy Wilson, Gretchen Woertendyke, Edlie Wong.

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George Gordon Meade has not been treated kindly by history. Victorious at Gettysburg, the biggest battle of the American Civil War, Meade was the longest-serving commander of the Army of the Potomac, leading his army through the brutal Overland Campaign and on to the surrender of Robert E. Lee and the Army of Northern Virginia at Appomattox. Serving alongside his new superior, Ulysses S. Grant, in the last year of the war, his role has been overshadowed by the popular Grant. This first full-length study of Meade's two-year tenure as commander of the Army of the Potomac brings him out of Grant's shadow and into focus as one of the top three Union generals of the war.John G. Selby portrays a general bestride a large army he could manage well and a treacherous political environment he neither fully understood nor cared to engage. Meade's time as commander began on a high note with the victory at Gettysburg, but when he failed to fight Lee's retreating army that July and into the fall of 1863, the political knives came out. Meade spent the winter of 1863–64 struggling to retain his job while the Joint Committee on the Conduct of the War sought to have him dismissed. Meade offered to resign, but Grant told him to keep his job. Together, they managed the Overland Campaign and the initial attacks on Petersburg and Richmond in 1864.By basing his study on the Official Records of the War of the Rebellion, original Meade letters, and the letters, diaries, journals, and reminiscences of contemporaries, Selby demonstrates that Meade was a much more active, thoughtful, and enterprising commander than has been assumed. This sensitive and reflective man accepted a position that was as political as it was military, despite knowing that the political dimensions of the job might ultimately destroy what he valued the most, his reputation.

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Amphibians are ecological equivalents of the canary in the coal mine. Because they have little physiological control over their body temperatures or evaporative water loss, frogs and toads, salamanders and newts, and the tropical wormlike caecilians are closely tied to their environments, and various stages of their biphasic life cycle are susceptible to environmental contaminants. At a time when populations of many species of amphibians are declining from unknown causes, indicating the destruction of natural habitats, biologists and conservationists need to know the patterns of distribution of amphibians and where large numbers of species and endemics occur. Patterns of Distribution of Amphibians: A Global Perspective, edited by William E. Duellman, is the first synthesis of information on the worldwide distribution of amphibians. Chapters on each of nine global regions are written by internationally recognized experts, who have gathered the diverse data from the literature and from their own experience in the field. The regional treatments emphasize patterns of distribution and their interpretation with respect to geography, climate, vegetation, and evolutionary history, providing unique syntheses of these patterns. The contributors also address existing and recommended aspects of conservation. The extensive bibliography accompanying each chapter is an entree into the literature on the amphibians of each region. Appendixes provide lists of species and their areas of distribution within each major region of the world. A wealth of maps, graphs, and tables is also included, making this volume an essential reference for herpetologists, biogeographers, and conservationists. Contributors: Leo J. Borkin , Zoological Institute, Russian Academy of Sciences, St. Petersburg * Jonathan A. Campbell , University of Texas, Arlington * William E. Duellman , University of Kansas, Lawrence * S. Blair Hedges , Pennsylvania State University * Robert F. Inger , Field Museum of Natural History, Chicago * J. C. Poynton , Natural History Museum, London * Samuel S. Sweet , University of California, Santa Barbara * Michael J. Tyler , University of Adelaide, Australia * Zhao Er-Mi , Chengdu Institute of Biology, Peoples Republic of China

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15th-c. adaptations of Chrétien de Troyes, the use of motifs, and standard features including current state of research and book review section. Setting the tone for volume 24 is a trio of articles on 15th-century French adaptations of Chrétien de Troyes's Arthurian romances. Norris Lacy examines adaptation and reception in Cligés,Jane Taylor writes on the importance of cultural details to reception studies of both Erec and Cligés, and Maria Timelli on structural aspects of Erec. Other studies of romance include MaryLynn Saul's article on courtly love and patriarchal marriage institutions in Malory, and Anne Caillaud's piece on gender conventions of courtly love as a vehicle for misogyny in Antoine de la Sale's Petit Jehan de Saintre. Hans-Joachim Behr deals with an adaptation of the 12th-century historical figure of Heinrich von der Löwe in his article on the poetic workof Michel Wyssenherre. Roxana Recio's article on Spanish "amplifications and glosses" draws connections between translation, reception, and interpretation.Moving from romance to legend, Peter De Wilde, in his article on the legendary matter of St. Patrick's journeys to Purgatory, relates a 15th-century account of one Englishman's "visionary pilgrimage" to that destination.A second area of concentration in the volume is the thematic and structural use of motifs. Rainer Goetz discusses archery in Spanish poetry of love and death; Georg Roellenbleck courtly pastimes and the term passe temps inFrench poetry. James Wilkins focuses on the "body as currency" in French passion plays. Kristine Patz moves into art history, examining the importance of the Pythagorean ypsilonin the work of the Italian painter Mantegna.Dealing with the turn to Renaissance humanism are articles by Grady Smith on the short literary career and Latin dramas of Titus Livius Frulovisi, and by Christiane Raynaudon humanism and good government in the Latin Romuleon. Franco Mormando investigates a darker moment: the 1426 witch trial in Rome and the role of Bernardino of Siena as its instigator and chronicler. Rouben Choulakian writes on the poetry of Charles d'Orlean

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The first decade of Alexander II's reign is known in Russian history as the Era of the Great Reforms, a time recognized as the major period of social, economic, and institutional transformation between the reign of Peter the Great and the Revolution of 1905. Coming directly after the notoriously repressive last decade of the Nicholas era, the appearance of such dramatic reform has led scholars to seek its causes in dramatic events. Surely some great, even cataclysmic, force must have driven Alexander II and his advisers to initiate what appears to be such an astonishing change in policy. In their search for the origins of these Great Reforms, historians generally have focused upon two phenomena. The first of these was Russia's defeat in the Crimean War by a relatively small, ineptly commanded Allied expeditionary force. The second was the serf revolts, which increased dramatically in the 1850s. From these events, most historians have concluded that the economic failings of serfdom, the problem of preserving domestic peace, and the need to restore Russia's tarnished military prestige were the major forces that convinced Alexander II's government to embark upon a new reformist path. As Lincoln's examination of the long-unstudied Russian archival evidence shows, there are good reasons to question whether such crises of policy and failings of Russia's servile economy impelled Alexander II and his advisers along a previously uncharted reformist path after the Crimean War. Further, in light of the Russian bureaucracy's slowness in drafting much less complex administrative reforms during the previous century, Lincoln argues that the Great Reform legislation simply was too complex and required too much sophisticated knowledge about the Empire's economic, administratvive, and judicial affairs to have been formulated in the brief half-decade after the war's end.

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Legendary Hollywood entertainment manager and publicist Ramon Hervey II shares insightful tales of his remarkable four-decade career plotting and overseeing fame, success, crisis and spinning for seminal talents at the top of their game, from Little Richard, Bette Midler, and the Bee Gees, to Aaliyah, Rick James, and Vanessa Williams—a juicy and addictive retrospective that also traces the origins of fame and how social media is changing the rules.Superstar manager and PR guru Ramon Hervey II has been playing the “fame game” for more than four decades, shaping, protecting, and sometimes rehabilitating the reputations of some of today’s biggest celebrities. Throughout his career, Hervey has mined, molded, and managed, mopped up messes, and mounted major celebrity comebacks.The Fame Game is his uncensored, behind-the-scenes look at rich and famous celebrities as they are rarely seen. Hervey shares the hilarious, the absurd, the disappointing, and the surprising as he recalls how he became a trusted confidant to a Who’s Who in music, comedy, film to A-listers including Richard Pryor, Bette Midler, Quincy Jones, Don Cornelius, the Bee Gees, Herb Alpert, Andrae Crouch, Vanessa Williams, Kenny “Babyface” Edmonds, Luther Vandross, Rick James, Paul McCartney, Peter Frampton, Andrae Crouch, Nick Nolte, James Caan, and Muhammad Ali. Filled with never-before-told anecdotes, cameos, and unforgettable stories, moving from the legendary disco era of the '70s and post-civil rights era to Hollywood soundstages, and viewed through his acute and trained lens, The Fame Game is an enlightening historical view of the origins of fame, entertainment and media that examines our obsession with fame and the famous, and how social media is cultivating is own fame—an irresistible, addictive and utterly fascinating exploration of our insatiable obsession with celebrity culture.

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Ben Cohen’s dad didn’t know anything about the sport his young son had taken up, but he was happy to drive him to practice, and was soon helping out at the club. When his business went bankrupt money was tight, but Ben’s hard working parents inspired their son to put his all into rugby.Then, when Ben was 20, his father intervened in a fight in the nightclub where he worked. He was viciously beaten and one month later he died in hospital. Ben was doing an England press conference at the time, and it was down to coach Clive Woodward to deliver the devastating news. But the ordeal was far from over. The inquest lasted five months before the funeral could be held, and it was a year before the family were in court, facing Peter’s assailants.Ben put all of the anger and pain from his father’s death into his rugby. Fast and powerful on the wing, he was soon the best in the world in his position and a cornerstone of the England team, culminating in the legendary World Cup win in Sydney in 2003. And yet he always felt like an outsider. Most people didn’t know that Ben is clinically deaf. His sixth sense for the game got him through on the pitch, but off it his poor hearing was often taken for arrogance.This is an inspirational story of passion and pain; of the highs of achieving your goals, and the grief of losing something you can never get back.

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Since his death in 1942, St Ives has become marinated in the spirit of the naïve painter, Alfred Wallis. Naum Gabo, the Russian Constructivist, felt that Wallis's gift as an artist was that he never knew he was one. His unconventional approach and the innocence of his personal method of making art marked Alfred Wallis, even after his death, as a crucial figure in the modernist movement. The art scene in St Ives during World War II is depicted vividly in The Alfred Wallis Factor which illustrates the birth of modernism in the small fishing port in the far south-west of England. With dominant personalities like Sven Berlin, Ben Nicholson, Barbara Hepworth, Adrian Stokes, Bernard Leach, Terry Frost, Peter Lanyon, Wilhelmina Barns-Graham and Patrick Heron, it was inevitable that personal relationships would both form and fracture. Though causes would range from the banal to the bizarre, David Wilkinson never loses focus on the high stakes for which these characters were playing: the creation of their work, and reputations, of lasting significance. Their passion was strong and their ambition even stronger. The Alfred Wallis Factor tells the story of this extraordinary painter's long-lasting influence on - and beyond - modernism: David Wilkinson expounds the events around and following the artist's death, assessing the roles of friends and rivals in making Alfred Wallis a benchmark of modern British art. The Alfred Wallis Factor is a comprehensive examination of a troubled era, in which life met war and changed the destiny of the art world.

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Escape to the Cornish coast with this irresistible summer read, perfect for fans of Jill Mansell and Philippa Ashley. Bramble Challoner has had a very normal upbringing. She lives in a semi in the suburbs of London with her parents and works at the call centre down the road. She still goes out with the boy she met at school. At weekends they stay in and watch films on the telly and sometimes hold hands. Bramble is dying for an adventure. So when her very grand grandfather, Lord Penrose, dies, leaving his huge, rambling house in Cornwall to her, Bramble packs her bags immediately, dragging along her best friend Katie. The sleepy fishing village of Tremarnock had better be ready for its newest residents... Reviews for the Tremarnock series: 'A charming, warm-hearted read... Pure escapism' Alice Peterson. 'Burstall is a great writer, and this is not your usual run-of-the-mill chick lit... I was gripped from the start' Daily Mail. 'The literary equivalent of a gin and tonic on a hot summer's day... A delicious, delightful and decadent tale' Bookish Jottings. 'Burstall has created a little sanctuary, which will have readers eager to book a Cornish holiday as soon as possible... A heart-warming, "feel-good" novel that makes you feel warm and fuzzy inside. I can't wait for the next book in the series so that I can return' Bookbag. 'Burstall has a true knack for transporting you to her world, amidst beautiful Cornish countryside' Jane Corry.

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The fairness of institutions of global economic governance ranks among the most pressing issues of our time. Most approaches to understanding the complex structure of treaties and intergovernmental organizations such as the WTO tend to uncritically accept an economic focus, highlighting gains from trade and the merits of progressive trade and investment liberalization. While the economic arguments are compelling, other ways of thinking about the roles of these institutions have received less attention. The Research Handbook fills this gap by offering a substantial interdisciplinary examination of the normative and policy underpinnings of the international economic order.The book includes specially commissioned chapters based on theories of justice, human rights, and critical legal studies, as well as on economics and the internal structure of international economic law itself, all written by leading scholars in their respective fields. The contributors offer an interdisciplinary approach to understanding the relationship between international economic law and policy and the rights and welfare of peoples across the globe. The end result is an essential point of reference for developing a comprehensive toolkit for evaluating the institutions of global economic governance.Containing extensive and significant interdisciplinary coverage of key areas of research on international economic law and policy, this Research Handbook will appeal to political scientists, philosophers, legal scholars, economists and international relations theorists.Contributors: G. Brock, B.S. Chimni, L.V. Ciko, P. Clements, C.M. Correa, F.J. Garcia, B. He, C.L. Lim, J. Linarelli, S.M. Lundan, A. Maneschi, H. Murphy, E.-U. Petersmann

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Nicholas Hawksmoor (1662-1736) is considered one of Britain's greatest architects. He was involved in the grandest architectural projects of his age and today is best known for his London churches - six idiosyncratic edifices of white Portland stone that remain standing today, proud and tall in the otherwise radically changed cityscape. Until comparatively recently, however, Hawksmoor was thought to be, at best, a second-rate talent: merely Sir Christopher Wren's slightly odd apprentice, or the practically minded assistant to Sir John Vanbrugh. This book brings to life the dramatic story of Hawksmoor's resurrection from the margins of history.Charting Hawksmoor's career and the decline of his reputation, Owen Hopkins offers fresh interpretations of many of his famous works - notably his three East End churches - and shows how over their history Hawksmoor's buildings have been ignored, abused, altered, recovered and celebrated. Hopkins also charts how, as Hawksmoor returned to prominenceduring the twentieth century, his work caught the eye of observers as diverse as T. S.Eliot, James Stirling, Robert Venturi and, most famously, Peter Ackroyd, whose novel Hawksmoor (1985) popularized 12 the mythical association of his work with the occult. Meanwhile, passionate campaigns were mounted to save and restore Hawksmoor's churches, reflecting the strange hold his architecture can have over observers. There is surely no other body of work in British architectural history with the same capacity to intrigue and inspire, perplex and provoke as Hawksmoor's has done for nearly three centuries.

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Shows how postwar writers in Austria and Yugoslavia re-imagined the concept of Mitteleuropa, Central Europe, as a cultural space between nostalgia and totalitarianism. The German term Mitteleuropa, or Central Europe, was never just a geographical concept: it connoted extending German influence to the east. In the 1980s, the eastern European dissident writers György Konrád, Czesław Miłosz, and Milan Kundera revived the concept to counter a perceived Cold War memory vacuum, aligning themselves with the multiethnic and multilingual legacy of the Habsburg Empire. Their observations gave rise to a protracted public debate that posited literature against politics. This debate was both anticipated and expanded upon in postwar literary works by Ingeborg Bachmann, Peter Handke, and Christoph Ransmayr in Austria, and Danilo Kiš, Aleksandar Tišma, and Dubravka Ugrešić in (the former) Yugoslavia, all of whom questioned notions of geographic identity and national allegiance by imagining Mitteleuropa as a cultural space between nostalgia and totalitarianism. Yvonne Zivkovic draws on space and memory studies to show how Mitteleuropa emerged as an alternate memory discourse that reveals deep ties between the Second Austrian Republic and the Socialist Federal Republic of Yugoslavia. The writers discussed address the major themes of the 1980s debate - traumatic memory, geographic displacement, and transnationalism - but also share a literary aesthetics that privileges the intersections of prose fiction and the essay, the literary fragment, and intertextuality. Zivkovic's book shows the persistence of Mitteleuropa as a literary network and as a cultural collective that examines civic values against public tendencies of memory manipulation.

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A new world of religious satire illuminated through the layers of religion and humor that make up the The Simpsons, South Park and Family Guy. Drawing on the worldviews put forth by three wildly popular animated shows – The Simpsons, South Park, and Family Guy– David Feltmate demonstrates how ideas about religion’s proper place in American society are communicated through comedy. The book includes discussion of a wide range of American religions, including Protestant and Catholic Christianity, Judaism, Islam, Buddhism, Native American Religions, New Religious Movements, “Spirituality,” Hinduism, and Atheism. Along the way, readers are shown that jokes about religion are influential tools for teaching viewers how to interpret and judge religious people and institutions. Feltmate, develops a picture of how each show understands and communicates what constitutes good religious practice as well as which traditions they seek to exclude on the basis of race and ethnicity, stupidity, or danger. From Homer Simpson’s spiritual journey during a chili-pepper induced hallucination to South Park’s boxing match between Jesus and Satan to Peter Griffin’s worship of the Fonz, each show uses humor to convey a broader commentary about the role of religion in public life. Through this examination, an understanding of what it means to each program to be a good religious American becomes clear. Drawn to the Gods is a book that both fans and scholars will enjoy as they expose the significance of religious satire in these iconic television programs.

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Moira Bennett casts her perceptive, wry and amused eye over a childhood and adolescence in South Africa and her years raising sponsorship for the Aldeburgh Festival, the Barbican Centre and the London Symphony Orchestra. In her early fifties, Moira Bennett was widowed with a school-age son and in need of a job. With virtually no previous working experience but full of energy and determination, she found herself working at the Britten-Pears Schoolat Snape, helping to run masterclasses for young professional musicians studying with artists such as Peter Pears, Galina Vishnevskaya, Mstislav Rostropovich, Hugues Cuénod and William Pleeth. Her gift for arts administration - understanding the needs of performers and audiences - was soon to become highly valued at Aldeburgh, as she became the Registrar at the Britten-Pears School and went on to create the post of Development Director in the early days ofcommercial sponsorship of the arts. She was later invited to take on a similar role at the Barbican Centre, supporting a series of international arts festivals, before going on to work with the London Symphony Orchestra. In 2012 the Bittern Press published Moira Bennett's history of the Britten-Pears School, Making Musicians, which Classical Music magazine made one its Books of the Year. Now in her early nineties, Moira Bennett has written an extraordinary autobiography, casting an astute eye over her childhood and adolescence in South Africa, the impact of the Second World War and the Apartheid years on the country, and her second, 'unexpected', life in the arts.

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This book explores the implications for today’s critical concerns of the work of Walter Benjamin (1892-1940). Although his writings are considered to be among the most powerful and suggestive theoretical enterprises of the twentieth century, his ideas are strangely resistant to cooptation by the established doctrines of various critical programs. The innovative essays gathered here engage this resistance by examining the notion of the ghostly in Benjamin’s work. The contributors show that the urgent and haunting truths Benjamin offers point toward new forms of responsibility, even as they withdraw from straightforward meaning and transparent forms of expression. These truths reside in a figurative elsewhere, a ghostly space that his texts delimit but never fully inhabit, and these essays seek to do justice to the ghosts of Benjamin that are already on board with us. Through close textual readings and thoughtful contextualizations, internationally known Benjamin scholars engage a wide range of issues, including: the status of the image in Benjamin’s literary reflections and in his meditations on cinema and visual culture; abiding Benjaminian notions of messianism, aura, reproducibility, semblance, and melancholy; Benjamin’s relation to Freud; his innovative rethinking of history, virtuality, and translation; and his reflections on tragedy and prophecy, the geometrical dimensions of writing, and the relation between eros and language. The contributors are Norbert Bolz, Fritz Breithaupt, Stanley Corngold, Peter Fenves, Eva Geulen, Miriam Hansen, Beatrice Hanssen, Lutz Koepnick, Tom McCall, Kevin McLaughlin, Bettine Menke, Rainer Nägele, Gerhard Richter, Laurence Rickels, and Sigrid Weigel.

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This book is about the ambition, in a set of paradigmatic writers of the twentieth century, to simultaneously enlist and break the spell of the real-their fascination with the spectacle of violence and suffering-and the difficulties involved in capturing this kind of excess by aesthetic means. The works at the center of this study-by Franz Kafka, Georges Bataille, Claude Simon, Peter Weiss, and Heiner Muller-zero in on scenes of agony, destruction, and death with an astonishing degree of precision and detail. The strange and troubling nature of the appeal engendered by these sights is the subject of The Pathos of the Real. Robert Buch shows that the spectacles of suffering conjured up in these texts are deeply ambivalent, available neither to cathartic relief nor to the sentiment of compassion. What prevails instead is a peculiar coincidence of opposites: exaltation and resignation; disfiguration and transfiguration; agitation and paralysis. Featuring the experiences of violent excess in strongly visual and often in expressly pictorial terms, the works expose the nexus between violence and the image in twentieth-century aesthetics. Buch explores this tension between visual and verbal representation by drawing on the rhetorical notion of pathos as both insurmountable suffering and codified affect and the psychoanalytic notion of the real, that is, the disruption of the symbolic order. In dialogue with a diverse group of thinkers, from Erich Auerbach and Aby Warburg to Alain Badiou and Jacques Lacan, The Pathos of the Real advances an innovative new framework for rethinking the aesthetics of violence in the twentieth century.

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Camille Saint-Saens--perhaps the foremost French musical figure of the late nineteenth century and a composer who wrote in nearly every musical genre, from opera and the symphony to film music--is now being rediscovered after a century of modernism overshadowed his earlier importance. In a wide-ranging and trenchant series of essays, articles, and documents, Camille Saint-Saens and His World deconstructs the multiple realities behind the man and his music. Topics range from intimate glimpses of the private and playful Saint-Saens, to the composer's interest in astronomy and republican politics, his performances of Mozart and Rameau over eight decades, and his extensive travels around the world. This collection also analyzes the role he played in various musical societies and his complicated relationship with such composers as Liszt, Massenet, Wagner, and Ravel. Featuring the best contemporary scholarship on this crucial, formative period in French music, Camille Saint-Saens and His World restores the composer to his vital role as innovator and curator of Western music. The contributors are Byron Adams, Leon Botstein, Jean-Christophe Branger, Michel Duchesneau, Katharine Ellis, Annegret Fauser, Yves Gerard, Dana Gooley, Carolyn Guzski, Carol Hess, D. Kern Holoman, Leo Houziaux, Florence Launay, Stephane Leteure, Martin Marks, Mitchell Morris, Jann Pasler, William Peterson, Michael Puri, Sabina Teller Ratner, Laure Schnapper, Marie-Gabrielle Soret, Michael Stegemann, and Michael Strasser.

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