Search results for ""equinox publishing""

"Bob Dylan" provides a short introduction to the music of Bob Dylan including an examination of the impact of his work over time and key critical responses. This book starts by locating Dylan's work within a much broader context of the history of the American popular song and its various antecedents, examining how his music draws on a rich heritage of folk, blues, country, r'n'b as well as ballads, standards, nursery rhymes and pop tunes. Focusing on a selection of songs, it examines how his use of words, voice, instruments, melody and timbre, can be understood within the context of various traditions.Much of the writing about Bob Dylan tends to privilege a few recordings, and a limited range of recurring stylistic themes, placing considerable emphasis on Dylan's early career as a 'protest' singer, and then his surrealistic, stream of consciousness mid-1960s music. Yet, the vast majority of Dylan's musical output has been somewhat less radical (but not necessarily less imaginative) and concerned with questions of romantic desire, lust and loss.Negus shows how these thematic concerns are frequently woven into a narrative style that draws from a range of storytelling traditions as diverse as broadside ballads, modern novels and Hollywood cinema. Negus then considers Bob Dylan's enduring impact on new generations of artists in various musical traditions and different parts of the world as well as the influences upon Dylan's changing style and performing identity, from the turn to electric guitars in the 1960s, to the embracing of Christianity and gospel influences in the late 1970s, and increasing explicit use of folk, ballad, blues and country styles in his later work. In assessing some of the key critical responses to Dylan, and in considering his canonisation within a specific popular music tradition, Negus finally asks how claims for Bob Dylan's genius might be assessed. Why is Dylan's work accorded so much value within the popular music canon, and is this justified?

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Heavy metal is now over 40 years old. It emerged at the tail end of the 1960s in the work of bands including Iron Butterfly, Vanilla Fudge, Jimi Hendrix, Deep Purple, Led Zeppelin and - most importantly - Black Sabbath. In the 1970s and early 1980s, heavy metal crystallised as a genre as bands such as Judas Priest and Iron Maiden removed most of the blues influence on the genre, codifying a set of basic metal characteristics that endure to this day: distorted guitars, aggressive vocals, denim, leather and spikes. In broad terms, wherever it is found and however it is played, metal tends to be dominated by a distinctive commitment to 'transgressive' themes and musicality causing it to be frequently seen as controversial music. Controversies surrounding the alleged (and often documented) connection between heavy metal and, variously, sexual promiscuity, occultism and Satanism, subliminal messages, suicide and violence have all made heavy metal a target of moral panics over popular culture. Metal has variously embraced, rejected, played with and tried to ignore this controversy. At times, the controversy dies down and the previously transgressive becomes relatively harmless - as in the transformation of Ozzy Osbourne from public enemy to loveable dad. Still, metal remains irrevocably marked by its controversial, transgressive tendencies. Indeed, the various moral panics that metal has been subjected to are not only constitutive, at least in part, of metal scenes, but are encoded in metal's transgression itself. As with hiphop's "ghetto" roots, metal's history of extreme sonic, lyrical and visual messages continue to give it credibility with new generations of fans today. The aim of this anthology is to analyse the relationship between heavy metal and society within a global context. It provides a thorough investigation of how and why metal becomes controversial, how metal 'scenes' are formed and examines the relationship between metal and society, including how fans, musicians and the media create the culture of heavy metal.

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In 1917 Annie Besant (1847-1933), a white Englishwoman, was elected president of the Indian National Congress, the body which, under the guidance of Mohandas Gandhi (1869-1948), would later lead India to independence. Besant - in her earlier career an active atheist and a socialist journalist - was from 1907 till her death the president of the Theosophical Society, an international spiritual movement whose headquarters' location in Madras symbolized its belief in India as the world's spiritual heart. This book deals with the contribution of the Theosophical Society to the rise of Indian nationalism and seeks to restore it to its proper place in the history of ideas, both with regard to its spiritual doctrine and the sources on which it drew, as well as its role in giving rise to the New Age movement of the 20th century. The book is the first to show how 19th century Orientalist study dramatically affected the rise of the Theosophical ideology, and specifically demonstrate the impact of the work of the Anglo-German scholar, Friedrich Max Muller (1833-1900) on Mme Blavatsky (1831-1891), the founder of the Theosophical Society.

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In 1917 Annie Besant (1847-1933), a white Englishwoman, was elected president of the Indian National Congress, the body which, under the guidance of Mohandas Gandhi (1869-1948), would later lead India to independence. Besant - in her earlier career an active atheist and a socialist journalist - was from 1907 till her death the president of the Theosophical Society, an international spiritual movement whose headquarters' location in Madras symbolized its belief in India as the world's spiritual heart. This book deals with the contribution of the Theosophical Society to the rise of Indian nationalism and seeks to restore it to its proper place in the history of ideas, both with regard to its spiritual doctrine and the sources on which it drew, as well as its role in giving rise to the New Age movement of the 20th century. The book is the first to show how 19th century Orientalist study dramatically affected the rise of the Theosophical ideology, and specifically demonstrate the impact of the work of the Anglo-German scholar, Friedrich Max Muller (1833-1900) on Mme Blavatsky (1831-1891), the founder of the Theosophical Society.

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In the wide range of Buddhist meditation and spirituality a very special place is held by the practice of calling on the name of Amitabha, or in Japanese Amida Buddha, using the simplest of formulas, the nenbutsu. Japanese masters such as Honen, Shinran and others made this the core of a profound spiritual experience which has fascinated numberless followers ever since. The deeper meaning of the nenbutsu has therefore become a major topic in Buddhist thought which has been reflected on by various thinkers and teachers to this day, especially in the context of Shin Buddhism. In this book, which draws on classic articles first published in The Eastern Buddhist, major historic proponents and masters of the nenbutsu are introduced, in particular Shinran, Shoku, Ippen and Rennyo. Further contributions, which set the work of these masters into the wider context of Buddhist tradition, are in fact some of the earliest Buddhist voicesA" to emerge from modern Japan into global view. Yet the presentations of writers such as Sasaki Gessho, Yamabe Shugaku and Sugihira Shizutoshi have a freshness and an immediacy which speaks to us today.

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In the wide range of Buddhist meditation and spirituality a very special place is held by the practice of calling on the name of Amitabha, or in Japanese Amida Buddha, using the simplest of formulas, the nenbutsu. Japanese masters such as Honen, Shinran and others made this the core of a profound spiritual experience which has fascinated numberless followers ever since. The deeper meaning of the nenbutsu has therefore become a major topic in Buddhist thought which has been reflected on by various thinkers and teachers to this day, especially in the context of Shin Buddhism. In this book, which draws on classic articles first published in The Eastern Buddhist, major historic proponents and masters of the nenbutsu are introduced, in particular Shinran, Shoku, Ippen and Rennyo. Further contributions, which set the work of these masters into the wider context of Buddhist tradition, are in fact some of the earliest Buddhist voicesA" to emerge from modern Japan into global view. Yet the presentations of writers such as Sasaki Gessho, Yamabe Shugaku and Sugihira Shizutoshi have a freshness and an immediacy which speaks to us today.

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Elvis Presley remains the single most important figure in twentieth century popular music. To many commentators, however, he has simply embodied the benefits and problems of uncritically embracing capitalism. By 2005 the 'Memphis Flash' sold over a billion records worldwide, yet his cultural significance cannot be measured by these extraordinary sales figures alone. He cannot quite be reduced to a placeholder for the contradictions of commerce. As the most prominent performer of the rock'n'roll era, then as a charismatic global superstar, Elvis fundamentally challenged the established relationship between White and Black culture, drew attention to the social needs of women and young people, and promoted the value of Southern creativity. He functioned as a bridge figure between folk roots and high modernity, and in the process became a controversial symbol of American unity. Elvis interprets the image and music of Elvis Presley to reveal how they have evolved to construct a particularly appealing and powerful myth. Following broad contours of Presley's rollercoaster career, the book uses a range of analytical frames to challenge established perspectives on an icon. Its shows that the controversy around Elvis has effectively tested how far a concern for social equality could be articulated through the marketplace, and ultimately challenged how popular music itself should be assessed.

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The influence of Ibn 'Arabi, the 12th century Andalusian mystic philosopher extended beyond the Muslim world from Spain, to China, to Indonesia. Interest in Ibn 'Arabi in the west has grown over the last century. "Ibn Arabi and the Contemporary West" examines 'Arabi's teachings through the work of the Beshara Trust and the Muhyiddin Ibn 'Arabi Society. The study investigates how the Beshara School has used Ibn 'Arabi's teachings in assisting a range of students from around the world towards personal, spiritual development and how the Muhyiddin Ibn 'Arabi Society has evolved into an international organisation with increasing influence in both the West and the Muslim world.

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This book offers the first comprehensive picture of the medieval archaeology of the Czech Lands available in English. Alongside assembling the main topics of current archaeological research, it establishes the key issues in its methodology. Topics covered explore both rural and urban contexts, secular power structures, and monastic houses and parish churches. Besides flagship urban archaeology surveys in Prague and Brno (the Moravian metropolis), unique in Europe is the excavation of the suburb of the town of Sezimovo Usti which ceased to exist in 1420, and the complex castle excavations at Lelekovice and Rokstejn. In the landscape, important data come from the surveys of deserted villages and manorial farms. Special attention is given to technology, crafts, industry (including mining and glass production), housing culture and daily life across the various social strata. One of the fascinating features is the artefactual presentation of two competing religions - Catholicism and Utraquism; and new insights are made of Jewish everyday life, and the story of the Anabaptists and their Central European crafts heritage.Key sites, structures and finds are illustrated as the author ventures on an archaeological journey through the medieval Czech Kingdom. A particular focus of this book is the position of the Czech Lands between the gradual process of medieval transformation (13th century) and early modern transition (16th century). Throughout, the book is illustrated with images rarely seen in the wider European context.

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A cultural history of global electronic dance music countercultures, "Technomad" explores the pleasurable and activist trajectories of post-rave. The book documents an emerging network of techno-tribes, exploring their pleasure principles and cultural politics. Attending to sound system culture, electro-humanitarianism, secret sonic societies, teknivals and other gatherings, intentional parties, revitalisation movements and counter-colonial interventions, "Technomad" investigates how the dance party has been harnessed for transgressive and progressive ends, for manifold freedoms. Seeking freedom from moral prohibitions and standards, pleasure in rebellion, refuge from sexual and gender prejudice, exile from oppression, rupturing aesthetic boundaries, re-enchanting the world, reclaiming space, fighting for 'the right to party', and responding to a host of critical concerns, electronic dance music cultures are multivalent sites of resistance. Drawing on extensive ethnographic, netographic and documentary research, "Technomad" details the post-rave trajectory through various local sites and global scenes, with each chapter attending to unique developments in the techno counterculture: example Spiral Tribe, teknivals, psytrance, Burning Man, Reclaim the Streets, Earthdream. The book offers an original nuanced theory of resistance to assist understanding of these developments. This cultural history of hitherto uncharted territory will be of interest to students of cultural, performance, music, media, and new social movement studies, along with enthusiasts of dance culture and popular politics.

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This book explores the richness of Pakistan's religious landscape, giving attention to a number of topics: Shia flagellation processions, Urdu-language pulp fiction, streetside rituals involving animals (pariah-kites and fortune-telling parrots), and the use of sorcery to contend with the jinns that are believed to infest cities such as Lahore. Uniting these topics is an investigation of how Islamist politicians seek to eradicate sectarian diversity and repress localized forms of Muslim folk practices in the name of a standardized, uniform, and globalized version of Islam. The book looks at forms of resistance to this Islamist globalization, such as collaborative efforts by Christian, Hindu, and Muslim human-rights activists to repeal Pakistan's notorious blasphemy law and assert the worth of religious pluralism.

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This book, first published in German in 2005, offers a compact, concise and accessible survey of Zoroastrianism. This tiny religious community traces its root to Zarathustra who lived some 2,500-3,500 years ago. Chapters address Zarathustra and the origins of the religion, religious concepts and narratives, ethics and gender, priesthoods and rituals, transitions and festivals. A postscript by Anders Hultgard, one of the leading experts on this field, discusses the influences of Zoroastrianism on Judaism, Christianity, and Islam.

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There has been much passionate debate and emotion aroused by the introduction of contemporary music styles into the modern church. While these debates have rarely produced a victor, the detrimental effects of them have resonated throughout many Protestant churches worldwide. Rather than simply fuelling this debate further, "Open Up The Doors" represents an attempt to provide objective criteria and analytical frameworks by which the quality and function of contemporary congregational music can be assessed. The latest music from Hillsong, Soul Survivor, Parachute, Vineyard, Christian City and others is examined in order to reveal both the beneficial and dangerous trends occurring in modern church music. "Open Up The Doors" considers how well modern music is serving the modern church, and also how effectively it is operating as a musical form in the secular culture that surrounds it.

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Based on ethnographic research among contemporary Pagan communities in Southern Italy (Salento, Apulia), The Spider Dance challenges (uni)linear ideas and experiences of time and temporality by showing the interconnectedness of alternative historicities, healing, and place-making among persons engaged in Pagan practices.

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In this volume, we capture some of the lessons learned during and as a result of the COVID-19 pandemic in order to move forward as a field with intention and purpose, and to take advantage of any crisis-prompted innovation.

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Examines the history of the Middle Way as the biological development of organisms in relation to reinforcing or balancing feedback loops, as the psychological development of individual humans during a lifetime, as a succession of reinforcing and balancing feedback tendencies in human culture through history.

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This book provides an overview of the various ways the concepts enchantment, disenchantment, and re-enchantment have been used both within religious studies scholarship and in related fields.

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Venue Stories is an anthology of creative non-fiction that remembers, celebrates and reinvigorates our complex and plural relationship with small and independent music spaces. Written by musicians, promoters, fans and academics who have a shared passion for small music venues and musical cultures in all their splendid variety, this anthology features memoir, essays, life writing, historiography and autoethnography. Each chapter is united by a focus on the personal, the sensory and half-remembered. These are stories that cross disciplinary lines and blur distinctions between creativity, reportage and critical analysis. Venue Stories pays a visit to the toilet venues, back rooms and ad-hoc club nights that make up so much of our musical landscape. It spends time in small and local venues and asks what they mean in personal and cultural terms. Writers visit celebrated spots, long forgotten spaces and emergent venues. Whatever the lineage, they are independent, original and wonderfully weird. The stories are memories of seismic gigs and life-altering raves. They are mosaic remembrances and recollections; funny, heart-breaking, rage induced and sometimes a combination of all of these things. This is a collection of stories by and for fans, band members, merch sellers, pint pullers, journalists with a freebie, roadies with a backache and sound techs with an earache.

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Religions of the World: Questions, Challenges, and New Directions provides a critical introduction to the social, political, and cultural interests that inform how people describe and identify with religion. One of its goals is to provide a sense of methodological transparency that few, if any, other textbooks today offer. The book opens with an Introduction that discusses contemporary methodological concerns in the study of religion, with special focus on the World Religions Paradigm. This is followed by ten chapters, six (6) of which discuss a distinct religion and four (4) of which discuss regional traditions. This organization is intentional and self-conscious, as the authors discuss how these scholarly categories (distinct tradition vs. regional tradition) shape the ways that both insiders and outsiders discuss, practice, and engage religion in their daily lives. Each chapter introduces four different popular descriptions, or representations, of a particular religion or regional tradition. Following each representation is an analysis of what this representation accomplishes for those who promote it and what (or who) it also leaves out. Following this, a specific case study provides a real-world example of the difficulties in thinking about religion in overly simplistic ways. The text does not attempt to diminish or reconcile the possible contradictions between the different representations so as not to leave the reader with the idea that one representation is more correct or authentic than another, or that all four can be easily stitched together to make a tidy picture. Instead, students take away from each chapter a foundation of knowledge about the practices, issues, and conceptions that are associated with global religious traditions as well as the complexity behind any single representation. The objective is to make more transparent the human activity of constructing religion as well as the contemporary consequences of these representations, as people use them to legitimize identities and negotiate for social, legal, and economic resources. Thus, throughout the text, students are challenged to interrogate who gets to decide on a particular portrayal of a religious tradition as well as the interests informing those decisions. An Afterword also discusses ways that the skills learned in the text have applicability beyond the study of religious discourses.

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Writing the Pandemic addresses the many challenges that writing instructors and students have faced since the arrival of COVID-19 and their ramifications for teaching and learning, including: Instructional Delivery – in-person, hybrid, and remote classes; Campus and Classroom Protocols – masking, distancing, and cleaning; Safety – quarantining, isolating, and reporting; and Justice – antiracism, political divides, and implications for education. The book is intended for an audience of first-year college composition teachers and other English and language arts instructors at the postsecondary and secondary levels who have experienced the seismic shifts in writing instruction and education more generally that have been necessitated by the pandemic. The author paints portraits of the pandemic experience that writing teachers and their students will relate to and offers practical learning material that can be used in writing courses. An original compilation of material on this theme, Writing the Pandemic includes reflections by a highly experienced writing instructor and his students together with ready-to-use assignments. It is written in a lively style by the author of English Composition Teacher’s Guidebook, Tom Mulder, an award-winning instructor who teaches at Grand Rapids Community College in Michigan. With each chapter, the author offers selected notes blogged at intervals during critical incidents in the unfolding coronavirus as well as individual students’ stories along with their photographs, both inside composition classrooms adapted for distanced learning and writing or working from home. He also presents questions for reflection and his own speculations about the future that are sure to stimulate readers’ own thoughts about what has changed, and how much, as a result of the pandemic, and about what writing instruction will look like going forward.

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While many people engage in interpretation, it is not clear what interpretation is. This critical primer examines the nature of interpretation, strategies within interpretation, and negotiations about the adequacy of an interpretation, with special attention paid to possible roles hermeneutics (the theory of interpretation) plays in the academic study of religions. This book addresses a number of fundamental questions posed throughout the history of hermeneutics: • What is an “interpretation”? • What or who determines the meaning of a text? • What helps in navigating competitions or conflicts of interpretation? • What is the place of interpretation in the academy, relative to explanatory sciences and productive arts? Many books have focused on historical developments of hermeneutics, on key modern hermeneutic philosophers, or on specific sacred texts such as in biblical or Quranic hermeneutics. The unique approach taken to interpretation here is based on the fundamental axiom of philosophical hermeneutics—the hermeneutic priority of questioning. Through this, the author makes a case for the critical value of interpretation. Each chapter of this book refines a conceptual element that combines with others into a theory of interpretation useful for the classroom and in scholarship on hermeneutics.

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This book examines the lived experiences of oppression and opportunities encountered by contemporary Tibetan Buddhist nuns living in the People’s Republic of China and the Tibetan exile community in India. It investigates how the intersections of the nuns’ female gender, their Buddhist religion and their Tibetan nationality on the one hand produce subordination and an unequal distribution of power but, on the other, provide the nuns with opportunities and agency. Depending on the intersection of her status positions, the Tibetan nun can be either disadvantaged or privileged, and sometimes both at the same time. Power structures and relations that disadvantage nuns as women, as religious practitioners, and as Tibetans, are constructed and maintained in different domains of power. In the structural domain, traditional but still dominant institutions – such as the distribution of work, marriage, educational practices and religious institutions – disadvantage Tibetan nuns. In the disciplinary domain of power, the nuns are monitored by traditional culture and the Chinese authorities. The unequal distribution of power in these domains is justified by hegemonic ideas based on religious and cultural beliefs, ideas of religion and modernity, and religion and gender. These domains of power find their expression in the everyday life in the interpersonal sphere. Analysis also reveals that many nuns were highly active in choosing and determining their life course. Monastic life offers Tibetan women freedom from the suffering faced by laywomen. The juncture of their gender, religion and nationality also provides them with agency in their nationalism, which is both visible and more subtle. Monastic life also offers them religious agency as compassionate bodhisattvas, who aim to not only benefit other living beings but also themselves.

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Voice and Mirroring in L2 Pronunciation Instruction presents an approach to teaching pronunciation which aims for learners to internalize the “voices” (complexes of linguistic and non-linguistic features that embody particular speakers’ emotion, social stance, and group identification) of proficient speakers of the second language (L2). Beginning with a review of “bottom-up” and “top-down” approaches to second language acquisition (SLA) research and pronunciation teaching, the authors present previously published and new findings in interlanguage phonology and variationist approaches to SLA showing the powerful impact of sociolinguistic context on L2 pronunciation. On the basis of this review, the authors argue that a top-down approach which begins with social context is preferable in both the research and teaching of L2 pronunciation. They highlight the Mirroring Project as one such approach that includes the social factors impacting L2 pronunciation, such as interlocutor, empathy, and nonverbal elements. With accompanying instructional activities that have been used in a variety of teaching and learning settings in the U.S., the authors demonstrate how this project can help language learners modify their L2 pronunciation patterns and improve their intelligibility as they internalize and channel the voices of speakers they have selected as models. The audience for the volume includes language teachers, particularly those desiring to use top-down pedagogical approaches like the Mirroring Project to improve learners’ intelligibility, and academic researchers interested in studying the way adults can acquire second language phonology by holistically adopting and channeling the voices of speakers they admire. The book is also of potential interest to language teacher educators, curriculum developers, and textbook writers.

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Fo Guang Shan, “Buddha’s Light Mountain”, is a Buddhist movement founded in Taiwan in 1967 and led by the Ven Hsing Yun (b.1927), who had fled to Taiwan from mainland China in 1949. It stands in the Chinese tradition of Mahāyāna Buddhism and more specifically is a form of Buddhism which in English is usually referred to as “Humanistic Buddhism” or as “engaged Buddhism”. Humanistic Buddhism owes its origin to the Chinese monk Tai Xu (1890-1947). He found the Buddhism which surrounded him in China dreary and moribund, preoccupied with rituals for the dead, and offering nothing to help or guide people living in the world outside monasteries. His determination to reverse this decay centred on the idea that it was the vocation of a Mahayana Buddhist to do good to others, finding their own spiritual benefit in benefitting society. Hsing Yun has been a devoted disciple of Tai Xu. It is telling that he founded a seminary before he founded a monastery, and has laid huge emphasis on education. As the sub-title of this book indicates, in order to make Buddhism widely attractive and relevant he has incorporated every influence available. Gifted with a benign personality, he has turned his seemingly boundless energy and prodigious versatility to creating an institution which presents Buddhism as potentially a source for benefitting society through making life enjoyable. This book hopes to convey the movement’s ethos primarily by focusing on his views and activities.

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Indigenous Religious Traditions in Five Minutes aims to answer many of the questions that come to mind when we think about the religious lives of Native and Indigenous peoples of the world. Scholars from many fields answer dozens of questions about a wide variety of specific Indigenous religious traditions and an array of the ideas, practices, and beliefs many people associate with them. Do Native peoples have creator Gods? What is shamanism? Why are there so many spellings of voodoo? Is Paganism considered an Indigenous religious tradition? We also interrogate the concept of Indigenous religious traditions, by asking what the phrase means in relation to the larger fields of Native American and Indigenous Studies and Religious Studies, whether all religions were at some point indigenous, and what the value of studying Indigenous religious traditions is today. Specialists respond to questions like these and many others in easily accessible language and provide references for further exploration, making this volume useful for personal study or classroom use.

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The Economy of Deuteronomy's Core contributes to the current debate over the date and purpose of the biblical book of Deuteronomy to advance the discussion beyond the Josianic hypothesis of Wilhelm M. L. de Wette that has dominated the field for the last two centuries. It is the first comprehensive analysis and synthesis of the economic issues that the laws of Deuteronomy 12-26. It provides the basis for the identification of the functions of the three institutions upon which a new Israelite identity builds: the local autonomous settlement (your gates), the yearly gathering of all Israel to eat and drink joyfully in front of YHWH (the Place), and a guild-like brotherhood involving Israelite, Edomite and third generation Egyptian associates (qehal-YHWH). Grounded in the text itself, The Economy of Deuteronomy's Core reads Deuteronomy 12-26 in light of what we know about Ancient Near Eastern economies. The results open new horizons regarding the origins of the Deuteronomic laws.

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Madeira, Port, Sherry: The Equinox Companion to Fortified Wines fills a niche for all those seeking to understand the fortified wine industry as a whole: its history, producers, winemaking methods, and practical aspects of enjoying these unique wines, numbered among the world's most long-lived beverages. This book constitutes an educational compendium representing organised cutting-edge knowledge on the three classic fortified wines, brought to us by the Iberian culture. The reference work enables an appreciation of the histories of madeira, port and sherry against the background of world-changing events. Extensive terminological research has distilled years of professional knowledge into a reliable compendium, taking the reader on unique educational journeys through winemaking activities, from selection of grapes to bottle ageing. The companion offers comprehensive terminological coverage, including classifications and serving temperatures, as well as the intricacies of flavour compounds, responsible for various notes identified in wine bouquets, such as those of an old blended madeira, a vintage port, or a palo cortado sherry. Guidelines on wine and food pairing have been included to ensure the companion's suitability for a wide audience of readers: from wine experts to connoisseurs, from gourmet restaurant chefs to home cooks.

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Religion is, at its very root, a sensual and often tactile affair. From genuflections, prayer, dance, and eating, to tattooing, wearing certain garments or objects, lighting candles and performing other rituals, religions of all descriptions involve regular bodily commitments which are mediated by acts of touch. Contributors to this volume have isolated the ‘sense of touch’ from the general sensorium as a particular ‘sense tool’ from which to creatively innovate and operationalize fresh concepts, theories, and methods in relation to a diverse range of case studies in Africa, South America, Polynesia, Europe, and South and Southeast Asia. Common and overlapping themes include how touch mediates direct physical (often deliberate) contact between physical bodies (human and other than human) and the things that are crafted, blessed, related with, engaged with, or worn. Understanding touch as the vehicle to alternative forms of knowledge-making in specific religious contexts is the driving force behind the contributions to this collection. The volume argues that touch is not only an intrinsic part of religion but the principal facilitating medium through which religion, religious encounters and performances take place. The diverse contexts presented here signal how investigations that centralise the body and the senses can produce nuanced, culturally specific knowledges and allow for the development of new definitions for lived religion. By placing both ‘body’ and the sense of touch at the centre of investigations, the volume asserts that material practice and bodily sensation are lived religion.

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Although his activity as a recording artist spanned a period of just three years, from 1967, the year of his arrival in England from America to 1970, the year of his death, Jimi Hendrix created a body of work that has exerted a significant influence on a number of artists in the 20th century and beyond. A headline-grabbing, explosive performer, he is widely recognized as an innovative guitarist who broadened the vocabulary of his instrument through both his technique and daring use of technology. For several generations of critics and audiences, he remains the archetypal rock star who framed his immeasurable talent with lifestyle excesses inherent to his profession. Hear My Train A Comin' seeks to appraise Hendrix's legacy in different terms. His ability as a soloist is undeniable, but it is not necessarily the defining aspect of his genius. This book focuses on Hendrix the songwriter, a superlative storyteller who was able to combine melody, lyric and arrangement in order to create pieces that take pride of place in the pantheon of post-war popular music. Why do anthems such as Crosstown Traffic, The Wind Cries Mary, Little Wing, Voodoo Child [Slight Return] Purple Haze or Foxy Lady still affect us today? They alchemize word and sound. These are just a few examples of Hendrix crafting a composition in the most complete sense of the term, making judicious decisions with regard to mood, texture, contrast and overall orchestral richness, looking at his basic resource, the guitar-bass-drums set up as a unit to be enhanced by a range of other instruments and studio production. This book investigates the artist's immense creativity, and the intriguing relationship he had with the art of song, a platform for a multitude of ideas and improvisation.

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In his bio-bibliographical essay, J. Z. Smith wrote that he was fond of the expression “when the chips are down” in the sense of all being said and done. With his passing in December 2017, the phrase has gained an additional layer of sad finality—the chips are really down. Scholarship is not poker, however, which means that these chips not only can but in fact should be picked up and circulated. Thinking with J. Z. Smith brings together the contributions of scholars who do exactly that by considering theoretical and methodological issues central to J. Z. Smith’s oeuvre in the context of their own research. Through analyses of Smith’s own work as well as applications of his concerns to new situations, historic periods, and regions, the contributors to this volume test the adequacy and applicability of Smith’s ideas and provide an indirect assessment of his influence and legacy in the field of religious studies.

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This collection of essays constitute an extended argument for an anthropocentric, human-focused, study of religious practices. The basic premise of the argument, offered in the opening section, is that there is nothing special or extraordinary about human behaviors and constructs that are claimed to have uniquely religious status and authority. Instead, they are fundamentally human and so the scholar of religion is engaged in nothing more or less than studying humans across time and place and all their complex existence-that includes creating more-than-human beings and realities. As an extended and detailed example of such an approach, the second part of the book contains essays that address practices, rhetoric and other data in early Christianities within Greco-Roman cultures and religions. The underlying aim is to insert studies of the New Testament and non-canonical texts, most often presented as "biblical studies," into the anthropocentric study of religion proposed in the opening section. For a general reading of modern biblical scholarship makes clear the assumption that the Christian bible is a "sacred text" whose principal raison d'etre is to stand, fetish-like, as the foundational and highest authority in matters moral, ritual or theological; how might we instead approach the study of these texts if they are nothing more or less than human documents deriving from situations that were themselves all too human? Braun's Jesus and Addiction to Origins seeks to answer just that question-doing so in a way that readers working outside Christian origins will undoubtedly find useful applications for the people, places, and historical periods that they study.

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This book seeks to elucidate the concept of justice, not so much as it is expressed in law courts (retributive and procedural justice) or in state budgets (distributive justice), but as primary justice - what it means and how it can be grounded in the inalienable rights that each human being possesses qua human being. It draws inspiration from two recent works of philosopher Nicolas Wolterstorff, but also from the groundbreaking Islamic initiative of 2007, the Common Word Letter addressed by 138 eminent Muslim scholars and clerics to the pope and all Christian leaders. This document affirmed that the two highest commandments in both Judaism and Christianity are also at the heart of the Islamic tradition - love of God and love of neighbor. In a style that lends itself to the classroom and beyond, the book's six chapters all begin with a case study of justice, so as to emphasize that justice must also be embodied in righteous social, political and economic practices. Along the way, leading contemporary scholars and activists from both traditions urge the reader - Muslim, Christian, or whatever - to look afresh at an age-old conundrum: how do justice and love interact so as to create a world in which everyone finds his or her rightful place?

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Sangharakshita (1925-2018) was a Buddhist writer and teacher, founder of the Triratna Buddhist Order and Community (previously FWBO). Apart from his practical achievements, Sangharakshita was an original thinker on the adaptation of Buddhism to modern conditions, an autodidact whose intellectual creativity was stimulated by both cross-cultural experience and practical contingency. His thinking is little known or appreciated outside the movement he founded, but over-dominant within it. This means that there is a shortage of balanced critical discussion of his work that finds any middle way between hagiography and dismissal. Sangharakshita has also been an object of controversy in recent years, but his more controversial views and actions need to be seen in proportion to the whole of his thinking. This book surveys Sangharakshita's most important and original ideas with an eye that combines appreciation and critical awareness in equal measure. It celebrates Sangharakshita's pioneering syntheses of Buddhist and Western ideas, but warns against the inconsistencies and dogmas that are also found in Sangharakshita's work - dogmas whose negative practical effects can also be traced.

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Miniature books, handwritten or printed books in the smallest format, have fascinated religious people, printers, publishers, collectors, and others through the centuries because of their unique physical features, and continue to captivate people today. The small lettering and the delicate pages, binding, and covers highlight the material form of texts and invite sensory engagement and appreciation. This volume addresses miniature books with a special focus on religious books in Jewish, Christian, Muslim, Hindu and Buddhist traditions. The book presents various empirical contexts for how the smallest books have been produced, distributed, and used in different times and cultures and also provides theoretical reflections and comments that discuss the divergent formats and functions of books.

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Religions of a Single God is like no other introductory textbook on the Western monotheistic religions. As expected, it teaches both the basics of Judaism, Christianity and Islam, presenting the trajectories of their development over time, their main theological debates and claims, sacred writings, and their common practices and holy days. But rather than claiming to show the “essence” of Judaism, Christianity, or Islam, Religions of a Single God shows the diversity within Jewish, Christian, and Islamic experience, theological dispute, and practice. Rather than relying solely on the traditional theorists of religion, this book also introduces the approaches of contemporary critical thinkers to questions of defining, classifying, and studying religion. Rather than presenting Mormonism and the Baha’i Religion as “New Religious Movements”, this book treats them as part of the continuing history of religion, growing out of and within Christianity and Islam respectively. Religion, in other words, is not a thing of the past. It’s happening right now, all around us.

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Constructing "Data" in Religious Studies provides a critical introduction to the ways in which the category "data" is understood, produced, and deployed in the discipline of religious studies. The volume is organized into four different sections, entitled "Subjects," "Objects," "Scholars," and "Institutions," with an epilogue by Russell McCutcheon and Aaron Hughes. The volume's aim is to reflect, first, on the problems, strategies, and political structures through which scholars identify (and therefore create) data, and second, on the institutions, extensions, and applications of that data. The first three sections are spearheaded by a key essay and followed by four responses, all of which consider how the politics of the academy determine the very nature of the things we purport to study. The fourth section considers what these concepts look like as they are applied and further institutionalized in college and university structures, and itself includes four essays on "teaching," "departments," "research," and "labor." Finally, the epilogue closes the volume with a consideration on the politics of scholarly collegiality, transforming the data-makers (scholars) into data themselves.

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Provincial Headz: British Hip Hop and Critical Regionalism draws upon spatial practice, material culture, human geography, ethnomusicology and cultural theory in order to present an interdisciplinary counter-narrative to that of hip hop as a strictly urban phenomenon; providing an insight into the relocation of hip hop culture from its inception in New York ghettos to its practices in provincial and rural Britain. Hip hop culture truly arrived in Britain in 1983, a decade after its origin in New York City, and although many important events, artists and recordings that evidence hip hop’s existence in 1980s Britain are well documented, these are almost exclusively urban. Additionally, the narratives embedded in these representations remain too convenient and unchallenged. This book reveals parallel and dialectical experiences of British hip hop pioneers and practitioners dwelling outside the metropolis, discussed under the recurring themes of relocation, territory, consumption, production and identity. These narratives are framed within a rich contextual discourse drawing upon Bhabha, Bourdieu, Foucault, DeLanda and contemporary hip hop scholarship. Shifting hip hop research from urbanism to rurality, the book serves as an introduction to the complexities of its historical narratives in Britain and reveals another hip hop history and how we understand it.

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Evil: A Critical Primer begins with the claim that evil is a concept that is contextually bound. This means that we should not expect to find shared or similar notions of evil across cultures. Addressing evil in a way that is at once contextually specific and applicable to cross-cultural settings, this primer breaks with moral conceptions of evil by redescribing it within a new framework of dangers and aversions (i.e., things that cause harm and things to avoid). Doing so provides an empirical and heuristic framework as a new starting point for the study of religion, deemphasizing things associated with evil (like the devil, wickedness, or a diabolic will) and focusing instead on attitudes and practices (like rituals of purity and impurity, notions of clean and dirty, or expressions of disgust). Introducing and reflecting on cultural and cognitive aspects of classification, myth, ritual, emotions, and morality, Evil: A Critical Primer argues that our colloquial conception of evil, as related exclusively to the moral domain, is usefully illuminated by attending to historical and cultural context and cross-cultural comparison.

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Canadian-American singer-songwriter Rufus Wainwright (b. 1973) is famous around the world for his multi-faceted musical style, shown through both his recorded output and his engaging live performances. In this book, Katherine Williams combines aspects of his life story with scholarly readings drawn from several methodologies. Popular music studies, opera, queer studies, music and geography, the sound-box: all combine to give a rich biographical and interpretative overview of Wainwright's life and music. Williams brings together close musical analysis with such varied disciplinary perspectives with a tone that is both in-depth and scholarly, and accessible. The book is a must-read for fans, students and scholars alike.

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When it became evident that the People's Republic of China (PRC) was on the verge of banning the Falun Gong movement, Li Hongzhi, the movement's founder, and his family escaped China, relocating permanently in the United States. Subsequently, the dramatic crackdown on Falun Gong in 1999 made international headlines. From the safety of his new home, Master Li encouraged his followers left behind in the PRC to vigorously demonstrate against the Chinese government, even if it meant imprisonment or even death. Further, Master Li actively discourages his followers from telling outsiders about his esoteric teachings; rather, he explicitly directs them to say that Falun Gong is just a peaceful spiritual exercise group being persecuted by the PRC. Not only has Falun Gong succeeded in propagating their side of the story in the media but the group will vigorously protest any news story that disagrees with their point of view. In more recent years, Falun Gong has attempted to silence critical scholars, including two of the contributors to the present volume. Enlightened Martyrdom: The Hidden Side of Falun Gong provides a comprehensive overview of Falun Gong: the movement's background, history, beliefs and practices. But whereas prior treatments have generally tended to downplay Falun Gong's 'dark side, ' in Enlightened Martyrdom, we have made an effort to include treatments of the less palatable aspects of this movement.

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Fabricating Identities pairs early career scholars with members of Culture on the Edge, to explore how social actors identify themselves through their practices and associations. The book is arranged in a series of articles and commentaries that all press the model of seeing what we usually call identity as the result of a series of identifications-actions and circumstances that enable us to understand ourselves as related to others in specific ways. Changing relations result in changing senses of identity. With an introduction and substantive theoretical afterword, the book's brief main chapters make it an ideal conversation-starter in classes or primer for those wishing to rethink how we normally talk about identity.

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