Search results for ""author rainer"

Schwierige Situationen aktiv gestaltenDieses Buch hilft andere verstehen und sich unterschiedlichen Charakteren verständlich zu machen. Wer arbeitet, ist von anderen Menschen umgeben. Oftmals lässt sich die Kommunikation gestalten. Bei Vorgesetzten scheint der Einfluss gering zu sein – wir müssen sie nehmen wie sie sind. Das verursacht manchmal Stress. Sachse und Collatz, Experten in der Beratung von Menschen in Arbeitskontexten, zeigen in diesem Buch, wie Persönlichkeitsstile „ticken“: Die verschiedenen Stile werden jeweils in ihren allgemeinen Charakteristika, Beziehungsmotiven, zugrundliegenden Annahmen (Schemata), in ihren Stärken und Schwächen – mit den Konsequenzen für sich selbst und ihre Interaktionspartner – beschrieben. Leserinnen und Leser erkennen, wie sie dem konstruktiv und gesund begegnen können. Dieses Buch ist kurz und anschaulich und für Chefs wie für Mitarbeiter gleichermaßen zu Genuss und Gewinn geschrieben.Der InhaltWas sind Persönlichkeitsstile? – 9 Stile: Charakteristika, Beziehungsmotive, Schemata, Kommunikation – Alltagsbeispiele.Das AutorenteamProf. Dr. Rainer Sachse macht komplexe psychologische Sachverhalte allgemein verständlich und stellt sie humorvoll und einfühlsam dar.Dipl.-Psych. Dr. Annelen Collatz berät Menschen im Berufskontext und hat bereits mehrere erfolgreiche Bücher geschrieben.

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In the much-anticipated update to a classic in dance studies, Mark Franko analyzes the political aspects of North American modern dance in the 20th century.A revisionary account of the evolution of modern dance, this revised edition of Dancing Modernism / Performing Politics features a foreword by Juan Ignacio Vallejos on Franko's career, a new preface, a new chapter on Yvonne Rainer, and an appendix of left-wing dance theory articles from the 1930s. Questioning assumptions that dancing reflects culture, Franko employs a unique interdisciplinary approach to dance analysis that draws from cultural theory, feminist studies, and sexual, class, and modernist politics. Franko also highlights the stories of such dancers as Isadora Duncan, Martha Graham, and even revolutionaries like Douglas Dunn in order to upend and contradict ideas on autonomy and traditionally accepted modernist dance history.Revealing the captivating development of modern dance, this revised edition of Dancing Modernism / Performing Politics will fascinate anyone interested in the intersection of performance studies, history, and politics.

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A ground-breaking masterpiece of early European modernism originally published in 1910, The Notebooks of Malte Laurids Brigge unspools the vivid reflections of the titular young Danish nobleman and poet. From his Paris garret, Brigge records his encounters with the city and its outcasts, muses on his family history and lays bare his earliest experiences of fear, tenderness and desolation. With a poet’s feel for language and a keen instinct for storytelling, Rainer Maria Rilke forges a dazzlingly fractured coming-of-age narrative, kaleidoscopic in its alternation of vivid present encounters and equally alive memories of childhood. Strikingly contemporary, The Notebooks of Malte Laurids Brigge reveals a writer metabolising his own experiences to yield still-essential questions about fiction and reality, empathy and psychosis, and—above all—life, love and death. In a fascinating introduction, award-winning translator Edward Snow explores the overlaps between Rilke’s experiences and those of his protagonist, and shows with granular attention the novel’s capacity for nuance and sympathy. Snow’s exquisite translation captures as never before the astonishing cadences and musical clarity of the poet’s prose. It reveals The Notebooks of Malte Laurids Brigge as an urgent contemporary achievement, more than one hundred years after it was written.

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How can we realise and actualise love, reason and meaningful, productive work? If the Art of Being - the art of functioning as a whole person - can be considered the supreme goal of life, a breakthrough occurs when we move from narcissistic selfishness and egotism - from having - to psychological and spiritual happiness - being. The Art of Being remains one of the most important and sought-after works in the Fromm canon.Fromm here offers a path to true wellbeing and a way of living based on authentic self-awareness that comes only through honest self-analysis. He warns of the pitfalls of our attaining enlightenment without effort, or believing that life can be lived without pain. The tantalising 'spiritual smorgasbord' offered by our consumer-oriented world, Fromm maintains, only feeds our illusions of 'easy awareness'. Confronting the psycho-gurus who preach these shortcuts to enlightenment, Fromm offers another way to self-awareness through meditation rather than material gain.This volume is a sequel to one of Erich Fromm's most popular works, To Have or to Be. In this book, Fromm examines the true paths - as opposed to false directions - that will lead us to self-knowledge and enlightenment. This edition, commemorating thirty years since the first English publication of The Art of Being, features an updated introduction from editor Rainer Funk.

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"The book provides a fresh take on the difference between the lived experience inside Ferrari and the perception from outside, combining intense scrutiny and global fan adulation." - Motorsport.com “The photographs in the book, reproduced with startling clarity while still maintaining a period-correct palette, are a joy to study, demonstrating with profound evidence the progression of the drivers, cars, and competition—as well as the photographers' techniques—through the decades” - Car and Driver Ferrari is the beating heart of the global sporting phenomenon that is Formula 1. Its founder, Enzo Ferrari, was born on the racetrack as a competition driver before he became a creator of mythical road cars. No other team can inspire the passion or match the stories of triumph and tragedy. Rainer Schlegelmilch and Ercole Colombo are two of Formula 1’s most legendary photographers. They covered the sport from the 1960s onwards, with amazing access inside the Scuderia. Here, for the first time, they come together to pay tribute to Formula 1’s most iconic team. Ferrari: From Inside and Outside features contributions from iconic figures including Piero Ferrari, Luca di Montezemolo, Stefano Domenicali, Jean Todt and legendary designer Mauro Forghieri. The book is edited by internationally celebrated Formula 1 commentator and Michael Schumacher’s biographer, James Allen.

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The most substantive monograph yet published on the work of German-born, New York based multimedia artist Andrea Geyer (born 1971), Dance in a Future with All Present focuses on her recent explorations of the marginalized yet pivotal role that women have played in the formulation of American modernism, tracing and honoring the ephemeral acts, initiatives and stories that shaped it. Featuring full-color images of Geyer's artworks and research materials, including documents, found photographs and previously unpublished photographs by the artist, Dance in a Future with All Present offers insight into Geyer's art and the multiple histories of modernism. Contributors to this volume include Thomas J. Lax, Andre Lepecki, Soyoung Yoon, Andrianna Campbell, Alhena Katsof, Matthew Jeffrey, Juli Carson, Lynne Cooke, Barbara Clausen, Dean Daderko, Saisha Grayson, Sharon Hayes, Megan Heuer, Danielle Jackson, Kristan Kennedy, Ralph Lemon, Renate Lorenz, Josiah McElheny, Fred Moten, Kristin Poor, Yvonne Rainer, Gabriela Rangel and Jeannine Tang.

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Die Geschichts- und Bibelwissenschaft verzeichnet in den letzten Jahren ein verstärktes Interesse an biographischen Studien. Sie machen deutlich, dass Gesellschaft, Kultur und Religion nur dann zu verstehen sind, wenn man die sie tragenden Persönlichkeiten kennt mitsamt ihren konkreten Geschichten, Erfahrungen und Lebensprofilen. Die Geschichtsschreibung erwähnt bevorzugt die fÃ"hrenden Persönlichkeiten, denen als Prominente eine erhöhte Aufmerksamkeit zukommt, denn sie verkörpern etwas Besonderes. Auch das Neue Testament kennt eine Reihe solcher Persönlichkeiten der Zeitgeschichte. Ihren Namen, ihren Geschichten und den Spuren, die sie in der Welt der ersten Christen hinterlassen haben, ist Rainer Metzner nachgegangen und hat auch auf auÃerbiblische Quellen zurÃ"ckgegriffen.In seiner Prosopographie begegnen Kaiser, Senatoren, Ritter und städtische Ratsherren, fÃ"hrende Persönlichkeiten der römischen Reichsaristokratie, wie auch Könige, LandesfÃ"rsten und Hohepriester. Bei Metzner begegnen dem Leser aber auch Sozialbanditen, Zeichenpropheten und Magier, die sich in den GeschichtsbÃ"chern einen Namen gemacht haben.

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In this important volume, Jay Sanders and J. Hoberman explore the vibrant underground performance art scene of 1970s New York. Focusing on little-known and long-forgotten works, which were often performed in live/work lofts, storefronts, and alternative spaces of the city’s SoHo district, often for an audience comprising a handful of fellow artists, this catalogue makes newly visible a critical period in the development of performance art.Rituals of Rented Island examines the disparate yet related practices of twenty artists, including Stuart Sherman; collaborators Yvonne Rainer and Babette Mangotle; Julia Heyward; Jill Kroesen; Richard Foreman; Squat Theatre; composer-musician John Zorn; and legendary playwright and filmmaker Jack Smith; among others. With an array of previously unpublished images, including installation photographs, scripts, handwritten notes, and other ephemera, drawn from the artists’ own archives, this volume illuminates the eccentric singularities of the performance art of this era and its relevance today.Distributed for the Whitney Museum of American ArtExhibition Schedule:Whitney Museum of American Art (10/31/13–02/02/14)

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Dieses Buch lädt Psychotherapeutinnen und Psychotherapeuten in Klinik und Praxis, in Ausbildung oder mit langer Erfahrung, ein, das eigene Vorgehen zu reflektieren und aus der Kenntnis psychologischer Konzepte und Forschungen zu modifizieren und zu erweitern. Dadurch soll erreicht werden, dass Therapeuten Klienten ein besseres Therapie-Angebot machen können. So sehr es manchmal hilfreich sein kann mit überschaubaren Modellen zu arbeiten, so sinnvoll kann es sein, das eigene Handeln in eine übergreifende Rahmenkonzeption einbetten zu können – reflektiert, selbstfürsorglich, am Klienten orientiert. Aus dem Inhalt: Grundlegende Fragen zur Psychotherapie-Konzeption. Praktische Probleme und Vorgehensweisen in der Psychotherapie. Grundprobleme von Klienten: auf welche psychologischen Aspekte können Psychotherapeutinnen und Psychotherapeuten achten und welche (Prozess-)Ziele können sie sinnvoll anstreben. Über den Autor: Prof. Dr. Rainer Sachse ist Psychologischer Psychotherapeut, Begründer der klärungsorientierten Psychotherapie und Leiter des Instituts für Psychologische Psychotherapie (IPP) in Bochum; hier stellt er Grundannahmen über Psychotherapie auf den Kopf und lädt ein, zu gemeinsamen theoretischen Wurzeln der Psychologie zurückzukehren – mit Blick auf Konzeptübergreifendes, pro Klient und Klientin.

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Hoarding New Guinea provides a new cultural history of colonialism that pays close attention to the millions of Indigenous artifacts that serve as witnesses to Europe’s colonial past in ethnographic museums. Rainer F. Buschmann investigates the roughly two hundred thousand artifacts extracted from the colony of German New Guinea from 1870 to 1920. Reversing the typical trajectories that place ethnographic museums at the center of the analysis, he concludes that museum interests in material culture alone cannot account for the large quantities of extracted artifacts. Buschmann moves beyond the easy definition of artifacts as trophies of colonial defeat or religious conversion, instead employing the term hoarding to describe the irrational amassing of Indigenous artifacts by European colonial residents. Buschmann also highlights Indigenous material culture as a bargaining chip for its producers to engage with the imposed colonial regime. In addition, by centering an area of collection rather than an institution, he opens new areas of investigation that include non-professional ethnographic collectors and a sustained rather than superficial consideration of Indigenous peoples as producers behind the material culture. Hoarding New Guinea answers the call for a more significant historical focus on colonial ethnographic collections in European museums.

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Perhaps more than anything else, it is the concept of the everyday that has most marked the arts and culture of the twentieth century. Nowhere has this been so clearly articulated as in France after World War II. Indeed, the 1950s and 1960s in France were awash in a sociological fascination with the transformed rhythms and accoutrements of daily lived experience. The Art of the Everyday features essays by prominent writers on the topic of the quotidian in philosophy, cinema, theater, photography, and other visual arts of postwar France. In particular, a number of younger artists practicing today—such as Joël Bartoloméo, Rebecca Bournigault, Claude Closky, Frédéric Coupet, Valerie Jouve, Philippe Mairesse, Jean-Luc Moulène, and Rainer Oldendorf—find inspiration in the stuff of everyday life, rejecting an outmoded reverence for le grand goût. For them, the sophisticated urbanity of the nineteenth-century flâneur has mutated into a city dweller well-acquainted with the often unpleasant requirements of city life. A panorama of an important aspect of postwar French culture, The Art of the Everyday brings to light the work of a new generation of contemporary French artists viewed through the lens of daily experience.

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The fall of the Berlin Wall in 1989 ushered in a period of democratization and market reform extending across the East-Central European region, with one important exception: Belarus. Ironically, Belarus's fledgling attempts at democracy produced a leader who has suspended the post-Soviet constitution and its institutions and created a personal dictatorship. Located in the center of the European continent, Belarus lies at the crossroads of an expanded NATO and the Russian "near abroad." This fact underlines the importance of Belarus to European security and to East-West relations.To discuss developments in Belarus, an international group of scholars and policymakers gathered at Harvard University in 1999. The broad spectrum of issues covered is examined in this volume, providing an understanding of Belarus today and its prospects for the future. In addition to the editors, contributors include Timothy Colton, David Marples, Uladzimir Padhol, Rainer Lindner, Patricia Brukoff, Leonid Zlotnikov, Arkadii Moshes, Andrei Sannikov, Yuri Drakokhrust, Dmitri Furman, John Reppert, Astrid Sahm, Kirsten Westphal, Hrihoriy Perepelytsia, Algirdas Gricius, Agnieszka Magzdiak-Miszewska, Hans-Georg Wieck, Sherman Garnett, Elaine Conkievich, and Caryn Wilde.

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In 1902, a nineteen-year-old aspiring poet named Franz Kappus wrote to Rainer Maria Rilke, then twenty-six, seeking advice on his poetry. Kappus, a student at a military academy in Vienna similar to the one Rilke had attended, was about to embark on a career as an officer, for which he had little inclination. Touched by the innocence and forthrightness of the student, Rilke responded to Kappus’ letter and began an intermittent correspondence that would last until 1908.Letters to a Young Poet collects the ten letters that Rilke wrote to Kappus. A book often encountered in adolescence, it speaks directly to the young. Rilke offers unguarded thoughts on such diverse subjects as creativity, solitude, self-reliance, living with uncertainty, the shallowness of irony, the uselessness of criticism, career choices, sex, love, God, and art. Letters to a Young Poet is, finally, a life manual. Art, Rilke tells the young poet in his final letter to him, is only another way of living.With the same artistry that marks his widely acclaimed translations of Kafka’s The Castle and Amerika: The Missing Person, Mark Harman captures the lyrical and spiritual dimensions of Rilke’s prose. In his introduction, he provides biographical contexts for the reader and discusses the challenges of translating Rilke. This lovely hardcover edition makes a perfect gift for any young person starting out in life or for those interested in finding a clear articulation of Rilke’s thoughts on life and art.

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Dermoscopy: The Essentials presents the practical guidance you need to master this highly effective, more economical, and less invasive alternative to biopsy. Drs. Peter Soyer, Giuseppe Argenziano, Rainer Hofmann-Wellenhof, and Iris Zalaudek explain all aspects of performing dermoscopy and interpreting results. With approximately 30% new clinical and dermoscopic images, valuable pearls and checklists, and online access to the fully searchable and downloadable text, you'll have everything you need to diagnose earlier and more accurately. Avoid diagnostic pitfalls through pearls that explain how to accurately use dermoscopy and highlight common mistakes. Master all aspects of performing dermoscopy and interpreting the results with easy-to-use "traffic light" systems and checklists for quick and effective learning. Gain a better visual understanding with approximately 30% new clinical and dermoscopic images that depict the appearance of benign and malignant lesions and feature arrows and labels to highlight important manifestations. Get better diagnostic results for less by learning how to successfully perform dermoscopy with this portable, to-the-point resource. Enhanced eBook version included with purchase. Your enhanced eBook allows you to access all of the text, figures, and references from the book on a variety of devices.

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The concept of hope is central to the work of the German philosopher Ernst Bloch (1885–1977), especially in his magnum opus, The Principle of Hope (1959). The "speculative materialism" that he first developed in the 1930s asserts a commitment to humanity's potential that continued through his later work. In The Privatization of Hope, leading thinkers in utopian studies explore the insights that Bloch's ideas provide in understanding the present. Mired in the excesses and disaffections of contemporary capitalist society, hope in the Blochian sense has become atomized, desocialized, and privatized. From myriad perspectives, the contributors clearly delineate the renewed value of Bloch's theories in this age of hopelessness. Bringing Bloch's "ontology of Not Yet Being" into conversation with twenty-first-century concerns, this collection is intended to help revive and revitalize philosophy's commitment to the generative force of hope.Contributors. Roland Boer, Frances Daly, Henk de Berg, Vincent Geoghegan, Wayne Hudson, Ruth Levitas, David Miller, Catherine Moir, Caitríona Ní Dhúill, Welf Schröter, Johan Siebers, Peter Thompson, Francesca Vidal, Rainer Ernst Zimmermann, Slavoj Žižek

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Rainer Maria Rilke (1875-1926) is universally recognized as among the most important twentieth-century German-language poets. Here, for the first time, are all the surviving translations of his poetry made by Ruth Speirs (1916-2000), a Latvian exile who joined the British literary community in Cairo during World War Two, becoming a close friend of Lawrence Durrell and Bernard Spencer. Though described as 'excellent' and 'the best' by J. M. Cohen on the basis of magazine and anthology appearances, copyright restrictions meant that during her lifetime, with the exception of a Cairo-published Selected Poems (1942), Speirs was never to see her work gathered between covers and in print.This volume, edited by John Pilling and Peter Robinson, brings Speirs' translations the belated recognition they deserve. Her much-revised and considered versions are a key document in the history of Rilke's Anglophone dissemination. Rhythmically alive and carefully faithful, they give a uniquely mid-century English accent to the poet's extraordinary German, and continue to bear comparison with current efforts to render his tenderly taxing voice.

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Two ways of understanding the aesthetic organization of literary works have come down to us from the late 18th century and dominate discussions of European modernism today: the aesthetics of autonomy, associated with the self-sufficient work of art, and the aesthetics of fragmentation, practiced by the avant-gardes. In this revisionary study, Leonardo Lisi argues that these models rest on assumptions about the nature of truth and existence that cannot be treated as exhaustive of modernist form. Lisi traces an alternative aesthetics of dependency that provides a different formal structure, philosophical foundation, and historical condition for modernist texts. Taking Europe's Scandinavian periphery as his point of departure, Lisi examines how Søren Kierkegaard and Henrik Ibsen imagined a response to the changing conditions of modernity different from those at the European core, one that subsequently influenced Henry James, Hugo von Hofmannsthal, Rainer Maria Rilke, and James Joyce. Combining close readings with a broader revision of the nature and genealogy of modernism, Marginal Modernity challenges what we understand by modernist aesthetics, their origins, and their implications for how we conceive of our relation to the modern world.

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Contemporary philosophical pluralism recognizes the inevitability and legitimacy of multiple ethical perspectives and values, making it difficult to isolate the higher-order principles on which to base a theory of justice. Rising up to meet this challenge, Rainer Forst, a leading member of the Frankfurt School's newest generation of philosophers, conceives of an "autonomous" construction of justice founded on what he calls the basic moral right to justification. Forst begins by identifying this right from the perspective of moral philosophy. Then, through an innovative, detailed critical analysis, he ties together the central components of social and political justice--freedom, democracy, equality, and toleration--and joins them to the right to justification. The resulting theory treats "justificatory power" as the central question of justice, and by adopting this approach, Forst argues, we can discursively work out, or "construct," principles of justice, especially with respect to transnational justice and human rights issues. As he builds his theory, Forst engages with the work of Anglo-American philosophers such as John Rawls, Ronald Dworkin, and Amartya Sen, and critical theorists such as Jurgen Habermas, Nancy Fraser, and Axel Honneth. Straddling multiple subjects, from politics and law to social protest and philosophical conceptions of practical reason, Forst brilliantly gathers contesting claims around a single, elastic theory of justice.

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Contemporary philosophical pluralism recognizes the inevitability and legitimacy of multiple ethical perspectives and values, making it difficult to isolate the higher-order principles on which to base a theory of justice. Rising up to meet this challenge, Rainer Forst, a leading member of the Frankfurt School's newest generation of philosophers, conceives of an "autonomous" construction of justice founded on what he calls the basic moral right to justification. Forst begins by identifying this right from the perspective of moral philosophy. Then, through an innovative, detailed critical analysis, he ties together the central components of social and political justice--freedom, democracy, equality, and toleration--and joins them to the right to justification. The resulting theory treats "justificatory power" as the central question of justice, and by adopting this approach, Forst argues, we can discursively work out, or "construct," principles of justice, especially with respect to transnational justice and human rights issues. As he builds his theory, Forst engages with the work of Anglo-American philosophers such as John Rawls, Ronald Dworkin, and Amartya Sen, and critical theorists such as Jurgen Habermas, Nancy Fraser, and Axel Honneth. Straddling multiple subjects, from politics and law to social protest and philosophical conceptions of practical reason, Forst brilliantly gathers contesting claims around a single, elastic theory of justice.

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Para la filósofa, escritora y poetisa Virginia Moratiel, los poetas son los perfectos compañeros de viaje: sea por el enorme deleite interior que nos ofrecen sus poemas, sea por la peculiar manera como abordan los grandes temas universales o el sentimiento que destilan ante las encrucijadas del camino. En medio de ese constante deambular, quién puede resistirse a dejarse poseer por la belleza, quién no desea volverse inmortal gracias al canto de un poeta. Así, Moratiel nos ofrece una personal cartografía poética, jalonada por la vida y la obra de tantos artistas fascinantes ?de Safo y Emily Dickinson a Wis?awa Szymborska y Alejandra Pizarnik; de Matsuo Bash? y Giacomo Leopardi a Rainer Maria Rilke y Paul Celan?, seres atractivos y enigmáticos, que en pleno dolor son capaces de abrazarse con denuedo a la belleza, consolarnos e infundirnos ganas de seguir viviendo.

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The city is sweet and summered and partly asleep. The city is angry. And tonight: one of us is going to die. On the eve of the biggest deal of her career, Saskia, an uber-successful property developer runs from the meeting, all the way home down the Grand Union Canal. Plagued by phone calls and ghosts, she meets a myriad of characters looking to make or break her. She realises, as her shiny life unravels, that she doesn’t know herself anymore or the city she once loved. Can she still save a little piece of it? From the award-winning, Offie-nominated writer of Rainer, Max Wilkinson's Union is a wildly hilarious odyssey through London, in all its brilliant, booze-soaked yuppified but still punk glory. Just as Saskia fears she is losing her own soul to greed, it’s about the fear that London is losing that same battle but is still defined by a beautiful beating heart and the people who live in it. Born from creative workshops led for several years by Max with local communities across London, Union is a black comedy, a love letter and a passionate call to arms. This edition was published to coincide with the world premiere at the Arcola Theatre, London, in July 2023.

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On foot the world comes our way. We get close to the Continent’s alpine ranges, arterial rivers, expansive coastlines. Close to its ancient cities and mysterious thoroughfares; and close to the walkers themselves—the Grand Tourers and explorers, strollers and saunterers, on their hikes and quests, parades and urban drifts. Sauntering features sixty walker-writers—classic and current—who roam Europe by foot. Twenty-two countries are traversed. We join Henriette d’Angeville, the second woman to climb Mont Blanc; Nellie Bly roaming the trenches of the First World War; Werner Herzog on a personal pilgrimage through Germany; Hans Christian Andersen in quarantine; Joseph Conrad in Cracow; Rebecca Solnit reimagining change on the streets of Prague; and Robert Macfarlane dropping deep into underground Paris. Contributors include: Patrick Leigh Fermor; John Hillaby; Robert Walser; Henriette d’Angeville; Joseph Roth; Joanna Kavenna; Richard Wright; Werner Herzog; Robert Antelme; George Sand; Rainer Maria Rilke; Robert Macfarlane; Rebecca Solnit; Kate Humble; Nicholas Luard; Edith Wharton; Elizabeth von Armin; Joseph Conrad; D. H. Lawrence; Vernon Lee; Guy Debord, Mark Twain, Thomas Coryat, and more.

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A poem is often read as a set of formal, technical, and conventional devices that generate meaning or affect. However, Lucy Alford suggests that poetic language might be better understood as an instrument for tuning and refining the attention. Identifying a crucial link between poetic form and the forming of attention, Alford offers a new terminology for how poetic attention works and how attention becomes a subject and object of poetry.Forms of Poetic Attention combines close readings of a wide variety of poems with research in the philosophy, aesthetics, and psychology of attention. Drawing on the work of a wide variety of poets such as T. S. Eliot, Wallace Stevens, Frank O’Hara, Anne Carson, Theresa Hak Kyung Cha, Harryette Mullen, Al-Khansā’, Rainer Maria Rilke, Arthur Rimbaud, and Claudia Rankine, Alford defines and locates the particular forms of attention poems both require and produce. She theorizes the process of attention-making—its objects, its coordinates, its variables—while introducing a broad set of interpretive tools into the field of literary studies. Forms of Poetic Attention makes the original claim that attention is poetry’s primary medium, and that the forms of attention demanded by a poem can train, hone, and refine our capacities for perception and judgment, on and off the page.

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Dà Shamhradh ann an Raineach is a historical novel written in Scottish Gaelic. It is set in 18th century Edinburgh and rural Perthshire, 20 years after the Battle of Culloden, a time of rapid social change and development in areas such as medicine, printing, the Church, the Gaelic language and agriculture. The novel is based on the facts that are known of the life of Dugald Buchanan, the poet and schoolteacher who made a major contribution to the first translation of the New Testament into Gaelic from the original Greek. He oversaw the printing of the New Testament in Edinburgh in 1767, the same year in which his own book of Spiritual Songs was published. These poems were to become enormously influential throughout the Gaelic speaking world. The greater part of the novel describes the last two years of his life and is narrated by his wife, Margaret. She outlived him by over 40 years and was in a position to look back over the tragic events which had struck the Buchanan family. As a result, the story ultimately becomes her own as much as that of Dugald.

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In Hybrid Practices, essays by established and emerging scholars investigate the rich ecology of practices that typified the era of the Cold War. The volume showcases three projects at the forefront of unprecedented collaboration between the arts and new sectors of industrial society in the 1960s and 70s—Experiments in Art and Technology (E.A.T.), the Art and Technology Project at the Los Angeles County Museum of Art (A&T), and the Artist Placement Group (APG) in the UK. The subjects covered include collaborative projects between artists and scientists, commercial ventures and experiments in intermedia, multidisciplinary undertakings, effacing authorship to activate the spectator, suturing gaps between art and government, and remapping the landscape of everyday life in terms of technological mediation. Among the artists discussed in the volume and of interest to a broad public beyond the art world are Bernd and Hilla Becher, John Cage, Hans Haacke, Robert Irwin, John Latham, Fujiko Nakaya, Carolee Schneemann, James Turrell, Yvonne Rainer, Robert Rauschenberg, and Robert Whitman. Prominent engineers and scientists appearing in the book’s pages include Elsa Garmire, Billy Klüver, Frank Malina, Stanley Milgram, and Ed Wortz. This valuable collection aims to introduce readers not only to hybrid work in and as depth, but also to work in and as breadth, across disciplinary practices where the real questions of hybridity are determined.

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Called "the most important critic of his time" by Hannah Arendt, Walter Benjamin has only become more influential over the years, as his work has assumed a crucial place in current debates over the interactions of art, culture, and meaning. A "natural and extraordinary talent for letter writing was one of the most captivating facets of his nature," writes Gershom Scholem in his foreword to this volume; and Benjamin's correspondence reveals the evolution of some of his most powerful ideas, while also offering an intimate picture of Benjamin himself and the times in which he lived. Writing at length to Scholem and Theodor Adorno, and exchanging letters with Rainer Maria Rilke, Hannah Arendt, Max Brod, and Bertolt Brecht, Benjamin elaborates on his ideas about metaphor and language. He reflects on literary figures from Kafka to Karl Kraus, and expounds his personal attitudes toward such subjects as Marxism and French national character. Providing an indispensable tool for any scholar wrestling with Benjamin's work, "The Correspondence of Walter Benjamin" is a revelatory look at the man behind much of the twentieth century's most significant criticism.

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Was ist das Tier? Auf Grundlage panentheistischer Denkmodelle gelingt die Eröffnung neuer systematisch-theologischer Perspektiven auf das Tier. Eine dogmatische (Neu-) Bestimmung und Verortung des Tieres wird hierbei nicht aus einem Vergleich mit dem Menschen abgeleitet, sondern vom Gottesgedanken her entfaltet. Damit kann ein Anthropozentrismus überwunden werden, der dem Tier eine Gottesbeziehung abspricht. Die Arbeit beginnt mit einer gründlichen Bestandsaufnahme tierdogmatischer Aussagen in den Werken von Karl Barth, Gerhard Ebeling, Paul Tillich und Wolfhart Pannenberg. Das Herzstück der Dissertation von Cynthia Helbling widmet sich Albert Schweitzer, Jürgen Moltmann und Rainer Hagencord. Ihre panentheistischen Entwürfe erweisen sich als tragfähig für eine theologische Rede vom Tier, die über die bisherigen Grenzen des Sagbaren hinausgeht. Der Band empfiehlt sich für alle, die sich der Frage nach dem Tier stellen wollen und leistet einen Beitrag zur theologischen Fundierung des tierethischen Diskurses.

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Gaspara Stampa (1523-1554) is one of the finest female poets ever to write in Italian. Although she was lauded for her singing during her lifetime, her success and critical reputation as a poet emerged only after her verse was republished in the early eighteenth century. Her poetry runs the gamut of human emotion, ranging from ecstasy over a consummated love affair to despair at its end. While these tormented works and their multiple male addressees have led to speculation that Stampa may have been one of Venice's famous courtesans, they can also be read as a rebuttal of typical assumptions about women's roles. Championed by Rainer Maria Rilke, among others, she has more recently been celebrated by feminist scholars for her distinctive and original voice and her challenge to convention. The first complete translation of Stampa into English, this volume collects all of her passionate and lyrical verse. It is also the first modern critical edition of her poems, and in restoring the original sequence of the 1554 text, it allows readers the opportunity to encounter Stampa as she intended. Jane Tylus renders Stampa's verse in precise and graceful English translations, allowing a new generation of students and scholars of poetry, Renaissance literature, and music history to rediscover this incipiently modern Italian poet.

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Alex Katz has found his audience. It s not the first time. Over seven decades, the artist has developed his vision with determination as the tides of avant-garde and academic fashion ebbed and flowed. His first audience was other painters (including de Kooning and Philip Guston), and today, still, he is perhaps best understood by other artists: those who appreciate how difficult it is to make something so simple, so well. Working in a representational style while his classmates celebrated Abstract Expressionism, eschewing slick surfaces for a pared-down view while his peers went glossy with Pop, Katz cleaved to one vision, a few locations, and subjects. Katz s endurance and commitment to developing an original American style is explored in depth, from his boyhood influences to an artistic circle that included John Ashbery, Ted Berrigan, Lois Dodd, Kenneth Koch, Frank O Hara, Fairfield Porter, Yvonne Rainer, Larry Rivers, and Paul Taylor. Sketches, works on paper, and archival material selected by the artist s son, the poet Vincent Katz, give a fuller picture of the painter and his world. The more than 250 paintings reproduced at an unprecedented scale will be the most comprehensive collection available in a single publication.

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Born in Germany and based in London, Tomma Abts has received considerable acclaim for her paintings and drawings. Her work has been shown at such major international exhibitions as the Berlin Biennial (2006) and the Carnegie International (2004), as well as at prestigious museums across Europe, including Kunsthalle Basel (2005) and Van Abbemuseum (2004). In 2006 she was awarded the Turner Prize.Each Tomma Abts painting is the result of an intuitive process, a complex operation of addition and substraction. Within rigid parameters – unvarying materials and size – she conjures a progression of shapes and colours, building layer upon layer of seemingly spontaneous geometry until the work reaches its culmination: an abstract arrangement in perfect tension.This volume, the artist's first extensive monograph, provides a comprehensive survey of her work, with full-colour images of thirty-seven paintings, and eighteen drawings, as well as three specially commissioned essays. In the first essay, Laura Hoptman dismantles abstraction's historical framework to illustrate the uniqueness of Abts' approach. Jan Verwoert meditates on the subversive power of contemplation, findind in Abts' artistic process a validation of "the beauty of latency." And Bruce Hainley gazes at Abts' work through the fictional eyes of Margit Carstensen – actress, muse, and star of Rainer Werner Fassbinder's The Bitter Tears of Petra Von Kant.

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Das Buch führt in komprimierter und verständlicher Form in die wichtigsten Bereiche der Preispolitik ein. Es vermittelt durch einen ausgewogenen Kompromiss zwischen wissenschaftlicher Präzision und Einfachheit des mathematischen Formalismus ein besonders klares Grundverständnis für die Preispolitik. Das Buch eignet sich daher hervorragend als grundlegender Lehrtext für betriebswirtschaftliche Studiengänge an Hochschulen. Darüber hinaus eignet es sich aufgrund seiner übersichtlichen Schwerpunktlegung auf die wesentlichen einführenden Grundfragen der Preispolitik für die berufsbegleitende Weiterbildung und die unternehmerische Praxis.Die 2. Auflage wurde überarbeitet und aktualisiert. Zudem wurde sie um Absatzprogrammentscheidungen auf der Basis von Deckungsbeiträgen und Preisabsatzfunktionen ergänzt. Sie enthält nun einen Überblick über die rechtliche Regulierung der vertikalen Preispflege in Europa und es wird auf die Ungleichbehandlung unterschiedlicher vertikaler Systeme in diesem Bereich eingegangen.Der Inhalt Überblick über die behandelten Problembereiche Statische Preistheorie Dynamische Preistheorie und strategisches Preismanagement Verhaltensorientierte Preistheorie Preisdifferenzierung und Preissysteme Preismanagement im Handel und vertikales Preismanagement Organisation der Entscheidungsfindung im Bereich der Preispolitik Die AutorenDr. Rainer Olbrich ist Universitätsprofessor für Betriebswirtschaftslehre, insbesondere Marketing, der FernUniversität in Hagen.Dr. Dirk Battenfeld ist Professor für Betriebswirtschaftslehre, insbesondere Marketing und Controlling, der Alanus Hochschule in Alfter.

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Memories. Some memories are elusive, fleeting, like a butterfly that touches down and is free until it is caught. Others are haunting. You'd rather forget them, but they won't be forgotten. And some are always there. No matter where you are, they are there, too.In this moving story of legacy and reclamation, two young sisters are taken from their home and family. Powerless in a broken system, April and Cheryl are separated and placed in different foster homes. Despite the distance, they remain close, even as their decisions threaten to divide them emotionally, culturally, and geographically. As one sister embraces her Métis identity, the other tries to leave it behind.Will the sisters’ bond survive as they struggle to make their way in a society that is often indifferent, hostile, and violent?Beloved for more than 40 years, In Search of April Raintree is a timeless story that lingers long after the final page. This anniversary edition features a foreword by Governor General’s Award–winning author Katherena Vermette, and an afterword by University of Regina professor, Dr. Raven Sinclair (Ôtiskewâpit), an expert on Indigenous child welfare.

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How much can we know about sensory experience in the Middle Ages? While few would question that the human senses encountered a profoundly different environment in the medieval world, two distinct and opposite interpretations of that encounter have emerged-one of high sensual intensity and one of extreme sensual starvation. Presenting original, cutting-edge scholarship, Stephen G. Nichols, Andreas Kablitz, Alison Calhoun, and their team of distinguished colleagues transport us to the center of this lively debate. Organized within historical, thematic, and contextual frameworks, these essays examine the psychological, rhetorical, and philological complexities of sensory perception from the classical period to the late Middle Ages. Contributors: Marina Brownlee, Princeton University; Alison Calhoun, Johns Hopkins University; Hans Ulrich Gumbrecht, Stanford University; Daniel Heller-Roazen, Princeton University; Andreas Kablitz, Universitat zu Koln; Hildegard Elisabeth Keller, University of Zurich; Joachim Kupper, Freie Universitat Berlin; Stephen G. Nichols, Johns Hopkins University; David Nirenberg, University of Chicago; Gabrielle M. Spiegel, Johns Hopkins University; Eugene Vance, University of Washington; Gregor Vogt-Spira, Ernst-Moritz-Arndt-Universitat Greifswald; Rainer Warning, University of Munich; Heather Webb, Ohio State University; Michel Zink, College de France.

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The work of poet Georg Trakl, a leading Austrian-German expressionist, has been praised by many, including his contemporaries Rainer Maria Rilke and Else Lasker-Schuler, as well as his patron Ludwig Wittgenstein. Wittgenstein famously wrote that while he did not truly understand Trakl's poems, they had the tone of a "truly ingenious person," which pleased him.A Skeleton Plays Violin comprises the final volume in a trilogy of works by Trakl published by Seagull Books. This selection gathers Trakl's early, middle, and late work, none of it published in book form during his lifetime. The work here ranges widely, from his haunting prose pieces to his darkly beautiful poems documenting the first bloody weeks of World War I on the Eastern Front. Book Three of Our Trakl the series that began with Trakl's first book Poems and his posthumously published Sebastian Dreaming also includes translations of unpublished poems and significant variants. Interpolated throughout this comprehensive and chronological selection is a biographical essay that provides more information about Trakl's gifted and troubled life, especially as it relates to his poetry, as well as the necessary context of his relationship with his favorite sibling, his sister Grete, whose role as a muse to her brother is still highly controversial. Trakl's life was mysterious and fascinating, a fact reflected in his work. A Skeleton Plays Violin should not be missed.

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Un libro sobre libros, viaje y paisaje, a medio camino entre el diario y el ensayo literario, bañado por la maravillosa luz del Mediterráneo italianoEn este nuevo relato viajero, el escritor Javier Reverte ha seguido un camino que nos lleva a las ciudades de Venecia y Trieste y que concluye con un recorrido por la isla de Sicilia. Y no sólo nos aproxima a la historia de los lugares que visita, sino que lo hace de la mano de cuatro escritores que habitaron en esos escenarios y que escribieron sobre ellos: Thomas Mann, James Joyce, Rainer Maria Rilke y Giuseppe de Lampedusa, cuatro autores geniales que retrataron con crudeza, o con humor desgarrado, o amargura, o ensoñación, o nostalgia, una época trágica y luminosa de la peripecia humana.Crónica de viajes y ensayo literario al mismo tiempo, Suite italiana es un libro singular, de una deslumbrante rareza, en el que resuenan los ecos de grandes batallas junto a poemas de hondo lirismo, en donde se huelen aromas de mela

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A superlative account of how theatre is made, in the words of the very people who make it. In Talking Theatre, Richard Eyre uses his unrivalled access to leading theatre people to allow us to eavesdrop on the stories behind many of the most important productions and performances in the theatre of recent times: John Gielgud • Peter Brook • Margaret 'Percy' Harris • Peter Hall • Ian McKellen • Judi Dench • Trevor Nunn • Vanessa Redgrave • Fiona Shaw • Liam Neeson • Stephen Rea • Stephen Sondheim • Arthur Laurents • Arthur Miller • August Wilson • Jason Robards • Kim Hunter • Tony Kushner • Luise Rainer • Alan Bennett • Harold Pinter • Tom Stoppard • David Hare • Jocelyn Herbert • William Gaskill • Arnold Wesker • Peter Gill • Christopher Hampton • Peter Shaffer • Frith Banbury • Alan Ayckbourn • John Bury • Victor Spinetti • John McGrath • Cameron Mackintosh • Patrick Marber • Steven Berkoff • Deborah Warner • Willem Dafoe • Simon McBurney • Robert Lepage • John Johnston (Britain's last Theatre Censor) 'A rich, stimulating treasure trove. Eyre's interviews exactly hit the spot: in revealing themselves, his subjects also give the reader a panoramic view of modern theatre' Michael Billington

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To whom does a poem speak? Do poems really communicate with those they address? Is reading poems like overhearing? Like intimate conversation? Like performing a script? William Waters pursues these questions by closely reading a selection of poems that say "you" to a human being: to the reader, to the beloved, or to the dead. In any account of reading lyric poetry, Waters argues, there will be places where the participant roles of speaker, intended hearer, and bystander melt together or away; these are moments of wonder. Looking both at poetry's "you" and at how readers encounter it, Waters asserts that poetic address shows literature pressing for a close relation with those into whose hands it may fall. What is at stake for us as readers and critics is our ability to acknowledge the claims made on us by the works of art with which we engage. In second-person poems, in a poem's touch, we may come to see why poetry matters to us, and how we, in turn, come to feel answerable to it. Poetry's Touch takes as a central thread the poetry of Rainer Maria Rilke, a writer whose work is unusually self-conscious about poetic address. The book also draws examples from a gamut of European and American poems, ranging from archaic Greek inscriptions to Keats, Dickinson, and Ashbery.

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In Rainer Werner Fassbinder’s Fear Eats the Soul (Angst Essen Seele Auf, 1974) Emma (Brigitte Mira), a working-class widow and former member of the Nazi party, marries Ali (El Hedi ben Salem), a much younger Moroccan migrant worker. Set in Munich during the 1970s, the film melds the conventions of melodrama with a radical sensibility to present a portrait of racism and everyday hypocrisy in post-war Germany. It is a film about the way conventional society detests anything and anybody unfamiliar - but also a film about the hopes and limits of love. Intricately directed, beautifully performed, and designed to show Munich life in all its shabby kitschiness, Fear Eats the Soul may be Fassbinder’s finest film. Laura Cottingham celebrates Fassbinder’s achievement, placing Fear Eats the Soul in relation to his extraordinarily prolific career in theatre, film and television. Her analysis pulls back the thin curtain that separated his work from his tumultuous life. She also explores the director’s debt to the lush Hollywood melodramas made by fellow German Douglas Sirk, especially All That Heaven Allows (1955). In a detailed scene-by-scene analysis, Cottingham shows how Fassbinder managed to combine beauty and tenderness with fierce political critique.

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Flux Redux is a book about design experiments undertaken at the Zurich and Los Angeles-based firm agps Architecture over the course of three decades. The story it tells addresses the evolution of a body of work relative to the evolution of environmental discourse, reflecting also on the shifting relations between technology and sustainability in architecture. The nine case studies from agps Architecture’s portfolio record changes in how architecture is thought about and how it is made. Around 500 illustrations in the book are supplemented with texts by Marc Angélil, one of the founders of agps, and Cary Siress, architect and professor at the Nanjing University’s Graduate School of Architecture and Urban Planning. Further contributions are provided by Swiss structural engineer Ernst Hofmann and Margarete von Lupin, a Zurich-based scholar of design and media studies and lecturer at Zurich University of the Arts and University of Zurich. Additional texts by Rainer Hehl, architect and visiting professor at Technische Universität Berlin and Yokohama National University, and Alvaro Siza, one of the most distinguished architects of our time, round out this inspiring volume that also offers observations on architects’ never-ending task of trial and error to make each building a more sustainable agent of a larger environmental system.

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No es posible una comprensión adecuada de la Bauhaus sin complementar los aspectos puramente artísticos con un estudio riguroso de sus concepciones pedagógicas. Así lo entiende RAINER WICK, catedrático de pedagogía del arte en la Universidad de Wuppertal, quien, apoyándose en el análisis minucioso de los abundantes materiales de la escuela, ofrece en este libro una excelente oportunidad de reinterpretar sus logros a la luz de sus principios sobre la enseñanza del arte. Tras unos capítulos iniciales en los que aborda sucintamente los antecedentes ideológicos y sociales de la escuela, la PEDAGOGÍA DE LA BAUHAUS presenta la práctica de Itten, Moholy-Nagy, Albers, Kandinsky, Klee, Schlemmer y Joost Schmidt, con sus considerables diferencias a la hora de concretar el programa de Gropius para eliminar las fronteras que separan los géneros artísticos y lograr la síntesis del arte, la artesanía y la industria.

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NOW A NETFLIX FILM STARRING VIOLA DAVIS AND CHADWICK BOSEMAN *Two stunning, intensely powerful modern classics about race in 20th century America from the legendary Pulitzer Prize and Tony Award-winning playwright August Wilson*In Ma Rainey's Black Bottom, the great blues diva Ma Rainey is due to arrive at a run-down Chicago recording studio with her entourage to cut new sides of old favourites. Waiting for her are the black musicians in her band - and the white owners of the record company. A tense, searing account of racism in jazz-era America that the New Yorker called 'a genuine work of art'.Fences centres on Troy Maxson, a garbage collector, an embittered former baseball player and a proud, dominating father, in 1950s Pittsburgh. When college athletic recruiters scout his teenage son, Troy struggles against his young son's ambition, his wife, who he understands less and less, and his own frustrated dreams. 'A prolific and successful playwright who confines his themes to African American culture... The level of his achievement is high. This comes powerfully into view when the play is read, an activity for me that is equal to, and in some ways more fruitful than, seeing its stage production.' Toni Morrison'In his work, August Wilson depicted the struggles of Black Americans with uncommon lyrical richness, theatrical density and emotional heft, in plays that give vivid voices to people on the frayed margins of life' New York Times 'August Wilson has established himself as the richest theatrical voice to emerge in the U.S. since Tennessee Williams and Arthur Miller' Time

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In eleven feature films across two decades, Christian Petzold has established himself as the most critically celebrated director in contemporary Germany. The best-known and most influential member of the Berlin School, Petzold's career reflects the trajectory of German film from 1970s New German Cinema to more popular fare in the 1990s and back again to critically engaged and politically committed filmmaking.In the first book-length study on Petzold in English, Jaimey Fisher frames Petzold's cinema at the intersection of international art cinema and sophisticated genre cinema. This approach places his work in the context of global cinema and invites comparisons to the work of directors like Pedro Almodovar and Rainer Werner Fassbinder, who repeatedly deploy and reconfigure genre cinema to their own ends. These generic aspects constitute a cosmopolitan gesture in Petzold's work as he interprets and elaborates on cult genre films and popular genres, including horror, film noir, and melodrama. Fisher explores these popular genres while injecting them with themes like terrorism, globalization, and immigration, central issues for European art cinema. The volume also includes an extended original interview with the director about his work.

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"Although the past is a constant theme in Rózycki's work, the present erupts with no less urgency . . . he witnesses the ant-like unimportance of human beings viewed from a cosmic perspective."—Helen Vendler, Harvard University The hero of the mock poem, Grandson, leaves his hometown of Opole, in the western Polish region of Silesia, to organize a family reunion in the Ukraine where his family had lived before World War II—before being forcibly resettled along with many thousands of other Poles. In this, his sixth book, Tomasz Rózycki talks back, both to history and to important literary predecessors such as Czeslaw Milosz and Adam Mickiewicz, in language that is as playful as it is masterful. Twelve Stations is a masterful work of contemporary world poetry by one of its most outstanding practitioners. In 2004 Twelve Stations won the prestigious Koscielski Foundation Prize and was named best Book of the Spring 2004 by the Raczynski Library in Poznan and its translator Bill Johnston received the 2008 Found in Translation Award. Tomasz Rózycki also has received the Krzysztof Kamiel Baczynski Prize (1997), the Czas Kultury Prize (1997), The Rainer Maria Rilke Award (1998), and the Joseph Brodskie Prize from Zeszyty Literackie (2006), and has been nominated twice for Poland's most prestigious literary award, the NIKE Prize (2005 and 2007).

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We live in critical times. We face a global crisis in economics and finance, a global ecological crisis, and a constant barrage of international disputes. Perhaps most dishearteningly, there seems to be little faith in our ability to address such difficult problems. However, there is also a more positive sense in which these are critical times. The world's current state of flux gives us a unique window of opportunity for shaping a new international order that will allow us to cope with current and future global crises. In Critical Theory in Critical Times, eleven of the most distinguished critical theorists offer new perspectives on recent crises and transformations of the global political and economic order. Essays from Jurgen Habermas, Seyla Benhabib, Cristina Lafont, Rainer Forst, Wendy Brown, Christoph Menke, Nancy Fraser, Rahel Jaeggi, Amy Allen, Penelope Deutscher, and Charles Mills address pressing issues including international human rights and democratic sovereignty, global neoliberalism, novel approaches to the critique of capitalism, critical theory's Eurocentric heritage, and new directions offered by critical race theory and postcolonial studies. Sharpening the conceptual tools of critical theory, the contributors to Critical Theory in Critical Times reveal new ways of expanding the diverse traditions of the Frankfurt School in response to some of the most urgent and important challenges of our times.

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A poem is often read as a set of formal, technical, and conventional devices that generate meaning or affect. However, Lucy Alford suggests that poetic language might be better understood as an instrument for tuning and refining the attention. Identifying a crucial link between poetic form and the forming of attention, Alford offers a new terminology for how poetic attention works and how attention becomes a subject and object of poetry.Forms of Poetic Attention combines close readings of a wide variety of poems with research in the philosophy, aesthetics, and psychology of attention. Drawing on the work of a wide variety of poets such as T. S. Eliot, Wallace Stevens, Frank O’Hara, Anne Carson, Theresa Hak Kyung Cha, Harryette Mullen, Al-Khansā’, Rainer Maria Rilke, Arthur Rimbaud, and Claudia Rankine, Alford defines and locates the particular forms of attention poems both require and produce. She theorizes the process of attention-making—its objects, its coordinates, its variables—while introducing a broad set of interpretive tools into the field of literary studies. Forms of Poetic Attention makes the original claim that attention is poetry’s primary medium, and that the forms of attention demanded by a poem can train, hone, and refine our capacities for perception and judgment, on and off the page.

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Problemas fundamentales de la filosofía es uno de los últimos textos de la tradición metafísica occidental. Simmel aborda los problemas filosóficos desde una concepción clásica y se acerca a la compleja problemática del ser, el devenir, el sujeto y el objeto, la idealidad del mundo moral y la esencia de la filosofía, en diálogo con autores como Platón, Parménides, Hegel o Kant.La obra fundamental de un autor poco conocido en nuestra lengua.Georg Simmel (Berlín, 1858-Estrasburgo, 1918) fue hombre de múltiples saberes que abarcan los campos de la filosofía, la historia, la sociología y las ciencias sociales en general. Filósofo no sistemático, su postura representa una especie de neo-kantismo relativista, de raíz vitalista, que tuvo un amplio predicamento en la Europa de final del siglo XIX y principios del XX. Fue amigo de escritores como Rainer Maria Rilke y Stephan George, y también de filósofos como Max Weber, Edmund Husserl y Ortega y Gasset, de quien fue profesor durante la

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