Search results for ""PAPERBLANKS""

Nineteen Eighty-Four, George Orwell’s dystopian piece of science fiction, introduced terms such as “Big Brother” and “thoughtcrime” into our social lexicon and is still widely read today. Only one handwritten copy of Nineteen Eighty-Four survives, and we are honoured to partner with Brown University to reproduce it on this journal cover.

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Brilliant fireworks are conjured up by this magnificent journal cover which reproduces the binding La Déclamation Théâtrale (1766), a didactic poem by Claude J. Dorat. Scorned by critics, Dorat persisted in writing an explosion of works. Though his legacy is not that of a major master, one cannot help but admire his incandescent desire to create.

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From sunlight sparkling on water to the startling hues of incomparable architecture, Venice enchants the eye. We have captured some of the splendid daybreak palette of the ancient city with this striking journal. Our Fiamma cover is inspired by a 1600s Renaissance binding which was crafted from red morocco leather with fine gold borders.

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In our Moonlight Stories journal, we feature classical characters from children’s literature drawn by artist Tim Bowers. With his bold and timeless use of colour and line, Bowers captures the charm of these iconic characters. Tim Bowers’ art has found a place in countless hearts, young and old.

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Frederick Douglass (1818–1895) was a former slave who became a leading abolitionist and social reformer. When too ill to continue his speaking engagements, he wrote letters of support for the anti-lynching activist and investigative journalist Ida B. Wells (1862–1931) to take his place. With the letter reproduced here, we celebrate the legacies of Douglass and Wells – two of the most revered leaders in African American history.

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A lifelong artist, Gary Grayson’s affinity for both antique prints and modern graphic design is on display in the digital artwork behind this cover. His distinctive style is an eclectic mix of vintage vector, impressionism and pop art.

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Marie Sklodowska Curie (1867–1934) was a Polish and naturalized French scientist best known for her pioneering research on radioactivity. Seemingly contradicting the principle of energy conservation, her discoveries forced a reconsideration of the foundation of physics. For this book cover we have reproduced a page from one of Marie’s notebooks containing her calculations precisely measuring the radium and thorium content of minerals.

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This cover design is based on a binding originally published by Salel Binder in Paris in 1514. The tome, Chroniques, was created at a time when books were evolving and binders were using smaller formats that were easier to bind. Pasteboards replaced wood covers and gold tooling grew in popularity. The exuberance of the Chroniques design reflects the sheer splendour of the Renaissance approach to decoration that influenced architecture, art and all facets of cultural life.

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Laurel Burch was a self-taught artist who created brilliantly coloured, vibrant and moving themes. In this design, her original characters, foliage and other details have been adapted by a Japanese artisan to create a new watercolour painting.

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Nobility and grace are restored in our filigreed cover design. Originally crafted in 1675 by the Queens’ Binder “A,” the balance of open space and intricate elements make it a shining jewel of the period. The binding was created to hold The Government of the Tongue by Richard Allestree, provost of Eton College.

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This cover design is based on a binding originally published by Salel Binder in Paris in 1514. The tome, Chroniques, was created at a time when books were evolving and binders were using smaller formats that were easier to bind. Pasteboards replaced wood covers and gold tooling grew in popularity. The exuberance of the Chroniques design reflects the sheer splendour of the Renaissance approach to decoration that influenced architecture, art and all facets of cultural life.

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The eternal appeal of a classic floral design is captured in the work of Irish illustrator William Kilburn (1745–1818). The artist behind William Curtis’ Flora Londinensis, a comprehensive book on 18th-century English botany, Kilburn was also a leading designer and printer of calico. With winding twigs, colourful petals and undulating seaweed, Kilburn’s unique ability to blend local flora with exotic plants is on full display in this design.

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Virginia Woolf wrote with insight about the uncertainty of everyday life. Her novel The Waves, drafted in a series of notebooks including the one reproduced here, is made up of soliloquies spoken by the main characters. Today, the notebooks are a part of The New York Public Library’s Henry W. and Albert A. Berg Collection of English and American Literature and are featured in the Polonsky Exhibition of The New York Public Library’s Treasures.

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Photographer Gérard Degeorge has travelled the world, capturing grand pieces of architectural design through the scope of his lens. This cover design comes from his vast collection of photography and is reminiscent of the Alhambra in Granada, Spain. The geometric pattern, floral design and arabesque setting are all suggestive of the art and architecture styles found in the western Islamic world.

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Laurel Burch was a self-taught artist who created brilliantly coloured, vibrant and moving themes with paint and paper, exquisitely embellished with gold and silver. Her celestial theme has evolved over the years in a brilliant colour palette emblazoned with shimmering details of silver and gold, including rainbow-hued fish and sprays of colourful flowers cavorting with her suns, moons and stars.

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French artist Claude Monet, one of the founders of the Impressionist movement, was particularly fascinated with capturing the transient beauty of nature. In a virtuoso display of flowers, this 1897 work portrays a vibrant bed of chrysanthemums from his prized garden in Giverny.

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The Adventures of Asterix, our series in partnership with Les Éditions Albert René, channels the spirit of Asterix the Gaul from the celebrated comic book series. In these stories, Asterix, along with his friend Obelix and canine companion Dogmatix, ventures to lands near and far with unwavering ingenuity and just a little bit of magic potion.

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Laurel Burch was a self-taught artist who created brilliantly coloured, vibrant and moving themes with paint and paper, exquisitely embellished with gold and silver. Her celestial theme has evolved over the years in a brilliant colour palette emblazoned with shimmering details of silver and gold, including rainbow-hued fish and sprays of colourful flowers cavorting with her suns, moons and stars.

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The 1688 edition of L’office de la Semaine Sainte, a Latin liturgical book, was protected by a gold-plated leather binding. Reproduced here with a vibrant blue background, the antique design features an elaborate gilt-edged tendril motif.

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Aurelia’s inspiration dates back to Paris in the 1700s. The original binding housed copies of King Louis XV’s procedures for Holy Week. This design is a marvellous riot of gold-tooled rococo elements, featuring birds, flowers and leaves.

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Featuring a German pattern dating to 1568, this design suggests an ornately engraved door or magical gateway. With an emphasis on exuberant gold decoration, the motif is emblematic of the era’s artistic expressiveness.

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Using authentic Japanese washi tape paper, metallic foiling and a touch of varnish for protection, our Portuguese Tiles washi tape set will bring a pop of colour to your bullet journal spread. This double-pack is inspired by traditional Portuguese tiles.

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For the celestially minded and lovers of dark light, we present Nova Stella. This book cover, with its central star shape, exerts an emotional pull like the North Star for nighttime wayfarers.Our Nova Stella cover comes from the 1789 binding of Missale Sacri Ordinis Praedicatorum, printed during the Settecento period by Octavio Puccinelli publishers. During this time bookbinding became at once simpler and yet more complex. The sewing was done on recessed cords to give the spines a smooth appearance and so, while the structure of books was uncomplicated, decoration became increasingly elaborate.The free space around the central object is as important as the ornamentation that surrounds it, just as deep space is part of what makes stars so inspiring. Here we see brocade with floral and heart shapes, gilt-edged broad string iron lines, single punch gilding and a cross with flowers and initials.

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These intricate details of spring and summer flowers are from an 18th-century Japanese paper screen by artist Watanabe Shiko. Rinpa is a leading historical school of Japanese painting, established in 17th-century Kyoto, whose artists were known for working in a range of formats, notably screens, fans, hanging scrolls and kimono textiles. The design on our cover shows a section of a screen with various types of blooms often believed to follow the ancient Japanese language of flowers.

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Described as the “mise en scène for the romantic drama of American business,” New York City’s Chanin Building was built by Irwin S. Chanin in the late 1920s. Ornately adorned with bronze grilles representing some of the finest Art Deco in the city, the lobby was styled around a “City of Opportunity” concept. One of these ventilator grilles, with loops, spirals and geometric lines symbolizing human thought and emotion, is reproduced here.

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Authentic Japanese washi tape paper featuring Metalic foil to enhance the Oceanie & Viola patterns

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Azulejos are painted, glazed ceramic tiles that date back to 13th-century Portugal. Today, we see these decorative tiles across a wide range of buildings, from monasteries, palaces and restaurants to bars, railway stations and family homes. The design on the tiles commonly related to the building’s unique history, and the individual pieces often end up forming an elaborate mosaic. The design seen here is pulled from the traditional tiles gracing the façades of a variety of old houses in Porto, Portugal.

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This striking Art Deco design comes from the celebrated British bookbinder Sybil Pye (1879–1959). It was crafted to hold a collection of William Wordsworth’s poems illustrated by Pye’s lifelong friend Thomas Sturge Moore. One of the youngest pre–First World War women binders, Pye was the only binder in England who specialized in inlaid leather bindings. With this series, we pay tribute to a pioneering woman in the art of book design.

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Discover Gary Grayson’s vibrantly detailed gardens in this Tropical Garden pencil case. A lifelong artist, Grayson’s affinity for both antique prints and modern graphic design is on display in this design. Grayson is an artist who defies the limitations of genre. May his boundless creativity so inspire your own expressions of imagination.

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For over a century, the Cockerell and Son Bindery represented a tradition of the highest quality bookmaking. The Bindery remains especially celebrated for their unique style of paper marbling, developed by the late Sydney (Sandy) M. Cockerell. He took the painstaking tradition of handmade marbled papers and found a way to produce the strikingly complex designs at high speeds and volumes. We are honoured to bring one of his iconic marbled papers to our collection.

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Treasures of The New York Public LibraryVirginia Woolf’s NotebooksA modernist and feminist pioneer, Virginia Woolf (1882–1941) carved out new territory for artists, particularly women writers. She wrote with sensitivity and insight about the confusion, mystery and uncertainty of everyday life. Woolf’s 1931 novel The Waves, originally drafted in a series of seven notebooks including those reproduced here, is among her best and most experimental works and is made up of soliloquies spoken by the six main characters. Today, these seven notebooks are a part of The New York Public Library’s Henry W. and Albert A. Berg Collection of English and American Literature and are featured in the new Polonsky Exhibition of The New York Public Library Treasures. We are honoured to partner with the Library to bring Woolf’s The Waves notebooks to our collection.

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This glorious design comes from Sangorski & Sutfcliffe, a world-renowned British bindery best known for their bejewelled cover of Omar Khayyam’s Rubaiyat. They were especially celebrated for their jewelled bindings, like the one reproduced here. Originally crafted in 1922 to house Rudyard Kipling’s 1897 “Recessional” poem written for Queen Victoria’s Diamond Jubilee, it incorporated real turquoise, aquamarine and ruby gemstones.

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Capturing the flavour of Renaissance-style binding at its zenith, this darkly toned book cover carefully reproduces delicate stamping patterns on an intensely rich background that showcases the markings and unique character of aged leather bindings.

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Tiptoe through the tulips with us as we discover Gary Grayson’s vibrantly detailed gardens. A lifelong artist, Grayson’s affinity for both antique prints and modern graphic design is on display in the digital artworks behind this cover. His distinctive style is an eclectic mix of vintage vector, impressionism and pop art – all combined to create a layered world. May his boundless creativity so inspire your own imagination.

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Showcasing silk dyed with beni (the pigment extracted from safflower petals) and lacquered in gold, this kimono design dates to the Edo period (1615–1868), when it was used as a costume for the theatrical style known as Noh. Karaori refers specifically to the exquisitely embroidered woman’s kimono that traditional Noh theatre was known for. Both the material itself and the pattern depicted would have helped tell the story of the character.

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H.G. Wells was a science fiction pioneer whose visions for our future have greatly impacted our modern world. His first novel, The Time Machine (1895), was an instant success, as were those that followed. As a celebration of Wells’ life and legacy, we are honoured to reproduce his handwritten The Time Machine manuscript for this Special Edition document folder.

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Our Dumas’ 150th Anniversary Special Edition document folder celebrates the great lion of French literature, Alexandre Dumas (1802–1870). It features a handwritten draft of The Count of Monte Cristo as well as Dumas’ signature. Over his career Dumas wrote nearly one hundred thousand pages and is today among the world’s most widely read authors.

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