Search results for ""McFarland""

There has been very little previous attention paid to Scottish civilians during the Great War, but, as is revealed here, Scotland had its own unique experience. Of multi-disciplinary interest for academics, and of broad general interest too, this is the only single-volume study of the impact of the Great War on Scotland. Topics include conscientious objection, voluntary recruitment, press coverage, gender and the war, and the Scottish Highlands and the war.

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Exam board: AQALevel: GCSESubject: ScienceFirst teaching: September 2016First exams: Summer 2018For GCSE Chemistry and GCSE Combined Science: TriologyHigher tier Create confident, literate and well-prepared students with skills-focused, topic-specific workbooks.Our Student Workbooks build students' understanding, developing the confidence and exam skills they need, whilst providing ready prepared lesson solutions.- Supplements key resources such as textbooks to adapt easily to existing schemes of work- Offers time-saving and economical lesson solutions for both specialist and non-specialist teachers- Provides flexible resource material to reinforce and apply topic understanding throughout the course, as classwork or extension tasks, or for revision- Creates opportunities for self-directed learning and assessment with answers to tasks and activities supplied online- Prepares students to meet the demands of the specification by practising exam technique and developing their literacy skills

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Exam Board: AQALevel: AS/A-levelSubject: ChemistryFirst Teaching: September 2015First Exam: June 2017AQA ApprovedHelp students to apply and develop their knowledge, progressing from basic concepts to more complicated Chemistry, with worked examples, practical activities and mathematical support throughout. - Provides support for all 12 required practicals with activities that introduce practical work and other experimental investigations in Chemistry- Offers detailed examples to help students get to grips with difficult concepts such as Physical Chemistry calculations- Mathematical skills are integrated throughout the book and all summarised in one chapter for easy reference- Allows you to easily measure progression with Differentiated End of Topic questions and Test Yourself Questions- Develops understanding with free online access to 'Test yourself' answers and an extended glossary.

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This book provides a reference and contextual basis for depression, burnout and suicide among oncology and other medical professionals. Oncology as a medical subspecialty is at a unique apex of this crisis. While the same pressures in medicine certainly apply to oncologists, oncology is particularly stressful as a changing field with diverse patient and societal expectations for outcomes. In addition to experiencing the stress of caring for patients that could succumb to their cancer diagnoses, these professionals are regularly confronted with an onslaught of new medical information and a landscape that is changing at a breakneck pace. These are just a few factors involved in the increasing rates of burnout among oncologists as well as other medcial professionals. By addressing a gap in identifying mental health problems among health care professionals, this book sheds light on mental health problems and suicide among physicians. Importantly, this book is a call to action of the professional and administrative organizations to work on improving mental health of physicians. Anxiety and depression affect not only the individual doctor but also patient care. Given the increasing attention to these issues along with limited yet applicable data regarding how to address these issues, the text aims to bring the latest data face to face with consensus opinion and can be used to ultimately enhance oncologic and psychiatric practices. Written by experts in the field, Depression, Burnout and Suicide in Physicians: Insights from Oncology and Other Medical Professions aims to significantly increase awareness and contribute to understanding the necessity of preventive measures on individual, family, and care givers levels.

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Develop and learn to apply your knowledge, progressing from basic concepts to more complicated Chemistry, with worked examples, practical activities and mathematical support in this updated, all-in-one textbook for Years 1 and 2.Written for the AQA A-level Chemistry specification, this revised textbook will:- Provide support for all 12 required practicals with activities that introduce practical work and other experimental investigations in Chemistry.- Offer detailed examples to help you get to grips with difficult concepts such as physical chemistry calculations.- Helps to improve mathematical skills with support throughout, examples of method and a dedicated 'Maths for chemistry' chapter.- Allow you to easily measure progression with differentiated end-of-topic questions and 'Test yourself' questions.- Develop understanding with free online access to 'Test yourself' answers, 'Practice' question answers and extended glossaries*.

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What happened in the last few years of Paul's life? Did he ever get to Spain? How and why did he die? Were his plans fulfilled or frustrated? How should we interpret our scant sources? And what light can be shed on these matters by the social, historical, and legal context of Paul's life? In this fresh investigation of the central historical questions, a group of leading international scholars bring together their collective expertise on the apostle Paul and on the Roman, Jewish and early Christian worlds in which he lived and died. Through new scrutiny of all the key sources, a number of fresh questions and hypotheses are developed, with wide significance for all who wish to know about the climactic and traumatic final years of Paul.

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Dance! takes the reader on a whistle-stop world tour, including flamenco, bhangra, ballroom and street dance. TreeTops inFact is a non-fiction series that aims to engage children in reading for pleasure as powerfully as fiction does. The variety of topics means there are books to interest every child in this compelling series. The series is written by top children's authors and subject experts. The books are carefully levelled, making it easy to match every child to the right book.

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Exam board: CCEALevel: GCSESubject: ScienceFirst teaching: September 2017First exams: Summer 2019Target success in CCEA GCSE Double Award Science with this proven formula for effective, structured revision; key content coverage is combined with exam-style tasks and practical tips to create a revision guide that students can rely on to review, strengthen and test their knowledge.With My Revision Notes, every student can:- Plan and manage a successful revision programme using the topic-by-topic planner- Consolidate subject knowledge by working through clear and focused content coverage- Test understanding and identify areas for improvement with regular 'Now Test Yourself' tasks and answers- Improve exam technique through practice questions, expert tips and examples of typical mistakes to avoid- Answers to the practice questions available online

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Essentials of Anatomy & Physiology blends up-to-date science, stimulating writing, high-quality art, and cutting-edge educational technology to provide the most effective teaching and learning program available in the one-semester anatomy and physiology course.The distinctive pedagogy of the text revolves around the theme of "Elevate Learning". From "Base Camp" to "Assess Your Learning Outcomes", the student experiences a clear sense of the path ahead, a convenient means of charting progress, and a satisfying sense of accomplishment at the end.

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In the foreword, Dr. Robert Burkard states, "If you are looking for a clinical cookbook on how to diagnose and treat those with (central) auditory processing disorders (CAPD), you should not read this book. This book is much less than a clinical cookbook, and much, much more." Featuring contributions from a stellar team of expert contributors in the areas of audiology, psychology, anatomy, neuroscience, imaging science, and epidemiology, this new book addresses major controversies in the field of auditory processing and its disorders. The contributors consider a range of topics including the history of the field, contemporary anatomical models, auditory processing streams, neuroplasticity, professional models, modality specificity, music perception and its disorders, speech recognition, aging, educational outcomes, tinnitus, and auditory neuropathy.

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'A Landmark in Musical History' is John Luke Rose's title for the introduction to this extraordinary piece of theatre. It belongs to the German tradition of mystical writing, and a short note on the poem itself by Martin Swales and Timothy McFarland elucidates some of Wagner's literary techniques. Anthony Negus, who assisted Reginald Goodall on the WNO production of Tristan and Isolde, has contributed a penetrating analysis of the musical structure of the opera, while Patrick Carnegy assesses the remarkable solutions to staging an opera which some argue is best experienced with your back to the performers.

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An encyclopedic selection of original documents from the Austrian capital's pathbreaking, progressive interwar period, translated and with contextualizing introductions and commentaries. Immediately after World War I, in 1919, the Austrian capital Vienna elected a Social Democratic majority that persisted until 1934. The city's leaders, together with its intellectuals, boldly imagined a new society that would be economically just, scientifically rigorous, and radically democratic. "Red Vienna" undertook experiments in public housing, welfare, and education while maintaining a world-class presence in science, music, literature, theater, andother fields of cultural production. Though Red Vienna eventually fell victim to fascist violence, it left a rich legacy with potential to inform our own tumultuous times. The Red Vienna Sourcebook provides scholars and students with a selection of some 280 key texts from the period, carefully translated and introduced. These texts connect readers to the era's most fascinating discussions, movements, and personalities and will be of interest to such diverse disciplines as architecture, economics, film studies, history, Jewish studies, literary studies, music, philosophy, political science, psychology, sociology, sports, and women's studies.

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Exam Board: CCEALevel: GCSESubject: ScienceFirst Teaching: September 2017First Exam: June 2019Build your students' scientific thinking and practical skills with this Second Edition textbook, developed specifically for the 2017 GCSE specifications, from the No. 1 publisher for CCEA GCSE Science.- Develop understanding with clear Examples, Tips and Practical activities.- Prepare students for assessment with Test Yourself questions, Maths practice and Exam-style questions throughout. - Supports Foundation and Higher-tier students in one book.

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Shameless resurrections of our most beloved TV shows are usually met with skepticism. But, after an eleven-year absence, Will & Grace is back on our screens and has been enthusiastically embraced as “a fizzy cocktail of old and new” (EW), “a disarmingly welcome throwback” (Vanity Fair). Featuring fun and colourful illustrations throughout, Will & Grace & Jack & Karen celebrates our favourite foursome’s return to the screen. Find out which character is your true spirit animal, with a handy quiz that is far more important than any Myer-Briggs equivalent; get through your day with Karen Walker’s guide to drinking; and improve your job prospects with career advice from the indefatigable Jack McFarland. Full of inspiration, trivia, and hilarious quotes, Will & Grace & Jack & Karen is here to help you discover the secrets to maintaining the lifelong bonds between friends who are, really, more like family.

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'Vintage King', a delightful suspense novel in which King's 'trump card is his ability to arouse empathy for the plight of his young heroine' (Independent on Sunday), now with a stunning new cover look.The world had teeth and it could bite you with them anytime it wanted. Trisha McFarland discovered this when she was nine years old. Lost in the woods. Trisha has only veered a little way off the trail. But in her panic to get back to her family, she takes a turning that leads deeper into the tangled undergrowth. At first it's just the bugs, midges and mosquitoes. Then comes the hunger. For comfort she tunes her Walkman into broadcasts of the Red Sox baseball games and the performances of her hero Tom Gordon. But as darkness begins to fall, Trisha realises that she is not alone. There's something else in the woods - watching. Waiting . . .

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Twenty-eight-year-old struggling San Francisco artist Anne McFarland is determined to get a one-woman show, even though no one, including herself, believes she can do it. But when she buys a coat at a thrift shop with a key in its pocket, strange, even magical, occurrences begin to unfold, and she is inspired to create her best work ever. Fifty years earlier, it’s 1963, and the coat’s original owner, young heiress Sylvia Van Dam, is headed toward a disastrous marriage with a scoundrel. In a split-second reaction she does the unimaginable, which propels her on a trip of self-discovery to nature-filled Northern Arizona. When Anne and Sylvia’s lives intersect, they are both forced to face their fears―and, in the process, realize their true potential.

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The Little Big Book of Breasts features over 150 celebrated big breast models from the 1950s, ’60s, and ’70s, including Michelle Angelo, Virginia Bell, Roxanne Brewer, Joan Brinkman, Lorraine Burnett, Lisa DeLeeuw, Uschi Digard, Sylvia McFarland, Chesty Morgan, Roberta Pedon, Rosina Revelle, Janie Reynolds, Candy Samples, Tempest Storm, Mary Waters, June Wilkinson, and Julie Wills, plus Guinness Book of World Records bra-buster Norma Stitz in a compact and inexpensive format. Photos come not just from the original 398-page edition, but from subsequent Big Breast Calendars, meaning that 40% of the content is unique to this edition. Add reduced text to make more room for the stunning black-and-white and color photos and how could anyone—big, small, or in-between—ask for a better deal?

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Losing the trial of his life could mean losing everything. When a young reporter is found dead and a prominent Philadelphia businessman is accused of her murder, Mick McFarland finds himself involved in the case of his life. The defendant, David Hanson, was Mick’s close friend in law school, and the victim, a TV news reporter, had reached out to Mick for legal help only hours before her death. Mick’s played both sides of Philadelphia’s courtrooms. As a top-shelf defense attorney and former prosecutor, he knows all the tricks of the trade. And he’ll need every one of them to win. But as the trial progresses, he’s disturbed by developments that confirm his deepest fears. This trial, one that already hits too close to home, may jeopardize his firm, his family—everything. Now Mick’s only way out is to mastermind the most brilliant defense he’s ever spun, one that will cross every legal and moral boundary.

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When the Rho Project’s lead scientist, Dr. Donald Stephenson, is imprisoned for his crimes against humanity, the world dares to hope the threat posed by the Rho Project’s alien technologies is finally over. The world is wrong. In Switzerland, scientists working on the Large Hadron Collider have discovered a new threat, a scientific anomaly capable of destroying the earth—and only Rho Project technology can stop it. In exchange for a full pardon, Dr. Stephenson agrees to create a wormhole that will send the anomaly into deep space. But his promise masks the alien agenda that brought the Rho Ship to earth. Now a trio of altered humans, Heather McFarland and Mark and Jennifer Smythe, must infiltrate Stephenson’s wormhole project and stop it, no matter the cost. The ultimate battle has begun and, this time, mankind cannot afford to lose. The final installment to Richard Phillips’s Rho Agenda trilogy brings the epic tale to an explosive conclusion that will echo long past the final page.

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A man in prison for murder. One woman wants him freed. One woman wants him dead. Mick McFarland is stunned when he’s arrested for murdering business tycoon Edwin Hanson, brother to David Hanson—one of Mick’s former clients. Mick is even more shocked when he’s confronted with the incriminating evidence: surveillance footage of him stalking the victim and pulling the trigger. As Mick’s legal team fights against windmills trying to beat the prosecution in court, his wife, Piper, journeys across the country, trying to win her husband’s freedom by going after the man she is convinced is out to destroy Mick and David both. What she doesn’t anticipate is that David’s wife, Marcie, is on a similar mission to shelter her own husband. And the two women may not be on the same side. Piper has it all right…and all wrong. And her time is running out. Will she be able to save her husband from conviction and clear his name?

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Studies showing the influence of the French Arthurian romances of Chrétien de Troyes on German medieval literature. The pre-eminent role of Chrétien de Troyes in the formation of Arthurian romance is reflected in the swift and brilliant response of German courtly poets to his works. Within a few years of their composition, Erec et Enideand Yvain were adapted for German audiences by Hartmann von Aue, while Chrétien's unfinished Grail-story was taken up by Wolfram von Eschenbach and brought to a triumphant conclusion in Parzival. In this volume a distinguished international team of scholars contrast the treatment and reception of the stories in Germany with their French originals. Contributors: E.M.MELETINSKY, MICHAEL BATTS, SILVIA RANAWAKE, W.H.JACKSON, H.B.WILSON, KAREN PRATT, MARTIN H. JONES, DANIEL ROCHER, WALTER BLANK, KLAUS GRUBMULLER, TONY HUNT, WIEBKE FREYTAG, MICHAEL CURSCHMANN, RENE PERENNEC, ADRIAN STEVENS, ARTHUR GROOS, TIMOTHY McFARLAND, J.-M. PASTRE and VOLKER HONEMAN.

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'A Landmark in Musical History' is John Luke Rose's title for the introduction to this extraordinary piece of theatre. It belongs to the German tradition of mystical writing, and a short note on the poem itself by Martin Swales and Timothy McFarland elucidates some of Wagner's literary techniques. Anthony Negus, who assisted Reginald Goodall on the WNO production of Tristan und Isolde, has contributed a penetrating analysis of the musical structure of the opera, while Patrick Carnegy assesses the remarkable solutions to staging an opera which some argue is best experienced with your back to the performers. Contents: Behind 'The Flying Dutchman', John Warrack; An introduction to 'The Flying Dutchman', John Deathridge; Loneliness, Love and Death, William Vaughan; The Overture to 'The Flying Dutchman', Richard Wagner; Remarks on Performing 'The Flying Dutchman', Richard Wagner; Der fliegende Hollander: Poem by Richard Wagner; The Flying Dutchman: English translation by David Pountney

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The title ‘the Son of Man’ evokes the different aspects of the whole Christ: the humanity and divinity of Christ, his earthly ministry, his sacramental presence, and the eschatological consummation of his work. It is also a term of relationship, suggestive of both the relations constitutive of the life of the Holy Trinity, and also of the way that our knowing and loving the Son of Man is always an invitation to communion - with the Triune God, as the Body of Christ, and for the life of the world. Contributors to this collection explore some of the many registers of the mystery of Christ, both historically and thematically. Contributors include some of today’s leading theological thinkers, including N.T. Wright, Rowan Williams, Lydia Schumacher, Kallistos Ware and Oliver O’Donovan. With poetic reflections from Malcolm Guite. Chapters include: "Son of Man and the New Creation" (N.T. Wright), "The Son of Man in the Gospel of John" (John Behr), "Sound and Silence in Augustine’s Christological Exegesis" (Carol Harrison), "According to the Flesh?: The Problem of Knowing Christ in Chalcedonian Perspective" (Ian Mcfarland), "Christ and the Moral Life" (Oliver O'Donovan), "Christ and the Poetic Imagination" (Malcolm Guite)

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This book traces the history of crime comics from their beginnings to the current resurgence and analyzes the cultural forces that give rise to influential works like Frank Miller's Sin City. Crime comic books in the 1950s caused controversy leading to their suppression and near extinction. Twenty-five years later, the dark hero, femme fatale, and bleak outlook of crime story comic books are even more striking and subversive. Terrence Wandtke traces the history of crime comics from their beginnings to the current resurgence and analyzes the cultural forces that give rise to influential works like Frank Miller's Sin City, Brian Azzarello's 100 Bullets, and Ed Brubaker's Criminal. The Dark Night Returns is the third book published in the RIT Press' Comics Studies Monograph Series. The series editor is Dr. Gary Hoppenstand, Professor of English at Michigan State University. TERRENCE WANDTKE is a professor at Judson University. His books include The Meaning of Superhero Comics (McFarland) and Ed Brubaker: Conversations (forthcoming from the University Press of Mississippi). He is the founder of the Imago Film Festival.

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The interdisciplinary essays in Decolonial Voices discuss racialized, subaltern, feminist, and diasporic identities and the aesthetic politics of hybrid and mestiza/o cultural productions. This collection represents several key directions in the field: First, it charts how subaltern cultural productions of the US/ Mexico borderlands speak to the intersections of "local," "hemispheric," and "globalized" power relations of the border imaginary. Second, it recovers the Mexican women's and Chicana literary and cultural heritages that have been ignored by Euro-American canons and patriarchal exclusionary practices. It also expands the field in postnationalist directions by creating an interethnic, comparative, and transnational dialogue between Chicana and Chicano, African American, Mexican feminist, and U.S. Native American cultural vocabularies. Contributors include Norma Alarcón, Arturo J. Aldama, Frederick Luis Aldama, Cordelia Chávez Candelaria, Alejandra Elenes, Ramón Garcia, María Herrera-Sobek, Patricia Penn Hilden, Gaye T. M. Johnson, Alberto Ledesma, Pancho McFarland, Amelia María de la Luz Montes, Laura Elisa Pérez, Naomi Quiñonez, Sarah Ramirez, Rolando J. Romero, Delberto Dario Ruiz, Vicki Ruiz, José David Saldívar, Anna Sandoval, and Jonathan Xavier Inda.

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In her second novel, Jill G. Hall, author of The Black Velvet Coat, brings readers another dual tale of two dynamic women from two very different eras searching for fulfillment. San Francisco artist Anne McFarland has been distracted by a cross-country romance with sexy Sergio and has veered from her creative path. While visiting him in New York, she buys a pair of rhinestone shoes in an antique shop that spark her imagination and lead her on a quest to learn more about the shoes’ original owner. Almost ninety years earlier, Clair Deveraux, a sheltered 1929 New York debutante, tries to reside within the bounds of polite society and please her father. But when she meets Winnie, a carefree Macy’s shop girl, Clair is lured into the steamy side of Manhattan—a place filled with speakeasies, flappers, and the beat of “that devil music”—and her true desires explode wide open. Secrets and lies heap up until her father loses everything in the stock market crash and Clair becomes entangled in the burlesque world in an effort to save her family and herself. Ultimately, both Anne and Clair—two very different women living in very different eras—attain true fulfillment . . . with some help from their silver shoes.

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Some call it the American obsession, but men everywhere recognize the hypnotic allure of a large and shapely breast. In The Big Book of Breasts, Dian Hanson explores the origins of mammary madness through three decades of natural big-breasted nudes. Starting with the World War II Bosom-Mania that spawned Russ Meyer, Howard Hughes’s The Outlaw and Frederick’s of Hollywood, Dian guides you over, around, and in between the dangerous curves of infamous models including Michelle Angelo, Candy Barr, Virginia Bell, Joan Brinkman, Lorraine Burnett, Lisa De Leeuw, Uschi Digard, Candye Kane, Jennie Lee, Sylvia McFarland, Margaret Middleton, Paula Page, June Palmer, Roberta Pedon, Rosina Revelle, Candy Samples, Tempest Storm, Linda West, June Wilkinson, Julie Wills, and dozens more, including Guinness World Record holder Norma Stitz, possessor of the World`s Largest Natural Breasts. The 396 pages of this book contain the most beautiful and provocative photos ever created of these iconic women, plus nine original interviews, including the first with Tempest Storm and Uschi Digard in over a decade, and the last with Candy Barr before her untimely death in 2005. In a world where silicone is now the norm, these spectacular real women stand as testament that nature knows best.

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M. H. Abrams's writings on the Romantics have had an incalculable influence on the literary history of his time. High Romantic Argument, treating as it does various aspects of Abrams's work, is in a sense an appraisal of that history. Arising from a conference held in his honor at Cornell University in the spring of 1978, it is made up of essays by six distinguished contributors who explore important critical questions related directly or indirectly to Abrams's work and its broader implications. The essays deal with Wordsworth as a prophet (Geoffrey Hartman) and as a poet of "silence" (Jonathan Wordsworth); history as metaphor (Wayne C. Booth); the nature of the critical canon (Thomas McFarland); the personal element in literary history (Lawrence Lipking); and the relation of Abrams's work to current developments in literary criticism (Jonathan Culler). Two central themes run throughout: the radically metaphorical nature of Romantic thought and the tendency of today's students to find Romanticism less rational than Abrams does. While the contributors do not always agree with one another, all are keenly aware of the contemporary challenge to humanistic values. A highlight of this book is the text of Abrams's masterly reply, delivered extemporaneously at the end of the conference. Other elements include a bibliography by Stuart A. Ende, a preface by Stephen M. Parish, and an editor's note.

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The sitcom Will & Grace (1998–2006, 2017–20) shifted the media landscape and its treatment of queer themes by starring an openly gay protagonist, Will Truman, on primetime network television. Will, along with his best friend Grace Adler and their constant companions Jack McFarland and Karen Walker, engaged in many stereotypical sitcom shenanigans imbued with decidedly queer twists. Despite the series' groundbreaking nature, its accuracy and responsibility in representing gay men—and of queer culture in general—has been questioned throughout its initial run and reboot. Author Tison Pugh places the sitcom in its historical context of the late 1990s and early 2000s, considering how it contributed to contemporary debates concerning queer life. Will & Grace returned in the Trump era, offering viewers another chance to enjoy the companionship of these quirky yet relatable characters as they grappled with seismic shifts in the nation's political climate. Pugh demonstrates that while heralding a new age of queer representation, characters across the series were homogenized through upper-class whiteness to normalize queerness for a mainstream US audience. In negotiating protocols of network television and the desires of audiences both gay and straight, this trailblazing series remains simultaneously haunted by and liberated from longstanding queer stereotypes.

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Movies (And Other Things) is a book about, quite frankly, movies (and other things).One of the chapters, for example, answers which race Kevin Costner was able to white savior the best, because did you know that he white saviors Mexicans in McFarland, USA, and white saviors Native Americans in Dances with Wolves, and white saviors Black people in Black or White, and white saviors the Cleveland Browns in Draft Day? Another of the chapters, for a second example, answers what other high school movie characters would be in Regina George's circle of friends if we opened up the Mean Girls universe to include other movies (Johnny Lawrence is temporarily in, Claire from The Breakfast Club is in, Ferris Bueller is out, Isis from Bring It On is out...). Another of the chapters, for a third example, creates a special version of the Academy Awards specifically for rom-coms, the most underrated movie genre of all. And another of the chapters, for a final example, is actually a triple chapter that serves as an NBA-style draft of the very best and most memorable moments in gangster movies.Many, many things happen in Movies (And Other Things), some of which funny, others of which are sad, a few of which are insightful, and all of which are handled with the type of care and dedication to the smallest details and pockets of pop culture that only a book by Shea Serrano can provide.

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Hailed as groundbreaking by David Donachie, author of the John Pearce Naval Series and the Privateersman Mysteries— "All sea stories should tell you something new, and The Bermuda Privateer meets that criterion in spades. Fast paced and covering an area new to me; I was enthralled by the author's encyclopedic knowledge of the Caribbean. There are battles and conspiracies galore, with engaging characters and thrilling actions." Nicholas Fallon is captain of the schooner Sea Dog, a privateer that is fast, beautiful and deadly. Unbound by Royal Navy tradition, Fallon enjoys total independence in where he goes, how he fights, and whom he takes as crew. A woman—Beauty McFarland—is his first lieutenant. It's 1796, and Sea Dog's owner, Ezra Somers, employs Fallon to protect his Caribbean salt trade from French privateers and pirates. Wicked Jak Clayton is especially ruthless. When the two meet just off the Bahamas, even Fallon's cunning can't overcome their mismatch in firepower and desertion by a cowardly ally. Later, in Bermuda, Fallon is enlisted by the Royal Navy to intercept a Spanish flotilla carrying gold and silver to France. But a massive hurricane halts the British attack on the Spanish transports, driving several ships, including Fallon's, onto the Florida shore. Held by Spanish soldiers, Fallon and the surviving crew escape by turning enemies into friends. Once free, only one mission remains. Wicked Jak Clayton must die! The Bermuda Privateer is an action-filled sea story with layered storylines and a modern storyteller's voice.

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35 YEARS IN THE MAKING: THE MOST ANTICIPATED GRAPHIC NOVEL IN RECENT HISTORY *A GUARDIAN 'BOOKS OF 2021' PICK*The year is 1964. Bailey doesn't realize he is about to fulfil his tragic destiny when he walks into a US Army recruitment office. Secretive, damaged, innocent, trying to forget a past and looking for a future, Bobby is the perfect candidate for a secret US government experiment, an unholy continuation of a genetics program that was discovered in Nazi Germany nearly 20 years earlier in the waning days of World War II. Bailey's only ally and protector, Sergeant McFarland, intervenes, which sets off a chain of cascading events that spin out of everyone's control. As the monsters of the title multiply, becoming real and metaphorical, the story reaches a crescendo of moral reckoning.A 360-page tour de force of visual storytelling, Monsters' narrative canvas is copious: part familial drama, part thriller, part metaphysical journey, it is an intimate portrait of individuals struggling to reclaim their lives and an epic political odyssey that plays across two generations of American history.Monsters is rendered in Barry Windsor-Smith's impeccable pen-and-ink technique, the visual storytelling, with its sensitivity to gesture and composition, the most sophisticated of the artist's career. There are passages of heartbreaking tenderness, of excruciating pain, of redemption and sacrifice, and devastating violence. Monsters is surely one of the most intense graphic novels ever drawn.

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"In a time when women are faced with many outside demands--career, family, community--this book will give them the tools and inspiration needed to remain grounded. A must read!" --Barbara McFarland, psychologist and author of My Mother Was Right Based on the intimate stories of women who have struggled with issues of self-esteem, this invaluable book offers step-by-step guidance for women who want to transform themselves and create lives that are powerful, energized, and motivated. A Woman's Self-Esteem is also a guide for helping women learn the impact they can make on their own lives and how their positive actions will result in a stronger sense of competence and self-worth. A pioneer in the field of self-esteem, psychotherapist Nathaniel Branden explains that the foundation of a healthy self-esteem rests on six key practices or virtues--living consciously, self-acceptance, self-responsibility, self-assertiveness, purposeful living, and personal integrity--and reveals how women can cultivate these essential virtues to reach their full potential. The author's inspiring, real-life vignettes show how women have come to terms with these complex issues by breaking away from self-sabotaging patterns and taking the necessary steps to create more satisfying lives. In A Woman's Self-Esteem, Branden debunks common myths and reminds us that self-esteem is not a gift given to us by others. Branden offers a revealing examination of the special issues that women grapple with including romantic love, jealousy, fear of selfishness, expressing anger, defensiveness, and success anxiety. Filled with creative exercises, A Woman's Self Esteem was developed to enhance personal development and fortify self-esteem.

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*THE NEW YORK TIMES BESTSELLER**ONE OF TIME MAGAZINE'S MUST-READ BOOKS OF 2019**WITH NEW & EXCLUSIVE AFTERWORD*'Addictive ... a jaw-dropping read' STYLIST'Explosive ... Definitely one for the beach' ELLE'Paints a fascinating picture of an eccentric egomaniac who rails against all authority ... gripping stuff' SUNDAY TIMES___________How does it feel to be betrayed by your closest friend? A close friend who turns out to be the most prolific grifter in New York City...This is the true story of Anna Delvey (real name Anna Sorokin), the fake heiress whose dizzying deceit and elaborate con-artistry deceived the Soho hipster scene before her ruse was finally and dramatically exposed.After meeting through mutual friends, the 'Russian heiress' Anna Delvey and Rachel DeLoache Williams soon became inseparable. Theirs was an intoxicating world of endless excess: high dining, personal trainer sessions, a luxury holiday ... and Anna footed almost every bill.But after Anna's debit card was declined in a Moroccan medina whilst on holiday in a five-star luxury resort, Rachel began to suspect that her increasingly mysterious friend was not all she seemed.This is the incredible story of how Anna Sorokin conned the high-rollers of the NYC social scene and convinced her close friend of an entirely concocted fantasy, the product of falsified bank documents, bad cheques and carefully edited online photos. Written by Rachel DeLoache Williams, the Vanity Fair photography editor who believed Anna's lies before helping the police to track her down (fittingly, deciphering Anna's location using Instagram), this is Catch Me If You Can with Instagram filters. Between Anna, Fyre Festival's Billy McFarland (Anna even tried to scam Billy) and Elizabeth Holmes, whose start-up app duped the high and mighty of Silicon Valley, this is the year of the scammer.

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THE BLACKWELL COMPANION TO NINETEENTH-CENTURY THEOLOGY “An excellent collection of essays on a century crucial for modern theological, religious and anti-religious thought.”Janet Martin Soskice, University of Cambridge “This latest contribution to the Blackwell Companions to Religion masterfully summarizes the major trends in Christian theology during the enormously fertile period stretching from the Enlightenment to the Social Gospel and Modernism. An invaluable reference work that tracks developments across confessions and continents, this volume gives the lie to facile generalizations about nineteenth-century theology by illustrating the extraordinary range and depth of Christian thought through a tumultuous era that was in many respects the crucible for our own.”Ian A. McFarland, Emory University The Blackwell Companion to Nineteenth-Century Theology presents a comprehensive account of the most significant theological figures and developments of thought that emerged in Europe and America during the nineteenth century. Bringing together newly commissioned research from prominent Biblical scholars, historians, and theologians, the book covers the key thinkers, confessional traditions, and major religious movements of the period. The contributors’ international scholarship ensures balanced viewpoints as well as an ecumenical scope, with treatments of Catholic, Russian Orthodox, and Protestant theologies included. Along with thoughtful analysis of such prominent thinkers as Kant and Kierkegaard, the volume considers the influence of Darwin and the natural sciences on theology, and debates the role and influence of the “antitheologians” – the nineteenth-century thinkers whose conscious rejection of religion continued to have an impact on twentieth-century theology. Representing the most up-to-date theological research, The Blackwell Companion to Nineteenth-Century Theology offers an engaging and illuminating overview of a period that exercises a significant influence on contemporary theology.

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Analyses what makes an acting performance excellent, through a range of examples from world cinemaWhat actors do on-screen is a fascination for audiences all over the world. Indeed, the cultural visibility of movie stars is so pronounced that stardom has often been regarded as intrinsic to the medium's specificity. Yet not all great cinematic performances are star turns, and so, what really makes a cinematic performance good, interesting, or important has been a neglected topic in film criticism. This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history, asking in many different and complementary ways what makes performance meaningful, how it reflects a director's style, as well as how it contributes to the development of national cinemas and cultures. Whether noting the precise ways actors shape film narrative, achieve emotional effect, or move toward political subversion, the essays in these books innovate new approaches to studying screen performance as an art form and cultural force.This second volume focuses on international cinema, and includes case studies of key performances from actors like Ingrid Bergman, Gael Garcia Bernal, Nikolai Cherkassov, Alec Guinness, Setsuko Hara, Isabelle Huppert, Peter Lorre, Madhubala, Anna Magnani, Toshiro Mifune, and Choi Min Sik, amongst many others.ContributorsUlka Anjaria, Brandeis UniversityJanet Bergstrom, UCLAHye Seung Chung, Colorado State UniversityCorey K. Creekmur, University of IowaAdrian Danks, RMIT University, MelbourneNick Davis, Northwestern UniversityDavid Desser, University of IllinoisDavid Scott Diffrient, Colorado State UniversityVictoria Duckett, Deakin University, MelbourneJason Jacobs, University of QueenslandAlexia Kannas, RMIT University, MelbourneMarcia Landy, University of PittsburghGina Marchetti, Independent Scholar Douglas McFarland, Flagler College, Saint AugustineAdrienne L. McLean, University of Texas at DallasJerry Mosher, California State University, Long BeachKarla Oeler, Stanford UniversityR. Barton Palmer, Clemson UniversityHomer B. Pettey, University of ArizonaMurray Pomerance, Ryerson University Sergio Rigoletto, University of OregonKyle Stevens, Appalachian State UniversityAaron Taylor, University of LethbridgeAlison Taylor, Bond University, QueenslandDolores Tierney, University of SussexNoah Tsika, Queens College, City University of New YorkTimotheus Vermeulen, University of Oslo

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The Fragmentary Poetic: Eighteenth-Century Uses of an Experimental Mode is the first study of the mode of the fragmentary in eighteenth-century poetry. Revisiting traditional literary historiography, it offers a fresh account of the "Pindaric" impulse, a mode informing deliberate fragmentation. It distinguishes itself from the work of Thomas McFarland, Marjorie Levinson (on the Romantic fragment poem), and Elizabeth Wanning Harries (on the prose fragment in the late eighteenth century) through its familiarity with the varied poetic landscape of the period. Through its immersion in the (still) under-researched field of eighteenth-century poetry and its inclusive, historicist approach, it introduces original but rarely discussed poems, thereby contributing to the mapping, and better understanding, of the growing canon of poetry. Rather than being overtly contrasted with the preceptive poetics of early eighteenth-century Neoclassicism, the fragmentary impulse is read as integral to "new" genres such as the long-poem and the Pindaric ode. Its "amphibian" nature accommodates its transgeneric use in genres as varied as the ode and the epic, deploying the ruin as an emblem of its deliberate resistance to closure or the sublime to indicate rupture. The study discusses the ode, the long-poem, imitations of Spenser, Macpherson's "reinventions" of the epic, and poems engaging with (personal and cultural) memory and ruin. It further explores intermodal cooperation in productions ranging from satire to the epic. Poets variously utilized the fragmentary as a mode reflecting human fallenness and the fragmentedness of human existence, but also (paradoxically) as evidence for original completeness and authenticity. In addition, the ruin as a cultural construct facilitated the recognition of the fragmentary as a valid mode. Detailed discussions of poems include works by authors ranging from James Thomson and Edward Young to James Macpherson, Charlotte Smith, and Wordsworth. Scholars of both eighteenth-century and Romantic period poetry will find The Fragmentary Poetic a useful guide to the generic complexity that characterizes the poetry of the eighteenth century. This account of the polymorphous nature of the fragment and its definitional and formal fluidity enables scholars to rethink eighteenth-century form and to appreciate a pervasive mode that found its most varying expression in the poetry of the period.

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Analyses what makes an acting performance excellent, through a range of examples from American filmWhat actors do on-screen is a fascination for audiences all over the world. Indeed, the cultural visibility of movie stars is so pronounced that stardom has often been regarded as intrinsic to the medium's specificity. Yet not all great cinematic performances are star turns, and so, what really makes a cinematic performance good, interesting, or important has been a neglected topic in film criticism. This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history, asking in many different and complementary ways what makes performance meaningful, how it reflects a director's style, as well as how it contributes to the development of national cinemas and cultures. Whether noting the precise ways actors shape film narrative, achieve emotional effect, or move toward political subversion, the essays in these books innovate new approaches to studying screen performance as an art form and cultural force.This volume focuses on American cinema, including case studies of key performances from actors like Bette Davis, Irene Dunne, Whoopi Goldberg, Cary Grant, Oscar Isaac, Jack Nicholson, Al Pacino, Sidney Poitier, Gena Rowlands, Peter Sellers, Kristen Stewart, and Ethel Waters, amongst many others.ContributorsBrenda Austin-Smith, University of ManitobaRebecca Bell-Metereau, Texas State UniversityCharles Ramirez Berg, University of Texas at AustinJanet Bergstrom, UCLAJohn Bruns College of CharlestonAlex Clayton, University of BristolShonni Enelow, Fordham UniversityAnna Everett, University of California, Santa BarbaraLucy Fischer, University of PittsburghLester D. Friedman, Hobart and William Smith CollegesFrances Gateward, California State University NorthridgeDavid Greven, University of South CarolinaJason Jacobs, University of QueenslandElliott Logan, University of Queensland, BrisbaneDouglas McFarland, Flagler College, Saint AugustineAdrienne L. McLean, University of Texas at DallasR. Barton Palmer, Clemson UniversityHomer B. Pettey, University of ArizonaMurray Pomerance, Ryerson University William Rothman, University of MiamiSteven Rybin, Minnesota State University, MankatoKyle Stevens, Appalachian State UniversityGeorge Toles, University of ManitobaDaniel Varndell, University of WinchesterTimotheus Vermeulen, University of OsloRick Warner, University of North Carolina at Chapel Hill

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From personal influencing skills and positive psychology to handling relationships and communication, you're about to discover the simple truth about success'John Lees has re-written the rules on everything you thought you knew about successful self-projection, networking and effective communication' From the Foreword by Sarah Willingham of BBC's Dragons' DenThis is a book about getting noticed, but not a conventional book. It doesn't tell you to sell yourself, get out there, impress with power dressing or to have an elevator speech. Getting noticed doesn't have to mean over-selling. Over the course of this book, you will discover exciting research, positive psychology and advice from a range of experts that will help you make an authentic impact. By stepping just to the edge of your comfort zone, you will learn to project yourself onto the world of work. From personal influencing skills to presentations, this book decodes success for people who hate the idea of selling themselves. You'll rethink networking, learn how to talk about yourself in ways that others find easy to hear - and also directly influence what people say about you. You'll discover how you can project yourself in writing without looking as if you're pushing too hard, and learn to engage people in a way that sparks curiosity and leads to interesting offers.Written for both introverts and extroverts, THE SUCCESS CODE shows you how to find an authentic voice even if your style is naturally self-effacing. You'll learn to get your name 'front of mind' by making sure the right messages about you come across even when you're not in the room. This is your game plan for getting noticed.Are you ready?'A pragmatic and insightful guide to building reputation and impact that anyone can learn from' Penny de Valk, Managing Director, Penna Talent Practice 'If you would rather climb the stairs than get in the lift to do an elevator pitch, then buy this book' Dr Carole Pemberton, Coaching to Solutions, Executive coach and author'Packed with helpful facts, insightful quotes and practical tips' Ian Nicholas, Chief HR Officer, REED Specialist Recruitment Ltd'A great resource in aiding your development' Gordon McFarland - HR Director - Global Professional Services'Full of practical advice and tips and will help you find your voice and achieve success in an authentic way' Zoe Shackle, HR Director AMC Networks International

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The Afro-Latin@ Reader focuses attention on a large, vibrant, yet oddly invisible community in the United States: people of African descent from Latin America and the Caribbean. The presence of Afro-Latin@s in the United States (and throughout the Americas) belies the notion that Blacks and Latin@s are two distinct categories or cultures. Afro-Latin@s are uniquely situated to bridge the widening social divide between Latin@s and African Americans; at the same time, their experiences reveal pervasive racism among Latin@s and ethnocentrism among African Americans. Offering insight into Afro-Latin@ life and new ways to understand culture, ethnicity, nation, identity, and antiracist politics, The Afro-Latin@ Reader presents a kaleidoscopic view of Black Latin@s in the United States. It addresses history, music, gender, class, and media representations in more than sixty selections, including scholarly essays, memoirs, newspaper and magazine articles, poetry, short stories, and interviews.While the selections cover centuries of Afro-Latin@ history, since the arrival of Spanish-speaking Africans in North America in the mid-sixteenth-century, most of them focus on the past fifty years. The central question of how Afro-Latin@s relate to and experience U.S. and Latin American racial ideologies is engaged throughout, in first-person accounts of growing up Afro-Latin@, a classic essay by a leader of the Young Lords, and analyses of U.S. census data on race and ethnicity, as well as in pieces on gender and sexuality, major-league baseball, and religion. The contributions that Afro-Latin@s have made to U.S. culture are highlighted in essays on the illustrious Afro-Puerto Rican bibliophile Arturo Alfonso Schomburg and music and dance genres from salsa to mambo, and from boogaloo to hip hop. Taken together, these and many more selections help to bring Afro-Latin@s in the United States into critical view.Contributors: Afro–Puerto Rican Testimonies Project, Josefina Baéz, Ejima Baker, Luis Barrios, Eduardo Bonilla-Silva, Adrian Burgos Jr., Ginetta E. B. Candelario, Adrián Castro, Jesús Colón, Marta I. Cruz-Janzen, William A. Darity Jr., Milca Esdaille, Sandra María Esteves, María Teresa Fernández (Mariposa), Carlos Flores, Juan Flores, Jack D. Forbes, David F. Garcia, Ruth Glasser, Virginia Meecham Gould, Susan D. Greenbaum, Evelio Grillo, Pablo “Yoruba” Guzmán, Gabriel Haslip-Viera, Tanya K. Hernández, Victor Hernández Cruz, Jesse Hoffnung-Garskof, Lisa Hoppenjans, Vielka Cecilia Hoy, Alan J. Hughes, María Rosario Jackson, James Jennings, Miriam Jiménez Román, Angela Jorge, David Lamb, Aida Lambert, Ana M. Lara, Evelyne Laurent-Perrault, Tato Laviera, John Logan, Antonio López, Felipe Luciano, Louis Pancho McFarland, Ryan Mann-Hamilton, Wayne Marshall, Marianela Medrano, Nancy Raquel Mirabal, Yvette Modestin, Ed Morales, Jairo Moreno, Marta Moreno Vega, Willie Perdomo, Graciela Pérez Gutiérrez, Sofia Quintero, Ted Richardson, Louis Reyes Rivera, Pedro R. Rivera , Raquel Z. Rivera, Yeidy Rivero, Mark Q. Sawyer, Piri Thomas, Silvio Torres-Saillant, Nilaja Sun, Sherezada “Chiqui” Vicioso, Peter H. Wood

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The Afro-Latin@ Reader focuses attention on a large, vibrant, yet oddly invisible community in the United States: people of African descent from Latin America and the Caribbean. The presence of Afro-Latin@s in the United States (and throughout the Americas) belies the notion that Blacks and Latin@s are two distinct categories or cultures. Afro-Latin@s are uniquely situated to bridge the widening social divide between Latin@s and African Americans; at the same time, their experiences reveal pervasive racism among Latin@s and ethnocentrism among African Americans. Offering insight into Afro-Latin@ life and new ways to understand culture, ethnicity, nation, identity, and antiracist politics, The Afro-Latin@ Reader presents a kaleidoscopic view of Black Latin@s in the United States. It addresses history, music, gender, class, and media representations in more than sixty selections, including scholarly essays, memoirs, newspaper and magazine articles, poetry, short stories, and interviews.While the selections cover centuries of Afro-Latin@ history, since the arrival of Spanish-speaking Africans in North America in the mid-sixteenth-century, most of them focus on the past fifty years. The central question of how Afro-Latin@s relate to and experience U.S. and Latin American racial ideologies is engaged throughout, in first-person accounts of growing up Afro-Latin@, a classic essay by a leader of the Young Lords, and analyses of U.S. census data on race and ethnicity, as well as in pieces on gender and sexuality, major-league baseball, and religion. The contributions that Afro-Latin@s have made to U.S. culture are highlighted in essays on the illustrious Afro-Puerto Rican bibliophile Arturo Alfonso Schomburg and music and dance genres from salsa to mambo, and from boogaloo to hip hop. Taken together, these and many more selections help to bring Afro-Latin@s in the United States into critical view.Contributors: Afro–Puerto Rican Testimonies Project, Josefina Baéz, Ejima Baker, Luis Barrios, Eduardo Bonilla-Silva, Adrian Burgos Jr., Ginetta E. B. Candelario, Adrián Castro, Jesús Colón, Marta I. Cruz-Janzen, William A. Darity Jr., Milca Esdaille, Sandra María Esteves, María Teresa Fernández (Mariposa), Carlos Flores, Juan Flores, Jack D. Forbes, David F. Garcia, Ruth Glasser, Virginia Meecham Gould, Susan D. Greenbaum, Evelio Grillo, Pablo “Yoruba” Guzmán, Gabriel Haslip-Viera, Tanya K. Hernández, Victor Hernández Cruz, Jesse Hoffnung-Garskof, Lisa Hoppenjans, Vielka Cecilia Hoy, Alan J. Hughes, María Rosario Jackson, James Jennings, Miriam Jiménez Román, Angela Jorge, David Lamb, Aida Lambert, Ana M. Lara, Evelyne Laurent-Perrault, Tato Laviera, John Logan, Antonio López, Felipe Luciano, Louis Pancho McFarland, Ryan Mann-Hamilton, Wayne Marshall, Marianela Medrano, Nancy Raquel Mirabal, Yvette Modestin, Ed Morales, Jairo Moreno, Marta Moreno Vega, Willie Perdomo, Graciela Pérez Gutiérrez, Sofia Quintero, Ted Richardson, Louis Reyes Rivera, Pedro R. Rivera , Raquel Z. Rivera, Yeidy Rivero, Mark Q. Sawyer, Piri Thomas, Silvio Torres-Saillant, Nilaja Sun, Sherezada “Chiqui” Vicioso, Peter H. Wood

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