Search results for ""House of Anansi Press""

A delicately rendered memoir on motherhood, family, and the beauty of the natural world.In fall 2007, Lynn Thomson experiences a huge life shift. Her teenage son, Yeats, is just beginning high school. Yeats has always struggled against the system, against the pressure to conform. He is a poet at heart: acutely sensitive, highly intelligent, and solitary by nature. Lynn and Yeats have always been close, but after fourteen years as a stay-at-home mom Lynn is going back to work for her husband, Ben, who has just opened his own bookstore.When Lynn and Yeats take a trip to Vancouver Island, they discover a mutual love of bird watching. Lynn is the only other person Yeats has found who loves nature and watching birds. Plus, she has a car. Lynn describes in wondrous detail the many trips she and Yeats take, from the Wye Marsh and Pelee Island in Ontario, to Vancouver Island in British Columbia, to an ill-fated trip to the Galapagos Islands. The two grow closer with each bird-watching expedition. At the same time, Lynn notices that her son is beginning to pull away — and she must learn to let go.Birding with Yeats is a delicate, sensitive, and gentle reflection on the unique bond between a mother and son, and the magic that is the natural world.

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The brilliant new collection from Michael Crummey, bestselling author of Galore. Michael Crummey’s first collection in a decade has something for everyone: Love and marriage and airport grief; how not to get laid in a Newfoundland mining town; total immersion baptism; the grand machinery of decay; migrant music and invisible crowns and mortifying engagements with babysitters; the transcendent properties of home brew. Whether charting the merciless complications of childhood, or the unpredictable consolations of middle age, these are poems of magic and ruin. Under the Keel affirms Crummey’s place as one of our necessary writers.

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Shortlisted for the Governor General's Literary Award: Poetry and the League of Canadian Poets: Raymond Souster Award The follow up to The Sentinel, winner of the Griffin Poetry Prize, A. F. Moritz's The New Measures is a bold collection of fiery, passionate, visionary, and fiercely singing new work. These poems make unique music, by turns tender and forceful, terrified and assured, grateful and enraged. They revel in pleasure, and the thirst for more pleasure. And they insist on the hope -- perhaps paradoxical, perhaps impossible, yet never extinguished -- for the perfection of a world both natural and human. The New Measures makes fear and grief into prophecy and joy at each turn of phrase. It is a brilliant new work from one of our greatest poets.

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Finalist, Governor General's Literary Award in the Translation Category A Quebec bestseller based on the life of Michel Jean’s great-grandmother that delivers an empathetic portrait of drastic change in an Innu community. Kukum recounts the story of Almanda Siméon, an orphan raised by her aunt and uncle, who falls in love with a young Innu man despite their cultural differences and goes on to share her life with the Pekuakami Innu community. They accept her as one of their own: Almanda learns their language, how to live a nomadic existence, and begins to break down the barriers imposed on Indigenous women. Unfolding over the course of a century, the novel details the end of traditional ways of life for the Innu, as Almanda and her family face the loss of their land and confinement to reserves, and the enduring violence of residential schools. Kukum intimately expresses the importance of Innu ancestral values and the need for freedom nomadic peoples feel to this day.

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Ava Lee clashes with the most powerful family in Malaysian Borneo in this exhilarating new thriller from bestselling author Ian Hamilton. After a warehouse owned by the Three Sisters is destroyed under suspicious circumstances, Ava Lee travels to the Malaysian province of Sarawak to investigate. She quickly discovers that the powerful Chong family has a political and economic stranglehold on the province and is likely responsible for the warehouse. As Ava digs deeper into the Chongs, she is shocked to learn of their billion-dollar illegal logging operation in Sarawak, which has decimated the Bornean rainforest and threatens the existence of the Penan — a nomadic Indigenous people who have lived in the region for centuries. Determined to avenge the harm caused by the Chongs and to put an end to their dominion over Sarawak, Ava follows a money trail that leads back to the Hong Kong real estate market. There, Ava and Sonny Kwok embark on a campaign of terror against the Chong family — attacking their holdings and bank accounts. Can Ava attain the vengeance she seeks? Or will the powerful Chong family triumph once again?

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Bestselling author of Autopsy of a Boring Wife Marie-Renée Lavoie is a master of making us fall in love with her characters. She does it again with the tender coming-of-age story Some Maintenance Required. It is 1993, the last year of school and Laurie’s final spring before adulthood. She works part time at a restaurant and looks after Cindy, her neglected, potty-mouthed little neighbour. Like her mother, Laurie devours books and dreams big. Her father works at a garage, where Laurie constantly struggles to keep her car running. It is here that a budding romance intensifies Laurie’s understanding of class differences, and opens her eyes to a more complicated world. With her big heart, she takes Cindy globe-trotting without even leaving town, and learns how to come to terms with circumstances beyond her control. Life teaches Laurie that everyone requires some maintenance sometimes. A story of taking responsibility and coming into adulthood, Some Maintenance Required is as funny and as impressive as its main character.

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Six magnificent and stimulating essays examining the role of technology in shaping how we live, by one of Canada’s most influential philosophers, now reissued in a handsome A List edition.Originally published in 1986, the six essays that comprise Technology and Justice offer absorbing reflections on the extent to which technology has shaped the way we live now. George Grant explores the fate of traditional values in modern education, social behaviour, and religion, and offers his insights into some of the most contentious ethical deliberations of the past half-century.In essays ranging in content from classical philosophy to the morals of euthanasia, Technology and Justice showcases Grant’s stimulating commentary on the meaning of the North American experience.

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Like a Québécois Bridget Jones’s Diary, Autopsy of a Boring Wife tells the hysterically funny and ultimately touching tale of forty-eight-year-old Diane, a woman whose husband is having an affair because, he says, she bores him. Diane takes the change to heart and undertakes an often ribald, highly entertaining journey to restore trust in herself--and others--that offers an astute commentary on women and girls, gender differences, and the curious institution of twenty-first century marriage. All the details are up for scrutiny in this brisk, yet tender story of a path to recovery. Autopsy of a Boring Wife is a wonderfully fresh novel of the pitfalls of an apparently “boring” life that could be any of ours.

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Why are there so few women in politics? Why is public space, whether it’s the street or social media, still so inhospitable to women? What does Carrie Fisher have to do with Mary Wollstonecraft? And why is a wedding ceremony Satan’s playground?These are some of the questions that bestselling author and acclaimed journalist Elizabeth Renzetti examines in her new collection of original essays. Drawing upon her decades of reporting on feminist issues, Shrewed is a book about feminism’s crossroads. From Hillary Clinton’s failed campaign to the quest for equal pay, from the lessons we can learn from old ladies to the future of feminism in a turbulent world, Renzetti takes a pointed, witty look at how far we’ve come — and how far we have to go. If Nellie McClung and Erma Bombeck had an IVF baby, this book would be the result. If they’d lived at the same time. And in the same country. And if IVF had been invented. Well, you get the point.

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Featuring internationally acclaimed poetry from more than twenty books and chapbooks published over forty-five years, The Sparrow is a career-spanning selection that reveals how A. F. Moritz’s dynamic, ever-exploratory work is also a vast, singular poem. A. F. Moritz has been called “one of the best poets of his generation” by John Hollander and “a true poet” by Harold Bloom, who ranks him alongside Anne Carson. He is the recipient of numerous awards and honours throughout North America, including the Award in Literature of the American Academy of Arts and Letters, the Guggenheim Fellowship, Poetry magazine’s Beth Hokin Prize, the Ingram Merrill Fellowship, and the Griffin Poetry Prize.The Sparrow: Selected Poems of A. F. Moritz surveys forty-five years of Moritz’s published poems, from earlier, lesser-known pieces to the widely acclaimed works of the last twenty years. Here are poems of mystery and imagination; of identification with the other; of compassion, judgement, and rage; of love and eroticism; of mature philosophical, sociological, and political analysis; of history and current events; of contemplation of nature; of exaltation and ennui, fullness and emptiness, and the pure succession and splendour of earthly nights and days.The Sparrow is more than a selected poems; it is also a single vast poem, in which the individual pieces can be read as facets of an ever-moving whole. This is the world of A. F. Moritz — a unique combination of lyrical fire and meditative depth, and an imaginative renewal of style and never-ending discovery of form.

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The twentieth-anniversary edition of Nick Craine’s searing graphic novel about a legendary Canadian punk band, based on the feature film by Bruce McDonald and the novel by Michael Turner.Joe Dick, Billy Tallent, John Oxenburger, and Pipefitter are Hard Core Logo — Vancouver’s legendary, but now defunct, punk band.Joe Dick coaxes his former bandmates to overcome personal differences and reunite for a benefit concert for their ageing punk mentor, Bucky Haight, who has been shot. But the concert’s not enough for Joe; he wants the band to hit the road again. For the Hard Cores this means the beginning of the end, and they come to realize that they can neither relive nor alter the past.From the pen of hugely talented Canadian comic artist and illustrator Nick Craine comes a searing rendition of those Hard Core days and nights. In this graphic take on the story originally conceived by Michael Turner and made into a critically acclaimed film by Bruce McDonald, Craine pits the legendary Hard Cores against a collage-like backdrop of bars, hotel rooms, the road, and the Canadian Prairies.Featuring a new introduction by Lynn Crosbie and a tear-out guitar chord book, Hard Core Logo: Portrait of a Thousand Punks weaves together a patchwork narrative of found art, dialogue, songs, and incidental bystanders. Craine skillfully renders his own unique cover-version of this cult film classic in graphic novel form.

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Stirred by a series of found photographs, critically acclaimed author Cary Fagan brilliantly imagines the lost stories behind them in this dazzling story collection.Many years ago the photographs in this book became separated from their original owners, faces unrecognized, settings a mystery. They floated through this world, as if on a sorrowful wind… I have given them stories to replace the ones they have lost.So begins the bewitching new collection from acclaimed author Cary Fagan, and a journey into a world that is both achingly familiar and wonderfully strange. A man hangs onto a runaway horse. A woman paints in the nude. A child sparks a revolution. These stories, each inspired by a found photograph, are by turns realistic and surreal, bloody and tender, delightful and appalling.Here are stories that playfully vary in technique and form: monologues, dialogues, interviews, letters, transcripts, tall tales, and capsule histories form a single portrait, belonging — in the words of the author — “to one history, found in an album that might belong to any of us.” Fagan paints a portrait of re-imagined lives that is comic and tragic, profound and unforgettable. The beauty, humour, and the horror of days gone by haunt these pages and resonate in the world we find ourselves in today.

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Bill Richardson, winner of the Stephen Leacock medal for humour and former CBC Radio personality, delivers a “fresh and frisky” poetic take on transitioning into life as a retiree and living through the golden years.In their frank and witty delivery, Richardson’s illustrated retirement rhymes for the hoary-headed do not just playfully reveal the inevitable weakening that afflicts the mind and body as the years wear on, they also cast light on the ageless, exuberant spirit that too often remains hidden inside. From retirement homes, cruises, and grandchildren to liver spots, memory problems, and geriatric sex, Richardson’s candid reflections on the trials, tribulations, and humiliations of growing old are funny, sharp, and irreverent.Illustrated by award-winning artist Roxanna Bikadoroff, The First Little Bastard to Call Me Gramps is an essential companion to the graces, and disgraces, of ageing.

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The latest from Governor General’s Literary Award winner Perrine Leblanc is a mesmerizing story about the disappearance of three young women and a deeply disturbing portrait of a small town gone bad.In between the mountains and the sea, on the north shore of the Baie des Chaleurs, there’s a village called Malabourg. The village is surrounded by all the usual features of the region: a river with wild salmon, a stretch of the national highway, and a coniferous forest. But Malabourg has one unusual feature: in the heart of the forest there’s a lake the kids call “the tomb.” It’s the place where three young women have disappeared, one by one. As rumours and allegations spread through the village, Alexis and Mina struggle to make sense of the tragedies before deciding the only way to forget is to leave. Alexis relocates to France to learn how to compose perfume and Mina moves hundreds of kilometres away from the sea. But, in spite of the distance, Alexis and Mina can’t forget Malabourg, or each other.Unfolding along the beautiful, rugged landscape of the Gulf of St. Lawrence, The Lake is the gripping story of the disappearance of three young women, the unsettling aftermath, and the search for life beyond the limits of a small town.

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Three men race against time to take possession of a sacred 5,000-year-old Buddhist sculpture: Khalid, a leading Pakistani antiquities dealer, arranges for the illegal importation of the statue from neighbouring Afghanistan. Ghalib, a wealthy art collector with political aspirations, has purchased the statue for his private collection. Adeel, a highly recommended ex-military officer, is hired by Khalid to transport the sculpture to its final destination.When Adeel first views the statue in a cave in Bamiyan — known as “the place of shining light” — he has a profound spiritual reaction and decides to steal the sculpture for himself. When Khalid and Ghalib realize their prized possession is missing, they conspire to do whatever it takes to have it returned — before it’s lost forever.Taking readers on a wild journey from the valleys of Afghanistan, to the magical mountain kingdoms of Northern Pakistan, and the diplomatic enclaves of Islamabad, The Place of Shining Light is a riveting and timely story of art, war, greed, and spirituality.

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Quietly atmospheric and darkly foreboding, A Plea for Constant Motion is an ominous, and occasionally unnerving, new work of fiction by award-winning author Paul CarlucciPenetrating and visceral, yet always offset by small moments of tenderness and humour, A Plea for Constant Motion is a powerful examination of the innate desire in everyone to change their lives and strive for something better.Two couples share a disastrous dinner after their children are killed in a botched kidnapping overseas. A teacher with a passion for cartography orchestrates a bizarre apology after intentionally hitting a student. Desperate to be friends, a man ignores his neighbour’s strange behaviour to the peril of himself and others. A young girl babysits for a family friend, dimly aware that her presence is required for more than just childcare.Dexterously divided into two parts and a surreal intermission, the characters in these stories find themselves confronted by situations that leave them either struggling to escape or firmly rooted in place. Paul Carlucci’s formidable work is by turns familiar and disquieting, sober and surreal, a stark and carefully crafted examination of the human condition.

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The CBC Massey Lectures, Canada's preeminent public lecture series, are for many of us a highly anticipated annual feast of ideas. However, some of the finest lectures, by some of the greatest minds of modern times, have been lost for many years -- unavailable to the public in any form. This is the second volume of recovered lectures, a follow-on to The Lost Massey Lectures, and features: Nobel Peace Prize recipient Willy Brandt on the dangerous inequities between developing and industrialized nations in Dangers and Options: The Matter of World Survival; George Grant on the worsening predicament of the West through an examination of the thought of Friedrich Nietzsche in Time as History; Claude Levi-Strauss on the nature and role of myth in human history in Myth and Meaning; Frank Underhill on the deficiencies of the Canadian constitution in The Image of Confederation; and Barbara Ward, in the very first Massey Lecture, on the origin and predicament of underdeveloped countries in The Rich Nations and the Poor Nations. More Lost Massey Lectures includes an introduction by Bernie Lucht, who has been the executive producer of CBC Radio's Ideas and the Massey Lectures since 1984.

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East-end Montreal in the mid-1920s. A popular restaurant is razed by an arsonist. Seventy-five people perish in the inferno. While strolling with his wheelchair-ridden father, a man furtively salvages a charred icon from the ruins. He is Remouald Tremblay, a self-effacing bank clerk whose pocket holds a treasured rabbit's foot and whose memory contains an unspeakable hell. Originally published in 1994 as L'Immaculee conception, this is the novel that established Gaetan Soucy as a powerful new literary force in Quebec. In it, he echoes the writing of Edgar Allan Poe and Fyodor Dostoevsky. Immaculate Conception was shortlisted for the Giller Prize in 2006.

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Bestselling author and gardening columnist Marjorie Harris offers a timely and entertaining guide for gardeners at every stage of life. Whether you're moving into your first apartment or condo, upgrading to a house, or downsizing to smaller digs, Harris shares the best tips on how to create a beautiful garden for any space — all on a budget The highly anticipated sequel to her popular book Thrifty: Living the Frugal Life with Style, Thrifty Gardening marries Harris's passion for gardening with her thrifty lifestyle savvy so that everyone can create a natural oasis whatever their living situation is — and without breaking the bank.

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The new collection from RBC/PEN Canada New Voices Award winner Mikko Harvey. Mikko Harvey’s new collection invites readers into a world that is and is not the world we know. In poems at once surreal, satiric, and tender, we encounter a cast of surprising non-human characters — the bear who sells herbal remedies, the politically influential lizard, the mean butterfly — yet at the core of this book is Harvey’s impulse to confront the challenges of human intimacy. Let the World Have You is a vibrant report on the ways in which we are delightfully, awkwardly, heartbreakingly entangled: with each other, with the environment we inhabit, and with the psychological environments that inhabit us.

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Erin Moure traces a woman's poetic trajectory through the instability of any search and any procedure. Everything touched upon is called into question as Moure explores the limits of our notions of language, and plays with the power of words to convey meaning or intelligibility, as well as their fallibility.

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Named after a local word meaning “soaked through” or “weighed down,” Scotiabank Giller Prize finalist Megan Gail Coles’s debut poetry collection, Satched, is a vivid portrait of intergenerational trauma, ecological grief, and late-stage capitalism from the perspective of a woman of rural-remote, Northern, working class, mixed ancestry. Honest, penetrating, and often darkly comic, these poems explore the extraordinary will it requires to stay alive in the face of economic precariousness, growing inequality, and prevailing dissatisfaction. With a fierce dedication to place, the collection explores the conflict inherent to individualistic priorities and collective needs present in a hyper-commodified Newfoundland and Labrador. Satched demands compassionate advocacy for all as it resolutely strives for clarity and acceptance while celebrating the momentary glimpses of joy in the path toward shared values and resilience.

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White Resin is an ethereal love story of the almost-impossible reconciliation between the manufactured world and the haunting and feminine nature that envelops it. In this impassioned and wildly imagined story of creation, a girl named Dãa, is born to “twenty-four mothers,” the sisters of a convent at the edge of the Quebec taiga. Nearby, at the Kohle mining company, a woman dies giving birth to Laure, a child with albinism, in the workers’ canteen. What follows is a dream-like recounting of their love affair and the family they bear, a captivating magic-realist tale of origins and opposites, that would be fantastical if it did not ring so true to the boreal north. White Resin is at once a dream-like romance and an homage to gorgeous, feral, and fecund nature as it both stands against and entwined with the industrial world.

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Finalist, Trillium Book Award From one of the defining poets of his generation, a new collection that plumbs the depth of beauty, history, responsibility, and love. As Far As You Know, acclaimed poet A. F. Moritz’s twentieth collection of poems, begins with two sections entitled “Terrorism” and “Poetry.” The book unfolds in six movements, yet it revolves around and agonizes over the struggle between these two catalyzing concepts, in all the forms they might take, eventually arguing they are the unavoidable conditions and quandaries of human life. Written and organized chronologically around before and after the poet’s serious illness and heart surgery in 2014, these gorgeously unguarded poems plumb and deepen the reader’s understanding of Moritz’s primary and ongoing obsessions: beauty, impermanence, history, social conscience and responsibility, and, always and most urgently, love. For all its necessary engagement with worry, sorrow, and fragility, As Far As You Know sings a final insistent chorus to what it loves: “You will live.”

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The highly anticipated fourth instalment in the critically acclaimed MacNeice Mysteries series finds MacNeice and his team on the hunt for a sophisticated serial killer who draws his inspiration from classic works of art — perfect for fans of Dan Brown’s mysteries with a historical twist.Two bodies have been found in the master bedroom of a mansion in Dundurn’s old-money neighbourhood under the mountain. Howard Terry and his son, Matthew, have both been shot twice in the chest. Under Matthew’s body is a doll with blood-red cotton wadding spilling out of its head. Nearby, a mannequin in a nightshirt lies on its back, with two bullet holes in the chest.On the other side of town, a body is discovered below the Devil’s Punchbowl waterfall. Leaning against an enormous rock is a man in a cotton nightshirt wearing a papier mâché donkey’s head. Two rounds in the chest. Something about the way the bodies have been arranged suggests the murders are connected and triggers a memory in Detective Superintendent MacNeice of an image he saw years before…

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#1 National BestsellerFinalist, CBC Canada ReadsFinalist, Scotiabank Giller PrizeBy turns savage, biting, funny, poetic, and heartbreaking, Megan Gail Coles’s debut novel rips into the inner lives of a wicked cast of characters, exposing class, gender, and racial tensions over the course of one Valentine’s Day in the dead of a winter storm.Valentine’s Day, the longest day of the year. A fierce blizzard is threatening to tear a strip off the city, while inside The Hazel restaurant a storm system of sex, betrayal, addiction, and hurt is breaking overhead. Iris, a young hostess, is forced to pull a double despite resolving to avoid the charming chef and his wealthy restaurateur wife. Just tables over, Damian, a hungover and self-loathing server, is trying to navigate a potential punch-up with a pair of lit customers who remain oblivious to the rising temperature in the dining room. Meanwhile Olive, a young woman far from her northern home, watches it all unfurl from the fast and frozen street. Through rolling blackouts, we glimpse the truth behind the shroud of scathing lies and unrelenting abuse, and discover that resilience proves most enduring in the dead of this winter’s tale.

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In the latest installment of the Ava Lee novels, Ava becomes embroiled in a violent war between feuding gangs vying for control of the Wanchai territory in Hong Kong.Ava is in Shanghai visiting her ailing friend, the Mountain Master Xu, when a triad war breaks out in Hong Kong. Sammy Wing, an old enemy of Ava’s who has twice tried to kill her, has enlisted the aid of his nephew Carter — the new Mountain Master of Sha Tin — to reclaim control of his old territory, Wanchai, from Xu’s men.There is nothing subtle about the Wings’ methods. Xu’s most trusted enforcer, Lop, has been shot, and six of his street soldiers kidnapped. The Wings threaten to execute them unless Xu’s men vacate Wanchai immediately. Ava steps in to broker a settlement, and the Wings respond by sending her a box containing six fingers — and a twelve-hour deadline.As the violence and tension mount, Ava is driven to the edge, and she is forced to devise a plan that will bring her face-to-face with Sammy and Carter Wing. The only question is who will pull the trigger first?

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F. Scott Fitzgerald’s “The Curious Case of Benjamin Button” meets Junot Diaz’s The Brief Wondrous Life of Oscar Wao in Daniel Grenier’s epic novel, which tells the story of a boy who ages only one out of every four years.There’s something extraordinary about Thomas Langlois.Thomas is a young boy growing up in Chattanooga, Tennessee, with a French-Canadian father, Albert, and an American mother, Laura. But beyond the fact that he lives between two cultures and languages, there’s something else about Thomas that sets him apart: he was born on February 29.Before Albert goes on a strange quest to find out more about their mysterious relative, Aimé Bolduc, he explains to Thomas that he will only age one year out of every four and he will outlive all of his loved ones.Thomas’s loneliness grows and the years pass until a terrible accident involving a young girl sets in motion a series of events that link the young girl and Thomas to Aimé Bolduc — a Civil War–era soldier and perhaps their contemporary.Spanning three centuries and set against the backdrop of the Appalachians from Quebec to Tennessee, The Longest Year is a magical and poignant story about family history, fateful dates, fragile destinies, and lives brutally ended and mysteriously extended.

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Twenty years after the publication of his debut, Little Dogs: New and Selected Poems brings together selections from Michael Crummey’s first four books of poetry with a significant offering of new work. In this collection, Crummey emerges not only as the master storyteller we know him to be, but also as one of our great poets of connection. Whether reporting from a solitary room or a shared bed, recalling the barbed delirium of adolescence, the subtler negotiations of mature love, or the generational echoes between fathers and sons, these poems are deeply engaged in the business of living with others. Of living with the absence of those who have shaped and sometimes scarred us. Unafraid of confronting the darker corners of desire or of digging into the past to make sense of the present, Crummey has already given us a tremendous body of work. Little Dogs showcases the evolution of one the most distinct and celebrated Canadian writers of his generation.

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In her first poetry collection in more than a decade, celebrated novelist and poet Lynn Crosbie creates a sustained and confessional record of her father’s illness.The Corpses of the Future is a sustained, confessional new collection of poems by Lynn Crosbie. It tells the story of her father’s battle with frontotemporal dementia and blindness following a stroke. The poems chronologically recount the poet’s conversations and time with her father and capture his still-astonishing means of communicating. The book’s title is his sardonic remark. Crosbie considers dementia to be a symbolic language, and as such similar to poetry. The author’s attempts to understand her father’s distress, pain, fear, and brave love are assisted by her understanding of the “negative capability” required of readers of poetry.This is a harrowing book, with moments of joy and even levity. It is a collection of poetry about love, and love’s persistence, even under the most unspeakable circumstances.

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John Mighton’s revolutionary JUMP at Home: Grade 6 workbook, now available as a PDF for the first time for at-home learning.“John Mighton’s JUMP program has demonstrated powerfully that, with the right instruction, no one need be left behind in math.” — New York TimesJohn Mighton's innovative JUMP (Junior Undiscovered Math Prodigies) Math program is changing the way math is taught. With these workbooks, parents and caregivers can bring the JUMP program home to keep children learning.The key to the enormous success of the program is a step-by-step teaching method that isolates and describes concepts so clearly that children can not only understand them, but also build up great confidence in themselves and their ability.This workbook includes an introduction that clearly explains the thinking behind the program and follows the carefully designed worksheets used by JUMP tutors and classroom teachers.Royalties from the sales of the JUMP workbooks are donated to the JUMP organization.

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John Mighton’s revolutionary JUMP at Home: Grade 8 workbook, now available as a PDF for the first time for at-home learning.“John Mighton’s JUMP program has demonstrated powerfully that, with the right instruction, no one need be left behind in math.” — New York TimesJohn Mighton's innovative JUMP (Junior Undiscovered Math Prodigies) Math program is changing the way math is taught. With these workbooks, parents and caregivers can bring the JUMP program home to keep children learning.The key to the enormous success of the program is a step-by-step teaching method that isolates and describes concepts so clearly that children can not only understand them, but also build up great confidence in themselves and their ability.This workbook includes an introduction that clearly explains the thinking behind the program and follows the carefully designed worksheets used by JUMP tutors and classroom teachers.Royalties from the sales of the JUMP workbooks are donated to the JUMP organization.

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Erin Moure is one of the most consistently innovative, radically imaginative poets at work in Canada. With each book, Moure seeks to re-create writing from the ground up. Little Theatres appears at a pressing historical crossroads, when we most need our language to be made restive again. Like the agua/water running through the collection -- at once lingual exchange, submersion, balm, and sustenance -- Moure's voices are as fluid, clear, animated, and shimmering with light and life as ever. Galician and English intermingle in this collection like currents of the same river. How can we open the infinitely small spaces of Little Theatres in our own lives? Can they take the place of war? And who, exactly, writes them? Erin Moure? The unjustly ignored thinker Elisa Sampedrin? Or a speaker inside us finally willing to give Little Theatres its due attention? An intimate act of cultural and personal interflow, this work from a major poet has the power to alter our perception of where, and on what scale, the action is taking place.

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What are we thinking at any given moment? What happens to a thought as that moment, on its way to oblivion, collides with its successor? Rambunctious, witty, joyous, and bittersweet, drift is an investigation conducted by a truly unfettered imagination. In fluid, sparkling cadences, Kevin Connolly's poems let the mind's downtime have the stage for a change -- the desert sky transformed; Spring Break as viewed by passing skipjacks; narratives of danger and dream narrative; a meditation on the business end of a sea cucumber; figures of history disfigured and left to wander the consumer grid -- such are the entirely odd, entirely current events in Connolly's world, a realm that stands at an acute angle from the place we normally live in but which we all seem to drift into. As one of Connolly's own high-voltage sonnets states, "what stops the heart starts the world." In drift's constant juxtaposition of abundance and loneliness, we hear what it is to confront a new century, having quite likely failed during the last. We're reminded, by a voice unlike any other on the Canadian landscape, that our solitude is painful yet precious.

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Three-time Governor General’s Literary Award–shortlisted author and playwright Anosh Irani’s critically acclaimed one-man show Buffoon is a masterclass of tragicomic theatre. Born to circus folk who prefer trapezing over parenting, Felix quickly learns to turn life’s misfortunes into jokes. His longing for family and home is piqued at the tender age of seven when he falls hopelessly in love with an older woman, the beguiling Aja, who is eight. In the process, a clown is born, and we watch him grow into a middle-aged buffoon. Over time, Felix stops waiting for someone else to love him; his journey becomes one of loving himself. A story of love, loss, and the fate that binds us, Buffoon is a gut-wrenching one-man show that expertly walks the tightrope between heartbreak and hilarity.

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One of the inspirations for the smash hit Broadway musical Come From Away, Channel of Peace is an unforgettable memoir of the extraordinary kindness afforded to passengers whose flights were re-routed to Gander, Newfoundland, on September 11, 2001.When Kevin Tuerff and his partner boarded their flight from France to New York City on September 11, 2001, they had no idea that a few hours later the world — and their lives — would change forever. After U.S. airspace closed following the terrorist attacks, Kevin, who had been experiencing doubts about organized religion, found himself in the small town of Gander, Newfoundland, with thousands of other refugees or “come from aways.”Channel of Peace is a beautiful account of how the people of Gander rallied with boundless acts of generosity and compassion for the “plane people,” renewing Kevin’s spirituality and inspiring him to organize an annual and growing “giving back” day. His unforgettable and uplifting story, along with others, has reached thousands of people when it was incorporated into the Broadway musical Come From Away.

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When it first appeared in 1971, Margaret Atwood’s Power Politics startled readers with its vital dance of woman and man. It still startles today, and is just as iconoclastic as ever. These poems occupy all at once the intimate, the political, and the mythic. Here Atwood makes us realize that we may think our own personal dichotomies are unique, but really they are multiple, universal. Clear, direct, wry, and unrelenting — Atwood’s poetic powers are honed to perfection in this seminal work from her early career.

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Mortality, Love, Ethics, Civilization, Divine Presence, Human Body, Modernity, The Natural World, and Constructed Spaces. The Sentinel watches and reports back to us in a voice that is timeless and worthy of trust. Whether describing renewal and regeneration, the despair brought on by global capitalism, or a place where decay and loss meet their antithesis, A. F. Moritz's magisterial voice, rare insight, and supple craft are on impressive display.

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Like the mole of the title, Patrick Warner’s poems accomplish great feats while disguised as pleasingly modest creatures of accident and stealth. But whereas moles mine the soil, Mole mines the rich depths of imagination, empathy, and insight. A Newfoundlander, Warner takes the richness of his land's distinctive argot and singular humor, crafting a strange, dreamlike world that sharpens our perception of this one. A moral poet, and one fully engaged with his people and home, Warner can be read both seriously and for pure enjoyment by anyone, anywhere. As with the best poets, he takes overlooked corners and negligible objects, turning them into prisms, portals, tuning forks, and flint rocks. What we thought was the case may well turn out to be otherwise. This is a collection that is bracing, pleasing, and thoroughly rewarding.

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Natalee Caple made quite a splash with her first two books, The Heart is its Own Reason, a short-story collection from Insomniac Press, and The Plight of Happy People in an Ordinary World, a novel from House of Anansi Press. With A More Tender Ocean Caple turns her hand to poetry, and the results are no less dazzling. The poems were written using a Surrealist technique called automatic writing -- a kind of poetic impressionism after speed-reading. The effect is a kind of dreamlike state -- everything isn't quite as it should be, as though it had all been seen through the facet of a diamond. The poems are lyrical, erotic, gentle, happy, sad and strangely beautiful. A More Tender Ocean is unusual but immensely moving and compelling, tender but not maudlin. 'What goes on seems ordinary,' writes Caple. Rest assured, it is not.

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I'm ill-equipped for this. I sit by a fake fireplace that frames a real flame. I've been crossed by two crows today. 'Multi-vectored, Rogers's poems hum with life and tension, their speaker poised as mother, seer, reporter and daughter. They speak of loss and cold realities (misplaced charms of luck, a tour of an assisted-living facility, coins thrown into Niagara Falls). They also interweave dreams and visions: "O Lion, I am / an old handmaiden; I will not lay the pretty baby in the lap / of the imposter." Simple but evocative, at once strange and plain, Rogers's poems of address ricochet off the familiar "Dear Reader" or Dickinson's "Dear Master" ...Rogers's poems provide instructions for what to leave, what to take and what to fight. They act as selvage between the vast mother-ocean -- the mem of memory -- and the fabric we make of the uncertain in-between.' -- Hoa Nguyen, The Boston Review 'How can we live with the kind of pain that worsens each day? Dear Leader explains through bold endurance, enumerated blessings and the artistic imagination. By pasting stark truths over, or under, images of strange, compelling beauty, Rogers creates a collage, a simulation of the human heart under assault, bleeding but unbroken. Part Orpheus, part pop-heroine who can "paint the daytime black," all, an original act of aesthetic violence and pure, dauntless, love.' -- Lynn Crosbie 'In Dear Leader, Damian Rogers re-invents the same-old poetic lyric to offers us one-of-a-kind insights on childbirth and party bars, rolling blackouts and old rock standards. Here, what looks at first like familiar language always reveals itself to be a rare mineral. And that's the magic: this is a poetry that refuses to be staged or to succumb to cliche or mannerism, insisting on celebration and condemnation, caution and cosmic vibrations. "Say you're a poet," Rogers advises us, tongue-in-cheek, "Maybe you mean / Hi, I have a lot of feelings." Striking that balance between one-liners and mourning is no small feat.' --Trillium Award Jury Citation Praise for Paper Radio: 'Paper Radio jumped out at me and I can't say why, but that's what you want poetry to do, and I never want to say why. Because it's real and talking to me. Because it's bloody and horrifying beauty. It's the Clash and Buckminster Fuller, Auden and Bowie. -- Bob Holman Originally from the Detroit area, Damian Rogers now lives in Toronto where she works as the poetry editor of House of Anansi Press and as the creative director of Poetry in Voice. Her first book, Paper Radio, was nominated for the Pat Lowther Memorial Award.

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