Search results for ""Author Patricia""

Based upon detailed observation in the New Forest, this delightful book tells the story of Buckie, a fawn from a small herd of fallow does which the author was first privileged to observe just before sunset one magical June evening. Following this defining moment, the author, accompanied by her dachshund George, spent every spare moment watching deer - red, sika and roe but mostly the beautiful fallow deer. She observed the deer in all weathers, how they interacted with each other or with other wild creatures amongst the New Forest's ancient stands of oak and beech. Buckie's contacts with a variety of people such as those who befriend him, the local keepers and poachers are all described in realistic detail. Every November the author went to the New Forest to observe the rut, an exciting time in the deer world, when the great belching roars echoed out over twilight in autumnal woods, evoking a thrill of pleasure. Ferny Wood is a closely observed, lovingly detailed account of a deer's first three years of life and also an illuminating portrait of a forest in all its moods.

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Reconstructs through testimonial literature the repression of women during the Franco years and recovers the writings of some of the forgotten post-war women novelists. The passing of Spain's Law of Historical Memory (2007) marked the official recognition of the need to confront a violent and painful past. Article 2 makes reference to specific groups who experienced discrimination including religious and ethnic communities; no reference is made to the gender repression endured by women, enforced by a patriarchal regime through its legislation and policies, with the active support of the Church and the Women's Section of the Falange. Revised narratives of the period that have emerged in recent decades have raised issues in relation to the reliability and selectivity of memory, and its ongoing mediation by intervening events. While documentarysources of the period are prejudicial, cotemporaneous post-war testimonial novels provide an invaluable resource in reconstructing the past, particularly the novels of women writers. This book draws on their narrative to reconstruct the female experience of the post-war years and in particular on the writings of novelists whose work has undeservedly been disregarded. Neither the experience of women under Franco nor the narrative of women writers of the period should be forgotten. Patricia O'Byrne lectures in Hispanic Studies and Comparative Literature at Dublin City University.

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The current context of social policy is one in which many of the old certainties of the past have been eroded. The predominantly inward-looking, domestic preoccupation of social policy has made way for a more integrated, international and outward approach to analysis which looks beyond the boundaries of the state. It is in this context that this Handbook brings together the work of key commentators in the field of comparative analysis in order to provide comprehensive coverage of contemporary debates and issues in cross-national social policy research.Organized around five themes, this thoroughly revised and updated second edition explores the contextual, conceptual, analytical and processual aspects of undertaking comparative social research. The contributions highlight specific areas of comparative social policy including child poverty and well-being, patterns of housing provision and housing inequalities, and social protection in East Asia as well as crime and criminology in a global context. The authors of the Handbook explore continuing and emerging themes as well as issues which are of particular relevance to understanding the contemporary social world.International in scope, this authoritative Handbook presents original cutting-edge research from leading specialists and will become an indispensable source of reference for anyone interested in comparative and international social research. It will also prove a valuable study aid for undergraduate and postgraduate students from a range of disciplines including social policy, sociology, politics, urban studies and public policy.Contributors include: D. Bainton, J. Billiet, J. Bradshaw, J. Clasen, G. Crow, R. Forrest, N. Ginsburg, I. Gough, L. Hantrais, B. Jessop, P. Kennett, H.-j. Kwon, N. Lendvai, S. Mangen, J. Midgley, R. Mishra, D. Nelken, J. O'Connor, A. Perez-Baltodano, A. Walker, C.-k. Wong

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Governance, Globalization and Public Policy is concerned with exploring the nature of the policy arena in the context of globalization and the reconstitution of the state. The contributors to this book seek to broaden, extend and integrate theoretical, conceptual and substantive policy debates. The book begins by exploring the concepts and perspectives associated with globalization and governance, the relationship between them and the repercussions for public policy and the state. It also considers developments at the global and regional levels and the implications of the emergence of new regulatory regimes in the context of liberalization and privatization. The focus then turns to a broad range of substantive areas of public policy such as human rights, health and health care, housing markets, poverty, security and counter-terrorism. Together the chapters provide a thorough, integrated insight into the relationship between global processes, governance and public policy across a range of policy domains. Providing a comprehensive analysis of patterns and processes of governance in specific areas of public policy, this book will be of great interest to students undertaking programmes in social policy, social administration, public policy and political science, as well as researchers and academics concerned with the policymaking process.

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Could these crystal clear waters hide the secrets of her past?Present dayFor years Shelly Summer has buried herself in her work, trying to forget her past. The only time she feels truly herself is when she's diving in the Mediterranean - the calm and stillness of the clear waters help her forget.Back home, Shelly stumbles across the belongings of her great-grandmother, Gertie Smith including a recording of Gertie's memoirs. As Shelly listens to it, she starts to uncover the secrets of Gertie's past, which might just hold the key to letting go of her own.1916When trainee nurse Gertie Smith signs up for the war effort, she is thrilled to learn that her destination will be Greece. With a head full of blue skies and handsome men, she boards the Titanic's sister ship, the ill-fated hospital ship Britannic. Unprepared for the horrors of war, she heads for the Greek island of Lemnos on a mission to rescue three thousand wounded British soldiers.But tragically, the Britannic never reaches its destination.When rescued, Gertie is taken to the Greek island of Kea, where she meets and falls in love with a Greek fisherman, Manno - but she finds herself torn between him and her duty to an English soldier. Gertie cannot shake the guilt she feels from that tragic night the ship sank and is afraid her past will eventually catch up with her.Escape to paradise this Christmas with an irresistible tale of love and loss.

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On the savannah, whatever the weather,The animals must stick together.A herd of elephants cross the trail,Steadily walking, trunk to tail.A gorgeous picture book by award-winning illustrator Britta Teckentrup!Discover the incredible habits of animals and their families, from diving dolphins to marvellous manatees, and explore what family means to all kinds of creatures. Britta Teckentrup's stunning artwork brings to life nature's incredible stories of the ways in which animals protect and support each other. Lyrical rhyming text by Patricia Hegarty creates a calming tone, making this a perfect book for sharing with your child at bedtime or anytime! Die-cuts let young readers peep through the pages, revealing different horizons all across the world. In this latest addition to Britta Teckentrup''s bestselling series of nature-themed books, animal parents and their young help

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The All-Round Activity Book is a unique book all about dots: Part puzzle book with colouring elements, part creativity book with optical illusions, the one uniting factor is the simple dot, be it in the form of dot-colouring, joining the dots, circular puzzles or dot-based illusions.

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The current context of social policy is one in which many of the old certainties of the past have been eroded. The predominantly inward-looking, domestic preoccupation of social policy has made way for a more integrated, international and outward approach to analysis which looks beyond the boundaries of the state. It is in this context that this Handbook brings together the work of key commentators in the field of comparative analysis in order to provide comprehensive coverage of contemporary debates and issues in cross-national social policy research.Organized around five themes, this thoroughly revised and updated second edition explores the contextual, conceptual, analytical and processual aspects of undertaking comparative social research. The contributions highlight specific areas of comparative social policy including child poverty and well-being, patterns of housing provision and housing inequalities, and social protection in East Asia as well as crime and criminology in a global context. The authors of the Handbook explore continuing and emerging themes as well as issues which are of particular relevance to understanding the contemporary social world.International in scope, this authoritative Handbook presents original cutting-edge research from leading specialists and will become an indispensable source of reference for anyone interested in comparative and international social research. It will also prove a valuable study aid for undergraduate and postgraduate students from a range of disciplines including social policy, sociology, politics, urban studies and public policy.Contributors include: D. Bainton, J. Billiet, J. Bradshaw, J. Clasen, G. Crow, R. Forrest, N. Ginsburg, I. Gough, L. Hantrais, B. Jessop, P. Kennett, H.-j. Kwon, N. Lendvai, S. Mangen, J. Midgley, R. Mishra, D. Nelken, J. O'Connor, A. Perez-Baltodano, A. Walker, C.-k. Wong

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Buffy the Vampire Slayer gave contemporary TV viewers an exhilarating alternative to the tired cultural trope of a hapless, attractive blonde woman victimized by a murderous male villain. With its strong, capable heroine, witty dialogue, and a creator (Joss Whedon) who identifies himself as a feminist, the cult show became one of the most widely analysed texts in contemporary popular culture. The last episode, broadcast in 2002, did not herald the passing of a fleeting phenomenon: Buffy is a media presence still, active on DVD and the internet, alive in the career of Joss Whedon and studied internationally. I'm Buffy and You're History puts the entire series under the microscope, investigating its gender and feminist politics.In this book, Patricia Pender argues that Buffy includes diverse elements of feminism and reconfigures - and sometimes revises - the ideals of American second wave feminism for a wide third wave audience. She also explores the ways in which the final season's vision of collective feminist activism negotiates racial and class boundaries.Exploring the Slayer's postmodern politics, her position as a third wave feminist icon, her placing of masculinity in extremis, and her fandom and legacy in popular culture, this is a fresh and challenging contribution to the growing literature on the pitfalls and pleasures of a great cult TV show.

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Written by a mother and daughter team, Mortar and Pestle is filled with family recipes spanning three decades for Indonesian dishes served at their family table.Years ago in Seattle, I was treated to a sumptuous meal prepared by Juliana (“Julia”) Evari Suparman. She was quiet and modest, but her beguiling flavors were boldly layered and balanced. I’ve long wanted her recipes and culinary tricks, honed through decades of migration and the constant need to cook for her family. Finally, Julia and her daughter, Patricia Tanumihardja, gift us her recipes and techniques. Mortar and Pestle is a must-have for anyone wanting doable recipes for traditional and modern Indonesian cuisine. So many delicious dishes await you in this book.- Andrea Nguy?n, James Beard Award-winning author of The Pho Cookbook and Ever-Green Vietnamese “Patricia Tanumihardja’s writing is a delicious feast for the soul. Mor

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By the author of Infinite Country, a Reese's Book Club pick 2021WINNER OF THE DAYTON LITERARY PEACE PRIZE 2017Reina Castillo's beloved brother is serving a death sentence for a crime that shocked the community - a crime for which Reina secretly blames herself. When she is at last released from her seven-year prison vigil, Reina moves to a sleepy town in the Florida Keys seeking anonymity.There, she meets Nesto, a recently exiled Cuban awaiting with hope the arrival of the children he left behind in Havana. Through Nesto's love of the sea and capacity for faith, Reina comes to understand her own connections to the life-giving and destructive forces of the ocean that surrounds her as well as its role in her family's troubled history. Set in the vibrant coastal and Caribbean communities of Miami; the Florida Keys; Havana, Cuba; and Cartagena, Colombia, The Veins of the Ocean is a wrenching exploration of what happens when life tests the limits of compassion, and a stunning and unforgettable portrait of fractured lives finding solace in the beauty and power of the natural world, and in one another.

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Patricia Highsmith was born in Fort Worth, Texas in 1921 but moved to new York when she was six. In her senior year she edited the college magazine, having decided to become a writer at the age of sixteen. Her first novel Strangers on a Train, was made into a famous film by Alfred Hitchcock in 1951. Patricia Highsmith died in Locarno, Switzerland in 1995. Her last novel Small g: A Summer Idyll was published posthumously just over a month later.

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Attachment parenting is an increasingly popular style of childrearing that emphasises ‘natural’ activities such as extended breastfeeding, bedsharing and babywearing. Such parenting activities are framed as the key to addressing a variety of social ills. Parents’ choices are thus made deeply significant with the potential to guarantee the well-being of future societies. Examining black mothers’ engagements with attachment parenting, Hamilton shows the limitations of this neoliberal approach. Unique in its intersectional analysis of contemporary mothering ideologies, this outstanding book fills a gap in the literature on parenting culture studies, drawing on black feminist theorizing to analyse intensive mothering practices and policies. Black Mothers and Attachment Parenting is shortlisted for the 2021 BSA Philip Abrams Memorial Prize.

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In the early 1970s, a number of West German left-wing activists took up arms, believing that revolution would lead to social change. In the years to come, the bombings, shootings, kidnappings and bank robberies of the Red Army Faction (RAF) and Movement 2nd June dominated newspaper headlines and polarized legislative debates. Half of the terrorists declaring war on the West German state were women who understood their violent political actions to be part of their liberation from restrictive gender norms. As women participating in a brand of systematic violence usually associated with masculinity, they presented a cultural paradox, and their political decisions were viewed as gender transgressions by the state, the public, and even the burgeoning women’s movement, which considered violence as patriarchal and unfeminist. Death in the Shape of a Young Girl questions this separation of political violence from feminist politics and offers a new understanding of left-wing female terrorists’ actions as feminist practices that challenged existing gender ideologies. Patricia Melzer draws on archival sources, unpublished letters, and interviews with former activists to paint a fresh and interdisciplinary picture of West Germany’s most notorious political group, from feminist responses to sexist media coverage of female terrorists to the gendered nature of their infamous hunger strikes while in prison. Placing the controversial actions of the Red Army Faction into the context of feminist politics, Death in the Shape of a Young Girl offers an innovative and engaging cultural history that foregrounds how gender shapes our perception of women’s political choices and of any kind of political violence.

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2021 Outstanding Academic Title, Choice Magazine Shows how reproductive justice organizations' collaborative work across racial lines provides a compelling model for other groups to successfully influence change Patricia Zavella experienced firsthand the trials and judgments imposed on a working professional mother of color: her own commitment to academia was questioned during her pregnancy, as she was shamed for having children "too young." And when she finally achieved her professorship, she felt out of place as one of the few female faculty members with children. These experiences sparked Zavella’s interest in the movement for reproductive justice. In this book, she draws on five years of ethnographic research to explore collaborations among women of color engaged in reproductive justice activism. While there are numerous organizations focused on reproductive justice, most are racially specific, such as the National Asian Pacific American Women's Forum and Black Women for Wellness. Yet Zavella reveals that many of these organizations have built coalitions among themselves, sharing resources and supporting each other through different campaigns and struggles. While the coalitions are often regional—or even national—the organizations themselves remain racially or ethnically specific, presenting unique challenges and opportunities for the women involved. Zavella argues that these organizations provide a compelling model for negotiating across differences within constituencies. In the context of the war on women's reproductive rights and its disproportionate effect on women of color, and increased legal violence toward immigrants, and now incorporating an updated preface addressing the Dobbs decision which struck down Roe v. Wade, The Movement for Reproductive Justice demonstrates that a truly intersectional movement built on grassroots organizing, culture shift work, and policy advocating can offer visions of strength, resiliency, and dignity for all.

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Since the turn of the millennium, a growing number of female filmmakers have appropriated the aesthetics of horror for their films. In this book, Patricia Pisters investigates contemporary women directors such as Ngozi Onwurah, Claire Denis, Lucile Had ihalilovi? and Ana Lily Amirpour, who put 'a poetics of horror' to new use in their work, expanding the range of gendered and racialized perspectives in the horror genre. Exploring themes such as rage, trauma, sexuality, family ties and politics, New Blood in Contemporary Cinema takes on avenging women, bloody vampires, lustful witches, scary mothers, terrifying offspring and female Frankensteins. By following a red trail of blood, the book illuminates a new generation of women directors who have enlarged the general scope and stretched the emotional spectrum of the genre.

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Ideal for graduate students and more seasoned qualitative researchers, this is the first guide to writing and publishing in a range of both scholarly and popular formats--from journal articles and monographs to op-eds and fictional works.

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*First comprehensive introduction and guide to social fiction, an arts-based research approach. *Part graduate text, part reference for students and researchers in education, sociology, psychology, communications, nursing, human services, and related fields. *Engaging, humorous writing interweaves how-tos with examples from the author's fiction, along with insights and tips. *Provides evaluation criteria for social fiction.

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*Accessible graduate text and scholarly resource, revised and updated: 30% new material includes new genres (slam poetry, comics/graphic novels, installation art, and others), new exemplars, guidance on research design, and tips for getting started. *Well-known author uses nontechnical language for an interdisciplinary audience; competing titles are discipline-specific or more advanced. *The only book on ABR to cover all eight arts genres (narrative inquiry, fiction-based research, poetry, music, dance, theater, film, and visual art), with an exemplary article or online video link for each. *Classroom-friendly features include checklists, discussion questions, activities, and annotated suggested readings and web links.

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A brilliant new heroine with a nose for mystery and adventure - for all fans of Mystery of the Clockwork Sparrow and Murder Most Unladylike.After solving a case of potential identity theft, Connie Carew is back in her second mystery. This time, it takes place aboard a luxury ocean liner, bound for New York. Only, there''s trouble at sea. Someone is trying to harm the passengers. Why? Who has a grudge against whom? It''s up to Connie to investigate the secrets of all the passengers as, mile by nautical mile, the ship sails closer towards disaster.Connie is a clever, witty and opinionated young detective, living at an exciting time - the early part of the 20th century when women were beginning to carve careers and lives of their own. Patricia Elliott has been widely praised for her historical fiction. This is Patricia writing at her very best.

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How veterinarians and pet owners manage companion animal euthanasia.

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THE THRILLING NEW KAY SCARPETTA MYSTERY FROM THE #1 GLOBAL BESTSELLER'I'M STILL SEEING STARS . . . KAY SCARPETTA IS THE SAME GRUMPY, WONDERFUL, RIVETING PERSONALITY SHE'S ALWAYS BEEN AND SHE'S ONLY GETTING BETTER WITH TIME' JAMES PATTERSONMurder and mayhem. Scarpetta is back, and she's racing against the clock . . .Chief medical examiner Kay Scarpetta is the reluctant star witness in a sensational murder trial when she receives shocking news. The judge's sister has been found dead. At first glance, it appears to be a home invasion, but then why was nothing stolen, and why is the garden strewn with dead plants and insects?Although there is no apparent cause of death, Scarpetta recognizes tell-tale signs of the unthinkable, and she knows the worst is yet to come. The forensic pathologist finds herself pitted against a powerful force that returns her to the past, and her time to catch the killer is running out . . .'RIVETING' THE TIMES'CORNWELL KNOWS HOW TO CRAFT A MEAN PAGE-TURNER AND LIVID IS NO EXCEPTION' TELEGRAPH'ONE OF THE BEST CRIME WRITERS WRITING TODAY' GUARDIAN'GRIPPING . . . SOUND THE KLAXON, DR KAY SCARPETTA IS BACK' HEAT'ASTONISHING . . . THIRTY YEARS ON, THERE'S STILL NO OTHER CRIME WRITER LIKE HER' SUNDAY TIMES

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Buffy the Vampire Slayer gave contemporary TV viewers an exhilarating alternative to the tired cultural trope of a hapless, attractive blonde woman victimized by a murderous male villain. With its strong, capable heroine, witty dialogue, and a creator (Joss Whedon) who identifies himself as a feminist, the cult show became one of the most widely analysed texts in contemporary popular culture. The last episode, broadcast in 2002, did not herald the passing of a fleeting phenomenon: Buffy is a media presence still, active on DVD and the internet, alive in the career of Joss Whedon and studied internationally. I'm Buffy and You're History puts the entire series under the microscope, investigating its gender and feminist politics.In this book, Patricia Pender argues that Buffy includes diverse elements of feminism and reconfigures - and sometimes revises - the ideals of American second wave feminism for a wide third wave audience. She also explores the ways in which the final season's vision of collective feminist activism negotiates racial and class boundaries.Exploring the Slayer's postmodern politics, her position as a third wave feminist icon, her placing of masculinity in extremis, and her fandom and legacy in popular culture, this is a fresh and challenging contribution to the growing literature on the pitfalls and pleasures of a great cult TV show.

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Less than a year after the end of authoritarian rule in 1998, huge images of Jesus Christ and other Christian scenes proliferated on walls and billboards around a provincial town in eastern Indonesia where conflict had arisen between Muslims and Christians. A manifestation of the extreme perception that emerged amid uncertainty and the challenge to seeing brought on by urban warfare, the street paintings erected by Protestant motorbike-taxi drivers signaled a radical departure from the aniconic tradition of the old colonial church, a desire to be seen and recognized by political authorities from Jakarta to the UN and European Union, an aim to reinstate the Christian look of a city in the face of the country’s widespread islamicization, and an opening to a more intimate relationship to the divine through the bringing-into-vision of the Christian god. Stridently assertive, these affectively charged mediations of religion, masculinity, Christian privilege and subjectivity are among the myriad ephemera of war, from rumors, graffiti, incendiary pamphlets, and Video CDs, to Peace Provocateur text-messages and children’s reconciliation drawings. Orphaned Landscapes theorizes the production of monumental street art and other visual media as part of a wider work on appearance in which ordinary people, wittingly or unwittingly, refigure the aesthetic forms and sensory environment of their urban surroundings. The book offers a rich, nuanced account of a place in crisis, while also showing how the work on appearance, far from epiphenomenal, is inherent to sociopolitical change. Whether considering the emergence and disappearance of street art or the atmospherics and fog of war, Spyer demonstrates the importance of an attunement to elusive, ephemeral phenomena for their palpable and varying effects in the world. Orphaned Landscapes: Violence, Visuality, and Appearance in Indonesia is available from the publisher on an open-access basis.

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In Producing American Races Patricia McKee examines three authors who have powerfully influenced the formation of racial identities in the United States: Henry James, William Faulkner, and Toni Morrison. Using their work to argue that race becomes visible only through image production and exchange, McKee illuminates the significance that representational practice has had in the process of racial construction.McKee provides close readings of six novels—James’s The Wings of the Dove and The Golden Bowl, Faulkner’s The Sound and the Fury and Light in August, and Morrison’s Sula and Jazz—interspersed with excursions into Lacanian and Freudian theory, critical race theory, epistemology, and theories of visuality. In James and Faulkner, she finds, race is represented visually through media that highlight ways of seeing and being seen. Written in the early twentieth century, the novels of James and Faulkner reveal how whiteness depended on visual culture even before film and television became its predominant media. In Morrison, the culture is aural and oral—and often about the absence of the visual. Because Morrison’s African American communities produce identity in nonvisual, even anti-visual terms, McKee argues, they refute not just white representations of black persons as objects but also visual orders of representation that have constructed whites as subjects and blacks as objects.With a theoretical approach that both complements and transcends current scholarship about race—and especially whiteness—Producing American Races will engage scholars in American literature, critical race theory, African American studies, and cultural studies. It will also be of value to those interested in the novel as a political and aesthetic form.

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In its seventeenth-century heyday, the English broadside ballad was a single large sheet of paper printed on one side with multiple woodcut illustrations, a popular tune title, and a poem. Inexpensive, ubiquitous, and fugitive—individual elements migrated freely from one broadside to another—some 11,000 to 12,000 of these artifacts pre-1701 survive, though many others have undoubtedly been lost. Since 2003, Patricia Fumerton and a team of associates at the University of California, Santa Barbara have been finding, digitizing, cataloging, and recording these materials to create the English Broadside Ballad Archive. In this magisterial and long-awaited volume, Fumerton presents a rich display of the fruits of this work. She tracks the fragmentary assembling and disassembling of two unique extant editions of one broadside ballad and examines the loose network of seventeenth-century ballad collectors who archived what were essentially ephemeral productions. She pays particular attention to Samuel Pepys, who collected and bound into five volumes more than 1,800 ballads, and whose preoccupations with black-letter print, gender, and politics are reflected in and extend beyond his collecting practices. Offering an extensive and expansive reading of an extremely popular and sensational ballad that was printed at least 37 times before 1701, Fumerton highlights the ballad genre's ability to move audiences across time and space. In a concluding chapter, she looks to Shakespeare's The Winter's Tale to analyze the performative potential ballads have in comparison with staged drama. A broadside ballad cannot be "read" without reading it in relation to its images and its tune, Fumerton argues. To that end, The Broadside Ballad in Early Modern England features more than 80 illustrations and directs its readers to a specially constructed online archive where they can easily access 48 audio files of ballad music.

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The sources for this study are diverse. Decrees of ecclesiastical councils, papal bulls, and canonical commentaries were investigated to identify the formal Catholic doctrines on marriage. Catechisms, confessional manuals for priests, and popular religious literature were consulted to determine how the church's formal teachings were understood and interpreted as guides for concrete action. The basic cultural attitudes toward marriage, love, and honor were studied in both popular religious literature and the drama and prose of Spain's Golden Age. The backbone of this study, however, consists of the actual records of prenuptial disputes that took place in the colony of New Spain. The geographical area from which the prenuptial disputes are drawn is the archdiocese of Mexico, which in colonial times embraced the highly populated central region of the Spanish colony of New Spain. About three-quarters of the documentation originated in Mexico City itself; the remainder came from urban areas outside the city. Two types of records form the documentary base of the study. The first and largest category is that of ordinary marriage applications, which were made by every couple who wanted to marry and were the first official step toward marriage. Every couple had to appear before the local priest (or simply his notary in the larger parishes) to declare that both parties were free to marry and intended to do so. Often couples were accompanied by witnesses who were prepared to swear to the truth of the statements. It was in the course of these ordinary applications that couples informed church officials in their own words of any opposition to their wedding, and it is from these first applications that most of the evidence concerning marriage conflicts originates. A second and much smaller body of documentary evidence consists of the records of lawsuits and formal appeals to church officials to halt or permit marriages. Such cases represent only a small fraction of the incidents of opposition and tended to involve only the wealthiest families, who could afford such actions. In addition to reading nearly all the surviving marriage license applications for Mexico City of the colonial period (approximately 16,000 applications), the author examined a major portion of the approximately 300 extant formal lawsuits over prenuptial disputes for the archdiocese of Mexico during the colonial period. For the final period covered by the study, when the church ceded its control over prenuptial disputes to the crown, the author examined the appeals to the central royal court in the viceroyalty of New Spain, called the Audiencia of Mexico. Although its jurisdiction extended beyond the boundaries of the archdiocese, the Audiencia was the secular unit that corresponded most closely to the archdiocesan one.

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In this introduction to the diversity and scope of the writing by women in England from the beginning of the sixteenth century to the restoration of the monarchy in 1660, Patricia Demers discusses the creative realities of women writers' accomplishments and the cultural conditions under which they wrote. There were deep suspicions and restrictions surrounding the education of women during this period, and thus the contributions of women to literature, and to the print industry itself, are largely unknown. This wide-ranging examination of the genres of early modern women's writing embraces translation (from Latin, Greek, and French) in the fields of theological discourse, romance and classical tragedy, original meditations and prayers, letters and diaries, poetry, closet drama, advice manuals, and prophecies and polemics. A close study of six major authors - Mary Sidney, Aemilia Lanyer, Elizabeth Tanfield Cary, Lady Mary Wroth, Margaret Cavendish, and Katherine Philips - explores their work as poets, dramatists, and romantic fiction writers. Demers invites readers to savour the subtlety and daring with which these women authors made writing an expressly social craft.

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Packed with tested tips, techniques and time-savers--including over 100 reproducible exercises, forms and letters--School Newspaper Adviser's Survival Guide helps you in all aspects of the job--from organizing staff and workspace, and handling production details, to training students in good newswriting style and the journalistic approach. Four sections cover staff organization and mission, newswriting, layout, and time management.

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This creative and pioneering book adapts and extAnds the transformation theory of adult learning to the professional development of adult educators. Well written and easy to read, with many examples, this volume is highly recommAnded. ?Jack Mezirow, emeritus professor of adult education, Teachers College, Columbia University

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Moral diversity is a fundamental reality of today's world, but moral theorists have difficulty responding to it. Some take it as evidence for skepticism - the view that there are no moral truths. Others, associating moral reasoning with the search for overarching principles and unifying values, see it as the result of error. In the former case, moral reasoning is useless, since values express individual preferences; in the latter, our reasoning process is dramatically at odds with our lived experience. Moral Reasoning in a Pluralistic World takes a different approach, proposing an alternative way of thinking about moral reasoning and progress by showing how diversity and disagreement are compatible with theorizing and justification. Patricia Marino demonstrates that, instead of being evidence for skepticism and error, moral disagreements often arise because we value things pluralistically. This means that although people share multiple values such as fairness, honesty, loyalty, and benevolence, we interpret and prioritize those values in various ways. Given this pluralistic evaluation process, preferences for unified single-principle theories are not justified. Focusing on finding moral compromises, prioritizing conflicting values, and judging consistently from one case to another, Marino elaborates her ideas in terms of real-life dilemmas, arguing that the moral complexity and conflict we so often encounter can be part of fruitful and logical moral reflection. Aiming to draw new connections and bridge the gap between theoretical ethics and applied ethics, Moral Reasoning in a Pluralistic World offers a sophisticated set of philosophical arguments on moral reasoning and pluralism with real world applications.

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The young woman standing on Lottie's step was a stranger. She was clutching the hand of a young boy. 'Help me,' she said to Lottie. 'Please help me.' One Monday morning, the body of a young pregnant woman is found. The same day, a mother and her son visit the house of Detective Lottie Parker, begging for help to find a lost friend. Could this be the same girl? When a second victim is discovered by the same man, with the murder bearing all the same hallmarks as the first, Lottie needs to work fast to discover how else the two were linked. Then two more girls go missing.Detective Lottie Parker is a woman on the edge, haunted by her tragic past and struggling to keep her family together through difficult times. Can she fight her own demons and catch the killer before he claims another victim? The Stolen Girls is a gripping and page-turning thriller that will leave you breathless. Perfect for fans of Karin Slaughter, Tess Gerritsen and Helen Fields.What people are saying about The Stolen Girls:'THE BEST BOOK I'VE READ IN A LONG, LONG TIME! If I could have given it ten stars I would have!' Goodreads Reviewer'A thrilling mystery with great characters and a dark and disturbing plot.' Deja Read'A highly engrossing and very emotive story, tension which will keep you on the edge of your seat and not just chewing but chomping at those finger nails.' Jen Med's Book Reviews'I absolutely, totally and utterly blinking loved reading The Stolen Girls and I can't wait to read more.' Ginger Book Geek'Patricia has written another un-putdownable police procedural which is fast-paced and a page-turner of epic proportions.' Sweet Little Book Blog'This is Patricia Gibney's second novel, following her amazing debut, The Missing Ones. I gave The Missing Ones 5 stars, and I liked this one even better, but alas, Goodreads won't let me give it 6 stars.' Dark Twisty Books

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Decades of hard work have made Austin Broderick a rich man. His sheep station, Springfield, is one of the largest in Australia and the good relations between the native Aborigines and the Brodericks have made it one of the most peaceful. But with the arrival of the pious Reverend Billings all that looks set to change. Under the guise of friendship he enters the Aborigines' camp and leaves with three six-year-old boys - eager for adventure but destined for misery.Meanwhile, Austin is facing the threat of the Selection Act - a bill which, if passed, will mean the loss of a large proportion of his land. His only hope is his son Harry and his influence as a Brisbane politician. But as the months go by it soon becomes clear that the family's problems run far deeper than any of them had imagined and the answers lie in the last place they would think to look...

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Organised crime makes good copy. Gangsters, shoot-outs and mob meetings are a staple of TV shows and media reports tend to glamorise the criminal underworld. The 'threat' from organised crime has been a high-profile concern in Western Europe and the US since the 1930s. This being the case, the recent emergence of Russian and Eastern European organised crime has led to high-profile efforts to combat the new 'threat', with little understanding of what it entails. Patricia Rawlinson argues that burgeoning crime rates result not only from the failures of communism, but also from the problems of free market economies. Drawing on interviews with members of the Russian criminal underworld, she argues that organised crime provides us with a barometer of economic well-being, both for Russia and for any neoliberal market economy.

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A heartwarming story of friendship and celebrating our differences--and the teachers who help us shine--from master storyteller Patricia Polacco, author of Thank You, Mr. Falker. In this story based on the author-illustrator's own childhood, Patricia Polacco once again celebrates the power teachers have to help us discover the potential we each hold. Young Trisha is devastated when she finds out that her class at her new school is known as the junkyard. It is a special class, and she had moved from where she used to live so she wouldn't be in a special class anymore! But then she meets her teacher, the amazing Mrs. Peterson, and her classmates, an oddly brilliant group of misfit kids, whom the other kids in school call the junkyard kids. Much to her own surprise, it is here in the junkyard that Trisha discovers the true meaning of genius, and that this group of misfits are, in fact, Junkyard Wonders, each and every one of them. Now with questions at the back of the book to help g

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