Search results for ""Author Lawrence""

Close to 100 figurative drawings in black and white, and in color, mostly nudes in love or strife, some "disastered by life," some with incisive or caustic words integrated in the images. This is a retrospective of Ferlinghetti's graphic work and play, ranging from his early drawings made in Paris ateliers, to yesterday's sessions sketching models in his San Francisco studio. Lawrence Ferlinghetti, poet and founder of City Lights Books, author of A Coney Island of the Mind and Pictures of the Gone World, among numerous other books, has been drawing from life since his student days in Paris where he frequented the Academie Julien and where he did his first oil painting.

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Aspiring writers often ask how they can break into the television writing business. Meyers believes that the answer can be found by asking why people become television writers and what makes them successful. Inside the TV Writer's Room reveals these insights and much more. This volume, a collection of interviews with some of today's top episodic writers arranged in a roundtable format, explores the artists drive to express how the writers honed their creativity, and what compromises they have made to pursue their craft both before and after finding success. Each chapter's topic is distilled into a practical lesson for both professionals and aspirants to heed if they wish to find or maintain success in writing for television. The book includes such leading entertainment writers and producers as Neal Baer, executive producer of the NBC series Law & Order: Special Victims Unit, Tim King of the groundbreaking hit Heroes, Peter Lenkov of 24 and CSI: New York, and Shawn Ryan, creator of the acclaimed series The Shield. Individual writers discuss the struggle to balance artistic fulfillment with the realities of commerce, and how they inject an original voice into a show that is often not their own creation.

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Elected officials, and especially presidential candidates, increasingly are asked to define their relationships to special interest groups. Such special, or private, interests play a disproportionate role in politics and legislation, whether in the form of large commercial or ethnic lobbies or in the shadowy realm of backroom dealmaking. In Foreign Policy, Inc.: Privatizing America's National Interest, Lawrence Davidson argues that widespread public disinterest in global affairs, a prevailing characteristic of American political culture, has given private interest groups a paramount influence over the formulation and implementation of U.S. foreign policy. These well-organized, well-funded groups affect all levels of government, disguising their own interests as vital national interests. Davidson draws from numerous historical examples, dating from America's founding to the present, to examine the causes and the serious consequences of Americans' apathy toward foreign policy. This unique historical analysis of our increasingly privatized system of government offers compelling evidence that the United States is a democracy not of individuals, but of competing and powerful private groups.

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The long poems of Starting From San Francisco present a new, quieter, more profound aspect of the poet. His original lyricism and caustic humor have been confronted, as it were, with the real presence of evil and death. "Starting from Paumanok... I strike up for a New World" wrote Walt Whitman in 1860. Starting from San Francisco, a hundred years later, Ferlinghetti roved back across the country (this "cradle we rocked out of") then turned south of the border to visionary conclusions in that lost horizon symbolized by Machu Picchu, the Inca city the Spaniards never found. These poems of voyage are autobiographical in that they grew out of Ferlinghetti’s travels in South America and Europe, but there are also poems on other themes, including several long "broadsides," which the author identifies as "satirical tirades––poetry admittedly corrupted by the political, itself irradiated by the Thing it attacks." Commenting on this paperbook edition, to which two important poems, "Berlin" and "The Situation in The West" have been added, Ferlinghetti wrote: "These poems represent to me a kind of halfway house in the ascent of a mountain I hardly knew existed until I stopped and looked back at the flatlands below. Like a Zen fool lost in the woods who laughs and lies face down on the earth to find his way."

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From two distinguished experts on election law, an alarming look at how the American presidency could be stolenby entirely legal means

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The sixteenth Parker novel, "Butcher's Moon" is more than twice as long as most of the master heister's adventures and absolutely jammed with the action, violence, and nerve-jangling tension readers have come to expect. Back in the corrupt town where he lost his money, and nearly his life, in Slayground, Parker assembles a stunning cast of characters from throughout his career for one gigantic, blowout job: starting - and finishing - a gang war. It feels like the Parker novel to end all Parker novels, and for nearly twenty-five years that's what it was. After its publication in 1974, Donald Westlake said, 'Richard Stark proved to me that he had a life of his own by simply disappearing. He was gone.' And readers waited. But nothing bad is truly gone forever, and Parker's as bad as they come. According to Westlake, one day in 1997, 'suddenly, he came back from the dead, with a chalky prison pallor' - and the resulting novel, "Comeback", showed that neither Stark nor Parker had lost a single step. Knocking over a highly lucrative religious revival show, Parker reminds us that not all criminals don ski masks - some prefer to hide behind the wings of fallen angels. Backflash followed soon after, and it found Parker checking out the scene on a Hudson River gambling boat. Parker's no fan of either relaxation or risk, however, so you can be sure he's playing with house money - and he's willing to do anything to tilt the odds in his favor. Featuring three new introductions by Westlake's close friend and writing partner Lawrence Block, these classic Parker adventures deserve a place of honor on any crime fan's bookshelf.

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Lawrence Sail's poems balance dream and history, delight and unease: they weigh the art of the possible against the encroachment of time. This substantial retrospective covers work written over four decades, drawing on poems from ten collections, from "Opposite Views" (1974) to the "New Poems" (2010) first collected in this volume. The new poems continue to explore Sail's characteristic themes - the border country between belief and doubt; the interplay of memory and imagination; the possibilities of art; the context of silence: and they do so with a fresh inwardness. Attentive to the often alluring details of the material and natural world, many of them reflecting the writer's love of the sea, the poems also contemplate the relationship between appearance and essence. The closing poem, 'Ghostings', offsets a keen awareness of the world as it is against the parameters of a child's perceptions and a quest for a vision of wholeness.

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Think you've waited too long to do something about climate change? Think again. Am I Too Old to Save the Planet? A Boomer's Guide to Climate Action explains how America's most promising generation allowed climate change to become a planetary emergency - and what to do about it now. A former foreign correspondent and vice president of the World Resources Institute, Lawrence MacDonald shares his journey to becoming a passionate climate activist. Packed with practical advice, his book invites fellow boomers to join the growing global movement to save the planet.

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*WINNER OF RUGBY BOOK OF THE YEAR 2024*THE INSTANT SUNDAY TIMES BESTSELLER'A gripping book that brings that unforgettable match back to pulsating life' Daily Mail'Fans will relish' The TimesEngland have been in four Rugby World Cup finals and only won one of them. In 2003, this team was the one that did it. And this is their story in their words.The image of Jonny Wilkinson's last-minute winning drop goal is etched deep into the nation's consciousness. More than twenty years on, with their achievement still unmatched, the affection and respect this band of brothers command is as great as ever.In The Boys of Winter, former England captain Lawrence Dallaglio and writer Owen Slot tell the inside story of England's triumphant 2003 Rugby World Cup through interviews with Martin Johnson, Clive Woodward, Jonny Wilkinson and all those involv

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THE SCORCHING PULP NOVEL BY LAWRENCE BLOCK, AVAILABLE FOR THE FIRST TIME IN 50 YEARS!On the border between El Paso, Texas, and Juarez, Mexico, five lives are about to collide - with fatal results. You'll meet MARTY - the professional gambler who rolls the dice on a night with... MEG - the bored divorcee who seeks excitement and finds... LILY - the beautiful hitchhiker lured into a live sex show by...CASSIE - the redhead with her own private agenda... and WEAVER - the madman, the killer with a straight razor in his pocket, on the run from the police and determined to go down swinging!This is MWA Grand Master Lawrence Block at his rawest and most visceral, a bloody, bawdy, brutal story of passion and punishment--and of lines that were never meant to be crossed.

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Black, weird, awkward and proud of it. Welcome to the club! Tired of feeling like you don t belong? Join the club. It s called the Section. You d think a spot to chill, chat, and find community would be much easier to come by for nerdy, queer punks. But when four longtime, bookish BFFs Lika, Amor, Lala, and Tony can t find what they need, they take matters into their own hands and create a space where they can be a hundred percent who they are: Black, queer, and weird. The group puts a call out for all awkward Black folks to come on down to the community center to connect. But low attendance and IRL run-ins with trolls of all kinds only rock everybody with anxiety. As our protagonists start to question the merits of their vision, a lifetime of insecurities about not being good enough or Black enough bubbles to the surface. Will they find a way to turn it around in time for their radical brainchild, the Blackward Zine Fest? Lawrence Lindell s characters pop from the page in playful Technicolor. From mental health to romance, micro and macro aggressions to joy, our crew tackles everything life throws at them in this heartwarming tale about building a place to belong and the power of community.

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The controversial history of the attack submarine—and the story of its colorful creator, John Philip Holland—that reveals how this imaginative invention changed the face of modern warfare.From Twenty Thousand Leagues Under the Sea to The Hunt for Red October, readers the world over have demonstrated an enduring fascination with travel under the sea. Yet the riveting story behind the invention of the submarine—an epic saga of genius, persistence, ruthlessness, and deceit—is almost completely unknown. Like Henry Ford and the Wright brothers, John Philip Holland was completely self-taught, a brilliant man raised in humble circumstances, earning his living as a schoolteacher and choirmaster. But all the while he was obsessed with creating a machine that could successfully cruise beneath the waves. His struggle to unlock the mystery behind controlled undersea navigation would take three decades, during which he end

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Larry Devlin arrived as the new chief of station for the CIA in the Congo five days after the country had declared its independence, the army had mutinied, and governmental authority had collapsed. As he crossed the Congo River in an almost empty ferry boat, all he could see were lines of people trying to travel the other way,out of the Congo. Within his first two weeks he found himself on the wrong end of a revolver as militiamen played Russian-roulette, Congo style, with him. During his first year, the charismatic and reckless political leader, Patrice Lumumba, was murdered and Devlin was widely thought to have been entrusted with (he was) and to have carried out (he didn't) the assassination. Then he saved the life of Joseph Desire Mobutu, who carried out the military coup that presaged his own rise to political power. Devlin found himself at the heart of Africa, fighting for the future of perhaps the most strategically influential country on the continent, its borders shared with eight other nations. He met every significant political figure, from presidents to mercenaries, as he took the Cold War to one of the world's hottest zones. This is a classic political memoir from a master spy who lived in wildly dramatic times.

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Amartya Sen is one of the world’s best-known voices for the poor, the destitute and the downtrodden and an inspiration for policy makers and activists across the globe. He has also contributed almost without peer to the study of economics, philosophy and politics, transforming social choice theory, development economics, ethics, political philosophy and Indian political economy, to list but a few. This book offers a much-needed introduction to Amartya Sen’s extraordinary variety of ideas. Lawrence Hamilton provides an excellent, accessible guide to the full range of Sen’s writings, contextualizing his ideas and summarizing the associated debates. In elegant prose, Hamilton reconstructs Sen’s critiques of the major philosophies of his time, assesses his now famous concern for capabilities as an alternative for thinking about poverty, inequality, gender discrimination, development, democracy and justice, and unearths some overlooked gems. Throughout, these major theoretical and philosophical achievements are subjected to rigorous scrutiny. Amartya Sen is a major work on one of the most influential economists and philosophers of the last couple of centuries. It will be invaluable to students and scholars across the humanities and social sciences and an excellent guide for policy makers, legislators and global activists.

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Argues that a refined concept of culture can be used by American courts to better analyze cases that cover the sense of community.Supreme Court Justices frequently justify their opinions in terms of the traditions and customs of a community. Yet, the rights and interests of entities that fit neither with the state nor the individual are treated as fluid and subjective, often existing without clarity in the current legal framework. The Rights of Groups focuses on a series of specific examples to argue that a more refined concept of culture than has been employed by American courts could offer better ways to analyze a broad range of cases that employ the notion of community.Through an original reading of the Ninth Amendment, Lawrence Rosen illustrates how a constitutional consideration for group protections might be applied to decisions arising before the Supreme Court, including the decision to overturn Roe v. Wade. Similarly, in other chapters, Rosen

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In this groundbreaking book, Lawrence Josephs argues for a new understanding of the psychological foundations of “cheating.” Relationships are complicated. And as many therapists know, infidelity is a distressingly common issue for romantic couples. Unfortunately, most psychotherapy approaches tend to see infidelity as a manifestation of broader underlying problems and rarely offer insights or interventions to specifically address unfaithfulness and the impulses behind it. Drawing on research in social, personality, and evolutionary psychology that examines the crucial roles of attachment theory and “dark” personality traits such as narcissism and low empathy, Josephs offers a complex but intuitive model that explains how and when intimate relationships work, and don’t work. His integrative and compassionate approach to treatment is grounded in psychodynamic principles, yet uses interventions from a variety of approaches, including mentalization based therapies, emotion focused therapy, marital communication skills training, and mindfulness/acceptance techniques. This book is a thought-provoking read for individual, family, and couples therapists seeking insights on how to address infidelity in their practice.

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A behind-the-scenes look at The New Yorker cartoon caption contest, its history, how it''s judged, and the secrets to writing a winning captionEvery week, thousands of people enter The New Yorker cartoon caption contest in hopes of seeing their name and caption in print. But only one person has made it to the finalists' round an astounding fifteen times and won eight contests: Lawrence Wood, also known as the Ken Jennings of caption writing.What''s Wood''s secret? What makes a caption good or bad? How do you beat the crowd? And most important, what makes a caption funny?Packed with 175 of the magazine''s best cartoons and featuring a foreword by Bob Mankoff, former cartoon editor of The New Yorker and creator of the caption contest, Your Caption Has Been Selected takes you behind the scenes to learn about the contest's history, the way it's judged, and what it has to say about humor, creativity, and good writing. Lawr

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"What a powerful writer…. A Caribbean One Hundred Years of Solitude." Fay Weldon"Why was this book overlooked?" Salman Rushdie"Rare and magical. The first of its kind… wonderful evocative language; complete emotional range; a loving, touching insight into human and family relationships. Sam SelvonWitchbroom is a visionary history of a Caribbean Spanish/French Creole family and an island over four centuries to 20th-century independence. With an innovative tone and content, its carnival tales of crime and passion are told by the narrator Lavren, who is both male and female.First published in 1992, Witchbroom became a Caribbean classic. The follow-ing year it became a BBC Radio 4 Book at Bedtime, broadcast over eight nights and read by the author. It was shortlisted for a Commonwealth Writers Prize Best First Book.A pioneering work, it heralded a new generation of modernist Caribbean writers who, like Scott, broke away from a predominantly realist literary tradition; Witchbroom identifes more with magic realism. A richly entertaining and many layered read, its hermaphrodite narrator brings a contemporary flavour to the novel.The title Witchbroom refers to a fungus that attacks cocoa trees, and is also used as a metaphor for the decline of the island s plantocracy.

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An essential volume of 12th to 17th century papers on the Jewish mysticism of Kabbalah As recently as 1915, when the legendary scholar of Jewish mysticism Gershom Scholem sought to find someone—anyone—to teach him Kabbalah, the study of Jewish mysticism and Kabbalah was largely neglected and treated with disdain. Today, this field has ripened to the point that it occupies a central place in the agenda of contemporary Judaic studies. While there are many definitions of Kabbalah, this volume focuses on the discrete body of literature which developed between the twelfth and seventeenth centuries. The basis for most of this kabbalistic literature is the concept of the ten sefirot, the complex schema depicting the divine persona, and speculation about the inner life of God. It maintains the conviction that all human action reverberates in the world of the sefirot, and thus influences the life of divinity. Proper action helps to restore harmony and unity to the world of God, while improper action reinforces the breach within God brought about originally through human transgression. Collected here in one volume are some of the most central essays published on the subject. The selections provide the reader with a sense of the historical range of Kabbalah, as well as examples of various kinds of approaches, including those of intellectual and social history, history and phenomenology of religions, motif studies, ritual studies, and women's studies. Sections discuss mystical motifs and theological ideas, mystical leadership and personalities, and devotional practices and mystical experiences.

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Lawrence Ferlinghetti’s Blasts contains blasts, blessings, and curses in the vortex of today, taking its cues from the original little magazine, Blast, published by Wyndham Lewis with Ezra Pound in 1914–15 that helped create the modernist movement in literature and the visual arts. In these fearless new poems, Ferlinghetti, America’s everyman bard, speaks for the poor, the forgotten, the beaten, and the bombed.

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A sequence of one hundred and one poems with recurrent themes, it includes various sections on love, art, music, history, and literature, as well as confrontations with major figures in the avant-garde before the arrival of the Beat generation. This edition now includes eighteen new poems from Ferlinghetti's "Pictures of the Gone World" which he publishes under his City Lights imprint. A self-styled "stand-up tragedian," Ferlinghetti has been called "the foremost chronicler of our times." If A Coney Island of the Mind was a generations vibrant eye-opener, A Far Rockaway of the Heart is a wake-up call for a new age.

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The Secret Meaning of Things has all the elements of his earlier poetry: lyrical intensity, wit, social concern, satirical bite, and above all a classical claritas. But it goes much further: there is a deepening of vision and a darker understanding of "our clay condition." The six long poems in The Secret Meaning of Things show a progressive continuity and clarity of perception that apprehends both the hard reality and luminous irreality in everyday phenomena. In "Assassination Raga"––on the death of Robert Kennedy––the glass through which the poet sees darkly is the television screen; the poem was first read on the night of RFK’s funeral at a mass memorial in San Francisco. "Bickford’s Buddha" is a meditation on "Observation Fever" in Harvard Square, while "All Too Clearly" finds a "touch of old surrealism/at a stoplight in La Jolla." "Through the Looking Glass" begins with an actual flight aboard a commercial airliner and moves through a psychedelic vision to a final flash of the Dance of Shiva, which in turn opens out into the worldview of "After the Cries of Birds." "Moscow in the Wilderness, Segovia in the Snow" comes out of Ferlinghetti’s travels to Moscow and across the steppes in the winter of 1967.

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Isaac Luria (1534-1572) is one of the most extraordinary and influential mystical figures in the history of Judaism, a visionary teacher who helped shape the course of nearly all subsequent Jewish mysticism. Given his importance, it is remarkable that this is the first scholarly work on him in English. Most studies of Lurianic Kabbalah focus on Luria’s mythic and speculative ideas or on the ritual and contemplative practices he taught. The central premise of this book is that Lurianic Kabbalah was first and foremost a lived and living phenomenon in an actual social world. Thus the book focuses on Luria the person and on his relationship to his disciples. What attracted Luria’s students to him? How did they react to his inspired and charismatic behavior? And what roles did Luria and his students see themselves playing in their collective quest for repair of the cosmos and messianic redemption?

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Bringing together research on different features of the democratic renewal agenda to investigate how local authorities are responding, this text includes a contribution from the main architect of the modernization, Local Government Minister Hilary Armstrong.

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The essays in this book seek to establish a true sociology of education. Their primary concern is the relationship between formal education and other social forces through the ages. Thus, the book combines the history of higher education with social history in order to understand the process of historical change.To ascertain the responses of the universities to such broad social changes as the Renaissance, the Reformation, and the Industrial Revolution, the authors ask such questions as: who were the students and how many were there? how did they get to the university and why did they come? how did they spend their time and what did they learn? what jobs did they fill and how did what they learned help them in later life? how have faculty members viewed their roles over the years?Lawrence Stone is Dodge Professor of History at Princeton University, Chairman of the History Department, and Director of the Shelby Cullom Davis Center for Historical Studies.Originally published in 1974.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Ideology in the Supreme Court is the first book to analyze the process by which the ideological stances of U.S. Supreme Court justices translate into the positions they take on the issues that the Court addresses. Eminent Supreme Court scholar Lawrence Baum argues that the links between ideology and issues are not simply a matter of reasoning logically from general premises. Rather, they reflect the development of shared understandings among political elites, including Supreme Court justices. And broad values about matters such as equality are not the only source of these understandings. Another potentially important source is the justices' attitudes about social or political groups, such as the business community and the Republican and Democratic parties.The book probes these sources by analyzing three issues on which the relative positions of liberal and conservative justices changed between 1910 and 2013: freedom of expression, criminal justice, and government "takings" of property. Analyzing the Court's decisions and other developments during that period, Baum finds that the values underlying liberalism and conservatism help to explain these changes, but that justices' attitudes toward social and political groups also played a powerful role.Providing a new perspective on how ideology functions in Supreme Court decision making, Ideology in the Supreme Court has important implications for how we think about the Court and its justices.

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The Aspiring Adept presents a provocative new view of Robert Boyle (1627-1691), one of the leading figures of the Scientific Revolution, by revealing for the first time his avid and lifelong pursuit of alchemy. Boyle has traditionally been considered, along with Newton, a founder of modern science because of his mechanical philosophy and his experimentation with the air-pump and other early scientific apparatus. However, Lawrence Principe shows that his alchemical quest--hidden first by Boyle's own codes and secrecy, and later suppressed or ignored--positions him more accurately in the intellectual and cultural crossroads of the seventeenth century. Principe radically reinterprets Boyle's most famous work, The Sceptical Chymist, to show that it criticizes not alchemists, as has been thought, but "unphilosophical" pharmacists and textbook writers. He then shows Boyle's unambiguous enthusiasm for alchemy in his "lost" Dialogue on the Transmutation and Melioration of Metals, now reconstructed from scattered fragments and presented here in full for the first time. Intriguingly, Boyle believed that the goal of his quest, the Philosopher's Stone, could not only transmute base metals into gold, but could also attract angels. Alchemy could thus act both as a source of knowledge and as a defense against the growing tide of atheism that tormented him. In seeking to integrate the seemingly contradictory facets of Boyle's work, Principe also illuminates how alchemy and other "unscientific" pursuits had a far greater impact on early modern science than has previously been thought.

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With the environmental crisis comes a crisis of the imagination, a need to find new ways to understand nature and humanity's relation to it. This is the challenge Lawrence Buell takes up in The Environmental Imagination, the most ambitious study to date of how literature represents the natural environment. With Thoreau's Walden as a touchstone, Buell gives us a far-reaching account of environmental perception, the place of nature in the history of western thought, and the consequences for literary scholarship of attempting to imagine a more "ecocentric" way of being. In doing so, he provides a major new understanding of Thoreau's achievement and, at the same time, a profound rethinking of our literary and cultural reflections on nature.The green tradition in American writing commands Buell's special attention, particularly environmental nonfiction from colonial times to the present. In works by writers from Crevecoeur to Wendell Berry, John Muir to Aldo Leopold, Rachel Carson to Leslie Silko, Mary Austin to Edward Abbey, he examines enduring environmental themes such as the dream of relinquishment, the personification of the nonhuman, an attentiveness to environmental cycles, a devotion to place, and a prophetic awareness of possible ecocatastrophe. At the center of this study we find an image of Walden as a quest for greater environmental awareness, an impetus and guide for Buell as he develops a new vision of environmental writing and seeks a new way of conceiving the relation between human imagination and environmental actuality in the age of industrialization. Intricate and challenging in its arguments, yet engagingly and elegantly written, The Environmental Imagination is a major work of scholarship, one that establishes a new basis for reading American nature writing.

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"An institution is the lengthened shadow of one man," Ralph Waldo Emerson once wrote--and in this book, the leading scholar of New England literary culture looks at the long shadow Emerson himself has cast, and at his role and significance as a truly American institution. On the occasion of Emerson's 200th birthday, Lawrence Buell revisits the life of the nation's first public intellectual and discovers how he became a "representative man."Born into the age of inspired amateurism that emerged from the ruins of pre-revolutionary political, religious, and cultural institutions, Emerson took up the challenge of thinking about the role of the United States alone and in the world. With characteristic authority and grace, Buell conveys both the style and substance of Emerson's accomplishment--in his conception of America as the transplantation of Englishness into the new world, and in his prodigious work as writer, religious thinker, and philosopher. Here we see clearly the paradoxical key to his success, the fierce insistence on independence that acted so magnetically upon all around him. Steeped in Emerson's writings, and in the life and lore of the America of his day, Buell's book is as individual--and as compelling--as its subject. At a time when Americans and non-Americans alike are struggling to understand what this country is, and what it is about, Emerson gives us an answer in the figure of this representative American, an American for all, and for all times.

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The Theory of Monetary Institutions covers free banking monetary thought and a theoretical account of the evolution of monetary institutions.

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Lose yourself in this classic travelogue evoking the idyllic South of France by the king of travel writing and real-life family member of The Durrells in Corfu. 'Full of stories, landscapes, comedy, history, heresies, animals, food, drink, and songs of the Midi.' Patrick Leigh Fermor 'A richly characteristic bouillabaisse by our last great garlicky master of the vanishing Mediterranean, our old Prospero of the south.' Richard Holmes Provence, Southern France. Celebrated writer and poet Lawrence Durrell made the Midi his home for more than thirty years: and in his final book, he shares his most evocative, dazzling memories of life as a local. A seductive blend of travelogue, poet's notebook, and intimate autobiography, Durrell guides us through the rich layers of human history that lie beneath the region's legendary landscapes. From stories of magic and mythology infusing the rolling vineyards and vivid lavender fields to tales of Roman conquest, bull-worship, and courtly love beneath the wounded blue skies, Caesar's Vast Ghost is a classic memoir to be treasured.'Casts a spell ... Masterly.' Jan Morris'A virtuoso.' New York Times

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Ranging widely over classical music, jazz, popular music, and film and television music, Musical Meaning uncovers the historical importance of asking about meaning in the lived experience of musical works, styles, and performances. Lawrence Kramer has been a pivotal figure in the development of new resources for understanding music. In this accessible and eloquently written book, he argues boldly that humanistic, not just technical, meaning is a basic force in music history and an indispensable factor in how, where, and when music is heard. He demonstrates that thinking about music can become a vital means of thinking about general questions of meaning, subjectivity, and value. First published in 2001, Musical Meaning anticipates many of the musicological topics of today, including race, performance, embodiment, and media. In addition, Kramer explores music itself as a source of understanding via his composition Revenants for piano, revised for this edition and available on the UC Press website.

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The Hum of the World is an invitation to contemplate what would happen if we heard the world as attentively as we see it. Balancing big ideas, playful wit and lyrical prose, this imaginative volume identifies the role of sound in Western experience as the primary medium in which the presence and persistence of life acquires tangible form. The positive experience of aliveness is not merely in accord with sound, but inaccessible, even inconceivable, without it. Lawrence Kramer’s poetic book roves freely over music, media, language, philosophy, and science from the ancient world to the present, along the way revealing how life is apprehended through sounds ranging from pandemonium to the faint background hum of the world. This innovative meditation on auditory culture uncovers the knowledge and pleasure waiting when we learn that the world is alive with sound.

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What lies behind America's economic and social decline? Can racism explain the ghetto tragedy if two-thirds of America's blacks have made it into the middle class? Why have Chinese, Japanese, and Korean immigrants done so much better than Mexicans? According to Lawrence E. Harrison, the key to answering these and other questions is culture,the values of a people with respect to work, education, frugality, community, fair play, and progress.

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The ubiquity of friendship in human culture contributes to the fallacy that ideas about friendship have not changed and remained consistent throughout history. It is only when we begin to inquire into the nature and significance of the concept in specific contexts that we discover how complex it truly is. Covering the vast expanse of Jewish tradition, from ancient Israel to the twenty-first century, this collection of essays traces the history of the beliefs, rituals, and social practices surrounding friendship in Jewish life.Employing diverse methodological approaches, this volume explores the particulars of the many varied forms that friendship has taken in the different regions where Jews have lived, including the ancient Near East, the Greco-Roman world, Europe, and the United Sates. The four sections—friendship between men, friendship between women, challenges to friendship, and friendships that cross boundaries, especially between Jews and Christians, or men and women—represent and exemplify universal themes and questions about human interrelationships. This pathbreaking and timely study will inspire further research and provide the groundwork for future explorations of the topic.In addition to the editor, the contributors are Martha Ackelsberg, Michela Andreatta, Joseph Davis, Glenn Dynner, Eitan P. Fishbane, Susannah Heschel, Daniel Jütte, Eyal Levinson, Saul M. Olyan, George Savran, and Hava Tirosh-Samuelson.

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The principle of double effect has a long history, from scholastic disputations about self-defense and scandal to current debates about terrorism, torture, euthanasia, and abortion. Despite being widely debated, the principle remains poorly understood. In Intention, Character, and Double Effect, Lawrence Masek combines theoretical and applied questions into a systematic defense of the principle that does not depend on appeals to authority or intuitions about cases. Masek argues that actions can be wrong because they corrupt the agent's character and that one must consider the agent's perspective to determine which effects the agent intends. This defense of the principle clears up common confusions and overcomes critics' objections, including confusions about trolley and transplant cases and objections from neuroscience and moral psychology. This book will interest scholars and students in different fields of study, including moral philosophy, action theory, moral theology, and moral psychology. Its discussion of contemporary ethical issues and sparse use of technical jargon make it suitable for undergraduate and graduate courses in applied ethics. The appendix summarizes the main cases that have been used to illustrate or to criticize the principle of double effect.

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Lawrence Bennett provides a comprehensive study of the rich repertoire of accompanied vocal chamber music that entertained the imperial family in Vienna and their guests throughout the 17th and early 18th centuries. The cantata became a form of elite entertainment composed to amuse listeners during banquets or pay homage to members of the royal family during special occasions. Concentrating on Baroque cantatas composed in the Habsburg court, Bennett draws extensively on primary source material to explore the stylistic changes that occurred within the genre in the generations before Haydn and Mozart.

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Since the spectacular success of The Artist (2011) there has been a resurgence of interest in silent cinema, and particularly in the lush and passionate screen dramas of the 1920s. This book offers an introduction to the cinema of this extraordinary period, outlining the development of the form between the end of the First World War and the introduction of synchronized sound at the end of the 1920s. It addresses the relationship between film aesthetics and the industrial and political contexts of film production through a series of case studies of 'national' cinemas. It also focuses on film-going as the most popular leisure activity of the age. Areas such as the star system, cinema buildings, musical accompaniments, film fashions, and fan cultures are addressed - all the elements that ensured that the experience of the pictures was 'big'. The international dominance of Hollywood is outlined, as are the different responses to that dominance in Britain, Germany, and the USSR. Case studies seek to move beyond the familiar silent canon, and include The Oyster Princess (1919), It (1927), Shooting Stars (1927), and The Girl with the Hatbox (1927). Lawrence Napper is lecturer in film studies at King's College, London. He is the author of British Cinema and Middlebrow Culture in the Interwar Years (2009) and The Great War in British Popular Cinema of the 1920s: Before Journey's End (2015).

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