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Over recent years Complexity Science has revealed to us new limits to our possible knowledge and control in social, cultural and economic systems. Instead of supposing that past statistics and patterns will give us predictable outcomes for possible actions, we now know the world is, and will always be, creative and surprising. Continuous structural evolution within such systems may change the mechanisms, descriptors, problems and opportunities, often negating policy aims. We therefore need to redevelop our thinking about interventions, policies and policy making, moving perhaps to a humbler, more learning approach. In this Handbook, leading thinkers in multiple domains set out these new ideas and allow us to understand how these new ideas are changing policymaking and policies in this new era.'- Peter M Allen, Cranfield University, UK'Complexity Theory has come to the fore because the world we live in is complex and many of the issues which confront us cannot be handled by the conventional tools of science, including social science. In public policy and professional practice, we are well aware of wicked issues where simple interventions often make things worse instead of better. The chapters in this excellent Handbook put complexity to work where it matters in informing our thinking and action across governance and public policy.'- David Byrne, Durham University, UKThough its roots in the natural sciences go back to the early 20th century, complexity theory as a scientific framework has developed rapidly from the 1970s onwards. Since the 1990s, it has been increasingly integrated into the social sciences and public policy. The ground-breaking and wide-ranging Handbook on Complexity and Public Policy brings together the latest work from top academics, researchers and policy actors working with complexity and policy from Europe, North America, Brazil and China and organizes it into three clear and cohesive parts:- Theory and Tools- Methods and Modelling for Policy Research and Action- Applying Complexity to Local, National and International Policy.With its distinctive combination of theory, methods and policy applications, comprehensive coverage of the field and state of the art overview, this Handbook is an essential read for students, academics and policy practitioners.Contributors include: S. Astill, U.Bilge, T. Bovaird, P. Cairney, A. Caloffi, T. Carmichael, M. Darking, G. de Roo, B. Edmonds, C. Gershenson, R. Geyer, M. Givel, B. Gray, M. Hadzikadic, P. Haynes, C. Hobbs, M. Howlett, L. Johnson, R. Kenny, K.E. Lehmann, A. Little, Q. Liu, E. Mitleton-Kelly, G. Morçöl, D. Nohrstedt, S. Occelli, J. Price, J. Rayner, C. Ricaurte, G. Room, F. Rossi, M. Russo, F. Semboloni, K. Treadwell Shine, J. Stroud, T. Tenbensel, C. Warren-Adamson, T.E. Webb, A. Wellstead, J. Whitmeyer

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New Testament studies have debated the Koine Greek verb for 25 years--reaching an impasse when it came to both tense and aspect.Now, a group of scholars offer a new take on this debate. Originally presented as part of a conference on the Greek verb at Tyndale House, Cambridge, the chapters in The Greek Verb Revisited represent scholarly collaboration from the fields of linguistics, classics, and New Testament studies--resulting in a new perspective that allows the reader to approach the Greek verb in a fresh way.The Greek Verb Revisited not only offers a rare glimpse into the background of the debate over the Greek verb, but also explains the significance of this discussion and provides a linguistically-sound way forward.Contributors include:--Rutger J. Allan (Vrije Universiteit, Amsterdam)--Michael Aubrey (Faithlife Corporation)--Rachel Aubrey (Canada Institute of Linguistics, Trinity Western University)--Randall Buth (Biblical Language Center)--Robert Crellin (Faculty of Classics, Cambridge)--Nicholas J. Ellis (BibleMesh)--Buist Fanning (Dallas Theological Seminary)--Christopher J. Fresch (Bible College of South Australia)--Peter J. Gentry (Southern Baptist Theological Seminary)--Geoffrey Horrocks (Faculty of Classics, Cambridge)--Patrick James (The Greek Lexicon Project; Faculty of Classics, Cambridge)--Stephen H. Levinsohn (SIL International)--Amalia Moser (National and Kapodistrian University of Athens)--Christopher J. Thomson (University of Edinburgh)--Elizabeth Robar (Tyndale House, Cambridge)--Steven E. Runge (Lexham Research Institute; Stellenbosch University)

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Phospholipidshavelongbeenknownfortheirkeyroleinmaintainingthebilayer structureofmembranesandinphysicallyseparatingthecytosolfromorganelles andtheextracellularspace. Inthepastdecade,acompletelynovelandunexpected functionemerged,full?llingacrucialroleincellsignaling. Itwasthediscoveryin animalcells,thatagonist-activatedcellsurfacereceptorsledtotheactivationofa phospholipase C (PLC), to hydrolyze the minor lipid, phosphatidylinositol 4- bisphosphateintotwosecondmessengers,inositol1,4,5-trisphosphate(InsP)and 3 2+ diacylglycerol(DAG). WhileInsP diffusesintothecytosol,whereitreleasesCa 3 2+ from an intracellular store by activating a ligand-gated Ca -channel, DAG remainsinthemembranetorecruitandactivatemembersoftheproteinkinase Cfamily. Overtheyears,avarietyofotherlipidbased-signalingcascadesweredisc- ered. Theseinclude,phospholipaseA,generatinglyso-phospholipidsandfreefatty acids(tobeconvertedintoprostaglandinsandleukotrienes),phospholipaseD,to generatethelipidsecondmessenger,phosphatidicacid(PA),andphosphoinositide 3-kinase (PI3K), generating a distinct set of polyphosphoinositides (PPI) ph- phorylated at the D3-position of the inositol ring, all with separate signaling functions. Sphingolipids,representinganotherimportantgroupofsignalinglipids, alsocameacross. Themajorityoftheselipid-basedsignalingpathwayshavebeendiscoveredin plantcellstoo. Moreover,theyhavebeenfoundtobeactivatedinresponsetoa widevarietyofbioticandabioticstresssignals,butalsotobebasicallyinvolvedin plantgrowthanddevelopment. Whilemanyoftheenzymes,lipids,andtheirtargets involved arewell conserved, major differences with the mammalian paradigms havealsoemerged. Thisbookhighlightsthecurrentstatusofplantlipidsignaling. Allchaptershave beenwrittenbyexpertsinthe?eldandcoverinformationforbothbeginnersand advancedlipidologists. PartIincludesphospholipases(Chaps. 1-3),partII,lipid kinases (Chaps. 4-7), part III, lipid phosphatases (Chaps. 8-9), part IV, ix x Preface inositolphosphates and PPI metabolism (Chaps. 10-13), part V, PA signaling (Chaps. 14-17),andpartVI,additionallipidsignals,e. g. oxylipins,NAPEand sphingolipids(Chaps18-20). Ithasbeenagreatpleasuretobetheeditorofthis bookandtobeawitnessofthislipid-signalingadventure. Amsterdam,June2009 TeunMunnik Contents PartI Phospholipases PhospholipaseAinPlantSignalTransduction...3 Gu..ntherF. E. Scherer TheEmergingRolesofPhospholipaseCinPlantGrowth andDevelopment...23 PeterE. DowdandSimonGilroy PlantPhospholipaseD...39 WenhuaZhang,XiaoboWan,YueyunHong,WeiqiLi,andXueminWang PartII Kinases Phosphatidylinositol4-PhosphateisRequiredforTip GrowthinArabidopsisthaliana ...65 AmyL. SzumlanskiandErikNielsen PIP-KinasesasKeyRegulatorsofPlantFunction ...79 TillIschebeckandIngoHeilmann PlantPhosphatidylinositol3-Kinase...95 YureeLee,TeunMunnik,andYoungsookLee DiacylglycerolKinase...107 StevenA. AriszandTeunMunnik xi xii Contents PartIII Phosphatases SignalingandthePolyphosphoinositidePhosphatasesfromPlants ...117 GlendaE. Gillaspy PhosphatidicAcidPhosphatasesinSeedPlants...131 YukiNakamuraandHiroyukiOhta PartIV PPIMetabolism InsP inPlantCells ...145 3 YangJuIm,BrianQPhillippy,andImaraYPerera InositolPolyphosphatesandKinases...161 JillStevenson-PaulikandBrianQ. Phillippy PhosphoinositidesandPlantCellWallSynthesis ...175 RuiqinZhong,RyanL. McCarthy,andZheng-HuaYe ImagingLipidsinLivingPlants ...185 JoopE. M. VermeerandTeunMunnik PartV PASignaling PhosphatidicAcid:AnElectrostatic/Hydrogen-BondSwitch?...2 03 EdgarEduardKooijmanandChristaTesterink NitricOxideandPhosphatidicAcidSignalinginPlants...223 AyelenM. Diste'fano,M. LucianaLanteri,ArjentenHave, CarlosGarc?'a-Mata,LorenzoLamattina,andAnaM. Laxalt 3-Phosphoinositide-DependentProteinKinaseisaSwitchboard fromSignalingLipidstoProteinPhosphorylationCascades...243 ChristineZalejskiandLa'szlo'Bo..gre PartVI AdditionalLipidSignals DiacylglycerolPyrophosphate,ANovelPlantSignalingLipid...263 EmmanuelleJeannette,SophieParadis,andChristineZalejski OxylipinSignalingandPlantGrowth...277 AlinaMosblech,IvoFeussner,andIngoHeilmann Contents xiii FattyAcidAmideHydrolaseandtheMetabolismof N-AcylethanolamineLipidMediatorsinPlants...293 KentD. ChapmanandElisonB. Blanca?or SphingolipidSignalinginPlants...307 LouiseV. MichaelsonandJohnathanA. Napier Index ...323 Contributors Steven A. Arisz Section Plant Physiology, Swammerdam Institute for Life Sciences,UniversityofAmsterdam,SciencePark904,NL-1098XH,Amsterdam, TheNetherlands ElisonB. Blanca?or SamuelRobertsNobleFoundation,PlantBiologyDivision, Ardmore,OK73401,USA,eblanca?or@noble.

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'Every generation has its iconic detective — Holmes, Poirot and Morse — but Cross is emerging as the one for now. Treasure him.' DAILY MAIL 'DS George Cross shot to the top of my favourites when I first encountered him. The Teacher shows him at his best.' MARI HANNAH 'George Cross is becoming one of my favourite detectives.' ELLY GRIFFITHS He's a victim. But is he innocent? THE BODY In a village in South West England, an elderly man is found dead in his home. The angle of his neck says he fell down the stairs. The stab wound on his body tells a different story. THE EVIDENCE In the weeks before his murder, Alistair Moreton changed. He usually kept himself to himself, but people swear there was someone in the house when they checked on him, that there was a reason he wouldn’t let them inside. THE PUNISHMENT Moreton made people’s lives a misery, from his neighbours to his ex-pupils. While DS George Cross’s list of suspects is long, every victim deserves justice. But in all of Alistair’s years, there was something important he never learned: If you go through life making enemies, don’t be surprised when they teach you a lesson. Perfect for fans of MW Craven, Peter James and Joy Ellis, The Teacher is part of the DS George Cross thriller series, which can be read in any order. 'Starts with a bang and then continues to deliver all the way to the thrilling end.' IMRAN MAHMOOD 'George Cross is in a class of his own.' SIMON TOYNE 'A must-read series.' THE TIMES 'George Cross is a superb creation... The Teacher also offers an insightful examination of whether guilt for past deeds has a half-life.' DOM NOLAN Why readers love George Cross . . . ‘The fact that Cross has been diagnosed with autism spectrum disorder makes him just as intriguing as the murder mystery’ The Times 'I am insanely in love with George Cross.' Stephen Fry ‘A compelling, suspenseful police procedural with an intimate, positive insight into living on the autistic spectrum' Woman

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This dynamic book considers whether and how the management of records (and archives) differs from the management of information (and data). Can archives and records management still make a distinctive contribution in the 21st century, or are they now being dissolved into a wider world of information governance? What should be our conceptual understanding of records in the digital era? What are the practical implications of the information revolution for the work of archivists and records managers?Geoffrey Yeo, a distinguished expert in the global field, explores concepts of ‘records’ and ‘archives’ and sets today’s record-keeping and archival practices in their historical context. He examines changing perceptions of the nature and purpose of records management and archival work, notions of convergence among information-related disciplines, and archivists’ and records managers’ attitudes to information and its governance. Starting with Peter Morville’s dictum that ‘when we try to define information, we become lost in a hall of mirrors’, Yeo considers different understandings of the concept of ‘information’ and their applicability to the field of archives and records management. He also looks at the world of data science and data administration, and asks whether and how far recent work in this area can enhance our knowledge of how records function and how they relate to the information universe.Key topics covered include: The keeping of records: a brief historical overview Thinking about records and archives: the transition to the digital Archivists, records managers and the allure of information Finding a way through the hall of mirrors: concepts of information Records and data Why records are not (just) information; understanding records in the digital era. This thought provoking and timely book is primarily intended for records managers and archivists, but should also be of interest to professionals in a range of information-related disciplines. In addressing the place of record-keeping in contemporary information culture, it aims to provide a balance of theory and practice that will appeal to practitioners as well as students and academics around the world.

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"This book is an excellent grounding in both quantitative and qualitative psychological research methods, which provides an excellent 'one-stop shop' for any student beginning their learning journey.”—Mark Griffiths, Distinguished Professor of Behavioural Addiction, Nottingham Trent University“This new edition will be warmly welcomed by anxious psychology students!”—Susanna Kola-Palmer, Senior Lecturer in Psychology, University of Huddersfield “Authoritative and yet written with the clarity and liveliness that are Hayes’ hallmark, she employs great depth of knowledge and wide experience, both harnessed to make this potentially dry and daunting subject accessible and even fun to read about.” —Peter Stratton, Emeritus Professor, University of Leeds, UKA must-have for any student undertaking psychological research, this new edition has been comprehensively updated, while maintaining the simple, friendly language and use of everyday examples that have already helped generations of students to successfully understand what research methods are and how one might actually go about using them.The book is divided into data-gathering and analytical sections, and covers the main methods used in psychology for each of these purposes. With detailed explanations of underlying principles, as well as exercises, activities, worked examples of statistical tests, and self-assessment questions, Hayes shows you what you are doing, when you should do it, and why you are doing it.New to this edition:•Discussion on ethics at the end of each chapter on data-gathering•Assessment of netnography and online research•Additional examination of legal developments such as GDPR•New chapter on multivariate analysis An accessible and thorough introductory text for all students of research methods in psychology.Nicky Hayes is a Fellow of the British Psychological Society, a Chartered Psychologist and an Honorary Life Member of the Association for the Teaching of Psychology. She has written widely and is particularly respected for her ability to apply psychology to everyday life, working with businesses and the public sector as well in education.

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New recruit to the Botswana Criminal Investigation Department, Samantha Khama, calls upon Detective Kubu when the hunt for two missing girls hits a dead end … and it becomes clear that there is a serial killer on the loose, and his motive is terrifying… ‘A wonderful, original voice – McCall Smith with a dark edge and even darker underbelly’ Peter James ‘The perfect combination of “I don’t want it to end” and “I can’t put it down”. Great African crime fiction’ Deon Meyer ‘My favourite writing duo since Ellery Queen’ Ragnar Jónasson _______________ A young girl goes missing after getting into a car with a mysterious man. Soon after, a second girl disappears, and her devastated father, Witness, sets out to seek revenge. As the trail goes cold, Samantha Khama – new recruit to the Botswana Criminal Investigation Department – suspects the girl was killed for muti, the traditional African medicine usually derived from plants, sometimes animals, and, recently and most chillingly, human parts. When the investigation gets personal, Samantha enlists opera-loving wine connoisseur Assistant Superintendent David ‘Kubu’ Bengu to help her dig into the past. As they begin to discover a pattern to the disappearances, there is another victim, and Kubu and Samantha are thrust into a harrowing race to stop a serial killer who has only one thing in mind… _______________ 'A fascinating police procedural … the most complex book in this series. Besides being an intricate crime puzzle that Kubu and his team must untangle, it also looks at societal issues’ St Paul Pioneer Press ‘Compelling and deceptively written...’ New York Journal of Books ‘Richly atmospheric … a gritty depiction of corruption and deception’ Publishers Weekly ‘Under the African sun, Michael Stanley’s Detective Kubu investigates crimes as dark as the darkest of Nordic Noir. Call it Sunshine Noir, if you will – a must read’ Yrsa Sigurðardóttir ‘Intelligent, dark and compelling – among the best of today’s crime fiction’ Quentin Bates

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'A perfect detective for our time' Stephen Fry No fingerprints. No weapon. No witnesses. Can DS Cross prove it was murder? THE DETECTIVE DS George Cross doesn't rely on guesswork and he has no time for false assumptions. He is a detective who goes off the evidence in front of him, not 'hunches' or 'gut feelings'. He does not know what these are. THE CLOSED CASE When a young woman is found dead, the Bristol Crime Unit is quick to rule it a suicide as the woman had a long history of drug abuse. But her mother is convinced it was murder, saying that her daughter had been clean for years and had been making strides in a new therapy programme. THE ANSWER As an outsider himself, DS Cross is drawn to cases involving the voiceless and dispossessed and, here, the evidence states that this woman was murdered – Cross just has to prove it. But under pressure from his boss to shut down the case, and with numerous potential suspects, time is rapidly running out to get the answers that this grieving family deserve. Perfect for fans of M.W. Craven, Peter James and Joy Ellis, The Patient is part of the DS George Cross thriller series, which can be read in any order. Why readers love George Cross . . . 'A clever mystery full of tension but also humour and compassion. George Cross is becoming one of my favourite detectives.’ Elly Griffiths 'In DS George Cross, Tim Sullivan has created a character who is as endearing as any I’ve ever come across in this genre. His quirks are his gift, and with Sullivan’s tremendous plotting and superb writing, this series is a gift to readers.' Liz Nugent 'A British detective for the 21st century who will be hard to forget' Daily Mail 'A compelling, suspenseful police procedural with an intimate, positive insight into living on the autistic spectrum' Woman 'Truly wonderful . . . well-developed characters and an absolute star in George Cross!' Reader Review 'An entirely different type of detective in DS Cross' Reader Review

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In a statement published for Paul Cobley’s edition of Realism for the 21st Century. A John Deely Reader, Umberto Eco wrote that “John Deely has not only paid attention to the Second Scholasticism but also to the first one”. In the present book, Deely goes one step further, by establishing the continuity of the Latin Age as a whole. He shows how the Latin thinkers demonstrated the presuppositions and created the framework of critical thought that made possible and inevitable the turn to science in the modern sense. The book thus shows how and why criticalachievements of the Latins remain requisite, even today, for the proper understanding of science and technology as offshot of the “Way of Signs” upon which all of thought, as also evikytuib as a whole, perforce travels. “With the sophistic modern and Enlightenment misconceptions about philosophy’s nature and history daily crashing and burning around us, Deely’s unconventional way of understanding medieval philosophy is like a breath of fresh air amid intellectual smog. This is a great book, the single most important study of medieval thought in half a century or more. It deserves an unbiased hearing by anyone today claiming to be a serious philosopher.” — Peter A. Redpath Founding Chairman, Universities of Western Civilization Chairman of the Board, The International Etienne Gilson Society “Drawing upon the thought of John Poinsot and Charles Pierce, John Deely has opened a distinctively postmodern path to the metaphysics of being, at once illuminating much of this ancient tradition while casting new light upon it in the context of contemporary thought. His treatment notably of St. Thomas is not merely a return to an earlier thinker, but an opening to a different path, at once in profound agreement with St. Thomas and yet heretofore unexplored. This book, thus, not only constitutes a return to a past era, but shows this era in a new light that illuminates as well the contemporary scene.” — Kenneth L. Schmitz Professor Emeritus, University of Toronto, Canada Pontifical John Paul II Institute for Studies on Marriage and Family, Washington, D.C.

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'Grabs the reader from the very first page - and never lets go' DAILY MAIL'Taut and properly disturbing. . . Impressive' The CriticEVERYONE HAS A PAST. . . YOURS IS COMING TO KILL YOUAlex and Morven have a pretty perfect marriage. Still madly in love after ten years, they have no secrets from each other and their life in London with daughter Poppy is . . . happy.Until one day it changes. Morven disappears, her car found abandoned. The police come around to Alex's house to tell him things about his wife he never knew: her real name, her past life, the secrets she kept from him. And Alex realises he's been loving a lie. He needs answers . . . and on the shore of a dark and remote lake in Wales he learns that the tragic events which shaped the past now threaten to rip apart the present.Praise for I KNOW WHO YOU WERE'A gripping, twisty and beautifully written debut thriller that marks Curran as a writer to watch.' Irish Independent'Written with enormous panache and gentle empathy, it ratchets up the tension repeatedly before exploding into a grandstand heart-stopping finale' Daily Mail'Oh boy, this is going to keep you up at night, or abandoning everything else to race through the pages' Peterborough Telegraph'Throws out a great hook and then twists and turns its way to a heartstopping climax' Stephen Gallagher'Not just a ruthlessly compelling novel of suspense but an unflinching examination of the repercussions of a crime. Disturbing, harrowing and moving, it signals the arrival of a new master of crime fiction.' Ramsey Campbell'Taut, compelling, original. An emotionally charged story that will leave you thinking of the main character long after finishing the book. A true page-turner' J A Corrigan 'Curran's debut is an absorbing, dark and suspenseful thriller. He is a writer to watch' David Fennell 'An utterly gripping Cobenesque mystery keeps you turning the pages fiercely to find out what's happening' Crime Podcast FM

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'Grabs the reader from the very first page - and never lets go' DAILY MAIL'Taut and properly disturbing. . . Impressive' The CriticEVERYONE HAS A PAST. . . YOURS IS COMING TO KILL YOUAlex and Morven have a pretty perfect marriage. Still madly in love after ten years, they have no secrets from each other and their life in London with daughter Poppy is . . . happy.Until one day it changes. Morven disappears, her car found abandoned. The police come around to Alex's house to tell him things about his wife he never knew: her real name, her past life, the secrets she kept from him. And Alex realises he's been loving a lie. He needs answers . . . and on the shore of a dark and remote lake in Wales he learns that the tragic events which shaped the past now threaten to rip apart the present.Praise for I KNOW WHO YOU WERE'A gripping, twisty and beautifully written debut thriller that marks Curran as a writer to watch.' Irish Independent'Written with enormous panache and gentle empathy, it ratchets up the tension repeatedly before exploding into a grandstand heart-stopping finale' Daily Mail'Oh boy, this is going to keep you up at night, or abandoning everything else to race through the pages' Peterborough Telegraph'Throws out a great hook and then twists and turns its way to a heartstopping climax' Stephen Gallagher'Not just a ruthlessly compelling novel of suspense but an unflinching examination of the repercussions of a crime. Disturbing, harrowing and moving, it signals the arrival of a new master of crime fiction.' Ramsey Campbell'Taut, compelling, original. An emotionally charged story that will leave you thinking of the main character long after finishing the book. A true page-turner' J A Corrigan 'Curran's debut is an absorbing, dark and suspenseful thriller. He is a writer to watch' David Fennell 'An utterly gripping Cobenesque mystery keeps you turning the pages fiercely to find out what's happening' Crime Podcast FM

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'This vivid and engaging book brings to life some of the most important moments in ancient history, moments that have shaped not only the politics and culture of bygone eras, but the institutions, thoughts and fantasies of our time.' Yuval Noah Harari (Sapiens)'A bold and imaginative page-turner that challenges ideas about the world of antiquity.' Peter Frankopan (The Silk Roads)'As panoramic as it is learned, this is ancient history for our globalised world.' Tom Holland (Dynasty, Rubicon)________________________________________Acclaimed historian and TV presenter Michael Scott guides us through an epic story spanning ten centuries to create a bold new reading of the classical era for our globalised world.Scott challenges our traditionally western-focused perception of the past, connecting Greco-Roman civilisation to the great rulers and empires that swept across Central Asia to India and China - resulting in a truly global vision of ancient history.With stunning range and richness Ancient Worlds illustrates how the great powers and characters of antiquity shared ambitions and crises, ways of thinking and forms of governing: connections that only grew stronger over the centuries as political systems evolved, mighty armies clashed, universal religions were born and our modern world was foreshadowed.Scott focuses on three epochal 'moments' across the ancient globe, and their profound wider significance: from 509-8 BCE (birth of Athenian democracy and Rome's republic, also the age of Confucius's teachings in China); to 218 BCE (when Hannibal of Carthage challenged Rome and China saw its first emperor); to 312 CE, when Constantine sought to impose Christianity on the Roman world even as Buddhism was pervading China via the vast trading routes we now know as the 'Silk Roads.'A major work of global history, Michael Scott's enthralling journey challenges the way we think about our past, re-draws the map of the classical age to reveal its hidden connections, and shows us how ancient history has lessons for our own times.

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WINNER OF THE BRITISH ACADEMY BOOK PRIZE A SPECTATOR, WATERSTONES, BBC HISTORY MAGAZINE, PROSPECT AND HISTORY TODAY BOOK OF THE YEAR A profound and ground-breaking new history of one of the most important encounters in the history of colonialism: the British arrival in India in the early seventeenth century. ‘A triumph of writing and scholarship. It is hard to imagine anyone ever bettering Das's account of this part of the story’ - William Dalrymple, Financial Times ‘A fascinating glimpse of the origins of the British Empire . . . drawn in dazzling technicolour’ - Spectator ‘Beautifully written and masterfully researched, this has the makings of a classic’ - Peter Frankopan SHORTLISTED FOR THE POL ROGER DUFF COOPER PRIZE LONGLISTED FOR THE CUNDILL HISTORY PRIZE SHORTLISTED FOR THE HWA CROWN AWARDS When Thomas Roe arrived in India in 1616 as James I’s first ambassador to the Mughal Empire, the English barely had a toehold in the subcontinent. Their understanding of South Asian trade and India was sketchy at best, and, to the Mughals, they were minor players on a very large stage. Roe was representing a kingdom that was beset by financial woes and deeply conflicted about its identity as a unified ‘Great Britain’ under the Stuart monarchy. Meanwhile, the court he entered in India was wealthy and cultured, its dominion widely considered to be one of the greatest and richest empires of the world. In Nandini Das's fascinating history of Roe's four years in India, she offers an insider's view of a Britain in the making, a country whose imperial seeds were just being sown. It is a story of palace intrigue and scandal, lotteries and wagers that unfolds as global trade begins to stretch from Russia to Virginia, from West Africa to the Spice Islands of Indonesia. A major debut that explores the art, literature, sights and sounds of Jacobean London and Imperial India, Courting India reveals Thomas Roe's time in the Mughal Empire to be a turning point in history – and offers a rich and radical challenge to our understanding of Britain and its early empire.

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In 2008, Bloodaxe published the world's first DVD-anthology, In Person: 30 Poets, a new concept in publishing: readings by 30 poets published by Bloodaxe in its first 30 years captured on film, with all the poems included in the footage printed in the book of the films. Its sequel, In Person: World Poets, is another international collaboration between Bloodaxe Books and award-winning film-maker Pamela Robertson-Pearce. Her style of filming combines directness and simplicity, sensitivity and warmth - the perfect combination for these intimate readings. It is as if the poet were sitting in the room with you, reading just to you, and sometimes saying a few things about the poems. This new compilation on DVD with accompanying anthology covers a wide range of poets from many parts of the world, including America, Australia, Canada, Denmark, Estonia, Finland, Guyana, India, Italy, Jamaica, Korea, Lithuania, Macedonia, Malawi, the Netherlands, Pakistan, Poland and Sweden, as well as from Britain and Ireland. Most of the films present informal, one-to-one readings, with the poets reading to you in person. They enhance your appreciation of the poetry.You hear how the poems sound; you see how the poets read and present their work. Poets writing in other languages read in the original with the English translations read by themselves or by their translators. Some poets are also captured in live performance. T.S. Eliot once described poetry as 'one person talking to another', while W.H. Auden believed it was essential to hear poetry read aloud, for 'no poem, which when mastered, is not better heard than read is good poetry'. In Person: World Poets presents the oral art of poetry in that spirit. There are over 14 hours of readings on four DVDs packaged with the book, and all the poems included in the films are printed in the book, with poems written in other languages alongside the translations, enabling you to follow either language as they are read on the film. Like the original In Person: 30 Poets, this new compilation gives readers a personal festival of poetry in DVD and book form for viewing at home on laptop or TV. It is also a unique educational resource for the teaching and appreciation of poetry. In Person: World Poets includes: Robert Adamson, Moniza Alvi, Antonella Anedda, Simon Armitage, Ana Blandiana, Jean 'Binta' Breeze, Dan Chiasson, Polly Clark, Stewart Conn, Peter Didsbury, Katie Donovan, Tishani Doshi, Ruth Fainlight, Roy Fisher, Carolyn Forché, Tua Forsström, Tess Gallagher, Deborah Garrison, Jane Griffiths, Philip Gross, Choman Hardi, Robert Hass, John Hegley, Rita Ann Higgins, Tony Hoagland, Matthew Hollis, Esther Jansma, Jenny Joseph, Jaan Kaplinski, Ko Un, Luljeta Lleshanaku, Thomas Lux, Nikola Madzirov, Jennifer Maiden, Jack Mapanje, Samuel Menashe, Esther Morgan, Julie O'Callaghan, Leanne O'Sullivan, Clare Pollard, Adélia Prado, Sally Read, Lawrence Sail, Carole Satyamurti, Karen Solie, Piotr Sommer, Ruth Stone, Arundhathi Subramaniam, Matthew Sweeney, Pia Tafdrup, Tomas Tranströmer, Brian Turner, Chase Twichell, Priscila Uppal, Tomas Venclova, Mark Waldron, Susan Wicks and Robert Wrigley. None of these poets was included in In Person: 30 Poets.

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The Afro-Latin@ Reader focuses attention on a large, vibrant, yet oddly invisible community in the United States: people of African descent from Latin America and the Caribbean. The presence of Afro-Latin@s in the United States (and throughout the Americas) belies the notion that Blacks and Latin@s are two distinct categories or cultures. Afro-Latin@s are uniquely situated to bridge the widening social divide between Latin@s and African Americans; at the same time, their experiences reveal pervasive racism among Latin@s and ethnocentrism among African Americans. Offering insight into Afro-Latin@ life and new ways to understand culture, ethnicity, nation, identity, and antiracist politics, The Afro-Latin@ Reader presents a kaleidoscopic view of Black Latin@s in the United States. It addresses history, music, gender, class, and media representations in more than sixty selections, including scholarly essays, memoirs, newspaper and magazine articles, poetry, short stories, and interviews.While the selections cover centuries of Afro-Latin@ history, since the arrival of Spanish-speaking Africans in North America in the mid-sixteenth-century, most of them focus on the past fifty years. The central question of how Afro-Latin@s relate to and experience U.S. and Latin American racial ideologies is engaged throughout, in first-person accounts of growing up Afro-Latin@, a classic essay by a leader of the Young Lords, and analyses of U.S. census data on race and ethnicity, as well as in pieces on gender and sexuality, major-league baseball, and religion. The contributions that Afro-Latin@s have made to U.S. culture are highlighted in essays on the illustrious Afro-Puerto Rican bibliophile Arturo Alfonso Schomburg and music and dance genres from salsa to mambo, and from boogaloo to hip hop. Taken together, these and many more selections help to bring Afro-Latin@s in the United States into critical view.Contributors: Afro–Puerto Rican Testimonies Project, Josefina Baéz, Ejima Baker, Luis Barrios, Eduardo Bonilla-Silva, Adrian Burgos Jr., Ginetta E. B. Candelario, Adrián Castro, Jesús Colón, Marta I. Cruz-Janzen, William A. Darity Jr., Milca Esdaille, Sandra María Esteves, María Teresa Fernández (Mariposa), Carlos Flores, Juan Flores, Jack D. Forbes, David F. Garcia, Ruth Glasser, Virginia Meecham Gould, Susan D. Greenbaum, Evelio Grillo, Pablo “Yoruba” Guzmán, Gabriel Haslip-Viera, Tanya K. Hernández, Victor Hernández Cruz, Jesse Hoffnung-Garskof, Lisa Hoppenjans, Vielka Cecilia Hoy, Alan J. Hughes, María Rosario Jackson, James Jennings, Miriam Jiménez Román, Angela Jorge, David Lamb, Aida Lambert, Ana M. Lara, Evelyne Laurent-Perrault, Tato Laviera, John Logan, Antonio López, Felipe Luciano, Louis Pancho McFarland, Ryan Mann-Hamilton, Wayne Marshall, Marianela Medrano, Nancy Raquel Mirabal, Yvette Modestin, Ed Morales, Jairo Moreno, Marta Moreno Vega, Willie Perdomo, Graciela Pérez Gutiérrez, Sofia Quintero, Ted Richardson, Louis Reyes Rivera, Pedro R. Rivera , Raquel Z. Rivera, Yeidy Rivero, Mark Q. Sawyer, Piri Thomas, Silvio Torres-Saillant, Nilaja Sun, Sherezada “Chiqui” Vicioso, Peter H. Wood

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Go, Thomas, Go! is a book and a toy in one! Young children will love wheeling their Go, Thomas, Go! book around on his sturdy wheels and then stopping to enjoy the story about the time Thomas raced around Sodor doing all sorts of important jobs for The Fat Controller. They'll love hearing about Thomas taking wagons of wood to the Docks, beautiful blooms to the flower stall, soft straw to some newborn lambs and steaming back to the Station as soon as he could. Did Thomas manage to be Really Useful and complete all his jobs in record time? Cheer Thomas on by saying, "Go, Thomas, Go!" Shaped to look just like Thomas, this fun, interactive board book is perfect for even the youngest Thomas fans. Suitable for children aged ten months and over, it's particularly appealing to curious two-to-four year olds, who love playing with trains and making choo choo noises. Toddlers will like holding their Thomas-shaped book and turning the wheels as they run it around on floors, tables, sofas, in fact anywhere and everywhere. When they're ready for some quiet time, they'll love turning the pages to see how Thomas got on during his busy day. With illustrations showing different areas around the Island of Sodor, it includes questions about colours and counting, so children will can really enjoy looking at the details in each scene whilst learning key concepts. Thomas has been teaching children lessons about life and friendship for 75 years. He ranks alongside other beloved characters such as Paddington Bear, Winnie-the-Pooh and Peter Rabbit as an essential part of our literary heritage. Look out for more Thomas & Friends books to share with young children including: Thomas & Friends: Pocket Library – 9781405293006 Thomas & Friends: Noisy Sound Book – 9781405295208 Thomas & Friends: My Thomas Potty Book – 9781405289566 Thomas & Friends: My First Words Sticker Book – 9781405288941

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This collection provides vivid ethnographic explorations of particular, local Christianities as they are experienced by different groups around the world. At the same time, the contributors, all anthropologists, rethink the vexed relationship between anthropology and Christianity. As Fenella Cannell contends in her powerful introduction, Christianity is the critical “repressed” of anthropology. To a great extent, anthropology first defined itself as a rational, empirically based enterprise quite different from theology. The theology it repudiated was, for the most part, Christian. Cannell asserts that anthropological theory carries within it ideas profoundly shaped by this rejection. Because of this, anthropology has been less successful in considering Christianity as an ethnographic object than it has in considering other religions. This collection is designed to advance a more subtle and less self-limiting anthropological study of Christianity.The contributors examine the contours of Christianity among diverse groups: Catholics in India, the Philippines, and Bolivia, and Seventh-Day Adventists in Madagascar; the Swedish branch of Word of Life, a charismatic church based in the United States; and Protestants in Amazonia, Melanesia, and Indonesia. Highlighting the wide variation in what it means to be Christian, the contributors reveal vastly different understandings and valuations of conversion, orthodoxy, Scripture, the inspired word, ritual, gifts, and the concept of heaven. In the process they bring to light how local Christian practices and beliefs are affected by encounters with colonialism and modernity, by the opposition between Catholicism and Protestantism, and by the proximity of other religions and belief systems. Together the contributors show that it not sufficient for anthropologists to assume that they know in advance what the Christian experience is; each local variation must be encountered on its own terms.Contributors. Cecilia Busby, Fenella Cannell, Simon Coleman, Peter Gow, Olivia Harris, Webb Keane, Eva Keller, David Mosse, Danilyn Rutherford, Christina Toren, Harvey Whitehouse

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"Flame Wars," the verbal firefights that take place between disembodied combatants on electronic bulletin boards, remind us that our interaction with the world is increasingly mediated by computers. Bit by digital bit we are being "Borged," as devotees of Star Trek: The Next Generation would have it—transformed into cyborgian hybrids of technology and biology through our ever more frequent interaction with machines, or with one another through technological interfaces. The subcultural practices of the "incurably informed," to borrow the cyberpunk novelist Pat Cadigan’s coinage, offer a precognitive glimpse of mainstream culture in the near future, when many of us will be part-time residents in virtual communities. Yet, as the essays in this expanded edition of a special issue of the South Atlantic Quarterly confirm, there is more to fringe computer culture than cyberspace. Within these pages, readers will encounter flame warriors; new age mutant ninja hackers; technopagans for whom the computer is an occult engine; and William Gibson’s "Agrippa," a short story on software that can only be read once because it gobbles itself up as soon as the last page is reached. Here, too, is Lady El, an African American cleaning woman reincarnated as an all-powerful cyborg; devotees of on-line swinging, or "compu-sex"; the teleoperated weaponry and amok robots of the mechanical performance art group, Survival Research Laboratories; an interview with Samuel Delany, and more.Rallying around Fredric Jameson’s call for a cognitive cartography that "seeks to endow the individual subject with some new heightened sense of place in the global system," the contributors to Flame Wars have sketched a corner of that map, an outline for a wiring diagram of a terminally wired world. Contributors. Anne Balsamo, Gareth Branwyn, Scott Bukatman, Pat Cadigan, Gary Chapman, Erik Davis, Manuel De Landa, Mark Dery, Julian Dibbell, Marc Laidlaw, Mark Pauline, Peter Schwenger, Vivian Sobchack, Claudia Springer

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"Flame Wars," the verbal firefights that take place between disembodied combatants on electronic bulletin boards, remind us that our interaction with the world is increasingly mediated by computers. Bit by digital bit we are being "Borged," as devotees of Star Trek: The Next Generation would have it—transformed into cyborgian hybrids of technology and biology through our ever more frequent interaction with machines, or with one another through technological interfaces. The subcultural practices of the "incurably informed," to borrow the cyberpunk novelist Pat Cadigan’s coinage, offer a precognitive glimpse of mainstream culture in the near future, when many of us will be part-time residents in virtual communities. Yet, as the essays in this expanded edition of a special issue of the South Atlantic Quarterly confirm, there is more to fringe computer culture than cyberspace. Within these pages, readers will encounter flame warriors; new age mutant ninja hackers; technopagans for whom the computer is an occult engine; and William Gibson’s "Agrippa," a short story on software that can only be read once because it gobbles itself up as soon as the last page is reached. Here, too, is Lady El, an African American cleaning woman reincarnated as an all-powerful cyborg; devotees of on-line swinging, or "compu-sex"; the teleoperated weaponry and amok robots of the mechanical performance art group, Survival Research Laboratories; an interview with Samuel Delany, and more.Rallying around Fredric Jameson’s call for a cognitive cartography that "seeks to endow the individual subject with some new heightened sense of place in the global system," the contributors to Flame Wars have sketched a corner of that map, an outline for a wiring diagram of a terminally wired world. Contributors. Anne Balsamo, Gareth Branwyn, Scott Bukatman, Pat Cadigan, Gary Chapman, Erik Davis, Manuel De Landa, Mark Dery, Julian Dibbell, Marc Laidlaw, Mark Pauline, Peter Schwenger, Vivian Sobchack, Claudia Springer

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THE FIRST IN A THRILLING NEW SERIES FROM THE NO.1 BESTSELLERKaren Pirie returns . . . Pre-order Past Lying, the eagerly-awaited new Karen Pirie thriller, publishing October 2023____________________She's on the hunt for a killer story . . . 1979. It's the winter of discontent, and Allie Burns is chasing her first big scoop. One of few women in the newsroom, she needs something explosive for the boys' club to take her seriously.Soon Allie and fellow reporter Danny Sullivan are making powerful enemies with their investigations - and Allie won't stop there. When she discovers a terrorist threat close to home, she devises a dangerous plan to make her name.But Allie is a woman in a man's world . . . and putting a foot wrong could be fatal.____________________'A supremo of the genre at the height of her powers' PETER JAMES'The Queen of Crime has delivered another masterpiece' DAVID BALDACCI'Allie is a fabulous character, I'll go wherever she takes me' MARIAN KEYES'A thrilling snapshot of a fascinating era' JANE HARPER'McDermid at her nail-biting, heart-rending best' CHRIS WHITAKER'Her best book in years' THE TIMES, BOOK OF THE MONTH'Allie Burns is off to a flying start, and well worth following' SCOTSMAN'A perfect snapshot of the social and political issues of the time' LINWOOD BARCLAY'Full of wit, thrills and incisive social observation and features a marvellous new character' MICK HERRON'I have been reading Val McDermid for twenty-five years, so I am really saying something when I tell you I enjoyed this novel the most' CHRIS BROOKMYRE'The good news is that this excellent novel marks the start of a new series' GUARDIAN'Brilliant characters, masterful plotting' CHRIS HAMMER'An excellent opener to what promises to be an outstanding series' SPECTATOR'The fast-paced storytelling flows irresistibly' IRISH TIMES'Riveting' DAILY EXPRESS'Sensational. One of Britain's most accomplished writers' SUNDAY EXPRESS'A nail-biting new series' OBSERVER

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A new edition of the essential chronicle of disco culture In 1973, Vince Aletti became the first person to write about the emerging disco scene. His engagement with disco nightlife continued throughout the decade as he wrote his weekly column for Record World magazine, which incorporated top ten playlists from DJs across the US (such as Larry Levan, Larry Sanders, Walter Gibbons, Tee Scott and Nicky Siano) alongside Aletti's own writings and interviews. As disco grew from an underground secret to a billion-dollar industry, Aletti was there to document it, and The Disco Files is his personal memoir of those days, containing everything he wrote on the subject (most of it between 1974 and1978) augmented with photography by Peter Hujar and Toby Old. This book is the definitive and essential chronicle of disco, true from-the-trenches reporting that details, week by week, the evolution of the clubs, the DJs, and above all, the music, through magazine articles, beautiful photographs, hundreds of club charts and thousands of record reviews. Photocopies of Aletti's Record World columns circulated for years among DJs and music lovers, until they were finally collected in 2009 into the first edition of The Disco Files, an instant classic that quickly sold out. This new edition of The Disco Files brings Aletti's compulsively readable disco writing back into print, adding an interview with Fran Lebowitz originally published in the Village Voice in 1990. Throughout his career, curator, writer and critic Vince Aletti (born 1945) has been at the forefront of music, culture and the arts. He wrote for Record World and Rolling Stone and covered the club scene in the late 1970s and 1980s for the Village Voice, where he would serve as art editor until 2005. In addition to curating numerous photography exhibitions, Aletti writes about photography for the New Yorker.

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THE BRAND NEW BLOCKBUSTER NOVEL WITH THE HIGH-STAKES THRILLS OF SLOW HORSES AND THE ADRENALINE-SOAKED EXCITEMENT OF BOX 88**SUNDAY TIMES THRILLER OF THE MONTH**'A breathtaking thriller. A classic in the making' PETER JAMES'A shot in the arm for thriller fans' THE TIMES'Hugely impressive and compelling' WILLIAM BOYD'Look out for The Scarlet Papers . . . Engrossing' STEVE CAVANAGH'The most impressive espionage debut since Mick Herron's Slow Horses' DAILY MAIL'Magnificent' LITERARY REVIEW'Superbly constructed and written with flair. This might be the best spy novel of the year' SUNDAY TIMES'The Cold War is given a new twist ... Impressive, superior spy stuff' SHOTS MAGAZINE___________VIENNA, 1946: A brilliant German scientist snatched from the ruins of Nazi Europe.MOSCOW, 1964: A US diplomat caught in a clandestine love affair as the Cold War rages.RIGA, 1992: A Russian archivist selling secrets that will change the twentieth century forever.LONDON, THE PRESENT DAY: A British academic on the run with the chance to solve one of history's greatest mysteries.Their stories, their lives, and the fate of the world are bound by a single manuscript. A document feared and whispered about in capitals across the globe. In its pages, history will be rewritten. It is only ever known as . . .THE SCARLET PAPERSThe devastating secrets contained within teased by a brief invitation:Tomorrow 11AM. Take a cab and pay in cash. Tell no one.___________'Smart, slick and totally gripping . . . The Scarlet Papers is always credible, always startling and almost painfully human. A total triumph' TONY PARSONS'A masterpiece' TIM GLISTER'Grand in scope and packed with fascinating insights' MICK HERRON'An extraordinary novel' HOLLY WATT'Addictive, original and outrageously entertaining . . . Matthew Richardson proves himself a writer of huge talent and skill' CHARLOTTE PHILBY'An epic read!' JEREMY DUNS

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Can you ever escape from the shadows of your past?'I couldn't put it down!' Sam Blake'The narrative is multi-layered and bound by emotional integrity.' Candis'A compelling story of love, relationships, and the grief of two families suffering traumatic losses.' Peterborough Evening Telegraph_________________Eighteen-year-old Emma has loving parents and a promising future ahead of her.So why, one morning, does she leave home without a trace?Her parents, Cath and Jim, are devastated. They have no idea why Emma left, where she is - or even whether she is still alive.A year later, Cath and Jim are still tormented by the unanswered questions Emma left behind, and clinging desperately to the hope of finding her.Meanwhile, tantalisingly close to home, Emma is also struggling with her new existence - and with the trauma that shattered her life.For all of them, reconciliation seems an impossible dream. Does the way forward lie in facing up to the secrets of the past - secrets that have been hidden for years?Secrets that have the power to heal them, or to destroy their family forever ..._________________Readers can't get enough of The Shadow Child ...'Make sure you have plenty of tissues nearby, you are going to need them.' Bunnys Pause'A touching and engaging read.' Sharon Beyond the Books'A compelling, complex book about the twisting paths of life, loss and hope.' Bookmarks and Stages'Beautifully written and I can't recommend it enough, it's just so brilliant!' Two Ladies and a Book'I loved this book.' Varietats'Overall I thought this was an excellent read, and one I couldn't put down!' Books Cats Etc 'It kept me turning the pages as I was drawn into all their lives.' LibcReads 'A book full of emotion, and a really great read.' Curling up with a coffee 'A truly lovely story that I would absolutely recommend.' Kim's Reading Adventure

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Known: A Study of the Good Shepherd is a 10–week Bible study with a strong exegetical bent and a touch of devotion. In it, the reader is taken on a journey to encounter our great Shepherd by using the framework of Psalm 23, layered with other passages of scripture that reveal the Lord as our Shepherd. The reader studies the text to first discover what it tells us about the Lord through observation and interpretation. The goal of the study is for the reader to be able to discover what the Biblical text means to her own life, in light of who God is and what He has done, with application coming after sound observation and interpretation because the Bible is first and foremost about God! The first week of the study is a straight–forward Biblical theology outline on the theme of the Lord as our Shepherd, in which the reader uncovers this theme from the front cover of the Bible to the back. She is invited to spend as much or as little time as her schedule allows in completing this overview, and an appendix with a sample outline is included at the end of the manuscript. The second week of Known ushers in our exegetical studies as we dig deeply into Psalm 23. Each subsequent week contains a study of a different passage of the Bible that correlates with a specific verse of Psalm 23 and highlights an aspect of our Shepherd that is discovered in the psalm. The homework questions assist the reader in studying each of these selections verse–by–verse. We study John 10 to see how Jesus is the Shepherd, we look at Ezekiel 34:11–31 to learn about the pasture provided to us by our Shepherd, we delve into Psalm 30 to discuss restoration by the Shepherd, and we discover our righteousness found in the Shepherd in Romans 4:13–5:2. The study also covers suffering as a follower of the Shepherd as seen in 1 Peter 4:12–5:11, comfort found in the Shepherd with Isaiah 40, the preparation and blessing of the Shepherd which we will study in John 14, and our eternal hope in the Shepherd as we unpack Revelation 21:1–22:5.

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No one in Lochdubh expects Dorothy to stay for long...She is, after all, entirely unsuitable. She's an uptown girl, used to a fancy lifestyle in the big city of Glasgow. She'll never fit in. And how is that work-shy rogue Hamish Macbeth supposed to get anything done when his new assistant is such a distraction? The village needs a police sergeant who can get on with his job, not one who's constantly swooning over his pretty young constable.Yet PC Dorothy McIver quickly shows how determined she is to win over the locals, and she certainly seems to bring out the best in Macbeth. Then comes a brutal murder and the pair find themselves plunged into a tangled web of conspiracy that acquires a sinister strand when the chilling shadow of Glasgow's underworld creeps to the Highlands and the peaceful village of Lochdubh.Through it all, the bond between Hamish and Dorothy grows ever stronger. Has Hamish Macbeth finally found the love of his life - and can he track down the murderer before any hope he has for a blissful future is destroyed?'This Hamish Macbeth novel maintains Beaton's distinctive voice and includes the usual village eccentrics, loads of Scottish lore, and the light humor that Beaton fans have loved through the years. . . A definite purchase for all mystery collections' Starred Review, Library Journal'Unmissable!' Peterborough Telegraph Praise for the Hamish Macbeth series:'First rate ... deft social comedy and wonderfully realized atmosphere.' Booklist'It's always a treat to return to Lochdubh.' New York Times'Readers will enjoy the quirks and unique qualities of the cast ... Beaton catches the beauty of the area's natural geography and succinctly describes its distinct flavour.' Library Journal'Befuddled, earnest and utterly endearing, Hamish makes his triumphs sweetly satisfying.' Publishers Weekly

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Graham Bonnet was born in Skegness in 1947 and had his first hit single with The Marbles in 1968, "Only One Woman" which reached Number 5 in the UK Singles Chart.....So runs Graham Bonnet's wikipedia entry. Of The Skyliners, The Peter Tomlinson Band, The Jimmy Aldred Band, The Jan Ramsden Band, The Missing Links, The Blueset, The Bluesect and The Graham Bonnet Set not a word. This new biography of the much travelled rock singer more than fills the missing gaps. After his work with The Marbles, Bonnet delivered a well-regarded solo album in 1977 which was the spring-board for his rock career, with Ritchie Blackmore's Rainbow the first to call. After the chart album Down To Earth, Rainbow suddenly found themselves with well-crafted AOR hits in the shape of "Since You Been Gone" and "All Night Long". The band headlined the first Donnington Monsters Of Rock festival in 1980, but Bonnet quit to record a star-studded solo album and top ten single Night Games. Bonnet was then quickly snapped up by ex-UFO guitarist Michael Schenker in the Michael Schenker Group (MSG) for the powerful Assault Attack album. Bonnet's most consistent rock project came in 1983 when he decided to put his own band together; Alcatrazz became a huge draw on the rock circuit for the next four years, with a number of albums to their name. They became particularly successful in Japan (where Bonnet remains very successful.) Now based in LA, the ever adaptable Bonnet continues to record and tour on a regular basis, with a new album issued just a few months ago. Watching Rainbow live in 1980, no lesser person than Ozzy Osbourne described Graham's performance as the best by a rock vocalist he had ever witnessed.

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As she checked into the lush Beverly Hills Hotel, Tanya Harris dreaded being away from her husband, Peter, and three teenaged children. Dressed as pure Marin County mom among supermodels and movie stars, Tanya was here to do a major screenplay after years of writing stories and articles on the side, always putting her family first. And when Tanya steps into her temporary home, she is amazed at what she finds: lilies, orchids and roses. A pink marble tub. Her favorite chocolates, a cashmere robe, and slippers that fit perfectly. Things are going to be different in Bungalow 2.From her first day on the set, Tanya is thrust into an intoxicating new world, where friendships and romances come and go . . . and where she feels reborn, energized by the creativity and genius swirling around her. Suddenly she's working alongside A-list actors and a Hollywood legend: Oscar-winning producer Douglas Wayne, a man who always gets what he wants - and seems to have his sights set on her. Flying back to Marin County between shoots, struggling to reconnect with a family that seems to need her less and less, Tanya watches helplessly as her old life is pulled out from under her in the most crushing of ways. As her two lives collide, as one Award-winning film leads to another, Tanya begins to wonder if she can be a wife, a mother and a writer at the same time. And just as she confronts the toughest choice she has faced, she is offered another dazzling opportunity - one that could recast her story in the most amazing of ways, complete with an ending she never could have written herself. In Bungalow 2, Danielle Steel takes us into a world few ever see - a world of fame and fortune, celebrity and genius - daring to show us the real lives, real dreams, and real struggles hidden beneath the flash and glitter of Hollywood.

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'Dr Moore's 1000-day-plus journey evocatively and beautifully describes the mental devastation that personal loss can leave in its wake and offers us the remarkable combination of expert commentary and an intensely personal captivating narrative.'- Peter Fonagy OBE, Professor of Contemporary Psychoanalysis and Head of Division of Psychology and Language Sciences, UCL'A book that appeals to different audiences. It will reach out to those who have lost loved ones and need the comfort and solace of knowing that they are not alone in their suffering.'- Lusia Stopa, Professor of Clinical Psychology, University of SouthamptonVanessa's husband Paul dies suddenly and tragically on their regular Sunday morning swim. How will she cope with her dilapidated house, her teenage children, the patients who depend on her? Will therapy help? Why do mysterious white feathers start appearing in unexpected places?As a clinical psychologist, Vanessa Moore is used to providing therapy and guidance for her patients. But as she tries to work out how to survive the trauma that has derailed her life, she begins to understand her profession from the other side. Like her, many of her patients were faced with life events they hadn't been expecting - a child born with a disability or life-limiting illness, a sudden bereavement, divorce, failure - and it is their struggles and stories of resilience and bravery that begin to help her process her own personal loss. Taking us through her journey towards recovery as she navigates the world of dating and tries to seek the right therapy, Vanessa uses her professional skills to explore the many questions posed by unanticipated death and find a way forwards. Beautifully written and honestly relayed, Sudden Loss, Slow Grieving is a heartbreaking grief memoir of the process of healing experienced as both a bereaved wife and clinical psychologist.

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“Today, over two billion people in developing countries live without any electricity. They lead lives of misery, walking miles every day for water and firewood, just to survive. What if there was an existing, viable technology, that when developed to its highest potential could increase everyone’s standard of living, cut fossil fuel demand and the resultant pollution” said Peter Meisen, President, Global Energy Network Institute in 1997. Even though energy is available, technology was not matured enough to tap this energy in the nineties. Now, with the advancement of drilling technology, extracting heat from hot rocks has become a reality. Very soon when CO2 replaces the circulation fluid to extract heat from granites then both fossil fuel based and renewable energy sources will coexists balancing the CO2 emissions and providing energy, food and water security to the rich and the poor countries. Red Sea rift represents the youngest spreading ridges in the world with a vast amount of heat energy stored on either side. The Red Sea is surrounded by countries with a weak economy. Developing a geothermal energy based economy in countries like Eritrea, Djibouti and Ethiopia will provide food and water security to these countries while for other countries, geothermal energy will help in mitigating greenhouse gas emissions. Although geothermal energy sources are available in all the countries since the opening of the Red Sea, millions of years ago, this was not brought to the light. Oil importing countries became highly dependent on the oil rich countries to sustain their economy and growth and thus remained poor. This book unfolds the huge energy source, hydrothermal and EGS, for the benefit of the poor countries to reduce poverty and lift the socio economic status of these countries. The book deals with i) future energy demand, ii) CO2 emissions associated with fossil fuel based power plants, iii) black carbon emissions associated biomass energy source and iv) strategies to reduce CO2 emissions by using geothermal energy as energy source mix in all the countries—oil exporting and oil importing countries— around the Red Sea. The amount of energy available from hot granites in all the countries is well documented. EGS being the future energy source for mankind, this book will form the basis for future research by young scientists and academicians. Availability of fresh water is a matter of concern for all countries. The only way to satisfy the thirst of a growing population, to meet drinking water demand and food security, is to depend on seawater. A large volume of CO2 is being emitted from desalination plants supported by fossil fuel based energy sources. This book describes the advantages of using geothermal energy sources for the desalination process to meet the growing water and food demand of the countries around the Red Sea. Oil rich countries, using its geothermal resources, can now reduce food imports and become self sufficient in food production.This book gives hope for millions of children living in the underdeveloped countries around the Red Sea to satisfy their hunger and live a decent life with a continuous source of electricity, water and food available. This book ends with a note on the economic benefits of geothermal energy vs other renewables. With the signing of the GGA (Global Geothermal Alliance) by several countries during the December 2015 CoP 21 summit in Paris, policy makers and administrators will work together in implementing the necessary infrastructure and support to develop this clean energy source.

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The vast and mysterious universe is explored in this anthology from award-winning editor and anthologist Neil Clarke (Clarkesworld magazine, The Best Science Fiction of the Year).The urge to explore and discover is a natural and universal one, and the edge of the unknown is expanded with each passing year as scientific advancements inch us closer and closer to the outer reaches of our solar system and the galaxies beyond them.Generations of writers have explored these new frontiers and the endless possibilities they present in great detail. With galaxy-spanning adventures of discovery and adventure, from generations ships to warp drives, exploring new worlds to first contacts, science fiction writers have given readers increasingly new and alien ways to look out into our broad and sprawling universe. Stories include are: A Jar of Goodwill — Tobias S. Buckell Mono no aware — Ken Liu Rescue Mission — Jack Skillingstead Shiva in Shadow — Nancy Kress Slow Life — Michael Swanwick Three Bodies at Mitanni — Seth Dickinson The Deeps of the Sky — Elizabeth Bear Diving into the Wreck — Kristine Kathryn Rusch The Voyage Out — Gwyneth Jones The Symphony of Ice and Dust — Julie Novakova Twenty Lights to “The Land of Snow” — Michael Bishop The Firewall and the Door — Sean McMullen Permanent Fatal Errors — Jay Lake Gypsy — Carter Scholz Sailing the Antarsa — Vandana Singh The Mind is Its Own Place — Carrie Vaughn The Wreck of the Godspeed — James Patrick Kelly Seeing — Genevieve Valentine Travelling into Nothing — An Owomoyela Glory — Greg Egan The Island — Peter Watts The Final Frontier delivers stories from across this literary spectrum, a reminder that the universe is far large and brimming with possibilities than we could ever imagine, as hard as we may try.

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Within the collections of the Victoria and Albert Museum in London, the world's leading museum of art and design, there lies an extraordinary wealth of material relating to a single individual: the playwright William Shakespeare. This book presents a fascinating selection of one hundred objects – often surprising, always delightful – chosen by the museum’s curators for the insight each affords into the world of Shakespeare and his plays. The objects are drawn from across the V&A's rich and varied collections. There are paintings, sculptures, pieces of jewellery, engravings and figurines. There are posters and playbills, costume designs, photographs, illustrations and film stills. Also included are original costumes worn by Henry Irving, Vivien Leigh, Laurence Olivier, Rudolf Nureyev and Ian McKellen. Amongst the more unexpected objects are a bed (the Great Bed of Ware, which Shakespeare mentions in Twelfth Night), a sword (presented to Edmund Kean after his performance as Macbeth) and a real human skull (Yorick to Jonathan Pryce's Hamlet). Some of the greatest Shakespearean performances and productions of all time are memorialised, including Sarah Bernhardt’s Hamlet, Ellen Terry's Lady Macbeth, John Gielgud's Lear, Olivier's Richard III, Paul Robeson's Othello, many of Henry Irving's performances, David Garrick's celebratory Shakespeare Jubilee of 1769 and Peter Brook's iconic 1970 production of A Midsummer Night's Dream. Each object is illustrated in full colour and is accompanied by a compact essay on its history, its provenance, and what it has to tell us about Shakespeare and his plays, particularly in performance. The result is a book that not only underlines Shakespeare's infinite variety, but also reveals his astonishing legacy in material things, a substantial pageant that has not faded.

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When the Trinidadian novelist, Harold Sonny Ladoo was found dead soon after the publication of his classic novel, No Pain Like This Body, for Christopher Laird, it became an obsession to try to discover the writer behind the work and what had brought about his untimely end. Equal to Mystery – words written by Ladoo – is the record of that pursuit.When, as the editor of a Trinidadian literary journal in the radical years of the early 1970s, Christopher Laird was sent Harold Sonny Ladoo’s novel, No Pain Like This Body (1973) to review, he knew he was looking at something revolutionary in Caribbean fiction. It is a novel that has recently been republished as a Penguin Modern Classic. But the next news Laird heard of Ladoo was that he had returned to Trinidad from Canada and had been found dead – very probably murdered – in the canefields outside his family’s village of McBean. Laird follows in the path of Ladoo to Canada, where he went to make a name for himself as a writer, and tracks him as a student and young married man through conversations with his widow and other family members. He looks in detail at his relationships with two Canadian writers, Dennis Lee and Peter Such, who supported his work, and in Lee’s case published him. Here there is an acute account of their meetings across the line of race, of the mix of generous contact and elusive flight in their relationship. Above all, with access to Ladoo’s unpublished material -- short stories and fragments of the vast body of fiction he announced he was writing -- Laird offers acute analysis of what is there, honest bafflement about just what Ladoo was up to, with a tragic sense of the talent that was lost through his untimely death.

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'I loved it!' - Phillipa Ashley A gripping tale of family secrets, sibling rivalry and summer romance, set against the backdrop of New York's sizzling urban beach. Sisters Sophie and Celia haven't been on speaking terms for years. So it's a huge shock when they discover their grandmother has left them her quirky old house on Rockaway Beach, New York. Just a stone's throw from the bright lights of Manhattan, they spent many idyllic summers there as children, swimming in the Atlantic ocean, playing in the sand and watching day trippers come and go. Then suddenly, the visits stopped. Sophie knows her mother and grandmother fell out, but has never found out why. Together, the sisters return to Rockaway, and can't agree on anything. Sophie wants to keep the house, Celia's determined to sell. It seems they'll never see eye to eye, until Sophie makes a shattering discovery that forces her to question everything... Why do she and Celia have such different memories of their grandmother? What caused the rift with their mother? Can Sophie trust the handsome stranger who seems to take such an interest in her? And who is the mysterious old woman watching them from afar? Praise for The House on Rockaway Beach: 'Brilliant' Phillipa Ashley 'A novel to lose yourself in' Faith Hogan 'Step into a world of pure escapism in this gripping tale of family secrets, sibling rivalry and summer romance' Chat Magazine Praise for Emma Burstall: 'A charming, warm-hearted read... Pure escapism' Alice Peterson 'Burstall is a great writer, and this is not your usual run-of-the-mill chick lit... I was gripped from the start' Daily Mail 'Burstall has a true knack for transporting you to her world' Jane Corry

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'Chris Bilton pursues a critical issue for everyone in arts and entertainment. The giants of the internet age have disintermediated IP owners. How can creators of content reclaim their relationship with their audiences?'- Peter Bazalgette, Chair of ITV and previously Chair of Arts Council England 2012-2016 The Disappearing Product combines analysis of developments in the creative economy with practical guidance for marketing in the creative industries. Using theoretical models and extensive practical examples, this book challenges cultural producers to reclaim their place in the creative economy. Marketing is situated in the context of social, cultural and technological change that has revolutionised the creative and media industries. Traditional broadcasters, publishers and record labels have been displaced by a new generation of intermediaries including Amazon, Apple, Facebook and Google. These new intermediaries are marginalising cultural producers, devaluing products and monopolising consumer attention. Bilton's analysis focuses on how the creative industries must respond to these structural changes with new, innovative marketing methods for cultural products. Key features include: a defined approach to marketing geared towards the cultural and creative industries, distinguished from `business as usual' and `arts marketing' case studies and questions for discussion that can be used in the classroom analysis of the creative economy highlighting practical strategies for marketers and managers key examples of recent innovative marketing by artists and cultural entrepreneurs. An essential guide for students of creative industries, marketing and management, this book allows readers to develop their own tailored approach to marketing. Cultural entrepreneurs, marketers and managers will benefit from the in-depth insight into new patterns of consumption, transformed markets and emerging business models.

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Accompanied Voices is a unique book: not only is it a highly readable anthology of some of the most memorable and accessible international writing about classical music, but also a moving commentary by one set of practisingartists on the work of another. Accompanied Voices is a unique book: not only is it a highly readable anthology of some of the most memorable and accessible international writing about classical music, and a moving commentary by one set of practising artists on the work of another. There have been several anthologies of "music poems", but never one which follows the story of western music through from the Renaissance to the twenty-first century. This is in effect a chronologicalguide to the major composers of the last four hundred years, written in the language which comes closest to music itself - poetry. Readers will find in Accompanied Voices the same pleasure that they might find in simply putting on a CD and listening. Every page brings something to arrest or transport and there is extraordinary diversity of response. Anecdote, epiphany, portrait, meditation... but many of these poets offer intellectual insights too and even critiques - there is far more variety here than any straightforward music essay can manage. These poems move beyond the mere names of composers and their works, reaching for more universal concerns. Major poets represented include Geoffrey Hill, Ted Hughes, Elizabeth Jennings, Michael Longley, Andrew Motion, Peter Porter, Siegfried Sassoon, Jo Shapcott, Anne Stevenson and Charles Tomlinson among a total of nearly a hundred writers. JOHN GREENING is a poet and received a Cholmondeley Award in 2008. He is also a Hawthornden Fellow and a Fellow of the English Association. He has published studies of the Poets of the First World War, Yeats, Hardy, Edward Thomas and Elizabethan Love Poets.

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No single-volume publication brings together as many diverse and stimulating perspectives on secured financing law as does this EE Research Handbook. Its great strengths are asking hard questions and recognizing how difficult reform is. Contributors report on what works (and what doesn't), drawing on evidence from legal systems less often studied in this context (e.g., Brazil, Morocco). I cannot imagine a researcher in the field who would not be intrigued by analysis of such issues as access of women to secured financing, constraints Shari ah places on use of security devices, and reasons for Russia's meandering path to modernization.'- Peter Winship, SMU Dedman School of Law, USThis cutting-edge Handbook presents an overview of research and thinking in the field of secured financing, examining international standards and best practices of secured transactions law reform and its economic impact. Expert contributors explore the breadth and depth of the subject matter across diverse sectors, and illustrate the choices and trade-offs that policy makers face via a number of illuminating case studies.The book explores groundbreaking research across a comprehensive range of sectors and countries, including new, original analysis of Shari'ah compliant collateral regimes and improved access to finance for women. A diverse group of experts offer cutting-edge points of view as well as case studies from England and Wales, Morocco, Russia and Romania.The result is a unique and wide-ranging examination of secured transactions reform across the world and a valuable resource for researchers, government and development agencies, banks, and law firms.Contributors: J. Armour, S. Bazinas, N. Budd, A. Burtoiu, R. Calnan, F. Dahan, M. Dubovec, L. Gullifer, I. Istuk, T. Johnson, O. Lemseffer, C. de Lima Ramos, J. Lymar, C. Manuel, M.J.T. McMillen, A.P. Menezes, M. Mourahib, E. Murray, N. Nikitina, V. Padurari, J.-H. Röver, M. Uttamchandani, K. van Zwieten, P.R. Wood

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Jennifer Hedda analyzes the ideas and activities of the parish clergy serving in St. Petersburg, the capital of imperial Russia, in order to discover how the Russian Orthodox Church responded theologically and pastorally to the profound social, economic, and cultural changes that transformed Russia during the nineteenth and early twentieth centuries. The challenges of modernity forced the Orthodox clergy, like other members of educated society, to re-examine their interpretation of the Church's earthly mission and their own role in fulfilling it. During the mid-nineteenth century, Orthodox theologians began to argue that the church had a responsibility to society as well as to individuals, and to assert that its mission was to lead believers in building a society that manifested the gospel principles of love, mercy, charity, and justice. The idea of creating "the kingdom of God" on earth inspired many clergymen, who dramatically increased their social outreach work in the last two decades of the nineteenth century: preaching during church services, teaching outside their churches, organizing charities, establishing temperance societies, and engaging in a host of other activities that involved them in the daily lives of their parishioners. The clergy's work culminated in 1905, when a workers' organization established by an Orthodox priest became a mass political movement whose activities sparked a revolution. His Kingdom Come challenges many common assumptions about the Orthodox Church as a weak and passive institution that did not respond to the demands of the modern world—demonstrating that it played an active and creative role in late imperial society, albeit on its own terms rather than those of its secular critics. This book will be of particular interest to those who study the politics and society of Russia in the imperial period, the history of the Russian Orthodox Church in the modern era, the relationship of religious institutions to

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Emphasizing how profoundly the American research university has been shaped by business and the humanities alike, Ivy and Industry is a vital contribution to debates about the corporatization of higher education in the United States. Christopher Newfield traces major trends in the intellectual and institutional history of the research university from 1880 to 1980. He pays particular attention to the connections between the changing forms and demands of American business and the cultivation of a university-trained middle class. He contends that by imbuing its staff and students with seemingly opposed ideas—of self-development on the one hand and of an economic system existing prior to and inviolate of their own activity on the other—the university has created a deeply conflicted middle class.Newfield views management as neither inherently good nor bad, but rather as a challenge to and tool for negotiating modern life. In Ivy and Industry he integrates business and managerial philosophies from Taylorism through Tom Peters’s “culture of excellence” with the speeches and writings of leading university administrators and federal and state education and science policies. He discusses the financial dependence on industry and government that was established in the university’s early years and the equal influence of liberal arts traditions on faculty and administrators. He describes the arrival of a managerial ethos on campus well before World War II, showing how managerial strategies shaped even fields seemingly isolated from commerce, like literary studies. Demonstrating that business and the humanities have each had a far stronger impact on higher education in the United States than is commonly thought, Ivy and Industry is the dramatic story of how universities have approached their dual mission of expanding the mind of the individual while stimulating economic growth.

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The remarkable story of seven contemporary Russian-language poets whose experimental work anchors a thriving dissident artistic movement opposed to both Putin’s regime and Western liberalism.What does leftist art look like in the wake of state socialism? In recent years, Russian-language avant-garde poetry has been seeking the answers to this question. Marijeta Bozovic follows a constellation of poets at the center of a contemporary literary movement that is bringing radical art out of the Soviet shadow: Kirill Medvedev, Pavel Arseniev, Aleksandr Skidan, Dmitry Golynko, Roman Osminkin, Keti Chukhrov, and Galina Rymbu. While their formal experiments range widely, all share a commitment to explicitly political poetry. Each one, in turn, has become a hub in a growing new-left network across the former Second World.Joined together by their work with the Saint Petersburg–based journal [Translit], this circle has staunchly resisted the Putin regime and its mobilization of Soviet nostalgia. At the same time, the poets of Avant-Garde Post– reject Western discourse about the false promises of leftist utopianism and the superiority of the liberal world. In opposing both narratives, they draw on the legacies of historical Russian and Soviet avant-gardes as well as on an international canon of Marxist art and theory. They are also intimately connected with other artists, intellectuals, and activists around the world, collectively restoring leftist political poetry to global prominence.The avant-garde, Bozovic shows, is not a relic of the Soviet past. It is a recurrent pulse in Russophone—as well as global—literature and art. Charged by that pulse, today’s new left is reimagining class-based critique. Theirs is an ongoing, defiant effort to imagine a socialist future that is at once global and egalitarian.

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Edward Hincks (1792-1866), the Irish Assyriologist and decipherer of Mesopotamian cuneiform, was born in Cork and spent forty years of his life at Killyleagh, Co. Down, where he was the Church of Ireland Rector. He was educated at Midleton College, Co. Cork and Trinity College, Dublin, where he was an exceptionally gifted student. With the decipherment of ancient Egyptian hieroglyphs by Jean Francois Champollion in 1822, Hincks became one of that first group of scholars to contribute to the elucidation of the language, chronology and religion of ancient Egypt. But his most notable achievement was the decipherment of Akkadian, the language of Babylonia and Assyria, and its complicated cuneiform writing system. Between 1846 and 1852 Hincks published a series of highly significant papers by which he established for himself a reputation of the first order as a decipherer. Most of the letters in these volumes have not been previously published. Much of the correspondence relates to nineteenth-century archaeological and linguistic discoveries, but there are also letters concerned with ecclesiastical affairs, the Famine and the Hincks family. Volume III 1857-1866: Edward Hincks continued his scholarly activities throughout the final decade of his life. He contributed one of four translations of an inscription of Tiglath Pileser I independently made in a bid to convince sceptical scholars that the decipherment of Akkadian had been accomplished. There was a satisfactory end to the disgraceful treatment of his translations of Akkadian texts which had been prepared for the Trustees of the British Museum in 1854. In 1859 he began his friendly correspondence with the Egyptologist Peter le Page Renouf of the Catholic University in Dublin and in 1863 the Prussian King Wilhelm I conferred on him the Ordre pour merite. During the last two years of his life he wrote "Specimen Chapters of an Assyrian Grammar" which was published just after his death.

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His mother walked across America in the seventies. Her past fascinates him. Her faith confounds him. They embark on a 5,000-mile journey to discover how families can stay together when beliefs are pulling them apart.When his mother, Barbara, turns seventy, Jedidiah Jenkins is reminded of a sobering truth: Our parents won’t live forever. For years, he and Barbara have talked about taking a trip together, just the two of them. They disagree about politics, about God, about the project of society – disagreements that hurt. But they love thrift stores, they love eating at diners, they love true crime, and they love each other. Jedidiah wants to step into Barbara’s world and get to know her in a way that occasional visits haven’t allowed.They land on an idea: To retrace the thousands of miles Barbara trekked with Jedidiah’s father, travel writer Peter Jenkins, as part of the Walk Across America book trilogy that became a sensation in the 1970s. Beginning in New Orleans, they set out for the Oregon coast, listening to podcasts about outlaws and cult leaders – the only media they can agree on – while reliving the journey that changed Barbara’s life. Jedidiah discovers who Barbara was as a thirty-year old writer walking across America and who she is now, as a parent who loves her son yet holds on to a version of faith that sees his sexuality as a sin.Along the way, he peels back the layers of questions millions are asking today: How do we stay in relationships when it hurts? When do boundaries turn into separation? When do we stand up for ourselves, and when do we let it go?Tender, smart, and profound, Mother, Nature is a story of a remarkable mother-son bond and a moving meditation on the complexities of love.

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Brought together for the first time in one volume are three books by the titan of chess, Jose Capablanca. ----- One of the greatest chess prodigies of all time, he evolved the most perfect chess technique seen on a chessboard. A former World champion, and one of the most successful tournament players in the history of the game, Capablanca's uncanny position judgment empowered him to produce games that were masterful pieces of position play, and that culminated often in combinations of startling brilliancy. ----- My Chess Career. Written one year before he became chess champion of the world, this book relives in Capablanca's own words 35 of his greatest games and those events of his life relevant to his chess career. The seminal work of the Cuban genius who repeated the exploits of Morphy, suddenly bursting onto the European scene and annihilating the great masters who had hitherto dominated the international arena. This book captures the magic of Capablanca's early victory at San Sebastian 1911 and his second place - bowing only to Lasker - at St Petersburg 1914. ----- Chess Fundamentals.Capablanca's classic instructional manual first appeared in 1921, the year he defeated Emanuel Lasker for the world championship title. This handbook is packed with timeless advice on different aspects of practical play and illustrated by Capablanca's own games. ----- A Primer of Chess. Capablanca's introduction to chess is an ideal first chess book for players of all ages. In systematic fashion, Capablanca lucidly explains the rules and basic principles of this fascinating game, and illustrates these with a wide range of practical examples. ----- After capturing the world championship in in 1921, Capablanca was for a time regarded as practically invincible. Although he surprisingly lost his title to Alexander Alekhine in 1927, Capablanca remained a leading player until his death in New York in 1942.

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The Schnellbootwaffe was created in the early 1930s, before the Second World War, in concurrence with the regenerated Kriegsmarine, and young officers, most of whom learned their craft in the old Imperial Navy, would take responsibility for the operational use of these revolutionary vessels. Working with the naval engineers of Lurssen Shipyard, the Germans designed combat weapons that were never surpassed by their opponents. After the first series of Schnellboote were launched, constantly improved versions of these vessels would follow. The Schnellbootwaffe would achieve significant victories for the Kriegsmarine at the beginning of the war by using these vessels in high-level strategies, including a style of guerrilla warfare. The British often call German torpedo boats E-boats, and these fast vessels were a genuine threat not only to coastal trade, but also to the movement of Allied ships after D-Day. Indeed, Admiral Rudolf Petersen's flotillas remained combat-ready until the very end, even after the balance of power was in favour of the Allies. Allied air bombardment of German torpedo boat bases from 1944 onwards failed to destroy the offensive potential of the Schnellboote and their crews. The Allied disaster at Lyme Bay at the end of April 1944 shows how this guerrilla war at sea was still dangerous, even at this stage of the war. The Allied invasions plans were not yet known to the Germans, but Eisenhower learned a great deal from Lyme Bay and the Schnellbootwaffe was still potentially dangerous right until the end of the war. This book tells the fascinating story about these special people, whose pirate spirit and guerrilla style of naval combat is reminiscent of the ancient pirates and their own way of warfare.

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During winter 1944/45 few German officers believed that the Allies would attack the wooded Reichswald Plug on the narrow neck of land between the rivers Rhine and Maas. Consequently, relying on the natural defences of the forest, the vaunted Siegfried Line had been allowed to peter out. The 84th Infantry Division held field defences that had been worked on all autumn, but the defenders were thinly spread, and most German soldiers now faced the certainty of defeat. Originally hoping to use the frozen winter ground for a speedy assault, days before Operation VERITABLE began a thaw set in and the Allies faced attacking in the worst possible ground conditions. On the morning of 8 February, after protracted bombardment, delays multiplied as vehicles became bogged in saturated fields and shell holes, and roads broke up under heavy armour. However, just enough assault engineer equipment reached the outer German defences, where they found the enemy infantry largely stunned by the bombardment. It took all of the first day to break through the mud and defences into the Reichswald, while to the north, Canadians and Scots struggled across equally sodden open country with the Rhine floods rising fast. Despite the conditions, overnight the Canadians took to the flood waters to seize what were now island villages and the Scots dashed to capture the vital Materborn, which overlooked Kleve. With heavy rain compounding difficulties, mud and flood waters made movement of men and supplies increasingly difficult. Despite this and the arrival of German reinforcements, the Allies fought their way forward, forcing the Reichswald Plug and opening the way into the Rhineland and the final phases of the war.

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"Sundin's novels set the gold standard for historical war romance, and When Twilight Breaks is arguably her most brilliant and important work to date."--Booklist starred review "Sundin is a must-buy . . . and her latest World War II tale positively crackles with tension."--Library Journal starred review Munich, 1938. Evelyn Brand is an American foreign correspondent as determined to prove her worth in a male-dominated profession as she is to expose the growing tyranny in Nazi Germany. To do so, she must walk a thin line. If she offends the government, she could be expelled from the country--or worse. If she fails to truthfully report on major stories, she'll never be able to give a voice to the oppressed--and wake up the folks back home. In another part of the city, American graduate student Peter Lang is working on his PhD in German. Disillusioned with the chaos in the world due to the Great Depression, he is impressed with the prosperity and order of German society. But when the brutality of the regime hits close, he discovers a far better way to use his contacts within the Nazi party--to feed information to the shrewd reporter he can't get off his mind. This electric standalone novel from fan-favorite Sarah Sundin puts you right at the intersection of pulse-pounding suspense and heart-stopping romance. "Sundin combines suspense and romance to great effect . . . Inspirational fans who like high-octane action will enjoy this thrilling story."--Publishers Weekly "Sundin masterfully combines action and attraction to generate multilayered thrills while exploring such themes as individual freedom versus the common good, gender and racial discrimination, and the polarization of viewpoints, which all have deep relevance today."--Booklist starred review

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***Discover your next reading obsession with Alex Gray's bestselling Scottish detective series*** ***Don't miss the latest from Alex Gray. Book 20 in the Lorimer series, QUESTIONS FOR A DEAD MAN, is out now and Book 21, OUT OF DARKNESS, is available to pre-order.*** Whether you've read them all or whether this is your first Lorimer novel, STILL DARK is perfect if you love Ian Rankin, Val McDermid and Ann Cleeves WHAT THEY'RE SAYING ABOUT THE LORIMER SERIES:'Warm-hearted, atmospheric' ANN CLEEVES'Relentless and intriguing' PETER MAY'Move over Rebus' DAILY MAIL'Exciting, pacey, authentic' ANGELA MARSONS'Superior writing' THE TIMES'Immensely exciting and atmospheric' ALEXANDER MCCALL SMITH_______________ Crime always hides in the shadows . . . New Year's Eve should be a time for celebrating. A chance to spend time with loved ones and look forward to the year ahead. For DSI William Lorimer, however, this New Year's Eve will be one that he will never forget. Called to a house after gunshots are reported, the carnage he finds there will have a powerful impact on his life - leaving him questioning his future with Police Scotland.Meanwhile, the man who eluded police capture during Lorimer's last investigation - the Quiet Release case involving the euthanasia of vulnerable patients - is back, and this time he's aligned with a powerful gangster from Glasgow's underworld.As Lorimer struggles to return to duty and stop this mystery killer once and for all, he discovers that there are forces high up within Police Scotland that are protecting the gangster that holds the key to finding the man they are looking for. Can Lorimer and his team get a killer off the streets for good before more innocent people die?

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A sparkling return to the Golden Age of Crime Fiction, where even the most fiendish of mysteries can be unlocked by a keen eye and a sharp mind... 1938, London. Ambitious lawyer Edmund Ibbs has got his teeth into the case of a lifetime – defending the young woman accused of shooting her husband in the infamous ‘Ferris Wheel Murder’ case. Despite a plethora of evidence against his client, Ibbs is certain he can secure her acquittal. But after a night of magic and illusion at London’s Pomegranate Theatre, Ibbs finds himself behind bars, accused of a double murder. The renowned prestidigitator Professor Paolini and the operator of said notorious Ferris wheel are dead, and as far as Scotland Yard’s Inspector Flint is concerned, all signs point to the lawyer’s guilt. Luckily for Ibbs, illusionist turned sleuth Joseph Spector also attended the theatre that night. Can Spector’s eye for detail pierce the veil of deceit in a world of illusion and misdirection, where seeing is not always believing? Reviews for The Murder Wheel 'Wildly entertaining... Confirms Tom Mead’s status as a master of the locked-room mystery.' Tim Major 'Pitch perfect magical locked-room extravaganza. Astounds and amazes.' Barbara Nadel 'Tom Mead establishes himself as the current master of the locked-room mystery.' Aaron Elkins 'A delicious locked room feast of impossibilities. I love the Mephistophelean Joseph Spector!' Ovidia Yu ‘An absolute masterclass in the locked room mystery... I love this series. More please!’ Victoria Dowd Reviews for the Spector Locked-Room Mystery series: 'An intricate 'impossible' crime that completely fooled me.' Peter Lovesey 'A sharply drawn period piece with memorable characters.' New York Times 'Great fun.' The Times

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"We had been instructed to start promptly at six, since the hall was needed again at eight. We pushed through the curtained doorway, like instrumentalists without instruments, and onto the stepped stage. The audience was still coming in. Uncertain of our running time, and with no one to introduce us, I thought we had better start. I got as far as 'Byr - ' when Alan decided he did indeed need his glasses. He delivered his rehearsed ad lib, claiming that his vanity was second only to Byron's, and put on his specs." It is July 1981, and Alan Bates succumbs to a fit of nerves as he and Frederic Raphael attempt to carry off an underrehearsed performance at the Queen Elizabeth Hall. This wry glimpse behind the scenes of the London literary scene sits, in Raphael's notebooks, amid clear-eyed analysis of the riots and social unrest then erupting in Britain's cities under Margaret Thatcher's government. Compulsively readable, by turns mischievous and coruscating, this latest volume of Raphael's reflections casts light on a period that saw the beginnings of a decisive shift in British and American culture. Along the way, there are finely incised pen-portraits of public figures ranging from Shirley Conran to Peter Sellers and from Robert Redford to Mary Whitehouse.

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