Search results for ""Author Pete"

From the detective who helped catch the Golden State Killer, a memoir about investigating America's toughest cold cases, and the rewards - and toll - of a life spent solving crime.For a decade, from 1973, The Golden State Killer stalked and murdered Californians in the dead of night, leaving entire communities afraid to turn off the lights. Then he vanished, and the case remained unsolved.In 1994, when cold-case investigator Paul Holes came across the old file, he swore he would unmask GSK and finally give these families closure. Twenty-four years later, Holes fulfilled that promise, identifying 73-year-old Joseph J. DeAngelo. Headlines blasted around the world: one of America's most prolific serial killers had been caught.That case launched Paul's career into the stratosphere, turning him into an icon in the true-crime world. But while many know the story of the capture of GSK, until now, no one has truly known the man behind it all.In UNMASKED, Paul takes us through his memories of a storied career and provides an insider account of some of the most notorious cases in contemporary American history, including Laci Peterson's murder and Jaycee Dugard's kidnapping. But this is also a revelatory profile of a complex man and what makes him tick: the drive to find closure for victims and their loved ones; the inability to walk away from a challenge - even at the expense of his own happiness. This is a story about the gritty truth of crime solving when there are no 'case closed' headlines. It is the story of a man and his commitment to his cases, and to the people who might have otherwise been forgotten.

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Using a combination of artistic approach and impeccable technique, professional photographers John and Barbara Gerlach guide you through the field as you photograph intriguing and captivating subjects out in the wild. Learn how to integrate equipment with technique to capture superb wildlife images of birds, mammals, amphibians, and more, with an emphasis on precision and speed. This book includes all of the details you need to capture wildlife photos easily and consistently – choose the right lens and best lighting while following simple composition guidelines that are perfect for wildlife. John and Barbara Gerlach have taken more than a million wildlife images since 1978 and run seminars and workshops all over the world. Their pictures have been published in Outdoor Photographer, Audubon, Popular Photography National Wildlife, Sierra, Natural History, Petersen’s Photographic, Ranger Rick, Birder’s World, as well as books published by National Geographic Society, Sierra Club and others.

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Lovely Danish porcelain figurines by the Dahl-Jensen company are showcased in this first and superb reference for collectors. Celebrated designer Jens Peter Dahl-Jensen worked for the Bing & Grohdahl company before founding his own firm in 1925. He modeled new sculptures, particularly creating a wonderful series representing models from the Far East, which he produced as figurines in the early days of the company’s growth. Later, he acquired the works of other artists to enlarge the model collection. Of the almost 400 figurines the factory produced, Dahl-Jensen himself sculpted about 280. All the known figurines made by the company are included, arranged in both numerical and subject matter order, for easy reference. Over 350 color photographs display the natural wildlife and charming people that occupy this high quality line of sculpture. They are growing in popularity among collectors and presently are surprisingly affordable. Current values are reflected in the captions.

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St. Thomas Aquinas’s commentaries on the Pastoral Epistles are distinctive and overlooked theological resources. These commentaries provide invaluable insights into the exigencies of the exercise of the episcopal office in bringing about the spiritual perfection of the faithful in Christ. The Ideal Bishop includes a review of the theology of the episcopacy found in St. Thomas’s principal contemporaries including Peter Lombard, St. Albert the Great, and St. Bonaventure of Bagnoregio. It also provides a conspectus of the same in the integrated corpus of Aquinas along with an introduction to St. Thomas’s lectures on the PE, their dating, the provenance of manuscripts, and their method of theological development. But the heart of this book is an examination of the theology and spirituality of the episcopacy found in the lectures on ­ Timothy, ’ Timothy, and Titus. Particular attention is devoted to Aquinas’s treatment of the nature, purpose, requisite virtues, disqualifying vices, special duties, and particular graces of the episcopal office.In his commentary, Aquinas identifies the episcopacy as a state of perfection wherein the prelate ought both to enjoy profound, mystical intimacy with Christ and to love and serve others by leading them to that same intimacy. In so doing, the prelate promotes ecclesial unity and secures his own salvation. Episcopal teaching, governing, and liturgical duties constitute the bishop’s fundamental mission which is established and empowered by the act of episcopal consecration received by the bishop elect. Aquinas grounds the efficacy of the bishop’s pastoral work on the quality of his interior life. Thus construed the episcopal office demands profound holiness, erudition, and pastoral skill. This work of Thomistic ressourcement substantively benefits the contemporary Church in her project of bringing the perennial truth of the Gospel more efficaciously to all, particularly with respect to the exercise of the episcopal office.

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To European explorers, it was Eden, a paradise of waist-high grasses, towering stands of walnut, maple, chestnut, and oak, and forests that teemed with bears, wolves, racoons, beavers, otters, and foxes. Today it is the city of Broadway and Wall Street, the Empire State Building and the Statue of Liberty, and the home of millions of people, who have come from every corner of the nation and the globe. In "Gotham", Edwin G. Burrows and Mike Wallace have produced a monumental work of history,on ethat ranges from the Indian tribes that settled in and around the island of Manna-hata, to the consolidation of the five boroughs into Greater New York in 1898. Readers will relive the tumultuous early years of New Amsterdam under the Dutch West India Company, Peter Stuyvesant's despotic regime, Indian wars, slave resistance and revolt, the Revolutionary War and the defeat of Washington's army on Brooklyn Heoghts, the destructive seven years of British occupation, New York as the nation's first capital, the duel between Aaron Burr and Alexander Hamilton, the Erie Canal and the coming of the railroads, the growth of the city as a port and financial centre, the infamous draft riots of the Civil War, the great flood of immigrants, the rise of mass entertainment such as vaudeville and Coney Island, the building of the Brooklyn Bridge and the birth of the skyscraper. Here too is a cast of thousands - the rebel Jacob Leisler and the reformer Joanna Bethune; Clement Moore, who saved Greenwich village from the city's grid street plan; Herman Melville, who painted disillusioned portraits of city life; and Walt Whitman, who hapily celebrated that same life. We meet Boss Tweed and his nemesis, cartoonist Thomas Nast; Emma Goldman and Nellie Bly; Jacob Riis and Horace Greely; police commissioner Theodore Roosevelt; Colonel Waring and his "white angels"(who revolutionised the sanitation department); millionaires John Jacob Astor, Cornelius Vanderbilt, August Belmont and William Randolph Hearst; and hundreds more who left their mark on this great city. The events and people who crowd these pages guarantee that this is no mere local history. It is in fact a portrait of the heart and soul of America, and a book that will mesmerise everyone interested in the peaks and valleys of American life as found in the greatest city on earth.

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A comprehensive collection of best practices in public health education.As more students are drawn to public health as a field of study and a profession, bringing varied backgrounds and experiences with them, the number of public health programs and schools of public health has grown substantially. How can teachers meet the changing needs of incoming students—and ensure that graduates have the knowledge, skills, and attributes to pursue further education and forge successful careers in public health? Aimed at experienced and new teachers alike, this timely volume is a cutting-edge primer on teaching public health around the globe. Bringing together leaders in the field with expertise across the educational continuum, the book combines the conceptual underpinnings needed to advance curricula with the resources to train and support faculty in innovative teaching methods. This thorough book • discusses challenges faced by public health teachers• examines the principles and practices for teaching at each level of study• describes technological and pedagogical innovations in public health education• stresses the importance of life-long learning and interprofessional education• offers concrete tips for engaging students through active and collaborative learning• focuses on teaching cultural competency and reaching diverse student populations• looks to the future, building on emerging trends and anticipating where the field is headedA field-defining volume, Teaching Public Health offers a concrete plan to ensure that both individual courses and overall curricula are responsive to the needs of a rapidly changing student body and the world beyond the school.Contributors: Linda Alexander, Susan Altfeld, Jessica S. Ancker, Lauren D. Arnold, Melissa D. Begg, Angela Breckenridge, Kathryn M. Cardarelli, Angela Carman, Trey Conatser, Lorraine M. Conroy, Yvette C. Cozier, Eugene Declercq, Marie Diener-West, Jen Dolan, Greg Evans, Julian Fisher, Elizabeth French, Sandro Galea, Daniel Gerber, Sophie Godley, Jacey A. Greece, Perry N. Halkitis, Jennifer Hebert-Beirne, Jyotsna Jagai, Katherine Johnson, Nancy Kane, David G. Kleinbaum, Wayne LaMorte, Meg Landfried, Delia L. Lang, Joel Lee, Laura Linnan, Laura Magaña Valladares, Uchechi Mitchell, Beth Moracco, Robert Pack, Donna Petersen, Silvia E. Rabionet, Elizabeth Reisinger Walker, Richard Riegelman, Kathleen Ryan, Nelly Salgado de Snyder, Rachel Schwartz, Lisa M. Sullivan, Tanya Uden-Holman, Luann White, James Wolff, Randy Wykoff

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ECPA Christian Book Award 2021 Finalist: Biography & MemoirExplore Apologetics through the Lives of History's Great ApologistsThe History of Apologetics follows the great apologists in the history of the church to understand how they approached the task of apologetics in their own cultural and theological context. Each chapter looks at the life of a well-known apologist from history, unpacks their methodology, and details how they approached the task of defending the faith.By better understanding how apologetics has been done, readers will be better able to grasp the contextualized nature of apologetics and apply those insights to today's context. The History of Apologetics covers forty-four apologists including:Part One: Patristic Apologists Justin Martyr by Gerald Bray Irenaeus of Lyons by Stephen O. Presley Athenagoras of Athens by W. Brian Shelton Tertullian of Carthage by Bryan M. Litfin Origen by A. Chadwick Thornhill Athanasius of Alexandria by Jonathan Morgan Augustine of Hippo by Chad Meister Part Two: Medieval Apologists John of Damascus by Daniel J. Janosik Theodore Abu Qurrah by Byard Bennett Timothy I of Baghdad by Edward L. Smither and Trevor Castor Anselm of Canterbury by Edward N. Martin and Steven B. Cowan Saint Thomas Aquinas by Francis J. Beckwith and Shawn Floyd Ramon Lull by Greg Peters Gregory Palamas by Byard Bennett Part Three: Early Modern Apologists Hugo Grotius by Bryan Baise Blaise Pascal by Tyler Dalton McNabb and Michael R. DeVito Jonathan Edwards by Michael McClymond William Paley by Charles Taliaferro Joseph Butler by David McNaughton Part Four: 19th C. Apologists Simon Greenleaf by Craig A. Parton John Henry Newman by Corneliu C. Simut Søren Kierkegaard by Sean A. Turchin and Christian Kettering James Orr by Ronnie Campbell B. B. Warfield by Kim Riddlebarger Part Five: 20th C. American Apologists J. Gresham Machen by D. G. Hart Cornelius Van Til by K. Scott Oliphint Gordon Haddon Clark by Robert A. Weathers Francis A. Schaeffer by William Edgar Edward John Carnell by Steven A. Hein Part Six: 20th C. European Apologists A. E. Taylor by Michael O. Obanla and David Baggett G. K. Chesterton by Ralph Wood Dorothy Sayers by Amy Orr-Ewing C. S. Lewis by Alister McGrath Dietrich Bonhoeffer by Matthew D. Kirkpatrick Lesslie Newbigin by Krish Kandiah Part Seven: Contemporary Apologists John Warwick Montgomery by Craig A. Parton Charles Taylor by Bruce Riley Ashford and Matthew Ng Alvin Plantinga by James Beilby Richard Swinburne by Greg Welty William Lane Craig by R. Keith Loftin Gary R. Habermas by W. David Beck and Benjamin C. F. Shaw Alister E. McGrath by James K. Dew and Jordan Steffaniak Timothy Keller by Joshua D. Chatraw

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The most important work by a key figure in German thought, Helmuth Plessner’s Levels of Organic Life and the Human, originally published in 1928, appears here for the first time in English, accompanied by a substantial Introduction by J. M. Bernstein, after having served for decades as an influence on thinkers as diverse as Merleau-Ponty, Peter Berger, Habermas, and the new naturalists. The Levels, as it has long been known, draws on phenomenological, biological, and social scientific sources as part of a systematic account of nature, life, and human existence. The book considers non-living nature, plants, non-human animals, and human beings in turn as a sequence of increasingly complex modes of boundary dynamics—simply put, interactions between a thing’s insides and surrounding world. On Plessner’s unique account, living things are classed and analyzed by their “positionality,” or orientation to and within an environment. “Life” is thereby phenomenologically defined, and its universal yet internally variable features such as metabolism, reproduction, and death are explained. The approach provides a foundation not only for philosophical biology but philosophical anthropology as well. According to Plessner’s radical view, the human form of life is excentric—that is, the relation between body and environment is something to which humans themselves are positioned and can take a position. This “excentric positionality” enables human beings to take a stand outside the boundaries of their own body, a possibility with significant implications for knowledge, culture, religion, and technology. Plessner studied zoology and philosophy with Hans Driesch in the 1910s before embarking on a highly productive philosophical career. His work was initially obscured by the superficially similar views of Max Scheler and Martin Heidegger and by his forced exile during World War II. Only in recent decades, as scholarship has moved more squarely into engagement with issues like animality, embodiment, human dignity, social theory, the philosophy of technology, and the philosophy of nature, has the originality and depth of Plessner’s vision been appreciated. A powerful and sophisticated account of embodiment, the Levels shows, with reference both to science and to philosophy, how life can be seen on its own terms to establish its own boundaries, and how, from the standpoint of life, the human establishes itself in relation to the nonhuman. As such, the book is not merely a historical monument but a source for invigorating a range of vital current conversations around the animal, posthumanism, the material turn, and the biology and sociology of cognition. This modern philosophical classic, long-awaited in English translation, is a key book both historically and for today’s interest in understanding philosophy and social theory together with science, without reducing the former to the latter.

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The most important work by a key figure in German thought, Helmuth Plessner’s Levels of Organic Life and the Human, originally published in 1928, appears here for the first time in English, accompanied by a substantial Introduction by J. M. Bernstein, after having served for decades as an influence on thinkers as diverse as Merleau-Ponty, Peter Berger, Habermas, and the new naturalists. The Levels, as it has long been known, draws on phenomenological, biological, and social scientific sources as part of a systematic account of nature, life, and human existence. The book considers non-living nature, plants, non-human animals, and human beings in turn as a sequence of increasingly complex modes of boundary dynamics—simply put, interactions between a thing’s insides and surrounding world. On Plessner’s unique account, living things are classed and analyzed by their “positionality,” or orientation to and within an environment. “Life” is thereby phenomenologically defined, and its universal yet internally variable features such as metabolism, reproduction, and death are explained. The approach provides a foundation not only for philosophical biology but philosophical anthropology as well. According to Plessner’s radical view, the human form of life is excentric—that is, the relation between body and environment is something to which humans themselves are positioned and can take a position. This “excentric positionality” enables human beings to take a stand outside the boundaries of their own body, a possibility with significant implications for knowledge, culture, religion, and technology. Plessner studied zoology and philosophy with Hans Driesch in the 1910s before embarking on a highly productive philosophical career. His work was initially obscured by the superficially similar views of Max Scheler and Martin Heidegger and by his forced exile during World War II. Only in recent decades, as scholarship has moved more squarely into engagement with issues like animality, embodiment, human dignity, social theory, the philosophy of technology, and the philosophy of nature, has the originality and depth of Plessner’s vision been appreciated. A powerful and sophisticated account of embodiment, the Levels shows, with reference both to science and to philosophy, how life can be seen on its own terms to establish its own boundaries, and how, from the standpoint of life, the human establishes itself in relation to the nonhuman. As such, the book is not merely a historical monument but a source for invigorating a range of vital current conversations around the animal, posthumanism, the material turn, and the biology and sociology of cognition. This modern philosophical classic, long-awaited in English translation, is a key book both historically and for today’s interest in understanding philosophy and social theory together with science, without reducing the former to the latter.

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In the space of a few years, Bitcoin has gone from an idea ignored or maligned by almost everyone to an asset with a market cap of more than $12 billion. Venture capital firms, Goldman Sachs, the New York Stock Exchange, and billionaires such as Richard Branson and Peter Thiel have invested more than $1 billion in companies built on this groundbreaking technology. Bill Gates has even declared it ‘better than currency’. The pioneers of Bitcoin were twenty-first-century outlaws – cryptographers, hackers, Free Staters, ex-cons and drug dealers, teenage futurists and self-taught entrepreneurs – armed with a renegade ideology and a grudge against big government and big banks. Now those same institutions are threatening to co-opt or curtail the impact of digital currency. But the pioneers, some of whom have become millionaires themselves, aren’t going down without a fight. Sweeping and provocative, How Money Got Free reveals how this disruptive technology is shaping the debate around competing ideas of money and liberty, and what that means for our future.

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From Beauregard and Custer to Lee and Sherman, twelve commanders from each side vividly describe what they and their men experienced at twelve of the war's most legendary battles from Fort Sumter to Appomattox Court House in accounts gathered from letters, memoirs, reports, and testimonies. They relate noted incidents and personal triumphs and tragedies while covering strategies and explaining battlefield decisions. Trench warfare at Petersburg and Sherman's scorched earth policy in Georgia foreshadowed the world wars to come, and technological advancements—such as armored steamships, landmines, and machine guns—literally changed the landscape of war. Submarines and a time bomb even came into play. Informative biographies and headnotes for each battle give parallel statistics at a glance and establish context; sidebars cover notable tactics and technologies, including espionage, aerial reconnaissance, and guerilla warfare; and a concise roll-call outline each commander's life in full after the war. Here, from the men who conducted and controlled it, is an invaluable sourcebook of what happened in the War Between the States and why.

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In 1852, after much searching through the Black districts of Petersburg, Virginia, the amateur historian Charles Campbell finally located Isaac Granger, a formerly enslaved man who worked for the late Thomas Jefferson. Though disinterested at first in sharing his memories, Isaac was at last persuaded to tell the full story of his time in Philadelphia as a young man in the early 1790s. It was supposed to have been a simple story: he would apprentice with a Quaker tinsmith and then return to Monticello to produce tinware for sale in such abundance that Jefferson might pay down his plantation's crippling debts. But Isaac was impressionable and more thoughtful than Jefferson knew. Philadelphia was a big city, home to a thriving African-American community, and Isaac met all manner of characters: Billey Gardner, a formerly enslaved man who worked for James Madison; the dangerous and charismatic Dr. Cornelius Sharp; the Reverent Rich Allen; the hateful Daniel Shady, who could not abide that Isaac should learn tinsmithing at his side as an equal; the tinsmith's daughter, Rachel, who taught Isaac to read. Isaac got himself into difficulties, contemplated his place in the world, and was challenged to do more than just serve. Conflict was inevitable.

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First major study of the representation of Minerva in the Middle Ages, giving insights into classical reception. Images of Minerva, the Roman goddess of wisdom, appear frequently in medieval literature, derived from antique culture and literature; redemptress, mistress of the liberal arts, patroness of princes, idol, and Venus' ally. Throughout the high to late Middle Ages, Peter Abelard, Guido delle Colonne, John Gower, Geoffrey Chaucer, and Christine de Pizan, among others, drew on and developed these images, but they are particularly prevalent in a number of fifteenth- and early sixteenth-century English and Scots allegorical and dream-vision poems, including John Lydgate's Reson and Sensuallyte and Temple of Glas, the anonymous Court of Sapience and Assembly of Gods, James I's Kingis Quair, Charles d'Orleans' Fortunes Stabilnes, and William Dunbar's Golden Targe. This book offers the first full-length examination of these depictions, bringing out the receptionof classical culture. Via close readings of the various poets, it enables us to understand how her figure was used, and also, and most importantly, to interpret and transform the poetic and cultural traditions from which she springs. WILLIAM F. HODAPP is Professor of English and Coordinator of Medieval and Renaissance Studies at The College of St. Scholastica, Duluth, Minnesota.

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‘A spellbinding tale of love, lust, magic and betrayal in Imperial Russia…..I couldn't put it down' Santa Montefiore A city in flames. A revolution raging. A woman on the run. Nadezhda has never wanted to be a witch. But the occult is in her blood. Her mother, Militza, conjured Rasputin and introduced him into the Romanov court, releasing the devil himself. Now he is dead but Militza still dreams of him – he stalks her sleep and haunts her waking hours. As Petrograd burns and the Russian Empire crumbles, Nadezhda escapes through the corpse-laden streets of the capital, concealing on her person a book of generational magic. Magic she once described as foolishness. But as danger grows ever closer, she may be forced to embrace her heritage to save what she loves most… Based on a true story, The Witch’s Daughter is an epic tale of women rising from the ashes of an empire, perfect for fans of Elodie Harper's The Wolf Den and Madeline Miller’s Circe. In The Witches of St Petersburg, we met Grand Duchesses Militza and her sister Anastasia, queens of the Dark Arts. This is Nadezhda’s story. Praise for Imogen Edwards-Jones: 'Richly imagined.' Daisy Goodwin 'Razor-sharp... brilliant.' Candace Bushnell 'I couldn't put it down.' Claudia Winkleman

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A philosophical challenge to the ableist conflation of disability and pain More than 2,000 years ago, Aristotle said: “let there be a law that no deformed child shall live.” This idea is alive and well today. During the past century, Supreme Court Justice Oliver Wendell Holmes Jr. argued that the United States can forcibly sterilize intellectually disabled women and philosopher Peter Singer argued for the right of parents to euthanize certain cognitively disabled infants. The Life Worth Living explores how and why such arguments persist by investigating the exclusion of and discrimination against disabled people across the history of Western moral philosophy.Joel Michael Reynolds argues that this history demonstrates a fundamental mischaracterization of the meaning of disability, thanks to the conflation of lived experiences of disability with those of pain and suffering. Building on decades of activism and scholarship in the field, Reynolds shows how longstanding views of disability are misguided and unjust, and he lays out a vision of what an anti-ableist moral future requires.The Life Worth Living is the first sustained examination of disability through the lens of the history of moral philosophy and phenomenology, and it demonstrates how lived experiences of disability demand a far richer account of human flourishing, embodiment, community, and politics in philosophical inquiry and beyond.

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Though history and autobiography both claim to tell true stories about the past, historians have traditionally rejected first-person accounts as subjective and therefore unreliable. What then, asks Jeremy D. Popkin in History, Historians, and Autobiography, are we to make of the ever-increasing number of professional historians who are publishing stories of their own lives? And how is this recent development changing the nature of history-writing, the historical profession, and the genre of autobiography? Drawing on the theoretical work of contemporary critics of autobiography, as well as the philosophy of Paul Ricoeur, Popkin reads the autobiographical classics of Edward Gibbons and Henry Adams and the memoirs of contemporary historians such as Emmanuel Le Roy Ladurie, Peter Gay, Jill Ker Conway, and many others. He reveals the contributions that historians' life stories make to our understanding of the human experience. Historians' autobiographies, he shows, reveal how scholars arrive at their vocations, the difficulties of writing about modern professional life, and the ways in which personal stories can add to our understanding of historical events such as war, political movements, and the traumas of the Holocaust. An engrossing overview of the way historians view themselves and their profession, this work will be of interest to readers concerned with the ways in which we understand the past, as well as anyone interested in the art of life-writing.

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Apart from a handful of art historians no one has ever heard of the Brussels painter Hendrick De Clerck (1560-1630). Nevertheless, De Clerck was a contemporary of Peter Paul Rubens, the latter having gone down in history as an artistic trailblazer and painting powerhouse, while Hendrick De Clerck has quietly faded into oblivion. Yet the subtly coded, vibrantly coloured pictures that De Clerck painted for Archduke Albert of Austria and his wife Isabella are political propaganda of the highest order. In creating a mode of archducal representation that could help to gain an empire, the sky is quite literally the limit. De Clerck represents Isabella as wise Minerva, chaste Diana, the Virgin Mary. And that's nothing compared to her husband, for in De Clerck's paintings Albert is transformed into the sun god Apollo or even into Jesus Christ himself. Hendrick De Clerck's mastery of ingenious pictorial strategy made him a leading player in one of the most ambitious projects history has ever seen. For those who know how to read them, his paintings tell a story of power, political promises, and grandiose ambition. Most of all, they are supreme examples of image-building; for as the Archdukes were well aware, even as a monarch you're only as important as you make yourself.

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"Social Thought on Ireland in the Nineteenth Century" is a contribution to the intellectual history of Ireland and to the history of the human sciences. It seeks to document a selected yet systematic set of views on Ireland as 'Other' during the nineteenth century. Of its ten chapters, six comprise the views on Ireland (social, cultural and political) of significant thinkers from outside the island. The selected thinkers are: Gustave de Beaumont (1802-66), friend of Alexis de Tocqueville (1805-59); John Stuart Mill (1806-73); Harriet Martineau (1802-76); Sir Henry Maine (1822-88); Karl Marx (1818-83) and Friedrich Engels (1820-95); James Anthony Froude (1818-94). In addition, the two significant themes of Celticism and Race, constructs through which the Irish were frequently viewed, will also be included; under these headings, attention will be given to the thought of Matthew Arnold and Robert Knox. All of this is accompanied by a historical introduction and a concluding afterword by Peter Gray. The contributors to the project have been chosen for their expertise in their respective topics and represent a range of academic disciplines. All of the topics (with the exception of that on Harriet Martineau) were presented as papers at a conference held under the auspices of the Anthropological Association of Ireland in Headfort House, Kells, Co. Meath, on Friday-Saturday, 18-19 March 2005.

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On the 500th anniversary of Raphael's death, this handsomely illustrated volume looks at his life, his art, and his genius. Raphael was an artist ahead of his time, both as a painter and in the way he managed his studio: he acted as an entrepreneur, creating a modern organisation with an excellent group of collaborators. His inventions and ideas spread widely, thanks to engravings and woodcuts. So, even in his lifetime, Raphael gained renown with critics and collectors. This magnificent study of the great master, written by an expert historiographer who has curated exhibitions of Raphael's art, explores the full range of his work - from his altar pieces, to the stunning frescos in the Vatican Rooms, to the narratives in the Vatican Loggias, to his tapestries for the Sistine Chapel - often with detailed closeups and preliminary sketches and studies. It also delves into Raphael's life, the myth of the painter protected and promoted by the Academia Raffaello, and his influence on the Italian and European artists who followed in his wake. The images of Raphael's work include: Little Angel: a detail from the Sistine Madonna, The Marriage of the Virgin, The Three Graces, The Deposition, The School of Athens, Freeing of St. Peter, Madonna of the Chair, The Fire in the Borgo, The Coronation of Charlemagne, and The Transfiguration.

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We are used to singing hymns of praise when we go to church but often we miss the hymns and poems that are there in the New Testament. This course will explore five different Songs of Praise from the New Testament, looking at what they tell us about God and Jesus but also reflecting on what they tell us about us and our faith. The five sessions focus on: Session 1: Gratitude (Ephesians 1.3-14) Session 2: Image of God (Colossians 1.15-20) Session 3: Humility (Philippians 2.5-11) Session 4: New birth (1 Peter 1.3-12) Session 5: Word made flesh (John 1.1-14) The course booklet is accompanied by a lively CD, featuring the Archbishop of Canterbury, Justin Welby, ‘art nun’, the late Sister Wendy Beckett, the multi-award winning actor, David Suchet CBE, and Editor and Publisher of the Methodist Recorder, Moira Sleight. This York Course is available in the following formats Course Book (Paperback 9781909107069) Course Book (eBook 9781909107854) Audio Book of Interview to support Praise Him York Course (CD 9781909107847) Audio Book of Interview (Digital Download 9781909107830) Transcript of interview to support Praise Him York Course (Paperback 9781909107076) Transcript of interview (eBook 9781909107861) Book Pack (9781909107878 Featuring Paperback Course Book, Audio Book on CD and Paperback Transcript of Interview) Large print (9781909107885)

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Explore an enchanting world of 101 nursery rhymes, poems and songs, illustrated by Frann Preston-Gannon, illustrator of I Am the Seed That Grew the Tree, which won Waterstones Children's Gift of the Year. This is the fourth title in the Nosy Crow Classics series, which includes The Velveteen Rabbit, Peter Pan and Heidi, all beautiful cloth-bound editions with foiled jackets and covers, and ribbon markers. In this captivating collection, you'll meet favourite friends Humpty Dumpty, the Owl and the Pussy-cat and Little Miss Muffet, as well as mermaids, elves and a whole host of animals at a magical fair. Discover games for playtime, songs for supper time and star-filled lullabies for bedtime. This rich anthology will delight the whole family and is the perfect birthday, Christmas or christening gift to treasure.Julia Donaldson praised Frann's previous poetry collection I Am the Seed That Grew the Tree, saying "This is an absolutely beautiful book."As well as winning Waterstones Children's Gift of the Year, Frann won Red Magazine's Big Book award and was the first UK recipient of the Sendak Fellowship, awarded by Maurice Sendak, creator of picture book classic Where the Wild Things Are.

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In the past twenty-five years, no one has been more instrumental than Catharine MacKinnon in making equal rights real for women. As Peter Jennings once put it, more than anyone else in legal studies, she "has made it easier for other women to seek justice." This collection, the first since MacKinnon's celebrated Feminism Unmodified appeared in 1987, brings together previously uncollected and unpublished work in the national arena from 1980 to the present, defining her clear, coherent, consistent approach to reframing the law of men on the basis of the lives of women.By making visible the deep gender bias of existing law, MacKinnon has recast legal debate and action on issues of sex discrimination, sexual abuse, prostitution, pornography, and racism. The essays in this volume document and illuminate some of the momentous and ongoing changes to which this work contributes; the recognition of sexual harassment, rape, and battering as claims for sexual discrimination; the redefinition of rape in terms of women's actual experience of sexual violation; and the reframing of the pornography debate around harm rather than morality. The perspectives in these essays have played an essential part in changing American law and remain fundamental to the project of building a sex-equal future.

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How to improve your game and discover your true potential by increasing your concentration, willpower and confidence Every golfer, whether amateur or pro, who has ever picked up a club knows what it's like to get the yips - that feeling when you inexplicably lose control of your shot, and become overwhelmed by self-doubt, tension, fear of failure and anxiety. With a new introduction from golf performance pro Peter Hudson, the multi-million bestselling The Inner Game of Golf resolves this mental interference. It is not a book about how to play golf; it is a book about how to learn golf, and its lessons can be applied to any sport. Putting aside the mechanics of golfing technique and laborious debates about strategy, this classic handbook for golfers of all levels tackles the psychological aspects of the game and reveals how you can perform to your true potential for more than brief moments at a time. Using only his Inner Game principles, without taking a single lesson and playing only once a week, Timothy Gallwey knocked 15 strokes off his game in a year. There is no physical reason why you can't hit perfect drives or sink long putts more consistently. By applying the Inner Game approach to your own game, you too can see phenomenal improvements to your scorecard.

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With its spread of chapters covering key issues across the life cycle this text has established itself as the foundational primer for those studying the lived experiences of people with learning disabilities and their families, and outcomes achieved through services and support systems. Recognising learning disability as a lifelong disability, this accessible book is structured around the life cycle. The second edition is refreshed and expanded to include seven new chapters, covering: Aetiology Breaking news (about disability) and early intervention Transition to adulthood The sexual lives of women Employment Personalisation People with hidden identities With contributions from respected figures from a range of disciplines, the book draws heavily upon multidisciplinary perspectives and is based on the latest research and evidence for practice. The text is informed by medical, social and legal models of learning disability, exploring how "learning disability" is produced, reproduced and understood. Extensive use is made of real-life case studies, designed to bring theory, values, policy and practice to life. Narrative chapters describe, in the words of people with learning disabilities themselves, their lives and aspirations. They helpfully show readers the kinds of roles played by families, advocates and services in supporting people with learning disabilities. New exercises and questions have been added to encourage discussion and reflection on practice.Learning Disability is core reading for students entering health and social care professions to work with people with learning disabilities. It is a compelling reference text for practitioners as it squarely addresses the challenges facing people with learning disability, their loved ones and the people supporting them.Contributors Dawn Adams, Kathryn Almack, Dorothy Atkinson, Nigel Beail, Christine Bigby, Alison Brammer, Jacqui Brewster, Hilary Brown, Jennifer Clegg, Lesley Cogher, Helen Combes, Clare Connors, Bronach Crawley, Eric Emerson, Margaret Flynn, Linda Gething, Dan Goodley, Peter Goward, Gordon Grant, Chris Hatton, Sheila Hollins, Jane Hubert, Kelley Johnson, Gwynnyth Llewellyn, Heather McAlister, Michelle McCarthy, Alex McClimens, Roy McConkey, David McConnell, Keith McKinstrie, Fiona Mackenzie, Ghazala Mir, Ada Montgomery, Lesley Montisci, Elizabeth Murphy, Chris Oliver, Richard Parrott, Paul Ramcharan, Malcolm Richardson, Bronwyn Roberts, Philippa Russell, Kirsten Stalker, Martin Stevens, John Taylor, Irene Tuffrey-Wijne, Sally Twist, Jan Walmsley, Kate Woodcock"The editors and contributors are to be congratulated on the production of a relevant and contemporary text that I have no hesitation in both endorsing and recommending to all involved in supporting and or caring for people with learning disabilities."Professor Bob Gates, Project Leader - Learning Disabilities Workforce Development, NHS Education South Central, UK"This is a seminal text for students and practitioners, researchers and policy makers."Associate Professor Keith R. McVilly, Deakin University, Australia"If I were to personally recommend any book for budding or current learning disability professionals then this would be it."James Grainger, Student Nurse/Social Worker, Sheffield Hallam University, UK"The book gives a true wealth of good practice scenarios that can only help practitioners be good at what they do and aspire to be."Lee Marshall, Student Nurse, Sheffield Hallam University, UK

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“Confessions of a Puppetmaster is a fast, funny, wild ride through some wild times. Plus, Charlie compares me to Harrison Ford, so I’m all in!” —Bill MaherRenowned producer, director, and “B movie” showman Charles Band takes readers on a wild romp through Hollywood’s decidedly un-Oscar-worthy underbelly, where mayhem and zombies reign supreme, and cheap thrills and entertainment are king"This book is a blast. It made me want to stay up all night and watch terrible movies." —Peter Sagal"One of the most entertaining film bios ever." —Larry Karaszewski"Reads like a Tarantino film written by Hunter S. Thompson." —BooklistZombies, aliens, a little skin, lots of gore—and even more laughs—the cinematic universe of Charles Band is legendary. From the toilet-invading creatures of Ghoulies to the time-travelling bounty hunter in Trancers to the pandemic-crashed Corona Zombies, Band has spent four decades giving B-movie lovers exactly what they love. In Confessions of a Puppetmaster, this congenial master of Grindhouse cinema tells his own story, uncut.Born into a family of artists, Band spent much of his childhood in Rome where his father worked in the film industry. Early visits to movie sets sealed young Charlie’s fate. By his twenties he had plunged into moviemaking himself and found his calling in exploitation movies—quick, low-budget efforts that exploit the zeitgeist and feed people’s desire for clever, low-brow entertainment. His films crossed genres, from vampire flicks to sci fi to erotic musical adaptations of fairy tales. As he came into his own as a director, he was the first to give starring roles to household names like Demi Moore, Helen Hunt, and Bill Maher.Off set, Band’s life has been equally epic. Returning to his beloved Italy, he bought both Dino De Laurentiis’s movie studio and a medieval castle. After Romania’s oppressive communist regime fell, he circumvented the U.S. State Department to shoot films in Dracula’s homeland. He made—and then lost—a moviemaking fortune. A visionary, Band was also at the vanguard of the transition to home video and streaming, making and distributing direct-to-video movies long before the major studios caught on.In this revealing tell-all, Band details the dizzying heights and catastrophic depths of his four decades in showbiz. A candid and engaging glimpse at Hollywood’s wild side, Confessions of a Puppetmaster is as entertaining as the movies that made this consummate schlockmeister famous.

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A new generation of teachers envisions a liberal arts education that is good for everyone. Why would anyone study the liberal arts? It’s no secret that the liberal arts have fallen out of favor and are struggling to prove their relevance. The cost of college pushes students to majors and degrees with more obvious career outcomes. A new cohort of educators isn’t taking this lying down. They realize they need to reimagine and rearticulate what a liberal arts education is for, and what it might look like in today’s world. In this book, they make an honest reckoning with the history and current state of the liberal arts. You may have heard – or asked – some of these questions yourself: Aren’t the liberal arts a waste of time? How will reading old books and discussing abstract ideas help us feed the hungry, liberate the oppressed and reverse climate change? Actually, we first need to understand what we mean by truth, the good life, and justice. Aren’t the liberal arts racist? The “great books” are mostly by privileged dead white males. Despite these objections, for centuries the liberal arts have been a resource for those working for a better world. Here’s how we can benefit from ancient voices while expanding the conversation. Aren’t the liberal arts liberal? Aren’t humanities professors mostly progressive ideologues who indoctrinate students? In fact, the liberal arts are an age-old tradition of moral formation, teaching people to think for themselves and learn from other perspectives. Aren’t the liberal arts elitist? Hasn’t humanities education too often excluded poor people and minorities? While that has sometime been the case, these educators map out well-proven ways to include people of all social and educational backgrounds. Aren’t the liberal arts a bad career investment? I really just want to get a well-paying job and not end up as an overeducated barista. The numbers – and the people hiring – tell a different story. In this book, educators mount a vigorous defense of the humanist tradition, but also chart a path forward, building on their tradition’s strengths and addressing its failures. In each chapter, dispatches from innovators describe concrete ways this is being put into practice, showing that the liberal arts are not only viable today, but vital to our future. *** Contributors include Emily Auerbach, Nathan Beacom, Jeffrey Bilbro, Joseph Clair, Margarita Mooney Clayton, Lydia Dugdale, Brad East, Don Eben, Becky L. Eggimann, Rachel Griffis, David Henreckson, Zena Hitz, David Hsu, L. Gregory Jones, Brandon McCoy, Peter Mommsen, Angel Adams Parham, Steve Prince, John Mark Reynolds, Erin Shaw, Anne Snyder, Sean Sword, Noah Toly, Jonathan Tran, and Jessica Hooten Wilson

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For years, the librarians at the New-York Historical Society have kept a record of the questions posed to them by curious New Yorkers and visitors to the city. Who was the first woman to run for mayor of New York? Why are beavers featured on the city's official seal? Is it true that a nineteenth-century New Yorker built a house out of spite? These questions involve people, places, buildings, monuments, rumors, and urban myths. They concern sports, food, transportation, the arts, politics, nature, and Central Park, among many other subjects. Taken together, they attest to the infinite stories hidden within the most intriguing metropolis in the world. In When Did the Statue of Liberty Turn Green? the staff of the New-York Historical Society Library answer more than a hundred of the most popular and compelling queries. The endlessly entertaining entries in this book feature hard-to-find data and unforgettable profiles, sharing snapshots of New York's secret history for all to enjoy. Drawing on the library's extensive collections, the staff reveal when the first book was printed in New York, whether the story of Harlem residents presenting rats to government officials is true, who exactly were the Collyer brothers and why were they famous, and why premature babies were once displayed in Coney Island. For readers who love trivia, urban history, strange tales, and, of course, New York City, this book will delight with its rich, informative, and surprising stories. Look inside to learn: How "Peg-Leg" Peter Stuyvesant lost his right leg Whether Manhattan used to have cowboysHow the New York Yankees got their nameWho was Pig Foot MaryWhy the Manhattan House of Detention is called the TombsWho was Topsy and how she electrified New York CityHow many speakeasies were open during ProhibitionWhat occurred every May in the nineteenth century to cause so much commotionWhen penguins were stolen from the Coney Island Aquarium

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"We had been instructed to start promptly at six, since the hall was needed again at eight. We pushed through the curtained doorway, like instrumentalists without instruments, and onto the stepped stage. The audience was still coming in. Uncertain of our running time, and with no one to introduce us, I thought we had better start. I got as far as 'Byr - ' when Alan decided he did indeed need his glasses. He delivered his rehearsed ad lib, claiming that his vanity was second only to Byron's, and put on his specs." It is July 1981, and Alan Bates succumbs to a fit of nerves as he and Frederic Raphael attempt to carry off an underrehearsed performance at the Queen Elizabeth Hall. This wry glimpse behind the scenes of the London literary scene sits, in Raphael's notebooks, amid clear-eyed analysis of the riots and social unrest then erupting in Britain's cities under Margaret Thatcher's government. Compulsively readable, by turns mischievous and coruscating, this latest volume of Raphael's reflections casts light on a period that saw the beginnings of a decisive shift in British and American culture. Along the way, there are finely incised pen-portraits of public figures ranging from Shirley Conran to Peter Sellers and from Robert Redford to Mary Whitehouse.

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Teaching pastor at the influential New Life Church in Colorado Springs, Colorado, Daniel Grothe explains the Bible's blueprint for becoming the kind of person who can deal with all of life's challenges.Some people have learned how to live. They can handle all that life brings. They are composed. They radiate strength. They are whole, with lives worth emulating, and when they speak people listen. They are, in a word, wise. How did these people get wisdom? And perhaps more importantly, how can we?In his long-awaited first book, Daniel Grothe of New Life church in Colorado Springs, Colorado, shows us how to get wisdom for ourselves by examining what the Bible has to say about it and by providing practical steps for acquiring it, among them: learning to ask for help, loving Scripture, going to Church, living quietly, and, above all, seeking those who are themselves wise. Drawing upon Scripture and upon his own experience learning from his friend and mentor Eugene Peterson, Grothe shows how our lives can be secured by the resource that will keep us from collapsing under the onslaught of the difficulties of life. Wisdom is available to us. It takes work to pursue it. Chasing Wisdom reveals how.

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The purpose of the Whurr series in Psychoanalysis edited by Peter Fonagy and Mary Target of University College London, is to publish clinical and research based texts of academic excellence in the field. Each title makes a significant contribution and the series is open-ended. The readership is academic and graduate students in psychoanalysis, together with clinical practitioners, in Europe, North America and indeed worldwide.This book brings together a number of international writers who are concerned with understanding and treating psychoses. The orientation of the book is psychoanalytic, but it is also cognisant of the need for a multi-disciplinary approach to these disorders for which there remains no comprehensive cure. One of the greatest obstacles clinicians and patients face lies less in our ignorance than in failure by mental health services to integrate existing knowledge into workable treatment plans. Too often clinical disciplines (psychiatry, psychoanalysis, clinical psychology, neuropsychology, nursing etc.) work separately rather than together, employing languages that are mutually incomprehensible. As a result, patients are unlikely to have their different needs properly met. At the heart of the multi-disciplinary approach lies the therapeutic relationship between patient and psychoanalyst, psychodynamically-minded psychiatrist or psychotherapist. Detailed clinical cases are presented together with contemporary conceptualisations of psychotic states.

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The Arrest isn't post-apocalypse. It isn't a dystopia. It isn't a utopia. It's just what happens when much of what we take for granted - cars, guns, computers, and airplanes, for starters - stops working... Before the Arrest, Sandy Duplessis had a reasonably good life as a screenwriter in L.A. An old college friend and writing partner, the charismatic and malicious Peter Todbaum, had become one of the most powerful men in Hollywood. That didn't hurt.Now, post-Arrest, nothing is what it was. Sandy, who calls himself Journeyman, has landed in rural Maine. There he assists the butcher and delivers the food grown by his sister, Maddy, at her organic farm. But then Todbaum shows up in an extraordinary vehicle: a retrofitted tunnel-digger powered by a nuclear reactor. Todbaum has spent the Arrest smashing his way across a fragmented and phantasmagorical United States, trailing enmities all the way. Plopping back into the siblings' life with his usual odious panache, his motives are entirely unclear. Can it be that Todbaum wants to produce one more extravaganza? Whatever he's up to, it may fall to Journeyman to stop him. Written with unrepentant joy and shot through with just the right amount of contemporary dread, The Arrest is speculative fiction at its absolute finest.

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Through exploring the application of a complex systems lens on important global challenges, this timely book offers key insights into successful governance in our changing world. It illustrates a number of theoretical and methodological approaches to help understand the role of decision-making, policies, institutions and networks in navigating complexity. Bringing together leading international scholars, Global Challenges, Governance, and Complexity elaborates important features of complex adaptive systems and their connections to key governmental and political issues. These include: complexity leadership, environmental and sustainability challenges, the role of economics, policy-making, legal and social dimensions of systemic risks, and the effectiveness of polycentricity. Chapters look at novel research in the field, highlighting how a diverse range of disciplinary approaches to governance can improve our understanding of complex global challenges. Political science and sustainability science scholars, particularly those with a keen interest in environmental politics and sustainability, will greatly benefit from reading this book. The insights offered will also be of use to policy makers wishing to gain a more thorough understanding of the field. Contributors include: C. Chambers, M. Centeno, M. Cox, A.-S. Crépin, C. Folke, V. Galaz, D. Huitema, A. Jordan, D.M. Katz, R.E. Kim, S.A. Levin, M. Milkoreit, S. Nooteboom, J. Patterson, T. Patterson, B.G. Peters, J. Pierre, R. Preiser, L. Rade, J.B. Ruhl, H. Schmitz, M. Schoon, I. Scoones, G. Teisman, H. van Asselt, M. Woermann

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Critics of narcology—as addiction medicine is called in Russia—decry it as being "backward," hopelessly behind contemporary global medical practices in relation to addiction and substance abuse, and assume that its practitioners lack both professionalism and expertise. On the basis of his research in a range of clinical institutions managing substance abuse in St. Petersburg, Eugene Raikhel increasingly came to understand that these assumptions and critiques obscured more than they revealed. Governing Habits is an ethnography of extraordinary sensitivity and awareness that shows how therapeutic practice and expertise is expressed in the highly specific, yet rapidly transforming milieu of hospitals, clinics, and rehabilitation centers in post Soviet Russia. Rather than interpreting narcology as a Soviet survival or a local clinical world on the wane in the face of globalizing evidence-based medicine, Raikhel examines the transformation of the medical management of alcoholism in Russia over the past twenty years. Raikhel's book is more than a story about the treatment of alcoholism. It is also a gripping analysis of the many cultural, institutional, political, and social transformations taking place in the postSoviet world, particularly in Putin's Russia. Governing Habits will appeal to a wide range of readers, from medical anthropologists, clinicians, to scholars of post-Soviet Russia, to students of institutions and organizational change, to those interested in therapies and treatments of substance abuse, addiction, and alcoholism.

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Arguing in favour of renewed critical attention to the 'nation' as a category in art history, this study examines the intertwining of art theory, national identity and art production in Britain from the early eighteenth century to the present day. The book provides the first sustained account of artwriting in the British context over the full extent of its development and includes new analyses of such central figures as Hogarth, Reynolds, Gilpin, Ruskin, Roger Fry, Herbert Read, Art & Language, Peter Fuller and Rasheed Araeen. Mark A. Cheetham also explores how the 'Englishing' of art theory-which came about despite the longstanding occlusion of the intellectual and theoretical in British culture-did not take place or have effects exclusively in Britain. Theory has always travelled with art and vice versa. Using the frequently resurgent discourse of cosmopolitanism as a frame for his discourse, Cheetham asks whether English traditions of artwriting have been judged inappropriately according to imported criteria of what theory is and does. This book demonstrates that artwriting in the English tradition has not been sufficiently studied, and that 'English Art Theory' is not an oxymoron. Such concerns resonate today beyond academe and the art world in the many heated discussions of resurgent Englishness.

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Loose-Fit Architecture: Designing Buildings for Change September/October 2017Profile 249 Volume 87 No 5ISBN 978 1119 152644 Guest-Edited by Alex Lifschutz The idea that a building is 'finished' or 'complete' on the day it opens its doors is hardwired into existing thinking about design, planning and construction. But this ignores the unprecedented rate of social and technological change. A building only begins its life when the contractors leave. With resources at a premium and a greater need for a sustainable use of building materials, can we still afford to construct new housing or indeed any buildings that ignore the need for flexibility or the ability to evolve over time? Our design culture needs to move beyond the idealisation of a creative individual designer generating highly specific forms with fixed uses. The possibilities of adaptation and flexibility have often been overlooked, but they create hugely exciting 'loose-fit' architectures that emancipate users to create their own versatile and vibrant environments. Contributors include: Stewart Brand, Renee Chow, Ellen Dunham-Jones and June Williamson, John Habraken, Edwin Heathcote, Despina Katsakakis, Stephen Kendall, Ian Lambot, Giorgio Macchi, Alexi Marmot, Andrea Martin, Kazunobu Minami, Peter Murray, Brett Steele, and Simon Sturgis.

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In his virtuosic new book noted cultural critic Mark Seltzer shows how suspense, as art form and form of life, depicts and shapes the social systems that organize our modern world. Modernity's predicament, Seltzer writes, is a society so hungry for reality that it cannot stop describing itself, and that makes for a world that continuously establishes itself by staging its own conditions. Employing the social theories of Georg Simmel, Erving Goffman, Niklas Luhmann, and Peter Sloterdijk, Seltzer shows how suspense novels, films, and performance art by Patricia Highsmith, Tom McCarthy, Cormac McCarthy, J. G. Ballard, Karl Ove Knausgaard, and others outline how we currently live and reveal the stress-points and mood-systems of the modern epoch. In its focus on social games, depictions of violent and explosive persons, along with its cast of artists, reporters, detectives, and others who observe and report and reenact, the suspense mode creates and recreates modern systems of action and autonomy, and defines the self-turned world's practices and aesthetics. By epitomizing a reflexive, self-legislating, and autonomous world, a suspense art with humans in the systems epoch provides the models and sets the rules for our modern, official world.

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Media screens—film, video, and computer screens—have increasingly pervaded both artistic production and everyday life since the 1960s. Yet the nature of viewing artworks made from these media, along with their subjective effects, remains largely unexplored. Screens addresses this gap, offering a historical and theoretical framework for understanding screen-reliant installation art and the spectatorship it evokes. Examining a range of installations created over the past fifty years that investigate the rich terrain between the sculptural and the cinematic, including works by artists such as Eija-Liisa Ahtila, Doug Aitken, Peter Campus, Dan Graham, VALIE EXPORT, Bruce Nauman, and Michael Snow, Kate Mondloch traces the construction of screen spectatorship in art from the seminal film and video installations of the 1960s and 1970s to the new media artworks of today’s digital culture. Mondloch identifies a momentous shift in contemporary art that challenges key premises of spectatorship brought about by technological objects that literally and metaphorically filter the subject’s field of vision. As a result she proposes that contemporary viewers are, quite literally, screen subjects and offers the unique critical leverage of art as an alternative way to understand media culture and contemporary visuality.

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Peter Sloterdijk is one of the most challenging and contentious thinkers currently working within the European tradition. This is the first collection devoted to his work for English-language audiences and will act as an introduction to his work, set an agenda for engagement with his ideas, and relate his writings to a range of political, theoretical and practical contexts. Since his philosophical bestseller Critique of Cynical Reason (1983), Sloterdijk has exercised an important influence over German and other European thought and recently interest in his diverse oeuvre has grown considerably. The past few years have seen a number of his books translated into English, with many more to come. The book seeks to do justice to the breadth of Sloterdijk’s work throughout his career, orientated around the central topics of cynicism, ressentiment, the posthuman, space and world, art and literature, language, social science and his role as a public intellectual. Contributors include Babette Babich, Sjoerd van Tuinen, Eduardo Mendieta, Marie-Eve Morin, Efrain Kristol, Wieland Hoban, Nigel Thrift, Jean-Pierre Couture, and Sloterdijk himself. An explicitly interdisciplinary project, Sloterdijk Now is a crucial introduction to the work of this central thinker, in its complexity, variety and notoriety. It is set to spark debate amongst students and scholars across the humanities and social sciences.

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NEW AND UPDATED EDITIONA magisterial and profoundly perceptive survey of Britain's post-war role on the global stage, from Suez to Brexit. 'The fullest long-run political and diplomatic narrative yet of Britain's fateful, tragi-comic road to Brexit.' DAVID KYNASTON'An instant classic . . . Stephens is a master of historical codebreaking.' PETER HENNESSEYAward-winning Financial Times journalist Philip Stephens paints a fascinating portrait of sixty years - from Suez to Brexit - as Britain struggles to reconcile its waning power with its past glory. Drawing on decades of personal contact and interviews with senior politicians and diplomats in Britain, the United States and across the capitals of Europe, Britain Alone is a magisterial and deeply perceptive history of our nation and how we arrived at the state we are in.'Commanding . . . Rarely if ever, in the history of the British state since 1707, has one half of Britain's ruling elite committed an act of policy viewed with such absolute contempt by the other half; and rarely has that contempt been expressed with such elegance, such fluency, and such a devastating wealth of supporting detail, as in this mighty survey.' SCOTSMAN'Profoundly knowledgeable.' CHRIS PATTEN'Compelling.' LAWRENCE FREEDMAN'A fascinating history.' IRISH TIMES'A magnificent, exhilarating book' PROSPECT

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In 1971, Michael Blakemore joined the National Theatre as Associate Director under Laurence Olivier. The National, still based at the Old Vic, was at a moment of transition awaiting the move to its vast new home on the South Bank. Relying on generous subsidy, it would need an extensive network of supporters in high places. Olivier, a scrupulous and brilliant autocrat from a previous generation, was not the man to deal with these political ramifications. His tenure began to unravel and, behind his back, Peter Hall was appointed to replace him in 1973. As in other aspects of British life, the ethos of public service, which Olivier espoused, was in retreat. Having staged eight productions for the National, Blakemore found himself increasingly uncomfortable under Hall's regime. Stage Blood is the candid and at times painfully funny story of the events that led to his dramatic exit in 1976. He recalls the theatrical triumphs and flops, his volatile relationship with Olivier including directing him in Long Day's Journey into Night, the extravagant dinners in Hall's Barbican flat with Harold Pinter, Jonathan Miller and the other associates, the opening of the new building, and Blakemore's brave and misrepresented decision to speak out. He would not return to the National for fifteen years.

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The first critical examination of death and remembrance in the digital age—and an invitation to imagine Black digital sovereignty in life and death. In Resurrecting the Black Body, Tonia Sutherland considers the consequences of digitally raising the dead. Attending to the violent deaths of Black Americans—and the records that document them—from slavery through the social media age, Sutherland explores media evidence, digital acts of remembering, and the right and desire to be forgotten. From the popular image of Gordon (also known as "Whipped Peter") to photographs of the lynching of Jesse Washington to the video of George Floyd's murder, from DNA to holograms to posthumous communication, this book traces the commodification of Black bodies and lives across time. Through the lens of (anti-)Blackness in the United States, Sutherland interrogates the intersections of life, death, personal data, and human autonomy in the era of Google, Twitter, and Facebook, and presents a critique of digital resurrection technologies. If the Black digital afterlife is rooted in bigotry and inspires new forms of racialized aggression, Resurrecting the Black Body asks what other visions of life and remembrance are possible, illuminating the unique ways that Black cultures have fought against erasure and oblivion.

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"...fascinating. Like Malcolm Gladwell on speed." —THE GUARDIAN "HERD is a rare thing: a book that transforms the reader's perception of how the world works". —Matthew D'Ancona, THE SPECTATOR "This book is a must. Once you have read it you will understand why Mark Earls is regarded as a marketing guru." —Daniel Finkelstein, THE TIMES This paperback version of Mark Earls' groundbreaking and award winning book comes updated with new stats and figures and provides two completely revised chapters that deal with the rise of social networking. Since the Enlightenment there has been a very simple but widely held assumption that we are a species of thinking individuals and human behaviour is best understood by examining the psychology of individuals. It appears, however, that this insight is plain wrong. The evidence from a number of leading behavioural and neuroscientists suggests that our species is designed as a herd or group animal. Mark Earls applies this evidence to the traditional mechanisms of marketing and consumer behaviour, with a result that necessitates a complete rethink about these subjects. HERD provides a host of unusual examples and anecdotes to open the mind of the business reader, from Peter Kay to Desmond Tutu, Apple to UK Sexual Health programmes, George Bush to Castle Lager, from autism to depression to the real explanation for the placebo effect in pharmaceutical testing.

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The former Bernarda teacher-training centre in Menzingen was built between 1955 and 1958 by the two renowned Zug architectural teams of Hanns A. Brütsch and Alois Stadler, and Leo Hafner and Alfons Wiederkehr. The school on a gentle slope in the midst of the attractive landscape between Lake Zug and Lake Zurich is an exceptional example of 1950s Swiss architecture. The facility impresses with its staging of the exposed location, the coherent arrangement of five highly individualised buildings around a circular centre, and the notable design of the open spaces by Ernst Cramer. Between 2015 and 2018, the facility was extended and refurbished by the architects Bünzli & Courvoisier, transforming it for its new use as a cantonal school. The architects were strongly guided by the urban-planning and architectural design principles of the existing structures, while framing and expanding them with great respect and an undogmatic approach to consciously blur the boundaries between old and new. The book documents the existing facility with original plans and the clear-contoured, black & white pictures by the renowned Lucerne photographer Peter Ammon. Furthermore, the volume extensively reflects upon and documents in detail the school’s exciting, exemplary renovation. Text in English and German.

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The Conservative Establishment’s consensus of the past two generations has almost totally broken down. Conservatism was unable to stop or even slow the Left’s rolling revolutions in nearly every sector of American society—from classrooms to boardrooms, from the military to the culture at large. The Left has successfully transformed the nation over the past few generations, racking up victory after victory, with no clear end in sight. This is not sustainable for the country or the constituency represented by the Republican Party. For the Right to have a serious future, it needs to rethink its positions and think more deeply about the essential policy questions which will define the future of the country: race, men and women, sexuality, religion, the economy, foreign policy, and other major issues. This collection of essays, written by some of the Right’s most interesting thinkers and practitioners, seeks to reframe the ideological and policy direction of the American Right.With essays by Michael Anton, Richard Hanania, Carson Holloway, John Fonte, David Azerrad, Helen Andrews, Scott Yenor, Joshua Mitchell, Aaron Renn, Arthur Milikh, David P. Goldman, Matthew Peterson, James Poulos, Theo Wold, Robert Delahunty, Jesse Merriam, Jeremy Carl, Eric Kaufmann, and Roger Kimball.

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California is still the world's biggest hideout. The only thing more western is the Pacific Ocean, where, if the Big One happens, California might find a home at the bottom. One of those hiding out is Peter Bowman, a former army brat, and lecturer at Woodrow Wilson Community College, who is being hunted for a quality most men would crave. But for Bowman, nicknamed Boa, it has become burdensome. When an opportunity comes, he has to choose between becoming financially solvent or exposing himself to his pursuers. Along the way, he runs into some memorable characters both in reality and in his dreams, including Ishmael Reed. In Ishmael Reed's Conjugating Hindi, stories, histories and myths of different cultures are mixed and sampled. Modern issues like gentrification addressed. It is the closest that a fiction writer has gotten to the hip-hop form on the page. Once again, Ishmael Reed has pioneered a new form. If his first novel, The Free-Lance Pallbearers, was an early Afro-Futurist novel, Mumbo Jumbo recognized as “a graphic novel before we used the term” (according to Pulitzer Prize-winning critic Margo Jefferson), Yellow Back Radio Broke Down Blazing Saddles's “important precursor,” Flight To Canada his "Neo Slave Narrative," a concept that he coined–Conjugating Hindi is his global novel. One that crosses all borders.

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Newly jobless, newly single, and suddenly apartmentless, writer Grace Hammond has come unmoored. A grammar whiz who's brilliant at correcting other people's errors, she hasn't yet found quite the right set of rules for fixing her own mistakes.Desperate to escape the city and her trifecta of problems, Grace hits pause and retreats to her Connecticut hometown. What begins as a short visit with her parents quickly becomes a far more meaningful stay, though, as she discovers that the answers to what her future holds might be found by making peace with-and even embracing-the past.As Grace sets out to change her ways and come to terms, finally, with the tragedy that took her older sister's life so many years ago, she rekindles a romance with her high school sweetheart, Peter, now a famous Hollywood director who's filming a movie in town. Sparks also fly at the local bike shop, where Grace's penchant for pointing out what's wrong rattles the owner's ruggedly handsome schoolteacher son, Mitch.Torn between the promise of a glamorous life and the allure of the familiar, Grace must decide what truly matters-and whether it's time for her to throw away the rule book and bravely follow her heart.

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Step into a world of star-crossed lovers, magical winds, mischievous giants, and trolls, through some of the most exquisite illustrations in publishing history. In this gorgeous reprint, TASCHEN revives the most ambitious publication project of beloved Danish artist Kay Nielsen, one of the most famous children’s book illustrators of all time. First published in 1914, East of the Sun and West of the Moon is a celebrated collection of fifteen fairy tales, gathered by legendary Norwegian folklorists Peter Christen Asbjørnsen and Jørgen Engebretsen Moe on their journeys across Norway in the mid-nineteenth century. Nielsen’s illustration edition of Asbjørnsen and Moe’s tales is considered a jewel of early 20th-century children's literature, highly sought-after by art and book collectors worldwide. An original signed copy of the book sold at auction in 2008 commanded the highest price ever paid for an illustrated children’s book. This finely crafted reprint restores the stunning detail and artistry of Nielsen’s images to their original splendor. Featuring 46 illustrations, including many enlarged details from Nielsen’s rare original watercolors, the book is printed in five colors. Three accompanying essays, illustrated with dozens of rare and previously unseen artworks by Nielsen, explore the history of Norwegian folktales, Nielsen’s life and work, and how this masterpiece came to be.

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'God, he's good' Stephen King Jerry Pardoe and Jamila Patel hunt down a ritualistic cult inspired by Neothilic cannibals in the new chilling horror from Graham Masterton. A BURNING PYRE The smell of roasting meat alerts police to squatters in an abandoned London factory. But when they arrive, the place is empty... except for a gruesome pile of scorched human heads. AN ANCIENT RITUAL DS Jamila Patel and DC Jerry Pardoe have solved bizarre crimes before, but nothing as spooky as this. Arcane markings on the factory wall lead them to a terrifying cult in thrall to a Neolithic god. A god who demands the ultimate sacrifice from his followers. A CULT OF CANNIBALS Now Londoners are being abducted off the city streets, to be mutilated, roasted and eaten. Can Patel and Pardoe save the next victim from this hideous fate? Or will they themselves become a human sacrifice? Praise for Graham Masterton: 'A true master of horror' James Herbert 'One of the most original and frightening storytellers of our time' Peter James 'A natural storyteller with a unique gift' New York Journal of Books 'Masterton handles his large cast of well-drawn characters with the finesse of a master storyteller' Guardian 'This is a first-class thriller with some juicy horror touches' Booklist 'One of Britain's finest horror writers' Daily Mail

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