Search results for ""Author Carole"

In this "incisive" (Vanity Fair) and "authoritative" (New York Times) instant New York Times bestseller, America's top historians set the record straight on the most pernicious myths about our nation's pastThe United States is in the grip of a crisis of bad history. Distortions of the past promoted in the conservative media have led large numbers of Americans to believe in fictions over facts, making constructive dialogue impossible and imperilling our democracy.In Myth America, Kevin M. Kruse and Julian E. Zelizer have assembled an all-star team of fellow historians to push back against this misinformation. The contributors debunk narratives that portray the New Deal and Great Society as failures, immigrants as hostile invaders, and feminists as anti-family warriors-among numerous other partisan lies. Based on a firm foundation of historical scholarship, their findings revitalize our understanding of American history.Replacing myths with research and reality, Myth America is essential reading amid today's heated debates about our nation's past. With Essays By: Akhil Reed Amar Kathleen Belew Carol Anderson Kevin M. Kruse Erika Lee Daniel Immerwahr Elizabeth Hinton Naomi Oreskes Erik M. Conway Ari Kelman Geraldo Cadava David A. Bell Joshua Zeitz Sarah Churchwell Michael Kazin Karen L. Cox Eric Rauchway Glenda Gilmore Natalia Mehlman Petrzela Lawrence B. Glickman ?Julian E. Zelizer

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The Poetry Book Society was founded by T.S. Eliot to share the joy of poetry. It's a unique poetry book club and every quarter our expert selectors choose the very best new books to deliver to our members across the globe. Our lively quarterly magazine is packed full of sneak preview poems from all the selected poets, alongside exclusive interviews, insightful reviews by the Ledbury Critics and extensive listings of every book and pamphlet published this quarter. The Spring 2023 Bulletin magazine is a globe trotting extravaganza with thought-provoking poems and commentaries from leading international poets. The PBS Spring Choice Jason Allen-Paisant maps experiences of black masculinity from Africa to the streets of Europe and leads us back to the Renaissance Venice of Othello. The Translation Choice Agnes Agboton travels across three languages via Lawrence Schimel's skilful translations from Benin to Spain. Sarala Estruch takes us to her ancestry in Amritsar in India and Liz Berry relives her great aunt's journey to Canada as a Home Child in her unique new novel-in-verse. The Spring Pamphlet Choice Ellora Sutton offers a rare "songthrush" of a debut which explores queerness, history and nature with formal dexterity. Will Harris revels in persona and other in his playful Brother Poems and there's a poignant tribute to Carole Satyamurti's posthumous collection The Hopeful Hat. You can find out more and join our poetry community today at www.poetrybooks.co.uk.

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Bringing fresh insight to a century of writing by Native AmericansThe Political Arrays of American Indian Literary History challenges conventional views of the past one hundred years of Native American writing, bringing Native American Renaissance and post-Renaissance writers into conversation with their predecessors. Addressing the political positions such writers have adopted, explored, and debated in their work, James H. Cox counters what he considers a “flattening” of the politics of American Indian literary expression and sets forth a new method of reading Native literature in a vexingly politicized context. Examining both canonical and lesser-known writers, Cox proposes that scholars approach these texts as “political arrays”: confounding but also generative collisions of conservative, moderate, and progressive ideas that together constitute the rich political landscape of American Indian literary history. Reviewing a broad range of genres including journalism, short fiction, drama, screenplays, personal letters, and detective fiction—by Lynn Riggs, Will Rogers, Sherman Alexie, Thomas King, Leslie Marmon Silko, Louise Erdrich, Winona LaDuke, Carole laFavor, and N. Scott Momaday—he demonstrates that Native texts resist efforts to be read as advocating a particular set of politicsMeticulously researched, The Political Arrays of American Indian Literary History represents a compelling case for reconceptualizing the Native American Renaissance as a literary–historical constellation. By focusing on post-1968 Native writers and texts, argues Cox, critics have often missed how earlier writers were similarly entangled, hopeful, frustrated, contradictory, and unpredictable in their political engagements.

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"We used to canonize our heroes," Oscar Wilde wrote. "The modern method is to vulgarize them. Cheap editions of great books may be delightful, but cheap editions of great men are absolutely detestable." Since Wilde's condemnation of modern biography, the genre would appear to have accelerated its descent into bad taste. As Carl Rollyson points out, writers as various as Rebecca West, Ted Hughes, and Joyce Carol Oates have deplored biographers' tendency to cut up lives and render the bloody data so as to make their subjects seem unhealthy, unwholesome, and unsound. Janet Malcolm has compared biographers to burglars; modern novels feature the biographer as grave robber and victimizer. Exactly when did biography take this turn for the worse? Inquiring into the history of the art, and examining his own practices as well as those of biographers from Samuel Johnson to Richard Ellmann, Jeffrey Meyers, and many others, Mr. Rollyson casts considerable doubt on the indictments handed down by Oates, Malcolm and Co. By its very nature, Mr. Rollyson argues, biography is a problematic and controversial genre. That contemporary critics believe it has gone astray only reveals their ignorance of history and their hostility to the biographical enterprise itself—an animosity born of a misguided modernism and a rejection of Enlightenment values. A Higher Form of Cannibalism? explores the nexus between scholarship and biography, and demonstrates how the similarities of method between Leon Edel and Kitty Kelley outweigh the differences. Viewed through the prism of biography, the scholarly and the popular may not be as clearly separated as people suppose.

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The Sunday Times bestseller and the definitive story behind the ITV factual drama White House Farm, about the horrific killings that took place in 1985. On 7 August 1985, Nevill and June Bamber, their daughter Sheila and her two young sons Nicholas and Daniel were discovered shot to death at White House Farm in Essex. The murder weapon was found on Sheila's body, a bible lay at her side. All the windows and doors of the farmhouse were secure, and the Bambers' son, 24-year-old Jeremy, had alerted police after apparently receiving a phone call from his father, who told him Sheila had 'gone berserk' with the gun. It seemed a straightforward case of murder-suicide, but a dramatic turn of events was to disprove the police's theory. In October 1986, Jeremy Bamber was convicted of killing his entire family in order to inherit his parents' substantial estates. He has always maintained his innocence.Drawing on interviews and correspondence with many of those closely connected to the events – including Jeremy Bamber – and a wealth of previously unpublished documentation, Carol Ann Lee brings astonishing clarity to a complex and emotive case. She describes the years of rising tension in the family that culminated in the murders, and provides clear insight into the background of each individual and their relationships within the family unit.Scrupulously fair in its analysis, The Murders at White House Farm is an absorbing portrait of a family, a time and a place, and a gripping account of one of Britain's most notorious crimes.

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Paul’s letters, the earliest writings in the New Testament, are filled with allusions, images, and quotations from the Old Testament, or, as Paul called it, Scripture. In this book, Richard B. Hays investigates Paul’s appropriation of Scripture from a perspective based on recent literary-critical studies of intertextuality. His uncovering of scriptural echoes in Paul’s language enriches our appreciation of the complex literary texture of Paul’s letters and offers new insights into his message. "A major work on hermeneutics. . . . Hays’s study will be a work to use and to reckon with for every Pauline scholar and for every student of Paul’s use of Old Testament traditions. It is sophisticated, in both a literary and theological sense, and written with considerable wit and confidence."—Carol L. Stockenhausen, Journal of Biblical Literature"Hays has without doubt posed the right question at the right time within the horizon of a particularly important problematic. . . . A new beginning for the question concerning the reception of the Old Testament in the New."—Hans Hübner, Theologische Literaturzeitung"A powerful reading. . . . [Hays’s] careful and fresh exegesis . . . challenges not a few traditional or highly regarded readings. . . . A major contribution both to Pauline studies and to our understanding of earliest Christian theology as a living dialogue with the scriptures of Israel."—James D. G. Dunn, forthcoming in Literature and Theology"A fresh interpretation of Paul’s references to the Jewish Scriptures. . . . Written in a lively, semipopular style, this important study succeeds in showing that Paul’s scriptural quotations and allusions are often more ’polyphonic’ and rhetorically meaningful than traditional exegesis has allowed."—David M. Hay, Interpretation: A Journal of Bible and Theology

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This book was produced on the occasion of the first solo exhibition of Obregón's work in a North American public institution and includes essays by the curators Jesús Fuenmayor and Kaira M. Cabañas, in which the work is approached from the artist's own methodology and from its relevance in the current cultural context. In addition, it contains an extensive section in which all the works presented are exhaustively recorded in accordance with the curatorial structure, derived from years of work in the classification of the Archivo Obregón by Israel Ortega and Leonor Solá, and thanks to which it has been possible to open this window to investigate the intimacy and the interstices of Obregón's work. Since 2011, the Obregón Archive has formed part of the Carolina and Fernando Eseverri Collection.

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"She declares, so the bishops will write in their report on the council, that she is unworthy to continue as a married woman. 'Before God and his angels' she bares her heart and confesses to them 'every secret relating to the rumor that had arisen.' The 'rumor'—as will become apparent—concerns her sexual relations with her brother. True, the 'inner wound' which she 'confesses' to God and the bishops was not dealt her of her own volition but under duress, but it is in any event so terrible that she no longer feels herself worthy to share a royal or a marital bed or to marry anyone at all. The bishops and abbots allow her, as she had supposedly requested, to enter a convent."—from The Divorce of Lothar II The Divorce of Lothar II illuminates the origin and development of Western notions of marriage and divorce and the separation of church and state in the context of a notorious royal divorce in late Carolingian Europe. In 857, Lothar II, king of Lotharingia, decided to divorce Theutberga—either because she had allegedly engaged in an incestuous liaison with her brother or simply because Lothar had wished to marry his concubine Waldrada. Karl Heidecker's dramatic and engaging narrative untangles the chaos that resulted: two popes, a host of often quarreling bishops, and Lothar's conniving uncles soon became involved in an epic struggle that did not end even with the death of Lothar. The extraordinary series of events sheds light on the fact that the laws on marriage and divorce were still uncertain. The Church itself was hardly unified in its approach, and its efforts to formulate and impose rules repeatedly foundered against the political machinations characteristic of the Carolingian world. In The Divorce of Lothar II, Heidecker not only discusses the legal aspects of the case but also pays much attention to the often heavy-handed ways in which the players of the story achieved their goals. This ninth-century scandal becomes a study of family dynamics, changing values, and the tenuous relationships between kings, nobles, and bishops around the topic of royal marriage. Though the drama ended with no clear resolution of the Church's position, Lothar's quest is revealed as an early chapter in the emergence of the belief that marriage rests on the personal will of the partners, is monogamous, and should not be dissolved.

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Multi-award-winning Scottish playwright Kieran Hurley has been making waves since the early 2010s with his vivid storytelling and searing honesty, creating plays acutely concerned with society and community, and deeply enmeshed in Scotland's local political context. Tracking the evolution of Hurley's work from his early solo shows to his later large-cast plays and featuring an introduction by Scottish theatre critic Joyce McMillan, this is an exciting collection showcasing one of the UK's most exciting creators of politically-engaged theatre. The plays collected are: Hitch (2010): a previously unpublished solo show about Hurley's hitchhiking trip to the 2009 G8 meeting in L'Aquila, exploring the meaning of political protest. Beats (2012): a coming-of-age story exploring the aftermath of the 1994 Criminal Justice Act outlawing raves. It was adapted into a film in 2019, garnering nominations for BIFA Best Debut Screenplay and WGGB Best Screenplay. Heads Up (2016): a ferocious piece of storytelling asking what we would do if we found ourselves at the end of our world as we know it. (Winner of the Fringe First Award 2016.) Mouthpiece (2018): an unflinching Edinburgh-centric two-hander which examines whether it's possible to tell someone else's story without exploiting them along the way. (Winner of the Carol Tambor Best of Edinburgh Award 2019.) The Enemy (2021): a provocative and timely drama offering a uniquely Scottish take on Henrik Ibsen's timeless work An Enemy of the People.

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In New Legends of England, Catherine Sanok examines a significant, albeit previously unrecognized, phenomenon of fifteenth-century literary culture in England: the sudden fascination with the Lives of British, Anglo-Saxon, and other native saints. Embodying a variety of literary forms—from elevated Latinate verse, to popular traditions such as the carol, to translations of earlier verse legends into the medium of prose—the Middle English Lives of England's saints are rarely discussed in relation to one another or seen as constituting a distinct literary genre. However, Sanok argues, these legends, when grouped together were an important narrative forum for exploring overlapping forms of secular and religious community at local, national, and supranational scales: the monastery, the city, and local cults; the nation and the realm; European Christendom and, at the end of the fifteenth century, a world that was suddenly expanding across the Atlantic. Reading texts such as the South English Legendary, The Life of St. Etheldrede, the Golden Legend, and poems about Saints Wenefrid and Ursula, Sanok focuses especially on the significance of their varied and often experimental forms. She shows how Middle English Lives of native saints revealed, through their literary forms, modes of affinity and difference that, in turn, reflected a diversity in the extent and structure of medieval communities. Taking up key questions about jurisdiction, temporality, and embodiment, New Legends of England presents some of the ways in which the Lives of England's saints theorized community and explored its constitutive paradox: the irresolvable tension between singular and collective forms of identity.

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“Do you think it’s a secret that you are slowly poisoning Mrs Lackland?” When Dr Tom Faithful received the third anonymous letter, he knew it was time to call the police. The wealthy Mrs Cornelia Lackland was recovering steadily from a serious illness, diligently cared for by the doctor, family members and her household staff. But something is amiss in Minsterbridge. Mrs Lackland rules her house with an iron fist, keeping granddaughters Jenny and Carol as virtual prisoners and bullying her attendant Emily Bullen. Scornful and dismissive of everyone, she is planning to make one final change to her will. But before she can meet her solicitor Cornelia Lackland is dead, the apparent victim of a poisoner. As Chief Inspector Dan Pardoe of Scotland Yard and his colleague Sergeant Salt investigate, they find motives for murder much broader than first anticipated. This is a town where everybody’s business is known by everyone else. Pardoe is a satisfying and likeable creation, described by a Sunday Times reviewer as having ‘humanity and common sense as impressive as his intelligence’. Dorothy Bowers was an advocate of the ‘fair play’ school of detective novels, and displayed great ingenuity in piecing together the necessary elements of a baffling mystery, with clues shared freely with the reader. When Inspector Pardoe indicates he knows who the murderer is, the reader knows virtually everything he does. Bower’s great skill is in obscuring her characters' motives, while writing perceptively about their feelings and situation, which allows her to hide the identity of the murderer until exactly the right moment.

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Three men. 470 kilometres. Twenty-one days.Welcome to the Hezbollah Hiking Club . . .At a boozy, cricket-filled afternoon at Lord's, Dom Joly convinces his two closest friends to agree to the unthinkable: a challenging hike across Lebanon, from the Israeli border in the south, along the spine of the country's mountain range, all the way to the Syrian border in the north. For Joly it is something of a homecoming, having grown up in Beirut. It was a happy childhood, though he did go to school with Osama bin Laden.Arriving in Lebanon armed with copious amounts of Vaseline - and no walking experience, bar taking the dog for the occasional stroll - Dom, Chris and Harry don't quite know what they've got themselves into. Joined by their bemused chaperone Caroll, they meet a variety of characters along the way including Ali, a stony-faced Hezbollah Museum guide who seems unperturbed by circling Israeli jets, and part-time Londoner Raf, who challenges Dom and the boys to a brain-freeze drinking contest. From a hair-raising creep along the 'Valley of the Skulls' to accidentally flashing an unsuspecting Ethiopian cook, the three friends just about manage to keep going.With more than a smattering of persiflage and some cringe-worthy moments, The Hezbollah Hiking Club is a big-hearted, witty and affectionate love letter to Lebanon and its rich history with a meditation on family and homeland at its heart. Written with Dom's trademark humour, it is a paean to both the simple joys of friendship and to growing old disgracefully.

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The scent of sugar cookies baking, the sweet sound of children singing carols, a crackling fire in the fireplace...these are some of our favorite comforts at Christmas, and we can't wait until it's that time again!For Christmas Comfort Foods, we've gathered scrumptious recipes for all occasions. Invite friends to a holiday brunch, with Spinach & Swiss Quiche and Pineapple-Nut Coffee Cake on the buffet...yum! Or host an afternoon open house, serving up delicious Brown Sugar Sausages, Roasted Red Pepper Dip and everyone's favorite, Classic Party Mix.For busy weeknights, you'll find warm and hearty dishes like Beef & Broccoli Stir-Fry, Aunt Barb's Pizza Casserole and Easy Turkey Tacos. Slow-Cooker Chicken Noodle Soup is perfect for taking the chill off on a frosty day. And for special family gatherings, a menu of Braised Pork Roast with Onion Gravy, Grandma Miller’s Waldorf Salad and Mom's Baked Corn will help you create happy memories together.Sweets are what we really look forward to at Christmas, though! Tie on your apron and bake up a batch of German Chocolate Brownies, Coconut Macaroons or jam-filled Thumbprint Cookies. Gram’s Gingerbread & Pear Cobbler and Warm Winter Lemon Cake are special enough for holiday dinners, yet easy enough for weeknights. What are you waiting for?We've included easy-to-follow directions using familiar ingredients, plus tips for every holiday occasion and a collection of sweet Christmas memories.

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A dazzling celebration of the clothes that made America’s favorite doll and the incredible woman behind them, timed to the movie release of Barbie, starring Margot Robbie and Ryan Gosling and directed by Greta Gerwig.If you’ve ever had a Barbie doll, or you know someone who did, chances are that Barbie was dressed in one of the thousands of designs created by Carol Spencer during her unparalleled reign as a Barbie fashion designer spanning more than thirty-five years.Illustrated with more than 100 full-color photographs, including many never-before-seen images of rare and one-of-a-kind pieces from Spencer’s private archive, Dressing Barbie is a treasure trove of some of the best and most iconic Barbie looks from the early 1960s until the late 1990s. Along with behind-the-scenes stories of how these designs came to be, Spencer reminisces about her thrilling time at Mattel working with legendary figures such as Ruth Handler, Barbie’s creator, and Charlotte Johnson, the original Barbie designer, for a full, inside look into life with the beloved doll. Over the course of her career, Spencer won many accolades. She was the first designer to have her signature on the doll, the first to go on a signing tour, the first to design a limited-edition Barbie for collectors, and the designer of the biggest-selling Barbie of all time. Now, she is the first member of the inner circle to reveal the fashion world of the quintessential California girl as never before.

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The subversive songs of mathematics teacher Tom Lehrer, the sardonic piano-wielding fugitive from Harvard, have corrupted generations of Americans since he first began recording and performing in the 1950s. His uniquely depraved wit has been forced again on an unsuspecting public via 'Tomfoolery', the stage revue based on his ever-trenchant observation of the American scene, spawned in London in 1980 and which has since spread to many other Lehrer-speaking countries. This new songbook, with old favourites unavailable for years as well as never-before-published songs, is the most comprehensive ever assembled. It contains the words, tunes, piano accompaniments, and guitar chords for these thirty-four classics: The Irish Ballad, Fight Fiercely Harvard!, Be Prepared, The Old Dope Peddler, The Wild West Is Where I Want to Be, I Wanna Go Back to Dixie, Lobachevsky, The Hunting Song, I Hold Your Hand in Mine, My Home Town, L-Y, When You Are Old and Gray, The Wiener Schnitzel Waltz, Poisoning Pigeons in the Park, A Christmas Carol, Bright College Days, In Old Mexico, She's My Girl, The Elements, The Masochism Tango, National Brotherhood Week, MLF Lullaby, The Folk Song Army, Smut, Send the Marines, New Math, Pollution, So Long Mom, Who's Next?, Wernher Von Braun, We Will All Go Together When We Go, I Got It from Agnes, Silent E and The Vatican Rag.

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The last couple of decades have witnessed a flourishing of Arab-American literature across multiple genres. Yet, increased interest in this literature is ironically paralleled by a prevalent bias against Arabs and Muslims that portrays their long presence in the US as a recent and unwelcome phenomenon. Spanning the 1990s to the present, Carol Fadda-Conrey takes in the sweep of literary and cultural texts by Arab-American writers in order to understand the ways in which their depictions of Arab homelands, whether actual or imagined, play a crucial role in shaping cultural articulations of US citizenship and belonging. By asserting themselves within a US framework while maintaining connections to their homelands, Arab-Americans contest the blanket representations of themselves as dictated by the US nation-state. Deploying a multidisciplinary framework at the intersection of Middle-Eastern studies, US ethnic studies, and diaspora studies, Fadda-Conrey argues for a transnational discourse that overturns the often rigid affiliations embedded in ethnic labels. Tracing the shifts in transnational perspectives, from the founders of Arab-American literature, like Gibran Kahlil Gibran and Ameen Rihani, to modern writers such as Naomi Shihab Nye, Joseph Geha, Randa Jarrar, and Suheir Hammad, Fadda-Conrey finds that contemporary Arab-American writers depict strong yet complex attachments to the US landscape. She explores how the idea of home is negotiated between immigrant parents and subsequent generations, alongside analyses of texts that work toward fostering more nuanced understandings of Arab and Muslim identities in the wake of post-9/11 anti-Arab sentiments.

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In the first book to provide a feminist analysis of early modern madness, Carol Thomas Neely reveals the mobility and heterogeneity of discourses of "distraction," the most common term for the condition in late-sixteenth- and early seventeenth-century England. Distracted Subjects shows how changing ideas of madness that circulated through medical, dramatic, and political texts transformed and gendered subjectivities. Supernatural causation is denied, new diagnoses appear, and stage representations proliferate. Drama sometimes leads and sometimes follows other cultural discourses—or forges its own prophetic figures of distraction. The Spanish Tragedy first links madness to masculine tragic self-representation, and Hamlet invents a language to dramatize feminine somatic illness. Innovative women's melancholy is theorized in medical and witchcraft treatises and then elaborated in the extended portrait of the Jailer's Daughter's distraction in The Two Noble Kinsmen. Lovesickness, newly diagnosed in women, demands novel cures, and allows expressions of transgressive sexual desire in treatises and in plays such as As You Like It. The rituals of possession and exorcism, intensely debated off stage, are mocked and exploited on stage in reiterated comic scenes of confinement that madden men to enhance women's power. Neely's final chapter provides a startling challenge to the critically alluring analogy between Bedlam and the early modern stage by documenting that Bethlem hospital offered care, not spectacle, whereas stage Bedlamites served metatheatrical and prophylactic, not mimetic, ends. An epilogue places this particular historical moment within the longer history of madness and shows how our own attitudes toward distraction are haunted by those earlier debates and representations.

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Conduct Orchestras, Not Trains "What if we understood that we can teach the important ideas and skills of the disciplines in a hundred different ways? And that students can learn them in a hundred different ways?" – Carol Ann Tomlinson How can teachers create harmony in the classroom when the educational field is lacking tangible action plans for how to differentiate learning for every student? Full of just-in-time, step-by-step guidance, Student-Driven Differentiation: 8 Steps to Harmonize Learning in the Classroom will show you how to incorporate student voice and choice in the process of planning for differentiation. This unique approach is based on building collaborative student-teacher relationships as a precursor to student growth. The result? Every student learns according to their own needs. Organized into three parts for quick reference, this book will lay the foundation for student-driven differentiation and Identify the criteria for positive teacher-student relationships Examine four areas for differentiated learning – content, process, product, environment Describe the process of planning and implementing student-driven differentiation Motivate and support you in your student-driven differentiation journey Provide unique examples and engaging vignettes throughout, including a fun project inspired by Shark Tank! Student-Driven Differentiation illustrates relevant, real life examples of authentic learning, using student-driven differentiation as the foundation for these experiences. You’ll also receive an 8-step roadmap outlining actionable strategies that will help you foster a culture of student-driven differentiation and student-driven leadership.

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Twenty-seven critics, as well as Updike himself, provide a kaleidoscopic view of the Rabbit Angstrom saga in 34 reviews and essays. There is dual purpose of this collection of critical responses: first, to provide a historical view of the critical reception of all of Updike's works about Harry Rabbit Angstrom—the four Rabbit novels and the novella Rabbit Remembered and second, to show how these reviews and articles can illuminate the reader with the range of approaches to the saga. These responses to the saga reveal the reception of each installment of the saga and how critical acclamation rose with each work. The first reviews of Rabbit, Run noted Updike's ability to redeem an ex-basketball player's ordinary life through brilliant, innovative style. Scholarly essays debated whether Rabbit was a satiric figure. Updike's sequel, Rabbit Redux, showed how, for reviewer Richard Locke the inner surface of banal experiences could be blended seamlessly to social unrest and war. A later critic, Irina Negrea adopted the Jean Baudrillard to critique Marshall McLuhan's optimistic vision of the global village. Reviewer Thomas R. Edwards found that Rabbit Is Rich is composed of meditations on religion, politics, and economics, with motifs intertwined. The saga, for critic Ralph Wood showed Updike as our finest literary celebrant both of human ambiguity and the human acceptance of it. Reviewing Rabbit at Rest, Joyce Carol Oates called it a hugely ambitious achievement and critic Thomas Disch proclaimed, it to be the best large-scale literary work by an American in this century, thus the Great American Novel.

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Staging the Old Faith is the first book length study to examine Caroline theatre as a space where the concerns of the English Roman Catholic community are staged.Rebecca Bailey juxtaposes a detailed analysis of Queen Henrietta Maria’s ground-breaking performances which showcased to an elite audience her role as defender of English Catholics, against an exploration of how this community responded to such a startling vision, in particular through the politically charged texts of James Shirley and William Davenant.This engagement on the stage with the anxieties and hopes of the English Catholic community (properly contextualised within the wider and increasingly fragmented religious landscape in the years leading to civil war) opens up Caroline commercial theatre as a site which energetically discussed the explosive religio-political topics of the cultural moment.

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Stunning and inspirational French-style interiors and chic décor from Carolyn Westbrook. When it comes to styling interiors, designer Carolyn Westbrook has a distinct signature look that combines her love of French style and vintage charm. In Part One of this new book, Carolyn first leads us on a tour through 10 specially photographed locations that are perfect examples of her vintage French style. Carolyn’s own Texan plantation family home is included, alongside other stunning houses that evoke the look – a grand château, French farmhouse-style, a mid-century modern take on French design, and more. The homes all feature individual and eclectic styles, skilfully partnering inherited treasures alongside new purchases, and successfully mixing pretty junkstore finds with designer pieces. In Part Two, Details and Vignettes, pretty displays and vignettes from the homes featured on earlier pages are captured, teaching you how to group collections and showcase treasured items to best effect.

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Details 40 sea kayaking tours along the coast and in the inland waterways of North Carolina. Mile-by-mile descriptions, maps, trip ratings, and much more.

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Winner: Richard Barksdale Harwell AwardOn a cold day in early January 1864, Robert E. Lee wrote to Confederate president Jefferson Davis “The time is at hand when, if an attempt can be made to capture the enemy’s forces at New Berne, it should be done.” Over the next few months, Lee’s dispatch would precipitate a momentous series of events as the Confederates, threatened by a supply crisis and an emerging peace movement, sought to seize Federal bases in eastern North Carolina. This book tells the story of these operations—the late war Confederate resurgence in the Old North State.Using rail lines to rapidly consolidate their forces, the Confederates would attack the main Federal position at New Bern in February, raid the northeastern counties in March, hit the Union garrisons at Plymouth and Washington in late April, and conclude with another attempt at New Bern in early May. The expeditions would involve joint-service operations, as the Confederates looked to support their attacks with powerful, homegrown ironclad gunboats. These offensives in early 1864 would witness the failures and successes of southern commanders including George Pickett, James Cooke, and a young, aggressive North Carolinian named Robert Hoke. Likewise they would challenge the leadership of Union army and naval officers such as Benjamin Butler, John Peck, and Charles Flusser. Newsome does not neglect the broader context, revealing how these military events related to a contested gubernatorial election; the social transformations in the state brought on by the war; the execution of Union prisoners at Kinston; and the activities of North Carolina Unionists.Lee’s January proposal triggered one of the last successful Confederate offensives. The Fight for the Old North State captures the full scope, as well as the dramatic details of this struggle for North Carolina.

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The remarkable story of a North Carolina Cherokee community who avoided forced removal on the Trail of Tears. During the 1838 forced Cherokee removal by the US government, a number of close-knit Cherokee communities in the Southern Appalachian Mountains refused to relinquish their homelands, towns, and way of life. Using a variety of tactics, hundreds of Cherokees avoided the encroaching US Army and remained in the region. In his book Their Determination to Remain: A Cherokee Community’s Resistance to the Trail of Tears in North Carolina, Lance Greene explores the lives of wealthy plantation owners Betty and John Welch who lived on the southwestern edge of the Cherokee Nation. John was Cherokee and Betty was White. Although few Cherokees in the region participated in slavery, the Welches held nine African Americans in bondage. During removal, the Welches assisted roughly 100 Cherokees hiding in the steep mountains. Afterward, they provided land for these Cherokees to rebuild a new community, Welch’s Town. Betty became a wealthy and powerful plantation mistress because her husband could no longer own land. Members of Welch’s Town experienced a transitional period in which they had no formal tribal government or clear citizenship yet felt secure enough to reestablish a townhouse, stickball fields, and dance grounds. Greene’s innovative study uses an interdisciplinary approach, incorporating historical narrative and archaeological data, to examine how and why the Welches and members of Welch’s Town avoided expulsion and reestablished their ways of life in the midst of a growing White population who resented a continued Cherokee presence. The Welch strategy included Betty’s leadership in demonstrating outwardly their participation in modern Western lifestyles, including enslavement, as John maintained a hidden space—within the boundaries of their land—for the continuation of traditional Cherokee cultural practices. Their Determination to Remain explores the complexities of race and gender in this region of the antebellum South and the real impacts of racism on the community.

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South Carolina is state of great natural beauty and rich biodiversity. From mountainous rainforests to isolated barrier islands, the Palmetto State is a remarkable place to encounter abundant plant and animal life. Wild South Carolina, compiled by a mother-daughter team of naturalists, delves into the most intriguing outdoor destinations, offering advice on how, when, and where to experience the state’s ecological treasures. Organized by region and illustrated with more than 150 color photographs, this guidebook presents handpicked tours of 38 special parks, wildlife refuges, heritage preserves, and other public lands. Discover the federally endangered peregrine falcon in the ACE Basin, the breathtaking synchronized displays of fireflies at Congaree National Park, the world’s largest showing of rocky shoals spider lilies on the Catawba River, the rare Oconee bells nestled in the Blue Ridge Mountains, the world’s oldest cypress-tupelo forest, and many more spectacular sights. Bike, hike, paddle, or even ride a horse while visiting the state’s dramatic waterfalls, boardwalk swamp trails, lighthouses, limestone caverns, a Moorish-styled castle, and much more. Observe deceptively-beautiful carnivorous plants in full bloom, tundra swans lounging in former rice paddies, and hundreds of raptors flying en masse along rocky cliffs. Grab a pair of binoculars, a water bottle, and your copy of Wild South Carolina to explore the best of South Carolina’s natural areas! Experience the wealth of South Carolina’s wonders first hand.

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Remember radicalism? A time when the Toronto art scene was in formation - and destruction? When there were no models and anything was possible? The late 1970s was a key period when Toronto thought itself Canada's most important art centre, but history has shown that the nascent downtown art community - not the established uptown scene of commercial galleries - was where it was happening. It was a political period. Beyond the art politics, art itself was politicised in its contents and context. Art's political dimension was continually polemically posed - or postured - by artists in these years. Beyond politics, posturing, in fact, was a constant presence as the community invented itself. It was also a period rich in invention of new forms of art. Punk, semiotics, and fashion were equally influential, not to mention transgressive sexuality. It was the beginning of the photo-blowup allied to the deconstructed languages of advertising. Video and performance aligned in simulations of television production as the "underground" mimicked the models of the mainstream for its own satiric, critical purposes. With no dominant art form and the influence of New York in decline, there were no models and anything was possible: even the invention of the idea of an art community as a fictional creation. Is Toronto Burning? takes you on a journey through this period rich in invention of new forms of art. It brings together artworks by Susan Britton, David Buchan, Colin Campbell, Elizabeth Chitty, Carole Conde and Karl Beveridge, Judith Doyle, General Idea, Isobel Harry, Ross McLaren, Missing Associates (Peter Dudar & Lily Eng), Clive Robertson, Tom Sherman, and Rodney Werden alongside archival documents. The artworks were all shown at the exhibition of the same name at the end of 2014 at The Art Gallery of York University, curated by Director Philip Monk. In partnership with The Art Gallery of York University.

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From the acclaimed author of Spring Wildflowers of the Northeast, a beautifully illustrated follow-up introduction to the summer-blooming wildflowers of the northeastern United States and CanadaThis exquisitely illustrated volume provides an accessible, in-depth introduction to summer-blooming wildflowers of the northeastern United States and Canada. Featuring more than 700 detailed color photos and a large, beautifully designed format, the book delves into the life histories of more than thirty-five wildflowers and their relatives, from common roadside favorites, such as asters and milkweeds, to interesting, lesser-known species, including Indian pipe and ginseng. Drawing on a wealth of personal experience and the latest scientific research, and presenting it all in terms anyone can understand, acclaimed naturalist and photographer Carol Gracie invites readers to enhance their appreciation of the beauty of these wildflowers by learning not just their names or how many petals they have, but what pollinates them, how their seeds are dispersed, how they interact with other plants and animals, how Native Americans and other people have used them, and other interesting facts.Each species is illustrated with a range of detailed color photos that not only capture its beauty but illustrate the features discussed in the text and show the plant in its environment alongside the pollinators, herbivores, or seed dispersers with which, in many cases, the wildflower has evolved. Other topics covered include the naming of wildflowers; pathogens and pests; related species in other parts of the world; and wildflowers in history, literature, and art.Presenting authoritative information in an inviting style, Summer Wildflowers of the Northeast is an ideal volume for wildflower lovers, outdoor enthusiasts, naturalists, students, and more. Showcases the most spectacular summer-blooming wildflowers of the northeastern United States and Canada Features more than 700 stunning full-color photos Covers the life histories, lore, and uses of more than 35 species and their relatives Combines the latest scientific research with an easy-to-read style Features species accounts for these wildflowers:Alpine Wildflowers ● American Cranberry ● American Ginseng ● American Lotus ● Asters ● Beechdrops ● Blackberry-lily ● Bog Orchids ● Broad-leaved Helleborine ● Buckbean ● Bunchberry ● Cardinal Flower ● Chicory ● Common Milkweed ● Common Mullein ● Evening-Primrose ● Fringed Gentian ● Fringed Orchids ● Goldenrods ● Grass-of-Parnassus ● Indian Pipe ● Jewelweed ● Jimsonweed ● Lilies ● Patridge-berry ● Passion-flowers ● Pipsissewa ● Prickly Pear ● Purple Pitcher Plant ● Queen Anne’s Lace ● Showy Lady-slipper ● Swamp Rose-mallow ● Wild Leek ● Wild Lupine ● Yellow Pond-lily

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Professor Nightshade - tea time terror for all the family, and the most loved show in Britain. But Professor Nightshade's days are long over, and Edmund Trevithick is now just an unemployed actor in a retirement home, fondly remembering his past.It's the same through the entire village - people are falling prey to their memories. At first harmlessly, and then, the bodies begin to turn up. The Doctor and Ace arrive on the scene - but, with the Doctor planning his retirement, it may be time for Professor Nightshade to solve one last case. Nightshade is based on the novel by Mark Gatiss from the Virgin New Adventures series of Doctor Who books. Sylvester McCoy originally played the Doctor in 1987 - 1989, (then again in 1996) while his other work includes Radagast the Brown in Peter Jackson's epic The Hobbit films. Sophie Aldred's Ace companion is often viewed as Doctor Who's first contemporary young friend for the Doctor, setting out the template followed in later years by Rose Tyler (Billie Piper) and Clara Oswald (Jenna-Louise Coleman). In 2012 Sophie Aldred added another Doctor to those she's worked with when she and David Tennant starred in Tree Fu Tom. The original novel Doctor Who - Nightshade was written for Virgin Publishing in 1992 by Mark Gatiss - one of the stars of Sherlock and The League of Gentlemen, as well as a prolific writer for Doctor Who in a number of formats. CAST: Sylvester McCoy (The Doctor), Sophie Aldred (Ace), John Castle (Edmund Trevithick), Samuel Barnett (Robin), Katherine Jakeways (Jill), Edward Harrison (Dr. Hawthorne), Jonny Magnanti (Lawrence), Tom Price (Sgt Barclay) and Carole Ann Ford (Susan).

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Re/presenting Class is a collection of essays that develops a poststructuralist Marxian conception of class in order to theorize the complex contemporary economic terrain. Both building upon and reconsidering a tradition that Stephen Resnick and Richard Wolff—two of this volume’s editors—began in the late 1980s with their groundbreaking work Knowledge and Class, contributors aim to correct previous research that has largely failed to place class as a central theme in economic analysis. Suggesting the possibility of a new politics of the economy, the collection as a whole focuses on the diversity and contingency of economic relations and processes.Investigating a wide range of cases, the essays illuminate, for instance, the organizational and cultural means by which unmeasured surpluses—labor that occurs outside the formal workplace‚ such as domestic work—are distributed and put to use. Editors Resnick and Wolff, along with J. K. Gibson-Graham, bring theoretical essays together with those that apply their vision to topics ranging from the Iranian Revolution to sharecropping in the Mississippi Delta to the struggle over the ownership of teaching materials at a liberal arts college. Rather than understanding class as an element of an overarching capitalist social structure, the contributors—from radical and cultural economists to social scientists—define class in terms of diverse and ongoing processes of producing, appropriating, and distributing surplus labor and view class identities as multiple, changing, and interacting with other aspects of identity in contingent and unpredictable ways. Re/presenting Class will appeal primarily to scholars of Marxism and political economy.Contributors. Carole Biewener, Anjan Chakrabarti, Stephen Cullenberg, Fred Curtis, Satyananda Gabriel, J. K. Gibson-Graham, Serap Kayatekin, Bruce Norton, Phillip O’Neill, Stephen Resnick, David Ruccio, Dean Saitta, Andriana Vlachou, Richard Wolff

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Giant oaks draped with Spanish moss, wrought-iron-clad mansions, lush plantations, vistas of marsh and ocean, and miles and miles of flat, well-kept roadwayall combine to make the coastal lowlands of Georgia and South Carolina one of the best bicycle-touring spots in the nation. Jane and Buddy Kahn guide cyclists through the region's most rewarding land- and cityscapes. Visit Savannah's graceful squares; the mysterious Okefenokee Swamp; the sunny Golden Isles of Georgia; and the Carolina Low Country, rich with history and warm with hospitality. For this new second edition the Kahns have added one bonus tour, for a total of 26. Tours range in length from 6 to 60 miles, offering something for cyclists of all abilities. Each tour includes a detailed map, mile-by-mile directions, and information on natural and historic points of interest you'll see along the way. 3 new tours in this edition. 25 black and white photographs 26 maps. The first edition of this book was titled 25 Bicycle Tours in Coastal Georgia and the Carolina Low Country.

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Nancy Caroline’s Emergency Care in the Streets, Ninth Edition is the newest evolution of the premier paramedic education training program. This legendary paramedic textbook was first developed by Dr. Nancy Caroline in the early 1970s and transformed paramedic education. Today, lead editors Bob Elling and Barb Aehlert, along with the American Academy of Orthopaedic Surgeons, are proud to continue this legacy and set the new gold standard for the paramedics of tomorrow. The Ninth Edition offers cutting-edge, evidence-based content that meets or exceeds the most current scientific recommendations developed by the International Liaison Committee on Resuscitation (ILCOR) and the ECC Guidelines established by the American Heart Association and other resuscitation councils around the world. Clear chapter objectives align with the 2019 National EMS Scope of Practice Model and 2021 EMS Education Standards. Thoroughly reviewed by medical doctors and subject-matter experts, the Ninth Edition teaches students the technical skills required of today’s paramedic while emphasizing other important professional attributes, including critical thinking, empathy, teamwork, communication, problem solving, and personal well-being. Taking a systemic approach to the assessment and management of traumatic and medical emergencies, and devoting entire chapters to special topics, such as mass-casualty incidents, the Ninth Edition covers the full scope of paramedic practice. Some of the key high-level updates to the Ninth Edition include the following: Language carefully reviewed throughout text to ensure gender neutrality, racial inclusivity, and nonstigmatizing descriptions of patient conditions NEW Street Smarts boxes throughout the text to emphasize the “soft skills” expected of today’s paramedics Images updated to reflect appropriate PPE in the current COVID-19 setting Added emphasis on current spinal motion restriction guidelines Thoroughly reviewed and updated references, statistics, and case studies CPR and ACLS algorithms updated throughout text to reflect the current AHA guidelines

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Published by Boydell & Brewer Inc.

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'An engrossing tale of a woman striving for the recognition she deserves in the face of male indifference and betrayal' SUNDAY TIMES 'Best historical fiction for February 2024'THE ESSEX SERPENT MEETS AMMONITE IN THE STUNNING HISTORICAL NOVEL EVERYBODY IS TALKING ABOUT:'Singular and astonishing . . . I've never met a character quite like Ada' ANNIE GARTHWAITE'The Bone Hunters has cemented Joanne Burn's place as one of my favourite writers' SONIA VELTON'Joanne Burn is fast becoming my go-to historical fiction writer' EMMA CARROLL'The Bone Hunters is that rare combination . . . beautifully written but also a gripping page-turner' LAURA SHEPPERSON________In 1824, Lyme Regis is as tumultuous as the sea that surrounds it. When twenty-four-year-old Ada Winters - poor, peculiar and brilliant - uncovers a set of unusual fossils on the cliffs, she believes she has found the answer to her scientific frustrations and her family's financial struggles. Meanwhile, Doctor Edwin Moyle has come to Dorset in search of the discovery that will place him amongst the greatest geologists of the age. What he finds instead is a strange young woman who seems to hold the key to everything he desires. But what is the creature that Ada and Edwin seek to unearth? And will it lead them to greatness, or destruction?________'Delicate and beautiful, I loved it' POLLY CROSBY'An extraordinary book . . . I fell in love with Ada from the first page' ELIZABETH LEE'A beautifully written tale of obsession, friendship, betrayal, ambition and love' ROZ WATKINS'So beautifully and brilliantly written. Every word dripped with atmosphere' CAROLE MATTHEWS

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In this text the author demonstrates that the efforts to understand black people's history of resistance solely through the prism of Marxist theory are incomplete and inaccurate, because it presupposes European models of history. Black radicalism, he argues, must be linked to the African traditions

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Contributions by Lawrence Brown, Sue Colledge, Robert Giegengack, Thomas Higham, Vladimir Hrsak, Anthony Legge†, Drago Margus, Sarah McClure, Carol Palmer, Emil Podrug, Kelly Reed, Jennifer Smith, and Josko Zaninovic. The origins and spread of farming are vital subjects of research, notably because agriculture makes possible our modern world. The Early Farming in Dalmatia Project is investigating the expansion of farming from its centre of origin in western Asia through the Mediterranean into southern Europe. This multidisciplinary ecological project combines comprehensive recovery of archaeological materials through excavation with landscape studies. It addresses several key questions, including when and how farming reached Dalmatia, what was the nature of this new economy, and what was its impact on the local environment. Excavations at Danilo Bitinj and Pokrovnik have demonstrated that their inhabitants were full-time farmers. The two sites were among the largest known Neolithic villages in the eastern Adriatic. A comprehensive program of AMS dating indicates that together they were occupied from c. 8,000 to 6,800 cal BP. Our research has begun to illuminate the details of their farming system, as well as the changes that took place in their way of life through the Neolithic. Their economy was derived from western Asia and it is likely that their ancestors came from there also. It was these people who brought agriculture and village life to the Adriatic and to the rest of the central and western Mediterranean. Once in place, this farming economy persisted in much the same form from the Neolithic down to the present.

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'The best short story writer in the world' Susan Hill 'This book is a spectacular literary revelation' Sunday Times The collected stories of an award-winning, modern classic American writer who has been compared to Alice Munro, John Updike - and even Anton Chekhov Tenderly, incisively, Edith Pearlman captured life on the page like no one else. Spanning forty years of writing, moving from tsarist Russia to the coast of Maine, from Jerusalem to Massachusetts, these astonishing stories reveal one of America's greatest modern writers. Across a stunning array of scenes-an unforeseen love affair between adolescent cousins, an elderly couple's decision to shoplift, an old woman's deathbed confession of her mother's affair-Edith Pearlman crafts a timeless and unique sensibility, shot through with wit, lucidity and compassion. Part of the Pushkin Press Classics series: timeless storytelling by icons of literature, hand-picked from around the globe Edith Pearlman (1936-2023) published her debut collection of stories in 1996, aged 60. She won The National Book Critics Circle Award for Fiction for Binocular Vision. She published over 250 works of short fiction in magazines, literary journals, anthologies and online publications. Her work won three O. Henry Prizes, the Drue Heinz Prize for Literature, and a Mary McCarthy Prize, among others. In 2011, Pearlman was the recipient of the PEN/Malamud Award, which put her in the ranks of luminaries like John Updike and Joyce Carol Oates.

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The Sunday Times bestseller. 'A compulsively readable, carefully researched account of how a malignant combination of rightwing ideology, secretive money (much of it from the US) and weaponisation of social media have shaped contemporary British (and to a limited extent, European) politics... Remarkable' Observer, Book of the Week Democracy is in crisis, and unaccountable and untraceable flows of money are helping to destroy it. This is the story of how money, vested interests and digital skulduggery are eroding trust in democracy. Antiquated electoral laws are broken with impunity, secretive lobbying is bending our politics out of shape and Silicon Valley tech giants collude in selling out democracy. Politicians lie gleefully, making wild claims that can be shared instantly with millions on social media. Peter Geoghegan is a diligent, brilliant guide through the shadowy world of dark money and digital disinformation stretching from Westminster to Washington, and far beyond. Praise for Democracy for Sale: 'Thorough, gripping and vitally important' Oliver Bullough 'A brilliant description of the dark underbelly of modern democracy. Everyone should read it' Anne Applebaum 'A compelling and very readable story of the ongoing corruption of our government and therefore ourselves' Anthony Barnett 'As urgent as it is illuminating' Fintan O'Toole 'This urgent, vital book is essential reading for anyone who wants to make sense of our politics' Carole Cadwalladr 'This forensic and highly readable book shows how so many of our democratic processes have moved into the murky, unregulated spaces of globalisation and digital innovation' Peter Pomerantsev 'A call to arms for all those who value democracy' The Herald 'Geoghegan's words are those of someone who is prepared to keep fighting to defend and revitalise what shadows of democracy still remain'Scotsman

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Consuelo Jimenez Underwood’s artwork is marked by her compassionate and urgent engagement with a range of pressing contemporary issues, from immigration and environmental precarity to the resilience of Indigenous ancestral values and the necessity of decolonial aesthetics in art making. Drawing on the fiber arts movement of the 1960s and 1970s, Chicana feminist art, and Indigenous fiber- and loom-based traditions, Jimenez Underwood’s art encompasses needlework, weaving, painted and silkscreened pieces, installations, sculptures, and performance. This volume’s contributors write about her place in feminist textile art history, situate her work among that of other Indigenous-identified feminist artists, and explore her signature works, series, techniques, images, and materials. Redefining the practice of weaving, Jimenez Underwood works with repurposed barbed wire, yellow caution tape, safety pins, and plastic bags and crosses Indigenous, Chicana, European, and Euro-American art practices, pushing the arts of the Americas beyond Eurocentric aesthetics toward culturally hybrid and Indigenous understandings of art making. Jimenez Underwood’s redefinition of weaving and painting alongside the socially and environmentally engaged dimensions of her work position her as one of the most vital artists of our time. Contributors. Constance Cortez, Karen Mary Davalos, Carmen Febles, M. Esther Fernández, Christine Laffer, Ann Marie Leimer, Amalia Mesa-Bains, Robert Milnes, Jenell Navarro, Laura E. Pérez, Marcos Pizarro, Verónica Reyes, Clara Román-Odio, Carol Sauvion, Cristina Serna, Emily Zaiden

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Consuelo Jimenez Underwood’s artwork is marked by her compassionate and urgent engagement with a range of pressing contemporary issues, from immigration and environmental precarity to the resilience of Indigenous ancestral values and the necessity of decolonial aesthetics in art making. Drawing on the fiber arts movement of the 1960s and 1970s, Chicana feminist art, and Indigenous fiber- and loom-based traditions, Jimenez Underwood’s art encompasses needlework, weaving, painted and silkscreened pieces, installations, sculptures, and performance. This volume’s contributors write about her place in feminist textile art history, situate her work among that of other Indigenous-identified feminist artists, and explore her signature works, series, techniques, images, and materials. Redefining the practice of weaving, Jimenez Underwood works with repurposed barbed wire, yellow caution tape, safety pins, and plastic bags and crosses Indigenous, Chicana, European, and Euro-American art practices, pushing the arts of the Americas beyond Eurocentric aesthetics toward culturally hybrid and Indigenous understandings of art making. Jimenez Underwood’s redefinition of weaving and painting alongside the socially and environmentally engaged dimensions of her work position her as one of the most vital artists of our time. Contributors. Constance Cortez, Karen Mary Davalos, Carmen Febles, M. Esther Fernández, Christine Laffer, Ann Marie Leimer, Amalia Mesa-Bains, Robert Milnes, Jenell Navarro, Laura E. Pérez, Marcos Pizarro, Verónica Reyes, Clara Román-Odio, Carol Sauvion, Cristina Serna, Emily Zaiden

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