Search results for ""author simon"

More than ever, architecture is in need of provocation, a new path beyond the traditional notion that buildings must serve as vessels, or symbols of something outside themselves. Non-Referential Architecture is nothing less than a manifesto for a new architecture. It brings together two leading thinkers, architect Valerio Olgiati and theorist Markus Breitschmid, who have grappled with this problem since their first encounter in 2005. In a world that itself increasingly rejects ideologies of any kind, Olgiati and Breitschmid offer Non-Referential Architecture as a radical, new approach free from rigid ideologies. Non-referential buildings, they argue, are entities that are themselves meaningful outside a vocabulary of fixed symbols and images and their historical connotations. For more than a decade, Olgiati and Breitschmid's thinking has placed them at the forefront of architectural theory. Indispensable for understanding what the future might hold for architecture, Non-Referential Architecture will become a new classic. The book's first edition, published in May 2018 by Simonett & Baer, was sold-out within months. This revised and slightly redesigned new edition makes this key text available again.

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Under neoliberalism the cult of individualism reigns supreme, forced upon us through culture, media and politics, it fatally limits our capacity to escape the current crisis of democratic politics. In Common Ground, Jeremy Gilbert asks us to reimagine the philosophical relationship between individuality, collectivity, affect and agency, proposing a radically non-individualist mode of imagining social life. The book considers how opponents of neoliberal hegemony, and of the individualist tradition in Western thought, might protect collective creativity and democratic possibility. Examination of the historical roots of individualism's 'Leviathan logic' and fresh readings of theorists such as Hobbes, Lazzarato, Simondon, Lyotard, Laclau and Deleuze and Guattari, force us to confront longstanding assumptions about the nature of the individual and of collectivity. Exploration of this fundamental faultline in contemporary politics is accompanied by analysis of the different ideas and practices of collectivity, from conservative notions of hierarchical and patriarchal communities to the politics of 'horizontality' and 'the commons' which lie at the heart of radical movements today. Through an understanding of the philosophy shaping contemporary relations and disrupting hegemonic values, we can re-imagine the present moment.

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In Always More Than One, the philosopher, visual artist, and dancer Erin Manning explores the concept of the "more than human" in the context of movement, perception, and experience. Working from Whitehead's process philosophy and Simondon's theory of individuation, she extends the concepts of movement and relation developed in her earlier work toward the notion of "choreographic thinking." Here, she uses choreographic thinking to explore a mode of perception prior to the settling of experience into established categories. Manning connects this to the concept of "autistic perception," described by autistics as the awareness of a relational field prior to the so-called neurotypical tendency to "chunk" experience into predetermined subjects and objects. Autistics explain that, rather than immediately distinguishing objects—such as chairs and tables and humans—from one another on entering a given environment, they experience the environment as gradually taking form. Manning maintains that this mode of awareness underlies all perception. What we perceive is never first a subject or an object, but an ecology. From this vantage point, she proposes that we consider an ecological politics where movement and relation take precedence over predefined categories, such as the neurotypical and the neurodiverse, or the human and the nonhuman. What would it mean to embrace an ecological politics of collective individuation?

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Italian-born Michelangelo di Lodovico Buonarroti Simoni (1475–1564) was a tormented, prodigiously talented, and God-fearing Renaissance man. His manifold achievements in painting, sculpture, architecture, poetry, and engineering combined body, spirit, and God into visionary masterpieces that changed art history forever. Famed biographer Giorgio Vasari considered him the pinnacle of Renaissance achievement. His peers called him simply “Il Divino” (“the divine one”). This book provides the essential introduction to Michelangelo with all the awe-inspiring masterpieces and none of the queues and crowds. With vivid illustration and accessible texts, we explore the artist’s extraordinary figuration and celebrated style of terribilità (momentous grandeur), which allowed human and biblical drama to exist in compelling scale and fervor. Through the power hubs of Renaissance Italy, we take in his major commissions and phenomenal capacity for compositional schemes, whether the famous Medici library in Florence, or the extraordinary 500-square-meter ceiling (1508–1512) in the Vatican’s Sistine Chapel. From the towering David to the aching grief and faith of The Pietà and the vivid drama of the Sistine Chapel’s Last Judgment, this is a succinct, dependable reference to a true giant of art history and to some of the most famous artworks in the world.

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'Remarkable...a rip-roaring adventure novel with a true depth of feeling' Sunday Times'A joy to read' HeraldThe First World War ended the day Sam Simoneaux's regiment reached France, but he saw more than enough of its ravages. Returning to New Orleans, he determines to put mayhem and destruction behind him, and to make a fresh start with his wife. But when a little girl is abducted on his watch at a department store, he has no choice but to help find her. Steeped in the langorous rhythms and music of Prohibition-era Louisiana, The Missing vividly evokes a ragged frontier nation where violence is normal and the law easy to dodge. Relentlessly suspenseful and profoundly affecting, this is an enthralling tale of vengeance, conscience and redemption by an exceptional writer.

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"Humane yet often horrifying, Tell Me How It Ends offers a compelling, intimate look at a continuing crisis—and its ongoing cost in an age of increasing urgency." —Jeremy Garber, Powell's Books"Valeria Luiselli's extended essay on her volunteer work translating for child immigrants confronts with compassion and honesty the problem of the North American refugee crisis. It's a rare thing: a book everyone should read." —Stephen Sparks, Point Reyes Books"Tell Me How It Ends evokes empathy as it educates. It is a vital contribution to the body of post-Trump work being published in early 2017."—Katharine Solheim, Unabridged Bookstore"While this essay is brilliant for exactly what it depicts, it helps open larger questions, which we're ever more on the precipice of now, of where all of this will go, how all of this might end. Is this a story, or is this beyond a story? Valeria Luiselli is one of those brave and eloquent enough to help us see."—Rick Simonson, Elliott Bay Book Company"Appealing to the language of the United States' fraught immigration policy, Luiselli exposes the cracks in this foundation. Herself an immigrant, she highlights the human cost of its brokenness, as well as the hope that it (rather than walls) might be rebuilt."—Brad Johnson, Diesel Bookstore"The bureaucratic labyrinth of immigration, the dangers of searching for a better life, all of this and more is contained in this brief and profound work. Tell Me How It Ends is not just relevant, it's essential."—Mark Haber, Brazos Bookstore

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Poetry in archaic and classical Greece was a practical art that arose from specific social or political circumstances. The interpretation of a poem or dramatic work must therefore be viewed in the context of its performance. In Poetry, Public, and Performance in Ancient Greece, Lowell Edmunds and Robert W. Wallace bring together a distinguished group of contributors to reconstruct the performance context of a wide array of works, including epic, tragedy, lyric, elegy, and proverb. Analyzing the passage in the Odyssey in which a collective delirium comes over the suitors, Giulio Guidorizzi reveals how the poet describes a scene that lies outside the narrative themes and diction of epic. Antonio Aloni offers a reading of Simonides' elegy for the Greeks who fell at Plataea. Lowell Edmunds interprets the so-called seal of Theognis as lying on a borderline between the performed and the textual. Taking up proverbs, maxims, and apothegms, Joseph Russo examines "the performance of wisdom." Charles Segal focuses on the unusual role played by the chorus in Euripides' Bacchae. Reading the plot of Euripides' Ion, Thomas Cole concludes that the task of constructing the meaning of the play is to some extent delegated to the public. Robert Wallace describes the "performance" of the Athenian audience and provides a catalog of good and bad behavior: whistling, shouting, and throwing objects of every kind. Finally, Maria Grazia Bonanno stresses the importance of performance in lyric poetry.

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In the aftermath of the First World War, the poet Paul Valéry wrote of a ‘crisis of spirit’, brought about by the instrumentalization of knowledge and the destructive subordination of culture to profit. Recent events demonstrate all too clearly that that the stock of mind, or spirit, continues to fall. The economy is toxically organized around the pursuit of short-term gain, supported by an infantilizing, dumbed-down media. Advertising technologies make relentless demands on our attention, reducing us to idiotic beasts, no longer capable of living. Spiralling rates of mental illness show that the fragile life of the mind is at breaking point. Underlying these multiple symptoms is consumer capitalism, which systematically immiserates those whom it purports to liberate. Returning to Marx’s theory, Stiegler argues that consumerism marks a new stage in the history of proletarianization. It is no longer just labour that is exploited, pushed below the limits of subsistence, but the desire that is characteristic of human spirit. The cure to this malaise is to be found in what Stiegler calls a ‘pharmacology of the spirit’. Here, pharmacology has nothing to do with the chemical supplements developed by the pharmaceutical industry. The pharmakon, defined as both cure and poison, refers to the technical objects through which we open ourselves to new futures, and thereby create the spirit that makes us human. By reference to a range of figures, from Socrates, Simondon and Derrida to the child psychoanalyst Donald Winnicott, Stiegler shows that technics are both the cause of our suffering and also what makes life worth living.

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The philosophy of Gilles Deleuze is increasingly gaining the prestige that its astonishing inventiveness calls for in the Anglo-American theoretical context. His wide-ranging works on the history of philosophy, cinema, painting, literature and politics are being taken up and put to work across disciplinary divides and in interesting and surprising ways. However, the backbone of Deleuze's philosophy - the many and varied sources from which he draws the material for his conceptual innovation - has until now remained relatively obscure and unexplored. This book takes as its goal the examination of this rich theoretical background. Presenting essays by a range of the world's foremost Deleuze scholars, and a number of up and coming theorists of his work, the book is composed of in-depth analyses of the key figures in Deleuze's lineage whose significance - as a result of either their obscurity or the complexity of their place in the Deleuzean text - has not previously been well understood. This work will prove indispensable to students and scholars seeking to understand the context from which Deleuze's ideas emerge. Included are essays on Deleuze's relationship to figures as varied as Marx, Simondon, Wronski, Hegel, Hume, Maimon, Ruyer, Kant, Heidegger, Husserl, Reimann, Leibniz, Bergson and Freud.

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A new crew of the legendary Serenity face new enemies, reunite with old friends, and travel to the EARTH THAT WAS for the first time in Firefly history!Firefly jumps forward in time after the battle with the Reavers that left Wash & Book dead. Serenity soars again, with Kaylee captaining a crew including River, Jayne and the bandit Leonard Chang-Benitez. They’ll soon find themselves drawn into a shocking conflict that puts them on an interception course with old friends… and new enemies! In an attempt to evade the Alliance the crew of Serenity find themselves stranded on The-Earth-That-Was, a strange world filled with ancient artifacts, a new civilization and…maybe some semblance of hope. As strangers in a strange land they encounter individual and shared challenges galore! The groundbreaking future of Firefly by New York Times best-selling writer Greg Pak (Darth Vader) and an all-star group ofartists including Pius Bak (The Magicians), Ethan Young (NANJING: The Burning City), Simona Di Gianfelice (Power Rangers), Jordi Perez (Queen of Bad Dreams), and Jahnoy Lindsay (Marvel’s Voices) is collected for the first time in a special deluxe edition hardcover! Collects Firefly #25-36.

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The widespread international interest in the Nordic region and the mobility of Nordic brand imaginaries calls for more research into the global relevance of Nordic place branding practices. This book offers a timely attempt to unpack the specificity of the Nordic in regards to place branding by gathering different transdisciplinary accounts written by researchers in marketing, tourism, geography, communication, sociology, and political science. Chapters are organized according to three themes of poetics, practices and politics, which deal with the construction, enactment and appropriation of the Nordic place brand and branding. The contributions consolidate Nordic place branding scholarship and its scientific engagement with processes of de-politicization, consensus making, collaboration and transparency. At the same time, Nordic ideals, policies and values offer a critical lens to explore hitherto unexplored issues in place branding such as feminism, post-colonialism, sustainability, and equality. Solidly grounded in contemporary geopolitical and sociocultural challenges within and beyond the Nordic region, The Nordic Wave in Place Branding will enhance theoretical, methodological and practitioner perspectives in in international place branding. This timely book will be of interest to advanced students of branding and place management, as well as policy makers, regional developers and researchers within the fields of tourism, destination marketing, branding, and media and communication. Contributors include: M. Andéhn, L.P. Andersen, L.R. Bjørst, R.B. Broegaard, S. Brorström, S.H. Cassel, T. Chekalina, S. Degerhammar, J. Edlom, J. Eksell, A. Fjällhed, M. Fuchs, U.P. Gad, A. Heith, O.H. Jørgensen, M. Kavaratzis, B. Kramvig, L.H. Larsen, D. Laven, F. Lindberg, L. Margaryan, M. Meldgaard, T. Nielsen, J. Östberg, J.C. Pasgaard, C. Ren, K. Seppel, K. Simm, K. Simonsen, K. Tamm Hallström, P. Tammpuu, S. Taylor, K. Topsø Larsen, P. Varley, A.M. Waade

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This scholarly and important volume has an impressive interdisciplinary and international scope. We hear from psychologists, sociologists, philosophers, legal scholars, and economists. These refreshing chapters broaden our understanding of human innovation, contributing to a developing sociocultural approach to the study of creativity. These chapters directly challenge the myth of solitary genius, by documenting the social and cultural systems within which new ideas emerge.'- Keith Sawyer, Washington University in St Louis, US'This penetrating volume both summarizes compellingly what we know about creativity and examines critically loose concepts of creativity, cases where creativity does harm, and deceptive hype about creativity. This volume neither romanticizes creativity nor reduces it to the servant of economic and cultural development, offering instead a differentiated and penetrating examination of the nature of creativity and its diverse positive and sometimes negative roles.'- David Perkins, Harvard Graduate School of Education, USThis comprehensive yet concise Handbook provides an overview of innovative approaches to, and new perspectives on, the study of creativity.In this timely work, creativity is not defined by an ideal, rather it encompasses a range of theories, functions, characteristics, processes, products and practices that are associated with the generation of novel and useful outcomes suited to particular social, cultural and political contexts. Chapters present original research by international scholars from a wide range of disciplines including history, sociology, psychology, philosophy, cultural studies, education, economics and interdisciplinary studies. Their research investigates creativity in diverse fields including art, creative industries, aesthetics, design, new media, music, arts education, science, engineering and technology.Containing cutting-edge research the Handbook of Research on Creativity will strongly appeal to academics and advanced students in cultural studies, creative industries, art history and theory, experimental music and performance studies, digital and new media studies, engineering, economics, sociology, psychology and social psychology, management studies, and education particularly visual arts education and music education. Policy makers, managers and entrepreneurs will also find much to interest them in this fascinating work.Contributors: S. Banaji, T. Barker, D. Berry, C. Bilton, N.C.M. Brown, P. Burnard, J. Chan, S. Cranmer, A.J. Cropley, D.H. Cropley, C. De Cock, L. Denti, D.R. Eikhof, K. Essl, C. Gibson, V. Giorgini, R. Gonsalves, S. Harnow Klausen, S. Hemlin, j. jagodzinski, V. Johnson, J.C. Kaufman, N. Kawashima, R. Korde, J. McGuigan, P. McIntyre, J. Mecca, P.-M. Menger, R. Miettinen, D.P. Miller, M.D. Mumford, T. Oiyama, L. Olsson, P.B. Paulus, C. Perrotta, A. Power, A. Quemin, A. Rehn, E. Scheer, E. Schubert, D.K. Simonton, T. Smith, J. Steers, S. Taylor, K. Thomas, E. Zimmerman

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In What Animals Teach Us about Politics, Brian Massumi takes up the question of "the animal." By treating the human as animal, he develops a concept of an animal politics. His is not a human politics of the animal, but an integrally animal politics, freed from connotations of the "primitive" state of nature and the accompanying presuppositions about instinct permeating modern thought. Massumi integrates notions marginalized by the dominant currents in evolutionary biology, animal behavior, and philosophy—notions such as play, sympathy, and creativity—into the concept of nature. As he does so, his inquiry necessarily expands, encompassing not only animal behavior but also animal thought and its distance from, or proximity to, those capacities over which human animals claim a monopoly: language and reflexive consciousness. For Massumi, humans and animals exist on a continuum. Understanding that continuum, while accounting for difference, requires a new logic of "mutual inclusion." Massumi finds the conceptual resources for this logic in the work of thinkers including Gregory Bateson, Henri Bergson, Gilbert Simondon, and Raymond Ruyer. This concise book intervenes in Deleuze studies, posthumanism, and animal studies, as well as areas of study as wide-ranging as affect theory, aesthetics, embodied cognition, political theory, process philosophy, the theory of play, and the thought of Alfred North Whitehead.

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Explores the concept of multiplicity in Deleuze and Guattari's work and its relevance to artistic practice. Western philosophy has habitually privileged notions of identity, essence and static existence. The importance of Deleuze and Guattari is that they critically interrogate this pattern, and instead emphasise multiplicities. This collection of essays from a range of philosophers and art practitioners, such as Mieke Bal, James Williams, Laura Marks, Gary Genosko and Eugene Holland, engages with the philosophical concept of multiplicity in novel ways.Divided into two parts, the first section includes theoretical essays on the concept of multiplicities, on affect and politics as well as the thought of Raymond Ruyer and Gilbert Simondon. The second section presents essays on specific art practices such as the plastic arts, theatre, performance and music.Illustrated with eight fascinating case studies of unusual and marginalised forms of artistic practice such as Islamic talismanic magic, refugee theatre and Aboriginal ritual, and featuring 18 illustrations by virtually unknown Eastern European avant-garde artists amongst others, the articles of this volume are at once a work of 'practical philosophy' in the Deleuzian sense and also a polyphonic artwork.

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In Art as Information Ecology, Jason A. Hoelscher offers not only an information theory of art but an aesthetic theory of information. Applying close readings of the information theories of Claude Shannon and Gilbert Simondon to 1960s American art, Hoelscher proposes that art is information in its aesthetic or indeterminate mode—information oriented less toward answers and resolvability than toward questions, irresolvability, and sustained difference. These irresolvable differences, Hoelscher demonstrates, fuel the richness of aesthetic experience by which viewers glean new information and insight from each encounter with an artwork. In this way, art constitutes information that remains in formation---a difference that makes a difference that keeps on differencing. Considering the works of Frank Stella, Robert Morris, Adrian Piper, the Drop City commune, Eva Hesse, and others, Hoelscher finds that art exists within an information ecology of complex feedback between artwork and artworld that is driven by the unfolding of difference. By charting how information in its aesthetic mode can exist beyond today's strictly quantifiable and monetizable forms, Hoelscher reconceives our understanding of how artworks work and how information operates.

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Philosophy has inherited a powerful impulse to embrace either dualism or a reductive monism—either a radical separation of mind and body or the reduction of mind to body. But from its origins in the writings of the Stoics, the first thoroughgoing materialists, another view has acknowledged that no forms of materialism can be completely self-inclusive—space, time, the void, and sense are the incorporeal conditions of all that is corporeal or material. In The Incorporeal Elizabeth Grosz argues that the ideal is inherent in the material and the material in the ideal, and, by tracing its development over time, she makes the case that this same idea reasserts itself in different intellectual contexts.Grosz shows that not only are idealism and materialism inextricably linked but that this "belonging together" of the entirety of ideality and the entirety of materiality is not mediated or created by human consciousness. Instead, it is an ontological condition for the development of human consciousness. Grosz draws from Spinoza's material and ideal concept of substance, Nietzsche's amor fati, Deleuze and Guattari's plane of immanence, Simondon's preindividual, and Raymond Ruyer's self-survey or autoaffection to show that the world preexists the evolution of the human and that its material and incorporeal forces are the conditions for all forms of life, human and nonhuman alike. A masterwork by an eminent theoretician, The Incorporeal offers profound new insight into the mind-body problem

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The age of gene-centrism and mechanism is slowly passing. In its place, the biological sciences increasingly recognise that life isn't simply a genetically determined programme but is centrally a matter of information and communication systems nested in larger communicative systems. The latter include both internal and external, and natural and cultural, environments. But 'information' is an under-unanalysed term in relation to living systems. Accordingly, a new interdiscipline, biosemiotics, has grown up to study the ontology of sign relations in biological, aesthetic and technological ecologies. From the Greek bios for life and semeion for sign, biosemiotics is the study of these intertwined natural and cultural sign systems of the living. Expecting the Earth draws on the semiotic philosophy of the American scientist and logician Charles Sanders Peirce, the semiotic ethology of Jakob von Uexkull's Umwelt Theory, Gregory Bateson's cybernetic ecology of mind, Jesper Hoffmeyer's development of biosemiotics, and briefly upon philosophical precursors such as Gilles Deleuze, Felix Guattari and Gilbert Simondon, as well as the growth of ecological developmental biology more widely. In this book, Wendy Wheeler formulates a history and theory of biosemiotic and proto-biosemiotic thinking in order to open up new possibilities of contemporary social, philosophical, aesthetic and technological engagement. This is essential reading for those interested in these groundbreaking new developments, and is relevant to the environmental humanities, social ecology and the life sciences more generally.

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As industrial societies increasingly evolve into knowledge-based economies, the importance of education as a lifelong process is greater than ever. This comprehensive book provides a state-of-the-art analysis of adult learning across the world and within varying institutional contexts. The expert contributors examine the structures of formal and non-formal adult learning in different countries, and investigate the levels of success those countries have experienced in encouraging participation and skill formation.The book offers a cross-section of international perspectives, with chapters focusing on Australia, the Czech Republic, Denmark, Estonia, Finland, Germany, Great Britain, Hungary, Italy, Russia, Spain, Sweden and the United States. Using empirical, longitudinal data from each of these countries, the contributors identify which types of learning are converted into positive labor market outcomes and assess the potential of adult learning for reducing social inequalities.This book will be of great use to both academics and policymakers with an interest in adult learning, sociology, education and inequality, and the economics of work.Contributors: P. Barbieri, C. Barone, H.-P. Blossfeld, S. Buchholz, S. Buchler, J. Chesters, G. Csanádi, A. Csizmady, G. Cutuli, J. Dämmrich, C. Elman, D. Hamplová, M. Haynes, A. Higginson, E. Kilpi-Jakonen, Y. Kosyakova, M. Lugo, P. Martikainen, P. McMullin, P. Miret-Gamundi, V. Myrup Jensen, E. Reichart, P. Robert, E.-L. Roosmaa, E. Saar, S. Scherer, S. Schuhrer, N. Simonová, O. Sirniö, A. Stenberg, M. Triventi, J. Unfried., M. Unt, D. Vono de Vilhena, S. Wahler, F. Weiss

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In the first book to examine the role played by textile manufacturing in the development of fashion in Italy, A New History of ‘Made in Italy’ investigates Italy’s transition from a country of dressmakers, tailors and small-scale couturiers in the early post-Second World War period to a major producer of ready-to-wear fashion in the 1980s. It takes the reader from Italy’s first internationally attended fashion show in 1951 to Time magazine’s Giorgio Armani April 1982 cover story, which signalled the fashion designer’s international arrival, and Milan’s presence as the capital of ready-to-wear. Chapters focus for the first time on the material substance of Italian fashion – textile – looking at questions including the importance of manufacturing quality, design innovation, composition, production techniques, commerce and the role of textile on the country’s overall fashion system. Through these, Lucia Savi brings to light the importance of synthetic fibres, previously little-known players, such as the carnettisti (a type of textile wholesalers) as well as re-investigating well-known couturiers and designers such as Simonetta, Gianfranco Ferré and Gianni Versace. By looking at how things are made, by whom, and where, this book seeks to unpack the ‘Made in Italy’ label through a focus on making. Informed by extensive archival materials retrieved from a wide range of sources, it brings together the often-separated disciplines of fashion, textile and design history.

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In What Animals Teach Us about Politics, Brian Massumi takes up the question of "the animal." By treating the human as animal, he develops a concept of an animal politics. His is not a human politics of the animal, but an integrally animal politics, freed from connotations of the "primitive" state of nature and the accompanying presuppositions about instinct permeating modern thought. Massumi integrates notions marginalized by the dominant currents in evolutionary biology, animal behavior, and philosophy—notions such as play, sympathy, and creativity—into the concept of nature. As he does so, his inquiry necessarily expands, encompassing not only animal behavior but also animal thought and its distance from, or proximity to, those capacities over which human animals claim a monopoly: language and reflexive consciousness. For Massumi, humans and animals exist on a continuum. Understanding that continuum, while accounting for difference, requires a new logic of "mutual inclusion." Massumi finds the conceptual resources for this logic in the work of thinkers including Gregory Bateson, Henri Bergson, Gilbert Simondon, and Raymond Ruyer. This concise book intervenes in Deleuze studies, posthumanism, and animal studies, as well as areas of study as wide-ranging as affect theory, aesthetics, embodied cognition, political theory, process philosophy, the theory of play, and the thought of Alfred North Whitehead.

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The Five of Us is a captivating tale of adventure, friendship and teamwork from one of Britain's best-loved illustrators. Angie, Ollie, Simona, Mario and Eric are five fantastic friends, each of whom has an unusual ability. Disaster strikes on a day out to the countryside but, working together and combining their individual powers, the Fantastic Five save the day. Teeming with Quentin Blake's characteristic sense of fun and his exuberant illustrations, The Five of Us is a powerful, though subtle, reminder that the world is a better place when we can focus on what we can do, rather than what we can't.

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Three-quarters of a century after the Second World War, almost all the participants are gone. This book contains interviews with and about the Canadian who led the troops during that war. Edited and introduced by one of the foremost military historians of our time, this carefully curated collection brings to life the generals and their wartime experiences.The interviews are based on lengthy conversations that J.L. Granatstein had with the surviving generals, their key staff officers, fighters under their command, and their families. Generals McNaughton, Crerar, Simonds, Foulkes, and Burns are among those discussed. The content is revealing and conversations frank. Peers and subordinates alike scrutinize key commanders of the war, sometimes offering praise but often passing harsh judgment. We learn of their failings and successes – and of the heavy weight of command borne by all.

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From the early adaptation of Star Wars: A New Hope in the 1970s through comics of the 1980s, 1990s, and 2000s, to the thrilling new adventures and characters of today, this box set of 100 collectible postcards showcases the best comic book covers to celebrate a galaxy far, far away . . .  The Star Wars comic series has been one of the most popular comics since its first issue debuted in 1977. Beloved by fans for its supplemental storytelling and galaxy-building, the series has introduced numerous characters that were later featured in films or series or just loved as new comics inventions.   This history-spanning postcard collection features unique and iconic cover art of Jedi, Sith, bounty hunters, cosmic dogfights, and fantastic creatures by amazing artists Carmine Infantino, Walt Simonson, Al Williamson, Alex Ross, Jen Bartel, Leinil Francis Yu, Peach Momoko, Francesco Francavilla, and mor

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Bioart -- art that uses either living materials (such as bacteria or transgenic organisms) or more traditional materials to comment on, or even transform, biotechnological practice -- now receives enormous media attention. Yet despite this attention, bioart is frequently misunderstood. Bioart and the Vitality of Media is the first comprehensive theoretical account of the art form, situating it in the contexts of art history, laboratory practice, and media theory. Mitchell begins by sketching a brief history of bioart in the twentieth and twenty-first centuries, describing the artistic, scientific, and social preconditions that made it conceptually and technologically possible. He illustrates how bioartists employ technologies and practices from the medical and life sciences in an effort to transform relationships among science, medicine, corporate interests, and the public. By illustrating the ways in which bioart links a biological understanding of media -- that is, “media” understood as the elements of an environment that facilitate the growth and development of living entities -- with communicational media, Bioart and the Vitality of Media demonstrates how art and biotechnology together change our conceptions and practices of mediation. Reading bioart through a range of resources, from Immanuel Kant’s discussion of disgust to Gilles Deleuze’s theory of affect to Gilbert Simondon’s concept of “individuation,” provides readers with a new theoretical approach for understanding bioart and its relationships to both new media and scientific institutions.

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When Fracking Comes to Town traces the response of local communities to the shale gas revolution. Rather than cast communities as powerless to respond to oil and gas companies and their landmen, it shows that communities have adapted their local rules and regulations to meet the novel challenges accompanying unconventional gas extraction through fracking. The multidisciplinary perspectives of this volume's essays tie together insights from planners, legal scholars, political scientists, and economists. What emerges is a more nuanced perspective of shale gas development and its impacts on municipalities and residents. Unlike many political debates that cast fracking in black-and-white terms, this book's contributors embrace the complexity of local responses to fracking. States adapted legal institutions to meet the new challenges posed by this energy extraction process while under-resourced municipal officials and local planning offices found creative ways to alleviate pressure on local infrastructure and reduce harmful effects of fracking on the environment. The essays in When Fracking Comes to Town tell a story of community resilience with the rise and decline of shale gas production. Contributors: Ennio Piano, Ann M. Eisenberg, Pamela A. Mischen, Joseph T. Palka, Jr., Adelyn Hall, Carla Chifos, Teresa Córdova, Rebecca Matsco, Anna C. Osland, Carolyn G. Loh, Gavin Roberts, Sandeep Kumar Rangaraju, Frederick Tannery, Larry McCarthy, Erik R. Pages, Mark C. White, Martin Romitti, Nicholas G. McClure, Ion Simonides, Jeremy G. Weber, Max Harleman, Heidi Gorovitz Robertson

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While Russian computer scientists are notorious for their interference in the 2016 US presidential election, they are ubiquitous on Wall Street and coveted by international IT firms and often perceive themselves as the present manifestation of the past glory of Soviet scientific prowess. Drawing on over three hundred in-depth interviews, the contributors to From Russia with Code trace the practices, education, careers, networks, migrations, and lives of Russian IT professionals at home and abroad, showing how they function as key figures in the tense political and ideological environment of technological innovation in post-Soviet Russia. Among other topics, they analyze coders' creation of both transnational communities and local networks of political activists; Moscow's use of IT funding to control peripheral regions; brain drain and the experiences of coders living abroad in the United Kingdom, United States, Israel, and Finland; and the possible meanings of Russian computing systems in a heterogeneous nation and industry. Highlighting the centrality of computer scientists to post-Soviet economic mobilization in Russia, the contributors offer new insights into the difficulties through which a new entrepreneurial culture emerges in a rapidly changing world. Contributors. Irina Antoschyuk, Mario Biagioli, Ksenia Ermoshina, Marina Fedorova, Andrey Indukaev, Alina Kontareva, Diana Kurkovsky, Vincent Lépinay, Alexandra Masalskaya, Daria Savchenko, Liubava Shatokhina, Alexandra Simonova, Ksenia Tatarchenko, Zinaida Vasilyeva, Dimitrii Zhikharevich

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The European Social Model has been an integral part of the construction of the European Community and has been effective in stimulating its economic growth. This social dimension represents the soul of the European Union, and has been envied and adopted by other regions and countries in the world.Under the pressure of the 2008 financial crisis and the subsequent introduction of austerity measures across Europe, many countries have reformed basic elements of the model including social protection, pensions, public services, workers' rights, quality of jobs, working conditions and social dialogue, often undermining social cohesion. These trends have raised questions: is Europe currently losing its legacy? If so, what are the social and economic implications, both in the short and longer term? The European Social Model in Crisis assesses social policy developments in each EU individual member state on the basis of detailed empirical evidence and concrete case studies.The volume is a timely warning about the weakening of the European Social Model and its possibly devastating future effects. The alternative options proposed here make the book essential reading for policy-makers, while scholars and researchers of European studies and social policy will find it an invaluable reference.Contributors include: J.I. Antón, D. Anxo, G. Bosch, R. Muñoz de Bustillo Llorente, K. Espenberg, A. Figueiredo, J. Gautié, P. González, D. Grimshaw, M. Karamessini, J. Masso, I. Mierina, Á. Scharle, A. Simonazzi, D. Szikra, D. Vaughan-Whitehead

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Philosophy has inherited a powerful impulse to embrace either dualism or a reductive monism-either a radical separation of mind and body or the reduction of mind to body. But from its origins in the writings of the Stoics, the first thoroughgoing materialists, another view has acknowledged that no forms of materialism can be completely self-inclusive-space, time, the void, and sense are the incorporeal conditions of all that is corporeal or material. In The Incorporeal Elizabeth Grosz argues that the ideal is inherent in the material and the material in the ideal, and, by tracing its development over time, she makes the case that this same idea reasserts itself in different intellectual contexts. Grosz shows that not only are idealism and materialism inextricably linked but that this "belonging together" of the entirety of ideality and the entirety of materiality is not mediated or created by human consciousness. Instead, it is an ontological condition for the development of human consciousness. Grosz draws from Spinoza's material and ideal concept of substance, Nietzsche's amor fati, Deleuze and Guattari's plane of immanence, Simondon's preindividual, and Raymond Ruyer's self-survey or autoaffection to show that the world preexists the evolution of the human and that its material and incorporeal forces are the conditions for all forms of life, human and nonhuman alike. A masterwork by an eminent theoretician, The Incorporeal offers profound new insight into the mind-body problem

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Six of the most remarkable contemporary Russian poets present their groundbreaking verse in a bilingual poetry collection published in partnership with PEN America’s Writers in Dialogue project. In 2020, as international travel skidded to a halt, PEN America’s Writers in Dialogue project—which opens the exhilarating world of contemporary Russian poetry to American readers by bridging the American and Russian literary communities—went remote, using online connection to foster collaborations between daring emerging or undertranslated poetic voices and dexterous translators. In this remarkable volume, the Russian poets and American translators who were paired for this initiative present their collaborative work in a bilingual format, along with conversations about the pleasures, challenges, and intimacies of translation. English-reading audiences will have an opportunity to experience the boldness and range, stylistic and thematic, of Russia’s vital poetry scene. Featuring Ainsley Morse, Maria Galina, Catherine Ciepiela, Aleksandra Tsibulia, Anna Halberstadt, Oksana Vasyakina, Elina Alter, Ivan Sokolov, Kevin M.F. Platt, Ekaterina Simonova, Valeriya Yermishova, and Nikita Sungatov.

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What happens when you have a loose tooth, but it's the Tooth Fairy's first day on the job? How will she find you and where will she leave her gifts? In this installation of Sue Fliess and Simona Sanfilippo's Magical Creatures and Crafts series, a group of children wonder what happens if the Tooth Fairy assigned to collect their most recent lost tooth is brand new to her job. How will she know where to find the tooth? What if she goes to the wrong room? To help the Tooth Fairy remember her training, the children devise a plan that will guarantee her success! With the right supplies—colored paper, crayons or pens, scissors, stickers and glitter, and ribbon—young readers who have a wiggly tooth or have recently lost a baby tooth can also help train their Tooth Fairy by making a sign for their bedroom doors similar to the ones the children make in the book. Fliess’s bouncy read-aloud rhyming text and Sanfilippo’s

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The transformation process in Central and Eastern Europe (CEE) after 1989 is often clothed in terms of historical and geographical categories, either as a 'return of history' or as a 'return to Europe', or both. Either way, the radical right in CEE claims a prominent place in this politics of return. Studies of the radical right echo the more general concern, in analyses of the region, with historical analogies and the role of legacies. Sometimes parallels are discovered between the post-1989 radical right and inter-war fascism. They imply a 'Weimarisation' of the transformation countries and the return of the pre-socialist, ultranationalist, or even fascist past - the 'return of history'. Another interpretation argues that since some CEE party systems increasingly resemble their West European counterparts, so does the radical right, at least where it is electorally successful - the 'return to Europe'. A third line of thought states that the radical right in the region is a phenomenon sui generis, inherently shaped by the historical forces of state socialism and the transformation process. As a result and in contrast to Western Europe, it is ideologically more extreme and anti-democratic while organisationally more a movement than a party phenomenon. This book provides insight into the role of historical forces in the shaping and performance of the current radical right in CEE. It conceptualises 'legacies' both as a contextual factor, (ie: as part of structural and cultural opportunities for new movements and parties in the region, and as textual factors; ie: as part of the ideological baggage of the past which is revived -- and reinterpreted -- by the radical right). An introductory essay by Michael Minkenberg puts the topic and the concept of legacies into a larger research perspective. Articles by Lenka Bustikova and Herbert Kitschelt as well as John Ishiyama employ the role of legacies as context, whereas the contributions by Timm Beichelt, Sarah de Lange and Simona Guerra as well as James Frusetta and Anca Glont treat legacies as text.

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Ranulph Higden's Speculum curatorum was composed in England about 1350. Book II treats the types and originating circumstances of all sin, but mostly focuses on the seven capital sins: pride, avarice, lust, anger, gluttony, envy, and sloth. Each is discussed with a thoroughness appropriate to the text's function as a manual of instruction for parish clergy. None of the sins is treated lightly, as any one of them could prevent the soul from achieving its eternal goal. The length of each discussion is also indicative of the sin's effect on Church life and discipline. Avarice - together with its worrisome components of usury and simony - is of special concern and consequently occupies about a quarter of the total commentary. Higden's exploration of the capital sins differs in format and purpose from earlier books on the same topic. The libri poenitentiales of the sixth through twelfth centuries usually just matched a sin with its recommended punishment; the summae confessorum of the thirteenth and fourteenth centuries were mostly oriented to helping a confessor understand how contrition, confession, and satisfaction were necessary components of the sacrament of penance. Higden wants both clerics and lay people to come face to face with all of the destructive aspects of sin. At times, as in the chapter on drunkenness, he weaves the psychological and pastoral dimensions of a certain sin into his painstaking analysis. The manual's fifty-one chapters aim to assist both priest and people to know the blandishments of sin thoroughly and, because of this knowledge, to avoid them.

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This collection of artwork from European comics master Sergio Toppi focuses on illustrations of biblical characters he drew during his lengthy collaboration with the journal Il Giornalino. Hundreds of character portraits and key scene illustrations from both the Old and New Testament are presented in Toppi’s inimitable pen-and-ink style.Master artist Sergio Toppi depicts iconic scenes from the most widely read scripture in the world.Sergio Toppi’s work has been hailed as an influence by such artistic masters as Sean Gordon Murphy and Walter Simonson. See his amazing vision for The Bible across many beautiful illustrations of biblical characters drawn during Toppi’s lengthy collaboration with the journal Il Giornalino. Hundreds of character portraits and key scene illustrations from both the Old and New Testament are presented in Toppi’s inimitable pen-and-ink style.From the story of Adam and Eve in Genesis through the many moving character tales throughout the Old Testament to the gospels and tales of the apostles in the New Testament, this stunningly illustrated volume will give new life and visual reference for some of the most familiar passages in the Bible.

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An interdisciplinary exploration of how writers have conveyed sound through text.Edited by Christopher Cannon and Steven Justice, The Sound of Writing explores the devices and techniques that writers have used to represent sound and how they have changed over time. Contributors consider how writing has channeled sounds as varied as the human voice and the buzzing of bees using not only alphabets but also the resources of the visual and musical arts. Cannon and Justice have assembled a constellation of classicists, medievalists, modernists, literary historians, and musicologists to trace the sound of writing from the beginning of the Western record to poetry written in the last century. This rich series of essays considers the writings of Sappho, Simonides, Aldhem, Marcabru, Dante Alighieri, William Langland, Charles Butler, Tennyson, Gertrude Stein, and T. S. Eliot as well as poems and songs in Ancient Greek, Old and Middle English, Italian, Old French, Occitan, and modern English. The book will interest anyone curious about the way sound has been preserved in the past and the kinds of ingenuity that can recover the process of that preservation.Essays focus on questions of language and expression, and each contributor sets out a distinct method for understanding the relationship between sound and writing. Cannon and Justice open the volume with a survey of the various ways sound has been understood as the object of our senses. Each ensuing chapter presents a case study for a sonic phenomenology at a specific time in history. With approaches from a wide variety of disciplines, The Sound of Writing analyzes writing systems and the aural dimensions of literary cultures to reconstruct historical soundscapes in vivid ways.

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States of Memory illuminates the construction of national memory from a comparative perspective. The essays collected here emphasize that memory itself has a history: not only do particular meanings change, but the very faculty of memory—its place in social relations and the forms it takes—varies over time. Integrating theories of memory and nationalism with case studies, these essays stake a vital middle ground between particular and universal approaches to social memory studies.The contributors—including historians and social scientists—describe societies’ struggles to produce and then use ideas of what a “normal” past should look like. They examine claims about the genuineness of revolution (in fascist Italy and communist Russia), of inclusiveness (in the United States and Australia), of innocence (in Germany), and of inevitability (in Israel). Essayists explore the reputation of Confucius among Maoist leaders during China’s Cultural Revolution; commemorations of Martin Luther King Jr. in the United States Congress; the “end” of the postwar era in Japan; and how national calendars—in signifying what to remember, celebrate, and mourn—structure national identification. Above all, these essays reveal that memory is never unitary, no matter how hard various powers strive to make it so.States of Memory will appeal to those scholars-in sociology, history, political science, cultural studies, anthropology, and art history-who are interested in collective memory, commemoration, nationalism, and state formation.Contributors. Paloma Aguilar, Frederick C. Corney, Carol Gluck, Matt K. Matsuda, Jeffrey K. Olick, Francesca Polletta, Uri Ram, Barry Schwartz, Lyn Spillman, Charles Tilly, Simonetta Falasca Zamponi, Eviatar Zerubavel, Tong Zhang

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Valentine's Day is all about showing kindness to the most important people in your life—and if you're caring and thoughtful, you can help Cupid spread love and happiness, too! Will you spot a Cupid this Valentine's day? If you do, will you be ready to help him spread love and kindness? By being observant, helpful, and friendly, you can lend Cupid a hand, and together you can make special cards and gifts to show all your favorite people how much they mean to you.  So, grab some supplies—stickers, markers, crayons, colored paper, glue, and whatever else you like (it's the thought that counts on Valentine's Day!)—and think of heartfelt messages to share with your loved ones. Then be ready to meet Cupid and work together to spread cheer and happiness! Sue Fliess’s poetic read-aloud text and Simona Sanfilippo’s vibrant, whimsical illustrations will provide joy for young readers eager to help Cupid sha

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A New York Times Book Review “New & Noteworthy” Poetry Collection A Book Riot “Best Fall 2020 Book in Translation” Stone-Garland, this new entry in the Seedbank Series, presents translations of six poets of the Greek lyric tradition. Anecdotes of Simonides, Anacreon, Archilochus, Theognis, Alcman, and Callimachus may be easy to come by but their poems are restored less often. That’s a loss that this anthology remedies. Reading ancient poetry is a simple pleasure, like strolling through a cemetery overgrown with wildflowers. Imagine the graveyard filled with broken stones, each with a fragment that could compose a poem. Stone by stone you build a garland that represents a possible vision of a world long gone. Dan Beachy-Quick is our guide on this walk through a ruin of lyric poetry. To these reclaimed fragments he brings a love of discovery through lyricism. Beachy-Quick’s translations take joy in the intricacies of ancient Greek and logophiles will find treats in these pages. Returning to the foundations of a poetic tradition that has evolved throughout the ages is a chance to rekindle past identities and relationships to the world.

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The story of the improbable campaign that created America’s most enduring monument.The Statue of Liberty is an icon of freedom, a monument to America’s multiethnic democracy, and a memorial to Franco-American friendship. That much we know. But the lofty ideals we associate with the statue today can obscure its turbulent origins and layers of meaning. Francesca Lidia Viano reveals that history in the fullest account yet of the people and ideas that brought the lady of the harbor to life.Our protagonists are the French sculptor Frédéric Auguste Bartholdi and his collaborator, the politician and intellectual Édouard de Laboulaye. Viano draws on an unprecedented range of sources to follow the pair as they chase their artistic and political ambitions across a global stage dominated by imperial rivalry and ideological ferment. The tale stretches from the cobblestones of northeastern France, through the hallways of international exhibitions in London and Paris, to the copper mines of Norway and Chile, the battlegrounds of the Franco-Prussian War, the deserts of Egypt, and the streets of New York. It features profound technical challenges, hot air balloon rides, secret “magnetic” séances, and grand visions of a Franco-American partnership in the coming world order. The irrepressible collaborators bring to their project the high ideals of liberalism and republicanism, but also crude calculations of national advantage and eccentric notions adopted from orientalism, freemasonry, and Saint-Simonianism.As entertaining as it is illuminating, Sentinel gives new flesh and spirit to a landmark we all recognize but only dimly understand.

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An inclusive history of the professionalization of American scenic design The figure of the American theatrical scenic designer first emerged in the early twentieth century. As productions moved away from standardized, painted scenery and toward individualized scenic design, the demand for talented new designers grew. Within decades, scenic designers reinvented themselves as professional artists. They ran their own studios, proudly displayed their names on Broadway playbills, and even appeared in magazine and television profiles.American Scenic Design and Freelance Professionalism tells the history of the field through the figures, institutions, and movements that helped create and shape the profession. Taking a unique sociological approach, theatre scholar David Bisaha examines the work that designers performed outside of theatrical productions. He shows how figures such as Lee Simonson, Norman Bel Geddes, Jo Mielziner, and Donald Oenslager constructed a freelance, professional identity for scenic designers by working within their labor union (United Scenic Artists Local 829), generating self-promotional press, building university curricula, and volunteering in wartime service. However, while new institutions provided autonomy and intellectual property rights for many, women, queer, and Black designers were not always welcome to join the organizations that protected freelance designers’ interests. Among others, Aline Bernstein, Emeline Roche, Perry Watkins, Peggy Clark, and James Reynolds were excluded from professional groups because of their identities. They nonetheless established themselves among the most successful designers of their time. Their stories expand the history of American scenic design by showing how professionalism won designers substantial benefits, yet also created legacies of exclusion with which American theatre is still reckoning.

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'Frances Brody has made it to the top rank of crime writers' Daily Mail'Brody's writing is like her central character Kate Shackleton: witty, acerbic and very, very perceptive' Ann CleevesA murder most foulWhen the landlord of a Yorkshire tavern is killed in plain sight, Freda Simonson, the only witness to the crime, becomes plagued with guilt, believing the wrong man has been convicted. Following her death, it seems that the truth will never be uncovered in the peaceful village of Langcliffe . . .A village of secretsBut it just so happens that Freda's nephew is courting the renowned amateur sleuth Kate Shackleton, who decides to holiday in Langcliffe with her indomitable teenage niece, Harriet. When Harriet strikes up a friendship with a local girl whose young brother is missing, the search leads Kate to uncover another suspicious death, not to mention an illicit affair.The case of a lifetimeIt soon becomes clear to her that nothing in Langcliffe is quite as it appears, and with a murderer on the loose and an ever-growing roster of suspects, this isn't the holiday Kate was expecting . . .Whether you've read the whole series, or are discovering the Kate Shackleton mysteries for the first time, this is the perfect page-turner for fans of Agatha Christie, Ann Granger and Jacqueline Winspear.Praise for the Kate Shackleton mysteries:'Kate Shackleton is a splendid heroine' Ann Granger'Delightful' People's Friend'Kate Shackleton joins Jacqueline Winspear's Maisie Dobbs in a subgroup of young, female amateur detectives matured by their wartime experiences. They make excellent heroines' Literary Review'I really adore this series and Kate is such a strong, level-headed character' Woman's Way'Brody's excellent mystery splendidly captures the conflicts and attitudes of the time with well-developed characters' RT Book Reviews

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Guy Pratt's life as bass player to the stars. The book behind the successful comedy show.Guy Pratt came of age just as playing bass became cool, with the likes of Paul Simonon and Bruce Foxton. Having dallied with Funkapolitan, Pratt suddenly found himself on Top of the Pops and supporting David Bowie with smooth Australian outfit Icehouse. At a ludicrously young age Guy Pratt became a sought after bass player to the stars, finding himself crawling from studio to bar, from hotel to stadium portacabin with Robert Palmer, Womack & Womack, Bernard Edwards, Bryan Ferry and David Crosby, etc. The eighties were in their prime, and with a number of Crolla-suited appearances in windswept videos behind him, he was invited to join Pink Floyd for a series of stadium of extravaganzas to make Bono & co look fairly modest. Pratt has recorded with Madonna, and spent time in the studio with Michael Jackson. He was in The Smiths for a week, has travelled through customs in a wheelchair after a flight with Jimmy Page, and has lived to tell all. MY BASS AND OTHER ANIMALS emerges from the successful stand-up tour of the same name. It charts his journey from a Mod band in Southend to playing with Roxy Music at Live 8.

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Explore and discover the most beautiful places in Northumberland with this definitive visitor and photo-location guidebook. From coast to castles, endless beaches and windswept hills, you'll experience solitude and a hearty welcome in the kingdom of Northumbria. Northumberland is a magical place to visit and Anita Nicholson leads you to ancient castles; hidden gardens; unspoilt beaches; rolling hills; rugged moorland; sweeping views, villages and friendly little market towns. COVERING: * Berwick-Upon-Tweed * Lindisfarne * Bamburgh Castle To Howick * Alnwick & Coast * Druridge Bay To Collywell Bay * Cheviot: Moors & Valleys * Northumberland National Park * Simonside & Rothbury * Kielder & Otterburn * Hadrian's Wall & The West With 62 locations described and illustrated by over 500 colour photographs, Photographing Northumberland is the definitive visitor and photo-location guidebook to photographing this beautiful county. It includes the best places to stay, eat and drink. FEATURING: * 62 locations and over 500 beautiful photographs * Detailed maps, directions and co-ordinates for each location * Best seasons and time of day to visit * Sun compass * Accommodation and best pubs * Accessibility information

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* Winner of the BC National Award for Canadian Non-Fiction * Winner of the 2012 Foreword Magazine Editor's Choice Prize Nonfiction * Shortlisted for the Hilary Weston Prize * Shortlisted for the Charles Taylor Non-Fiction Award "Charlotte Gill writes with a dexterity and nobility that soars. This is the best book, on several fronts, that I've read in a long time."-Rick Simonson, Elliott Bay Book Company During Charlotte Gill's 20 years working as a tree planter she encountered hundreds of clear-cuts, each one a collision site between human civilization and the natural world, a complicated landscape presenting geographic evidence of our appetites. Charged with sowing the new forest in these clear-cuts, tree planters are a tribe caught between the stumps and the virgin timber, between environmentalists and loggers. In Eating Dirt, Gill offers up a slice of tree-planting life in all of its soggy, gritty exuberance while questioning the ability of conifer plantations to replace original forests, which evolved over millennia into intricate, complex ecosystems. Among other topics, she also touches on the boom-and-bust history of logging and the versatility of wood, from which we have devised

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Precious snippets of ancient song.Towards the end of the fifth century BC, Aristophanes and the other writers of comedy used contemporary poets and musicians as targets for their jokes, making fun of their innovations in language and music. The dithyrambs of Melanippides, Cinesias, Phrynis, Timotheus, and Philoxenus are remarkable examples of this new style. The poets of the new school, active from the mid-fifth to the mid-fourth century, are presented in this final volume of David Campbell’s widely praised edition of Greek lyric poetry. The longest piece extant is a nome by Timotheus—the foremost of these poets—called The Persians; it is a florid account of the battle of Salamis, to be sung solo to cithara accompaniment.This volume also collects folk songs, drinking songs, and other anonymous pieces. The folk songs come from many parts of Greece and include children’s ditties, marching songs, love songs, and snatches of cult poetry. The drinking songs are derived mainly from Athenaeus’ collection of Attic scolia, short pieces performed at drinking parties in Athens. The anonymous pieces come from papyrus, vases, and stone as well as from literary texts, and include hymns, narrative poetry, and satirical writing.This is the fifth in a five-volume edition of Greek lyric poets. Sappho and Alcaeus—the illustrious singers of sixth-century Lesbos—are in the first. Volume II contains the work of Anacreon, composer of solo song; the Anacreontea; and the earliest writers of choral poetry, notably the seventh-century Spartans Alcman and Terpander. Stesichorus, Ibycus, Simonides, and other sixth-century poets are in Volume III. Bacchylides and other fifth-century poets are in Volume IV along with Corinna (although some argue that she belongs to the third century).

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The main original aim of the European Union was to promote convergence towards higher economic growth and social standards. However, EU countries have sometimes experienced different trajectories, due in part to their different starting points and the fact that their convergence on particular socio-economic indicators has varied. At the same time, little evidence has so far been presented on cross-country convergence within the EU. This book aims to answer a number of important questions. To what extent have European countries converged or diverged with EU-wide economic and social indicators over the past 20 years? What have been the drivers of convergence? Why do some countries lag behind, while others experience continuous upward convergence? Why are these trajectories not always linear? Particular attention is paid to the role of institutions, actors and industrial relations - focusing on the resources and strategies of governments, employers and trade unions - in nudging EU countries onto an upward convergence path.This book provides a unique analysis of socio-economic indicators to identify convergence trends in the EU. It defines a number of clusters that help to gauge the strengths and weaknesses of national socio-economic models and the European Social Model. Cross-country case studies help to identify the possible impact of global movements (migration, foreign investment) and policies (social protection, social dialogue, employment) on cross-country convergence. This book offers a timely assessment of convergence within the EU, identifying its drivers in the world of work and in institutions and industrial relations. It presents examples of where institutions and industrial relations can change convergence outcomes and proposes a range of useful policy options. Scholars and researchers will find it an invaluable reference for studies of European affairs and social policies.Contributors include: D. Anxo, B. Bembic, G. Bosch, V. Ciampa, P. Courtioux, C. Erhel, K. Espenberg, A. Figueiredo, P. González, D. Grimshaw, I. Marx, J. Masso, I. Mierina, R. Muñoz de Bustillo Llorente, P.J. O'Connell, W. Salverda, A. Simonazzi, V. Soloviov, D. Vaughan-Whitehead, R. Vazquez-Alvarez, L. Villamaina

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In 1860, Milton Bradley invented The Checkered Game of Life. Having journeyed from Springfield, Massachusetts, to New York City to determine interest in this combination of bright red ink, brass dials, and character-driven decision-making, Bradley exhausted his entire supply of merchandise just two days after his arrival in the city; within a few months, he had sold forty thousand copies. That same year, Walt Whitman left Brooklyn to oversee the printing of the third edition of his Leaves of Grass in Massachusetts. In Slantwise Moves, Douglas A. Guerra sees more than mere coincidence in the contemporary popularity of these superficially different cultural productions. Instead, he argues, both the book and the game were materially resonant sites of social experimentation—places where modes of collectivity and selfhood could be enacted and performed. Then as now, Guerra observes, "game" was a malleable category, mediating play in various and inventive ways: through the material forms of pasteboard, paper, and india rubber; via settings like the parlor, lawn, or public hall; and by mutually agreed-upon measurements of success, ranging from point accumulation to the creation of humorous narratives. Recovering the lives of important game designers, anthologists, and codifiers—including Anne Abbot, William Simonds, Michael Phelan, and the aforementioned Bradley—Guerra brings his study of commercially produced games into dialogue with a reconsideration of iconic literary works. Through contrapuntal close readings of texts and gameplay, he finds multiple possibilities for self-fashioning reflected in Bradley's Life and Whitman's "Song of Myself," as well as utopian social spaces on billiard tables and the pages of Nathaniel Hawthorne's The Blithedale Romance alike. Highlighting meaningful overlap in the production and reception of books and games, Slantwise Moves identifies what the two have in common as material texts and as critical models of the mundane pleasures and intimacies that defined agency and social belonging in nineteenth-century America.

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Bioart -- art that uses either living materials (such as bacteria or transgenic organisms) or more traditional materials to comment on, or even transform, biotechnological practice -- now receives enormous media attention. Yet despite this attention, bioart is frequently misunderstood. Bioart and the Vitality of Media is the first comprehensive theoretical account of the art form, situating it in the contexts of art history, laboratory practice, and media theory. Mitchell begins by sketching a brief history of bioart in the twentieth and twenty-first centuries, describing the artistic, scientific, and social preconditions that made it conceptually and technologically possible. He illustrates how bioartists employ technologies and practices from the medical and life sciences in an effort to transform relationships among science, medicine, corporate interests, and the public. By illustrating the ways in which bioart links a biological understanding of media -- that is, “media” understood as the elements of an environment that facilitate the growth and development of living entities -- with communicational media, Bioart and the Vitality of Media demonstrates how art and biotechnology together change our conceptions and practices of mediation. Reading bioart through a range of resources, from Immanuel Kant’s discussion of disgust to Gilles Deleuze’s theory of affect to Gilbert Simondon’s concept of “individuation,” provides readers with a new theoretical approach for understanding bioart and its relationships to both new media and scientific institutions.

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In Art as Information Ecology, Jason A. Hoelscher offers not only an information theory of art but an aesthetic theory of information. Applying close readings of the information theories of Claude Shannon and Gilbert Simondon to 1960s American art, Hoelscher proposes that art is information in its aesthetic or indeterminate mode—information oriented less toward answers and resolvability than toward questions, irresolvability, and sustained difference. These irresolvable differences, Hoelscher demonstrates, fuel the richness of aesthetic experience by which viewers glean new information and insight from each encounter with an artwork. In this way, art constitutes information that remains in formation---a difference that makes a difference that keeps on differencing. Considering the works of Frank Stella, Robert Morris, Adrian Piper, the Drop City commune, Eva Hesse, and others, Hoelscher finds that art exists within an information ecology of complex feedback between artwork and artworld that is driven by the unfolding of difference. By charting how information in its aesthetic mode can exist beyond today's strictly quantifiable and monetizable forms, Hoelscher reconceives our understanding of how artworks work and how information operates.

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