Search results for ""Notorious""

Evelyne Redfern’s family specialises in notoriety. Her father is Sir Reginald Redfern, a feckless, louche second son of an English baron, and her late beloved mother was a glamorous French party girl. Their disastrous marriage ended in divorce and a very public custody battle over nine-year-old Evelyne that only resolved when Genevieve died three years later. However, the damage was done, with the press dubbing Evelyne “The Parisian Orphan” and making her the most notorious child in the world. Years later in 1940, Evelyne is estranged from her father and working on the line at a munitions factory in wartime London. She’s bored and craving more from her life, but the only contentment she can find is with stacks of mystery novels that fight for space with her roommate Moira’s ever-expanding wardrobe. When Mr. Fletcher, one of her father’s old friends, spots Evelyne at a night out at the Ritz, Evelyne seizes the chance for a change and finds herself plunged into the world of Prime Minister Winston Churchill’s cabinet war rooms. However, shortly after she settles into her new role as a secretary, one of the girls at the war rooms is murdered and Evelyne must use all of her amateur sleuthing expertise earned from years of reading mysteries to find the killer. Little does she know that doing so will put her right in the path of David Poole, a cagey minister’s aide who seems determined to thwart her investigations. That is, until Evelyne finds out David’s real reason for being in the cabinet war rooms is to root out a mole selling government secrets to Britain’s enemies, and the pair begrudgingly team up. With her quick wit, sharp eyes, and determination, Evelyne is a heroine to root for. But can she find out who's been selling England's secrets and catch a killer all while battling her growing attraction to David and her own scandalous past?

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A major figure in the history of twentieth-century American radicalism, William Z. Foster (1881-1961) fought his way out of the slums of turn-of-the-century Philadelphia to become a professional revolutionary as well as a notorious and feared labor agitator. Drawing on private family papers, FBI files, and recently opened Russian archives, this first full-scale biography traces Foster's early life as a world traveler, railroad worker, seaman, hobo, union activist, and radical journalist, and also probes the origins and implications of his ill-fated career as a top-echelon Communist official and three-time presidential candidate. Even though Foster's long and eventful life ended in Moscow, where he was given a state funeral in Red Square, he was, as portrayed here, a thoroughly American radical. The book not only reveals the circumstances of Foster's poverty-stricken childhood in Philadelphia, but also vividly describes his work and travels in the American West. Also included are fascinating accounts of his early political career as a Socialist, "Wobbly," and anarcho-syndicalist, and of his activities as the architect of giant organizing campaigns by the American Federation of Labor, involving hundreds of thousands of workers in the meatpacking and steel industries. The author views Foster's influence in the American Communist movement from the perspective of the history of American labor and unionism, but he also offers a realistic assessment of Foster's career in light of factional intrigues at the highest levels of the Communist International. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Anne of Green Gables meets Diana Wynne Jones in this whimsical fantasy adventure perfect for teen readers. Each step was like an old familiar song… Still recovering from the inferno that consumed Kelseth lighthouse, apothecary Lily Knight, powerful witch Alice Blackwell, and their newfound family find refuge in a mysterious mist-wreathed castle to regroup and draw up a plan of action. Because the shadows are closing in and Hecate Winter, High Priestess of the notorious coven that almost cost Alice her life, is only getting stronger… But there are murmurings of an even more sinister threat brewing on the horizon – and it has something to do with the castle. When Alice’s nightmares begin to bleed into her daily reality, everything changes. Can Lily pull her back from the edge or will she finally succumb to the darkness? Here’s what readers are saying: ‘Absolutely loved it … There were stories within stories … like a tangled plait of hair. A plait that unravelled as certain characters’ stories went off in different directions only to be weaved carefully back together towards the end of the book. It was a total page turner’ Lisa, NetGalley ‘Extraordinary. Outstanding … absolutely amazing … just wow! This book is exquisite’ Michelle, NetGalley ‘I couldn't put it down … It was well-written with an engaging and captivating storyline and well-developed characters that I think children will love’ Aria, NetGalley ‘This was absolutely delightful. The plot was well-paced and captivating from start to finish. The characters were charming and witty. I highly recommend this fun and quick read!’ Jessica, NetGalley ‘I loved the pace, sweeping me along but also giving enough time to pause and enjoy the characters … I was thrilled to be going on another journey with them’ Charleigh, NetGalley ‘I enjoyed spending time again with Alice, Lily and the rest … I can't wait to find out what Hecate's endgame is’ Karin, NetGalley

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*** The New York Times Bestseller ***'Lucy Adlington tells of the horrors of the Nazi occupation and the concentration camps from a fascinating and original angle. She introduces us to a little known aspect of the period, highlighting the role of clothes in the grimmest of societies imaginable and giving an insight into the women who stayed alive by stitching' - Alexandra Shulman, author of Clothes...and other things that matter'Compelling... Adlington tells the stories of the women with clarity and steely precision' - Jewish Chronicle'An utterly absorbing, important and unique historical read' - Judy Batalion, NY Times bestselling author of The Light of Our Days: The Untold Story of Women Resistance Fighters in Hitler's Ghettos'Powerful... a fascinating account.' - WomanThe powerful chronicle of the women who used their sewing skills to survive the Holocaust, stitching beautiful clothes at an extraordinary fashion workshop created within one of the most notorious WWII death camps. At the height of the Holocaust twenty-five young inmates of the infamous Auschwitz-Birkenau concentration camp - mainly Jewish women and girls - were selected to design, cut, and sew beautiful fashions for elite Nazi women in a dedicated salon. It was work that they hoped would spare them from the gas chambers. This fashion workshop - called the Upper Tailoring Studio - was established by Hedwig Höss, the camp commandant's wife, and patronized by the wives of SS guards and officers. Here, the dressmakers produced high-quality garments for SS social functions in Auschwitz, and for ladies from Nazi Berlin's upper crust. Drawing on diverse sources - including interviews with the last surviving seamstress - The Dressmakers of Auschwitz follows the fates of these brave women. Their bonds of family and friendship not only helped them endure persecution, but also to play their part in camp resistance. Weaving the dressmakers' remarkable experiences within the context of Nazi policies for plunder and exploitation, historian Lucy Adlington exposes the greed, cruelty, and hypocrisy of the Third Reich and offers a fresh look at a little-known chapter of World War II and the Holocaust.

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Sometimes the Nicest People Make the Deadliest Criminals“True crime storytelling at its very best!” ―Dan Zupansky, author and host of True Murder#1 New Release in Heists & RobberiesEnjoy a collection of non-fiction accounts by international writers and experts on crooks, rogues, criminals, and serial killers who disguise themselves among society by being what you least expect-your friendly next-door neighbor.From mild mannered coworkers to doting parents. Some might be your jack-of-all-trades friend, or others might be your family member with an altruistic persona. The Best New True Crime Stories: Well-Mannered Crooks, Rogues & Criminals takes you deeper into the unconventional criminal's psyche. The ones where their most prominent feature isn’t a bloodied knife, but a bright smile and warm gaze meant to lure their next victim.Meet the real murderers and killers. You’ve heard about John Wayne Gacy. You’ve read about Jeffrey Dahmer. You’ve delved into the Ted Bundy fascination. It’s time for you to meet the infamous Naún Briones, who struck fear into the hearts of the rich, and Freddie Brenman, a notorious street-fighter with mysterious ties to the Dillinger Gang. You’ll find yourself realizing that being nice and friendly is a killer combination. Edited by acclaimed author and anthologist Mitzi Szereto, The Best New True Crime Stories: Well-Mannered Crooks, Rogues & Criminals reveals all-new accounts of true crime stories featuring serial killers from the contemporary to the depression-era. The international list of contributors includes award-winning crime writers, true-crime podcasters, journalists, and experts in the dark crimes field such as Tom Larsen, David Blumenfeld, and Anthony Ferguson.If you are a fan of true crime books such as The Big Book of Serial Killers, The Best New True Crime Stories: Serial Killers, or The Best New True Crime Stories: Small Towns, then you’ll love The Best New True Crime Stories: Well-Mannered Crooks, Rogues & Criminals.Contributors include: Dean Jobb, Paul Willetts, Janel Comeau, David Breakspear, and Anthony Ferguson.

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“A tour de force of storytelling.” —Louise Penny, #1 New York Times bestselling author of the Chief Inspector Gamache series“Jobb’s excellent storytelling makes the book a pleasure to read.” —The New York Times Book Review “When a doctor does go wrong, he is the first of criminals,” Sherlock Holmes observed during one of his most baffling investigations. “He has nerve and he has knowledge.” In the span of fifteen years, Dr. Thomas Neill Cream murdered as many as ten people in the United States, Britain, and Canada, a death toll with almost no precedent. Poison was his weapon of choice. Largely forgotten today, this villain was as brazen as the notorious Jack the Ripper. Structured around the doctor’s London murder trial in 1892, when he was finally brought to justice, The Case of the Murderous Dr. Cream exposes the blind trust given to medical practitioners, as well as the flawed detection methods, bungled investigations, corrupt officials, and stifling morality of Victorian society that allowed Dr. Cream to prey on vulnerable and desperate women, many of whom had turned to him for medical help. Dean Jobb transports readers to the late nineteenth century as Scotland Yard traces Dr. Cream’s life through Canada and Chicago and finally to London, where new investigative tools called forensics were just coming into use, even as most police departments still scoffed at using science to solve crimes. But then, most investigators could hardly imagine that serial killers existed—the term was unknown. As the Chicago Tribune wrote, Dr. Cream’s crimes marked the emergence of a new breed of killer: one who operated without motive or remorse, who “murdered simply for the sake of murder.” For fans of Erik Larson’s The Devil in the White City, all things Sherlock Holmes, or the podcast My Favorite Murder, The Case of the Murderous Dr. Cream is an unforgettable true crime story from a master of the genre.

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Sympathy for the Drummer: Why Charlie Watts Matters is both a gonzo rush—capturing the bristling energy of the Rolling Stones and the times in which they lived—and a wide-eyed reflection on why the Greatest Rock 'n' Roll Band in the World needed the world's greatest rock 'n' roll drummer. Across five decades, Rolling Stones drummer Charlie Watts has had the best seat in the house. Charlie Watts, the anti-rock star—an urbane jazz fan with a dry wit and little taste for the limelight—was witness to the most savage years in rock history, and emerged a hero, a warrior poet. With his easy swing and often loping, uneven fills, he found nuance in a music that often had little room for it, and along with his greatest ally, Keith Richards, he gave the Stones their swaggering beat. While others battled their drums, Charlie played his modest kit with finesse and humility, and yet his relentless grooves on the nastiest hard-rock numbers of the era ("Gimme Shelter," "Street Fighting Man," "Brown Sugar," "Jumpin' Jack Flash," etc.) delivered a dangerous authenticity to a band that on their best nights should have been put in jail. Author Mike Edison, himself a notorious raconteur and accomplished drummer, tells a tale of respect and satisfaction that goes far beyond drums, drumming, and the Rolling Stones, ripping apart the history of rock'n'roll, and celebrating sixty years of cultural upheaval. He tears the sheets off of the myths of music making, shredding the phonies and the frauds, and unifies the frayed edges of disco, punk, blues, country, soul, jazz, and R&B—the soundtrack of our lives.Highly opinionated, fearless, and often hilarious, Sympathy is as an unexpected treat for music fans and pop culture mavens, as edgy and ribald as the Rolling Stones at their finest, never losing sight of the sex and magic that puts the roll in the rock —the beat, that crazy beat!—and the man who drove the band, their true engine, the utterly irreplaceable Charlie Watts.

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Sympathy for the Drummer: Why Charlie Watts Matters is both a gonzo rush capturing the bristling energy of the Rolling Stones and the times in which they lived and a wide-eyed reflection on why the Greatest Rock 'n' Roll Band in the World needed the world's greatest rock 'n' roll drummer. Across five decades, Rolling Stones drummer Charlie Watts has had the best seat in the house. Charlie Watts, the anti-rock star an urbane jazz fan with a dry wit and little taste for the limelight was witness to the most savage years in rock history, and emerged a hero, a warrior poet. With his easy swing and often loping, uneven fills, he found nuance in a music that often had little room for it, and along with his greatest ally, Keith Richards, he gave the Stones their swaggering beat. While others battled their drums, Charlie played his modest kit with finesse and humility, and yet his relentless grooves on the nastiest hard-rock numbers of the era (Gimme Shelter, Street Fighting Man, Brown Sugar, Jumpin' Jack Flash, etc.) delivered a dangerous authenticity to a band that on their best nights should have been put in jail. Author Mike Edison, himself a notorious raconteur and accomplished drummer, tells a tale of respect and satisfaction that goes far beyond drums, drumming, and the Rolling Stones, ripping apart the history of rock'n'roll, and celebrating sixty years of cultural upheaval. He tears the sheets off of the myths of music making, shredding the phonies and the frauds, and unifies the frayed edges of disco, punk, blues, country, soul, jazz, and R and B the soundtrack of our lives. Highly opinionated, fearless, and often hilarious, Sympathy is as an unexpected treat for music fans and pop culture mavens, as edgy and ribald as the Rolling Stones at their finest, never losing sight of the sex and magic that puts the roll in the rock the beat, that crazy beat! and the man who drove the band, their true engine, the utterly irreplaceable Charlie Watts.

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A fictionalized account of infamous author, Patricia Highsmith, caught up in the longing and obsession that would inspire her groundbreaking work of queer fiction, The Price of SaltFlung Out of Space is both a love letter to the essential lesbian novel The Price of Salt and an examination of its notorious author, Patricia Highsmith. Veteran comics creators Grace Ellis and Hannah Templer have teamed up to tell this story through Highsmith’s eyes—reimagining the events that inspired her to write the story that would become a foundational piece of queer literature. Flung Out of Space opens with Pat begrudgingly writing low-brow comics. A drinker, a smoker, and a hater of life, Pat knows she can do better. Her brain churns with images of the great novel she could and should be writing, what will eventually be Strangers on a Train, which would later be adapted into a classic film by Alfred Hitchcock in 1951.At the same time, Pat, a lesbian consumed with self-loathing, is in and out of conversion therapy, leaving a trail of sexual conquests and broken hearts in her wake. However, one of those very affairs—and a chance encounter in a department store—give Pat the idea for her soon-to-be beloved tale of homosexual love that was the first of its kind: It gave the lesbian protagonists a happy ending.This is not just the story behind a classic queer book but also of a queer artist who was deeply flawed. It’s a comic about what it was like to write comics in the 1950s, but also about what it means to be a writer at any time in history, struggling to find your voice. Author Grace Ellis contextualizes Patricia Highsmith as both an unintentional queer icon and a figure whose problematic views and noted anti-Semitism have cemented her controversial legacy. Highsmith’s life imitated her art with results as devastating as the plot twists that brought her fame and fortune.

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Few people today have ever heard of North Brother Island, though a hundred years ago it was place known to—and often feared by—nearly everyone in New York City. The island, a small dot in the East River, twenty acres slotted between today’s gritty industrial shores of the Bronx and Queens, was a minor piece of the New York archipelago until the late 19th century, when calls for social and sanitary reform—and the massive expansion of the city’s population—combined to remake NBI as a hospital island, a place to contain infectious disease and, later, other societal ills. Abandoned since 1963, North Brother Island is a ruin and a wildlife sanctuary (it is the protected nesting ground of the Black-crowned Night Heron), closed to the public and virtually invisible to it. But one cannot mistake its abandoned state as a sign of its irrelevance to the city’s history and culture. Traces of the extensive hospital campus remain, as do sites linked to notorious people (it was the final home of “Typhoid Mary”) and events (the steamship General Slocum sank by its shores). It has stories to tell. Photographer Christopher Payne (Asylum: Inside the Closed World of State Mental Hospitals) was granted permission by New York City’s Parks & Recreation Department to photograph the island over a period of years. The results are both beautiful and startling. On North Brother Island, devoid of human habitation for fifty years, buildings great and small are being consumed by the unchecked growth of vegetation. In just a few decades, a forest has sprung up where once there were the streets and manicured lawns of a hospital campus. North Brother Island: The Last Unknown Place in New York City includes a history by University of Pennsylvania preservationist Randall Mason, who has studied the island extensively, and an essay by the writer Robert Sullivan (Rats, The Meadowlands), who came along on one of the rare expeditions.

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A Sunday Times, Times, Irish Times and Mojo Book of the YearRough Trade #1 Book of the YearResident Music #1 Book of the Year'Were you there? Well this is as close as it gets! Thurston Moore's compelling and spirited account of the streets, the songs, the clothes, the clubs and the contenders! A sensitive and authentic testimony to Moore's life lived through art and music. Beats with the heart of a true artist and mutineer.' Viv Albertine'Downtown scientists rejoice! For Thurston Moore has unearthed the missing links, the sacred texts, the forgotten stories, and the secret maps of the lost golden age. This is history-scuffed, slightly bent, plenty noisy, and indispensable.' Colson WhiteheadA music-obsessed retrospective, beginning with his childhood epiphany of rock 'n' roll in the early 1960s into an infatuation with the subversive world of 1970s punk and no wave blasting forth from New York City - where he eventually runs off to join a band in 1978. By 1981 Moore would form the legendary and notorious experimental rock group Sonic Youth, who proceeded to record and tour relentlessly for almost 30 years, always progressing, always exploring.Along the way we meet a constellation of artists and musicians who colluded and collided with Sonic Youth including Velvet Underground, Stooges, Patti Smith, Television, Sex Pistols, Clash, Nirvana, Hole, Beastie Boys, Neil Young and a cavalcade of other musical visionaries, as well as figures from the art world - Jean Michel Basquiat, Keith Haring and Gerhard Richter.Simply put, Thurston Moore and Sonic Youth changed the sound of modern alternative rock music and opened the minds of a generation of artists to new possibilities within the form. This is essential reading.'I thoroughly enjoyed Thurston Moore's trip down the gauntlet of memory lane, dodging beer bottles and pools of blood as he balances the demands of art and survival. Plus I'm a sucker for anyone who name-checks Saccharine Trust. A raw, rollicking document.' Nell Zink

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'Nothing gets me to a bookstore faster than Eloisa James' Julia Quinn, Sunday Times bestselling author of the Bridgerton series The first book in Eloisa James's dazzling new series set in the Georgian period glows with her trademark wit and charm. Things are about to get Wilde . . . Lord Alaric Wilde, son of the Duke of Lindow, is the most celebrated man in England, revered for his dangerous adventures and rakish good looks.Arriving home from years abroad, he has no idea of his own celebrity until his boat is met by mobs of screaming ladies. Alaric escapes to his father's castle, but just as he grasps that he's not only famous but notorious, he encounters the very private, very witty, Willa Ffynche.Willa presents the façade of a serene young lady to the world. Her love of books and bawdy jokes is purely for the delight of her intimate friends. She wants nothing to do with a man whose private life is splashed over every newspaper.Alaric has never met a woman he wanted for his own . . . until he meets Willa. He's never lost a battle.But a spirited woman like Willa isn't going to make it easy . . . Perfect for fans of Julia Quinn's Bridgertons and Eloisa's Desperate Duchesses The Wildes of Lindow Castle series:Wilde in LoveToo Wilde to WedBorn to Be WildeSay No to the DukeSay Yes to the DukeWilde ChildPraise for Eloisa James'Eloisa James is extraordinary' Lisa Kleypas'Eloisa James writes with a captivating blend of charm, style, and grace that never fails to leave the reader sighing and smiling and falling in love' Julia Quinn'Smart heroines, sensual heroes, witty repartee and a penchant for delicious romance have made James a fan favorite . . . readers will be hooked from beginning to end' RT Book Reviews'Romance writing does not get much better than this' People'Charming, romantic and unexpectedly funny' Kirkus

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“FASCINATING . . . Dramatic and timely.” —New York Times Book Review, Editors' ChoiceIn this grand and thrilling narrative, the author of the 200,000-copy paperback bestseller Over the Edge of the World reveals the singular adventures of Sir Francis Drake, whose mastery of the seas during the reign of Queen Elizabeth I changed the course of history.“Entrancing . . . Very good indeed.” —Wall Street JournalBefore he was secretly dispatched by Queen Elizabeth to circumnavigate the globe, or was called upon to save England from the Spanish Armada, Francis Drake was perhaps the most wanted—and successful—pirate ever to sail. Nicknamed “El Draque” by the Spaniards who placed a bounty on his head, the notorious red-haired, hot-tempered Drake pillaged galleons laden with New World gold and silver, stealing a vast fortune for his queen—and himself. For Elizabeth, Drake made the impossible real, serving as a crucial and brilliantly adaptable instrument of her ambitions to transform England from a third-rate island kingdom into a global imperial power.In 1580, sailing on Elizabeth’s covert orders, Drake became the first captain to circumnavigate the earth successfully. (Ferdinand Magellan had died in his attempt.) Part exploring expedition, part raiding mission, Drake’s audacious around-the-world journey in the Golden Hind reached Patagonia, the Pacific Coast of present-day California and Oregon, the Spice Islands, Java, and Africa. Almost a decade later, Elizabeth called upon Drake again. As the devil-may-care vice admiral of the English fleet, Drake dramatically defeated the once-invincible Spanish Armada, spurring the British Empire’s ascent and permanently wounding its greatest rival. The relationship between Drake and Elizabeth is the missing link in our understanding of the rise of the British Empire, and its importance has not been fully described or appreciated. Framed around Drake’s key voyages as a window into this crucial moment in British history, In Search of a Kingdom is a rousing adventure narrative entwining epic historical themes with intimate passions.

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A TIMES HISTORY BOOK OF THE YEAR From the preeminent historian of 20th century Spain Paul Preston, Architects of Terror is a new history of how paranoia, conspiracy and anti-Semitism was used to justify the military coup of 1936 and enabled the construction of a dictatorship built on violence and persecution. It is the previously untold story of how antisemitic beliefs were weaponised to justify and propagate the Franco overthrow of liberal Spain. The Spanish military coup of 1936 was launched to overturn the social and economic reforms of the democratic Second Republic, and its educational and cultural challenges to the established order. The consequent civil war was fought in the interests of the landowners, industrialists, bankers, clerics and army officers whose privileges were threatened. However, a central justification for a war that took the lives of around 500,000 Spaniards was that it was being fought to combat an alleged scheme for world domination by a non-existent ‘Jewish- Masonic-Bolshevik Conspiracy’. Despite the fact that Spain had only a tiny minority of Jews and Freemasons, Franco and his inner circle were ardent believers in this fabricated conspiracy and spread the notion that the survival of Catholic Spain, as well, of course, of the establishment ’ s economic interests, required the total annihilation of Jews and Freemasons. Architects of Terror is the story of how fake news, mendacity, corruption and nostalgia for lost empire generated violence and hatred. The book presents vivid portraits of the key ideologues who propagated the myth of the Jewish-Masonic-Bolshevik Conspiracy and of the military figures who implemented the atrocities that it justified. Among the convictions shared by these individuals was their belief in the idea that Freemasonry was responsible for Spain ’ s loss of empire and in the factual veracity of The Protocols of the Elders of Zion, the notorious fiction about the global domination of the Jews. This is a history that reverberates in our own political moment

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From #BookTok phenomenon and author of the highly anticipated YA fantasy novel, Lightlark, this fast-paced series starter is steeped in Colombian mythology and full of adventure. Perfect for fans of Percy Jackson, Curse of the Night Witch is filled with fantasy, action, adventure, and an unforgettable trio of friends.A Seventeen.com Most Anticipated Book of Summer!A Zibby Owens Summer Reading Pick on Good Morning America!On Emblem Island all are born knowing their fate. Their lifelines show the course of their life and an emblem dictates how they will spend it.Tor Luna was born with a leadership emblem, just like his mother. But he hates his mark and is determined to choose a different path for himself. So, on the annual New Year's Eve celebration, where Emblemites throw their wishes into a bonfire in the hopes of having them granted, Tor wishes for a different power.The next morning Tor wakes up to discover a new marking on his skin...the symbol of a curse that has shortened his lifeline, giving him only a week before an untimely death. There is only one way to break the curse, and it requires a trip to the notorious Night Witch.With only his village's terrifying, ancient stories as a guide, and his two friends Engle and Melda by his side, Tor must travel across unpredictable Emblem Island, filled with wicked creatures he only knows through myths, in a race against his dwindling lifeline.You'll love Curse of the Night Witch if you're looking for:Multicultural books for children (especially Latinx books)Stories based on fascinating mythologyYour next favorite fantasy series"Debut author Aster takes inspiration from Colombian folklore to craft a rousing series opener that's both fast-paced and thrilling. As her protagonists face off against a host of horrors, they learn the value of friendship and explore the possibility of changing one's fate in a world where destiny is predetermined."-Publishers Weekly, STARRED review"Worthy of every magical ounce."-Kirkus Reviews, STARRED review

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*** The New York Times Bestseller ***'Lucy Adlington tells of the horrors of the Nazi occupation and the concentration camps from a fascinating and original angle. She introduces us to a little known aspect of the period, highlighting the role of clothes in the grimmest of societies imaginable and giving an insight into the women who stayed alive by stitching' - Alexandra Shulman, author of Clothes...and other things that matter'Compelling... Adlington tells the stories of the women with clarity and steely precision' - Jewish Chronicle'An utterly absorbing, important and unique historical read' - Judy Batalion, NY Times bestselling author of The Light of Our Days: The Untold Story of Women Resistance Fighters in Hitler's Ghettos'Powerful... a fascinating account.' - WomanThe powerful chronicle of the women who used their sewing skills to survive the Holocaust, stitching beautiful clothes at an extraordinary fashion workshop created within one of the most notorious WWII death camps. At the height of the Holocaust twenty-five young inmates of the infamous Auschwitz-Birkenau concentration camp - mainly Jewish women and girls - were selected to design, cut, and sew beautiful fashions for elite Nazi women in a dedicated salon. It was work that they hoped would spare them from the gas chambers. This fashion workshop - called the Upper Tailoring Studio - was established by Hedwig Höss, the camp commandant's wife, and patronized by the wives of SS guards and officers. Here, the dressmakers produced high-quality garments for SS social functions in Auschwitz, and for ladies from Nazi Berlin's upper crust. Drawing on diverse sources - including interviews with the last surviving seamstress - The Dressmakers of Auschwitz follows the fates of these brave women. Their bonds of family and friendship not only helped them endure persecution, but also to play their part in camp resistance. Weaving the dressmakers' remarkable experiences within the context of Nazi policies for plunder and exploitation, historian Lucy Adlington exposes the greed, cruelty, and hypocrisy of the Third Reich and offers a fresh look at a little-known chapter of World War II and the Holocaust.

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**THE SUNDAY TIMES BESTSELLER**'A riveting, compelling, mesmerizing journey. Josef Lewkowicz is a hero in every sense of the word. The Survivor both terrifies us and inspires us. It's a must read.'Tova Friedman, author of The Daughter of Auschwitz.One of the last great untold stories of the Holocaust, The Survivor is an astonishing account of one man's unbreakable spirit, unshakeable faith, and extraordinary courage in the face of evil.At only sixteen years old, Josef Lewkowicz became a number, prisoner 85314. Following the Nazi invasion of Poland, he and his father were separated from their family and herded to the Kraków-Plaszów concentration camp. Forced to carry out hard labour in brutal conditions, and to live under the constant threat of extreme violence and sudden death, before the war was over Josef would witness the unique horrors of six of the most notorious Nazi concentration camps, including Auschwitz, Mauthausen and Ebensee.From salt mines to forced marches, summary executions to Amstetten, where prisoners were used as human shields in Allied bombing, Josef lived under the spectre of death for many years. When he was liberated from Ebensee at the end of the war, conditions were amongst the worst witnessed by allied forces.With his freedom, Josef returned home to find that he was the only one left alive in an extended family of 150. Compelled by the need to do something to avenge that loss, he joined the Jewish police while still in a displaced persons' camp, and was recruited as an intelligence officer for the US Army who gave him a team to search for Nazis in hiding.Whilst rounding up SS leaders, he played a critical role in identifying and bringing to justice his greatest tormentor, the Butcher of Plaszow, Amon Göth, played by Ralph Fiennes in Schindler's List. He then committed his life to helping the orphaned children of the Holocaust rebuild their lives.The Survivor is Josef's extraordinary testimony.

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As a survivor of a brutal attack by the Yorkshire Ripper, this book gives fresh insight into the consequences of being labeled a victim of this notorious serial killer. Mo Lea was followed home and attacked by Peter Sutcliffe, who hit her over the head repeatedly with a hammer. She was stabbed with a screwdriver leaving her with life threatening injuries. The book reveals how Mo has wrestled with the past, struggling to come to terms with the well-trodden, morbid narrative. She has written a new, fresh perspective for the present day. Her writing offers an alternative account, one which repositions her as a survivor with a success story. While sympathy has its place for the victims, this book gives insight into processes of recovery and success. Mo had no control over unwanted media interventions. Sometimes the Ripper story would appear on the morning news while she was getting ready to go to work. She learnt to contain her anxiety but she could neither predict or escape these uncomfortable moments that reminded her of her past trauma. Mo Lea's art practice has been an important factor in her life. She has been fortunate to use this as an outlet to explore her pain, anger, suffering and recovery. After years of personal growth and recovery, a short film was made of Mo Lea creating a drawing from the iconic photograph of the man who had tried to take her life. She is filmed ripping up the Ripper. She is filmed tearing up the portrait that she had so carefully drawn, rendering him as disposable as a piece of litter. The film shows how Mo turned her story around, making Sutcliffe the victim and herself, the triumphant survivor. Mo had finally found a way of stepping out of the frame. She no longer felt Iike running away. The illustrations contained within describe better than any words, her journey from tragic despair to calmness and acceptance. By writing this book Mo Lea has found a way to reclaim her story.

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'I loved it' ELOISA JAMES'Smart, sexy, and always romantic' JULIA QUINN'For a smart, witty and passionate historical romance, I recommend anything by Sarah MacLean' LISA KLEYPAS New York Times bestselling author Sarah MacLean follows her highly acclaimed Bombshell with Heartbreaker, featuring a fierce, fearless heroine on a mission to steal a duke's secrets...and his heart. HEARTBREAKER Hell's Belles, Book 2A Princess of ThievesRaised among London's most notorious criminals, a twist of fate landed Adelaide Frampton in the bright ballrooms of Mayfair, where she masquerades as a quiet wallflower-so plain and unassuming that no one realizes she's the Matchbreaker...using her superior skills as a thief to help brides avoid the altar.A King of ReputationHenry, Duke of Clayborn, has spent a lifetime living in perfection. He has no time for the salacious gossip that arises every time the Matchbreaker ends another groom. His own reputation is impeccable-and the last thing he needs is a frustrating, fascinating woman discovering the truth of his past, or the secrets he holds close.A Royal MatchWhen the two find themselves on a breakneck journey across Britain to stop a wedding, it's impossible for Clayborn to resist this woman who both frustrates and fascinates him. But late-night carriage rides make for delicious danger...and soon Adelaide is uncovering Clayborn's truths, throwing his well-laid plans into chaos...and threatening to steal his heavily guarded heart.Praise for Sarah MacLean: 'My absolute go-to author for clever, sexy and fun historical romances' Jennifer L. Armentrout'Sarah MacLean has reignited the romance genre with a bolder edge' The New Yorker'Funny, smart, feminist and roastingly hot' BookRiot.com'Do yourself a favor and discover the compelling magic of Sarah MacLean' Amanda Quick'MacLean writes with an entirely unique blend of elegance and ferocity that bursts from every page' Entertainment Weekly

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“The Southern Ocean is a wild and elusive place, an ocean like no other. With its waters lying between the Antarctic continent and the southern coastlines of Australia, New Zealand, South America, and South Africa, it is the most remote and inaccessible part of the planetary ocean, the only part that flows around Earth unimpeded by any landmass. It is notorious amongst sailors for its tempestuous winds and hazardous fog and ice. Yet it is a difficult ocean to pin down. Its southern boundary, defined by the icy continent of Antarctica, is constantly moving in a seasonal dance of freeze and thaw. To the north, its waters meet and mingle with those of the Atlantic, Indian, and Pacific oceans along a fluid boundary that defies the neat lines of a cartographer.” So begins Joy McCann’s Wild Sea, the remarkable story of the world’s remote Southern, or Antarctic, Ocean. Unlike the Pacific, Atlantic, Indian, and Arctic Oceans with their long maritime histories, little is known about the Southern Ocean. This book takes readers beyond the familiar heroic narratives of polar exploration to explore the nature of this stormy circumpolar ocean and its place in Western and Indigenous histories. Drawing from a vast archive of charts and maps, sea captains’ journals, whalers’ log books, missionaries’ correspondence, voyagers’ letters, scientific reports, stories, myths, and her own experiences, McCann embarks on a voyage of discovery across its surfaces and into its depths, revealing its distinctive physical and biological processes as well as the people, species, events, and ideas that have shaped our perceptions of it. The result is both a global story of changing scientific knowledge about oceans and their vulnerability to human actions and a local one, showing how the Southern Ocean has defined and sustained southern environments and people over time. Beautifully and powerfully written, Wild Sea will raise a broader awareness and appreciation of the natural and cultural history of this little-known ocean and its emerging importance as a barometer of planetary climate change.

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Armies of Arabia is the first comprehensive analysis of the Gulf monarchies' armed forces, including their political, social, and economic characteristics, foreign relations, and battleground performance. The Arabian Peninsula is among the most strategically and economically important areas in the world, but its militaries remain terra incognita. In Armies of Arabia - the first book to comprehensively analyze the Gulf monarchies' armed forces - Zoltan Barany explains their notorious ineffectiveness with a combination of political-structural and sociocultural factors. Drawing on over 150 interviews and meticulous multidisciplinary research, Barany paints a fascinating portrait of Arabia's armies from Ibn Saud's Ikhwan to the present. He explores the methods ruling families employ to ensure their armies' loyalty, examines the backgrounds and career trajectories of soldiers and officers, and explains the monarchies' reliance on mercenaries and the enduring importance of tribal networks. Even though no other world region spends more on security, Arabia's armies remain ineffective because of an absence of meritocracy, the domination of personal connections over institutional norms, insipid leadership, a casual work ethic, and training that lacks intensity, frequency, and up-to-date scenarios. Massive weapons acquisitions are primarily pay-offs to the US for protecting them and have resulted in bloated and inappropriate arsenals and large-scale corruption. Barany explains why the Gulf Cooperation Council has been a squandered opportunity and examines the kingdoms' military relationships with the Arab world and beyond. The performance of the Saudi-led coalition's disastrous war in Yemen starkly illustrates the Gulf armies' humiliating combat record. The book concludes with thoughts on waste (of human potential, resources, institutions) as a dominant theme of Gulf military affairs, considers likely changes in response to long-term weakening demand for oil, and suggests ways in which the armies' effectiveness could be raised. Chock-full of insights and stories from the field and written with a general audience in mind, Armies of Arabia will be essential reading for anyone interested in military affairs and Middle Eastern politics, society, and international relations.

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His innovative thriller, as shocking now as when it was first published, the Penguin Classics edition of Robert Louis Stevenson's The Strange Case of Dr Jekyll and Mr Hyde and Other Tales of Terror is edited with an introduction by Robert Mighall.Published as a 'shilling shocker', Robert Louis Stevenson's dark psychological fantasy gave birth to the idea of the split personality. The story of respectable Dr Jekyll's strange association with the 'damnable young man' Edward Hyde; the hunt through fog-bound London for a killer; and the final revelation of Hyde's true identity is a chilling exploration of humanity's basest capacity for evil. The other stories in this volume also testify to Stevenson's inventiveness within the Gothic tradition: 'Olalla', a tale of vampirism and tainted family blood, and 'The Body Snatcher', a gruesome fictionalisation of the exploits of the notorious Burke and Hare.This edition contains a critical introduction by Robert Mighall, which discusses class, criminality and the significance of the story's London setting. It also includes an essay on the scientific contexts of the novel and the development of the idea of the Jekyll-and-Hyde personality.Robert Louis Stevenson (1850-1894) was born in Edinburgh, the son of a prosperous civil engineer. Although he began his career as an essayist and travel writer, the success of Treasure Island (1883) and Kidnapped (1886) established his reputation as a writer of tales of action and adventure. Stevenson's Calvinist upbringing lent him a preoccupation with predestination and a fascination with the presence of evil, themes he explored in The Strange Case of Dr Jekyll and Mr Hyde (1886), and The Master of Ballantrae (1893).If you enjoyed The Strange Case of Dr Jekyll and Mr Hyde, you might like The Private Memoirs and Confessions of a Justified Sinner, by James Hogg, also available in Penguin Classics.'Every bit as claustrophobic, creepy and chilling as when it first saw the light of day over a century ago'Ian Rankin

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In 1922, Rudolph Valentino was one of the most famous men alive. But few knew that the star had a dirty secret that he desperately wanted to bury. The lurid tale began a decade earlier when former Yale football star and notorious playboy Jack de Saulles made headlines across three continents by pursuing the beautiful young Chilean heiress Blanca Errázuriz, known as the Star of Santiago. After the birth of their son, though, the marriage soured. Jack was going after every chorus girl on Broadway, claiming that Blanca had banished him from their bed. By 1916, Blanca wanted a divorce, rare then and even more so in a wealthy, powerful Catholic family. Enter Valentino, then still known as Rodolfo Guglielmi, a professional dancer in New York City, famous for the Argentinean tango. Blanca discovered that her husband had been sleeping with Joan Sawyer, Rodolfo’s dance partner, so she set about cultivating the hungry young performer. Whether Blanca and Guglielmi became lovers remains unclear, but the ambitious Italian gave evidence on her behalf in divorce court. Furious, de Saulles had Guglielmi arrested on trumped-up vice charges, tarnishing the dancer’s reputation. But Blanca was fighting bigger battles. De Saulles’s family had been pulling strings, persuading the courts to grant him partial custody of their child. When it appeared that he wasn’t going to return the boy to his mother’s care, Blanca exploded. On a sweltering August night in 1917, she drove to Jack’s mansion and shot him dead. Several people witnessed the act, but Blanca’s family hired the best defense lawyer around, who salvaged de Saulles’s reputation and made Blanca out to be a saint. During the “most sensational trial of the decade,” millions devoured the juicy details of how a high-society marriage violently unraveled. Guglielmi, desperate to avoid further poisonous publicity, fled to California, changed his name to Rudolph Valentino, and the rest is Hollywood history.

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In the 1950s the notorious House Un-American Activities Committee launched a ruthless smear campaign and outright attack against hundreds of labor leaders, teachers, leftists, Communists, civil servants, filmmakers, civil rights activists, and many others it accused of conspiring to overthrow the government. On the basis of little or no evidence individuals were dragged before HUAC and harassed and threatened. Many lost their jobs or were jailed if they did not cooperate with a Committee that flagrantly trampled the right of freedom of speech and condemned individuals for association with progressive causes. One man who stood tall and refused to cooperate with the diabolical Committee was Lee Brown, an African American labor activist and a leader of an interracial union of waterfront workers in New Orleans. For his courageous act Brown soon lost his freedom but not his dignity. He was tried and unjustly convicted of violating the Taft-Hartley Act that prohibited Communist Party members from also serving as the leaders of labor unions. Brown spent more than two years in federal prison but his militancy and commitment to the struggle for workers' rights and civil rights remained undiminished. Strong in the Struggle tells the powerful story of the political awakening of Brown as a youth from the rural South, his life from childhood among poor black farmers, his encounters with the Jim Crow system of racial segregation and racial violence, his discovery of the changes that could be won when working people organized into unions, his rise to leadership and his time of imprisonment, and his continuing advocacy of the ideals of racial equality and socialism. Told in his own words, it is an engaging story that follows him as a young man from Louisiana to Texas as a shipyard worker, to Arizona as a railroad worker, to Los Angeles and Hollywood where he worked in restaurants and as a bit-part actor during World War II, to the docks of New Orleans and the great hotels of San Francisco as the Civil Rights an

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Scratching the Surface: Adventures in Storytelling is a deeply personal and intimate memoir told through the lens of Harvey Ovshinsky's lifetime of adventures as an urban enthusiast. He was only seventeen when he started The Fifth Estate, one of the country's oldest underground newspapers. Five years later, he became one of the country's youngest news directors in commercial radio at WABX-FM, Detroit's notorious progressive rock station. Both jobs placed Ovshinsky directly in the bullseye of the nation's tumultuous counterculture of the 1960s and 70s. When he became a documentary director, Ovshinsky's dispatches from his hometown were awarded broadcasting's highest honors, including a national Emmy, a Peabody, and the American Film Institute's Robert M. Bennett Award for Excellence. But this memoir is more than a boastful trip down memory lane. It also doubles as a survival guide and an instruction manual that speaks not only to the nature of and need for storytelling but also and equally important, the pivotal role the twin powers of endurance and resilience play in the creative process. You don't have to be a writer, an artist, or even especially creative to take the plunge, Ovshinsky reminds his readers. ""You just have to feel strongly about something or have something you need to get off your chest. And then find the courage to scratch your own surface and share your good stuff with others."" Above all, Ovshinsky is an educator, known for his passionate support of and commitment to mentoring the next generation of urban storytellers. When he wasn't teaching screenwriting and documentary production in his popular workshops and support groups, he taught undergraduate and graduate students at Detroit's College for Creative Studies, Wayne State University, Madonna University, and Washtenaw Community College. ""The thing about Harvey,"" a colleague recalls in Scratching the Surface, ""is that he treats his students like professionals and not like newbies at all. His approach is to, in a very supportive and non-threatening way, combine both introductory and advanced storytelling in one fell swoop.

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Before the end of the present century the population of China – currently around 1.4 billion – is forecast to drop to around half that level as a major and unprecedented demographic crisis begins to bite. Its working-age population has already stopped growing and is now well into a process of contraction. Increasing longevity means that by the 2050s there will be more than 400 million Chinese citizens over the age of 65 – with little provision for their care in a society where a single child is now the norm. The ratio of the retired to those working is steadily rising, putting pressure on families and the public finances. Years of preference for a male child has seen the creation of a skewed sex ratio at birth that already guarantees well over 50 million surplus adult males, unmarried and unhappy, in the coming years. This is more than the entire male population of Germany. The state has previously sought to impose its will on reproduction, but Chinese families experienced a sharply reduced birthrate even before the introduction of the notorious one-child policy. And despite the lifting of restrictions on the number of children allowed, births remain stubbornly low. As Timothy Beardson shows in this timely and fascinating new book, the Chinese people have largely ignored official policy, as trends in urbanization, employment and education alter traditional demographic patterns. China in fact reflects a clearly identifiable shift in the whole world of moving from high to low fertility. This book is the first to examine in detail China’s demographic history and the impending crisis that will see more people in the United States by 2100 than in China. It explains how China’s ageing and shrinking population will affect such widely disparate areas as the ethics of business, artificial intelligence and the combat-worthiness of the military – not to mention China’s overall place in the modern world.

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Satie's music and ideas are inextricably linked with the City of Light. This book situates Satie's work within the context and sonic environment of contemporary Paris. Erik Satie's (1866-1925) music appeals to wide audiences and has influenced both experimental artists and pop musicians. Little about Satie was conventional, and he resists classification under easy headings such as "classical music". Instead of pursuing the path of a professional composer, Satie initially earned a living as a café pianist and moved in bohemian circles which prized satire, popular culture and experiment. Small wonder that his music is fundamentally new in conception. It is music which is not always designed to be listened to attentively: music which can be machine-like but is to be played by humans. For Satie, music was part of a wider concept of artistic creation,as evidenced by his collaborations with leading avant-garde artists and in works which cross traditional genre boundaries such as his texted piano pieces. His music was created in some of the most exciting and creatively stimulating environments of the late nineteenth and early twentieth century: Montmartre and Montparnasse. Paris was the artistic centre of Europe, and Satie was a notorious figure whose music and ideas are inextricably linked with the City of Light. This book situates Satie's work within the context and sonic environment of contemporary Paris. It shows that the influence of street music, musicians and poets interested in new technology, contemporary innovations and radical politics are all crucial to an understanding of Satie. Music from the ever-popular Gymnopédies to newly discovered works are discussed, and an online supplement features rare pieces recorded especially for the book. CAROLINE POTTER is Reader in Music at Kingston University London. A graduate in both French and Music, she has published widely on French music since Debussy and was Series Advisor to the Philharmonia Orchestra's Paris2014-15 season.

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This book is about contemporary issues in architecture and urbanism, taking the form of a project for The Corviale Void, a one kilometre long strip of urban space, immured in the notorious Corviale housing development in the Southwestern sector of Rome. Corviale is a bizarre object, single-minded in its idea, the history of Corviale can be traced to debates in Italian architecture culture of the 1960’s, including Aldo Rossi’s objection to urbanisation, as articulated in his books and projects. On the one hand the project for the Corviale Void begins with one of the original theorists of modern urbanisation and architecture, Giovanni Battista Piranesi, looking into his fascination with the insides of walls. On the other hand the project begins with a new material form, The Air Grid. Like the forms appearing in Piranesi’s etchings, Air Grid is made from a kind of hatching, but Air Grid is hatched out of colour vectors, literally drawn into the air. The human eye is easily mesmerised by the Air Grid, scanning back and forth it reads the colour form as animated, in some sense alive. At the same time as the Italian architects were engaged in those activities that would eventually give birth to the Corviale Void, the painter Yves Klein, was creating The Architecture of the Air. Klein’s work is of special interest to the project of the Corviale Void because of the important role of colour in the development of his thinking about architecture. By attending to Klein’s parallel inquiry Air Grid is brought into dialogue with the philosophy of Arthur Schopenhauer, who was one of the first thinkers to develop a physiological theory of colour. The important thing about Schopenhauer’s thinking is the careful way he looked at physiological phenomena, regarding them as directly informed by metaphysical powers; for Schopenhauer Architecture too is a physiological matter and hence metaphysical. The concluding proposal for the Corviale Void presents a metaphysical archite

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'A thrillingly dark and atmospheric tale, richly evocative of its time' JOHN BANVILLE 'This isn't just a mystery novel: it's a window into a vanished world' TANA FRENCH 'Gripping and brilliantly atmospheric' RODDY DOYLESome stories demand to be told. They keep coming back, echoing down through the decades, until they find a teller . . .Dublin, 1943 Actress Julia Bridges disappears. The last sighting of her is entering the house of Gloria Fitzpatrick, who is later put on trial for the murder of another woman whose abortion she facilitated. But it’s never proved that Gloria had a hand in Julia’s death – and Julia’s body has never been found. Gloria, however, is sentenced to life in an institution for the criminally insane, until her apparent suicide a few years later, and the truth of what happened to Julia Bridges dies with her. Dublin, 1968 Nicoletta Sarto is an ambitious junior reporter for the Irish Sentinel when the bones of Julia Bridges are discovered in the garden of a house on the outskirts of Dublin. Drawn into investigating the 25-year-old mystery of Julia’s disappearance and her link to the notorious Gloria Fitzpatrick, the story takes Nicoletta into the tangled underworld of the illegal abortion industry, stirring up long-buried secrets from her own past.As much a murder mystery story as a look at a young woman’s struggle to succeed in a man’s world, Where They Lie is a beautifully atmospheric debut that will stay with you long after you’ve turned the last page. 'Atmospheric and absorbing, an ambitious young journalist finds herself at the heart of a corkscrew tale she never knew existed. A dark and turbulent journey to unexpected truths’ VAL McDERMID ‘A dark, gorgeously-written thriller, its tap root deep in a past so vividly evoked, you can see and smell and feel it’ NICCI FRENCH ‘Atmospheric, authentic, and almost unbearably poignant. Like the best historical fiction, Where They Lie transports the reader back in time while holding up a mirror to the present. A must-read’ ERIN KELLY

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Mexican leaders eagerly anticipated the attention that hosting the world's most visible sporting event would bring, yet they could not have predicted the array of conflicts that would play out before the eyes of the world during the notorious 1968 Mexico City Olympics. Following twenty years of economic growth and political stability—known as the "Mexican miracle"—Mexican policy makers escaped their prior image of being economically underdeveloped to successfully craft an image of a nation that was both modern and cosmopolitan but also steeped in culture and tradition. Buoyed by this new image, they set their sights on the Olympic bid, and they not only won but also prepared impressive facilities. Prior to the opening ceremonies, several controversies emerged, the most glaring of which was a student protest movement that culminated in a public massacre, leaving several hundred students dead. Less dramatic were concerns that athletes would suffer harm in the high elevation and thin air, debates over the nature of amateurism, threats by nations opposing apartheid to boycott if South Africa was allowed to compete, and the introduction of drug and gender testing. Additionally the Olympics provided a forum for the United States and the Soviet Union to carry their Cold War rivalry to the playing field—a way to achieve victory without world destruction at stake. During the Games, one of the most significant controversies occurred when two African American athletes, Tommie Smith and John Carlos, raised their fists in the Black Power salute while on the medal stand. This gesture brought worldwide attention to racism within the United States and remains a lasting image of both the Mexico City Olympics and the Civil Rights movement. Although the Olympics are intended to bring athletes of the world together for harmonious competition, the 1968 Games will long be remembered as fraught with discord. This ambitious and comprehensive study will appeal to those interested in US history, Latin American history, sports history, and Olympic history.

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Judge's book is the best to date on the Kishinev pogrom of 1903. In seven gracefully written chapters, the author lays out the background of the Jewish question in Russia, profiles the city of Kishinev, narrates the events leading up to and included in the pogrom, and analyzes its causes and effects. -Choice A detailed re-examination of the notorious Kishinev pogrom of 1903. -East European Jewish Affairs In February of 1903, in a town in the southwestern part of the Russian empire, a peasant stumbled upon the corpse of 14-year old Mikhail Rybachenko, bruised and covered with stab wounds, in a garden. The murder immediately fueled wild rumors that he had been killed by local Jews in need of his Christian blood to prepare their matzah bread. Panic rumors, grounded in sinister superstitions of Jewish sorcery and ritual murder, quickly spread to nearby towns. By April, they had hit Kishinev -- a growing metropolis of 100,000 inhabitants rife with the unrest of rapid expansion, ethnic rivalry, revolutionary agitation, and anti-Semitism -- with full force. The resulting massacre left dozens dead, and hundreds wounded, maimed, widowed, orphaned or homeless. This is the story of Kishinev. In this extensively researched book, Edward Judge examines these anti-Jewish riots, detailing their background, cause, and aftermath. He traces the evolution of the riots, analyzing the broader impact of imperial policies, urbanization, nationalism, population growth, and revolutionary activism upon the Jewish situation in Russia. Recounting the activities and attitudes of anti- semitic agitators and Kishinev officials, the book examines the spiral of violence, the inaction of the authorities in the wake of the pogrom, the storm of indignation that followed the pogrom, and the efforts of tsarist officials to counter subsequent negative publicity. EASTER IN KISHINEV also portrays the investigation of the disorders and the trials of the rioters and carefully considers the question of government responsibility for the outbreak of the pogrom.

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In Victorian London, the age of consent was just thirteen. Unwitting girls were regularly enticed, tricked and sold into prostitution. If not marked out for a gentleman in a city brothel, they were legally trafficked to Brussels, Paris and beyond. All the while, the Establishment turned a blind eye. That is, until one policeman wrote an incendiary report. Disgraced for testifying against a violent colleague, Irish inspector Jeremiah Minahan was transferred to the backwater of Chelsea as punishment. Here he met Mary Jeffries, a notorious trafficker and procuress who counted Cabinet members and royalty among her clientele. Within days of reporting Jeffries, Minahan was unceremoniously forced out of the Metropolitan Police. So he turned private detective, setting out to expose the peers and politicians more interested in shielding their own positions (and peccadilloes) than London’s child prostitutes. The findings Minahan did reveal in 1885 sparked national outrage: riots, arrests, a tabloid war and a sensational trial…other secrets were so fearful he took them to his grave, where they remained - until now. This is the true tale of a man caught between a corrupt English Establishment and his own rebel heart: a very Victorian scandal, but also, a story for our times.Victorian London: slums and stucco, strict morals and dark secrets. The sex trade in vulnerable young English girls was booming, fuelled by lax laws and lucrative trafficking to the brothels of Paris and Brussels. Chelsea’s most ‘exclusive establishment’ counted cabinet members and royalty amongst its clientele. In the searing summer of 1885, the situation hit the headlines. There were arrests, riots, a tabloid scandal and a sensational trial – and one man lit the touchpaper. He was Jeremiah Minahan, Irish ex-inspector, exposer of corruption, rebel with a cause. This is his extraordinary story, and that of the women he helped to protect. It is a very Victorian scandal, but also, a tale for our time.

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From the survivor of ten Nazi concentration camps who went on to create the New England Holocaust Memorial, a "devastating...inspirational" memoir (The Today Show) about finding strength in the face of despair.On August 14, 2017, two days after a white-supremacist activist rammed his car into a group of anti-Fascist protestors, killing one and injuring nineteen, the New England Holocaust Memorial was vandalized for the second time in as many months. At the base of one of its fifty-four-foot glass towers lay a pile of shards. For Steve Ross, the image called to mind Kristallnacht, the Night of Broken Glass in which German authorities ransacked Jewish-owned buildings with sledgehammers.Ross was eight years old when the Nazis invaded his Polish village, forcing his family to flee. He spent his next six years in a day-to-day struggle to survive the notorious camps in which he was imprisoned, Auschwitz-Birkenau and Dachau among them. When he was finally liberated, he no longer knew how old he was, he was literally starving to death, and everyone in his family except for his brother had been killed.Ross learned in his darkest experiences--by observing and enduring inconceivable cruelty as well as by receiving compassion from caring fellow prisoners--the human capacity to rise above even the bleakest circumstances. He decided to devote himself to underprivileged youth, aiming to ensure that despite the obstacles in their lives they would never experience suffering like he had. Over the course of a nearly forty-year career as a psychologist working in the Boston city schools, that was exactly what he did. At the end of his career, he spearheaded the creation of the New England Holocaust Memorial, a site millions of people including young students visit every year.Equal parts heartrending, brutal, and inspiring, From Broken Glass is the story of how one man survived the unimaginable and helped lead a new generation to forge a more compassionate world.

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In this memoir, Lana Wood investigates the mysterious drowning of her sister, the actress Natalie Wood, and clears up the myths and misconceptions behind one of the most notorious celebrity deaths of our time. On the night of November 29, 1981, Natalie Wood disappeared from her yacht, the Splendour, while visiting Catalina Island with her husband, Robert “R.J.” Wagner and their friend, Christopher Walken. The beloved movie star’s tragic drowning shook America, inspiring troves of magazine covers and media pieces. What was originally believed to be an open-and-shut case of accidental drowning has been called into question over the years, and in 2011 the investigation was reopened. In 2018, at the urging of the public, it was reclassified as “suspicious.”Ever since, the question has remained: What really happened to Natalie Wood?Lana Wood, Natalie’s younger sister, long suspected nefarious circumstances surrounding her sister’s death. Her closest confidante from childhood, Lana stood witness to Natalie’s life: the successes, the heartache, and her deepest pain. But there was tremendous fear about investigating the case. Uncertain of what her own search would unravel, and frightened of the possibilities, Lana stayed silent for years, until she no longer could. She realized she was ignoring what was in front of her, and that the best way to honor her sister's legacy would be uncovering the secrets behind the very end of Natalie’s life.By elucidating previously unknown complications of Natalie’s life, and offering new evidence from key parties involved in the investigation—including the boat’s captain and other witnesses—Little Sister recounts Lana’s search for the truth and brings to light explosive details that have been suppressed for decades. Ranging from the bonds that hold family together, to inconsistencies in interviews with detectives to complications with evidence, this story of sisterhood and mystery presents a fresh perspective on a night that has long been fodder for Hollywood lore.

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Horse racing may be famously known as the 'sport of kings' but, in the pursuit of prize money and getting one over the bookies, it also has attained a notoriety for some underhand, corrupt and downright illegal practices. Horse racing in Wales is not exempt from these dodgy dealings and on many occasions has led the way in it's ingenuity to devise jaw-dropping cons and cunning deceptions. In The Scams, Scandals and Gambles of Horseracing in Wales, Brian Lee, the veteran and highly regarded Welsh racing correspondent has, for the first time, compiled a comprehensive collection of true stories that reveals Welsh racing's most notorious crooks, loveable rouges and most infamous scams, including: The Oyster Maid affair, when a great gambling coup engineered at Tenby in 1927 nearly put paid to horse racing in Wales and was said by the Queen Mother's jockey, Dick Francis, to have been "the most bitterly resented betting coup National Hunt racing has ever known". The astounding story of Am I Blue's when, in 2010, a four-year-old filly, owned and trained by Aberkenfig's Delyth Thomas, romped home at Hereford after being backed from 25-1 to 5-1, despite having woeful form.As one reporter put it: 'There was outrage in some quarters and amusement in others. ' The elaborate switching of horses and the cutting of the telegraph wires at Bath races in 1953 which saw well-know Cardiff bookie Gomer Charles jailed for 2 years for fraud after his syndicate place GBP100k worth of bets on a 'ringer' racehorse that won at 20-1. The Scandals and Gambles of Horseracing in Wales includes stories both from racing 'under rules' but also from point-to-point, known as racing 'between-the-flags', as well as flapping (unlicensed racing). The stories in this enthralling book, in which the reader will meet many of the rogues of the turf, are informative as well as fascinating and will appeal to not only horse racing fans but also readers of true crime.

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***A Best Book of 2022, The Times******Book of the Year, Spectator***A myth-busting biography of Henrietta Maria, wife of Charles I, which retells the dramatic story of the civil war from her perspectiveHenrietta Maria, Charles I's queen, is the most reviled consort to have worn the crown of Britain's three kingdoms. Condemned as that 'Popish brat of France', a 'notorious whore' and traitor, she remains in popular memory the wife who wore the breeches and turned her husband Catholic - so causing a civil war - and a cruel and bigoted mother.Leanda de Lisle's White King was hailed as 'the definitive modern biography about Charles I' (Observer). Here she considers Henrietta Maria's point of view, unpicking the myths to reveal a very different queen. We meet a new bride who enjoyed annoying her uptight husband, a leader of fashion in clothes and cultural matters, an innovative builder and gardener and an advocate of the female voice in public affairs. No bigot, her closest friends included 'Puritans' as well as Catholics, and she led the anti-Spanish faction at court linked to the Protestant cause in the Thirty Years' War. When civil war came, the strategic planning and fundraising of his 'She Generalissimo' proved crucial to Charles's campaign.The story takes us to courts across Europe, and looks at the fate of Henrietta Maria's mother and sisters, who also faced civil wars. Her estrangement from her son Henry is explained, and the image of the Restoration queen as an irrelevant crone is replaced with Henrietta Maria as an influential 'phoenix queen', presiding over a court with 'more mirth' even than that of the Merry Monarch, Charles II.It is time to look again at this despised queen and judge if she is not in fact one of our most remarkable.'this is revisionist history at its absolute best' ANDREW ROBERTS'beautifully written and endlessly fascinating' ALEXANDER LARMAN'popular history of the finest kind' RONALD HUTTON

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An illustrated survey of artist hoaxes, including impersonations, fabula, cryptoscience, and forgeries, researched and written by an expert “fictive-art” practitioner. In her groundbreaking book, internationally recognized multimedia artist and writer Antoinette LaFarge reflects on the most urgent question of today: where does truth lie, and how is it verified? Encouraging readers to critically question the role art plays in shaping reality, Sting in the Tale: Art, Hoax, and Provocation defines a new genre of art that fabricates evidence to support a central fiction. Interweaving contemporary "fictive art" practice with a lineage of hoaxes and impostures dating from the 17th century, LaFarge offers the first comprehensive survey of this practice. The shift from the early information age to our "infocalypse" era of rampant misinformation has made fictive art an especially radical form as it straddles the lines between fact, fiction, and wild imagination. Artists deploy a wide range of practices to substantiate their fictions, manufacturing artefacts, altering photographs, and posing as experts from many different fields. A fictive-art practitioner herself, LaFarge explores and underscores the myriad ways art can ground or destabilize one's lived reality, forcing us to question our subjective experience and our understanding of what counts as evidence. Many examples of these curious and sometimes notorious fabrications are included - from nonexistent artists and peculiar museums to cryptoscientific objects like fake skeletons and staged archaeological evidence. From the intriguing Cottingley fairy photographs "captured" in 1917 by teenage sisters, to the Museum of Jurassic Technology; from the work of artists like Iris Häussler, Joan Fontcuberta, and Eva and Franco Mattes to the enigmatic encyclopedia known as the Codex Seraphinianus, fictive art continues to reframe assumptions made by its contemporaneous culture. With all the attendant consequences of mistrust, outrage, and rejection, fictive art practitioners both past and present play upon the fragile trust that establishes societies, underlining the crucial roles played by perception and doubt.

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Readers of Old English would generally agree that the poem Genesis B, a translation into Old English of an Old Saxon (that is, continental) retelling of the story of the Fall, is a vigorous and moving narrative. They would disagree, however, as to the meaning of the poem. Some hold that it reflects an orthodox Christian viewpoint and others claim that it assumes a distinctly unorthodox position in portraying Adam and Eve as not morally culpable in their disobedience but merely tricked into disobedience through the wiles of the Devil's agent. The study Genesis B and the Comedic Imperative, examining these incompatible readings, infers that the poem is essentially orthodox, that it demonstrates sufficiently the moral culpability of Adam and Eve, and that it departs from orthodoxy only insofar as it conveys a strong impression that Adam and Even will undertake what amounts to Christian penance, leading them eventually to Heaven. The poem thereby attains the happy ending typical of early medieval Christian narrative. Hence the titular "Comedic Imperative." The inference of orthodoxy follows as a nigh-inevitable conclusion of the interpretation of several motifs: the poem's culturally imbued martiality, its allegorical bent, and also what A. N. Doane noted as its tropological bent. The argument depends heavily upon philological inquiry and on examination of prevailing beliefs and attitudes of contemporaneous Frankish society, religious and civil, leading to the reinterpretation of crucial passages. Of these, most notably, is the passage in which Adam, in refusing the Tempter's invitation to eat the fruit, observes that the Tempter has given no tacen ‘sign’ as evidence that he truly is God’s emissary. Other passages that have impeded critical perception of the poem's significance are also examined, such as the notorious micel wundor clause (lines 595-98) and the pseudo-gnomic declaration swa hire eaforan sculon after lybban (623-35). In sum, Genesis B sustains the orthodoxy otherwise of the Junius 11 manuscript.

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Some of the American West’s grandest legends are about people who in reality were remorseless killers, robbers, and bandits. These outlaws flourished during the 1800s and gained notoriety throughout the following century. How did their fame persist, and what has inspired the publishing, movie, and television industries to recreate their fictionalized careers over and over again? Mark Dugan brings reality to the forefront in The Making of Legends. Some of the characters in his accounts are practically unknown but deserve more recognition than the bandits whose names are mythic. Exhaustive archival research enables him to recreate such colorful lives as North Carolina’s Malina Blaylock, who, disguised as a man, joined her outlaw husband in the Confederate army; slippery escape artist David Lewis, the Robin Hood of the Cumberland, who finally stopped two bullets in a chaotic Pennsylvania shoot-out; Wyatt Earp, in his mysterious post-OK Corral year, amidst the Coeur d’Alene gold rush; and grim “Laughing Sam” Hartman, of South Dakota. Dugan sets the stage by explaining how newspapers and dime novels fanned the flames of public fascination with outlaws. He unmasks the real Billy the Kid, traces the paths of Butch Cassidy and the Sundance Kid to their historic shoot-out in South America, and masterfully summarizes the Civil War grudges, bloodshed, and wanton destruction along the Kansas-Missouri border that spawned Jesse and Frank James and the Younger brothers gang. In researching the lawless era of the American frontier, Dugan discovered much information that has never been published — material that will expand readers’ views of frontier history and people, both good and bad. The Making of Legends proves that the actual stories of notorious legends can be more exciting, moving, and intriguing than anything dreamed up in a dime novel or a Hollywood fantasy. With The Making of Legends Mark Dugan’s pursuit of outlaws takes him to Pennsylvania, North Carolina, Texas, California, South Dakota, Idaho, Oregon, Nebraska, Indiana, Wyoming, and Montana.

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A fictional and complex portrait of bestselling author Patricia Highsmith caught up in the longing that would inspire her queer classic, The Price of Salt Flung Out of Space is both a love letter to the essential lesbian novel, The Price of Salt, and an examination of its notorious author, Patricia Highsmith. Veteran comics creators Grace Ellis and Hannah Templer have teamed up to tell this story through Highsmith’s eyes—reimagining the events that inspired her to write the story that would become a foundational piece of queer literature. Flung Out of Space opens with Pat begrudgingly writing low-brow comics. A drinker, a smoker, and a hater of life, Pat knows she can do better. Her brain churns with images of the great novel she could and should be writing—what will eventually be Strangers on a Train— which would later be adapted into a classic film by Alfred Hitchcock in 1951. At the same time, Pat, a lesbian consumed with self-loathing, is in and out of conversion therapy, leaving a trail of sexual conquests and broken hearts in her wake. However, one of those very affairs and a chance encounter in a department store give Pat the idea for her soon-to-be beloved tale of homosexual love that was the first of its kind—it gave the lesbian protagonists a happy ending. This is not just the story behind a classic queer book, but of a queer artist who was deeply flawed. It’s a comic about what it was like to write comics in the 1950s, but also about what it means to be a writer at any time in history, struggling to find your voice. Author Grace Ellis contextualizes Patricia Highsmith as both an unintentional queer icon and a figure whose problematic views and noted anti-Semitism have cemented her controversial legacy. Highsmith’s life imitated her art with results as devastating as the plot twists that brought her fame and fortune.

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Called One of the Best Books of the Year by NPR"Dazzling, propulsive, and delightfully juicy, Anon Pls. is the digital age’s love letter to The Devil Wears Prada. Sexy, suspenseful, and so good you won’t want to put it down—not even to check on the latest stories in Deuxmoi’s feed. What an incredible debut." — Christina Lauren, New York Times bestselling author of The UnhoneymoonersFrom the creator of @Deuxmoi, the popular—and infamous—celebrity gossip Instagram, comes a fun and charming debut novel about a stylist assistant whose drunken decision to turn her Instagram into a celeb gossip account turns her life completely upside down. When Cricket Lopez, assistant to one of the most notorious celebrity stylists, revamps her old fashion Instagram account and turns it into a source for celebrity gossip on a drunken whim, she never thinks it will become anything. It's just a way to blow off steam after a terrible, terrible day at work where her nightmarish boss screams at her and blames her for some 18-year-old influencer's screw-up. But when the account grows overnight and, even wilder, when she starts getting gossip from fans and insiders —juicy gossip—she has to face facts: her Instagram is now famous. She is now famous.Though no one knows that she is behind the account, its newfound success quickly wreaks havoc on her real life. Her boss wonders why she’s disappearing on the job, her friends are increasingly irritated by her dedication to the account, and she has celebrities, investors, and journalists approaching her nonstop. Plus, there's a steamy new love interest who she meets through her online persona—except she has no idea if she can truly trust his motives. As the account grows and becomes more and more influential, she has to wonder: is it—the fame, the insider access, the escape from real life—really worth losing everything she has?

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A TIMES HISTORY BOOK OF THE YEAR From the preeminent historian of 20th century Spain Paul Preston, Architects of Terror is a new history of how paranoia, conspiracy and anti-Semitism was used to justify the military coup of 1936 and enabled the construction of a dictatorship built on violence and persecution. It is the previously untold story of how antisemitic beliefs were weaponised to justify and propagate the Franco overthrow of liberal Spain. The Spanish military coup of 1936 was launched to overturn the social and economic reforms of the democratic Second Republic, and its educational and cultural challenges to the established order. The consequent civil war was fought in the interests of the landowners, industrialists, bankers, clerics and army officers whose privileges were threatened. However, a central justification for a war that took the lives of around 500,000 Spaniards was that it was being fought to combat an alleged scheme for world domination by a non-existent ‘Jewish- Masonic-Bolshevik Conspiracy’. Despite the fact that Spain had only a tiny minority of Jews and Freemasons, Franco and his inner circle were ardent believers in this fabricated conspiracy and spread the notion that the survival of Catholic Spain, as well, of course, of the establishment ’ s economic interests, required the total annihilation of Jews and Freemasons. Architects of Terror is the story of how fake news, mendacity, corruption and nostalgia for lost empire generated violence and hatred. The book presents vivid portraits of the key ideologues who propagated the myth of the Jewish-Masonic-Bolshevik Conspiracy and of the military figures who implemented the atrocities that it justified. Among the convictions shared by these individuals was their belief in the idea that Freemasonry was responsible for Spain ’ s loss of empire and in the factual veracity of The Protocols of the Elders of Zion, the notorious fiction about the global domination of the Jews. This is a history that reverberates in our own political moment

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Few novels have caused as much debate as Hubert Selby Jr.'s notorious masterpiece, Last Exit to Brooklyn, and this Penguin Modern Classics edition includes an introduction by Irvine Welsh, author of Trainspotting.Described by various reviewers as hellish and obscene, Last Exit to Brooklyn tells the stories of New Yorkers who at every turn confront the worst excesses in human nature. Yet there are moments of exquisite tenderness in these troubled lives. Georgette, the transvestite who falls in love with a callous hoodlum; Tralala, the conniving prostitute who plumbs the depths of sexual degradation; and Harry, the strike leader who hides his true desires behind a boorish masculinity, are unforgettable creations. Last Exit to Brooklyn was banned by British courts in 1967, a decision that was reversed the following year with the help of a number of writers and critics including Anthony Burgess and Frank Kermode. Hubert Selby, Jr. (1928-2004) was born in Brooklyn, New York. At the age of 15, he dropped out of school and went to sea with the merchant marines. While at sea he was diagnosed with lung disease. With no other way to make a living, he decided to try writing: 'I knew the alphabet. Maybe I could be a writer.' In 1964 he completed his first book, Last Exit to Brooklyn, which has since become a cult classic. In 1966, it was the subject of an obscenity trial in the UK. His other books include The Room, The Demon, Requiem for a Dream, The Willow Tree and Waiting Period. In 2000, Requiem for a Dream was adapted into a film starring Jared Leto and Ellen Burstyn, and directed by Darren Aronofsky.If you enjoyed Last Exit to Brooklyn, you might like Larry McMurty's The Last Picture Show, also available in Penguin Modern Classics.'Last Exit to Brooklyn will explode like a rusty hellish bombshell over America, and still be eagerly read in 100 years'Allen Ginsberg'An urgent tickertape from hell'Spectator

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This amazing survival story tells how Jim Wright, a Norfolk gamekeeper's son, aged 23, managed to evade capture by the Japanese during the last few days of the battle on the Malayan mainland. It goes on to describe how Wright, wounded in the foot and finally abandoned bu his wounded comrades, struggles along for two months to survive and rejoin his comrades on Singapore Island, not knowing that they had already surrendered. Hobbling painfully though the jungle, terrified by its strange noises, betrayed by Malays and often hiding only a few feet from Japanese patrols; starving, often without water and utterly exhausted, he slowly made his way towards Singapore. Eventually, almost dead, he was picked up by Chinese communist guerillas who took him to join twenty-five other British and Australian soldiers who were living in a jungle camp. Within a year all his companions has either died or been captured or killed by the Japanese, except for four. Two of these died in 1944 and Jim and the other one were the only ones to come home in 1945\. This is a very exciting story which tells of his jungle left with the guerillas and the action-packed narrative reads in places like a thriller. There are encounters with wild animals, snakes, Japanese soldiers, traitors and death -encounters whose description leaves one with the same chill of fear which Jim Wright must have felt. Finally he is rescued by British forces and taken to freedom in the most unorthodox way -too exciting to describe here. Twenty-five years after his rescue he returns to his jungle haunts and this helps to lay some or the horrors which he has suffered after the war because of the death of so many of his comrades in the jungle.Robert Hamond also served in 18th Division and was taken prisoner at the fall of Singapore. He later worked on the notorious Burma-Siam railway where so many died. Thirty years after the war he met Jim Wright and persuaded him to tell this extraordinary story, a story which Jim had not revealed, even to his family.

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It has been called a "Noble Possession", abused as "A Nest of Corsairs" and extolled as "The Pearl of the Mediterranean". This city of Tripoli, one of the oldest on both the Mediterranean and the fringes of the Sahara, and never deserted, has meant many different things to many different people over the past 2,500 years. To its first outside visitors, the trading Phoenicians, it was a safe haven and a market. To its later Roman colonizers it was an outlet for the low grade pastoral produce of its Saharan hinterland. Under Muslim Arab rule it became a wealthy transit market, trading with three continents, while under its Turkish and Karamanli rulers, it was notorious for its corsair galleys that preyed on the merchant shipping of the Central and Eastern Mediterranean. After the Napoleonic Wars the city took on a new role as a base for the trans-Saharan exploration and penetration of inner Africa, with British pioneers followed by Germans, French and Italians. In 1911 Italy invaded this last remaining Turkish possession in North Africa, soon transforming a neglected exiles' outpost into an imposing capital symbolizing Fascist imperial pretensions. Tripoli's fall to the British Eighth Army in January 1943 was seen as a turning point in World War Two, while in 1951 its role as joint capital of the newly-independent Kingdom of Libya marked the start of Africa's post- colonial era. Oil found in Libya in the 1950s and 1960s made Tripoli rich - and a prize that fell in 1969 to the rising forces of Arab nationalism personified by Colonel Muammar Gaddafi. During his 42 years of eccentric rule, Tripoli was transformed into a mega-city, one hundred times greater in extent and population that it had been a century earlier. But by 2015 continuing post-Gaddafi anarchy and depleting oil reserves made the city's future seem as precarious and uncertain as ever it had been. Mixing personal observation and research with accounts from foreign travellers and residents, John Wright reveals the reality of this unique, remarkable and ever-vibrant city: a city with special social, cultural and linguistic "flavours" that not even visitors from other parts of the Arab World can always understand or define.

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Italy has grappa, Russia has vodka, Jamaica has rum. Around the world, certain drinks—especially those of the intoxicating kind—are synonymous with their peoples and cultures. For Mexico, this drink is tequila. For many, tequila can conjure up scenes of body shots on Cancún bars and coolly garnished margaritas on sandy beaches. Its power is equally strong within Mexico, though there the drink is more often sipped rather than shot, enjoyed casually among friends, and used to commemorate occasions from the everyday to the sacred. Despite these competing images, tequila is universally regarded as an enduring symbol of lo mexicano. ¡Tequila! Distilling the Spirit of Mexico traces how and why tequila became and remains Mexico's national drink and symbol. Starting in Mexico's colonial era and tracing the drink's rise through the present day, Marie Sarita Gaytán reveals the formative roles played by some unlikely characters. Although the notorious Pancho Villa was a teetotaler, his image is now plastered across the labels of all manner of tequila producers—he's even the namesake of a popular brand. Mexican films from the 1940s and 50s, especially Western melodramas, buoyed tequila's popularity at home while World War II caused a spike in sales within the whisky-starved United States. Today, cultural attractions such as Jose Cuervo's Mundo Cuervo and the Tequila Express let visitors insert themselves into the Jaliscan countryside—now a UNESCO-protected World Heritage Site—and relish in the nostalgia of pre-industrial Mexico. Our understanding of tequila as Mexico's spirit is not the result of some natural affinity but rather the cumulative effect of U.S.-Mexican relations, technology, regulation, the heritage and tourism industries, shifting gender roles, film, music, and literature. Like all stories about national symbols, the rise of tequila forms a complicated, unexpected, and poignant tale. By unraveling its inner workings, Gaytán encourages us to think critically about national symbols more generally, and the ways in which they both reveal and conceal to tell a story about a place, a culture, and a people. In many ways, the story of tequila is the story of Mexico.

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"The unfulfilled and unsatisfied mother around whom the child ascends the upward slope of his narcissism is someone real. She is right there, and like all other unfulfilled creatures, she is in search of what she can devour, quaerens quem devoret. What the child once found as a means of quashing the symbolic unfulfilment is what he may possibly find across from him again as a wide-open maw [...] To be devoured is a grave danger that our fantasies reveal to us. We find it at the origin, and we find it again at this turn in the path where it yields us the essential form in which phobia presents. We find it again when we look at the fears of Little Hans [...] With the support of what I have shown you today, you will better see the relationships between phobia and perversion [...] I shall go so far as to say that you will interpret the case better than did Freud himself [...]"Extract from Chapter XI "[...] it's no accident that what has been perceived but dimly, yet perceived nevertheless, is that castration bears just as much relation to the mother as to the father. We can see in the description of the primordial situation how maternal castration implies for the child the possibility of devoration and biting. In relation to this anteriority of maternal castration, paternal castration is a substitute [...]"Extract from Chapter XXI "[In the case of little Hans] The initial transformation, which will prove decisive, is […] the transformation of the biting into the unscrewing of the bathtub, which is something utterly different, in particular for the relationship between the protagonists. Voraciously to bite the mother, as an act or an apprehension of her altogether natural signification, indeed to dread in return the notorious biting that is incarnated by the horse, is something quite different from unscrewing, from ousting, the mother, and mobilising her in this business, bringing her into the system as a whole, for this first time as a mobile element and, by like token, an element that is equivalent to all the rest."Extract from Chapter XXIII

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First published in 1912, Theodore Dreiser's third novel, The Financier, captures the ruthlessness and sparkle of the Gilded Age alongside the charismatic amorality of the power brokers and bankers of the mid-nineteenth century. This volume is the first modern edition of The Financier to draw on the uncorrected page proofs of the original 1912 version, which established Dreiser as a master of the American business novel. The novel was the first volume of Dreiser’s Trilogy of Desire, also known as the Cowperwood Trilogy, which includes The Titan (1914) and The Stoic (1947).Dreiser laboriously researched the business practices and personal exploits of real-life robber baron Charles Yerkes to narrate Frank Algernon Cowperwood's early career in The Financier, which explores the unscrupulous world of finance from the Civil War through the panic incited by the 1871 Chicago fire. In 1927, the monumental novel reappeared in a radically revised version for which Dreiser, notorious for lengthy novels, agreed to cut more than two hundred and seventy pages. This revised version became the most familiar, reprinted by publishers and studied by scholars for decades.For this new edition, Roark Mulligan meticulously reviewed earlier versions of the novel and its publication history, including the last-minute removal of paragraphs, pages, and even whole chapters from the 1912 edition, cuts based mainly on the advice of H. L. Mencken. The restored text better matches Dreiser's original vision for the work. More than three hundred additional pages not available to modern readers--including those cut from the 1927 edition and more than seventy hastily removed from the manuscript just days before publication in 1912--more effectively establish characterization and motivation. Restored passages dedicated to the internal thoughts of major and minor characters bring a softer dimension to a novel primarily celebrated for its realistic attention to the cold external world of finance.Mulligan's historical commentary reveals new insights into Dreiser's creative practices and how his business knowledge shaped The Financier. This supplemental material considers the novel's place within the tradition of American business novels and its reflections on the scandalous business practices of the robber baron era.

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