Search results for ""Author Isabel"

Since its creation in 1964, readers from all over the world have loved the comic Mafalda, primarily because of the sharp wit and rebellious nature of its title character—a four-year-old girl who is wise beyond her years. Through Mafalda, Argentine cartoonist Joaquín Salvador Lavado explores complex questions about class identity, modernization, and state violence. In Mafalda: A Social and Political History of Latin America's Global Comic—first published in Argentina in 2014 and appearing here in English for the first time—Isabella Cosse analyzes the comic's vast appeal across multiple generations. From Mafalda breaking the fourth wall to speak directly to readers to express her opposition to the 1966 Argentine coup, to Spanish students' protest signs bearing her face, to the comic's cult status in Korea, Cosse provides insights into the cartoon's production, circulation, and incorporation into social and political conversations. Analyzing how Mafalda reflects generational conflicts, gender, modernization, the Cold War, authoritarianism, neoliberalism, and much more, Cosse demonstrates the unexpected power of humor to shape revolution and resistance.

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A groundbreaking and essential survey of the art of Lynette Yiadom-Boakye, offering an in-depth discussion of the development of the artist and positioning her work within a wider history of portraiture. Lynette Yiadom-Boakye: Fly In League With The Night celebrates the work of one of the most significant and acclaimed figurative painters of her generation. Fact and fiction fuse in Yiadom-Boakye’s paintings: they appear to be portraits, yet the people she depicts are not real but invented. Created from a composite of found images and her own imagination, her characters seem to exist outside of a specific time or place: they feel at once familiar yet mysterious. This ambiguity resonates again in the enigmatic titles she gives to her artworks. The artist is also a writer of poetry and prose, and for her, the two forms of creativity complement each other: ‘The things I can’t paint, I write, and the things I can’t write, I paint.’ This perceptive and engaging publication provides a comprehensive account of Yiadom-Boakye’s practice over the past two decades. With contributions by the celebrated poet Elizabeth Alexander and curators Andrea Schlieker and Isabella Maidment, alongside new writing by Yiadom-Boakye, Fly In League With The Night reflects the dual aspects of the artist’s career as both a painter and a writer and offers an intimate insight into her creative process.

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Since its creation in 1964, readers from all over the world have loved the comic Mafalda, primarily because of the sharp wit and rebellious nature of its title character—a four-year-old girl who is wise beyond her years. Through Mafalda, Argentine cartoonist Joaquín Salvador Lavado explores complex questions about class identity, modernization, and state violence. In Mafalda: A Social and Political History of Latin America's Global Comic—first published in Argentina in 2014 and appearing here in English for the first time—Isabella Cosse analyzes the comic's vast appeal across multiple generations. From Mafalda breaking the fourth wall to speak directly to readers to express her opposition to the 1966 Argentine coup, to Spanish students' protest signs bearing her face, to the comic's cult status in Korea, Cosse provides insights into the cartoon's production, circulation, and incorporation into social and political conversations. Analyzing how Mafalda reflects generational conflicts, gender, modernization, the Cold War, authoritarianism, neoliberalism, and much more, Cosse demonstrates the unexpected power of humor to shape revolution and resistance.

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'these letters thus far have remained unsent, i want you to change that for me.' Embrace honesty and heal beautifully.In the letters i will never send, TikTok poet Isabella Dorta urges you to leave nothing unsaid and take comfort in moving poems on love, heartbreak, mental health and self-discovery.With beautiful line illustrations and over 100 poems written in the form of confessional letters addressed to the most influential figures in your life:Your younger selfYour future selfYour loverYour bodyYour familyand moreTake the ultimate step. Read, rip out, burn or send the letters out into the world. Write your own and share them with the people in your life. Just don't hold back!

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From Heather Corinna, founder and director of Scarleteen.com, and Isabella Rotman, cartoonist and sex educator, comes a graphic novel guide that covers essential topics for preteens and young teens about their changing bodies and feelings. Join friends Malia, Rico, Max, Sam and Alexis as they talk about all the weird and exciting parts of growing up! This supportive group of friends are guides for some tricky subjects. Using comics, activities and examples, they give encouragement and context for new and confusing feelings and experiences. Inclusive of different kinds of genders, sexualities, and other identities, they talk about important topics like: - Bodies, including puberty, body parts and body image - Sexual and gender identity - Gender roles and stereotypes - Crushes, relationships, and sexual feelings - Boundaries and consent - The media and cultural messages, specifically around bodies and sex - How to be sensitive, kind, accepting, and mature - Where to look for more information, support and help A fun and easy-to-read guide from expert sex educators that gives readers a good basis and an age-appropriate start with sex, bodies and relationships education! The perfect complement to any school curriculum.

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The widespread use of digital media today and its possibilities for distribution and reproduction are moving intellectual property rights into the center of public attention and making them a permanent issue - nationally, across Europe and internationally. But how has the global expansion of intellectual property rights developed since the late 19th century? In this study, Isabella Löhr shows how closely the worldwide introduction of copyrights was linked to two other historical processes: The globalization of society, culture and economy since the middle of the 19th century led to the establishment and expansion of international organizations that were first of all on property rights organizational place in international politics.

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In this beautiful search-and-find book, readers are invited to find a variety of endangered animals within their habitats. Densely detailed landscapes of a rainforest, coral reef, mountains and skies are harbouring within them numbats, and snow leopards and mountain gorillas. Isabella Bunnell’s glorious watercolours makes the job of scouring the images even more fun. At the back of the book a glossary lends an additional educational element, describing each species in detail and explaining why they are endangered. In these urgent times, awareness of the rich bio-diversity of our planet has never been more vital. This is a great way of getting children as young as three engaging with environmental issues. Reviews: Vibrantly illustrated, this is an important book that all children should read…books like these raise awareness in the people we need to educate the most--the children who will inherit the perilous habitats we are leaving behind. -- Kids Book Review This most stunning search-and-find book of endangered animals is a complete gem -- Picturebooks Blogger A beautiful way to introduce children to the concept of habitats as well as the importance of a balanced ecosystem. -- School Library Journal

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'There never was anybody who had adventures as well as Miss Bird' SPECTATOR'Venture deep into the Colorado wilderness, and you will find her long-lasting legacy in the community of people choosing to live a life without limits' RUBY WAX, GUARDIAN 'This book is an unputdownable record of a truly astounding journey' DERVLA MURPHY, IRISH TIMESBorn in 1831, Isabella, daughter of a clergyman, set off alone to the Antipodes in 1872 'in search of health' and found she had embarked on a life of adventurous travel. A year later she took a solo trip from San Francisco to the Rocky Mountains. 'I dreamt of bears so vividly I woke with a furry death-hug at the my throat, but feeling quite refreshed.' The intrepid journeys of the indefatigable Miss Bird are relayed here in the delightful letters she wrote to her sister. They tell of 'truly grand' isolated wilderness and abundant wildlife, of small remote townships of her encounters with rattlesnakes, wolves and grizzly bears and her reactions to the volatile passions of the miners and pioneer settlers.

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Follow the enchanting, beautifully illustrated story of Mimi, a young girl who longs to see fairies in her garden. Mimi was a perfectly ordinary girl who lived in a perfectly ordinary house. She had toys to play with, a little brother who wasn’t too annoying, and cakes on her birthdays. Mimi didn’t want many things. But there was one thing she wanted so very much, so very much indeed… to see a fairy in her garden. Poor Mimi spends hours and hours making her fairy garden completely perfect, but the fairies never come. Whatever could she be doing wrong? Just when she has given up all hope, some twinkling lights appear. They’re here! And they are bringing an important message… With captivating artwork from Isabella Mazzanti, and activity spreads at the back which tell readers how to create their own, perfect fairy garden this beautiful story will capture readers’ imaginations. And, just maybe, it will help them attract fairies to their own gardens! Ivy Kids brings you beautiful, sustainably printed books to rewild your child, nurture creativity, and foster a deep connection with the living world. Winner of the Sustainability Award at the Independent Publishers Awards 2022, Ivy Kids books are planet-friendly, printed on 100% post-consumer recycled paper, locally to where they will be sold.

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In Strange Rites, Tara Isabella Burton takes a tour through contemporary American religiosity. As the once dominant totems of civic connection and civil discourse--traditional churches--continue to sink into obsolescence, people are looking elsewhere for the intensity and unity that religion once provided. We're making our own personal faiths - theistic or not - mixing and matching our spiritual, ritualistic, personal, and political practices in order to create our own bespoke religious selves. We're not just building new religions in 2019, we're buying them, from Gwyneth Paltrow's gospel of Goop, to the brilliantly cultish SoulCycle, to those who believe in their special destiny on Mars.In so doing, we're carrying on a longstanding American tradition of religious eclecticism, DIY-innovation and "unchurched" piety (and highly effective capitalism). Our era is not the dawn of American secularism, but rather a brand-bolstered resurgence of American pluralism, revved into overdrive by commerce and personalized algorithms, all to the tune of "Hallellujah"--America's most popular and spectacularly misunderstood wedding song.

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How reforms limiting electoral misconduct completed the process of democratizationBetween 1850 and 1918, many first-wave democracies in Europe adopted electoral reforms that reduced the incidence of electoral malfeasance. Drawing on analysis of parliamentary deliberations and roll-call votes in France, Germany, Belgium, and the United Kingdom, Protecting the Ballot explores how these electoral changes came about.Reforms limiting electoral malfeasance came in a variety of forms. Some reforms imposed harsher punishments for bribing or the politicization of state resources during campaigns. Other changes improved electoral secrecy, providing better protection of voters’ autonomy. By mandating the presence of candidate representatives supervising electoral operations, reforms also reduced the incidence of electoral fraud. Isabela Mares documents how elite splits facilitated the formation of parliamentary majorities in support of electoral reforms. The political composition of these majorities varied across countries and across issue area, depending on the distribution of political resources and the economic and electoral costs incurred by politicians with opportunities to engage in malfeasance. Unpacking the electoral determinants of the demand for reforms, Mares offers an alternative to theories of democratization that emphasize economic considerations alone.By studying the successful adoption of reforms limiting electoral irregularities in first-wave democratic transitions, Protecting the Ballot sheds light on the opportunities and obstacles for ending electoral wrongdoing in recent democracies.

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Die vorgestellten Wohnprojekte in Wien entstanden aus dem Wunsch, Lebenskonzepte zu entwickeln, die den Gemeinschaftssinn stärken und zu einer solidarischen Gesellschaft beitragen – Baugruppen und partizipative Projekte, Quartiershäuer, temporäre oder permanente soziale Wohn- und Arbeitsformen für Randgruppen wie Obdachlose und Asylberechtigte.Privatwohnungen können verkleinert werden, wenn es mehr gemeinsam genutzte Flächen gibt. Das reduziert den Bedarf an Grund und Boden und gibt dem Gemeinschaftsleben Spiel- und Möglichkeitsräume. Die Kürzel der Baugruppe B.R.O.T. tragen ihr Programm im Namen: Begegnen, Reden, Offen sein, Teilen. Bei diesen Wohn- und Lebensmodellen geht es um Alternativen zum kapitalistischen Investorendenken. Die Nutzer bringen sich ein, auch bei der Projektplanung.Ulrike Schartner und Alexander Hagner von gaupenraup+/- erläutern in einem einführenden Interview Ausgangslage und Strategien ihrer Arbeit. Robert Temel und Isabella Marboe zeigen in zwei Essays die Entwicklung gemeinschaftlicher Bau- und Wohnformen anhand wichtiger Vorläufer und Tendenzen auf.

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Sama Alshaibi: Sand Rushes In , the first book by this rising artist, presents work from Silsila , a video and photographic installation that premiered at the 2013 Venice Biennale, as well as other series. Alshaibi’s lyrical multimedia work explores the landscape of conflict: the ongo - ing competition for land, resources, and power in the Middle East, and the internal battle for control between fear and fearlessness. Additional material, selected from the artist’s series Negative’s Capable Hands, Collapse, and Thowra, is presented in the context of Silsila , meaning “chain” or “link” in Arabic. The artist uses the desert, borders, and the body as over - arching symbols of the geopolitical and environmental issues and histories, linking the Arab- speaking world. Alshaibi operates between the United States, western Asia, and North Africa. Much of her work is inspired by and shot onsite in distinct natural landscapes, from the Western Sahara of North Africa to the eastern Arabian Desert on the edges of Iraq—highlighting the jarring contrast between desert and fertile oasis. Alshaibi is often a protagonist in the work, taking on the guise of distinct yet interrelated characters. Edited by Isabella Ellaheh Hughes, a writer and curator based in Abu Dhabi and Honolulu, this book includes an interview between Hughes and Alshaibi, a foreword by Salwa Mikdadi, and an essay by Alfredo Cramerotti.

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On July 30, 2014, shortly after completing this autobiography, Robert Halmi, the prolific producer of television movies and miniseries, died at the age of 90. Hailed by Variety as “A Gulliver Among TV Movie Producers,” he had a hand in more than 200 long-form narrative television projects from 1989’s Lonesome Dove, starring Robert Duvall, to 2000’s “Don Quixote” starring John Lithgow. Filled with so much of the marquee talent of the past century, his life story—from fighting against the Nazis to becoming a photographer for Life and Sports Illustrated to his television work—is truly amazing. Robert Halmi was born in Hungary to a father who served as official photographer to the Vatican and the last Habsburg court. When the Nazis invaded, he fought in the resistance, and like many of his countrymen he was captured and condemned to death. But the advancing Red Army freed him before the Germans could carry out the execution. Seeing the dangers of the expanding Soviet empire, which also took hold of his homeland in a military dictatorship, he turned heel and joined the OSS to fight the fall of the Iron Curtain. In 1951, with $5 in his pocket and a Leica around his neck, he made his way to America. As a photographer for Life and Sports Illustrated, he again showcased his Bond-like talents for chasing adventure and cheating death by dangling from helicopters, hunting big game in Africa with dictators, blowing himself up, marooning himself on a glacier for three weeks, and even painting Marilyn Monroe’s naked body for a photo shoot. In the third act of his rollicking life, as a TV mogul, he received an astonishing 448 Emmy nods while befriending a Who’s Who of Hollywood and working with the great boldface actors of our time: Jimmy Cagney gave him his last performance. He chased George C. Scott (on a bender) through a hotel. Omar Sharif did the Twist for him. He watched Patrick Stewart nearly drown on the back of an animatronic whale, and Isabella Rossellini braved a herd of rampaging elephants for him. He has lived the American dream to the hilt. A fast-paced look back at a life always in progress, his extraordinary story reveals nearly a century of daring and boundless optimism even in the face of terrible odds. It’s a story of war, love, and ambition, the quintessential American tale of a life lived large.

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How reforms limiting electoral misconduct completed the process of democratizationBetween 1850 and 1918, many first-wave democracies in Europe adopted electoral reforms that reduced the incidence of electoral malfeasance. Drawing on analysis of parliamentary deliberations and roll-call votes in France, Germany, Belgium, and the United Kingdom, Protecting the Ballot explores how these electoral changes came about.Reforms limiting electoral malfeasance came in a variety of forms. Some reforms imposed harsher punishments for bribing or the politicization of state resources during campaigns. Other changes improved electoral secrecy, providing better protection of voters’ autonomy. By mandating the presence of candidate representatives supervising electoral operations, reforms also reduced the incidence of electoral fraud. Isabela Mares documents how elite splits facilitated the formation of parliamentary majorities in support of electoral reforms. The political composition of these majorities varied across countries and across issue area, depending on the distribution of political resources and the economic and electoral costs incurred by politicians with opportunities to engage in malfeasance. Unpacking the electoral determinants of the demand for reforms, Mares offers an alternative to theories of democratization that emphasize economic considerations alone.By studying the successful adoption of reforms limiting electoral irregularities in first-wave democratic transitions, Protecting the Ballot sheds light on the opportunities and obstacles for ending electoral wrongdoing in recent democracies.

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Isabella Clemente plays second base on Peabody’s softball team. The team has won two championships in a row! But this season the team is faltering. When Isabella lashes out at her teammates, Coach Dawson points out that it is easy to be a good sport on a winning team. Can Isabella support her team when its season will be a losing one? What does she truly value? Aligned to Common Core standards and correlated to state standards.

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Susanna Centlivre’s play The Wonder (1714) was one of the most popular works on the eighteenth-century English stage. Set in Lisbon, the plot interweaves two romantic intrigues around one “secret”: the heroine Violante is hiding her best friend, Isabella (who is the sister of her own lover, Don Felix) from Isabella’s father who wishes to marry her off to a rich but decrepit old merchant. Because she is sworn to secrecy, Violante cannot reveal Isabella’s whereabouts, nor can she explain to Felix why Isabella’s new lover, a dashing British soldier, happens to be about the house, prompting Felix’s intense jealousy. Centlivre’s critique on the tyrannical patriarchs in the world of the play is at the same time a veiled critique of similar conditions in Augustan-era Britain.This Broadview edition includes contemporary responses (by Richard Steele and Arthur Bedford), biographical accounts, selections of Centlivre’s poetry, and early nineteenth-century criticism (by Elizabeth Inchbald and William Hazlitt).

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Intertitles is an anthology of work situated at the intersection of writing and the visual arts. The anthology aims to explore their confluence and is conceived in response to a twofold observation: the increased presence of written, spoken and performed language in the work of visual artists and the simultaneous increase in visibility and circulation of the work and voices of writers in the visual arts arena.Bringing together a substantial and significant collection of work, the anthology recognises that both writers and artists are attracted to the possibilities of language as a material. Through essays, performance texts, scores, poetry and more, Intertitles plots a course through contemporary writing practices and lends perspective to the question of why this might be of particular interest at this moment in time.In art as in poetry, meaning is made in the very conditions of the encounter itself. The knowledge produced is not instructive or strictly informational but subjective and relational. Artists build the worlds that viewers may inhabit temporarily in the moment of their becoming. The physicality of these temporary utopias, however, is frequently realised in the contested spaces of our museums and galleries. This anthology asks if poetry, and the world it is capable of building outside of these normative structures, is poised to be the most constitutive form of all. Putting poetry into the social milieu, as a shared goal of artists and writers, might be understood as a gesture towards a truly radical reimagining.

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The authoritative edition of Measure for Measure from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers. Measure for Measure is among the most passionately discussed of Shakespeare’s plays. In it, a duke temporarily removes himself from governing his city-state, deputizing a member of his administration, Angelo, to enforce the laws more rigorously. Angelo chooses as his first victim Claudio, condemning him to death because he impregnated Juliet before their marriage. Claudio’s sister Isabella, who is entering a convent, pleads for her brother’s life. Angelo attempts to extort sex from her, but Isabella preserves her chastity. The duke, in disguise, eavesdrops as she tells her brother about Angelo’s behavior, then offers to ally himself with her against Angelo. Modern responses to the play show how it can be transformed by its reception in present culture to evoke continuing fascination. To some, the duke (the government) seems meddlesome; to others, he is properly imposing moral standards. Angelo and Isabella’s encounter exemplifies sexual harassment. Others see a woman’s right to control her body in Isabella’s choice between her virginity and her brother’s life. This edition includes: -Freshly edited text based on the best early printed version of the play -Full explanatory notes conveniently placed on pages facing the text of the play -Scene-by-scene plot summaries -A key to the play’s famous lines and phrases -An introduction to reading Shakespeare’s language -An essay by a leading Shakespeare scholar providing a modern perspective on the play -Fresh images from the Folger Shakespeare Library’s vast holdings of rare books -An annotated guide to further reading Essay by Christy Desmet The Folger Shakespeare Library in Washington, DC, is home to the world’s largest collection of Shakespeare’s printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.

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Isabella Beverley is blessed with unparalleled beauty but, unfortunately, has been raised in the most snobbish and haughty of families. And when her father gambles away their fortune - including Mannerling, the exquisite family mansion, Isabella discovers that there is very little sympathy for her plight. As the eldest, Isabella is chosen to court Mr. Judd, the roguish bachelor who won Mannerling. Surely no sacrifice is too great to regain Mannerling? But tempting her away from Mr. Judd is Lord Fitzpatrick, an Irish rake who fears Isabella can never love a man as she does her home - but is nonetheless determined to convince her to choose man over manse!

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The vivid and masterful story of Isabella Stewart Gardner—creator of one of America’s most stunning museums—an American original whose own life was remade by art. Includes archival photos of Isabella’s world, museum, and the art she collected.Isabella Stewart Gardner’s museum, with its plain exterior enfolding an astonishing four-story Italian palazzo, rose from Boston’s Fens at the turn of the twentieth century. Its treasures encompassed not only masterwork paintings but tapestries, rare books, prints, porcelains, and fine furniture.An extraordinary achievement of storytelling and scholarship, Chasing Beauty illuminates the fascinating ways the museum and its holdings can be seen as a kind of memoir, dazzling and haunting, created with objects instead of words and displayed per Isabella’s wishes in the exact placem

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A richly illustrated look at how travel influenced the work of renowned contemporary artist Betye SaarBetye Saar (b. 1926) is an artist whose assemblages tell visual stories and convey powerful political messages. A leading figure of the Black Arts Movement in the 1970s, she works with found objects—many of which she gathers on her extensive travels—to explore themes like symbolic mysticism, feminism, racism, and Eurocentric chauvinism. Betye Saar: Heart of a Wanderer sheds new light on Saar’s unique creative process, her trips around the world, and the diverse ways in which her artworks engage with global histories of travel and forced migration. It presents how the artist’s work conjures the transporting experience of a voyage to a faraway place.This beautifully illustrated book draws on original, in-depth interviews with Saar and the companions who accompanied the artist in her travels across four continents over several decades. Essays by leading scholars contextualize Saar’s journeys within her broader life and career, as well as how her practice fits into broader traditions—such as scrapbooking—in African American visual culture. In addition to providing this context, this book explores how Saar’s assemblage practice both echoes and provides a critical counterpoint to the collecting practices of Gilded Age American art collectors like Isabella Stewart Gardner.Featuring a wealth of previously unpublished material—including almost thirty travel sketchbooks and two dozen finished assemblages—Betye Saar: Heart of a Wanderer provides a fresh look at a groundbreaking American artist while offering a timely social history of the impact of travel on the African American experience.Distributed for the Isabella Stewart Gardner MuseumExhibition ScheduleIsabella Stewart Gardner Museum, BostonFebruary 16–May 21, 2023

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"Monstrously good." - Louise Welsh. London, 1823. Mary Shelley’s real-life friend Isabella Baxter Booth is 'disturbed in her reason' - seeing ghosts and dependent on narcotics to escape a hellish life with an increasingly violent, deranged husband. Fearful of her own murderous impulses towards him, Isabella flees for her childhood home in Scotland, where she meets an ambitious young doctor, Alexander Balfour. He will stop at nothing to establish a reputation as a genius in the emerging science of psychiatry and he believes that Isabella could be the key to his greatness. But as his own torments threaten to overwhelm Alexander, is he really the best judge of which way madness lies?

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It is no tragedy that seventeen-year-old Catherine Morland is not cut out to be the heroine of one of the Gothic novels she reads so avidly with her new friend Isabella Thorpe. What may lead to tragedy on her first visit to the glamorous resort town of Bath, however, are Catherine's overactive imagination and her inability to read other people. Catherine has no clue that Isabella's tendency to say one thing and do another might make her an unreliable friend. It never occurs to her that her brother James, arriving unannounced in Bath with Isabella's brother John, has come to see Isabella, not her. After making a mistake that would shame any true heroine--falling in love with the wry and witty Henry Tilney before knowing his feelings for her--she fails to notice that the odious John Thorpe fancies himself in love with her, and vice versa. By the time Catherine visits Henry and his sister Eleanor at Northanger Abbey, her misconceptions and novel-fueled expectations virtually guarantee disaster. Yet, Catherine remains blissfully unaware of what awaits her.

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The world's in trouble. When war comes to the heart of the Italian city where Isabella lives with her family, everything changes. She makes the long journey with her dad to a safer place - the old house where he grew up in the north of England. Isabella must adapt to a completely different life. No shops, no electricity, no phone signal. No friends or neighbours - until she meets two 'wild' children. Rowan and Kelda live by themselves, hidden from the world, survivors of the sickness that swept through the valley. When Dad fails to return from a trip to find food, Isabella has to work out what to do and how to survive. Together, can the children build a new life, a life for the future? What do we really need for a happy life?

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Caleb, Isabella, Samuel, and Victoria are from four different continents, brought together by their parents who are ambassadors to the United States. When they meet at a 4th of July picnic, they are excited to learn they would share the same class at Capitol Elementary. Their excitement comes to a sudden halt when they are faced with bullies on the playground. Later that day on Victoria's porch, Caleb, Isabella, Samuel, and Victoria deal with their feelings in their own personal way. Suddenly, a dove appears and leads them one-by-one to a secret location where they find a very special letter. This letter frees each of them to overcome the results of ugliness they had all felt within their hearts and minds. This unifies them in a major LIFT! Caleb, Isabella, Samuel, and Victoria are able to return to school with confidence and strength of heart to face those who had caused them great pain.

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'A beguiling whirlwind of love and obsession' Elle _______________________________________________It is summer, 1956, when fifteen-year-old Bridget first meets Isabella. In their conservative Connecticut town, Isabella is a breath of fresh air. She is worldly, alluring and brazen: an enigma. When they receive an offer to study at the Academy in Italy, Bridget is thrilled. This is her ticket to Europe and - better still - a chance to spend nine whole months with her glamorous and unpredictable best friend. There, lodged in a convent of nuns who have taken a vow of silence, the two girls move towards a passionate but fragile intimacy. As the year rolls on, Bridget grows increasingly fearful that she will lose Isabella's affections - and the more desperate she gets, the greater the lengths she will go to keep her. Belladonna is a hypnotizing coming-of age story set against the stunning and evocative backdrop of rural Northern Italy. Anbara Salam tells a story of friendship and obses

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An NPR Best Book of 2022 An incredible, deeply reported story of identical twins Isabella and Hà, born in Viêt Nam and raised on opposite sides of the world, each knowing little about the other’s existence until they were reunited as teenagers, against all odds. “Stirring and unforgettable—a breathtaking adoption saga like no other.” —Robert Kolker It was 1998 in Nha Trang, Vi?t Nam, and Liên struggled to care for her newborn twin girls. Hà was taken in by Liên’s sister, and she grew up in a rural village with her aunt, going to school and playing outside with the neighbors. They had sporadic electricity and frequent monsoons. Hà’s twin sister, Loan, was adopted by a wealthy, white American family who renamed her Isabella. Isabella grew up in the suburbs of Chicago with a nonbiological sister, Olivia, also adopted from Vi?t Nam. Isabella and Olivia attended a predominantly white Catholic school, played soccer, and prepared for college. But when Isabella’s adoptive mother learned of her biological twin back in Vi?t Nam, all of their lives changed forever. Award-winning journalist Erika Hayasaki spent years and hundreds of hours interviewing each of the birth and adoptive family members. She brings the girls’ experiences to life on the page, told from their own perspectives, challenging conceptions about adoption and what it means to give a child a good life. Hayasaki contextualizes the sisters’ experiences with the fascinating and often sinister history of twin studies, intercountry and transracial adoption, and the nature-versus-nurture debate, as well as the latest scholarship and conversation surrounding adoption today, especially among adoptees. For readers of All You Can Ever Know and American Baby, Somewhere Sisters is a richly textured, moving story of sisterhood and coming of age, told through the remarkable lives of young women who have redefined the meaning of family for themselves.

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A New York Times best art book of 2022New insights into the innovative multimedia work and early career of fourteenth-century Italian painter Simone Martini Painter to popes, princes, and scions of Renaissance dynasties, Simone Martini (ca. 1284–1344) transformed Western painting with his groundbreaking devotional images and masterful manipulation of gold. This beautifully illustrated book highlights the astonishing novelty of his paintings in terms of their construction, multimedia techniques, and imagery. A focus of the book—the first on Simone Martini in English in over thirty years—is the work that he produced for churches in the Umbrian city of Orvieto, a papal refuge and stronghold of the Guelph political faction. The publication sheds light on Simone’s early career and technical accomplishments with extended catalogue entries for three Orvieto altarpieces and a painting of private devotion, including the results of new scientific analysis for the Gardner works. Leading scholars consider Simone’s patrons, artistic accomplishments, and contributions to the development of the polyptych altarpiece. Distributed for the Isabella Stewart Gardner Museum Exhibition Schedule:Isabella Stewart Gardner Museum, Boston (October 13, 2022–January 16, 2023)

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A story about love, family secrets, and a little piece of heaven . . .In the beautiful village of Vernazza, the Mazzone family have transformed an old convent overlooking the glamorous Italian Riviera into the elegant Lemon Tree Hotel. For Chiara, her daughter Elene and her granddaughter Isabella, the running of their hotel is the driving force in their lives. One day, two unexpected guests check in. The first, Dante, is a face from Chiara's past, but what exactly happened between them all those years ago, Elene wonders. Meanwhile, Isabella is preoccupied with the second guest, a mysterious young man who seems to know a lot about the history of the old convent and the people who live there. Isabella is determined to find out his true intentions and discover the secret past of the Lemon Tree Hotel.

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As one of the key figures of Brazil’s Neo-Concrete movement of the late 1950s and early 1960s, Lygia Pape developed a specific understanding of geometric abstraction that resulted in a radical new conception of concrete-constructivist art, challenging an overly rigid rationalism by moving toward more subjective, multi-sensorial modes of expression. Marking Pape’s first solo exhibition in Germany, this richly illustrated book presents the artist’s unusual creative power in all its breadth, drawing on a body of documents that is being published for the first time. Against the backdrop of the tension between Brazil’s vibrant avant-garde and the growing political repression through the military dictatorship (1964–1985), Pape’s work reflects ethical and socio-political issues and harnesses experimental explorations of not just metaphorical geometric but social space to create poetic manifestations of subtle resistance. Emphasizing the primacy of the sensorial experience of the viewers, Pape went as far as to declare them to be the actual creators of her works.

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American photographer Nicholas Nixon is known for his large-format black-and-white photographs, in which he creates a special connection with the viewers by sharing intimate moments in life. For his most iconic series, The Brown Sisters, he followed four sisters over 46 years. His practice, however, encompasses a much broader spectrum, such as the simple life in the southern states of the US or landscape portraits of the rough industrial areas around Detroit. Beginning with the aspect of intimacy, this monograph provides the first overview of Nixon’s oeuvre. It is a journey through the artist’s life and work – at once distant and at times intimate and close – and also features new photographs.

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At the beginning of their studies students of architecture are confronted with a wealth of different ways in which to visually present their designs. Expressing ideas in the form of drawings and models is usually required in the early stages of studying: “learning by doing” is the only way for students to quickly develop a repertoire for their design work.However, there are important issues to consider between the phases of devising the spatial concept and recreating it in a two- or three-dimensional drawing or physical model: How to construct a perspective freehand drawing? What plan drawings are necessary to present my design? What scale should my model be and what materials should I use to construct it?Basics Architectural Presentation combines the highly successful single volumes Technical Drawing, Freehand Drawing, CAD, Modelbuilding (new edition) and Architectural Photography from the series BASICS in a new volume. Step-by-step, it conveys possible ways to present architectural projects throughout the various project phases. In an informative and practical approach, the publication discusses the basics of architectural representation from freehand drawing, which is especially important in the design phase, to the plan drawing, model, and architecture photography. The student architect learns the tools necessary for presenting his or her work, supported by many concrete examples and practical tips that are directly applicable.

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At the beginning of their studies students of architecture are confronted with a wealth of different ways in which to visually present their designs. Expressing ideas in the form of drawings and models is usually required in the early stages of studying: “learning by doing” is the only way for students to quickly develop a repertoire for their design work.However, there are important issues to consider between the phases of devising the spatial concept and recreating it in a two- or three-dimensional drawing or physical model: How to construct a perspective freehand drawing? What plan drawings are necessary to present my design? What scale should my model be and what materials should I use to construct it?Basics Architectural Presentation combines the highly successful single volumes Technical Drawing, CAD, Modelbuilding, and Architectural Photography from the series BASICS with a yet to be published volume entitled Freehand Drawing. Step-by-step, it conveys possible ways to present architectural projects throughout the various project phases. In an informative and practical approach, the publication discusses the basics of architectural representation from freehand drawing, which is especially important in the design phase, to the plan drawing, model, and architecture photography. The student architect learns the tools necessary for presenting his or her work, supported by many concrete examples and practical tips that are directly applicable.

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Is there an option to oppose without automatically participating in the opposed? This volume explores different perspectives on dissent, understanding practices, cultures, and theories of resistance, dispute, and opposition as inherently participative. It discusses aspects of the body as a political instance, the identity and subjectivity building of individuals and groups, (micro-)practices of dissent, and theories of critique from different disciplinary perspectives. This collection thus touches upon contemporary issues, recent protests and movements, artistic subversion and dissent, online activism as well as historic developments and elemental theories of dissent.

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Crowdfunding as an entrepreneurial phenomenon substitutes traditional sources of finance (banks, financial markets, governments) for the crowd. Socially and economically, it is challenging the traditional boundaries that have been set for centuries between industry, the financial sector, and the public. Though its basic principle cannot be considered as a radical innovation, crowdfunding as a rapidly growing practice calls for renewed management, legal, and governance patterns. Descriptive inquiries on "how to do it" are multiplying but crowdfunding remains a fuzzy subject for research and reflexivity. This book gathers the best recent research outcomes on the managerial and social impact of this new practice. The need for theory is three-fold, for both scholars and practitioners. Positive theory is needed to understand how projects are organised, how (and why) they may succeed or fail and how governments consider this new practice and try to regulate it. Normative theory can provide templates and "recipes" to develop projects, and provide advice on which models are more efficient. Finally, critical theory is needed to consider the social and economic impact of crowdfunding.

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A love story about transition, testosterone, and James Dean. Josh and Isabella are childhood sweethearts. They were meant to spend their gap year together, they were meant to be together forever. But Isabella has now become a boy. Pronoun was commissioned as part of the 2014 National Theatre Connections Festival and premiered by youth theatres across the UK. Especially written for young actors, the play can be performed by a cast of seven, with some doubling of roles, or a much larger cast.

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