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A dramatic new interpretation of the encounter between Europe and the Americas that reveals the crucial role of animals in the shaping of the modern world.When the men and women of the island of Guanahani first made contact with Christopher Columbus and his crew on October 12, 1492, the cultural differences between the two groups were vaster than the oceans that had separated them. There is perhaps no better demonstration than the divide in their respective ways of relating to animals. In The Tame and the Wild, Marcy Norton tells a new history of the colonization of the Americas, one that places wildlife and livestock at the center of the story. She reveals that the encounters between European and Native American beliefs about animal life transformed societies on both sides of the Atlantic.Europeans’ strategies and motives for conquest were inseparable from the horses that carried them in military campaigns and the dogs they deployed to terrorize Native peoples. Even more crucial were the sheep, cattle, pigs, and chickens whose flesh became food and whose skins became valuable commodities. Yet as central as the domestication of animals was to European plans in the Americas, Native peoples’ own practices around animals proved just as crucial in shaping the world after 1492. Cultures throughout the Caribbean, Amazonia, and Mexico were deeply invested in familiarization: the practice of capturing wild animals—not only parrots and monkeys but even tapir, deer, and manatee—and turning some of them into “companion species.” These taming practices not only influenced the way Indigenous people responded to human and nonhuman intruders but also transformed European culture itself, paving the way for both zoological science and the modern pet.

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Now a major TV series on Prime Video The prequel novel to the globally bestselling Wheel of Time series - a fantasy phenomenonThe city of Canluum lies close to the scarred and desolate wastes of the Blight, a walled haven from the dangers away to the north, and a refuge from the ill works of those who serve the Dark One. Or so it is said. The city that greets Al'Lan Mandragoran, exiled king of Malkier and the finest swordsman of his generation, is instead one that is rife with rumour and the whisperings of Shadowspawn. Proof, should he have required it, that the Dark One grows powerful once more and that his minions are at work throughout the lands.And yet it is within Canluum's walls that Lan will meet a woman who will shape his destiny. Moiraine is a young and powerful Aes Sedai who has journeyed to the city in search of a bondsman. She requires aid in a desperate quest to prove the truth of a vague and largely discredited prophecy - one that speaks of a means to turn back the shadow, and of a child who may be the dragon reborn.'Epic in every sense' - Sunday Times'With the Wheel of Time, Jordan has come to dominate the world that Tolkien began to reveal' New York Times'A fantasy phenomenon' SFXThe Wheel of Time series:Book 1: The Eye of the WorldBook 2: The Great HuntBook 3: The Dragon RebornBook 4: The Shadow RisingBook 5: The Fires of HeavenBook 6: Lord of ChaosBook 7: A Crown of SwordsBook 8: The Path of DaggersBook 9: Winter's HeartBook 10: Crossroads of TwilightBook 11: Knife of DreamsBook 12: The Gathering StormBook 13: Towers of MidnightBook 14: A Memory of LightPrequel: New SpringLook out for the companion book: The World of Robert Jordan's The Wheel of Time

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“Alice was always beautiful—Armenian immigrant beautiful, with thick, curly black hair, olive skin, and big dark eyes,” writes Dana Walrath. Alice also has Alzheimer’s, and while she can remember all the songs from The Music Man, she can no longer attend to the basics of caring for herself. Alice moves to live with her daughter, Dana, in Vermont, and the story begins. Aliceheimer’s is a series of illustrated vignettes, daily glimpses into their world with Alzheimer’s. Walrath’s time with her mother was marked by humor and clarity: “With a community of help that included pirates, good neighbors, a cast of characters from space-time travel, and my dead father hovering in the branches of the maple trees that surround our Vermont farmhouse, Aliceheimer’s let us write our own story daily—a story that, in turn, helps rewrite the dominant medical narrative of aging.” In drawing Alice, Walrath literally enrobes her with cut-up pages from Alice’s Adventures in Wonderland. She weaves elements from Lewis Carroll’s classic throughout her text, using evocative phrases from the novel to introduce the vignettes, such as “Disappearing Alice,” “Missing Pieces,” “Falling Slowly,” “Curiouser and Curiouser,” and “A Mad Tea Party.” Walrath writes that creating this book allowed her not only to process her grief over her mother’s dementia, but also “to remember the magic laughter of that time.” Graphic medicine, she writes, “lets us better understand those who are hurting, feel their stories, and redraw and renegotiate those social boundaries. Most of all, it gives us a way to heal and to fly over the world as Alice does.” In the end, Aliceheimer’s is indeed strangely and utterly uplifting.

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Buried in the 14th century BC but unearthed by Howard Carter in 1922, the objects entombed with Tutankhamun are an invaluable window into a long-extinct belief system. Seen today, they create an intricate picture of how the ancient Egyptian people viewed the perilous journey to paradise, a utopian Egypt that could only be entered following the final judgment. When acclaimed photographer Sandro Vannini started his work in Egypt in the late ’90s, a technological revolution was about to unfold. Emerging technologies enabled him to document murals, tombs, and artifacts in unprecedented detail. Using the time-consuming and strenuous multi-shot technique, Vannini produced complete photographic reproductions that revealed colors in their original tones with vivid intensity. Through these extraordinary images, we discover the objects’ quintessential features alongside the sophisticated and cleverly hidden details. In collaboration with a series of international exhibitions, starting with King Tut: Treasures of the Golden Pharaoh at the California Science Center in March 2018, this comprehensive guide marks the centenary of Carter’s first excavations in the Valley of the Kings. These inestimable works endure through Vannini's photographs in their full, timeless splendor. From offerings and rituals to Osiris and eternal life, Vannini’s portfolio covers all facets of ancient Egyptian culture—but it is Tutankhamun’s unique legacy that dominates these images. With texts by the photographer, captions by specialist Mohamed Megahed, and chapter introductions from scholars in the field, King Tut. The Journey through the Underworld puts much-debated mysteries to rest. The learned yet accessible forewords come from distinguished Egyptologists including Salima Ikram and David P. Silverman. Insightful narratives, resplendent images, and a contemporary standpoint make this title a fitting tribute to the Boy King’s odyssey, illuminating an epoch that spanned an unimaginable 4,000 years.

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If the child is the father of the man, as William Wordsworth so famously declared, then what of the father that child grows to become? How does a daughter born of her mother’s death, as in the case of Mary Shelley, navigate the politics of production and reproduction within a loaded language of mythological allusion between generational authorships? How do the visual arts perpetuate or challenge cultural agendas, such as portraying patriarchal anxieties about the “effeminization” of homeland by the foreign “other”, or attempting, iconically, to “save the soul” of a nation? How do parents both encode and decode our world? With the rise of the cult of the child in the later 18th and 19th centuries, Romantic writers of Britain and Europe, and eventually of North America, were perfectly positioned to explore, by extension, what it meant to “parent,” whether it be in within the domestic or the political sphere.The essays in Romanticism and Parenting: Image, Instruction and Ideology offer a fresh, timely, and cutting edge contribution to the field of Romantic studies. The collection has its roots in conference proceedings from the 2005 Romanticism and Parenting Conference held at Seattle University in Seattle, Washington. Essays acknowledge traditional discussions of such quintessentially “Romantic” themes as the child, education and familial politics while building upon contemporary innovative arguments within the contexts of Romanticism. As a result, chapters in the collection range from examining didactic children’s literature to complicating constructions of the family politic at personal, communal and nationalistic levels. While challenging and deepening an understanding of Romantic studies, the collection also points to current, dynamic issues, such as the burgeoning discussion of the experience that actual parents face in academia. Consequently, the collection reveals how the Romantic period has come to profoundly influence our own current constructions of the politics of parenting.

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It is 1546: the last year of Henry VIII’s reign. What is the purpose of the top-quality portrait, painted then, of Elizabeth I aged about 13? It hangs today for all to see in Windsor Castle. Her clothes are a dazzling scarlet and gold and she wears many jewels; in fact, the gold material was reserved for top royalty. The only person in 1546 who could have commissioned such a portrait was her father, the King. Behind Elizabeth hang her bed-curtains. They signify that this is a betrothal portrait: a declaration that she is now ready to be married. Her destiny is a foreign Prince for a political alliance. She will soon be despatched abroad. It’s a tense year at Court. The King is ill and beset with suspicions. He lashes out at anyone he suspects of heresy or claims of royal descent. No-one dares mention the Succession, because it implies the King’s death. But it is uppermost in every mind at Court now. Prince Edward is only 8. His two half-sisters are the wrong sex to inherit. No-one is more aware of this than Edward’s two uncles, Jane Seymour’s brothers. They antagonise each other but share the aim of assuming power over the future child-king. The Catholic/Protestant divide is also volatile. Only Henry’s domineering character has kept dissent at bay in England so far. So, when this serene portrait was painted, the Court was silently simmering and scheming for future power. Elizabeth herself is the central character. She has spent nearly all her life in the royal country manors, away from London. She’s unaware of the hidden ferment at Court. Now she deeply dreads her imminent exile, which has come as a great shock to her. Her sheltered, confident childhood is coming to a sudden end.

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Brought together for the first time in one volume are three books by the titan of chess, Jose Capablanca. ----- One of the greatest chess prodigies of all time, he evolved the most perfect chess technique seen on a chessboard. A former World champion, and one of the most successful tournament players in the history of the game, Capablanca's uncanny position judgment empowered him to produce games that were masterful pieces of position play, and that culminated often in combinations of startling brilliancy. ----- My Chess Career. Written one year before he became chess champion of the world, this book relives in Capablanca's own words 35 of his greatest games and those events of his life relevant to his chess career. The seminal work of the Cuban genius who repeated the exploits of Morphy, suddenly bursting onto the European scene and annihilating the great masters who had hitherto dominated the international arena. This book captures the magic of Capablanca's early victory at San Sebastian 1911 and his second place - bowing only to Lasker - at St Petersburg 1914. ----- Chess Fundamentals.Capablanca's classic instructional manual first appeared in 1921, the year he defeated Emanuel Lasker for the world championship title. This handbook is packed with timeless advice on different aspects of practical play and illustrated by Capablanca's own games. ----- A Primer of Chess. Capablanca's introduction to chess is an ideal first chess book for players of all ages. In systematic fashion, Capablanca lucidly explains the rules and basic principles of this fascinating game, and illustrates these with a wide range of practical examples. ----- After capturing the world championship in in 1921, Capablanca was for a time regarded as practically invincible. Although he surprisingly lost his title to Alexander Alekhine in 1927, Capablanca remained a leading player until his death in New York in 1942.

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The Drift Crisis continues! In crumbling Alluvion, the goddess Triune’s city domain within the Drift, the heroes are thrust into the center of tensions between anxious factions at the heart of the Drift Crisis catastrophe! By agreeing to aid a desperate android priest of Casandalee, the heroes can start to help healing these divides. But first, they must curry the favor of a community of ysoki scrappers outside of the Dark, a neighborhood where technology doesn’t work that hasn’t been touched by light for decades. Exploring those murky streets, they confront undead menaces and otherworldly spirits of hatred and anger, eventually restoring light and power to the cursed region, and shining further illumination as to the origin of the Drift Crisis! “A Light in the Dark" is a Starfinder adventure for four 7th-level characters, launching the 3-volume Drift Hackers Adventure Path. Drift Hackers is the exciting conclusion of the Drift Crisis, an event taking place across the entire Starfinder game line, in which faster-than-light travel breaks down and the galaxy is thrown into chaos. In addition to the adventure itself, this book includes a player's guide filled with character creation advice and new gear designed just for Drift Hackers players, along with an Adventure Toolbox filled with new rule options and strange alien creatures. Each bi-monthly full-color softcover Starfinder Adventure Path volume contains a new installment of a series of interconnected science-fantasy quests that together create a fully developed plot of sweeping scale and epic challenges. Each 64-page volume also contains in-depth articles that detail and expand the Starfinder campaign setting and provide new rules, a host of exciting new monsters and alien races, a new planet to explore and starship to pilot, and more!

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Research shows that online education, when designed and facilitated well, is as effective as traditional campus-based instruction. Despite the evidence, many faculty perceive online education as inferior to traditional instruction—and are often quite vocal in their skepticism. Simultaneously, however, more and more students are seeking online courses and degree programs.Thrive Online: A New Approach to Building Expertise and Confidence as an Online Educator is an invitation for the rising tide of online educators who are relatively new to teaching online, and also for those more experienced instructors who are increasingly frustrated by the dominant bias against online education.Readers will find:• An approach that empowers online educators to thrive professionally using a set of specific agentic behaviors• Strategies for approaching conversations about online learning in new ways that inform the skeptics and critics• Strategies that celebrate the additional skills and proficiencies developed by successful online educators• Guidance for educators who want to feel natural and fluent in the online learning environment• Guidance for enhancing the user-centered nature of online spaces to create student-centered learning environments• Encouragement for online educators to pursue leadership opportunitiesThe internet is changing how people communicate and learn. Thrive Online: A New Approach to Building Expertise and Confidence as an Online Educator offers guidance, inspiration and strategies required to adapt and lead higher education through this change. This book is for higher education instructors who are seeking community, a sense of belonging, and the professional respect they deserve. Thriving is not a reaction to our environment, but rather a state of being we can create intentionally for ourselves.The time has come to change the conversation about online education. Add your voice – join the community and #ThriveOnline.

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'I loved it!' Marian Keyes'Laugh-out-loud funny, sharp as a tack and compulsively readable ... I loved it.' Louise O'Neill'I loved The Snag List. It's a sharp, funny story of female friendship at its best, with characters you'll fall in love with.' Beth O'Leary'Astutely observed, whip-smart and very, very funny.' Sarah Breen'Laugh-out-loud hilarious ... White's pages fizz with earthy wit and [Marian] Keyes fans will definitely find plenty to enjoy here' Sunday IndependentIf you could go back and follow the road not taken ... would you?For thirty-somethings Lindy, Ailbhe and Roe, the move to new, hyper-polished, luxury housing development Monteray Valley feels like slow death by Netflix, neighbourhood Whatsapp groups and Saturday nights in. The potential for exciting new possibilities seems to be withering faster than you can say 'postnatal dryness' as the women's lives are consumed by other halves and domestic obligations.Lindy's realising that her ambitions have been hijacked by her son's career. He's eleven.Meanwhile, despite years of self-sabotage, Ailbhe 'has it all': a successful business, a husband, a baby. If only having it all didn't also include having a fairly colossal secret.Then there's Roe who is busy trying for a baby -- a risky business when you're not sure you want one.Compiling a snag list to send to their builder sees the new friends contemplating their own personal snag lists -- their regrets and unfulfilled dreams - and inspires a business idea that's about to see life in Monteray Valley get a lot more interesting.Getting a second chance to carpe diem is irresistible, but can do-overs ever really work? And will revisiting past regrets threaten the lives they've made now?

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"Sundin's novels set the gold standard for historical war romance, and When Twilight Breaks is arguably her most brilliant and important work to date."--Booklist starred review "Sundin is a must-buy . . . and her latest World War II tale positively crackles with tension."--Library Journal starred review Munich, 1938. Evelyn Brand is an American foreign correspondent as determined to prove her worth in a male-dominated profession as she is to expose the growing tyranny in Nazi Germany. To do so, she must walk a thin line. If she offends the government, she could be expelled from the country--or worse. If she fails to truthfully report on major stories, she'll never be able to give a voice to the oppressed--and wake up the folks back home. In another part of the city, American graduate student Peter Lang is working on his PhD in German. Disillusioned with the chaos in the world due to the Great Depression, he is impressed with the prosperity and order of German society. But when the brutality of the regime hits close, he discovers a far better way to use his contacts within the Nazi party--to feed information to the shrewd reporter he can't get off his mind. This electric standalone novel from fan-favorite Sarah Sundin puts you right at the intersection of pulse-pounding suspense and heart-stopping romance. "Sundin combines suspense and romance to great effect . . . Inspirational fans who like high-octane action will enjoy this thrilling story."--Publishers Weekly "Sundin masterfully combines action and attraction to generate multilayered thrills while exploring such themes as individual freedom versus the common good, gender and racial discrimination, and the polarization of viewpoints, which all have deep relevance today."--Booklist starred review

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Now a major TV series on Prime Video The ninth novel in the Wheel of Time series - one of the most influential and popular fantasy epics ever published.Rand al'Thor, the Dragon Reborn, is slowly succumbing to the taint that the Dark One has placed upon the saidin - the male half of the True Source. His Asha'man followers are also showing signs of the insanity that once devastated the world and brought the Age of Legends to an end. And as Rand falters, the Shadow falls across a stricken land. In the city of Ebou Dar the Seanchan, blind to the folly of their cause, marshal their forces and continue their relentless assault. In Shayol Ghul the Forsaken join together to destroy the Dragon. Rand's only chance is to hazard the impossible and remove the taint from the saidin. But to do so he must master a power from the Age of Legends that none have ever dared to risk - a power that can annihilate Creation and bring an end to Time itself.'Epic in every sense' Sunday Times'With the Wheel of Time, Jordan has come to dominate the world that Tolkien began to reveal' New York Times'[The] huge ambitious Wheel of Time series helped redefine the genre' George R. R. Martin'A fantasy phenomenon' SFXThe Wheel of Time series:Book 1: The Eye of the WorldBook 2: The Great HuntBook 3: The Dragon RebornBook 4: The Shadow RisingBook 5: The Fires of HeavenBook 6: Lord of ChaosBook 7: A Crown of SwordsBook 8: The Path of DaggersBook 9: Winter's HeartBook 10: Crossroads of TwilightBook 11: Knife of DreamsBook 12: The Gathering StormBook 13: Towers of MidnightBook 14: A Memory of LightPrequel: New SpringLook out for the companion book: The World of Robert Jordan's The Wheel of Time

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The electrifying follow-up to Dave Eggers' New York Times Bestseller The Circle'Gulpable fictive entertainment . . . Eggers is a wonderful storyteller with an alert and defiant vision' ObserverWhen the world's largest search engine / social media company merges with the planet's dominant e-commerce site, it creates the richest and most dangerous-and, oddly enough, most beloved-monopoly ever known: The Every.Delaney Wells is an unlikely new hire. A former forest ranger and unwavering tech skeptic, she charms her way into an entry-level job with one goal in mind: to take down the company from within. With her compatriot, the not-at-all-ambitious Wes Kavakian, they look for the company's weaknesses, hoping to free humanity from all-encompassing surveillance and the emoji-driven infantilization of the species. But does anyone want what Delaney is fighting to save? Does humanity truly want to be free?Studded with unforgettable characters and lacerating set-pieces, The Every blends satire and terror, while keeping the reader in breathless suspense about the fate of the company - and the human animal.'More playful and satirical than Orwell . . . it scores as a series of brilliant set pieces and a devastating overall critique.' Sunday Times'Part of the genius of this remarkable piece of satire, riven as it is with horribly plausible ideas and horribly good jokes. . . . What Eggers does so well is make The Every alluring as well as alarming...' The Times'You read it and think: yes, this is set in the future but it is actually going on here and now. It is an urgent and necessary book. It's also fun. You catch more flies with honey than vinegar' The ScotsmanThe Circle was a New York Times bestseller in 2013

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Privacy matters because it shields us from possible abuses of power. Human beings need privacy just as much as they need community. Our need for socialization brings with it risks and burdens which in turn give rise to the need for spaces and time away from others. To impose surveillance upon someone is an act of domination. The foundations of democracy quiver under surveillance. Given how important privacy is for individual and collective wellbeing, it is striking that it has not enjoyed a more central place in philosophy. The philosophical literature on privacy and surveillance is still very limited compared to that on justice, autonomy, or equality-and yet the former plays a role in protecting all three values. Perhaps philosophers haven't attended much to privacy because for most of the past two centuries there have been strong enough privacy norms in place and not enough invasive technologies. Privacy worked for most people most of the time, which made thinking about it unnecessary. It's when things stop working that the philosopher's attention is most easily caught-the owl of Minerva spreading its wings only with impending dusk. With the spread of machine learning, a kind of AI that often uses vast amounts of personal data, and a whole industry dedicated to the trade of personal data becoming one of the most popular business models of the 21st century, it's time for philosophy to look more closely at privacy. This book is intended to contribute to a better understanding of privacy from a philosophical point of view-what it is, what is at stake in its loss, and how it relates to other rights and values. The five parts that compose this book respond to five basic questions about privacy: Where does privacy come from? What is privacy? Why does privacy matter? What should we do about privacy? Where are we now?

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What is love's real intent? Why can love be so ruthlessly selective? How is it related to sex, beauty, and goodness? And is the child now the supreme object of love? In addressing these questions, Simon May develops a radically new understanding of love as the emotion we feel towards whomever or whatever we experience as grounding our life--as offering us a possibility of home in a world that we supremely value. He sees love as motivated by a promise of "ontological rootedness," rather than, as two thousand years of tradition variously asserts, by beauty or goodness, by a search for wholeness, by virtue, by sexual or reproductive desire, by compassion or altruism or empathy, or, in one of today's dominant views, by no qualities at all of the loved one. After arguing that such founding Western myths as the Odyssey and Abraham's call by God to Canaan in the Bible powerfully exemplify his new conception of love, May goes on to re-examine the relation of love to beauty, sex, and goodness in the light of this conception, offering among other things a novel theory of beauty--and suggesting, against Plato, that we can love others for their ugliness (while also seeing them as beautiful). Finally, he proposes that, in the Western world, romantic love is gradually giving way to parental love as the most valued form of love: namely, the love without which one's life is not deemed complete or truly flourishing. May explains why childhood has become sacred and excellence in parenting a paramount ideal--as well as a litmus test of society's moral health. In doing so, he argues that the child is the first genuinely "modern" supreme object of love: the first to fully reflect what Nietzsche called "the death of God." Readers will find Love "Excitingly new, yet immediately recognizable--that's the paradox at the very heart of love, and it is what Simon May has achieved." --Los Angeles Review of Books

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Perfect for fans of A MAN CALLED OVE, THE BEST EXOTIC MARIGOLD HOTEL and THE LITTLE PARIS BOOKSHOP Newly retired Philip returns home to Cologne and is thrown into emotional turmoil upon bumping into his long-lost sweetheart. In the midst of a domestic crisis, Ricarda confides in Philip that she is looking for somewhere to live. And there and then, Philip suggests that she move in with him - he is setting up a flatshare. Will she join him with his mischievous dachshund named Ralf?To his surprise, Ricarda agrees, leaving Philip to scramble together a crew of retires in time for spring, for the most unlikely of social experiments. There's grumpy cigarette-smoking grandfather Harry; quiet and discreet Eckart, curiously carting around his late wife's headstone; Uschi, brimming with life, harbouring a passion for leotards and aerobics, along with sausages and outrageous knitting patterns; and then, ever-practical and warm-hearted Ricarda, towards whom Phillip is developing real feelings. Despite their differences, the flatmates thrive and embark on a series of new adventures. But when Uschi falls unwell, familiar cracks begin to show and this uniquely spirited club of friends must work together in order to survive - and truly blossom.Read what people are saying about The Vintage Springtime Club'Such a wonderful, uplifting story. When I finished I felt a warm frisson of emotion enveloping me. It's difficult to believe this is Beatrice's first novel' (Kraftireader) 'This gentle book is full of warmth and is an easy enjoyable read' (Portobello Book Blog)'A charming debut novel' (Alba Forcadell)'A wonderful tale of life, friendship and love that kept me hooked until the very end' (Reading Room With a View)

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Half a century ago I left a country, the red color of which dominated a large portion of the world map. One way or another, the fate of almost every single person described in this book is forever linked with that now none-existent empire. Many of them ended up beyond its borders too. Cultures and traditions, and certainly not least of all a Soviet mentality, couldn’t have just left them without a trace. Having been transplanted into a different environment, they had to play the role of themselves apart from certain corrections with regard to the tastes and customs of a new society. Nevertheless, every one of them, both those who left the Soviet Union, and those who stayed behind, were forever linked by one common united phenomenon: they all belonged to the Soviet school of chess. This school of chess was born in the 20’s, but only began to count its true years starting in 1945, when the representatives of the Soviet Union dominated an American squad in a team match. Led by Mikhail Botvinnik, Soviet Grandmasters conquered and ruled the world, save for a short Fischer period, over the course of that same half century. In chess as well as ballet, or music, the word “Soviet” was actually a synonym for the highest quality interpretation of the discipline. The Soviet Union provided unheard of conditions for their players, which were the sort of which their colleagues in the West dare not even dream. Grandmasters and even Masters received a regular salary just for their professional qualifications, thereby raising the prestige of a chess player to what were unbelievable heights. It was a time when any finish in an international tournament, aside from first, was almost considered a failure when it came to Soviet players, and upon their return to Moscow they had to write an official explanation to the Chess Federation or the Sports Committee. The isolation of the country, separated from the rest of the world by an Iron Curtain, was another reason why, talent and energy often manifested themselves in relatively neutral fields. Still if with music, cinematography, philosophy, or history, the Soviet people were raised on a strict diet, that contained multiple restrictions, this did not apply to chess. Grandmasters, and Masters, all varied in terms of their upbringing, education, and mentality and were judged solely on their talent and mastery at the end of the day. Maybe that’s why the Soviet school of chess was full of such improbable variety not only in terms of the style of play of its representatives, but also their different personality types. Built was a gigantic chess pyramid, at the base of which were school championships, which were closely followed by district ones. Later city championships, regions, republics, and finally-the ultimate cherry on top-the national event itself. The Championships of the Soviet Union were in no way inferior to the strongest international tournaments, and collections of the games played there came out as separate publications in the West. That huge brotherhood of chess contained its very own hierarchy within. Among the millions, and multitudes of parishioners-fans of the game-there were the priests-candidate masters. Highly respected were the cardinals-masters. As for Grandmasters though well…they were true Gods. Every person in the USSR knew their names, and those names sounded with just as much adoration, and admiration as those of the nation’s other darlings-the country’s best hockey players. In those days the coming of the American genius only served to strengthen the interest and attention of society towards chess, never mind the fact that by that point it had already been fully saturated by it. The presence of tons of spectators at a chess tournament in Moscow as shown in the series “The Queen’s Gambit” is in no way an exaggeration. That there truly was the golden age of chess. Under the constant eye, and control of the government, chess in the USSR was closely interwoven with politics, much like everything else in that vanished country. Concurrently, the closed, and isolated society in which it was born only served to enable its development, creating its very own type of culture-the giant world of Soviet chess. I was never indifferent to the past. Today, when there is that much more of it then the future, this feeling has become all the sharper. The faster the twentieth century sprints away from us, and the thicker the grass of forgetting grows, soon enough, and under the verified power of the most powerful engines that world of chess will be gone as well. It was an intriguing, and colorful world, and I saw it as my duty to not let it disappear into that empty abyss. Genna Sosonko, May 2021.

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The period between the two World Wars was characterized by an acceleration of mass violence across the world. Developments in technology, communications, ideology, global political and economic integration, and the organization of society greatly expanded the power and reach of states while radicalizing ideologies of domination and control. Two major 20th-century genocides, the Armenian Genocide in the Ottoman Empire and the Nazi Holocaust of European Jews, are the terrible bookends of this period; they were preceded and informed by colonial genocides, such as the genocide of Herero and Nama peoples in German South West Africa from 1904 -1914, and by ongoing genocidal processes, especially in settler colonies such as the United States, Canada, and Australia, in the renewed Russian empire under the USSR after 1917, and in the expanding Japanese empire between the wars. The essays in this volume examine the dynamics of genocide during this period, when states could draw on new technologies, new identities, and new global ideologies of control to amplify the speed, size, and impact of their destructive impulses towards unwanted populations. The chapters demonstrate the lasting consequences of genocidal processes on the world today, not simply for survivor communities and survivor diasporas, but also on the forms of organizing the world, the concepts of power, and the particular existential crises that we as a species have yet to address and transform.

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Whether you’re looking for an all-out room redo or a few new tricks to brighten up your space, Faithgirlz! has tons easy how-tos and quick DIYs that'll morph your room into a true expression of y-o-u. Give your walls a burst of color (even without a bucket of paint!) and turn your fave pics and keepsakes into inspiring art. These floor-to-ceiling secrets help nix those piles of clothes decorating your space in favor of awesome add-ons, like mini murals and a magical ribbon chandelier (psst: we won't tell anyone it took you a half hour to whip up).Redo Your Room is packed with cute and crafty ways to add pop to your domain. You'll learn how to make even the tiniest spaces into pretty places to sleep 'n' study, and clever ways to keep it all looking adorable. And the best part? You can make over your bedroom without going broke.

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Recent years have seen a paradigm shift in Christian self-understanding. In place of the eurocentric model of "Christendom", a new understanding is emerging of Christianity as a world movement with considerable cultural variety. Concomitant with this changing self-perception, a new theological discipline begins to take shape which analyzes the inter- and transcultural character and performance of global Christianity: Intercultural Theology. Judith Gruber discusses this nascent theological approach in two parts. She first gives a critical analysis of its historical development in the first part of the book, two theological sub-disciplines of particular relevance are analysed: (1) missiology and its reflection on the encounter of Western Christianity with other cultures in the context of colonialism; (2) contextual theologies which focus on the particularity and dignity of the diverse cultural contexts of theological practice, but fail to sufficiently integrate the universal dimension of Christianity into their theological reflections. Secondly, this study offers a constructive theological approach to intercultural theology. It does that by bringing systematic theology into conversation with cultural studies. This interdisciplinary approach adds significant complexity to existing reflections on Intercultural Theology: Re-reading the theological history of Christianity within the critical framework of cultural theories exposes a host of disparate and conflictive Christianities underneath its dominant master narrative, and, moreover, it no longer allows a recourse to essentialist concepts of Christian identity, with which previous approaches to Intercultural Theology have mitigated this unsettling cultural plurality of Christianity: After the "Cultural Turn", which has made a metaphysical epistemology untenable, new ways for thinking the unity and universality of Christianity have to be paved. The book draws on Paul Ricoeur's and Michel Foucault's concept of the event and on Michel deCerteau's proposal of a "Weak Christianity" in order to develop such a post-metaphysical framework, which allows to conceive of the unity and universality of Christianity without concealing its cultural plurality and contingency.

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Discover the evolution of the artisanal movement from the fringes of the 1970s to the spike of domesticity—home-cooking, gardening, and DIY crafting—caused by COVID-19 and what it means for the future of work and American culture.In the 1950s, America was a world of immaculate grocery stores, brightly packaged consumer goods, relentless big brand advertising, homes that were much too clean, and diets so rich in salt, sugar, fat, and preservatives you nearly have a heart attack just thinking of them. And while this approach made a great fortune for large consumer packaged goods companies it has been detrimental to American’s overall health and wellbeing. Then, towards the end of the 20th century, Alice Waters and other pioneers figured out how to market natural, handmade, small-batch products to the American consumer again—and the rest is history. Now, we are in the third wave of a revolution. Thanks to COVID-19, millions of Americans went from being consumers of artisanal goods to being producers. People in the mainstream are baking bread, keeping bees, growing vegetables, and even raising chickens. Gardens are flourishing, workshops are growing, and sewing machines are whirring. Thousands have left the cities for the countryside, and if their companies don’t require it, they might never return. Return of the Artisan is a collection of stories and interviews with artisanal businesses across America including family farms and collectives. This book explores their business models, their motivations, and explores how you can join them by turning your own hobby or passion into your work. Whether you want to make this a profession or simply enjoy providing artisanal goods to your family and friends, this book is a must-have for navigating the ups and downs of the latest artisanal revolution.

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Creciendo con Dios es la historia de dos mejores amigos: María y Lucas; los cuales están en una travesía por descubrir quienes son en medio del -Normal y al mismo tiempo fascinante- proceso de escuchar el corazón de Dios. Durante el campamento de verano, María tiene un momento transformador en su vida cuando escucha a Dios por primera vez. Dios le dice algo que ella no podía a creer: ¡va a ser una actriz! Y no en 20 años cuando sea adulta, sino que puede empezar a esa carrera ¡desde ahora! El problema surge cuando parece que con cada paso que da surge un nuevo obstáculo. Lucas es un niño sin preocupaciones, para el, su vida es el futbol. Lo único más importante que el futbol es su relación con Dios. Lucas está aprendiendo a escuchar el corazón de Dios, aun cuando eso signifique que tenga que hacerse amigo de un chico algo extraño de la escuela. María y Lucas se encuentran en una verdadera aventura que les impulsa a crecer en su conexión con Dios, en su relación entre ellos y a hacer muchos amigos en el camino. Es una travesía donde hay dudas, frustraciones y también mucho gozo mientras buscan aprender a desarrollar su relación con Jesús de un forma genuina. Escrito por Shawn Bolz, autor de "Traduciendo a Dios" llega esta historia que es emocionalmente inteligente y espiritualmente relevante, que equipa a los niños y jóvenes de toda edad a conectarse al corazón de Dios y a escuchar Su voz para sus propias vidas. El don con el cual Shawn enseña sobre lo profético, ha sido preparado para presentarlo de una manera en la que niños de todas las edades pueden experimentar como Dios no se limitar por nuestra edad. Cuando Dios habla, todos tienen la oportunidad de escuchar y ver las cosas poderosas y maravillosas que suceden por medio de la Fe. Este libro ha sido creado para utilizarse conjuntamente con el "Libro de Trabajo - Creciendo con Dios" y para que pueda ser aplicado en sesiones de escuela dominical o para aprendizaje individual. Normal0falsefalsefalseEN-USJAX-NONE

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A fascinating study of how behavioral science shaped twentieth-century politics and the modernist literary period.The advent of the twentieth century famously brought about new personal and political freedoms, including radical changes in voting rights and expressions of gender and sexuality. Yet writers and cultural critics shared a sense that modern life reduced citizens to automatons capable of interacting with the world in only the most reflexive ways. In Automatic, Timothy Wientzen asks why modernists were deeply anxious about the role of reflexive behaviors—and the susceptibility of bodies to physical stimuli—in the new political structures of the twentieth century. Engaging with historical thinking about human behaviors that fundamentally changed the nature of political and literary practice, Wientzen demonstrates the ways in which a "politics of reflex" came to shape the intellectual and cultural life of the modernist era. Documenting some of the ways that modernist writers and their contemporaries mapped, harnessed, and intervened in a political sphere dominated by conditioned reflexes, Wientzen reads writers like D. H. Lawrence, Rebecca West, Wyndham Lewis, and Samuel Beckett in conversation with fields that include public relations, physiology, sociology, and vitalism. Ultimately, he justifies a reckoning with some of the most enduring preoccupations of modernist studies.Automatic further emphasizes the role of politics and science in the aesthetic projects of modernist writers. At a moment when political enfranchisement and the mass media promised new modes of freedom, agency, and choice, Wientzen argues that the modernist era was beset by apprehension about the conscription of liberty through the conditioning force of everyday life. Analyzing such thinking through a neglected archive about embodiment and reflex reveals modernists responding to the historically novel conditions of political life in the twentieth century—conditions that have become entrenched in the politics of our own century.

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Advances in methods of gear design and the possibility of predicting the sound pressure level and life time of gearboxes and perfect instrumentation of test stands allows for the production of a new generation of quiet transmission units. Current literature on gearbox noise and vibration is usually focused on a particular problem such as gearbox design without a detailed description of measurement methods for noise and vibration testing. Vehicle Gearbox Noise and Vibration: Measurement, Signal Analysis, Signal Processing and Noise Reduction Measures addresses this need and comprehensively covers the sources of noise and vibration in gearboxes and describes various methods of signal processing. It also covers gearing design, precision manufacturing, measuring the gear train transmission error, noise test on testing stands and also during vehicle pass-by tests. The analysis tools for gearbox inspection are based on the frequency and time domain methods, including envelope and average toothmesh analysis. To keep the radiated noise under control, the effect of load, the gear contact ratio and the tooth surface modification on noise and vibration are illustrated by measurement examples giving an idea how to reduce transmission noise. Key features: Covers methods of processing noise and vibration signals Takes a practical approach to the subject and includes a case study covering how to successfully reduce transmission noise Describes the procedure for the measurement and calculation of the angular vibrations of gears during rotation Considers various signal processing methods including order analysis, synchronous averaging, Vold-Kalman order tracking filtration and measuring the angular vibration Vehicle Gearbox Noise and Vibration: Measurement, Signal Analysis, Signal Processing and Noise Reduction Measures is a comprehensive reference for designers of gearing systems and test engineers in the automotive industry and is also a useful source of information for graduate students in automotive and noise engineering.

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Responding to the decline of the monarchy and the church in post-revolutionary France, theorists representing a wide spectrum of leftist ideologies proposed comprehensive blueprints for society that assigned a crucial role to aesthetics. In this full-length investigation of social romanticism, Neil McWilliam explores the profound impact of radical philosophies on contemporary aesthetics and art criticism, and traces efforts to conscript the arts for doctrinal ends. He highlights the complexity and diversity of systems such as Saint-Simonianism, Fourierism, Republicanism, and Christian Socialism--movements that set out to exploit the ameliorative effect of aesthetic form on human consciousness--and challenges the previous linking of social art to narrow didacticism. This book seeks an understanding both of the conventions of artistic judgment and reception and of the aims and significance of radical political ideologies. Drawing on a broad spectrum of previously neglected journalistic criticism, visual material, and archival sources, together with key political texts by figures such as Saint-Simon, Philippe Buchez, and Pierre Leroux, this work reveals an important facet of radical history and modifies received understandings of French art in the wake of Romanticism. In the process it probes the role of culture within oppositional political practice, arguing that the ultimate failure to realize a social art exposes the limits of the radicals' break with dominant discourse and their hesitancy in forging links with a culturally disenfranchised working class. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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“Within the set of many identifier-locator separation designs for the Internet, HIP has progressed further than anything else we have so far. It is time to see what HIP can do in larger scale in the real world. In order to make that happen, the world needs a HIP book, and now we have it.” - Jari Arkko, Internet Area Director, IETF One of the challenges facing the current Internet architecture is the incorporation of mobile and multi-homed terminals (hosts), and an overall lack of protection against Denial-of-Service attacks and identity spoofing. The Host Identity Protocol (HIP) is being developed by the Internet Engineering Task Force (IETF) as an integrated solution to these problems. The book presents a well-structured, readable and compact overview of the core protocol with relevant extensions to the Internet architecture and infrastructure. The covered topics include the Bound End-to-End Tunnel Mode for IPsec, Overlay Routable Cryptographic Hash Identifiers, extensions to the Domain Name System, IPv4 and IPv6 interoperability, integration with SIP, and support for legacy applications. Unique features of the book: All-in-one source for HIP specifications Complete coverage of HIP architecture and protocols Base exchange, mobility and multihoming extensions Practical snapshots of protocol operation IP security on lightweight devices Traversal of middleboxes, such as NATs and firewalls Name resolution infrastructure Micromobility, multicast, privacy extensions Chapter on applications, including HIP pilot deployment in a Boeing factory HOWTO for HIP on Linux (HIPL) implementation An important compliment to the official IETF specifications, this book will be a valuable reference for practicing engineers in equipment manufacturing companies and telecom operators, as well as network managers, network engineers, network operators and telecom engineers. Advanced students and academics, IT managers, professionals and operating system specialists will also find this book of interest.

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Military Men of Feeling considers the popularity of the figure of the gentle soldier in the Victorian period. It traces a persistent narrative swerve from tales of war violence to reparative accounts of soldiers as moral exemplars, homemakers, adopters of children on the battlefield, and nurses. This material invites us to think afresh about Victorian masculinity and Victorian militarism. It challenges ideas about the separation of military and domestic life, and about the incommunicability of war experience. Focusing on representations of soldiers' experiences of touch and emotion, the book combines the work of well known writers - including Charles Dickens, Charles Kingsley, William Makepeace Thackeray, Charlotte Yonge - with previously unstudied writing and craft produced by British soldiers in the Crimean War, 1854-56. The Crimean War was pivotal in shaping British attitudes to military masculinity. A range of media enabled unprecedented public engagement with the progress and infamous 'blunders' of the conflict. Soldiers and civilians reflected on appropriate behaviour across ranks, forms of heroism, the physical suffering of the troops, administrative management and the need for army reform. The book considers how the military man of feeling contributes to the rethinking of gender roles, class and military hierarchy in the mid-nineteenth century, and how this figure was used in campaigns for reform. The gentle soldier could also do more bellicose social and political work, disarming anti-war critiques and helping people to feel better about war. This book looks at the difficult mixed politics of this figure. It considers questions, debated in the nineteenth century and which remain urgent today, about the relationship between feeling and action, and the ethics of an emotional response to war. It makes a case for the importance of emotional and tactile military history, bringing the Victorian military man of feeling into contemporary debates about liberal warriors and soldiers as social workers.

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Fight for Democracy is a penetrating and critical scrutiny of the ANC’s treatment of the print media since the inception of democracy in 1994. In this book, Glenda Daniels does not hide behind a veil of detachment, but instead makes a passionate argument for the view that newspapers and journalists play a significant role in the deepening of democratic principles.Daniels’ study goes to the heart of current debates and asks why the ANC, given its stated commitment to the democratic objectives of the Constitution, is so ambivalent about the freedom of the media. What would be the consequences of a revised media policy on democracy in South Africa, and at what cost to freedom of expression?Daniels examines the pattern of paranoia that has crept into public discourse about the media and the ANC, and the conflictual relationship between the two. She argues that the ANC’s understanding of democracy, transformation and development entails (amongst other things) the rallying of the nation behind its leadership as the premier liberation movement and democratically elected representative of the majority while morally coercing black journalists and professionals into loyalty. Daniels challenges the dominant ANC view that journalists are against transformation and that they take instruction from the owners of the media houses; in short that they are ‘enemies of the people’.Fight for Democracy is a timely publication in the context of the impending clampdown on media freedom and the twin threats of the Protection of State Information Bill (Secrecy Bill) and the Media Appeals Tribunal, both of which signify closures in South Africa’s democracy.Written in a polemical style, this is a work of activism that will be essential reading for the informed public as well as those working in Journalism and Media Studies. It should interest all democrats, members of political organisations as well as academics and Right2Know activists, locally and internationally.

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Each federal employee takes an oath to "support and defend the Constitution of the United States against all enemies foreign and domestic," but none had imagined that enemy might be the Commander-in-Chief. With the presidency of Donald Trump, a fault line between the president and vital forces within his government was established. Those who honored their oath of office, their obligation to the Constitution, were wary of the president and they in turn were not trusted and occasionally fired and replaced with loyalists. American Resistance is the first book to chronicle the unprecedented role so many in the government were forced to play and the consequences of their actions during the Trump administration. From Lt. Col. Alexander Vindman and his brother Yevgeny, to Ambassador Marie Yovanovitch, to Bill Taylor, Fiona Hill, and the official who first called himself "Anonymous"-Miles Taylor, among others, Rothkopf examines the resistance movement that slowly built in Washington. Drawing from first hand testimonies, deep background and research, American Resistance shows how when the President threatened to run amok, a few key figures rose in defiance. It reveals the conflict within the Department of Justice over actively seeking instances of election fraud and abuse to help the president illegally retain power, and multiple battles within the White House over the influence of Jared and Ivanka, and in particular the extraordinary efforts to get them security clearances even after they were denied to them. David Rothkopf chronicles how each person came to realize that they were working for an administration that threatened to wreak havoc - one Defense Secretary was told by his mother to resign before it was too late - in an intense drama in which a few good men and women stood up to the tyrant in their midst.

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'Superb...his pages fizz with character and colour' Dominic Sandbrook, Sunday Times 'Scholarly and very readable' Andrew Lycett, Spectator 'Energetic and hugely entertaining' A.N.Wilson, TLSThe definitive biography of Alfred Harmsworth, 1st Viscount Northcliffe, the first and greatest press magnate in history and the genius who invented modern popular journalism. The turn of the century was a period when the world was opening up in new and exciting ways – radio, telegrams, the advent of flight. With literacy and the right to vote extending across an ever-expanding populace, politics and journalism were embarking on a power struggle that continues unabated to this day. Lord Northcliffe rose to the challenges of this new world by employing cutting-edge technology, upending the outdated mores of traditional journalism and radically reshaping the very concept of ‘news’. He was a tough and uncompromising businessman, frequently levelled with charges of megalomania, but in The Chief Andrew Roberts puts Northcliffe’s ruthlessness in the context of a life of visionary business skill, journalistic brilliance, distinguished wartime public service and heartfelt patriotism. The man was, undoubtedly, a genius – albeit a flawed one. From a modest background, growing up on the outskirts of Dublin, by twenty-seven he presided over a magazine empire with the largest circulation in the world. By the time of his tragically early death in 1922, Northcliffe had founded the Daily Mail and Daily Mirror, and had also owned The Times and the Observer. At one point he owned two thirds of all the titles on Fleet Street. Based on exclusive access to the Harmsworth family archive, The Chief charts Lord Northcliffe’s rise to power and his highly controversial influence in a politically critical period. His influence still resonates today both through his remarkable business innovations and in the way we consume our news and politics.

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Wild Materialism speaks to three related questions in contemporary political philosophy. How, if different social interests and demands are constitutively antagonistic, can social unity emerge out of heterogeneity? Does such unity require corresponding universals, and, if so, what are they, where are they found, or how are they built? Finally, how must the concept of democracy be revised in response to economic globalization, state and nonstate terrorism, and religious, ethnic, or national fundamentalism? Polemically rehabilitating the term terror, Lezra argues that it can and should operate as a social universal. Perched perilously somewhere between the private and the public domains, terror is an experience of unboundable, objectless anxiety. It is something other than an interest held by different classes of people; it is not properly a concept (like equality or security) of the sort universal claims traditionally rest on. Yet terror’s conceptual deficiency, Lezra argues, paradoxically provides the only adequate, secular way to articulate ethical with political judgments. Social terror, he dramatically proposes, is the foundation on which critiques of terrorist fundamentalisms must be constructed. Opening a groundbreaking methodological dialogue between Freud’s work and Althusser’s late understanding of aleatory materialism, Lezra shows how an ethic of terror, and in the political sphere a radically democratic republic, can be built on what he calls “wild materialism.” Wild Materialism combines the close reading of cultural texts with detailed treatment of works in the radical-democratic and radical-republican traditions. The originality of its closely argued theses is matched and complemented by the breadth of its focus—encompassing the debates over the “ticking bomb” scenario; the circumstances surrounding ETA’s assassination of Admiral Luis Carrero Blanco in Madrid in 1973; the films of Gillo Pontecorvo; Sade’s republican writing; Marx’s Critique of Hegel’s Philosophy of Right; and the roots of contemporary radical republicanism in early modern political theology (Bodin, Shakespeare, Parsons, Siliceo).

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Descendants of indentured laborers brought from India to the Caribbean between 1845 and 1917 comprise more than forty percent of Trinidad’s population today. While many Indo-Trinidadians identify themselves as Indian, what “Indian” signifies—about nationalism, gender, culture, caste, race, and religion—in the Caribbean is different from what it means on the subcontinent. Yet the ways that “Indianness” is conceived of and performed in India and in Trinidad have historically been, and remain, intimately related. Offering an innovative analysis of how ideas of Indian identity negotiated within the Indian diaspora in Trinidad affect cultural identities “back home,” Tejaswini Niranjana models a necessary project: comparative research across the global South, scholarship that decenters the “first world” West as the referent against which postcolonial subjects understand themselves and are understood by others.Niranjana draws on nineteenth-century travel narratives, anthropological and historical studies of Trinidad, Hindi film music, and the lyrics, performance, and reception of chutney-soca and calypso songs to argue that perceptions of Indian female sexuality in Trinidad have long been central to the formation and disruption of dominant narratives of nationhood, modernity, and normative sexuality in India. She illuminates debates in India about “the woman question” as they played out in the early-twentieth-century campaign against indentured servitude in the tropics. In so doing, she reveals India’s disavowal of the indentured woman—viewed as morally depraved by her forced labor in Trinidad—as central to its own anticolonial struggle. Turning to the present, Niranjana looks to Trinidad’s most dynamic site of cultural negotiation: popular music. She describes how contested ideas of Indian femininity are staged by contemporary Trinidadian musicians—male and female, of both Indian and African descent—in genres ranging from new hybrids like chutney-soca to the older but still vibrant music of Afro-Caribbean calypso.

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On a winter day in 1892, in the broad daylight of downtown Memphis, Tennessee, a middle class woman named Alice Mitchell slashed the throat of her lover, Freda Ward, killing her instantly. Local, national, and international newspapers, medical and scientific publications, and popular fiction writers all clamored to cover the ensuing “girl lovers” murder trial. Lisa Duggan locates in this sensationalized event the emergence of the lesbian in U.S. mass culture and shows how newly “modern” notions of normality and morality that arose from such cases still haunt and distort lesbian and gay politics to the present day.Situating this story alongside simultaneously circulating lynching narratives (and its resistant versions, such as those of Memphis antilynching activist Ida B. Wells) Duggan reveals how stories of sex and violence were crucial to the development of American modernity. While careful to point out the differences between the public reigns of terror that led to many lynchings and the rarer instances of the murder of one woman by another privately motivated woman, Duggan asserts that dominant versions of both sets of stories contributed to the marginalization of African Americans and women while solidifying a distinctly white, male, heterosexual form of American citizenship. Having explored the role of turn-of-the-century print media—and in particular their tendency toward sensationalism—Duggan moves next to a review of sexology literature and to novels, most notably Radclyffe Hall’s The Well of Loneliness. Sapphic Slashers concludes with two appendices, one of which presents a detailed summary of Ward’s murder, the trial, and Mitchell’s eventual institutionalization. The other presents transcriptions of letters exchanged between the two women prior to the crime.Combining cultural history, feminist and queer theory, narrative analysis, and compelling storytelling, Sapphic Slashers provides the first history of the emergence of the lesbian in twentieth-century mass culture.

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In Haunted Media Jeffrey Sconce examines American culture’s persistent association of new electronic media—from the invention of the telegraph to the introduction of television and computers—with paranormal or spiritual phenomena. By offering a historical analysis of the relation between communication technologies, discourses of modernity, and metaphysical preoccupations, Sconce demonstrates how accounts of “electronic presence” have gradually changed over the decades from a fascination with the boundaries of space and time to a more generalized anxiety over the seeming sovereignty of technology.Sconce focuses on five important cultural moments in the history of telecommunication from the mid-nineteenth century to the present: the advent of telegraphy; the arrival of wireless communication; radio’s transformation into network broadcasting; the introduction of television; and contemporary debates over computers, cyberspace, and virtual reality. In the process of examining the trajectory of these technological innovations, he discusses topics such as the rise of spiritualism as a utopian response to the electronic powers presented by telegraphy and how radio, in the twentieth century, came to be regarded as a way of connecting to a more atomized vision of the afterlife. Sconce also considers how an early preoccupation with extraterrestrial radio communications tranformed during the network era into more unsettling fantasies of mediated annihilation, culminating with Orson Welles’s legendary broadcast of War of the Worlds. Likewise, in his exploration of the early years of television, Sconce describes how programs such as The Twilight Zone and The Outer Limits continued to feed the fantastical and increasingly paranoid public imagination of electronic media. Finally, Sconce discusses the rise of postmodern media criticism as yet another occult fiction of electronic presence, a mythology that continues to dominate contemporary debates over television, cyberspace, virtual reality, and the Internet.As an engaging cultural history of telecommunications, Haunted Media will interest a wide range of readers including students and scholars of media, history, American studies, cultural studies, and literary and social theory.

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While antiliberal legal theorist Carl Schmitt has long been considered by Europeans to be one of this century’s most significant political philosophers, recent challenges to the fundamental values of liberal democracies have made Schmitt’s writings an unavoidable subject of debate in North America as well. In an effort to advance our understanding not only of Schmitt but of current problems of liberal democracy, David Dyzenhaus presents translations of classic German essays on Schmitt alongside more recent writings by distinguished political theorists and jurists. Neither a defense of nor an attack on Schmitt, Law as Politics offers the first balanced response to his powerful critique of liberalism.One of the major players in the 1920s debates, an outspoken critic of the Versailles Treaty and the Weimar Constitution, and a member of the Nazi party who provided juridical respectability to Hitler’s policies, Schmitt contended that people are a polity only to the extent that they share common enemies. He saw the liberal notion of a peaceful world of universal citizens as a sheer impossibility and attributed the problems of Weimar to liberalism and its inability to cope with pluralism and political conflict. In the decade since his death, Schmitt’s writings have been taken up by both the right and the left and scholars differ greatly in their evaluation of Schmitt’s ideas. Law as Politics thematically organizes in one volume the varying engagements and confrontations with Schmitt’s work and allows scholars to acknowledge—and therefore be in a better position to negotiate—an important paradox inscribed in the very nature of liberal democracy.Law as Politics will interest political philosophers, legal theorists, historians, and anyone interested in Schmitt’s relevance to current discussions of liberalism.Contributors. Heiner Bielefeldt, Ronald Beiner, Ernst-Wolfgang Bockenforde, Renato Cristi, David Dyzenhaus, Robert Howse, Ellen Kennedy, Dominique Leydet, Ingeborg Maus, John P. McCormick, Reinhard Mehring, Chantal Mouffe, William E. Scheuerman, Jeffrey Seitzer

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The earliest films made in Cuba—newsreel footage of the Cuban-Spanish-American War—date from the end of the nineteenth century, but Cuba cannot be said to have had an indigenous film industry before the revolution of 1959. The melodramas, musicals, and comedies made until then reflected Hollywood’s—and the United States’s—cultural domination of the island, but the revolution precipitated urgent debates about the role of cinema in a socialist country and the kinds of films best suited to the needs of the people and their rulers. Among the feature films, documentaries, and short subjects made in accordance with revolutionary principles are celebrated works by Tomás Gutiérrez Alea, Humberto Solás, and other filmmakers who have had a profound influence on both Latin American and world cinema.Michael Chanan provides a comprehensive, authoritative, and absorbing account of Cuban cinema both before and after the revolution, deftly setting individual films and filmmakers within the larger framework of Cuba’s social, political, and cultural history. First published as The Cuban Image in 1984 to wide acclaim, Cuban Cinema now appears in a new, expanded edition that updates Chanan’s discussion to the beginning of the twenty-first century. New chapters address ongoing concerns about freedom of expression; Havana’s restored importance within the Latin American film industry through the Havana Film Festival, before state support for filmmakers dwindled in the economic collapse that followed the fall of the Soviet Union; Cuban cinema’s place within the globalized cultural market; and the changing audience for Cuban films. The only book-length study of Cuban cinema written in English, this indispensable work on one of the world’s most vital national cinemas offers a unique perspective on the Cuban experience in the twentieth century.Michael Chanan is a documentary filmmaker and professor of cultural and media studies at the University of the West of England in Bristol.

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Archie Bunker. Jed. Laverne and Shirley. Cliff Huxtable. Throughout the entire history of American prime-time television only four sitcoms have been true blockbusters, with Nielsen ratings far above the second- and third-rated programs. Weekly, millions of Americans of every age were making a special effort to turn on the set to see what Archie, Jed, Laverne, and Cliff were doing that week. The wild popularity of these shows--All in the Family, The Beverly Hillbillies, Laverne & Shirley (and its partner Happy Days), and The Cosby Show--left commentators bewildered by the tastes and preferences of the American public. How do we account for the huge appeal of these sitcoms, and how does it figure into the history of network prime-time television? Janet Staiger answers these questions by detailing the myriad factors that go into the construction of mass audiences. Treating the four shows as case studies, she deftly balances factual explanations (for instance, the impact of VCRs and cable on network domination of TV) with more interpretative ones (for example, the transformation of The Beverly Hillbillies from a popular show detested by the critics, to a blockbuster after its elevation as the critics' darling), and juxtaposes industry-based reasons (for example, the ways in which TV shows derive success from placement in the weekly programming schedule) with stylistic explanations (how, for instance, certain shows create pleasure from a repetition and variation of a formula). Staiger concludes that because of changes in the industry, these shows were a phenomenon that may never be repeated. And while the western or the night-time soap has at times captured public attention, Blockbuster TV maintains that the sitcom has been THE genre to attract people to the tube, and that without understanding the sitcom, we can't properly understand the role of television in our culture.

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Middle Easterners: Sometimes White, Sometimes Not - an article by John Tehranian The Middle Eastern question lies at the heart of the most pressing issues of our time: the war in Iraq and on terrorism, the growing tension between preservation of our national security and protection of our civil rights, and the debate over immigration, assimilation, and our national identity. Yet paradoxically, little attention is focused on our domestic Middle Eastern population and its place in American society. Unlike many other racial minorities in our country, Middle Eastern Americans have faced rising, rather than diminishing, degrees of discrimination over time; a fact highlighted by recent targeted immigration policies, racial profiling, a war on terrorism with a decided racialist bent, and growing rates of job discrimination and hate crime. Oddly enough, however, Middle Eastern Americans are not even considered a minority in official government data. Instead, they are deemed white by law. In Whitewashed, John Tehranian combines his own personal experiences as an Iranian American with an expert’s analysis of current events, legal trends, and critical theory to analyze this bizarre Catch-22 of Middle Eastern racial classification. He explains how American constructions of Middle Eastern racial identity have changed over the last two centuries, paying particular attention to the shift in perceptions of the Middle Easterner from friendly foreigner to enemy alien, a trend accelerated by the tragic events of 9/11. Focusing on the contemporary immigration debate, the war on terrorism, media portrayals of Middle Easterners, and the processes of creating racial stereotypes, Tehranian argues that, despite its many successes, the modern civil rights movement has not done enough to protect the liberties of Middle Eastern Americans. By following how concepts of whiteness have transformed over time, Whitewashed forces readers to rethink and question some of their most deeply held assumptions about race in American society.

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This past decade has witnessed an extraordinary transformation in men's lives. For years, wave after wave of the women's movement, a movement that reshaped every aspect of American life, produced nary a ripple among men. But suddenly men are in the spotlight.Yet, the public discussions often seem strained, silly, and sometimes flat-out wrong. The spotlight itself seems to obscure as much as it illuminates. Old tired clichTs about men's resistance to romantic commitment or reluctance to be led to the marriage altar seem perennially recyclable in advice books and on TV talk shows, but these days the laughter feels more forced, the defensiveness more pronounced. Pop biologists avoid careful confrontation with serious scientific research in their quest to find anatomical or evolutionary bases for promiscuity or porn addiction, hoping that by fiat, one can pronounce that "boys will be boys" and render it more than a flaccid tautology. And political pundits wring their hands about the feminization of American manhood, as if gender equality has neutered these formerly proud studs. Misframing Men, a collection of Michael Kimmel's commentaries on contemporary debates about masculinity, argues that the media have largely misframed this debate.Kimmel, among the world's best-known scholars in gender studies, discusses political moments such as the Virginia Military Institute and Citadel cases that reached the Supreme Court (he participated as expert witness for the Justice Department) along with Promise Keepers rallies, mythopoetic gatherings, and white supremacists. He takes on antifeminists as the real male bashers, questions the unsubstantiated assertions that men suffer from domestic violence to the same degree as women, and examines the claims made by those who want to rescue boys from the "misandrous" reforms initiated by feminism.In writings both solidly grounded and forcefully argued, Kimmel pushes the boundaries of today's modern conversation about men and masculinity.

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On August 7, 1989, Congressman Mickey Leland departed on a flight from Addis Ababa, with his thirteen-member delegation of Ethiopian and American relief workers and policy analysts, bound for Ethiopia's border with Sudan. This was Leland's seventh official humanitarian mission in his nearly decade-long drive to transform U.S. policies toward Africa to conform to his black internationalist vision of global cooperation, antiracism, and freedom from hunger. Leland's flight never arrived at its destination. The plane crashed, with no survivors. When Leland embarked on that delegation, he was a forty-four-year-old, deeply charismatic, fiercely compassionate, black, radical American. He was also an elected Democratic representative of Houston's largely African American and Latino Eighteenth Congressional District. Above all, he was a self-proclaimed "citizen of humanity." Throughout the 1980s, Leland and a small group of former radical-activist African American colleagues inside and outside Congress exerted outsized influence to elevate Africa's significance in American foreign affairs and to move the United States from its Cold War orientation toward a foreign policy devoted to humanitarianism, antiracism, and moral leadership. Their internationalism defined a new era of black political engagement with Africa. In This Land of Plenty presents Leland as the embodiment of larger currents in African American politics at the end of the twentieth century. But a sober look at his aspirations shows the successes and shortcomings of domestic radicalism and aspirations of politically neutral humanitarianism during the 1980s, and the extent to which the decade was a major turning point in U.S. relations with the African continent. Exploring the links between political activism, electoral politics, and international affairs, Benjamin Talton not only details Leland's political career but also examines African Americans' successes and failures in influencing U.S. foreign policy toward African and other Global South countries.

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As journalists in Iraq and other hot spots around the world continue to face harrowing dangers and personal threats, neuropsychiatrist Anthony Feinstein offers a timely and important exploration into the psychological damage of those who, armed only with pen, tape recorder, or camera, bear witness to horror. Based on a series of recent studies investigating the emotional impact of war on the profession, Journalists under Fire breaks new ground in the study of trauma-related disorders. Feinstein opens with an overview of the life-threatening hazards war reporters face-abductions, mock executions, the deaths of close colleagues-and discusses their psychological consequences: post-traumatic stress disorder, depression, deterioration of personal relationships, and substance abuse. In recounting the experiences of reporters who encounter trauma on the job, Feinstein observes that few adequate support systems are in place for them. He tells the stories of media veterans who have "seen it all," only to find themselves and their employers blindsided by psychological aftershocks. The book explores the biological and psychological factors that motivate journalists to take extraordinary risks. Feinstein looks into the psyches of freelancers who wade into war zones with little or no financial backing; he examines the different stresses encountered by women working in a historically male-dominated profession; and he probes the effects of the September 11 attacks on reporters who thought they had sworn off conflict reporting. His interviews with many of this generation's greatest reporters, photographers, and videographers often reveal extraordinary resilience in the face of adversity. Journalists under Fire is a look behind the public persona of war journalists at a time when the profession faces unprecedented risk. Plucking common threads from disparate stories, Feinstein weaves a narrative that is as fascinating to read as it is sobering to contemplate. What emerges are unique insights into lives lived dangerously.

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In The Sleep of Behemoth, Jehangir Yezdi Malegam explores the emergence of conflicting concepts of peace in western Europe during the High Middle Ages. Ever since the early Church, Christian thinkers had conceived of their peace separate from the peace of the world, guarded by the sacraments and shared only grudgingly with powers and principalities. To kingdoms and communities they had allowed attenuated versions of this peace, modes of accommodation and domination that had tranquility as the goal. After 1000, reformers in the papal curia and monks and canons in the intellectual circles of northern France began to reimagine the Church as an engine of true peace, whose task it was eventually to absorb all peoples through progressive acts of revolutionary peacemaking. Peace as they envisioned it became a mandate for reform through conflict, coercion, and insurrection. And the pursuit of mere tranquility appeared dangerous, and even diabolical. As Malegam shows, within western Christendom’s major centers of intellectual activity and political thought, the clergy competed over the meaning and monopolization of the term "peace," contrasting it with what one canon lawyer called the "sleep of Behemoth," a diabolical "false" peace of lassitude and complacency, one that produced unsuitable forms of community and friendship that must be overturned at all costs. Out of this contest over the meaning and ownership of true peace, Malegam concludes, medieval thinkers developed theologies that shaped secular political theory in the later Middle Ages. The Sleep of Behemoth traces this radical experiment in redefining the meaning of peace from the papal courts of Rome and the schools of Laon, Liège, and Paris to its gradual spread across the continent and its impact on such developments as the rise of papal monarchism; the growth of urban, communal self-government; and the emergence of secular and mystical scholasticism.

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During the height of the wars in Iraq and Afghanistan, the Pentagon launched a controversial counterinsurgency program called the Human Terrain System. The program embedded social scientists within military units to provide commanders with information about the cultures and grievances of local populations. Yet the controversy it inspired was not new. Decades earlier, similar national security concerns brought the Department of Defense and American social scientists together in the search for intellectual weapons that could combat the spread of communism during the Cold War. In Armed with Expertise, Joy Rohde traces the optimistic rise, anguished fall, and surprising rebirth of Cold War–era military-sponsored social research. Seeking expert knowledge that would enable the United States to contain communism, the Pentagon turned to social scientists. Beginning in the 1950s, political scientists, social psychologists, and anthropologists optimistically applied their expertise to military problems, convinced that their work would enhance democracy around the world. As Rohde shows, by the late 1960s, a growing number of scholars and activists condemned Pentagon-funded social scientists as handmaidens of a technocratic warfare state and sought to eliminate military-sponsored research from American intellectual life. But the Pentagon’s social research projects had remarkable institutional momentum and intellectual flexibility. Instead of severing their ties to the military, the Pentagon’s experts relocated to a burgeoning network of private consulting agencies and for-profit research offices. Now shielded from public scrutiny, they continued to influence national security affairs. They also diversified their portfolios to include the study of domestic problems, including urban violence and racial conflict. In examining the controversies over Cold War social science, Rohde reveals the persistent militarization of American political and intellectual life, a phenomenon that continues to raise grave questions about the relationship between expert knowledge and American democracy.

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A revealing look at how user behavior is powering deep social divisions online—and how we might yet defeat political tribalism on social mediaIn an era of increasing social isolation, platforms like Facebook and Twitter are among the most important tools we have to understand each other. We use social media as a mirror to decipher our place in society but, as Chris Bail explains, it functions more like a prism that distorts our identities, empowers status-seeking extremists, and renders moderates all but invisible. Breaking the Social Media Prism challenges common myths about echo chambers, foreign misinformation campaigns, and radicalizing algorithms, revealing that the solution to political tribalism lies deep inside ourselves.Drawing on innovative online experiments and in-depth interviews with social media users from across the political spectrum, this book explains why stepping outside of our echo chambers can make us more polarized, not less. Bail takes you inside the minds of online extremists through vivid narratives that trace their lives on the platforms and off—detailing how they dominate public discourse at the expense of the moderate majority. Wherever you stand on the spectrum of user behavior and political opinion, he offers fresh solutions to counter political tribalism from the bottom up and the top down. He introduces new apps and bots to help readers avoid misperceptions and engage in better conversations with the other side. Finally, he explores what the virtual public square might look like if we could hit "reset" and redesign social media from scratch through a first-of-its-kind experiment on a new social media platform built for scientific research.Providing data-driven recommendations for strengthening our social media connections, Breaking the Social Media Prism shows how to combat online polarization without deleting our accounts.

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How social upheavals after the collapse of the French Empire shaped the lives and work of artists in early nineteenth-century EuropeAs the French Empire collapsed between 1812 and 1815, artists throughout Europe were left uncertain and adrift. The final abdication of Emperor Napoleon, clearing the way for a restored monarchy, profoundly unsettled prevailing national, religious, and social boundaries. In Restoration, Thomas Crow combines a sweeping view of European art centers—Rome, Paris, London, Madrid, Brussels, and Vienna—with a close-up look at pivotal artists, including Antonio Canova, Jacques-Louis David, Théodore Géricault, Francisco Goya, Jean-Auguste-Dominique Ingres, Thomas Lawrence, and forgotten but meteoric painters François-Joseph Navez and Antoine Jean-Baptiste Thomas. Whether directly or indirectly, all were joined in a newly international network, from which changing artistic priorities and possibilities emerged out of the ruins of the old.Crow examines how artists of this period faced dramatic circumstances, from political condemnation and difficult diplomatic missions to a catastrophic episode of climate change. Navigating ever-changing pressures, they invented creative ways of incorporating critical events and significant historical actors into fresh artistic works. Crow discusses, among many topics, David’s art and influence during exile, Géricault’s odyssey through outcast Rome, Ingres’s drive to reconcile religious art with contemporary mentalities, the titled victors over Napoleon all sitting for portraits by Lawrence, and the campaign to restore art objects expropriated by the French from Italy, prefiguring the restitution controversies of our own time.Beautifully illustrated, Restoration explores how cataclysmic social and political transformations in nineteenth-century Europe reshaped artists’ lives and careers with far-reaching consequences.Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC

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The Vikings called North America 'Vinland', the land of wine. Giovanni de Verrazzano, the Italian explorer who first described the grapes of the New World, was sure that 'they would yield excellent wines'. And when the English settlers found grapes growing so thickly that they covered the ground down to the very seashore, they concluded that 'in all the world the like abundance is not to be found'. Thus, from the very beginning the promise of America was, in part, the alluring promise of wine. How that promise was repeatedly baffled, how its realization was gradually begun, and how at last it has been triumphantly fulfilled is the story told in this book. It is a story that touches on nearly every section of the United States and includes the whole range of American society from the founders to the latest immigrants. Germans in Pennsylvania, Swiss in Georgia, Minorcans in Florida, Italians in Arkansas, French in Kansas, Chinese in California - all contributed to the domestication of Bacchus in the New World. So too did innumerable individuals, institutions, and organizations. Prominent politicians, obscure farmers, eager amateurs, sober scientists: these and all the other kinds and conditions of American men and women figure in the story. The history of wine in America is, in many ways, the history of American origins and of American enterprise in microcosm. While much of that history has been lost to sight, especially after Prohibition, the recovery of the record has been the goal of many investigators over the years, and the results are here brought together for the first time. In print in its entirety for the first time, "A History of Wine in America" is the most comprehensive account of winemaking in the United States, from the Norse discovery of native grapes in 1001 A.D., through Prohibition, and up to the present expansion of winemaking in every state.

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It is widely-believed that China's entrepreneur class has grown and their businesses are succeeding primarily due to their knowledge of the domestic market, quick adaptation to market changes, and their resourcefulness. But innovation? Forget about it. Well, not quite. Drawing on a wealth of on-the-ground stories and thorough research, Chinnovation: How Chinese Innovators Are Changing the World shows how Chinese companies of every stripe have dispelled this myth and overcome the barriers to successful, profitable innovation. How did Neil Shen, co-founder of CTRIP Capital China, see the opportunity for a Chinese travel site? How did Ray Zhang, CEO of Ehi, scale up one of the most innovative hybrid car-rental companies in China? How did Zhang Tao, CEO of Dianping, start a ZAGAT-inspired user-review site for restaurants and establish a continuous process of innovation? Yinglan Tan has spent more than five years learning the secrets of Chinese innovators, a fast-growing subculture playing key roles in China's transformative transition from "Made in China" to "Innovated in China." Learn: What is the path that an innovative Chinese private-owned enterprise take? How blue-chip innovators remix business models successfully in China? What are the capabilities that these innovative companies acquire? How they harness the necessary resources and navigate around legal restrictions? How do they attract, train and retain talent? How do these companies experiment with innovative approaches and also manage the risk of innovation? What are the lessons learnt and how would these entrepreneurial innovators advise others who are embarking on the same journey? China's rapid economic growth has made it a crucial market but multinational corporations are now competing with China's own homegrown businesses. Chinnovation: How Chinese Innovators Are Changing The World uncovers the common threads amongst Chinese entrepreneurs as they reach into a wider world.

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"Albert Wertheim's study of Fugard's plays is both extremely insightful and beautifully written—a book that held my attention from beginning to end. It was a pleasure to read! Wertheim succeeds in communicating the greatness of Fugard as a playwright, actor, and director. He also conveys well what Fugard has learned from other plays and dramatists. Thus, he places Fugard's works not so much in a South African context as in a theatrical context. He also illuminates his interpretations with the help of Fugard's manuscripts, previously available only in South Africa. This book is aimed not only at teachers, students, scholars, and performers of Fugard but also at the person who simply loves going to see a Fugard play at the theatre.—Nancy Topping Bazin, Eminent Scholar and Professor Emeritus, Old Dominion UniversityConsidered one of the most brilliant, powerful, and theatrically astute of modern dramatists, South African playwright Athol Fugard is best known for The Blood Knot,"MASTER HAROLD" . . . and the boys, A Lesson from Aloes, and Sizwe Bansi Is Dead. The energy and poignancy of Fugard's work have their origins in the institutionalized racism of his native South Africa, and more recently in the issues facing a new South Africa after apartheid. In The Dramatic Art of Athol Fugard, Albert Wertheim analyzes the form and content of Fugard's dramas, showing that they are more than a dramatic chronicle of South African life and racial problems. Beginning with the specifics of his homeland, Fugard's plays reach out to engage more far-reaching issues of human relationships, race and racism, and the power of art to evoke change. The Dramatic Art of Athol Fugard demonstrates how Fugard's plays enable us to see that what is performed on stage can also be performed in society and in our lives; how, inverting Shakespeare, Athol Fugard makes his stage the world.

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