Search results for ""abrams""

In this fascinating anthology, one hundred men - distinguished in literature and film, science and architecture, theatre and human rights - confess to being moved to tears by poems that haunt them. Representing 20 nationalities and ranging in age from their early 20s to their late 80s, the majority are public figures not prone to crying. Here they admit to breaking down when ambushed by great art, often in words as powerful as the poems themselves. 75 per cent of the selected poems were written in the 20th century, with more than a dozen by women. Their themes range from love in its many guises, through mortality and loss, to the beauty and variety of nature. Three men have suffered the pain of losing a child; others are moved to tears by the exquisite way a poet captures, in Alexander Pope's famous phrase, 'what oft was thought, but ne'er so well express'd'. From J.J Abrams to John le Carré, Salman Rushdie to Jonathan Franzen, Daniel Radcliffe to Nick Cave, Ian McEwan to Stephen Fry, Stanley Tucci to Colin Firth, and Seamus Heaney to Christopher Hitchens, this collection delivers private insight into the souls of men whose writing, acting, and thinking are admired around the world.

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Led by the USA with Western European partners, the North Atlantic Treaty Organization (NATO) was formed in 1949 to counter the Soviet threat. In response the Soviet Union assembled and dominated the Warsaw Pact in 1954. The mainstay of both alliances' groundforces were their main battle tanks (MBTs). Initially both sides relied on Second World War MBTs; in NATO's case the Sherman medium tank and its successor the M26 Pershing together with the British Centurion and the heavy Conqueror. The Soviets originally fielded the T-34-85 medium tank and the IS-2 and IS-3 heavy tank replaced by the T-10. Next came the T-54 followed by the T-55 and 155mm armed T-63 (1965). The final WP Cold War MBTs were the T-64, T-72 and T-80 all with 122mm main armament. By contrast, NATO nations increasingly deployed a range of MBTs; the widely used American Patton series (M46 through M48), British Chieftain (1963) and Challenger (1982), French AMX-13 (1950) and AMX-30. From 1963 the Bundeswehr was equipped with the homegrown Leopard 1 and 2. The US M60 series and M1 Abrams came into service from 1980. These and more MBTs and variants are covered in expert detail in this superbly illustrated book.

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We Only Dated for 11 Instagrams: And Other Things You'll Overhear in LA is a collection of the hilarious, absurd, sometimes even poignant snippets overheard on the streets -- and in the juiceries -- of Los Angeles. It's a tribute to the one and only La La Land, the epicenter of all things vegan, gluten-free, spiritual, and sunny, and a microcosm of 21st Century American culture in so many ways.The book is a by-product of the @OverheardLA Instagram account, started in 2015 by Jesse Margolis and boasting a whopping 670,000 followers and incredible engagement. Jesse's Overheard brand has tapped into something we all love: mocking, envying, and dropping our jaws at the absurdity of today's trends and conversations.The book will be divided into themes, with a Q&A from a different "LA expert" opening each section: The CEOs of Bumble for the Dating section; Krista Smith, the West Coast Editor of Vanity Fair, for Celebrity & Entertainment; the founders of SoulCycle for Health & Fitness; and Amanda Chantal Bacon of Moon Juice for Spirituality. The overheard content and Q&As will be accompanied by illustrations from Emmet Truxes, the millennial mastermind behind @BrooklynCartoons (145,000 followers) and author of the forthcoming cartoon collection You Look Better Online (Abrams, October 2017).

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Powerful sound clips from twelve Black leaders amplified by bold illustrations and background facts illuminate pivotal moments of Black history in America. With the touch of the button, hear impactful quotes spoken by inspiring Black Americans in primary source audio files. Aimed at children ages 7–12, a succinct profile of the speaker alongside an explanation of the significance of the quote and moment provide the context for each audio clip. A vibrant illustration of the speaker completes the picture. Through the included quotes, kids gain an age-appropriate understanding of the strides made in the ongoing journey for equality, from the early days of sound recording to modern day.Lift Every Voice and Change features the voices of: Booker T. Washington Dr. Martin Luther King, Jr John Lewis Stokely Carmichael James Baldwin Stacey Abrams Toni Morrison Katherine Johnson Jay-Z Gladys Mae West Faith Ringgold Ayo Tometi The voices chosen represent an equal number of men and women, historical and modern figures, across a variety of disciplines. Some are household names and others may very well be introduced to children for the first time! Inspire the next generation of leading voices by inviting them to listen to and learn from the Black leaders of yesterday and today.Manufacturer’s note: Please pull the white tab out of the back of the book before use. Sound buttons require a firm push in the exact location to work, which may be hard for young children. Sound clips range in length, but are an average of 12 seconds long.

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Winner of the 2018 British Sociological Association Philip Abrams Memorial Prize. Whilst scholarship has increasingly moved to consider mixedness and the experiences of mixed-race people, there has been a notable lack of attention to the specific experiences of mixed-race men. This is despite growing recognition of the particular ways race and gender intersect. By centring the accounts of Black mixed-race men in the United Kingdom and United States, this book offers a timely intervention that extends the theoretical terrain of race and ethnicity scholarship and of studies of gender and masculinities. As it treads new and important ground, this book draws upon theories of performativity and hybridity in order to understand how Black mixed-race men constitute and reconstitute complex and multiplicitous identities. ‘Post-racial’ conditions mean that Black mixed-race men engage in such processes in a context where the significance of race and racism is rendered invisible and denied. By introducing the theoretical concept of ‘post-racial’ resilience, this study strives to capture and celebrate the contemporary, creative and innovative ways in which Black mixed-race men refuse the fragmentation and erasure of their identities. As it does so, the author offers a corrective to popular representations that have too readily pathologized Black mixed-race men. Focusing on the everyday through a discussion of Black mixed-race men’s racial symbolism, experiences of racial microaggressions, and interactions with peers, Black Mixed-Race Men: Transatlanticity, Hybridity and Post-Racial Resilience offers an in-depth insight into a previously neglected area of scholarship.

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Today's media, cinema and TV screens are host to new manifestations of myth, their modes of storytelling radically transformed from those of ancient Greece. They present us with narratives of contemporary customs and belief systems: our modern-day myths. Djoymi Baker's insightful study argues that the tools of transmedia merchandising and promotional material shape viewers' experiences of the hit television series Star Trek, to reinforce the mythology of the gargantuan franchise. Media marketing utilises the show's method of recycling the narratives of classical heritage, yet it also looks forward to the future. In this way, it reminds consumers of the Star Trek story's ongoing centrality within popular culture, whether in the form of the original 1960s series, the later additions such as Voyager and Discovery or J. J. Abrams' `reboot' films. Chapters examine how oral and literary traditions have influenced the series structure and its commercial image, how the cosmological role of humanity and the Earth are explored in title sequences across various Star Trek media platforms, and the multi-faceted way in which Internet, video game and event spin-offs create rituals to consolidate the space opera's fan base. In her afterword to this new edition, Baker extends her analysis to the recently released Star Trek: Short Treks (2018-), Star Trek: Picard (2020-), Star Trek: Lower Decks (2020-), and Star Trek: Strange New Worlds (2022-). In doing so, she underscores the continuing significance of myth in this unprecedented era of expansion for the entire Star Trek enterprise.

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An encyclopedic dictionary along the lines of Voltaire's classic Dictionnaire Philosophique, Metaphors of Mind provides an in-depth look at the myriad ways in which Enlightenment writers used figures of speech to characterize the mind. Drawn from Brad Pasanek's massive online archive, this volume constitutes a veritable treasury of mental metaphorics. Dividing the book into eleven broad metaphorical categories-Animals, Coinage, Court, Empire, Fetters, Impressions, Inhabitants, Metal, Mirror, Rooms, and Writing-Pasanek maps out constellations of metaphors. He frames his collection of literary excerpts in each section with a more descriptive and theoretical discussion of what he calls "desultory reading," a form of unsystematic perusal of writing frequently employed by Enlightenment thinkers. By surveying the printed past alongside the digital present, the book treats eighteenth-century writing as its topic while essentially exemplifying its rhetorical approach. More than an exercise in quotation, this intellectual history offers illuminating readings of fragmentary literary works and confrontations with neoclassical and contemporary theories of metaphor. The book's entries complicate received ideas about Locke's blank slate, question M. H. Abrams' claims about mirrors and lamps, and chart changing frequencies of metal metaphors in a moment of industrial revolution. The book also responds to current anxieties about reading and the mass digitization of literature, touching on recent discussions of "distant reading," "shallow reading," and "surface reading." Promoting critical and creative anachronism, Metaphors of Mind redefines the notion of an archive in the age of Amazon and Google Books.

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John R. Deane Jr. (1919--2013) was born with all the advantages a man needs to succeed in a career in the US Army, and he capitalized on his many opportunities in spectacular fashion. The son of one of George C. Marshall's closest assistants, Deane graduated from West Point with the first class of World War II and served in combat under the dynamic General Terry de la Mesa Allen Sr. After the war, he led a German espionage unit in operations against the Soviets, personally led the first foot patrol following the course of the Berlin Wall as it was being constructed, participated in the 1965 Dominican Republic intervention, and saw combat in Vietnam. In 1975, he received his fourth star and became commander of the US Army Materiel Development and Readiness Command.In Lessons in Leadership, this exceptional soldier not only discusses working with some of the army's most influential and colorful leaders -- including James M. Gavin, William E. DePuy, William Westmoreland, and Creighton Abrams Jr. -- but also the many junior officers who helped him develop the leadership skills for which he became well known. Throughout, he offers eyewitness accounts of key Cold War--era events as well as wise observations concerning the leadership and management challenges facing the Department of Defense. Ably edited and annotated by Jack C. Mason, Deane's illuminating memoir also features interviews with several of Deane's contemporaries, whose comments and recollections are interspersed to provide depth and context to the narrative.

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Over the course of its seven-year run, Buffy the Vampire Slayer cultivated a loyal fandom and featured a strong, complex female lead, at a time when such a character was a rarity. Evan Ross Katz explores the show's cultural relevance through a book that is part oral history, part celebration, and part memoir of a personal fandom that has universal resonance still, decades later.Katz-with the help of the show's cast, creators, and crew-reveals that although Buffy contributed to important conversations about gender, sexuality, and feminism, it was not free of internal strife, controversy, and shortcomings. Men-both on screen and off-would taint the show's reputation as a feminist masterpiece, and changing networks, amongst other factors, would drastically alter the show's tone.Katz addresses these issues and more, including interviews with stars Sarah Michelle Gellar, Charisma Carpenter, Emma Caulfield, Amber Benson, James Marsters, Anthony Stewart Head, Seth Green, Marc Blucas, Nicholas Brendon, Danny Strong, Tom Lenk, Bianca Lawson, Julie Benz, Clare Kramer, K. Todd Freeman, Sharon Ferguson; and writers Douglas Petrie, Jane Espenson, and Drew Z. Greenberg; as well as conversations with Buffy fanatics and friends of the cast including Stacey Abrams, Cynthia Erivo, Lee Pace, Claire Saffitz, Tavi Gevinson, and Selma Blair.Into Every Generation a Slayer Is Born engages with the very notion of fandom, and the ways a show like Buffy can influence not only how we see the world but how we exist within it.

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2022 On the Brinck Book Award, University of New Mexico School of Architecture + PlanningSpecial Mention, First Book Prize, International Planning History SocietyLanded Internationals examines the international culture of postwar urban planning through the case of the Middle East Technical University (METU) in Ankara, Turkey. Today the center of Turkey's tech, energy, and defense elites, METU was founded in the 1950s through an effort jointly sponsored by the UN, the University of Pennsylvania, and various governmental agencies of the United States and Turkey. Drawing on the language of the UN and its Technical Assistance Board, Erdim uses the phrase "technical assistance machinery" to encompass the sprawling set of relationships activated by this endeavor. Erdim studies a series of legitimacy battles among bureaucrats, academics, and other professionals in multiple theaters across the political geography of the Cold War. These different factions shared a common goal: the production of nationhood—albeit nationhood understood and defined in multiple, competing ways. He also examines the role of the American architecture firm Skidmore, Owings, and Merrill; the New York housing policy guru Charles Abrams; the UN and the University of Pennsylvania; and the Turkish architects Altuğ and Behruz Çinici. In the end, METU itself looked like a model postwar nation within the world order, and Erdim concludes by discussing how it became an important force in transnational housing, planning, and preservation in its own right.

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Winner of the 2018 British Sociological Association Philip Abrams Memorial Prize. Whilst scholarship has increasingly moved to consider mixedness and the experiences of mixed-race people, there has been a notable lack of attention to the specific experiences of mixed-race men. This is despite growing recognition of the particular ways race and gender intersect. By centring the accounts of Black mixed-race men in the United Kingdom and United States, this book offers a timely intervention that extends the theoretical terrain of race and ethnicity scholarship and of studies of gender and masculinities. As it treads new and important ground, this book draws upon theories of performativity and hybridity in order to understand how Black mixed-race men constitute and reconstitute complex and multiplicitous identities. ‘Post-racial’ conditions mean that Black mixed-race men engage in such processes in a context where the significance of race and racism is rendered invisible and denied. By introducing the theoretical concept of ‘post-racial’ resilience, this study strives to capture and celebrate the contemporary, creative and innovative ways in which Black mixed-race men refuse the fragmentation and erasure of their identities. As it does so, the author offers a corrective to popular representations that have too readily pathologized Black mixed-race men. Focusing on the everyday through a discussion of Black mixed-race men’s racial symbolism, experiences of racial microaggressions, and interactions with peers, Black Mixed-Race Men: Transatlanticity, Hybridity and Post-Racial Resilience offers an in-depth insight into a previously neglected area of scholarship.

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The M60 was a second-generation American main battle tank, the last in the line of Patton tanks that had first been developed at the end of World War. It entered operational service with the US Army in 1960 and some 15,000 M60s were manufactured by Chrysler at the Detroit Tank Arsenal Plant between then and when production ceased in 1983. It served with both the US Army and the US Marine Corps and was the principal tank deployed in Europe in the sixties, seventies and early eighties, providing NATO's main armoured force at the height of the Cold War. It became one of the most widely used armoured fighting vehicles of the twentieth century, serving in the armies of over 25 countries. It continued to serve alongside the M1 Abrams into the 1990s before this venerable Cold War warrior was finally retired from active service with the US military in 1997. This volume charts the development of the M60 from its origins in World War II to the Cold War. It focuses on its service with the US military and other NATO armies, examining its combat service in the First Gulf War and also with other armies in the Middle East. The book gives a full account of the wide range of kits and accessories available in all the popular scales and a modelling gallery features builds covering a range of M60s in service with various armed forces. Detailed colour profiles provide both reference and inspiration for modellers and military enthusiasts alike.

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Discover the remarkable stories behind some of the most popular film music of all time; From Jurassic Park to The Lord of the Rings, Vertigo to Titanic, a powerful score can make a movie truly extraordinary. The alchemy between composer and director creates pure cinematic magic, with songs and melodies that are instantly recognisable and eternally memorable. So what is their secret?; Saturday Night at the Movies goes behind the scenes to reveal twelve remarkable partnerships, and how they have created the music that has moved millions. Discover how these collaborations began and what makes them so effective: the dynamic personalities, the creative chemistry, the flashes of genius. The best scores come from sound and image working together to bring the director’s vision to life, but many scores also stand alone as towering achievements of composition that have shaped the face of modern music.; Featuring such luminaries as Alfred Hitchcock and Bernard Herrmann, Christopher Nolan and Hans Zimmer, and James Horner and James Cameron, Saturday Night at the Movies explores the creation of film favourites such as Back to the Future, Fargo, Edward Scissorhands and many, many more.; Includes:; J.J. Abrams & Michael Giacchino; Kenneth Branagh & Patrick Doyle; Tim Burton & Danny Elfman; James Cameron & James Horner; The Coen Brothers & Carter Burwell; Alfred Hitchcock & Bernard Herrmann; Peter Jackson & Howard Shore; David Lean & Maurice Jarre; Sam Mendes & ¬Thomas Newman; Christopher Nolan & Hans Zimmer; Steven Spielberg & John Williams; Robert Zemeckis & Alan Silvestri

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As a young bride-to-be navigates the days before her wedding, three generations of women come together in a page-turning novel full of family secrets, heartwrenching drama, and a second chance at the love of a lifetime.Joey Abrams is trying to find herself. After quitting a career in big law, she's now a struggling artist. Yet she's found the nice Jewish boy of her dreams, so she thinks she may finally be on the right path. But the secrets Joey's been keeping about her family may just destroy the life she's so carefully building.Joey's mother is planning an extravagant wedding as if her life depends on it, and as if she knows a thing about happily ever after. But Joey knows better. Her parents' marriage isn't what it seems, and Joey's relationship with her mother is straining at the seams. And her beloved grandmother, always Joey's touchstone and confidant, is suddenly acting strange, talking for the first time about her time in Greece during the war. Is this the beginnings of dementia? Or is her grandmother keeping secrets of her own? As Joey navigates the days leading up to her wedding, the one person she thought she'd never see again appears. Her first love, back to remind her of the pact they made over a decade ago, one that could blow wide Joey's plans for her future, and leave her family in ruins.

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Over the course of its seven-year run, Buffy the Vampire Slayer cultivated a loyal fandom and featured a strong, complex female lead, at a time when such a character was a rarity. Evan Ross Katz explores the show's cultural relevance through a book that is part oral history, part celebration, and part memoir of a personal fandom that has universal resonance still, decades later.Katz-with the help of the show's cast, creators, and crew-reveals that although Buffy contributed to important conversations about gender, sexuality, and feminism, it was not free of internal strife, controversy, and shortcomings. Men-both on screen and off-would taint the show's reputation as a feminist masterpiece, and changing networks, amongst other factors, would drastically alter the show's tone.Katz addresses these issues and more, including interviews with stars Sarah Michelle Gellar, Charisma Carpenter, Emma Caulfield, Amber Benson, James Marsters, Anthony Stewart Head, Seth Green, Marc Blucas, Nicholas Brendon, Danny Strong, Tom Lenk, Bianca Lawson, Julie Benz, Clare Kramer, K. Todd Freeman, Sharon Ferguson; and writers Douglas Petrie, Jane Espenson, and Drew Z. Greenberg; as well as conversations with Buffy fanatics and friends of the cast including Stacey Abrams, Cynthia Erivo, Lee Pace, Claire Saffitz, Tavi Gevinson, and Selma Blair.Into Every Generation a Slayer Is Born engages with the very notion of fandom, and the ways a show like Buffy can influence not only how we see the world but how we exist within it.

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"Easily ranks among the best fiction I've read this year.” —David Abrams “If you’ve come to look for America, it's here in The Big Impossible. Taut, urgent, emotionally powerful stories about the families, workers, and dreamers who are our neighbors, and Delaney’s range and sense of history make him the perfect writer to illuminate their lives.” —Christopher Castellani, author of Leading Men The short fiction in Ted Delaney's new collection explores guilt and redemption, aspiration and failure, and the stubbornness of modest hopes. The usual mileposts are fading, and choice is in the context of institutions and assumptions that are no longer holding steady. In “Clean,” a man waits for inevitable justice to come, as much as it will play against him. In “House of Sully,” a working-class family navigates the tumultuous year that 1968 was, as new perceptions shake long-held and dependable, if sometimes misguided, beliefs. Other stories examine the inner life of a school shooter, the comical posturing of writers at a literary party, a British veteran of The Great War living at a Florida retirement home but haunted by his losses, and a man’s bittersweet visits to past lives via Google Street View. In the sequence set in the West, an itinerant worker moves across the Great Plains, navigating stark landscapes, trying for foothold. The Atlantic’s C. Michael Curtis praised Ted Delaney’s debut collection for its “moral intensity . . . in the tradition of writers as varied as Ethan Canin and William Trevor.” Two decades later Delaney returns to the short fiction form with utter mastery.

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For many inside and outside the legal academy, the right place to look for law is in constitutions, statutes, and judicial opinions. This book looks for law in the “wrong places”—sites and spaces in which no formal law appears. These may be geographic regions beyond the reach of law, everyday practices ungoverned or ungovernable by law, or works of art that have escaped law’s constraints. Looking for Law in All the Wrong Places brings together essays by leading scholars of anthropology, cultural studies, history, law, literature, political science, race and ethnic studies, religion, and rhetoric, to look at law from the standpoint of the humanities. Beyond showing law to be determined by or determinative of distinct cultural phenomena, the contributors show how law is itself interwoven with language, text, image, and culture. Many essays in this volume look for law precisely in the kinds of “wrong places” where there appears to be no law. They find in these places not only reflections and remains of law, but also rules and practices that seem indistinguishable from law and raise challenging questions about the locations of law and about law’s meaning and function. Other essays do the opposite: rather than looking for law in places where law does not obviously appear, they look in statute books and courtrooms from perspectives that are usually presumed to have nothing to say about law. Looking at law sideways, or upside down, or inside out defamiliarizes law. These essays show what legal understanding can gain when law is denied its ostensibly proper domain. Contributors: Kathryn Abrams, Daniel Boyarin, Wendy Brown, Marianne Constable, Samera Esmeir, Daniel Fisher, Sara Ludin, Saba Mahmood, Rebecca McLennan, Ramona Naddaff, Beth Piatote, Sarah Song, Christopher Tomlins, Leti Volpp, Bryan Wagner

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THE FUNNY AND ADDICTIVELY ROMANTIC FEEL-GOOD TIKTOK SENSATION'My forecast: read it, and you'll be on cloud nine' ALI HAZELWOOD, Sunday Times bestselling author of THE LOVE HYPOTHESIS'A sexy storm of a book' Sophie Cousens'Probably my favourite romcom ever' 5* Reader Review*BUSINESS OR PLEASURE, the sizzling new rom com from Rachel Lynn Solomon is available to buy now!*________Ari Abrams loves working as a TV meteorologist. But unfortunately, her boss is so busy fighting with her ex - who happens to be the station's news director - that there's always a storm brewing inside the newsroom!So after a particularly explosive showdown, Ari and shy sports reporter Russell hatch a plan to get their bosses back together, fast . . .As they work to help the sparring exes fall back in love, Ari finds herself telling Russell things that she has always kept hidden - and soon realises there's more to her quiet colleague than meets the eye.It seems like love might have been in front of Ari all along.But will Russell be able to embrace her dark clouds, as well as her clear skies?________One of...Amazon's Best Romances of JanuaryApple Books' Best Books of JanuaryGoodreads' Hottest Romances of JanuaryBuzzfeed's Most Anticipated Books of 2022Popsugar, Parade.com, The Nerd Daily, and Fangirlish's Most Anticipated Books of 2022'The forecast predicts a 100% chance of heartfelt rom-com charm' Kirkus Reviews'Cosy, comforting, thought provoking, it'll make you feel warm from the inside out' Jasmine Guillory, New York Times bestselling author of While We Were Dating'A tender, hilarious, and heartfelt love story you'll read in one sitting!' Tessa Bailey, New York Times bestselling author of It Happened One Summe

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For many inside and outside the legal academy, the right place to look for law is in constitutions, statutes, and judicial opinions. This book looks for law in the “wrong places”—sites and spaces in which no formal law appears. These may be geographic regions beyond the reach of law, everyday practices ungoverned or ungovernable by law, or works of art that have escaped law’s constraints. Looking for Law in All the Wrong Places brings together essays by leading scholars of anthropology, cultural studies, history, law, literature, political science, race and ethnic studies, religion, and rhetoric, to look at law from the standpoint of the humanities. Beyond showing law to be determined by or determinative of distinct cultural phenomena, the contributors show how law is itself interwoven with language, text, image, and culture. Many essays in this volume look for law precisely in the kinds of “wrong places” where there appears to be no law. They find in these places not only reflections and remains of law, but also rules and practices that seem indistinguishable from law and raise challenging questions about the locations of law and about law’s meaning and function. Other essays do the opposite: rather than looking for law in places where law does not obviously appear, they look in statute books and courtrooms from perspectives that are usually presumed to have nothing to say about law. Looking at law sideways, or upside down, or inside out defamiliarizes law. These essays show what legal understanding can gain when law is denied its ostensibly proper domain. Contributors: Kathryn Abrams, Daniel Boyarin, Wendy Brown, Marianne Constable, Samera Esmeir, Daniel Fisher, Sara Ludin, Saba Mahmood, Rebecca McLennan, Ramona Naddaff, Beth Piatote, Sarah Song, Christopher Tomlins, Leti Volpp, Bryan Wagner

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Climate disruption, overpopulation, biodiversity loss, the threats of financial collapse, large-scale damage to our natural and social environments and eroding democracy are all becoming critically important concerns. The editors of this timely book assert that these problems are not separate, but all stem from our overreliance on an out-dated approach to economics that puts growth of production and consumption above all else. Ecological economics can help create the future that most people want - a future that is prosperous, just, equitable and sustainable. This forward-thinking book lays out an alternative approach that places the sustainable wellbeing of humans and the rest of nature as the overarching goal. Each of the book s chapters, written by a diverse collection of scholars and practitioners, outlines a research and action agenda for how this future can look and possible actions for its realization. Sustainable Wellbeing Futures will be of value to academics and students researching environmental and ecological economics, as well as individuals interested in gaining a greater understanding of the concept of a wellbeing future and how we might act to achieve it. Contributors include: M. Abrams, J. Adams, G. Alperovitz, J. Ament, D. Baker, L. Barbeiri, D. Barmes, S. Bliss, R. Boumans, K. Brevik, P. Brown, M. Burke, B.S. Caniglia, C. Carmichael, J.C. Castilla-Rho, R. Costanza, A. Damiano, T. Dietz, E.M.B. Doran, B. Dube, M. Egler, J.D. Erickson, S.C. Farber, J. Farley, L. Fioramonti, M.-J.V. Fox, K. Gallagher, T. Gladkikh, R.K. Gould, J. Gourevitch, J. Gowdy, C. Guay-Boutet, M. Hensher, R.B. Howarth, T. Jackson, X. Ji, D.C. Kenny, K. Kish, C. Koliba, J. Kolodinsky, N. Kosoy, I. Kubiszewski, M.T. Lucas, V. Luzadis, D. Markowitz, S. Marshall, J. McGlade, M. Moser, S. O'Hara, C. Orr, P. Perez, K. Pickett, S. Posner, S. Quilley, T.H. Ricketts, A.B. Schneider, D. Spethmann, R. Svartzman, S. Telle, K. Trebeck, J. Valcour, M. Venkatesan, P.A. Victor, A. Voinov, S. Wallis, R. Wilkinson, G. Yahya Haage, Y. Yoshida, E. Zencey, A. Zia

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Interdisciplinary perspectives on cultural evolution that reject meme theory in favor of a complex understanding of dynamic change over time How do cultures change? In recent decades, the concept of the meme, posited as a basic unit of culture analogous to the gene, has been central to debates about cultural transformation. Despite the appeal of meme theory, its simplification of complex interactions and other inadequacies as an explanatory framework raise more questions about cultural evolution than it answers. In Beyond the Meme, William C. Wimsatt and Alan C. Love assemble interdisciplinary perspectives on cultural evolution, providing a nuanced understanding of it as a process in which dynamic structures interact on different scales of size and time. By focusing on the full range of evolutionary processes across distinct contexts, from rice farming to scientific reasoning, this volume demonstrates how a thick understanding of change in culture emerges from multiple disciplinary vantage points, each of which is required to understand cultural evolution in all its complexity. The editors provide an extensive introductory essay to contextualize the volume, and Wimsatt contributes a separate chapter that systematically organizes the conceptual geography of cultural processes and phenomena.Any adequate account of the transmission, elaboration, and evolution of culture must, this volume argues, recognize the central roles that cognitive and social development play in cultural change and the complex interplay of technological, organizational, and institutional structures needed to enable and coordinate these processes.Contributors: Marshall Abrams, U of Alabama at Birmingham; Claes Andersson, Chalmers U of Technology; Mark A. Bedau, Reed College; James A. Evans, U of Chicago; Jacob G. Foster, U of California, Los Angeles; Michel Janssen, U of Minnesota; Sabina Leonelli, U of Exeter; Massimo Maiocchi, U of Chicago; Joseph D. Martin, U of Cambridge; Salikoko S. Mufwene, U of Chicago; Nancy J. Nersessian, Georgia Institute of Technology and Harvard U; Paul E. Smaldino, U of California, Merced; Anton Törnberg, U of Gothenburg; Petter Törnberg, U of Amsterdam; Gilbert B. Tostevin, U of Minnesota.

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The poet and founder of the music collective Flowers for the Living pays tribute to all Black women by focusing on visionaries and leaders who are making history right now, including Ava DuVernay, Janelle Monae, Kamala Harris, Misty Copeland, Nikole Hannah-Jones, Robin Roberts, Roxane Gay, and Simone Biles—with this compilation of celebratory odes featuring full-color illustrations by Melissa Koby.Black women are exceptional. To honor how Black women use their minds, talent, passion, and power to transform society, Harold Green began writing love letters in verse which he shared on his Instagram account. Balm for our troubled times, his tributes to visionaries and leaders quickly went viral and became a social media sensation. Now, in this remarkable collection, Green brings together many of these popular odes with never-before-seen works. A timely celebration of contemporary Black figures who are making history and shaping our culture today, Black Roses is divided into five sections—advocates, curators, innovators, luminaries, trailblazers—reflecting the diversity of Black women’s achievements and the depth of their reach. These inspiring changemakers are leaving their mark on the world by creating new beauty in their respective art forms, heading movements, fighting for equality and to change the status quo, and championing new definitions of what’s possible in every meaningful way. Green lifts them up to create meaningful connections between these figures and our own lives and experiences.Black Roses spotlights and urges readers to learn more about Allyson Felix, Angelica Ross, Ava DuVernay, Bisa Butler, Bozoma Saint John, Charisma Sweat-Green, Dr. Eve Ewing, Dr. Janice Jackson, Dr. Johnnetta Cole, Eunique Jones-Gibson, Issa Rae, Janelle Monae, Jennifer Hudson, Jessica Matthews, Kamala Harris, Keisha Bottoms, Kimberly Bryant, Kimberly Drew, Lisa Green, Lizzo, Mandilyn Graham, Mellody Hobson, Michelle Alexander, Misty Copeland, Naomi Beckwith, Nikole Hannah-Jones, Phylicia Rashad, Rapsody, Raquel Willis, Robin Roberts, Roxane Gay, Shellye Archambeau, Simone Biles, Stacey Abrams, Tabitha Brown, Tamika Mallory, Tarana Burke, Tasha Bell, Tomi Adeyemi, and Tracee Ellis Ross.

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Soon to be a major film produced by Steven Spielberg and J. J. Abrams.This is the story of Doaa, an ordinary girl from a village in Syria, who in 2015 became one of five hundred people crammed on to a fishing boat setting sail for Europe. The boat was deliberately capsized, and of those five hundred people, eleven survived; they were rescued four days after the boat sank. Doaa was one of them - her fiancé Bassem, with whom she had fled, was not; he drowned in front of her. Melissa Fleming, the Chief Spokesperson for the UN High Commissioner for Refugees, heard about Doaa and the death of 489 of her fellow refugees on the day she was pulled out of the water. She decided to fly to Crete to meet this extraordinary girl, who had rescued a toddler when she was nearly dead herself. They struck an instant bond, and Melissa saw in Doaa the story of the war in Syria embodied by one young woman. She has decided to tell Doaa's story - the dangers she fled, and the journey she risked to escape the conflagration in her homeland. Doaa is the face of the millions of mothers, fathers, sisters, brothers, daughters and sons who risk everything as they try to escape war, violence and death. Doaa's story will revolutionize how we see the thousands of people who die every year in search of a home. It will squarely face one of the greatest moral questions of our age: will we let more people die in boats and trucks, or will we find a way to help them?

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In this unique, interactive story, you are the leader of a U.S. Army M1 Abrams tank platoon. Throughout the text, you will have an opportunity to make life-or-death decisions, and the events that unfold will be dictated by the choices you make. As you progress through the book, you will learn important tactical and operational lessons. Whether or not you are – or want to be – a tank platoon leader you will find this book highly entertaining and instructive.There are two operations to survive – an assault and a counter-reconnaissance mission. In each you must bring your knowledge and judgment to bear on the scenario in order to achieve the objective. If you choose wrong, defeat and even death may be your fate. If you succeed, you can savor the taste of victory and live to fight another day. The scenarios are highly realistic, and there are maps and appendices with detailed specifications of the hardware involved to help you make informed decisions.Written before Operation Desert Storm, and published in 1991, the military technology in Armor Attacks may be dated by today’s standards, but the need for human leadership and effective, rapid decision-making has not changed. Armor Attacks was recognised as an invaluable teaching tool by United States Military Academy, West Point and used to teach cadets the essential skills of leadership, decision-marking and tactics – a decade of USMA leaders trained with this book. To supplement the original text, this new edition includes the West Point instructor reference guide, which explains and amplifies the teaching points of each scenario encountered.Want to know more? Click here to hear John Antal discuss all things gaming - from tabletop war-gaming to WWII video games.

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Pulitzer Prize-winner Cynthia Tucker and award-winning author Frye Gaillard reflect in a powerful series of essays on the role of the South in America’s long descent into Trumpism. In 1974 the great Southern author John Egerton published his seminal work, The Americanization of Dixie: The Southernization of America, reflecting on the double-edged reality of the South becoming more like the rest of the country and vice versa. Tucker and Gaillard dive even deeper into that reality from the time that Egerton published his book until the present. They see the dark side—the morphing of the Southern strategy of Richard Nixon and Ronald Reagan into the Republican Party of today with its thinly disguised (if indeed it is disguised all all) embrace of white supremacy and the subversion of democratic ideals. They explore the "birtherism" of Donald Trump and the roots of the racial backlash against President Obama; the specter of family separation on our southern border, with its echoes of similar separations in the era of slavery; as well as the rise of the Christian right, the demonstrations in Charlottesville, the death of George Floyd, and the attack on our nation’s capital—all of which, they argue, have roots that trace their way to the South. But Tucker and Gaillard see another side too, a legacy rooted in the civil rights years that has given us political leaders like John Lewis, Jimmy Carter, Raphael Warnock, and Stacy Abrams. The authors raise the ironic possibility that the South, regarded by some as the heart of the country’s systemic racism, might lead the way on the path to redemption. Tucker and Gaillard, colleagues and frequent collaborators at the University of South Alabama in Mobile, bring a multi-racial perspective and years of political reporting to bear on a critical moment in American history, a time of racial reckoning and of democracy under siege.

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"School Board is a total joy to read, as full of sass and subversive brass as its 18-year-old hero, the political neophyte and Houston school board candidate Tucker 'Catfish' Davis ... I hope School Board is the first of many more to come from this gifted young writer."-Ben Fountain, author of National Book Critics Circle Award winner Billy Lynn’s Long Halftime Walk and Brief Encounters with Che Guevara “Into the riotous cavalcade of great American literary characters tumbles a new class clown, Tucker 'Catfish' Davis, high school senior and aspiring politician. One part Ignatius J. Reilly from A Confederacy of Dunces, one part Hazel Motes from Wise Blood, and several parts Willie Stark from All the King's Men, Catfish Davis is a singular presence on the page. Mike Freedman hasn't just written the funniest book about a school board election, he's written the kind of David-and-Goliath story that gets all of us 'little people' cheering and laughing in equal measure.”-David Abrams, author of Fobbit Houston, Texas, 1999. Enter Tucker "Catfish" Davis, a high school senior with high-flying political ambitions as the self-proclaimed heir to populist Louisiana Governors Huey and Earl Long. Armed with idealism and a fedora, he embarks on a quixotic campaign to get elected to the local school board in an effort to help the "little people" of Houston. In the wild days that follow, Catfish's long-shot bid gains traction through guerilla campaigning against a questionable tax deal supported by his opponent, a powerful executive at an Enron-esque energy company. With the help of his classmates, an indicted Louisiana governor, a gay journalist with nascent mayoral ambitions and an ex-Green Beret trained to wage unconventional warfare, Catfish makes it a race Houston will never forget. Based on an actual 1999 news story, School Board is an entertaining but satirical debut novel that revels in the diversity, madness and absurdities of the Bayou City.

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Interdisciplinary perspectives on cultural evolution that reject meme theory in favor of a complex understanding of dynamic change over time How do cultures change? In recent decades, the concept of the meme, posited as a basic unit of culture analogous to the gene, has been central to debates about cultural transformation. Despite the appeal of meme theory, its simplification of complex interactions and other inadequacies as an explanatory framework raise more questions about cultural evolution than it answers. In Beyond the Meme, William C. Wimsatt and Alan C. Love assemble interdisciplinary perspectives on cultural evolution, providing a nuanced understanding of it as a process in which dynamic structures interact on different scales of size and time. By focusing on the full range of evolutionary processes across distinct contexts, from rice farming to scientific reasoning, this volume demonstrates how a thick understanding of change in culture emerges from multiple disciplinary vantage points, each of which is required to understand cultural evolution in all its complexity. The editors provide an extensive introductory essay to contextualize the volume, and Wimsatt contributes a separate chapter that systematically organizes the conceptual geography of cultural processes and phenomena.Any adequate account of the transmission, elaboration, and evolution of culture must, this volume argues, recognize the central roles that cognitive and social development play in cultural change and the complex interplay of technological, organizational, and institutional structures needed to enable and coordinate these processes.Contributors: Marshall Abrams, U of Alabama at Birmingham; Claes Andersson, Chalmers U of Technology; Mark A. Bedau, Reed College; James A. Evans, U of Chicago; Jacob G. Foster, U of California, Los Angeles; Michel Janssen, U of Minnesota; Sabina Leonelli, U of Exeter; Massimo Maiocchi, U of Chicago; Joseph D. Martin, U of Cambridge; Salikoko S. Mufwene, U of Chicago; Nancy J. Nersessian, Georgia Institute of Technology and Harvard U; Paul E. Smaldino, U of California, Merced; Anton Törnberg, U of Gothenburg; Petter Törnberg, U of Amsterdam; Gilbert B. Tostevin, U of Minnesota.

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“One of the nation’s most prominent civil rights leaders” (Washington Post), a New York Times bestselling author, community organizer, investigative journalist, Ivy League professor, and former head of the NAACP, Ben Jealous draws from a life lived on America’s racial fault line to deliver a series of gripping and lively parables that call on each of us to reconcile, heal, and work fearlessly to make America one nation.Never Forget Our People Were Always Free illuminates for each of us how the path to healing America’s broken heart starts with each of us having the courage to heal our own.The son of parents who had to leave Maryland because their cross-racial marriage was illegal, Ben Jealous’ lively, courageous and empathetic storytelling calls on every American to look past deeply-cut divisions and recognize we are all in the same boat now. Along the way Jealous grapples with hidden American mysteries, including: Why do white men die from suicide more often than black men die from murder? How did racial profiling kill an American president? What happens when a Ku Klux Klansman wrestles with what Jesus actually said? How did Dave Chappelle know the DC Snipers were Black? Why shouldn't the civil rights movement give up on rednecks? When is what we have collectively forgotten about race more important than what we actually know? What do the most indecipherable things our elders say tell us about ourselves? Told as a series of parables, Never Forget Our People Were Always Free features intimate glimpses of political, and faith leaders as different as Jack Kemp, Stacey Abrams, and the late Archbishop Desmond Tutu and heroes as unlikely as a retired constable, a female pirate from Madagascar, a long lost Irishman, a death row inmate, and a man with a confederate flag over his heart.More than anything, Never Forget Our People Were Always Free offers readers hope America’s oldest wounds can heal and her oldest divisions be overcome.

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Women in Filmmaking and Their Struggle Against Bias"After all, Ginger Rogers did everything that Fred Astaire did. She just did it backwards and in high heels" –Ann Richards#1 Bestseller in Acting & Auditioning, Performing Arts, and Guides & Reviews Women in filmmaking since the beginning. Women have been instrumental in the success of American cinema since its very beginning. One of the first people to ever pick up a motion picture camera was a woman; as was the first screenwriter to win two Academy Awards, the inventor of the boom microphone, and the first person to be credited with the title Film Editor. Throughout the history of Hollywood, women have been revolutionizing, innovating, and shaping filmmaking. Yet their stories are rarely shared. This is what film reporter Alicia Malone wants to change. The first female directors. Backwards & In Heels tells the history of women in film in a different way, with stories about incredible women who made their mark in each Hollywood era. Every story is inspiring, detailing the accomplishments of extraordinary women and the obstacles they faced. Backwards & In Heels combines research and exclusive interviews with influential women and men working in Hollywood today, including Geena Davis, J.J. Abrams, Ava DuVernay, Octavia Spencer, America Ferrera, Paul Feig, and many more; as well as film professors, historians and experts.Time to level the playing field. Think of Backwards & In Heels as a guidebook, your entry into the complex world of women in film. Join Alicia Malone as she champions Hollywood women of the past and present and looks to the future.Learn little known facts about: The first females in film direction Iconic movie stars Present day activists If you enjoyed books such as Renegade Women in Film and TV or The Purple Diaries, you’ll love Alicia Malone’s Backwards & In Heels. Also, don’t miss Alicia’s #1 Bestseller in Movies & Video Guides & Reviews, The Female Gaze: Essential Movies Made by Women.

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The presentation of Europe's immediate historical past has quite dramatically changed. Conventional depictions of occupation and collaboration in World War II, of wartime resistance and post-war renewal, provided the familiar backdrop against which the chronicle of post-war Europe has mostly been told. Within these often ritualistic presentations, it was possible to conceal the fact that not only were the majority of people in Hitler's Europe not resistance fighters but millions actively co-operated with and many millions more rather easily accommodated to Nazi rule. Moreover, after the war, those who judged former collaborators were sometimes themselves former collaborators. Many people became innocent victims of retribution, while others--among them notorious war criminals--escaped punishment. Nonetheless, the process of retribution was not useless but rather a historically unique effort to purify the continent of the many sins Europeans had committed. This book sheds light on the collective amnesia that overtook European governments and peoples regarding their own responsibility for war crimes and crimes against humanity--an amnesia that has only recently begun to dissipate as a result of often painful searching across the continent. In inspiring essays, a group of internationally renowned scholars unravels the moral and political choices facing European governments in the war's aftermath: how to punish the guilty, how to decide who was guilty of what, how to convert often unspeakable and conflicted war experiences and memories into serviceable, even uplifting accounts of national history. In short, these scholars explore how the drama of the immediate past was (and was not) successfully "overcome." Through their comparative and transnational emphasis, they also illuminate the division between eastern and western Europe, locating its origins both in the war and in post-war domestic and international affairs. Here, as in their discussion of collaborators' trials, the authors lay bare the roots of the many unresolved and painful memories clouding present-day Europe. Contributors are Brad Abrams, Martin Conway, Sarah Farmer, Luc Huyse, Laszlo Karsai, Mark Mazower, and Peter Romijn, as well as the editors. Taken separately, their essays are significant contributions to the contemporary history of several European countries. Taken together, they represent an original and pathbreaking account of a formative moment in the shaping of Europe at the dawn of a new millennium.

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Elgar Research Agendas outline the future of research in a given area. Leading scholars are given the space to explore their subject in provocative ways, and map out the potential directions of travel. They are relevant but also visionary.We face many important global environmental problems today, including climate change, biodiversity destruction, and environmental health issues. Key among the tools we have to understand and solve these problems is research. This Research Agenda argues for a transdisciplinary approach to the study of environmental management to provide better understanding and outcomes leading to practical solutions.By describing the key strategies needed to overcome common global environmental challenges and to undertake successful interdisciplinary environmental research, this Research Agenda demonstrates the possibilities for successful transdisciplinary environmental research. A series of case studies shows how this transdisciplinary approach to research has improved understandings of environmental problems and their potential solutions. Discussing the types of participation required and the difficulties of incorporating diverse groups into research projects, this Research Agenda provides lessons in how to successfully undertake transdisciplinary research in order to meet these challenges. A Research Agenda for Environmental Management provides invaluable insights for interdisciplinary researchers in all fields affected by environmental management as well as students and scholars engaged in environmental research looking for ways to successfully integrate transdisciplinary approaches into their work.Contributors include: J. Abrams, D.B. Agusdinata, G. Alonso-Yanez, B. Barnett, N. Basiliko, K. Calvert, D. Córdoba, T. de Souza, M. del Carmen Fragoso Medina, J.L. Dunn, A. Eastmond, D.J. Flaspohler, K. Floress, V.S. Gagnon, A. Giang, H.S. Gorman, R.B. Guerrero, K.E. Halvorsen, R.M. Handler, M.A. Hanif, R.J. Heffron, J. Heyman, L. House-Peters, A. Kantamneni, J.L. Knowlton, R.A. LaFave, J. Licata, H.K. Lukosch, E.E. Mata-Zayas, R. Medeiros, M.A. Mesa-Jurado, D. Minakata, A. Mirchi, C. Moseley, T. Moya Mose, T.H. Mwampamba, C.J.V. Navarrete, E.A. Nielsen, M. Ohira, E. Ortega, J.A. Perlinger, E.C. Pischke, E.W. Prehoda, V.D.P. Risso, J.C. Sacramento-Rivero, M. Samimi, D. Sanchez, C. Schelly, T.L. Selfa, R. Shwom, R.V. Sidortsov, B. Tarekegne, G. Tchobanoglous, N.R. Urban, L.P. Volkow, S. Walker, D. Watkins, R.L. Winkler

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This anthology explores the provocative intersection between feminist, literary, and legal theories. Written by feminist thinkers from law and literature, discourses that each produce culturally powerful representations of women, these essays contest the boundaries that usually separate these disciplines and thereby alter the possibilities of those representations that have traditionally disempowered women. Beginning with an exploration of the ways in which women are represented—how they either tell or have their stories told in literature, in the law, in a courtroom—this collection demonstrates the interrelatedness of the legal and the literary. Whether considering the status of medieval women readers or assessing the effectiveness and extent of contemporary rape law reform, the essays show that power first comes with telling one’s own story, and that the degree and effect of that power are determined by the cultural significance of the forum in which the story is presented. But telling the story is not enough. One must also be aware of how the story is contained within traditional constructs or boundaries and is thus limited in its effects, as Carol Sanger’s essay on mothers and legal/sexual identity makes clear. One must also recognize how a story might perpetuate an ideological agenda that is not in the best interests of the storyteller, as Elizabeth Butler Cullingford shows in her reading of Yeats’s "Leda and the Swan" and one must know the historical context of a story and of its telling, as Anne B. Goldstein’s essay on lesbian narratives discloses.Breaking down the boundaries between law and literature, this anthology makes evident the ways in which the effect of women’s stories has been constrained and expands the range of possibilities for those who represent women, tell women’s stories, or present women’s issues. Representing Women makes the retelling of old stories about women compelling and the telling of new ones both necessary and possible.Contributors. Kathryn Abrams, Linda Brodkey, Rita Copeland, Elizabeth Butler Cullingford, Margaret Anne Doody, Susan B. Estrich, Michelle Fine, Anne B. Goldstein, Angela P. Harris, Susan Sage Heinzelman, Christine L. Krueger, Martha Minow, Carol Sanger, Judy Scales-Trent

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Elgar Research Agendas outline the future of research in a given area. Leading scholars are given the space to explore their subject in provocative ways, and map out the potential directions of travel. They are relevant but also visionary.We face many important global environmental problems today, including climate change, biodiversity destruction, and environmental health issues. Key among the tools we have to understand and solve these problems is research. This Research Agenda argues for a transdisciplinary approach to the study of environmental management to provide better understanding and outcomes leading to practical solutions.By describing the key strategies needed to overcome common global environmental challenges and to undertake successful interdisciplinary environmental research, this Research Agenda demonstrates the possibilities for successful transdisciplinary environmental research. A series of case studies shows how this transdisciplinary approach to research has improved understandings of environmental problems and their potential solutions. Discussing the types of participation required and the difficulties of incorporating diverse groups into research projects, this Research Agenda provides lessons in how to successfully undertake transdisciplinary research in order to meet these challenges. A Research Agenda for Environmental Management provides invaluable insights for interdisciplinary researchers in all fields affected by environmental management as well as students and scholars engaged in environmental research looking for ways to successfully integrate transdisciplinary approaches into their work.Contributors include: J. Abrams, D.B. Agusdinata, G. Alonso-Yanez, B. Barnett, N. Basiliko, K. Calvert, D. Córdoba, T. de Souza, M. del Carmen Fragoso Medina, J.L. Dunn, A. Eastmond, D.J. Flaspohler, K. Floress, V.S. Gagnon, A. Giang, H.S. Gorman, R.B. Guerrero, K.E. Halvorsen, R.M. Handler, M.A. Hanif, R.J. Heffron, J. Heyman, L. House-Peters, A. Kantamneni, J.L. Knowlton, R.A. LaFave, J. Licata, H.K. Lukosch, E.E. Mata-Zayas, R. Medeiros, M.A. Mesa-Jurado, D. Minakata, A. Mirchi, C. Moseley, T. Moya Mose, T.H. Mwampamba, C.J.V. Navarrete, E.A. Nielsen, M. Ohira, E. Ortega, J.A. Perlinger, E.C. Pischke, E.W. Prehoda, V.D.P. Risso, J.C. Sacramento-Rivero, M. Samimi, D. Sanchez, C. Schelly, T.L. Selfa, R. Shwom, R.V. Sidortsov, B. Tarekegne, G. Tchobanoglous, N.R. Urban, L.P. Volkow, S. Walker, D. Watkins, R.L. Winkler

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To commemorate the journal’s quarter-century, this double issue consists of foundational pieces arranged in conversation with one another. Common Knowledge has opened lines of communication among schools of thought in the academy, as well as between the academy and the community of thoughtful people outside its walls, and the pages of the journal challenge the ways we think about scholarship and its relevance to humanity. Contributors to the issue include former presidents, prime ministers, and archbishops, along with winners of the Nobel Prize, Man Booker Prize, Pulitzer Prize, National Book Award, Mellon Foundation Distinguished Achievement Award, MacArthur Fellowship, International Balzan Prize, and Holberg International Prize. Contributors. M. H. Abrams, Edward Albee, Barry Allen, Wayne Andersen, Kwame Anthony Appiah, Sir Isaiah Berlin, Marianna Birnbaum, Sir John Boardman, G. W. Bowersock, Aldo Buzzi, Caroline Walker Bynum, Anne Carson, William M. Chace, J. M. Coetzee, Cornelius Castoriadis, Stanley Cavell, Stuart Clark, Inga Clendinnen, Francis X. Clooney, Christopher Coker, Maria Conterno, Michael Cook, Lorraine Daston, Lydia Davis, Natalie Zemon Davis, Thibault De Meyer, Gunter Eich, Sir John H. Elliott, Caryl Emerson, Mikhail Epstein, Péter Esterházy, Roger Cardinal Etchegaray, Fang Lizhi, Paul Feyerabend, Michael Fried, Joseph Frank, Manfred Frank, Luis Garcia, Clifford Geertz, Carlo Ginzburg, Philip Gossett, Stephen Greenblatt, Thom Gunn, Jürgen Habermas, Ian Hacking, Václav Havel, Sir Edward Heath, Albert O. Hirschman, David Hollinger, Darrel Alejandro Holnes, Miroslav Holub, Maya Jasanoff, Albert R. Jonsen, Stanley N. Katz, Hugh Kenner, Sir Anthony Kenny, Sir Frank Kermode, Jee Leong Koh, Joseph Leo Koerner, Yusef Komunyakaa, György Konrád, Bruce Krajewski, László Krasznahorkai, Anton O. Kris, Julia Kristeva, Bruno Latour, Ewa Lipska, Greil Marcus, Steven Marcus, Samuel Menashe, Adam Michnik, Jack Miles, Alexander Nehamas, Reviel Netz, Sari Nusseibeh, Jeffrey M. Perl, Marjorie Perloff, J. G. A. Pocock, W. V. Quine, Belle Randall, Nadja Reissland, Colin Richmond, Richard Rorty, Ingrid Rowland, Hanna Segal, Amartya Sen, Quentin Skinner, Barbara Herrnstein Smith, A. L. Snijders, Timothy Snyder, Susan Sontag, Isabelle Stengers, Wis?awa Szymborska, Miguel Tamen, G. Thomas Tanselle, Sir Keith Thomas, Stephen Toulmin, Anna Lowenhaupt Tsing, Michiko Urita, Bas van Fraassen, Marina Vanzolini, Gianni Vattimo, Helen Vendler, Charlie Samua Veric, Eduardo Viveiros de Castro, Sir Bernard Williams, Lord (Rowan) Williams, H. R. Woudhuysen, Grzegorz Wróblewski, Santiago Zabala

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A model of Jewish community history that will enlighten anyone interested in Baltimore and its past.Winner of the Southern Jewish Historical Society Book Prize by the Southern Jewish Historical Society; Finalist of the American Jewish Studies Book Award by the Jewish Book Council National Jewish Book AwardsIn 1938, Gustav Brunn and his family fled Nazi Germany and settled in Baltimore. Brunn found a job at McCormick’s Spice Company but was fired after three days when, according to family legend, the manager discovered he was Jewish. He started his own successful business using a spice mill he brought over from Germany and developed a blend especially for the seafood purveyors across the street. Before long, his Old Bay spice blend would grace kitchen cabinets in virtually every home in Maryland. The Brunns sold the business in 1986. Four years later, Old Bay was again sold—to McCormick. In On Middle Ground, the first truly comprehensive history of Baltimore’s Jewish community, Eric L. Goldstein and Deborah R. Weiner describe not only the formal institutions of Jewish life but also the everyday experiences of families like the Brunns and of a diverse Jewish population that included immigrants and natives, factory workers and department store owners, traditionalists and reformers. The story of Baltimore Jews—full of absorbing characters and marked by dramas of immigration, acculturation, and assimilation—is the story of American Jews in microcosm. But its contours also reflect the city’s unique culture.Goldstein and Weiner argue that Baltimore’s distinctive setting as both a border city and an immigrant port offered opportunities for advancement that made it a magnet for successive waves of Jewish settlers. The authors detail how the city began to attract enterprising merchants during the American Revolution, when it thrived as one of the few ports remaining free of British blockade. They trace Baltimore’s meteoric rise as a commercial center, which drew Jewish newcomers who helped the upstart town surpass Philadelphia as the second-largest American city. They explore the important role of Jewish entrepreneurs as Baltimore became a commercial gateway to the South and later developed a thriving industrial scene.Readers learn how, in the twentieth century, the growth of suburbia and the redevelopment of downtown offered scope to civic leaders, business owners, and real estate developers. From symphony benefactor Joseph Meyerhoff to Governor Marvin Mandel and trailblazing state senator Rosalie Abrams, Jews joined the ranks of Baltimore’s most influential cultural, philanthropic, and political leaders while working on the grassroots level to reshape a metro area confronted with the challenges of modern urban life. Accessibly written and enriched by more than 130 illustrations, On Middle Ground reveals that local Jewish life was profoundly shaped by Baltimore’s “middleness”—its hybrid identity as a meeting point between North and South, a major industrial center with a legacy of slavery, and a large city with a small-town feel.

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Wall Street Journal BestsellerCNN news anchor Brooke Baldwin explores the phenomenon of “huddling,” when women lean on one another—in politics, Hollywood, activism, the arts, sports, and everyday friendships—to provide each other support, empowerment, inspiration, and the strength to solve problems or enact meaningful change. Whether they are facing adversity (like workplace inequity or a global pandemic) or organizing to make the world a better place, women are a highly potent resource for one another. Through a mix of journalism and personal narrative, Baldwin takes readers beyond the big headline-making huddles from recent years (such as the Women’s March, #MeToo, Times Up, and the record number of women running for public office) and embeds herself in groups of women of all ages, races, religions and socio-economic backgrounds who are banding together in America. HUDDLE explores several stories including: The benefits of all-girls learning environments, such as Karlie Kloss’s Kode with Klossy and Reese Witherspoon’s Filmmaker Lab for Girls in which young women are given the freedom to make mistakes, and find their confidence. The tactics employed by huddles of women who work in male-dominated industries including a group of US veterans/Democratic Congresswomen, a huddle of African-American judges in Harris County, Texas, and an all-female writers room in Hollywood. The wisdom of huddling from trusted pioneers such as Gloria Steinem, Billie Jean King, and Madeleine Albright as well as contemporary trailblazers like Stacey Abrams and Ava DuVernay. How professionals such as Chef Dominique Crenn and sports agent Lindsay Colas use their success to amplify other women in their fields. The ways huddles of women are dedicated to making seismic change, including a look at Indigenous women saving the planet, the women who founded Black Lives Matter, the mothers fighting for sensible gun laws, America’s favorite female athletes (Megan Rapinoe, Hilary Knight, and Sue Bird to name a few) agitating for equal pay, and female teachers rallying to improve their working conditions. The bond between women who practice self-care and trauma healing together, including the women who courageously survived sexual abuse, and the women who heal together in The Class and GirlTrek. The ways women are becoming more intentional about the life-saving power of friendship, including the bonds between military wives, new moms, and nurses getting through the time of Covid. Throughout her examination of this fascinating huddle phenomenon, Baldwin learns about the periods of huddle ‘droughts” in America, as well as the ways that Black women have been huddling for centuries. She also uncovers how huddling can be the “secret sauce” that makes many things possible for women: success in the workplace, effective grassroots change, confidence in girlhood, and a better physical and mental health profile in adulthood. Along the way, Baldwin takes readers through her own personal journey of growing up in the South and climbing the ladder of a male-dominated industry. Like so many women in her field, she encountered many sharp elbows on her career path, but became an early believer in adding more seats to the table and huddling with other women for strength and solidarity. In the process of writing HUDDLE, Baldwin learns that this seemingly new phenomenon is actually something women have been doing for generations—a quiet, collective power she learns to unlock in her transformation from journalist to champion for women.

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