Search results for ""Author Andrea""

The 11+ Verbal Reasoning GL & Other Styles series covers verbal reasoning technique for the GL Assessment 11+ exams, CATs, Common Entrance and scholarship examinations for independent schools, and other styles of verbal reasoning test. This series of books is designed to be used in sequence from Workbook 1 onwards. The 11+ Verbal Reasoning GL & Other Styles workbook series is complemented by the 11+ Verbal Reasoning GL & Other Styles testbook that reinforces a child’s verbal reasoning technique and knowledge, and a testpack for final exam preparation. Answers, Progress Charts and a Certificate of Achievement are included at the end of the book. All our materials have been rigorously classroom tested. The methodologies have been successfully used in AE Tuition classes for over 20 years.

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More than fifty years after the beginning of the Women's Movement, women are still not "making it" in traditionally male careers.Women start their careers on parity with men but generally end them far earlier, having achieved less status, lower compensation, and less satisfaction than men. Breaking Through Bias explains that it is the stereotypes about women, men, work, leadership, and family that hold women back, and it presents an integrated set of communication techniques that women can use to avoid the discriminatory consequences of these stereotypes. This highly practical book makes clear that women don't need to change who they are to succeed in their chosen careers, and they certainly don't need to act more like men. Women do, however, need to be attuned to the negative gender stereotypes that surround them; they need to anticipate the biases these stereotypes foster, and they need to manage the impressions they make to avoid or overcome these biases. Breaking Through Bias presents unique, practical, and effective advice about how women can at last break through gender bias in the workplace and win at the career advancement game.

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Why is it that many women believe that working with other women is harder than working with men? A clue: it's not because women actually are harder to work with.After decades of working to help women to succeed at work, Andie Kramer and Al Harris noticed the same thing over and over again: Women's relationships with other women are causing conflict in the workplace and this is hindering careers across the board.Their research demonstrates that at the root of these clashes lie stereotypes, toxic assumptions and societal expectations about how women should behave. Through extensive research and hundreds of interviews, Andie and Al have identified the most fraught scenarios of women working for, working with, supervising, and collaborating with other women. It's Not You, It's the Workplace provides practical, immediately usable techniques that will allow women to develop strong networks that will foster their career success and organizations to structure their policies and practices - unlocking the potential of women in team situations. The companies that succeed in the future will be those where bias no longer blocks women's career satisfaction or advancement to leadership.

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¿Están esperando un nuevo bebé en tu casa? ¿Un pequeñín que dormirá y llorará y exigirá atención y… hará popó? Pues, ¡bienvenido al Club de los Niños Grandes! Este libro te enseñará lo que todo niño grande debe saber sobre su bebé: Lo que tu bebé puede ver, por qué llora tu bebé, cuándo hablará tu bebé, cómo tu bebé sabe que lo amas, y mucho más (incluyendo ¡por qué tu bebé hace tanto popó!). Con ilustraciones que seguramente causarán risas de niño grande, este libro es perfecto para cualquier miembro del Club de los Niños Grandes.

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A celebration of the extraordinary life of Ezra Jack Keats, creator of The Snowy Day.The story of The Snowy Day begins more than one hundred years ago, when Ezra Jack Keats was born in Brooklyn, N.Y. The family were struggling Polish immigrants, and despite Keats’s obvious talent, his father worried that Ezra’s dream of being an artist was an unrealistic one. But Ezra was determined. By high school he was winning prizes and scholarships. Later, jobs followed with the WPA and Marvel comics. But it was many years before Keats’s greatest dream was realized and he had the opportunity to write and illustrate his own book. For more than two decades, Ezra had kept pinned to his wall a series of photographs of an adorable African American child. In Keats’s hands, the boy morphed into Peter, a boy in a red snowsuit, out enjoying the pristine snow; the book became The Snowy Day, winner of the Caldecott Medal, the first mainstream book to feature an African American child. It was also the first of many books featuring Peter and the children of his — and Keats’s — neighborhood. Andrea Davis Pinkney’s lyrical narrative tells the inspiring story of a boy who pursued a dream, and who, in turn, inspired generations of other dreamers.

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Baseis is a series of exercises in 16 steps with 10 pages each. It contains many individual exercises for basic Greek grammar, together with the necessary special terminology and the tools for reading and interpreting texts. The volume assumes the parallel use of a grammar and a dictionary.Baseis combines formal, linguistic and text aspects of classical Greek, the objective being the successful completion of Greek school exams.The first text employed is that of Plato's "Apology," which is intensively studied from the first page on and supports independent exegesis of the text on the part of the student. Only original Greek texts are used.Baseis is also appropriate for university courses, workgroups at the secondary-school level and for self-learning. The accompanying booklet contains the original Greek and the German translation of the "Apology" and offers additional help in translating the reading texts as well as further general information.

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The concept of hybridity, although well developed in various research areas, is relatively new in the management field, where “organisational hybridity” refers to organisations that combine managerial features, value systems and institutional logics of different sectors (market, state, civil society). Hybrid organisations have traditionally been compared with private, public and non-profit ones, by considering goal ambiguity, governance, organisational structures, personnel and purchasing processes, and work-related attitudes and values. This research has led to substantial evidence on relevant differences between hybrid and other organisations. Hybridisation has also become a permanent feature in today’s welfare system. New Public Management and welfare state reforms of the mid 1990s contributed to the emergence of hybrid organisations, with neo-institutional theory also attributed to this phenomenon. Considering the hybrid phenomenon as a whole, little is known about governance and controls, especially with regard to accountability mechanisms and issues such as the prevention of corruption. Even less is known when we consider the main variables of hybridity to be mixed ownership, competing institutional logics, multiplicity of funding arrangements, and public and private forms of financial and social control. This book seeks to answer the unsolved questions related to hybrid organisations. It does so by adopting a multifaceted approach along its ten chapters, which focus on different national contexts, including the UK, Italy, Australia, and Sweden, as well as global organisations. The authors consider policy sectors including humanitarian aid, local transport, healthcare, and welfare services.

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A groundbreaking volume introduces the unique feminist thought of the longstanding Italian group known as Diotima Introducing Anglophone readers to a potent strain of Italian feminism known to French, Spanish, and German audiences but as yet unavailable in English, Another Mother argues that the question of the mother is essential to comprehend the matrix of contemporary culture and society and to pursue feminist political projects. Focusing on Diotima, a community of women philosophers deeply involved in feminist politics since the 1960s, this volume provides a multifaceted panorama of its engagement with currents of thought including structuralism, psychoanalysis, linguistics, and Marxism. Starting from the simple insight that the mother is the one who gives us both life and language, these thinkers develop concepts of the mother and sexual difference in contemporary society that differ in crucial ways from both French and U.S. feminisms. Arguing that Diotima anticipates many of the themes in contemporary philosophical discourses of biopolitics—exemplified by thinkers such as Giorgio Agamben, Antonio Negri, and Roberto Esposito—Another Mother opens an important space for reflections on the past history of feminism and on feminism’s future. Contributors: Anne Emmanuelle Berger, Paris 8 U–Vincennes Saint-Denis; Ida Dominijanni; Luisa Muraro; Diana Sartori, U of Verona; Chiara Zamboni, U of Verona.

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Transformative Politics of Nature highlights the most significant barriers to conservation in Canada and discusses strategies to confront and overcome them. Featuring contributions from academics as well as practitioners, the volume brings together the perspectives of both Indigenous and non-Indigenous experts on land and wildlife conservation, in a way that honours and respects all peoples and nature. Contributors provide insights that enhance understanding of key barriers, important actors, and strategies for shaping policy at multiple levels of government across Canada. The chapters engage academics, environmental conservation organizations, and Indigenous communities in dialogues and explorations of the politics of wildlife conservation. They address broad and interrelated themes, organized into three parts: barriers to conservation, transformation through reconciliation, and transformation through policy and governance. Taken together, the essays demonstrate the need for increased social-political awareness of biodiversity and conservation in Canada, enhanced wildlife conservation collaborative networks, and increased scholarly attention to the principles, policies, and practices of maintaining and restoring nature for the benefit of all peoples, species, and ecologies. Transformative Politics of Nature presents a vision of profound change in the way humans relate to each other and with the natural world.

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Understanding reentry experiences after incarceration Prison in the United States often has a revolving door, with droves of formerly incarcerated people ultimately finding themselves behind bars again. In Beyond Recidivism, Andrea Leverentz, Elsa Y. Chen, and Johnna Christian bring together a leading group of interdisciplinary scholars to examine this phenomenon using several approaches to research on recently released prisoners returning to their lives. They focus on the social context of reentry and look at the stories returning prisoners tell, including such key issues as when they choose to reveal (or not) their criminal histories. Drawing on contemporary studies, contributors examine the best ideas that have emerged over the last decade to understanding the challenges prisoners face upon reentering society. Together, they present a complete picture of prisoner reentry, including real-world recommendations for policies to ensure the well-being of returning prisoners, regardless of their past mistakes.

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Understanding reentry experiences after incarceration Prison in the United States often has a revolving door, with droves of formerly incarcerated people ultimately finding themselves behind bars again. In Beyond Recidivism, Andrea Leverentz, Elsa Y. Chen, and Johnna Christian bring together a leading group of interdisciplinary scholars to examine this phenomenon using several approaches to research on recently released prisoners returning to their lives. They focus on the social context of reentry and look at the stories returning prisoners tell, including such key issues as when they choose to reveal (or not) their criminal histories. Drawing on contemporary studies, contributors examine the best ideas that have emerged over the last decade to understanding the challenges prisoners face upon reentering society. Together, they present a complete picture of prisoner reentry, including real-world recommendations for policies to ensure the well-being of returning prisoners, regardless of their past mistakes.

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An examination of ancient and contemporary submarine landslides and their impact Landslides are common in every subaqueous geodynamic context, from passive and active continental margins to oceanic and continental intraplate settings. They pose significant threats to both offshore and coastal areas due to their frequency, dimensions, and terminal velocity, capacity to travel great distances, and ability to generate potentially destructive tsunamis. Submarine Landslides: Subaqueous Mass Transport Deposits from Outcrops to Seismic Profiles examines the mechanisms, characteristics, and impacts of submarine landslides. Volume highlights include: Use of different methodological approaches, from geophysics to field-based geology Data on submarine landslide deposits at various scales Worldwide collection of case studies from on- and off-shore Potential risks to human society and infrastructure Impacts on the hydrosphere, atmosphere, and lithosphere

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Reading philosophy through the lens of Alfred Hitchcock’s Vertigo, Andrea Cavalletti shows why, for two centuries, major philosophers have come to think of vertigo as intrinsically part of philosophy itself. Fear of the void, terror of heights: everyone knows what acrophobia is, and many suffer from it. Before Freud, the so-called “sciences of the mind” reserved a place of honor for vertigo in the domain of mental pathologies. The fear of falling—which is also the fear of giving in to the temptation to let oneself fall—has long been understood as a destabilizing yet intoxicating element without which consciousness itself was inconceivable. Some went so far as to induce it in patients through frightening rotational therapies. In a less cruel but no less radical way, vertigo also staked its claim in philosophy. If Montaigne and Pascal could still consider it a perturbation of reason and a trick of the imagination which had to be subdued, subsequent thinkers stopped considering it an occasional imaginative instability to be overcome. It came, rather, to be seen as intrinsic to reason, such that identity manifests itself as tottering, kinetic, opaque and, indeed, vertiginous. Andrea Cavalletti’s stunning book sets this critique of stable consciousness beside one of Hitchcock’s most famous thrillers, a drama of identity and its abysses. Hitchcock’s brilliant combination of a dolly and a zoom to recreate the effect of falling describes that double movement of “pushing away and bringing closer” which is the habitual condition of the subject and of intersubjectivity. To reach myself, I must see myself from the bottom of the abyss, with the eyes of another. Only then does my “here” flee down there and, from there, attract me. From classical medicine and from the role of imagination in our biopolitical world to the very heart of philosophy, from Hollywood to Heidegger’s “being-toward-death,” Cavalletti brings out the vertiginous nature of identity.

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Reading philosophy through the lens of Alfred Hitchcock’s Vertigo, Andrea Cavalletti shows why, for two centuries, major philosophers have come to think of vertigo as intrinsically part of philosophy itself. Fear of the void, terror of heights: everyone knows what acrophobia is, and many suffer from it. Before Freud, the so-called “sciences of the mind” reserved a place of honor for vertigo in the domain of mental pathologies. The fear of falling—which is also the fear of giving in to the temptation to let oneself fall—has long been understood as a destabilizing yet intoxicating element without which consciousness itself was inconceivable. Some went so far as to induce it in patients through frightening rotational therapies. In a less cruel but no less radical way, vertigo also staked its claim in philosophy. If Montaigne and Pascal could still consider it a perturbation of reason and a trick of the imagination which had to be subdued, subsequent thinkers stopped considering it an occasional imaginative instability to be overcome. It came, rather, to be seen as intrinsic to reason, such that identity manifests itself as tottering, kinetic, opaque and, indeed, vertiginous. Andrea Cavalletti’s stunning book sets this critique of stable consciousness beside one of Hitchcock’s most famous thrillers, a drama of identity and its abysses. Hitchcock’s brilliant combination of a dolly and a zoom to recreate the effect of falling describes that double movement of “pushing away and bringing closer” which is the habitual condition of the subject and of intersubjectivity. To reach myself, I must see myself from the bottom of the abyss, with the eyes of another. Only then does my “here” flee down there and, from there, attract me. From classical medicine and from the role of imagination in our biopolitical world to the very heart of philosophy, from Hollywood to Heidegger’s “being-toward-death,” Cavalletti brings out the vertiginous nature of identity.

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The first in-depth look at how women have shaped the history and legacy of Indiana University.Women first enrolled at Indiana University in 1867. In the following years they would leave an indelible mark on this Hoosier institution. However, until now their stories have been underappreciated, both on the IU campus and by historians, who have paid them little attention. Women at Indiana University draws together 15 snapshots of IU women's experiences and contributions to explore essential questions about their lives and impact. What did it mean to write the petition for women's admission or to become the first woman student at an all-male university? To be a woman of color on a predominantly white campus? To balance work, studies, and commuting, entering college as a non-traditional student? How did women contribute to their academic fields and departments? How did they tap opportunities, confront barriers, and forge networks of support to achieve their goals? Women at Indiana University not only opens the door to a more inclusive and accurate understanding of IU's past and future, but also offers greater visibility for Hoosier women in our larger understanding of women in American higher education.

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Luigi Pericle (1916–2001) was a rare talent—a self-taught illustrator and painter, a man of letters, mystic, theosophist, and intellectual whose work and legacy eludes any categorization. Under his proper name Pericle Luigi Giovanetti he had great success as an illustrator and cartoonist in the 1950s. His cartoons were published worldwide in daily newspapers, such as the Washington Post or Herald Tribune, as well as in satirical magazines like Punch. His comic strip Max the Marmot, published in newspapers and books, was hugely popular across Europe, the United States, and Japan. In 1958, he turned to explore abstract expression through painting and ink drawing. He quickly gained international recognition as an artist and his paintings were exhibited in gallery and museum shows in Britain and Switzerland during the 1960s. Yet recognition was not what he was looking for, and he disappeared voluntarily from the art world to lead an increasingly secluded life dedicated entirely to his art and writing. His home Casa San Tomaso on the legendary Monte Verità in Ascona, in southern Switzerland, offered ideal surroundings for an artist so strongly drawn to spirituality. Luigi Pericle. Ad Astra, published to coincide with a major exhibition at the MASI Museo d’arte della Svizzera italiana in Lugano, offers a fresh look at how the spiritual environment and tradition of Monte Verità influenced Pericle as an artist and how Asian calligraphy and Zen Buddhism were influential to his drawing practice. Moreover, the book investigates Pericle’s understanding of abstraction in art and his own syncretism of modern mysticism. Text in English, German and Italian.

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With their softened camouflage, sun-faded stencils, and well-worn insignia patches, this collection of more than 100 iconic WWII American military jackets will wow even the most hardcore connoisseurs and collectors. The cult-status jackets come from the collections of the authors, who are natives of Rome. This “eternal city,” universally defined as one of the largest “open-air sets” in the world, provides evocative backdrops for some of the pieces. In glamour poses shot off the usual tourist routes, 30 models-for-a-day put a distinctive spin on the jackets, mixing and matching them with rugged outfits. Part of the appeal of vintage military jackets is that each piece tells the story of the life it lived. This manifesto of post-WWII style encourages us to see its charms with new eyes.

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The Fazbear Frights series continues with three more bone-chilling, novella-length tales to keep even the bravest Five Nights at Freddy's player up at night... After years of being kicked around, Greg, Alec and Oscar are ready to take control of their lives. Greg decides to put the controversial science he's been studying to the test. Alec launches a master plot to expose his golden sister for the spoiled brat he knows she is. And Oscar, ever the miniature grown-up his mom needs him to be, decides to take something he wants ... even though he knows it's wrong. But as these three will learn, control is a fragile thing in the sinister world of Five Nights at Freddy's. In this second volume, horror master Scott Cawthon spins three sinister novella-length stories from different corners of his series' canon. Each story comes complete with accompanying artwork from fan-favourite game artist LadyFiszi, who brings the horror to life in startling new ways. Readers beware: this collection of terrifying tales is enough to unsettle even the most hardened Five Nights at Freddy's fans.

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A hilarious, irreverent book about doing your own thing Meet Iggy Peck—creative, independent, and not afraid to express himself! In the spirit of David Shannon’s No, David and Rosemary Wells’s Noisy Nora, Iggy Peck will delight readers looking for irreverent, inspired fun. Iggy has one passion: building. His parents are proud of his fabulous creations, though they’re sometimes surprised by his materials—who could forget the tower he built of dirty diapers? When his second-grade teacher declares her dislike of architecture, Iggy faces a challenge. He loves building too much to give it up! With Andrea Beaty’s irresistible rhyming text and David Roberts’s puckish illustrations, this book will charm creative kids everywhere, and amuse their sometimes bewildered parents. Also from the powerhouse author-illustrator team of Iggy Peck, Architect, is Rosie Revere, Engineer, a charming, witty picture book about believing in yourself and pursuing your passion. Ada Twist, Scientist, the companion picture book featuring the next kid from Iggy Peck's class, is available in September 2016.

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This English Comprehension series helps improve technique for the 11+ exams, SATs, CATs, the Northern Ireland Transfer Test, Common Entrance and scholarship examinations for independent schools, and all other styles of English comprehension test. Answers, Progress Charts and a Certificate of Achievement are included at the end of the book. All our materials have been rigorously classroom tested. The methodologies have been successfully used in AE Tuition classes for over 30 years.

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Our world as it once was In August 2014, Farida was, like any ordinary teenager, enjoying the last days of summer before her final year at school. However, her peaceful mountain village in northern Iraq was an ISIS target as their genocide against the Yazidi people began. The catastropheISIS murdered the men and boys in the village, including Farida's father and brother, and took the women hostage. Farida was one of them. She was held in a slave camp, in the homes of ISIS members and finally in a desert training camp. Continually she struggled, resisted and fought against her captors, showing unimaginable strength and bravery. This is my storyEventually, Farida managed to plot her escape and fled into the desert with five young girls in her care, but defeating ISIS was just the first step in her journey. In this book she tells her remarkable and inspiring story.

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Bridge the Digital Divide with Research-Informed Technology Models Since the first edition of this bestselling resource many schools are still striving to close the digital divide and bridge the opportunity gap for historically marginalized students, including English learners. And the need for technology-infused lessons specifically aligned for English learners is even more critically needed. Building from significant developments in education policy, research, and remote learning innovations, this newly revised edition offers unique ways to bridge the digital divide that disproportionally affects culturally and linguistically diverse learners. Designed to support equitable access to engaging and enriching digital-age education opportunities for English learners, this book includes Research-informed and evidence-based technology integration models and instructional strategies Sample lesson ideas, including learning targets for activating students’ prior knowledge while promoting engagement and collaboration Tips for fostering collaborative practices with colleagues Vignettes from educators incorporating technology in creative ways Targeted questions to facilitate discussions about English language development methodology Complete with supplementary tools and resources, this guide provides all of the methodology resources needed to bridge the digital divide and promote learning success for all students.

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Following on from the success of Filla and Fill, from the same creative team comes Germans. This lyrical, stunning picture book is a warm-hearted tribute to siblings and their magical bond, with stunning art by award-winning illustrator Sonja Wimmer.It’s true that sometimes we fight when we want to play with the same toys. But when night falls, we snuggle up together and fall asleep while we read fairy tales to each other. We’re similar in so many ways! And we’re different in others. But one thing is for sure, and that is that we’ll always be there to help each other out. It doesn’t matter if stormy nights or evening shadows come to visit us. As long as we are together, we will get through them. We’ve learned so many things together, and discovered that the day and the night, even though they seem so different, form a part of the same melody.Germans is an inclusive picture book, both for boys and girls, for brothers by blood and for brothers of life. Both sisters and brothers appear in this magic tale that will delight the little ones in the house.Després de l'èxit de Filla i Fill, arriba Germans, un conte que ens omplirà el cor. Un tribut als germans i al seu vincle tan especial, amb les il·lustracions de la guardonada il·lustradora Sonja Wimmer.És cert que a vegades ens barallem quan volem jugar amb les mateixes joguines, però quan cau la nit sempre ens abracem i ens quedem adormits mentre llegim històries sobre follets. Ens assemblem en tantes coses! I en d’altres som tan diferens… Tanmateix, estic segur d'una cosa: sempre hi serem l’un per l’altre. En les tardes de tempestes o davant les ombres de la nit més fosca ens farem costat. Hem après tantes coses plegats… Hem descobert que la nit i el dia, tot i semblar tan diferents, formen part d'una mateixa melodia.Els germans juguen junts, es barallen, s’abraçen, riuen junts i s’enfaden. Però, per damunt de tot, continuen units per un llaç invisible que els acompanya al llarg del camí de la vida.

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The New York paintings and pastels of Yvonne Jacquette, one of America's most distinguished contemporary painters, and the New York photographs of her late husband Rudy Burckhardt, whose unconventional art has spawned a large and devoted following, are the subjects of this intriguing look at a slice of the New York art world from the 1930s to the present. Picturing New York: The Art of Yvonne Jacquette and Rudy Burckhardt explores this remarkable pair of artists whose work celebrates New York's streets and skyline, capturing both the intimacy and the expansiveness of the city.Yvonne Jacquette and Rudy Burckhardt were creative and personal partners for nearly forty years, from the time of their meeting in 1961 until Burckhardt's death in 1999. Burckhardt, born in 1914 in Basel, Switzerland, came to New York in 1935, and Jacquette, a Pittsburgh native twenty years his junior, arrived in 1955. Although they traveled broadly for artistic subject matter, they were based in New York City, spending most of their careers in the West 20s, where Jacquette's studio still is. They sometimes collaborated, usually on films, but mostly each pursued independent work in photography and painting. Despite this independence, their approaches to representing the city share visual and philosophical parallels.The dazzling urban nocturne is Jacquette's primary subject. For thirty years, she has made night paintings from aerial vantage points of such cities as Tokyo, San Francisco, Washington, Hong Kong, and Chicago-along with bird's-eye views of Maine and Midwestern farmland-but her images of New York City are without question the strongest and most celebrated. These dramatic and glittering canvases are striking for their bold compositions, surface richness, and the powerful presence of their grand scale. Jacquette has described herself as a portraitist of American cities, and none has been more frequently or more affectionately depicted than New York-its splendid architecture, neon signage, bridges, streets, and waterways-and indirectly, the electricity that makes it all visible at night.Burckhardt, whose photographs and films of New York have inspired a cult following, made images of the city's architecture, streets, and inhabitants in a singular style-apolitical and seemingly uncomposed-that broke with tradi­tion and influenced younger generations of photographers. From iconic views of New York's skyscrapers, to close-up architectural details, to storefronts splashed with advertising signage, to New Yorkers walking their streets and riding their subways, the variety of Burckhardt's subject matter conveys his never-ending fascination with the city's scale and diversity. His images convey his own sense of wonder about New York and invite viewers to share in his pleasure of the city's unexpected moments and unexplored places.Coinciding with exhibitions on both artists at the Museum of the City of New York, Picturing New York: The Art of Yvonne Jacquette and Rudy Burckhardt offers a unique look at the work of this important creative couple side by side and the place they hold in the New York art world.

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