Search results for ""Author Dom"

When Wisconsin governor Scott Walker stood shoulder-to-shoulder with President Trump and Speaker of the House Paul Ryan at the White House in July 2017, they painted a glorious picture of his state’s future. Foxconn, the enormous China-based electronics firm, was promising to bring TV manufacturing back to the United States with a $10 billion investment and 13,000 well-paying jobs. They actually were making America great again, they crowed. Two years later, the project was in shambles. Ten thousand construction workers were supposed to have been building what Trump had promised would be "the eighth wonder of the world.” Instead, land had been seized, homes had been destroyed, and hundreds of millions of municipal dollars had been committed for just a few hundred jobs—nowhere near enough for Foxconn to earn the incentives Walker had shoveled at them. In Foxconned, journalist Lawrence Tabak details the full story of this utter collapse, which was disturbingly inevitable. As Tabak shows, everything about Foxconn was a disaster. But worse, he reveals how the economic incentive infrastructure across the country is broken, leading to waste, cronyism, and the steady transfer of tax revenue to corporations. Tabak details every kind of financial chicanery, from eminent-domain abuse to good old-fashioned looting—all to benefit a coterie of consultants, politicians, and contractors. With compassion and care, he also reports the distressing stories of the many individuals whose lives were upended by Foxconn. Powerful and resonant, Foxconned is both the definitive autopsy of the Foxconn fiasco and a dire warning to communities and states nationwide.

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The idea that a Senator Republican or Democrat would put the greater good of the country ahead of party seems nearly impossible to imagine in our current climate of gridlock and divisiveness. But this hasn't always been the case. Arthur H. Vandenberg (1884-1951), Republican from Grand Rapids, Michigan, was the model of a consensus builder, and the coalitions he spearheaded continue to form the foundation of American foreign and domestic policy today. Edward R. Murrow called him "the central pivot of the entire era," yet, despite his significance, Vandenberg has never received the full public attention he is due until now. With this authoritative biography, Hendrik Meijer reveals how Vandenberg built and nurtured the bipartisan consensus that created the American Century. Originally the editor and publisher of the Grand Rapids Herald, Vandenberg was appointed and later elected to the Senate in 1928, where he became an outspoken opponent of the New Deal and a leader among the isolationists who resisted FDR's efforts to aid European allies at the onset of World War II.But Vandenberg soon recognized the need for unity at the dawn of a new world order; and as a Republican leader, he worked closely with Democratic administrations to build the strong bipartisan consensus that established the Marshall Plan, the United Nations, and NATO. Vandenberg, as Meijer reveals, was instrumental in organizing Congressional support for these monumental twentieth-century foreign policy decisions. Vandenberg's life and career offer powerful lessons for today, and Meijer has given us a story that suggests an antidote to our current democratic challenges. After reading this poignant biography, many will ask: Where is the Vandenberg of today?

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‘DARK AND DEVIOUS’ Stephen King ‘UTTERLY ENGROSSING’ Daily Mail ‘TWISTY AND RICHLY ATMOSPHERIC’ Ruth Ware ‘TIGHTLY PLOTTED AND UTTERLY GRIPPING' Sarah Pinborough ‘A HAUNTING THRILLER’ Women’s Weekly ‘TOTALLY ABSORBING’ T.M. Logan ‘AN UNSETTLING, LABYRINTHINE TALE’ New York Times____________________________________________________________________ One twin ran. The other vanished. Neither escaped… DON’T TRUST ANYONECat’s twin sister El has disappeared. But there’s one thing Cat is sure of: her sister isn’t dead. She would have felt it. She would have known. DON’T TRUST YOUR MEMORIESTo find her sister, Cat must return to their dark, crumbling childhood home and confront the horrors that wait there. Because it’s all coming back to Cat now: all the things she has buried, all the secrets she’s been running from. DON’T TRUST THIS STORY…The closer Cat comes to the truth, the closer to danger she is. Some things are better left in the past…________________________________________________________ ‘AN ADDICTIVE SLICE OF GOTHIC’ i paper ‘TOLD WITH THUMPING HEART AND EXTRAORDINARY TENDERNESS’ Kiran Millwood Hargrave ‘THE LOVE CHILD OF GILLIAN FLYNN AND STEPHEN KING’ Greer Hendricks READERS ARE FALLING IN LOVE WITH MIRRORLAND… ‘Dark, dazzling, full of surprises and perfectly executed’ Sheri K ‘An adult fairy tale, a domestic noir and a heartbreaker, all in one’ Rebecca W ‘Creepy as hell and absolutely brilliant’ Vikkie W ‘Poignant and compelling… What an imagination to have crafted such a story’ Carol C ‘A beautifully written story that holds you enthralled from first page to last’ Sarah M ‘This is a book that will keep you awake all night’ Maria P ‘Hugely compelling…I found the entire book officially unputdownable!’ Alexandra G

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* NOW A MAJOR FILM STARRING DOMINIC COOPER - READ IT BEFORE YOU SEE IT! *THE ENEMY HAS A WEAPON. SO DO WE.Discover the hugely bestselling debut thriller by a former member of the elite Special Boat Services - the toughest men in the world - and his super-weapon hero: Stratton.When an undercover operation monitoring the Real IRA goes horrifically wrong, British Intelligence turn to the one man who can get their agent out: Stratton, SBS operative with a lethal reputation. It's a dangerous race against time: if the Real IRA get to the Republic before Stratton gets to the Real IRA, his colleague is as good as dead.But the battle in the Northern Ireland borders is just the beginning. For there can only be one way the Real IRA knew about the British agent: someone within MI5 is tipping them off. A surveillance mission is mounted in Paris to identify the mole but ends in disaster: Hank Munro, US Navy SEAL on secondment, is captured.Munro's wife Kathryn is distraught, and her priest Father Kinsella is very supportive. Kinsella, though, is not the holy man he seems, and Kathryn becomes an unwitting part of a deadly Real IRA plan, a terror attack the likes of which London has never seen . . . When Hank is inadvertently kidnapped by terrorists on an SBS 'safe op', Kathryn returns home to America, only to be manipulated by a priest and secret IRA godfather into playing a political role in the negotiations for Hank's release. Unknown to her she is to have a key part in the most destructive terrorist assault in Irish Republican history, one that holds the fate of hundreds of thousands of Londoners in its hands.Originally published as The Hostage.

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In this book, Vladimir Gel’man considers bad governance as a distinctive politico-economic order that is based on a set of formal and informal rules, norms, and practices quite different from those of good governance. Some countries are governed badly intentionally because the political leaders of these countries establish and maintain rules, norms, and practices that serve their own self-interests. Gel’man considers bad governance as a primarily agency-driven rather than structure-induced phenomenon. He addresses the issue of causes and mechanisms of bad governance in Russia and beyond from a different scholarly optics, which is based on a more general rationale of state-building, political regime dynamics, and policy-making. He argues that although these days, bad governance is almost universally perceived as an anomaly, at least in developed countries, in fact human history is largely a history of ineffective and corrupt governments, while the rule of law and decent state regulatory quality are relatively recent matters of modern history, when they emerged as side effects of state-building. Indeed, the picture is quite the opposite: bad governance is the norm, while good governance is an exception. The problem is that most rulers, especially if their time horizons are short and the external constraints on their behavior are not especially binding, tend to govern their domains in a predatory way because of the prevalence of short-term over long-term incentives. Contemporary Russia may be considered as a prime example of this phenomenon. Using an analysis of case studies of political and policy changes in Russia after the Soviet collapse, Gel’man discusses the logic of building and maintenance of politico-economic order of bad governance in Russia and paths of its possible transformation in a theoretical and comparative perspective.

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In the early 1970s, Nancy Rexroth began photographing the rural landscapes, children, white frame houses, and domestic interiors of southeastern Ohio with a plastic toy camera called the Diana. Working with the camera’s properties of soft focus and vignetting, and further manipulating the photographs by deliberately blurring or sometimes overlaying them, Rexroth created dreamlike, poetic images of “my own private landscape, a state of mind.” She called this state IOWA because the photographs seemed to reference her childhood summer visits to relatives in Iowa. Rexroth self-published her evocative images in 1977 in the book IOWA, and the photographic community responded immediately and strongly to the work. Aperture published a portfolio of IOWA images in a special issue, The Snapshot, alongside the work of Robert Frank, Garry Winogrand, Lee Friedlander, and Emmet Gowin. The International Center for Photography, the Corcoran Gallery of Art, and the Smithsonian Institution included IOWA images in group exhibitions.Forty years after its original publication, IOWA has become a classic of fine art photography, a renowned demonstration of Rexroth’s ability to fashion a world of surprising aesthetic possibilities using a simple, low-tech dollar camera. Long out of print and highly prized by photographers and photobook collectors, IOWA is now available in a hardcover edition that includes twenty-two previously unpublished images. Accompanying the photographs are a new foreword by Magnum photographer and book maker Alec Soth and an essay by internationally acclaimed curator Anne Wilkes Tucker, who affirms the continuing power and importance of IOWA within the photobook genre. New postscripts by Nancy Rexroth and Mark L. Power, who wrote the essay in the first edition, complete the volume.

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You write something so that it can be read, not in order that it can be written – write reports that achieve and illuminate! The third edition of the best-selling Writing Analytical Assessments in Social Work guides you through the principles of good writing and methodically shows you: how to analyse how to structure the process of writing an assessment (researching, chronologising, informed data-gathering, putting it all together), how to get this done under time constraints. how to break down the practical and psychological barriers to good practice and how to turn good analysis into useful recommendations. This new edition features brand new content, on subjects such as decision-making and cognitive fallacies in assessment, how to conduct analysis on domestic violence and systematic thinking and reflexivity in assessment. There are also updates on MCA assessments, new legislation and documents. Written in an accessible way and packed with examples and case studies, this book is both practically-minded and constantly returning to first principles: reminding you what it is you are trying to achieve and teaching you how to write reports that can be read by families and judges alike. You will learn how to write high quality, useful and timely assessments without becoming mechanistic or managerial. This book kills the myth of a trade-off between efficiency and quality of work. Writing Analytical Assessments in Social Work is an essential companion whether you are a newly-qualified social worker, a student about to undertake your first placement or a seasoned professional looking to improve your skills. It is also suitable for all branches of social work.

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This work is about bridging the current deeply-held divide between sentience and reason. It focuses on the pragmatic role of sentient experience and its unceasing and inseparable interplay with the exercise of reason. Part I of the book deals first with the need for synthesizing the hitherto separate "truth-finding" knowledge traditions: the third-personal scientific-technological, and the first-personal humanistic-wisdom tradition. A conceptual framework for a mind reality is then proposed. Drawing from the unifying natural laws in current physical and biological sciences, the mind reality is portrayed in terms of one interlocking open dynamic system with both a manifested and a covert aspect. In this entire system, each individual mind constantly "co-creates" and "co-evolves" with other collective or group minds at various levels. It is also presumed that the basic unit of interaction in the mind reality is thought or intent. Supporting evidence from psychology, parapsychology and the ancient perennial philosophies is presented. The second part of the book addresses the pragmatic consequences of the proposed mind reality. At the individual level, it is argued that sentient experience can serve the function of guiding, affirming and fostering an individual's life's work. A selection of existing first-personal accounts is presented to illustrate this point. At the collective level, the current dominant collective thought of "new capitalism" has the unfortunate consequences for humanity's sense of freedom, education and morality. Such consequences pertain to the "exteriorization" and the "deconstruction" of the intrinsic self and intrinsic values. To avoid this to happen, a collective effort at changing consciousness becomes necessary: the core task lies with the closure of the reason and sentience divide.

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Food additives play a vital role in allowing food manufacturers to provide the range of foods that are available in the developed countries of the world. Additives cover a considerable range from the recognisable sodium bicarbonate used to make cakes in the domestic kitchen to mono- and di-acetyltartaric esters of mono- and diglycerides of fatty acids used as emulsifiers in commercial bread production. They include curcumin, the yellow colour in turmeric, beeswax and citric acid, the acid in citrus fruit, as well as substances prepared synthetically. It has long been fashionable in the media to criticise additives and, in so doing, to lump them all together but this ignores their diversity, their vital role in food production and preservation and the extensive testing they have undergone before being approved. This book outlines why additives are used, the testing regime within Europe, and a complete listing of all additives permitted within the EU. The law covering food additives in the EU, which was harmonised in 1989, has been revised a number of times, most recently by the publication of Regulations 1333/2008 and 1129/2011. These Regulations have been amended a number times with additives being removed or added. This fifth edition of the Guide brings it up to date with a revision of every chapter to reflect the current situation. Providing an invaluable resource for food and drink manufacturers, this book is the only work covering in detail every additive, its sources and uses. Those working in and around the food industry, students of food science and indeed anyone with an interest in what is in their food will find this a practical book full of fascinating details.

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Something sinister is stirring at Totleigh Hall, the imposing manor house dominating the village of Nether Monkslip. Usually, the lord and lady of the manor are absent for most of the year, but this year they have been in residence for some weeks now, and the villagers are hoping for a return to the good old days, when the lord of the manor sprinkled benefits across the village like fairy dust, building roads and repairing bridges and donating money to the upkeep of St Edwold's, while hosting splendid dinners at the Hall to which the vicar and the village doctor were invited by right and tradition.Max Tudor's own invitation comes as a welcome novelty; it will be his first time meeting the famous family that once held sway in the area. The fact that they were famous for their eccentricities only adds to their appeal for the Anglican priest. But before he has time to starch his clerical collar and organize a babysitter, a sudden and suspicious death intervenes, and the handsome vicar's talent for sorting through clues to solve a murder is once again called into play...Praise for G.M. Malliet:'Rarely have I read descriptions that have left me gasping, in both their hilarity and their painful truth.' Louise Penny'G.M. Malliet has brought the village cosy into the twenty first century... Wicked Autumn is a refreshing read for everyone who loves a really good murder.' Charles Todd'There are certain things you want in a village mystery: a pretty setting, a tasteful murder, an appealing sleuth... Malliet delivers all that.' New York Times Book Review

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Although the African National Congress (ANC) has been in power now for 20 years and looks set to continue in office for some time yet, its hold on power is neither permanent nor assured, and sometime in the future it is safe to say it will be voted out of office. This is the fate faced by all liberation movements that have won power at the ballot box. Being voted out of office is not the only fate awaiting political parties. Popular disaffection, loss of loyalty, splits and schisms, factionalism, all affect parties and in turn inspire them to change and adapt, meet the challenges or try to avert the loss of support. Yet we know little about how and why parties change in the Global South. This book explores various dimensions of internal organizational reform by examining parties from around the South. Several chapters investigate the ANC in South Africa, one of several dominant parties that have begun to lose their shine. Other chapters look at the Chinese Communist Party, the Indian National Congress, the Workers' Party in Brazil, UMNO in Malaysia, the Kuomintang in Taiwan, and Mexico's PRI. The book explores such issues as the uses and abuses of technology and social media; changes to candidate selection, membership, and policy-deliberation processes; discipline and political-education programs; party-to-party learning; factional politics; and the effects of state power on party management. For all those interested in knowing how the ANC might adapt—or die—as well as those with a special interest in political parties and party systems, this book provides the answers.

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During John Thompson's sadly attenuated lifetime, he completed only two volumes of poetry. At the Edge of the Chopping There Are No Secrets and Stilt Jack (published posthumously), but seldom has such a slim oeuvre supported such a large reputation. When John Thompson: Collected Poems and Translations was first published in 1995, the reasons for Thompson's stature became clear, and in the twenty years since then, his influence has only grown larger. Thompson seeks out the darkest places of the heart, then floods them with light. These remarkable poems evoke the deep woods, the relentless turning of seasons that churn life into death, and back again to life. They unflinchingly examine his relationships, drawing out the pain and joys of domesticity. Confessionally raw, but oblique and beautiful, Thompson's poetry — and in particular, his experiments in Stilt Jack with adapting the ghazal, a poetic form with origins in Arabia — has influenced three generations of poets. As Peter Sanger notes in his definitive introduction, "For many young Canadian poets, composing a ghazal sequence has become a rite of passage, and Thompson is often addressed or alluded to as a tutelary figure." Reissued to coincide with the twentieth anniversary of its first appearance, this volume, edited and introduced by Peter Sanger, now revised and updated with new information and insights, gathers together all of Thompson's extant mature poems and translations, including, in addition to the two published books, poetry published only in periodicals, unpublished poetry, and Thompson's haunting translations from several of his French Canadian contemporaries and the great French poet René Char.

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One of O Magazine’s Best Books of Fall 2020 One of Comics Beat’s Most Anticipated Graphic Novels for Fall 2020Writing as if in a fever dream, iconic New Yorker cartoonist Marisa Acocella channels God the Mother and all of the goddesses, saints and sinners, and real-life women from our storied past in this epic retelling that begins with the Big She-Bang. The rest, as they say, is herstory.Hilarious, profound, and (at times) profane, The Big She-Bang is virtuosic storytelling in which the rules are bent back to where they should have started in the first place. It is abundantly clear that the past has been recorded in big books “written by a bunch of men about a bunch of men.” Now Acocella challenges our understanding of humanity’s past with her own Big Book.Narrated by God the Mother, The Big She-Bang celebrates the Shevolutionaries: a goddess roster that includes Eve, the Marys (Virgin Mother and Magdalene), Persephone, Sophia, Isis, Pope Joan, the Suffragettes, Gloria Steinem, Tarana Burke, Malala, and more. By Klieg-lighting the ways women have been erased, vilified, and dominated across eons—blamed for original sin, destruction, betrayal, witchery, and other assorted (and false) evils and ills—Acocella sets the story straight from the beginning of time to the present day. Not to be exclusionary, this new herstory features cameos from Yaldabaoth, Zeus, Noah, and the Rapacious Phalluses on the rampage. In the end, what hangs in the balance is nothing less than the future of humanity and Mother Earth herself.

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"A fantastic ending to a series." -- Nerds of a FeatherAs the Allied forces battle to defeat the Nazis, a shadow war rages between angels and daimons fighting for the soul of humanity in this thrilling conclusion to the critically acclaimed Los Nefilim historical fantasy series.The year is 1944, and the daimons are rising.With the Inner Guard thrown into disarray by the German blitzkrieg, the daimon-born nefilim of the Scorpion Court gather in Paris, scheming to restore their rule over the mortal realm. Working as a double-agent, Diago Alvarez infiltrates his family’s daimonic court, but soon finds himself overwhelmed by his kin’s multiple deceits. Meanwhile, Ysabel Ramírez hunts a Psalm that will assist Operation Overlord, the Allies’ invasion of Normandy. Her objective takes her to Paris—into the heart of territories controlled by Die Nephilim and her power-hungry uncle, Jordi Abelló, who seeks the same Psalm in his quest to wrest control of Los Nefilim from her father. When their paths cross, he abducts her and leaves her to the mercy of his Nazi followers. But Ysabel is as cunning and bold as Jordi. She knows only one of them can survive to one day rule Los Nefilim, and she’s determined to be the one to succeed her father as queen.Trapped in her uncle’s château hidden deep within the Fontainebleau forest, Ysabel discovers the truth behind her uncle’s lust for dominance: those that wear the signet of the Thrones are not blessed . . . they are cursed. And it may take a miracle to end this war once and for all.

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Investigates physical evidence, history, and myths to reveal the lost race of giants that once dominated the world • Reveals suppressed archaeological and scientific discoveries supporting the existence of a worldwide race of giants • Examines giant myths and legends from ancient religious texts and literature from around the world • Includes findings from throughout Europe (Britain, France, Spain, Italy, Germany, and Russia), the Middle East (Israel, Egypt, Syria, Iraq, and Iran), Africa, Australia, New Zealand, and the Far East (China, Japan, Malaysia, and the Philippines) From the Nephilim and Goliath in the Bible to the Titans in Greek mythology and the Fomorians and Frost Giants in Celtic and Nordic lore, almost every culture around the world has spoken of an ancient race of giants. Giant footprints left in the geological bedrock, tens of thousands of years old, have been discovered in India, China, and the war-torn lands of Syria. Giant bones and full skeletons have been found in Europe, the Middle East, Africa, Australia, and Asia. Yet despite mounting evidence, mainstream science continues to consign these findings to the fringe. Examining global myths, historical records, megalithic ruins, and archaeological findings, Xaviant Haze provides compelling evidence for a lost race of giants in Earth’s prehistory. Covering legends and finds from throughout Europe, the Middle East, Africa, Australia, New Zealand, and the Far East, Haze also presents--in its entirety--The Book of Giants, a portion of the Dead Sea Scrolls suppressed due to its overwhelming support for the existence of giants in antiquity.

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Elisabeth of Bohemia (1618–1680) was the daughter of the Elector Palatine, Frederick V, King of Bohemia, and Elizabeth Stuart, the daughter of King James VI and I of Scotland and England. A princess born into one of the most prominent Protestant dynasties of the age, Elisabeth was one of the great female intellectuals of seventeenth-century Europe. This book examines her life and thought. It is the story of an exiled princess, a grief-stricken woman whose family was beset by tragedy and whose life was marked by poverty, depression, and chronic illness. It is also the story of how that same woman’s strength of character, unswerving faith, and extraordinary mind saw her emerge as one of the most renowned scholars of the age. It is the story of how one woman navigated the tumultuous waters of seventeenth-century politics, religion, and scholarship, fought for her family’s ancestral rights, and helped established one of the first networks of female scholars in Western Europe. Drawing on her correspondence with René Descartes, as well as the letters, diaries, and writings of her family, friends, and intellectual associates, this book contributes to the recovery of Elisabeth’s place in the history of philosophy. It demonstrates that although she is routinely marginalized in contemporary accounts of seventeenth-century thought, overshadowed by the more famous male philosophers she corresponded with, or dismissed as little more than a “learned maiden,” Elisabeth was a philosopher in her own right who made a significant contribution to modern understandings of the relationship between the body and the mind, challenged dominant accounts of the nature of the emotions, and provided insightful commentaries on subjects as varied as the nature and causes of illness to the essence of virtue and Machiavelli’s The Prince.

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Explore the world of crime and punishment Police, forensics, and detective stories dominate our TV screens and bookshelves—from fictional portrayals such as Silence of the Lambs and Law and Order to lurid accounts of real-life super-criminals like Pablo Escobar and Al Capone. As well as being horribly fascinating, knowledge of what makes criminals tick is crucial to governments, who spend billions of dollars each year trying to keep their people safe. Criminology brings disciplines like psychology, biology, and economics together to help police and society solve crimes—and to prevent them before they even happen. The new edition of Criminology For Dummies shines a light into the dark recesses of the criminal mind and goes behind-the-scenes with society’s response to crime, putting you right on the mean streets with cops and criminals alike. Along the way, you’ll learn everything a rookie needs to survive, including basic definitions of what a crime is and how it’s measured; common criminal motivations, thinking, and traits; elementary crime-solving techniques; the effects on and rights of victims; and more. Understand types of crime, from white-collar to organized to terror attacks Follow law-enforcement officials and agencies as they hunt the bad guys Meet key players in criminal justice and see how and why the guilty are punished Check out jobs in the field Whether you plan to enter the criminal justice field or just want to know more about what turns some people to the dark side—and how the thin blue line fights back—this is your perfect guide to criminology basics.

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Launched as the pride of British shipbuilding and the largest vessel in the world, Olympic was more than 40 per cent larger than her nearest rivals: almost 900ft long and the first ship to exceed 40,000 tons. She was built for comfort rather than speed and equipped with an array of facilities, including Turkish and electric baths (one of the first ships to have them), a swimming pool, gymnasium, squash court, á la carte restaurant, large first-class staterooms and plush public rooms. Surviving from 1911 until 1935, she was a firm favourite with the travelling public – carrying hundreds of thousands of fare-paying passengers – and retained a style and opulence even into her twilight years. During the First World War, she carried more troops than any other comparable steamship and was the only passenger liner ever to sink an enemy submarine by ramming it. Overshadowed frequently by her sister ships Titanic and Britannic, Olympic’s history deserves more attention than it has received. She was evolutionary in design rather than revolutionary, but marked an ambition for the White Star Line to dominate the North Atlantic express route. Rivals immediately began trying to match her in size and luxury. The optimism that led to her conception was rewarded, whereas her doomed sisters never fulfilled their creators’ dreams. This revised and expanded edition of the critically acclaimed RMS Olympic: Titanic’s Sister uses new images and further original research to tell the story of this remarkable ship 80 years after her career ended.

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An intimate account of the eighteenth-century Bank of England that shows how a private institution became “a great engine of state”The eighteenth-century Bank of England was an institution that operated for the benefit of its shareholders—and yet came to be considered, as Adam Smith described it, “a great engine of state.” In Virtuous Bankers, Anne Murphy explores how this private organization became the guardian of the public credit upon which Britain’s economic and geopolitical power was based. Drawing on the voluminous and detailed minute books of a Committee of Inspection that examined the Bank’s workings in 1783–84, Murphy frames her account as “a day in the life” of the Bank of England, looking at a day’s worth of banking activities that ranged from the issuing of bank notes to the management of public funds.Murphy discusses the bank as a domestic environment, a working environment, and a space to be protected against theft, fire, and revolt. She offers new insights into the skills of the Bank’s clerks and the ways in which their work was organized, and she positions the Bank as part of the physical and cultural landscape of the City: an aggressive property developer, a vulnerable institution seeking to secure its buildings, and an enterprise necessarily accessible to the public. She considers the aesthetics of its headquarters—one of London’s finest buildings—and the messages of creditworthiness embedded in that architecture and in the very visible actions of the Bank’s clerks. Murphy’s uniquely intimate account shows how the eighteenth-century Bank was able to deliver a set of services that were essential to the state and commanded the confidence of the public.

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The zany, the cute, and the interesting saturate postmodern culture. They dominate the look of its art and commodities as well as our discourse about the ambivalent feelings these objects often inspire. In this radiant study, Sianne Ngai offers a theory of the aesthetic categories that most people use to process the hypercommodified, mass-mediated, performance-driven world of late capitalism, treating them with the same seriousness philosophers have reserved for analysis of the beautiful and the sublime.Ngai explores how each of these aesthetic categories expresses conflicting feelings that connect to the ways in which postmodern subjects work, exchange, and consume. As a style of performing that takes the form of affective labor, the zany is bound up with production and engages our playfulness and our sense of desperation. The interesting is tied to the circulation of discourse and inspires interest but also boredom. The cute's involvement with consumption brings out feelings of tenderness and aggression simultaneously. At the deepest level, Ngai argues, these equivocal categories are about our complex relationship to performing, information, and commodities.Through readings of Adorno, Schlegel, and Nietzsche alongside cultural artifacts ranging from Bob Perelman's poetry to Ed Ruscha's photography books to the situation comedy of Lucille Ball, Ngai shows how these everyday aesthetic categories also provide traction to classic problems in aesthetic theory. The zany, cute, and interesting are not postmodernity's only meaningful aesthetic categories, Ngai argues, but the ones best suited for grasping the radical transformation of aesthetic experience and discourse under its conditions.

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"Gripping history, offering both drama and suspense." —Wall Street JournalA riveting, behind-the-scenes account of the personalities and contending forces in Tokyo during the volatile decade that led to World War II, as seen through the eyes of the American ambassador who attempted to stop the slide to war.In 1932, Japan was in crisis. Naval officers had assassinated the prime minister and conspiracies flourished. The military had a stranglehold on the government. War with Russia loomed, and propaganda campaigns swept the country, urging schoolchildren to give money to procure planes and tanks. Into this maelstrom stepped Joseph C. Grew, America’s most experienced and talented diplomat. When Grew was appointed ambassador to Japan, not only was the country in turmoil, its relationship with America was rapidly deteriorating. For the next decade, Grew attempted to warn American leaders about the risks of Japan’s raging nationalism and rising militarism, while also trying to stabilize Tokyo’s increasingly erratic and volatile foreign policy. From domestic terrorism by Japanese extremists to the global rise of Hitler and the fateful attack on Pearl Harbor, the events that unfolded during Grew’s tenure proved to be pivotal for Japan, and for the world. His dispatches from the darkening heart of the Japanese empire would prove prescient—for his time, and for our own. Drawing on Grew’s diary of his time in Tokyo as well as U.S. embassy correspondence, diplomatic dispatches, and firsthand Japanese accounts, Our Man in Tokyo brings to life a man who risked everything to avert another world war, the country where he staked it all—and the abyss that swallowed it.

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A vibrant exploration of past and present controversies surrounding control of the world's oceans. In 1609, the Dutch lawyer Hugo Grotius rejected the idea that even powerful rulers could own the oceans. "A ship sailing through the sea," he wrote, "leaves behind it no more legal right than it does a track." A philosophical and legal battle ensued, but Grotius's view ultimately prevailed. To this day, "freedom of the seas" remains an important legal principle and a powerful rhetorical tool. Yet in recent decades, freedom of the seas has eroded in multiple ways and for a variety of reasons. During the world wars of the 20th century, combatants imposed unprecedented restrictions on maritime commerce, leaving international rules in tatters. National governments have steadily expanded their reach into the oceans. More recently, environmental concerns have led to new international restrictions on high seas fishing. Today's most dangerous maritime disputes-including China's push for control of the South China Sea-are occurring against the backdrop of major changes in the way the world treats the oceans. As David Bosco shows in The Poseidon Project, the history of humanity's attempt to create rules for the oceans is alive and relevant. Tracing the roots of the law of the sea and the background to current maritime disputes, he shows that building effective ocean rules while preserving maritime freedoms remains a daunting task. Bosco analyzes how fragile international institutions and determined activists are struggling for relevance in a world still dominated by national governments. As maritime tensions develop, The Poseidon Project will serve as an essential guide to the continuing challenge of ocean governance.

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‘A formidable, brave and important book’ Robert Macfarlane Who owns England? Behind this simple question lies this country’s oldest and best-kept secret. This is the history of how England’s elite came to own our land, and an inspiring manifesto for how to open up our countryside once more. This book has been a long time coming. Since 1086, in fact. For centuries, England’s elite have covered up how they got their hands on millions of acres of our land, by constructing walls, burying surveys and more recently, sheltering behind offshore shell companies. But with the dawn of digital mapping and the Freedom of Information Act, it’s becoming increasingly difficult for them to hide. Trespassing through tightly-guarded country estates, ecologically ravaged grouse moors and empty Mayfair mansions, writer and activist Guy Shrubsole has used these 21st century tools to uncover a wealth of never-before-seen information about the people who own our land, to create the most comprehensive map of land ownership in England that has ever been made public. From secret military islands to tunnels deep beneath London, Shrubsole unearths truths concealed since the Domesday Book about who is really in charge of this country – at a time when Brexit is meant to be returning sovereignty to the people. Melding history, politics and polemic, he vividly demonstrates how taking control of land ownership is key to tackling everything from the housing crisis to climate change – and even halting the erosion of our very democracy. It’s time to expose the truth about who owns England – and finally take back our green and pleasant land.

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This book presents a complementary perspective to Schrödinger theory of electrons in an electromagnetic field, one that does not appear in any text on quantum mechanics. The perspective, derived from Schrödinger theory, is that of the individual electron in the sea of electrons via its temporal and stationary-state equations of motion – the ‘Quantal Newtonian’ Second and First Laws. The Laws are in terms of ‘classical’ fields experienced by each electron, the sources of the fields being quantum-mechanical expectation values of Hermitian operators taken with respect to the wave function. Each electron experiences the external field, and internal fields representative of properties of the system, and a field descriptive of its response. The energies are obtained in terms of the fields. The ‘Quantal Newtonian’ Laws lead to physical insights, and new properties of the electronic system are revealed. New mathematical understandings of Schrödinger theory emerge which show the equation to be intrinsically self-consistent. Another complimentary perspective to Schrödinger theory is its manifestation as a local effective potential theory described via Quantal Density Functional theory. This description too is in terms of ‘classical’ fields and quantal sources. The theory provides a rigorous physical explanation of the mapping from the interacting system to the local potential theory equivalent. The complementary perspective to stationary ground state Schrödinger theory founded in the theorems of Hohenberg and Kohn, their extension to the presence of a magnetic field and to the temporal domain – Modern Density Functional Theory -- is also described. The new perspectives are elucidated by application to analytically solvable interacting systems. These solutions and other relevant wave function properties are derived.

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Anime: A Critical Introduction maps the genres that have thrived within Japanese animation culture, and shows how a wide range of commentators have made sense of anime through discussions of its generic landscape. From the battling robots that define the mecha genre through to Studio Ghibli’s dominant genre-brand of plucky shojo (young girl) characters, this book charts the rise of anime as a globally significant category of animation. It further thinks through the differences between anime’s local and global genres: from the less-considered niches like nichijo-kei (everyday style anime) through to the global popularity of science fiction anime, this book tackles the tensions between the markets and audiences for anime texts. Anime is consequently understood in this book as a complex cultural phenomenon: not simply a “genre,” but as an always shifting and changing set of texts. Its inherent changeability makes anime an ideal contender for global dissemination, as it can be easily re-edited, translated and then newly understood as it moves through the world’s animation markets. As such, Anime: A Critical Introduction explores anime through a range of debates that have emerged around its key film texts, through discussions of animation and violence, through debates about the cyborg and through the differences between local and global understandings of anime products. Anime: A Critical Introduction uses these debates to frame a different kind of understanding of anime, one rooted in contexts, rather than just texts. In this way, Anime: A Critical Introduction works to create a space in which we can rethink the meanings of anime as it travels around the world.

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It is impossible to think of Russia today without thinking of Vladimir Putin. More than any other major national leader, he personifies his country in the eyes of the outside world, and dominates Western media coverage. In Russia itself, he is likewise the centre of attention for detractors and supporters alike. But as Tony Wood argues, in order to understand Russia today, the West needs to shake off its obsession with Putin and look at what lies beyond the Kremlin, to see Russia without Putin.In this timely and provocative analysis, Wood looks beyond Putin to explore the profound changes Russia has undergone since 1991. He shows that Russia is not strong but desperately trying to create a space for itself in an increasingly globalized and competitive world, Putin's reign is based on very thin ice; he is highly dependent on a small handful of powerful men who prop him up. Beyond the rich suburbs of Moscow, Russia is a country that is only surviving because of what remains of the soviet economy and culture rather than being held back by it.Wood reconsiders what kind of country has emerged from Russia's post-Soviet transformations. The introduction of the market in the 1990s was a failure than descended into kleptocracy. He shows that the revival of a new cold war is a myth. Russia's incursions into Syria, Ukraine and questions of collusion into western states are a sign of desperation rather than agression. Russia without Putin culminates with reflections on the paths Russia might take in the 21st century following Putin's re-election in March 2018. How will he placate the oligarchs who control the economy and how will he manage his succession, and protect his legacy?

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While Gaiseric has not become a household name like other 'barbarian' leaders such as Attila or Genghis Khan, his sack of Rome in AD455 has made his tribe, the Vandals, synonymous with mindless destruction. Gaiseric, however, was no moronic thug, proving himself a highly skilful political and military leader and was one of the dominant forces in Western Mediterranean region for almost half a century. The book starts with a concise history of the Vandals before Gaiseric's reign and analyses the tactics and weaponry with which they carved a path across the Western Roman Empire to Spain. It was in Spain that Gaiseric became their king and he that led the Vandals across the straits of Gibraltar to seize a new home in North Africa, depriving Rome of one of its most important remaining provinces and a key source of grain. Roman attempts at reconquest were defeated and the Balearic Islands, Sicily, Corsica and Sardinia were all added to Gaiseric's kingdom. His son, Huneric, was even betrothed to Eudoxia, daughter of the Emperor Valentinian III and it was her appeal for help after her father's murder that led Gaiseric to invade and sack Rome. He took Eudoxia and the other imperial ladies back to Africa with him, subsequently defeating further attempts by the Eastern Roman Empire to recapture the vital North African territory. Ian Hughes' anaylsis of the Gaiseric as king and general reveals him as the barbarian who did more than anyone else to bring down the Western Roman Empire, but also as a great leader in his own right and one of the most significant men of his age.

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This is the story of how some Roman aristocrats grew so competitive in their political rivalries that they destroyed their Republic, in the late second to mid-first century BCE. Politics had always been a fractious game at Rome as aristocratic competitors strove to outshine one another in elected offices and honours, all ostensibly in the name of serving the Republic. And for centuries it had worked - or at least worked for these elite and elitist competitors. Enemies were defeated, glory was spread round the ruling class, and the empire of the Republic steadily grew. When rivalries grew too bitter, when aristocrats seemed headed toward excessive power, the oligarchy of the Roman Senate would curb its more competitive members, fostering consensus that allowed the system the competitive arena for offices and honors, and the domination of the Senate to continue. But as Rome came to rule much of the Mediterranean, aristocratic competitions grew too fierce; the prizes for winning were too great. And so, a series of bitter rivalries combined with the social and political pressures of the day to disintegrate the Republic. This is the story of those bitter rivalries from the senatorial debates of Fabius and Scipio, to the censorial purges of Cato; from the murders of Tiberius and Gaius Gracchus, to the ultimate rivalry of Caesar and Pompey. A work of historical investigation, Rivalries that Destroyed the Roman Republic introduces readers not only to the story of the Republic's collapse but the often-scarce and problematic evidence from which the story of these actors and their struggles is woven.

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Warfare between the clans of the Highlands in the late Middle Ages determined the course of history in this region of Scotland, and Chris Peers's gripping account of it - and of the rivalry between the strongest clans - gives the reader a deep insight into this bloody, turbulent phase in the development of the far north of the British Isles. The battles he describes, all of them fought between the 1430s and the 1540s, were flash points in the long struggle for dominance between the leading clans of the region. The battles are reconstructed in vivid detail. The first, Druim n Coub, was fought in 1433 between the Mackays and the Sutherlands. Then came Bloody Bay, a sea fight between rival MacDonald factions, Blar na Parc between the MacDonalds and the Mackenzies, Creag an Airgid between the MacDonalds and the MacIains, Glendale between the MacDonalds and MacLeods, and Torran Dubh between alliances headed by the Mackays and Sutherlands. The final battle, Blar na Leine, fought between the MacDonalds and the Frasers in 1544, marked the end of an era. The subsequent fate of the leading clans, principally the MacDonalds and Mackays, is also covered in a narrative that gives the reader a fascinating new perspective of clan loyalties and conflict which still resonates today. As well as covering the fighting Chris Peers explains the way war in the Highlands was organized by the contending clans during the period - the strategies and tactics, weapons and armour they employed. The result is an absorbing all-round account of the military history of the Highlands before the clans eventually lost their independence.

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The backbone of classical Greek armies was the phalanx of heavily armoured spearmen, or hoplites. These were the soldiers that defied the might of Persia at Marathon, Thermopylae and Plataea and, more often, fought each other in the countless battles of the Greek city-states. For around two centuries they were the dominant soldiers of the Classical world, in great demand as mercenaries throughout the Mediterranean and Middle East. Yet, despite the battle descriptions of Herodotus, Thucydides, Xenophon etc, and copious evidence of Greek art and archaeology, there are still many aspects of hoplite warfare that are little understood or the subject of fierce academic debate. Christopher Matthew's groundbreaking reassessment combines rigorous analysis of the literary and archaeological evidence with the new disciplines of reconstructive archaeology, re-enactment and ballistic science. He focuses meticulously on the details of the equipment, tactics and capabilities of the individual hoplites. In so doing he challenges some long-established assumptions. For example, despite a couple of centuries of study of the hoplites portrayed in Greek vase paintings, Matthew manages to glean from them some startlingly fresh insights into how hoplites wielded their spears. These findings are supported by practical testing with his own replica hoplite panoply and the experiences of a group of dedicated re-enactors. He also tackles such questions as the protective properties of hoplite shields and armour and the much-vexed debate on the exact nature of the 'othismos' , the climax of phalanx-on-phalanx clashes. This is an innovative and refreshing reassessment of one of the most important kinds of troops in ancient warfare, sure to make a genuine contribution to the state of knowledge.

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In the brave new Japan of the 1870s, Taka and Nobu meet as children and fall in love; but their relationship will test the limits of society.Unified after a bitter civil war, Japan is rapidly turning into a modern country with rickshaws, railways and schools for girls. Commoners can marry their children into any class, and the old hatred between north and south is over - or so it seems. Taka is from the powerful southern Satsuma clan which now dominates the country, and her father, General Kitaoka, is a leader of the new government. Nobu, however, is from the northern Aizu clan, massacred by the Satsuma in the civil war. Defeated and reduced to poverty, his family has sworn revenge on the Satsuma. Taka and Nobu's love is unacceptable to both their families and must be kept secret, but what they cannot foresee is how quickly the tables will turn. Many southern samurai become disillusioned with the new regime, which has deprived them of their swords, status and honour. Taka's father abruptly leaves Tokyo and returns to the southern island of Kyushu, where trouble is brewing. When he and his clansmen rise in rebellion, the government sends its newly-created army to put them down. Nobu and his brothers have joined this army, and his brothers now see their chance of revenge on the Satsuma. But Nobu will have to fight and maybe kill Taka's father and brother, while Taka now has to make a terrible choice - between her family and the man she loves ...

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A pocket-sized travel guide, packed with expert advice and ideas for the best things to see and do in Berlin, and complemented with a sturdy pull-out map - perfect for a day trip or a short break.Whether you want to gaze at world-class art on Museum Island, climb the glittering dome of the Reichstag or find the best bars in Europe's coolest capital - this great-value, concise travel guide will ensure you don't miss a thing. Inside Mini Map and Guide Berlin:- Easy-to-use pull-out map shows Berlin in detail, and includes a U-Bahn and S-Bahn map- Colour-coded area guide makes it easy to find information quickly and plan your day- Illustrations show the inside of some of Berlin's most iconic buildings- Colour photographs of Berlin's museums, architecture, shops, cathedrals, and more- Essential travel tips including our expert choices of where to eat, drink and shop, plus useful transport, currency and health information and a phrase book- Chapters covering Unter den Linden, Museum Island, Alexanderplatz, North Mitte and Prenzlauer Berg, Friedrichshain, Tiergarten, Kreuzberg, Around Kurfürstendamm, and Around Schloss Charlottenburg Mini Map and Guide Berlin is abridged from DK Eyewitness Travel Guide Berlin.Staying for longer and looking for a more comprehensive guide? Try our DK Eyewitness Top Ten Berlin. About DK Eyewitness Travel: DK's Mini Map and Guides take the work out of planning a short trip, with expert advice and easy-to-read maps to inform and enrich any short break. DK is the world's leading illustrated reference publisher, producing beautifully designed books for adults and children in over 120 countries.

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Based on long-term ethnographic fieldwork at the Caribbean Court of Justice, A Region among States explores the possibility of constituting a region on a geopolitical and ideological terrain dominated by the nation-state. How is it that a great swath of the independent, English-speaking Caribbean continues to accept the judicial oversight of their former colonizer via the British institution of the Privy Council? And what possibilities might the Caribbean Court of Justice—a judicial institution responsive to the region, not to any single nation—offer for untangling sovereignty and regionhood, law and modernity, and postcolonial Caribbean identity? Joining the Court as an intern, Lee Cabatingan studied its work up close: she attended each court hearing and numerous staff meetings, served on committees, assisted with the organization of conferences, and helped prepare speeches and presentations for the judges. She now offers insight into not only how the Court positions itself vis-à-vis the Caribbean region and the world but also whether the Court—and, perhaps, the region itself as an overarching construct—might ever achieve a real measure of popular success. In their quest for an accepting, eager constituency, the Court is undertaking a project of extrajudicial region building that borrows from the toolbox of the nation-state. In each chapter, Cabatingan takes us into an analytical dimension familiar from studies of nation and state building—myth, territory, people, language, and brand—to help us understand not only the Court and its ambitions but also the regionalist project, beset as it is with false starts and disappointments, as a potential alternative to the sovereign state.

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What does non-hierarchical governance mean? Under what conditions are actors likely to engage in it? Which trajectory best captures its long-term evolution? Through which mechanisms does it overcome gridlock? To respond to these questions at the heart of regulatory governance, Experimentalist Governance develops an analytical framework that draws on contemporary debates but seeks to overcome their limitations. Notably, it offers a definition of non-hierarchical (experimentalist) governance that goes beyond institutional structures, focusing attention on actors' choices and strategies. It shows that, contrary to expectations, functional and political pressures were more influential than distributions of legal power, and bolstered one another. Strong functional demands and political opposition influence actors' capacity of using powers which, de jure, might be concentrated in their own hands. Indeed, actors can use non-hierarchical governance to aid learning and mould political support. Conversely, they may override legal constraints and impose their views on others, insofar as they are equipped with confidence and powerful coalitions beforehand. This book also challenges conservative views that non-hierarchical governance is doomed to wither away, showing that, on the contrary, it is often resilient. Finally, it demonstrates that, far from being alternatives, positive (shadow-of-hierarchy) and negative (penalty-default) mechanisms to avoid gridlock are frequently complementary. By analysing five crucial domains (electricity, gas, communications, finance, and pharmaceuticals) in the European Union, an examination is made of when, how, and why non-hierarchical institutions affect policy processes and outcomes. Combining temporal, cross-sectoral, and within-case comparisons with process-tracing, this book ultimately illustrates the conditions, trajectories, and mechanisms of non-hierarchical governance.

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This book presents a radically new approach of how societies can bring corruption under control. Since the late 1990s, the detrimental effects of corruption to human well-being have become well established in research. This has resulted in a stark increase in anti-corruption programs launched by international organizations such as the World Bank, the African Union, the EU, as well as many national development organizations. Despite these efforts, evaluations of the effects of these anti-corruption programs have been disappointing. As it can be measured, it is difficult to find substantial effects from such anti-corruption programs. The argument in this book is that this huge policy failure can be explained by three factors. Firstly, it argues that the corruption problem has been poorly conceptualized since what should count as the opposite of corruption has been left out. Secondly, the problem has been located in the wrong social spaces. It is neither a cultural nor a legal problem. Instead, it is for the most part located in what organization theory defines as the 'standard operating procedures' in social organizations. Thirdly, the general theory that has dominated anti-corruption efforts -- the principal-agent theory -- is based on serious misspecification of the basic nature of the problem. The book presents a reconceptualization of corruption and a new theory -- drawing on the tradition of the social contract - to explain it and motivate policies of how to get corruption under control. Several empirical cases serve to underpin this new theory ranging from the historical organization of religious practices to specific social policies, universal education, gender equality, and auditing. Combined, these amount to a strategic theory known as 'the indirect approach'.

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Perceptions of Medieval Manuscripts takes as its starting point an understanding that a medieval book is a whole object at every point of its long history. As such, medieval books can be studied most profitably in a holistic manner as objects-in-the-world. This means readers might profitably account for all aspects of the manuscript in their observations, from the main texts that dominate the codex to the marginal notes, glosses, names, and interventions made through time. This holistic approach allows us to tell the story of the book's life from the moment of its production to its use, collection, breaking-up, and digitization--all aspects of what can be termed 'dynamic architextuality'. The ten chapters include detailed readings of texts that explain the processes of manuscript manufacture and writing, taking in invisible components of the book that show the joy and delight clearly felt by producers and consumers. Chapters investigate the filling of manuscripts' blank spaces, presenting some texts never examined before, and assessing how books were conceived and understood to function. Manuscripts' heft and solidness can be seen, too, in the depictions of miniature books in medieval illustrations. Early manuscripts thus become archives and witnesses to individual and collective memories, best read as 'relics of existence', as Maurice Merleau-Ponty describes things. As such, it is urgent that practices fragmenting the manuscript through book-breaking or digital display are understood in the context of the book's wholeness. Readers of this study will find chapters on multiple aspects of medieval bookness in the distant past, the present, and in the assurance of the future continuity of this most fascinating of cultural artefacts.

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Rather than providing a dictionary of superstitions, of which there are already numerous excellent, exhaustive and, in many cases, academic works which list superstitions from A to Z, Bainton gives us an entertaining flight over the terrain, landing from time to time in more thought-provoking areas. He offers an overview of humanity's often illogical and irrational persistence in seeking good luck and avoiding misfortune. While Steve Roud's two excellent books - The Penguin Dictionary of Superstitions and his Pocket Guide - and Philippa Waring's 1970 Dictionary concentrate on the British Isles, Bainton casts his net much wider. There are many origins which warrant the full back story, such as Friday the thirteenth and the Knights Templar, or the demonisation of the domestic cat resulting in 'cat holocausts' throughout Europe led by the Popes and the Inquisition. The whole is presented as a comprehensive, entertaining narrative flow, though it is, of course, a book that could be dipped into, and includes a thorough bibliography. Schoenberg, who developed the twelve-tone technique in music, was a notorious triskaidekaphobe. When the title of his opera Moses und Aaron resulted in a title with thirteen letters, he renamed it Moses und Aron. He believed he would die in his seventy-sixth year (7 + 6 = 13) and he was correct; he also died on Friday the thirteenth at thirteen minutes before midnight.As Sigmund Freud wrote, 'Superstition is in large part the expectation of trouble; and a person who has harboured frequent evil wishes against others, but has been brought up to be good and has therefore repressed such wishes into the unconscious, will be especially ready to expect punishment for his unconscious wickedness in the form of trouble threatening him from without.'

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LONGLISTED FOR FINANCIAL TIMES AND SCHRODERS BUSINESS BOOK OF THE YEAR AWARDA FINANCIAL TIMES BUSINESS BOOK OF THE YEAR'Excellent . . . reveals an insidious matrix of spying, deception, censorship and repression . . . compelling' Daily Telegraph'A timely read . . . Chilling . . . Startling . . . A powerful case for more coordinated western intervention' Guardian'Brilliant' Irish Sunday IndependentThe remarkable story of China's two-decade quest for global dominance.For several decades China's ascendancy has been supported by an astonishingly broad and deep portfolio of quiet coercion. Stories of the Chinese Communist Party's authoritarian reach are breathtaking - the gagging of sports stars and huge Western brands; Hollywood self-censorship; infrastructure deals in exchange for political loyalty in multilateral organizations; and of course - communications firms. But these are just the most visible examples. Beijing Rules exposes the armoury of strategies with which China has exploited Western weakness to position itself as leader in the game of nations: tying market access to political acquiescence; punitive tariffs; online disinformation operations; use of private companies to spy on global users; leveraging vaccines for geopolitical gain; and the crushing of democracy in Hong Kong. With these weapons and dextrous manoeuvrings during the global pandemic, China positioned itself to take its place at the apex of world powers. Bethany Allen, an internationally recognized investigator into China's covert power, shows Western institutions have bowed to and even enabled Beijing's coercion. As we come reeling out of a global pandemic and eyes are on a new war in Europe, this revealing analysis sounds the alarm about the most significant shift in the new world order, and what we must do to prevent the loss of freedoms we take for granted.

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The potential of tomb mosaics as an academic resource has often been underestimated and consequently they have only been partially analysed not only in Italy but also throughout the Western Mediterranean. This work is intended to shed a new light on these finds, which are often incomplete, lost, or little studied. The first part of the book presents the history of previous studies on the subject and briefly explains the structure of the corpus. The corpus, in turn, is organised according to current Italian administrative regions, specifically: Sardegna, Sicilia, Puglia, Campania, Lazio, Marche, and Friuli Venezia Giulia. Every region is then further divided following current provinces and municipalities. This work does not aim to present merely a compilation of data in a catalogue; thus the second part of the book focuses specifically on tomb mosaics found in the Italic peninsula and major islands, and provides information on their geographic distribution, dating, typology, place of discovery and iconography, and considers the potential identification of individual workshops. The purpose of the book is to bring tomb mosaics to greater consideration, since they have not survived in academic literature to the same extent as did their rich villa or domus counterparts. This work does not therefore aspire to be a complete analysis of the subject, but rather a starting point which can be both useful and a stimulus for future studies. ITALIAN DESCRIPTION: Il mosaico funerario è una particolare tipologia musiva spesso sottovalutata e poco studiata. Le origini sono da ricercarsi, probabilmente, nell’antica regione della Bizacena, attuale Tunisia, a partire dagli ultimi decenni del III secolo d.C. Nel IV secolo iniziò l’esportazione dei cartoni musivi funerari nel resto del Mediterraneo occidentale, raggiungendo l’Italia e la Spagna; in entrambi i casi però il mosaico funerario non riscosse particolare successo. La richiesta maggiore di questo nuovo monumento funerario avveniva da parte dei cristiani, e solo in minima parte dai pagani. In questo libro si cerca di fare ordine sui mosaici funerari presenti nell’odierno territorio italiano, catalogando tutte le evidenze musive, sia oggigiorno scomparse che ancora in situ, per cercare di delineare un’analisi sul fenomeno che ha, in maniera seppur ridotta, investito la Penisola italiana e le sue Isole maggiori. Infatti le testimonianze musive si concentrano in zone dove particolari condizioni hanno permesso la loro messa in posa. La prima parte è dedicata al repertorio dei sessanta mosaici funerari dell’attuale Italia, ognuno catalogato secondo una scheda pensata e studiata per rendere più agevole possibile la consultazione. La seconda parte è invece incentrata sullo studio d’insieme del fenomeno dei mosaici funerari in Italia, nella quale si cerca di fare chiarezza e dare dei punti fermi su questa categoria di mosaici. L’analisi conclusiva cerca di spiegare il perché in Italia, pur essendoci condizioni apparentemente favorevoli alla produzione delle coperture tombali musive, non si siano trovati che poche testimonianze musive funerarie se paragonate a quelle ritrovate nel Nord Africa e in special maniera in Bizacena.

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Let Marco Polo Corfu guide you around this beautiful Greek island Explore Corfu with this handy, pocket-sized, authoritative guide, packed with Insider Tips. Discover boutique hotels, authentic restaurants, the island's trendiest places, and get tips on shopping and what to do on a limited budget. There are plenty of ideas for travel with kids, and a summary of all the festivals and events that take place. Let Marco Polo show you all this wonderful Greek island has to offer… Corfu, Greece's greenest island, is like a tightly woven carpet covered with 3 million ancient and gnarled olive trees. Countless blossoms ensure year-round dashes of colour amidst all the dominant green. See beautiful bays, long beaches beneath spectacular coasts, white cliffs and evergreen forests. As one of the most popular of all Greek islands, Corfu offers a multitude of attractions and lots to enjoy. Water sports, mountain biking and relaxation can be just as much part of your holiday as great cuisine, beach bars and romantic sunsets. This practical, pocket-sized guide will help you discover the best of Corfu. Your Marco Polo Corfu Guide includes: Insider Tips – we show you the hidden gems and little-known secrets that offer a real insight into this amazing island from tucked-away tavernas to spectacular beaches Best of – find the best things to do if you’re travelling on a budget, the best things to do with the kids, the best things to do if it rains and the best things to do if you’re looking for an authentic Corfu experience Sightseeing – all the top sights are organised by area, so you can easily plan your trip Discovery Tours – specially tailored tours will get you to the heart of Corfu. Experience the unique character of the island with these personal tours Corfu in full-colour – Marco Polo Pocket Guide Corfu includes full-colour photos throughout the guide bringing the island to life offering you a real taste of what you can see and enjoy on your trip Get in the holiday mood – before even leaving home, get in to the holiday mood with Marco Polo’s spotify playlist featuring songs related to the travel destination along with the best apps, blogs, film and book recommendations Useful Greek phrases - the essential words and phrases are included to help you get by Pull-out map – we’ve included a handy, pull-out map so you can pop the guide in your bag for a full-on sightseeing day or head out with just the map to enjoy your Discovery Tour Trust Marco Polo Pocket Guide Corfu to show you this amazing Greek island. The comprehensive coverage and unique insights will ensure you experience everything that Corfu has to offer and more. The special tips, personal insights and unusual experiences will help you make the most of your trip - just arrive and enjoy.

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The Scottish Highlands have a strong appeal to the public imagination. Indeed, as a result of the writings of Sir Walter Scott, they are now symbolic of Scotland as a whole: a land of mountains, glens and lochs, of golden eagles and red deer; a land with a rich cultural history of clans and clanship, of kilts and castles, of crofts, crofting, Highland cows and sheep, of music and dance. But does this imagined landscape relate to the actuality? Is it in fact a wild landscape which has escaped the pressures of the modern world, or does such untrammelled wildness only reside in the mind? The aim of this book is to answer this last question by taking an objective look at the history of the Highland landscape, how it has changed over the centuries and how it is still changing. It challenges the view that the Highlands are, to quote the famous ecologist Frank Fraser Darling, ‘a devastated landscape’ – that is a landscape damaged by centuries of overgrazing and human exploitation. Instead it points out that the evidence suggests that the traditional unwooded Highland landscape of open hill and moor is one of the most natural remaining in northwest Europe, showing only minimal signs of human impact over the millennia; apart, that is, from the areas of human settlement. The occurrence of woodland as only isolated fragments scattered across the land is in fact a key biodiversity feature of the Highlands, distinguishing the far northwest of Britain from most of western Europe, where woodland would undoubtedly be the dominant habitat. There certainly were significantly more trees in the past but the woodland declined naturally over the millennia for a complex variety of reasons. Hence the current approach of putting trees back in the landscape, nowadays termed ‘reforesting’ or ‘rewilding’ is in fact destroying the very essence of the land. Similarly, the current activity of ‘restoring’ peatland can also result in a loss of the naturalness of the landscape. Indeed, loss of natural habitat is seen as a serious global issue, with humans slowly taking over for themselves the whole planet, leaving little space available for the wildness of nature. It is not only reforesting and peatland restoration which is destroying the naturalness of the Highland landscape, but also the continuing encroachment of infrastructure, whether hill tracks, wind turbines, dams, phone masts, ski development, fences, and commercial forestry plantations. At the current rate of attrition, the wild landscape will soon remain only in the imagination, the open hills and moors having been dumped into the dustbin of history. The Highlands, sadly, will be like everywhere else in the world: developed and managed to extinction! Why can we not just let the hills be? After all, this is how they were for thousands of years until landownership entered the Highlands following the Battle of Culloden.

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"Limestone" is the epic poem of Barbados (porous limestone island), and a major achievement in the development of an indigenous Caribbean poetics. Drawing on the Barbadian folk music of Tuk, Anthony Kellman invents his own form of Tuk verse to write the story of his island from the destruction of the Amerindians to the present day. In part one, the verse is based on the three-line tercet form of the early Tuk song. This section uses both invented characters and actual historical persons such as Bussa and Nanny Grigg, the leaders of the 1816 slave revolt, to explore the epic of loss, survival and reinvention in the lives of the African slaves. The verse form of part two is based on the vocal melodies of the contemporary Tuk song, rhymed couplets in tetrameters with occasional improvised or 'picong' breaks. This section is set in the post-emancipation period up to 1987 when Barbados had reached twenty-one years of independence. Through the voices of those who lead the struggle against colonialism - Samuel Jackman Prescod, Charles O'Neal, Clement Payne, Grantley Adams and Errol Barrow - Kellman explores in a series of dramatic monologues the inner anguish of these popular leaders over the slow pace of advance and the inevitable compromises with external power. And as the society becomes increasingly polarized in terms of class and wealth, and the queues of would-be emigrants at the American consulate lengthen, the island, always the central character of the epic, asks: when a White business class still dominates the economy, who has benefited from the people's struggles of the past? What has been the fate of the 'children' of Bussa and Nanny Grigg? The verse form in part three is based on the rhythmic patterns of the seminal instrument in Tuk music, the snare drum. This section is set at the end of the twentieth century and tells the stories of Livingston, a young musician, and Levinia, an Indian-African Barbadian schoolteacher who has migrated to Georgia, USA. Their stories explore the complex relationship of contemporary Barbadians to their homeland: deep attachment and an equal frustration over the absence of opportunities. Though Livingston and Levinia meet only in the most fleeting way, their lives intertwine in signifying that the island and its people still nurture within them the dreams of freedom and self-fulfilment. "Limestone" has a truly epic sweep. It narrates countless stories and creates many different voices to construct a vision of Barbados that encompasses suffering and achievement, heroic struggle and the setbacks of born of self-interest and timorous compromise. Like the great epics of Homer and Virgil it connects images of the past to contemporary dilemmas. Above all, "Limestone" is never other than a poem: a vast treasure house of images, sounds and rhythms that move, entertain and absorb the reader in its world.

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Named a Gift Book for the Discerning New Yorker by The New York Times In a metropolis like New York, homelessness can blend into the urban landscape. For editor Susan Greenfield, however, New York is the place where a community of resilient, remarkable individuals are yearning for a voice. Sacred Shelter follows the lives of thirteen formerly homeless people, all of whom have graduated from the life skills empowerment program, an interfaith life skills program for homeless and formerly homeless individuals in New York. Through frank, honest interviews, these individuals share traumas from their youth, their experience with homelessness, and the healing they have discovered through community and faith. Edna Humphrey talks about losing her grandparents, father, and sister to illness, accident, and abuse. Lisa Sperber discusses her bipolar disorder and her whiteness. Dennis Barton speaks about his unconventional path to becoming a first-generation college student and his journey to reconnect with his family. The memoirists share stories about youth, family, jobs, and love. They describe their experiences with racism, mental illness, sexual assault, and domestic violence. Each of the thirteen storytellers honestly expresses his or her brokenheartedness and how finding community and faith gave them hope to carry on. Interspersed among these life stories are reflections from program directors, clerics, mentors, and volunteers who have worked with and in the life skills empowerment program. In his reflection, George Horton shares his deep gratitude for and solidarity with the 500-plus individuals he has come to know since he co-founded the program in 1989. While religion can be divisive, Horton firmly believes that all faiths urge us to “welcome the stranger” and, as Pope Francis asks, “accompany” them through the struggles of life. Through solidarity and suffering, many formerly homeless individuals have found renewed faith in God and community. Beyond trauma and strife, Dorothy Day’s suggestion that “All is grace” is personified in these thirteen stories. Jeremy Kalmanofsky, rabbi at Ansche Chesed Synagogue, says the program points toward a social fabric of encounter and recognition between strangers, who overcome vast differences to face one another, which in Hebrew is called Panim el Panim. While Sacred Shelter does not tackle the socioeconomic conditions and inequities that cause homelessness, it provides a voice for a demographic group that continues to suffer from systemic injustice and marginalization. In powerful, narrative form, it expresses the resilience of individuals who have experienced homelessness and the hope and community they have found. By listening to their stories, we are urged to confront our own woundedness and uncover our desire for human connection, a sacred shelter on the other side of suffering.

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Ever since Pearl Jam first blasted onto the Seattle grunge scene three decades ago with their debut album, Ten, they have sold 85M+ albums, performed for hundreds of thousands of fans around the world, and have even been inducted into the Rock and Roll Hall of Fame. In Long Road: Pearl Jam and the Soundtrack Of A Generation, music critic and journalist Steven Hyden celebrates the life, career, and music of this legendary group, widely considered to be one of the greatest American rock bands of all time. Long Road is structured like a mix tape, using 18 different Pearl Jam classics as starting points for telling a mix of personal and universal stories. Each chapter tells the tale of this great band - how they got to where they are, what drove them to greatness, and why it matters now.Much like the generation it emerged from, Pearl Jam is a mass of contradictions. They were an enormously successful mainstream rock band who felt deeply uncomfortable with the pursuit of capitalistic spoils. They were progressive activists who spoke in favor of abortion rights and against the Ticketmaster monopoly, and yet they epitomized the sound of traditional, male-dominated rock 'n' roll. They were looked at as spokesmen for their generation, even though they ultimately projected profound confusion and alienation. They triumphed, and failed, in equal doses - the quintessential Gen-X tale.Impressive as their stats, accolades, and longevity may be, Hyden also argues that Pearl Jam's most definitive accomplishment lies in the impact their music had on Generation X as a whole. Pearl Jam's music helped an entire generation of listeners connect with the glory of bygone rock mythology, and made it relevant during a period in which tremendous American economic prosperity belied a darkness at the heart of American youth. More than just a chronicle of the band's career, this book is also a story about Gen- X itself, who like Pearl Jam came from angsty, outspoken roots and then evolved into an establishment institution, without ever fully shaking off their uncertain, outsider past. For so many Gen-Xers growing up at the time, Pearl Jam's music was a beacon that offered both solace and guidance. They taught an entire generation how to grow up without losing the purest and most essential parts of themselves.Written with his celebrated blend of personal memoir, criticism, and journalism, Hyden explores Pearl Jam's path from Ten to now. It's a chance for new fans and old fans alike to geek out over Pearl Jam minutia-the B-sides, the beloved deep cuts, the concert bootlegs-and explore the multitude of reasons why Pearl Jam's music resonated with so many people. As Hyden explains, "Most songs pass through our lives and are swiftly forgotten. But Pearl Jam is forever."

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Notoriously difficult to define as a genre, Live Art is commonly positioned as a challenge to received artistic, social and political categories: not theatre, not dance, not visual art... and often wilfully anti-mainstream and anti-establishment. But as it has become an increasingly prevalent category in international festivals, major art galleries, diverse publications and higher education streams, it is time for a reassessment. This collection of essays, conversations, provocations and archival images takes the twentieth anniversary of the founding of one of the sector’s most committed champions, the Live Art Development Agency (LADA) in London, as an opportunity to consider not only what Live Art has been against, but also what it has been for. Rather than defining the practices in oppositional terms – what they might be seeking to critique, reject or disrupt – this collection reframes these practices in terms of the relations and commitments they might be used to model or advocate. What kinds of care and recovery do they enable? What do they connect as well as reject? What do they make possible as they test the impossible? What ideas of success do they stand for as they risk failure? In this way, the central theme of the collection, and to which all contributors were invited to respond, is the idea of agency: the capacity for new kinds of thoughts, actions and energies as enacted by individual artists and groups. It seems appropriate that this question would be considered in relation to the history of one particular ‘agency’: LADA itself. These questions are explored in a unique conversational format, bringing together a diverse range of emerging and established practitioners, curators and leading figures in the field, each paired with another practitioner for a live conversation that has been sensitively edited for the page. Curated within a structure of five overlapping themes – Bodies, Spaces, Institutions, Communities and Actions – this format produces unexpected insights and accounts of the development of the field. Each theme also contains two provocative essays by leading scholars, thinkers and makers, exploring the conceptual frames in more detail. The result is a collection that is as heterogeneous, ambitious, contradictory and inspiring as the field of Live Art itself. Contributors: Aaron Williamson, Adrian Heathfield, Alan Read, Alastair MacLennan, Alexandrina Hemsley, Amelia Jones, Andrew Mottershead, Andy Field, Anne Bean, Barby Asante, Bryan Biggs, Cassils, Catherine Wood, David A. Bailey, Dominic Johnson, Gary Anderson, George Chakravarthi, Guillermo Gómez-Peña, Hayley Newman, Heike Roms, Helen Paris, James Leadbitter, Jamila Johnson-Small, Jane Trowell, Jen Harvie, Johanna Tuukkanen, John Jordan, John McGrath, Jordan McKenzie, Joshua Sofaer, Katherine Araniello, Kira O'Reilly, Lena Šimić, Leslie Hill, Lois Keidan, Lois Weaver, Manuel Vason, Martin O'Brien, Mary Paterson, Rajni Shah, Rebecca French, Richard Dedomenici, Ron Athey, RoseLee Goldberg, Selina Thompson, Simon Casson and Tim Etchells. Co-published with Live Art Development Agency. Winner of the 2021 TaPRA Edited Collection Prize

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William Morrisey unravels Melville’s “loomings” of the great whale, showing them to be important threads of politics and theories of governance. The Young America of Melville’s day valorized popular sovereignty such that moral law suppressed by the majority rule was bringing America to state of being that could only then be ruled by the mightiest of the mighty––the great Leviathan, who reigns in the boundless chaotic sea separated from “stable land.” The force of the created world and the necessary ordering achieved through conquest are dominating themes of Melville’s great tale, but as Morrisey observes approaching the great whale, ruler of the untamable seas, is for captain (ruler) an opportunity to destroy it. But for the sailor (the ruled) being close to the white whale is a moment for understanding, and in turn of being understood. Yet in what sense is being seen, for human beings of moral bearings, not also an impulse to self-impose? “The modern Ishmael wants to see, not to kill, perhaps to be seen, and surely not to be killed. Americans too need to come to terms with the white whale, if they are to perceive reality as it is without bringing destruction upon themselves.” Is Melville proposing an utterly new philosophy of ruler and ruled, of a proper gauge of the immeasurable chaos that is nature? “Does Melville also intend to be a founder in the ‘New World’?” Morrisey’s study is a compelling look at the early political moments of a new nation, but one that at the time perceived itself as already aging and maturing in the process of political voyage and adventure. Dangers lie ahead, Melville seems to warn, and in his disenchantment of the vigor of the Young America he once endorsed he tells the story of what really happens when democracy is idealized and the surrounding waters of chaos are thereby veiled; and yet also of what happens when one would seek to command the chaos only to transform into the unpredictably destructive prey he pursues, especially under the guise of moral outrage. Melville, like Ishmael, urges a new vision of both God and nature, and challenges the notion of rule in all its expressions. Americans, the people of the New World, are invited to be unafraid, but also careful. In wandering as on the open waters one wonders, beyond civic boundaries and conventions, and in that wonder one may finally come face to face with what is good and grand––but in beholding the great white whale, can one resist the urge to conquest, now that he is likewise by the leviathan beholden? Is the rule of man and the coronation of a specific dialectic of power an untenable victory, given that “‘Nature is nobody’s ally’: it wounds or kills any person or nation that violates it, impartially”? Morrisey writes with lucidity and weaves together elements of history, literature, politics and perhaps his own affinity for Ishmael’s passenger spirit to reveal just how broad and boundless of a narrative Melville’s Moby Dick truly is.

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A beautiful woman is found stabbed and frozen in the ice of Lake Munch, dressed only in the costume wings and tight corset of a Norse Valkyrie. Grammaticus Kolbitter, police precinct records clerk by day and keyboardist in a Viking heavy-metal band, The Berserkers, by night, is pulled into the investigation. What does a records clerk know about solving crime? Reluctantly, Grammaticus embarks on the adventure of a lifetime. Norse legend meets Twin Peaks in this quirky genre-bending novel. EXTRACT Snorri cackled and sucked at his teeth. The wind blasted across the lake, cutting the snow into sharp ridges. He hurled instructions at me as if he were whipping a husky, and I spun the wheel according to Snorri's command. Our tires rolled off the beach onto the thick ice cap that froze over the lake in Winter, clods of snow drumming the floorboard from underneath, like the rapping of the dead. Somewhere in the endless white lay our destination. "I'm a records clerk," I said. "A noble profession." "I shelve file folders and fuss with index cards. I'm not trained as a crime scene technician." "I'll bet the Constable doesn't get out of his vehicle," Snorri laughed, no longer having to be discrete. Despite having left the force more than a year before, he came around the stationhouse to harvest gossip and otherwise pierce the tedium of his days. Today, he had come to us with the news. With a grunt of satisfaction, Snorri shot an index finger under my nose. "Over there." Three precinct cars tailed us in caravan style, a procession blind to its destination and deaf to the admonishing wind. A knot of veins flared between Snorri's eyes. We had found the hillock of snow Snorri wanted. It was the sole hillock of snow on the frozen lake, and he had scraped it up himself, a bier to mark the spot. His face twisted with exhilaration. The remaining vehicles slid into place, a break against the gusts. Engines were cut, with more boots hitting the ice. Flipping the door handles, we stepped out and gathered in a ring. I looked around, first at Snorri and then at Bergthora, the sole remaining sergeant detective in our precinct. She was a wary creature whose penchant for vigilance had by slow degrees surrendered to grievance, just as her husky frame had given over to butter. The circle was completed by Patrolman Jerker, whose crisp azure uniform seemed ridiculously cheery. Snorri muttered, "You see, what I said is true." Yes, we finally saw what we had come to see. I gazed down at the exploding nova of hair through the window of ice at our feet. The girl seemed to float in a cauldron of glass. She had been there for a while, days at least - her eyes rolled back, her arms spread in pirouette beneath the translucent dome, a distorted shadow in the watery darkness. "Always a female," said Bergthora.

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With a few notable exceptions, the French efforts on the Somme have been largely missing or minimised in British accounts of the Battle of the Somme. And yet they held this sector of the Front from the outbreak of the war until well into 1915 and, indeed, in parts into 1916\. It does not hurt to be reminded that the French army suffered some 200,000 casualties in the 1916 offensive. David O Mara s book provides an outline narrative describing the arrival of the war on the Somme and some of the notable and quite fierce actions that took place that autumn and, indeed, into December of 1914\. Extensive mine warfare was a feature of 1915 and beyond on the Somme; for example under Redan Ridge and before Dompierre and Fay. The French limited offensive at Serre in June 1915 is reasonably well known, but there was fighting elsewhere for example the Germans launched a short, sharp, limited attack at Frise in January 1916, part of the diversionary action before the Germans launched their ill-fated offensive at Verdun. The book covers the Somme front from Gommecourt, north of the Somme, to Chaulnes, at the southern end of the battle zone of 1916\. The reader is taken around key points in various tours. For many British visitors the battlefields south of the Somme will be a revelation; there is much to see, both of cemeteries and memorials, but also substantial traces of the fighting remain on the ground, some of which is accessible to the public. It has always been something of a disgrace that there is so little available, even in French, to educate the public in an accessible written form about the substantial effort made by France s army on the Somme; this book and subsequent, more detailed volumes to be published in the coming years will go some way to rectify this. British visitors should be fascinated by the story of these forgotten men of France and the largely unknown part of the Somme battlefield.

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