Search results for ""author robert"

Shortlisted for the Information Book Awards 2023Come on an eye-catching adventure!Masterpieces in Pieces takes you on a journey through great art from all around the world and across the ages. Some of the masterpieces are famous, some may surprise you. Explore the themed galleries or just plunge in anywhere and enjoy the visual feast.From early cave paintings to Grayson Perry, see the exciting developments of art throughout history and look for connections that can be made across each masterpiece. This truly global collection will widen the eyes to many different cultures and approaches to art from across Europe, North and South America, Africa, Asia and Australia.Features artwork by Kerry James Marshall, Georges Seurat, John Singer Sargent, Francisco de Goya, Su Hanchen, Andreas Gursky, Diego Rivera, Natalia Goncharova, Rembrandt, Cristóvão Estevão Canhavato, Faith Ringgold, Pablo Picasso, Ford Maddox Brown, Farrukh Beg, Dorothea Tanning, Zheng Zhong, Njideka Akunyili Crosby, Henri Matisse, Vincent Van Gogh, Franz Marc, Emily Kame Kngwarreye, Wassily Kandinsky, Alice Neel, and many, many more.Find out how to look at and take great art to pieces - and decide for yourself what makes a masterpiece."I love this book. For anyone at any age who is as obsessed with the nuances of art history as I am, this book is for you, inspiring, fascinating, and thought-provoking, this book is your personal archaeologist, gently revealing new ways to see and look at art."Russell Tovey, actor "The wide and refreshing choice of artworks, the focus on revealing often surprising details and the lively and informative commentaries throughout, make this an essential book for any art-loving family."Louisa Buck, writer, and broadcaster"Zoom in and take art apart! This book focuses in on areas of surprising storytelling and amazing skill. How and why art is created has been made visible through loving inspection of some wonderful art works. This is a totally enjoyable book for children but also for parents, enabling conversations about ideas pictured in art."Bob & Roberta Smith RA, artist "Fun, engaging, and beautifully illustrated. Masterpieces in Pieces is a totally inspired way of looking at art history - I wish it had existed when I was young!" Jonathan Baldock, artist"This is a lovely book that looks at art from many angles. It is infinitely clever and knowledgeable, and at the same time innocent, in the best way." Matthew Collings, artist, writer, and broadcaster

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Italy's economic expansion after World War Two triggered significant social and cultural change. Secularization accompanied this development and triggered alarm bells across the nation's immense Catholic community. The Devil and the 'Dolce Vita' is the story of that community – the church of Popes Pius XII, John XXIII and Paul VI, the lay Catholic Action association, and the Christian Democratic Party – and their efforts in a series of culture wars to preserve a traditional way of life and to engage and tame the challenges of a rapidly modernizing society. Roy Domenico begins this study during the heady days of the April 1948 Christian Democratic electoral triumph and ends when pro-divorce forces dealt the Catholics a defeat in the referendum of May 1974 where their hopes crashed and probably ended. Between those two dates Catholics engaged secularists in a number of battles – many over film and television censorship, encountering such figures as Roberto Rossellini, Luchino Visconti, Federico Fellini, and Pier Paolo Pasolini. The Venice Film Festival became a locus in the fight as did places like Pozzonovo, near Padua, where the Catholics directed their energies against a Communist youth organization; and Prato in Tuscany where the bishop led a fight to preserve church weddings. Concern with proper decorum led to more skirmishes on beaches and at resorts over modest attire and beauty pageants. By the 1960s and 1970s other issues, such as feminism, a new frankness about sexual relations, and the youth rebellion emerged to contribute to a perfect storm that led to the divorce referendum and widespread despair in the Catholic camp.

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In these fifty-two interviews, the greatest songwriters of our time go straight to the source of the magic of songwriting by offering their thoughts, feelings, and opinions on their art. Representing almost every genre of popular music, from folk to Tin Pan Alley to jazz, from blues to pop rock, these are the figures who have shaped American music as we know it. Here they share their secrets and personal methods for converting inspiration into song: Robbie Robertson of the Band an Tom Petty talk about working with Bob Dylan; Dylan himself, in his only in-depth interview in more than ten years, says that the world doesn't need any new songs; R.E.M. name their favorite R.E.M. songs; Madonna describes collaborating with Prince; Sammy Cahn talks about writing standards for Sinatra; Pete Seeger recounts hitting the road with Woody Guthrie; Frank Zappa admits to loving "Louie Louie"; Todd Rundgren explains how he dreams his songs; and, in the book's most extensive interview, Paul Simon delves into his opus from "The Sound of Silence" to "Graceland." And almost all of them express delight at being able to talk about the mechanics of music itself, something that they have rarely been asked to discuss. Here expanded with new interviews with Burt Bacharach, Laura Nyro, Yoko Ono, Leonard Cohen, Graham Nash, Jackson Browne, Richard Thompson, and many others, Songwriters on Songwriting is a rare volume: one of the best books on the craft of musicmaking, an informative source for musicians and songwriters, and an invaluable historical record of the popular music of this century.

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Hidden Wonders of the Human Heart is a moving testament to ways of seeing which reveal the tender wisdom that stirs in our hearts in times of change and sorrow. Drawing on eight true stories of revelation and renewal from her psychotherapy practice, Susan Holliday invites us to see the ecology of our hearts as a vital realm alive with the possibility of new beginnings. The cultivation of insight has never been more urgent. We live in a world awash with glances, swipes and clicks. The intimate truth of our hearts is increasingly veiled behind categories and labels that merely codify how we feel. If we are to appreciate the wonders at play in the depths of our human nature, we need to learn how to see ourselves through a more creative vision. Weaving compelling storytelling with insight from poets, artists and musicians, Hidden Wonders of the Human Heart takes its place alongside popular nonfiction titles that explore how we can enrich everyday experience, by listening, feeling and seeing more deeply. 'A stunningly written and deeply interesting book about wonder as a source of inner revelation.' Lucy Jones - Losing Eden: Why Our Minds Need the Wild 'In prose that is by turns lyrical, playful and penetrating Susan Holliday shines a light into our inner darkness to reveal the riches within. A riveting, hopeful book.' Jilly Hopper - The Mahogany Pond 'A highly original text. Susan's own wonderful creative writing is spiced with quotes from artists, musicians and poets.' Chris Robertson - Transformation in Troubled Times 'Ripples with beauty and shimmers off the page. A jewel of a book.' Sonia Lakshman - Co-founder, Every One of Us

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St. Andrews, Scotland: When a man's preserved body is discovered in a whisky ageing cask in the local Gleneden Distillery, DCI Andy Gilchrist and his partner, DS Jessie Janes, are assigned to the investigation. But when the dead man is identified as Hector Dunmore, the once heir-apparent of Gleneden Distillery, their investigation takes a dramatic turn, for Dunmore was reported missing 25 years earlier when his Land Rover was found abandoned on the outskirts of Mallaig, almost two hundred miles away on the Scottish west coast.Why hide a body in a 25-year ageing cask? And who would want Dunmore dead?Suspicion falls on Duncan Milne, the distillery manager at the time, but when Gilchrist learns that Milne died under suspicious circumstances the year Dunmore disappeared, he suspects they are looking at a double murderer. Gilchrist's efforts to resolve the murders forces him to dig deep into the Dunmore family's past, only to come up against a frightening killer who will stop at nothing to keep the darkest of family secrets from ever coming to light.PRAISE FOR T.F. MUIR:'Rebus did it for Edinburgh. Laidlaw did it for Glasgow. Gilchrist might just be the bloke to put St Andrews on the crime fiction map.' Daily Record'A truly gripping read, with all the makings of a classic series.' Mick Herron'Gripping and grisly, with plenty of twists and turns that race along with black humour.' Craig Robertson'DCI Gilchrist gets under your skin. Though, determined, and a bit vulnerable, this character will stay with you long after the last page.' Anna Smith'Gripping!' Peterborough Telegraph

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Gathering together an incredible array of contributors from the past century of the Tavistock to cover all aspects of amazing work they do. With chapters from David Armstrong, James Astor, Andrew Balfour, Fred Balfour, Sara Barratt, David Bell, Sandy Bourne, Wesley Carr, Andrew Cooper, Gwyn Daniel, Dilys Daws, Domenico di Ceglie, Emilia Dowling, Andrew Elder, Caroline Garland, Peter Griffiths, Rob Hale, Sarah Helps, Beth Holgate, Juliet Hopkins, Marcus Johns, Sebastian Kraemer, James Krantz, Mary Lindsay, Julian Lousada, Louise Lyon, David Malan, Gillian Miles, Lisa Miller, Mary Morgan, Nell Nicholson, Anton Obholzer, Paul Pengelly, Maria Rhode, Margaret Rustin, Michael Rustin, Edward R. Shapiro, Valerie Sinason, Jenny Sprince, John Steiner, Jon Stokes, David Taylor, Judith Trowell, Margot Waddell, and Gianna Williams The Tavistock Century traces the developmental path taken from the birth of a progressive and inspirational institution. From their wartime and post-war experience, John Rickman, Wilfred Bion, Eric Trist, Isabel Menzies, John Bowlby, Esther Bick, Michael Balint, and James Robertson left us a legacy of innovation based on intimate observation of human relatedness. The book contains entries across the full range of disciplines in the lifecycle, extending, for example, from research to group relations, babies, adolescents, couples, even pantomime. It will be of enormous value to anyone working in the helping professions; clinicians, social workers, health visitors, GPs, teachers, as well as social science scholars and a host of others who are directly or indirectly in touch with the Tavistock wellspring.

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In his comprehensive first book, legendary pizza czar Anthony Falco teaches you everything you need to know to make pizza wherever you are, drawing from his singular experience opening pizzerias around the globe If there’s one thing the entire world can agree on, it’s pizza. It just might be the world’s favorite food. In every climate, in every region, in every kind of kitchen, there’s pizza to be had, infused with local flavor. In this definitive book, filled with hacks, tips, and secret techniques never before shared, International Pizza Consultant Anthony Falco brings the world of pizza to your kitchen, wherever you are. After eight years at the famous Brooklyn restaurant Roberta’s, culminating with his position as Pizza Czar, Falco pivoted from the New York City food scene to the world, traveling to Brazil, Colombia, Kuwait, Panama, Canada, Japan, India, Thailand, and all across the United States. His mission? To discover the secrets and spread the gospel of making the world’s favorite food better. Now the planet’s leading expert pizza consultant, he can make great pizza 8,000 feet above sea level in Bogotá or in subtropical India, and he can certainly help you do it at home. An exhaustive resource for absolutely any pizza cook, teaching mastery of the classics and tricks of the trade as well as completely unique takes on styles and recipes from around the globe, Pizza Czar is here to help you make world-class pizza from anywhere on the map.

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The unofficial bible of the French Symbolist movement, admired by Mallarmé, Jarry and Gide, in a new translation When Marcel Schwob published The Book of Monelle in French in 1894, it immediately became the unofficial bible of the French Symbolist movement, admired by such contemporaries as Stéphane Mallarmé, Alfred Jarry and André Gide. A carefully woven assemblage of legends, aphorisms, fairy tales and nihilistic philosophy, it remains a deeply enigmatic and haunting work more than a century later, a gathering of literary and personal ruins written in a style that evokes both the Brothers Grimm and Friedrich Nietzsche. The Book of Monelle was the result of Schwob’s intense emotional suffering over the loss of his love, a “girl of the streets” named Louise, whom he had befriended in 1891 and who succumbed to tuberculosis two years later. Transforming her into the innocent prophet of destruction, Monelle, Schwob tells the stories of her various sisters: girls succumbing to disillusionment, caught between the misleading world of childlike fantasy and the bitter world of reality. This new translation reintroduces a true fin-de-siècle masterpiece into English. A secret influence on generations of writers, from Guillaume Apollinaire and Jorge Luis Borges to Roberto Bolaño, Marcel Schwob (1867–1905) was as versed in the street slang of medieval thieves as he was in the poetry of Walt Whitman (whom he translated into French). Paul Valéry and Alfred Jarry both dedicated their first books to him, and he was the uncle of Surrealist photographer Claude Cahun.

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In The Great and the Good, Ireland's leading football pundit and legend of the game John Giles looks back on more than fifty years of football, at developments in the game from the post-War period to the present day, the great players who drove it forward, the visionary managers and their teams, and the age-old question of what makes a player good and what makes one great.From his earliest days, John Giles can recall pondering the subject. 'You'd hear about certain 'great' players, such as Stanley Matthews, but no one would ever explain why they were great. And it's a thing that has always frustrated me: trying to define what makes a player great, and what separates the great from the good.'Now the man himself brings us the answers and celebrates the great ones, from Stanley Matthews, Tom Finney, Dave Mackay, John Charles, Johnny Haynes and Jimmy Greaves to Pele, Franz Beckenbauer, John Robertson, Diego Maradona, Marco van Basten, Lionel Messi, Paul Scholes and many more. It will include a section on Irish players including detailed analysis of such greats as Roy Keane, Liam Brady and Paul McGrath. And, finally, Giles names the player he considers the greatest of them all.

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This first ever queer history of St Ives weaves together biography with art and social history to shine new light on a pivotal era in the development of British modernism. At its centre is the sculptor John Milne (1931–1978), who arrived in the town in 1952 to work as an assistant to Barbara Hepworth. Hidden behind 20-foot-high granite walls, Milne’s house, Trewyn, became a meeting point for queer figures from the arts as well as the scene of legendary parties. The large cast – both queer and otherwise – featured in Queer St Ives and Other Stories includes artists Francis Bacon, Alan Lowndes, Marlow Moss, Patrick Procktor, Mark Tobey, Keith Vaughan and Brian Wall; Whitechapel Art Gallery director Bryan Robertson; actors Keith Barron and Richard Wattis; potter Janet Leach; and writers Tony Warren and Richard Blake Brown. There is also the extraordinary Julian Nixon, a queer Everyman whose involvement in the group has been little explored until now. Based on original interviews and previously unpublished letters and diaries, Queer St Ives and Other Stories reveals a fascinating, previously undocumented history, adding vital new insights into the history of this fabled Cornish art colony. Publication supported by the Paul Mellon Centre.

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Some call it the American obsession, but men everywhere recognize the hypnotic allure of a large and shapely breast. In The Big Book of Breasts, Dian Hanson explores the origins of mammary madness through three decades of natural big-breasted nudes. Starting with the World War II Bosom-Mania that spawned Russ Meyer, Howard Hughes’s The Outlaw and Frederick’s of Hollywood, Dian guides you over, around, and in between the dangerous curves of infamous models including Michelle Angelo, Candy Barr, Virginia Bell, Joan Brinkman, Lorraine Burnett, Lisa De Leeuw, Uschi Digard, Candye Kane, Jennie Lee, Sylvia McFarland, Margaret Middleton, Paula Page, June Palmer, Roberta Pedon, Rosina Revelle, Candy Samples, Tempest Storm, Linda West, June Wilkinson, Julie Wills, and dozens more, including Guinness World Record holder Norma Stitz, possessor of the World`s Largest Natural Breasts. The 396 pages of this book contain the most beautiful and provocative photos ever created of these iconic women, plus nine original interviews, including the first with Tempest Storm and Uschi Digard in over a decade, and the last with Candy Barr before her untimely death in 2005. In a world where silicone is now the norm, these spectacular real women stand as testament that nature knows best.

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*NEW EDITION FEATURING UPDATED MATERIAL*'Erudite, interesting and, above all, entertaining' ALAN JOHNSON, FORMER UK HOME SECRETARY'A racy, engrossing read' PROFESSOR IAN ROBERTSON'Incredibly absorbing, leaving even the most confident orator with food for thought' PSYCHOLOGIES Communication can make the difference between failure and success. When communication goes badly, it's a nightmare. When it goes well, it's the stuff of dreams. In this revelatory and entertaining guide, top speechwriter Simon Lancaster reveals that the secret to great communication lies not in logic alone, but in skilfully connecting with people's deepest instincts and emotions. Through the power of connections, it is possible to transform people's perceptions about almost anything, making the scary safe, the unfamiliar familiar, and even turning a 'no' into a 'yes'. Drawing on cutting-edge neuroscience and ancient rhetoric, Lancaster examines ten powerful connections you can instantly make to change how people think, feel and act. Forget incomprehensible acronyms, mixed metaphors and jumbled jargon; with these connections, you can literally get people's mouths watering, make their hearts race and leave them addicted to your presence. Packed with wisdom, humour and actionable methods, Connect is the ultimate guide to great communication, giving you the power to inspire, influence and energise anyone, anywhere, anytime.

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Postmodernism may seem a particularly inappropriate term when used in conjunction with a region that is usually thought of as having only recently, and then unevenly, acceded to modernity. Yet in the last several years the concept has risen to the top of the agenda of cultural and political debate in Latin America. This collection explores the Latin American engagement with postmodernism, less to present a regional variant of the concept than to situate it in a transnational framework. Recognizing that postmodernism in Latin America can only inaccurately be thought of as having traveled from an advanced capitalist "center" to arrive at a still dependent neocolonial "periphery," the contributors share the assumption that postmodernism is itself about the dynamics of interaction between local and metropolitan cultures in a global system in which the center-periphery model has begun to break down. These essays examine the ways in which postmodernism not only designates the effects of this transnationalism in Latin America, but also registers the cultural and political impact on an increasingly simultaneous global culture of a Latin America struggling with its own set of postcolonial contingencies, particularly the crisis of its political left, the dominance of neoliberal economic models, and the new challenges and possibilities opened by democratization.With new essays on the dynamics of Brazilian culture, the relationship between postmodernism and Latin American feminism, postmodernism and imperialism, and the implications of postmodernist theory for social policy, as well as the text of the Declaration from the Lacandon Jungle of the Zapatatista National Liberation Army, this expanded edition of boundary 2 will interest not only Latin Americanists, but scholars in all disciplines concerned with theories of the postmodern.Contributors. Xavier Albó, José Joaquín Brunner, Fernando Calderón, Enrique Dussel, Néstor García Canclini, Martín Hopenhayn, Neil Larsen, the Latin American Subaltern Studies Group, Norbert Lechner, María Milagros López, Raquel Olea, Aníbal Quijano, Nelly Richard, Carlos Rincón, Silviano Santiago, Beatriz Sarlo, Roberto Schwarz, and Hernán Vidal

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Finalist for the 2021 CASEY Award for Best Baseball Book of the Year“For that period of time, he was the greatest player of my generation.”—Keith Hernandez Dave Parker was one of the biggest and most badass baseball players of the late twentieth century. He stood at six foot five and weighed 235 pounds. He was a seven-time All-Star, a two-time batting champion, a frequent Gold Glove winner, the 1978 National League MVP, and a World Series champion with both the Pittsburgh Pirates and the Oakland A’s. Here the great Dave Parker delivers his wild and long-awaited autobiography—an authoritative account of Black baseball during its heyday as seen through the eyes of none other than the Cobra. From his earliest professional days learning the game from such baseball legends as Pie Traynor and Roberto Clemente to his later years mentoring younger talents like Eric Davis and Barry Larkin, Cobra is the story of a Black athlete making his way through the game during a time of major social and cultural transformation. From the racially integrated playing fields of his high school days to the cookie-cutter cathedrals of his prime alongside all the midseason and late-night theatrics that accompany an athlete’s life on the road–Parker offers readers a glimpse of all that and everything in between. Everything. Parker recounts the triumphant victories and the heart-breaking defeats, both on and off the field. He shares the lessons and experiences of reaching the absolute pinnacle of professional athletics, the celebrations with his sports siblings who also got a taste of the thrills, as well as his beloved baseball brothers whom the game left behind. Parker recalls the complicated politics of spring training, recounts the early stages of the free agency era, revisits the notorious 1985 drug trials, and pays tribute to the enduring power of relationships between players at the deepest and highest levels of the sport. With comments at the start of each chapter by other baseball legends such as Pete Rose, Dave Winfield, Willie Randolph, and many more, Parker tells an epic tale of friendship, success, indulgence, and redemption, but most of all, family. Cobra is the unforgettable story of a million-dollar athlete just before baseball became a billion-dollar game.

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Television has long been a symbol of social and cultural decay, yet many in postwar Europe saw it as the medium with the greatest potential to help build a new society and create a new form of audiovisual art. Utopian Television examines works of the great filmmakers Roberto Rossellini, Peter Watkins, and Jean-Luc Godard, all of whom looked to television as a promising new medium even while remaining critical of its existing practices.Utopian Television illustrates how each director imagined television’s improved or “utopian” version by drawing on elements that had come to characterize it by the early 1960s. Taking advantage of the public service model of Western European broadcasting, each used television to realize works that would never have been viable in the commercial cinema. All three directors likewise seized on television’s supposed affinity for information and its status as a “useful” medium, but attempted to join this utility with aesthetic experimentation, suggesting new ways to conceive of the relationship between aesthetics and information.As beautifully written as it is theoretically rigorous, Utopian Television turns to the writing of Fredric Jameson and Ernst Bloch in treating the three directors’ television experiments as enactments of “utopia as method.” In doing so it reveals the extent to which the medium inspired and shaped hopes not only of a better future but of better moving image art as well.

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A Cinema of Poetry brings Italian film studies into dialogue with fields outside its usual purview by showing how films can contribute to our understanding of aesthetic questions that stretch back to Homer. Joseph Luzzi considers the relation between film and literature, especially the cinematic adaptation of literary sources and, more generally, the fields of rhetoric, media studies, and modern Italian culture. The book balances theoretical inquiry with close readings of films by the masters of Italian cinema: Roberto Rossellini, Vittorio De Sica, Luchino Visconti, Michelangelo Antonioni, Federico Fellini, Pier Paolo Pasolini, Bernardo Bertolucci, and others. Luzzi's study is the first to show how Italian filmmakers address such crucial aesthetic issues as the nature of the chorus, the relation between symbol and allegory, the literary prehistory of montage, and the place of poetry in cinematic expression-what Pasolini called the "cinema of poetry." While Luzzi establishes how certain qualities of film-its link with technological processes, capacity for mass distribution, synthetic virtues (and vices) as the so-called total art-have reshaped centuries-long debates, A Cinema of Poetry also explores what is specific to the Italian art film and, more broadly, Italian cinematic history. In other words, what makes this version of the art film recognizably "Italian"?

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In a career that has spanned a half-century, guitarist Jorma Kaukonen has been at the forefront of American music and culture. A pioneer of the 1960s San Francisco scene, Jorma is best known for co-founding psychedelic rock band The Jefferson Airplane. With his subsequent band Hot Tuna, formed with Jefferson Airplane bassist Jack Casady, Jorma solidified a fan base that has endured to this day. In this memoir, Jorma tells stories from his early life up to his present-day with reflections woven in. Jorma's story takes us around the globe, from meeting Jack in DC in the 50s to college to California to meeting Janis Joplin, Pigpen, Jerry Garcia, Bob Dylan, Phil Lesh and more. He tells all of the events of Jefferson Airplane's history and the story of his addiction and amazing recovery. Jorma continues to tour today while also running and teaching at Fur Peace Ranch Guitar Camp, which is considered one of the world's most unique centers for the study of guitar and other instruments. Perfect for fans of Robbie Robertson's Testimony and Deal by Bill Kreutzmann, Been So Long is the memoir for anyone who wants to hear stories about Jefferson Airplane, Hot Tuna, jam bands, and anyone interested in a national treasure who helped define 60s-70s rock.

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This book presents the Gianfranco Luzzetti collection housed in the historic complex of the former convent of the Clarisse in Grosseto, a new museum in the city. The collection is the result of the donation to the Municipality, in 2018, of over 60 works from the personal heritage of Luzzetti, an antiquarian from Grosseto, deeply linked to his land. The paintings, of great quality, trace Italian art from the 14th to the 19th century, with particular attention to Florentine art of the 17th century. The collection includes masterpieces by Antonio Rossellino, Giambologna, Rutilio Manetti, Passignano, Niccolò di Pietro Lamberti, Corrado Giaquinto, Camillo Rusconi, Pier Dandini and Giovanni di Tano Fei, as well as important works by Donatello and Beccafumi and works already donated to the Municipality of Grosseto in past years, of Santi di Tito and Cigoli. This volume, with introductory texts regarding the history of the site, the birth of the Museum and the Collection, is complemented by an anthology of writings by Luzzetti and bibliographic apparatuses. Research and texts: Sandro Bellesi, Marco Ciampolini, Roberto Contini, Elena Dubaldo, Lucia Ferri, Claudia Ganci, Cecilia Luzzetti, Gianfranco Luzzetti, Andrea Marchi, Mauro Papa, Marcella Parisi, Francesca Perillo, Gianluca Sposato, Angelo Tartuferi. Italian edition, with English translation in the appendix.

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Set in Dundee, this fast-paced crime novel is the first to feature Polish Detective Sergeant Dania Gorska.Volatile times in the city of discovery . . .DS Dania Gorska is a stranger in a foreign land. Born in Poland and transferred from London to Dundee's specialist crime division, she is called upon to investigate a series of grotesque killings where the victims are first brutally murdered and then displayed in a bizarre manner. Although seemingly unrelated, clues point to the victims having been members of a local druidic cult.While solving these murders is Dania's priority, she finds herself increasingly drawn to the case of two runaway teenage girls. But when she learns they were also members of the same druid group she becomes convinced their disappearance is linked to the murders. And, despite what the evidence suggests, Dania starts to fear that the girls have not run away but are actually the newest, undiscovered victims of the killer . . . Praise for Hania Allen'Nicely nasty in all the right places . . . The story rattles along until bringing the curtain down with an unnerving twist' Craig Robertson'Captivating characters and an intriguing plot. A great new find for crime fans' Lin Anderson 'Pitch-perfect . . . a witty, tense crime novel written in a highly readable style' Russel D McLean

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Set in Dundee, this fast-paced crime novel is the first to feature Polish Detective Sergeant Dania Gorska.Volatile times in the city of discovery . . .DS Dania Gorska is a stranger in a foreign land. Born in Poland and transferred from London to Dundee's specialist crime division, she is called upon to investigate a series of grotesque killings where the victims are first brutally murdered and then displayed in a bizarre manner. Although seemingly unrelated, clues point to the victims having been members of a local druidic cult.While solving these murders is Dania's priority, she finds herself increasingly drawn to the case of two runaway teenage girls. But when she learns they were also members of the same druid group she becomes convinced their disappearance is linked to the murders. And, despite what the evidence suggests, Dania starts to fear that the girls have not run away but are actually the newest, undiscovered victims of the killer . . . Praise for Hania Allen'Nicely nasty in all the right places . . . The story rattles along until bringing the curtain down with an unnerving twist' Craig Robertson'Captivating characters and an intriguing plot. A great new find for crime fans' Lin Anderson 'Pitch-perfect . . . a witty, tense crime novel written in a highly readable style' Russel D McLean

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Since the collapse of communism in Eastern Europe, the validity of Marxism and Marxist theory has undergone intense scrutiny both within and outside the academy. In Lukács After Communism, Eva L. Corredor conducts ten lively and engaging interviews with a diverse group of international scholars to address the continued relevance of György Lukács’s theories to the post-communist era. Corredor challenges these theoreticians, who each have been influenced by the man once considered the foremost theoretician of Marxist aesthetics, to reconsider the Lukácsean legacy and to speculate on Marxist theory’s prospects in the coming decades.The scholars featured in this collection—Etienne Balibar, Peter Bürger, Terry Eagleton, Fredric Jameson, Jacques Leenhardt, Michael Löwy, Roberto Schwarz, George Steiner, Susan Suleiman, and Cornel West—discuss a broad array of literary and political topics and present provocative views on gender, race, and economic relations. Corredor’s introduction provides a biographical synopsis of Lukács and discusses a number of his most important theoretical concepts. Maintaining the ongoing vitality of Lukács’s work, these interviews yield insights into Lukács as a philosopher and theorist, while offering anecdotes that capture him in his role as a teacher-mentor.

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In this volume, Garnet C. Butchart shows how human communication can be understood as embodied relations and not merely as a mechanical process of transmission. Expanding on contemporary philosophies of speech and language, self and other, and community and immunity, this book challenges many common assumptions, constructs, and problems of communication theory while offering compelling new resources for future study.Human communication has long been characterized as a problem of transmitting information, or the “outward” sharing of “inner thought” through mediated channels of exchange. Butchart questions that model and the various theories to which it gives rise. Drawing from the work of Giorgio Agamben, Roberto Esposito, Jean-Luc Nancy, and Jacques Lacan—thinkers who, along with Martin Heidegger and Michel Foucault, have critiqued the modern notion of a rational subject—Butchart shows that the subject is shaped by language rather than preformed, and that humans embody, and not just use, the signs and contexts of interaction that form what he calls a “communication community.”Accessibly written and engagingly researched, Embodiment, Relation, Community is relevant for researchers and advanced students of communication, cultural studies, translation, and rhetorical studies, especially those who work with a humanistic or interpretive paradigm.

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An estimated 9 million children every year are affected by pediatric spinal deformities, encompassing a broad spectrum of pathologies. New classification systems, innovative imaging modalities, and advances in surgical techniques have contributed to a continually evolving, evidence-based treatment paradigm. Patient variables such as the age of onset, severity, course of deformity progression, as well as the availability of technology pose individualized challenges. AOSpine Masters Series, Volume 9: Pediatric Spinal Deformity is a concise yet comprehensive review of fundamental surgical and nonsurgical approaches, contemporary issues, and treatment obstacles. Internationally renowned spine surgeons Luis Roberto Vialle, Marinus de Kleuver, and Sigurd Berven and a cadre of esteemed contributors deliver a state-of-the-art reference on deformities of the pediatric spine. From early childhood to adolescent spine disorders, 17 richly illustrated chapters cover diagnosis, preoperative evaluation, imaging, spine surgery interventions, non-fusion procedures, and long-term management. Key Highlights Overviews on the classification and natural history of early onset scoliosis and adolescent idiopathic scoliosis, with subsequent chapters covering non-operative management and contemporary surgical techniques Evidence-based discussion of long-term surgical care outcomes, indications for revision surgery, and strategies for achieving optimal results Management of congenital and developmental kyphosis, lordosis, syndromic conditions, and low and high grade spondylolisthesis Clinical pearls on spine surgery in the developing world, safety issues and complications, and the importance of developing outcome metrics The AOSpine Masters series, a copublication of Thieme and the AOSpine Foundation, addresses current clinical issues featuring international masters sharing their expertise in the core areas in the field. The goal of the series is to contribute to an evolving, dynamic model of evidence-based approach to spine care. This outstanding textbook is a must have for spine surgeons, in particular those who specialize in treating childhood spine disorders. Orthopaedic and neurosurgery residents, as well as veteran surgeons with extensive knowledge will find this an indispensable tool for daily practice.

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Ruben C. Cordova traces the history of Con Safo, one of the earliest and most significant of the Chicano art groups, from 1968, when it formed as El Grupo, to the mid-1970s, when Con Safo gradually disbanded. Founded by Felipe Reyes, the original group was made up of six San Antonio artists. The fluxuating membership over the decade of the group's existence included Mel Casas, Jose Esquivel, Rudy Treviño, and Roberto Ríos. Although the structure of the original group changed, its mission did not: Con Safo defined possibilities for Chicano art at a time when Chicano culture was largely invisible. Cordova’s painstaking research, which included extensive archival work and interviews with group members and activists, resolves many of the contradictions and fills in many of the gaps that exist in earlier accounts of the group. Con Safo: The Chicano Art Group and the Politics of South Texas is an important resource for anyone interested in Chicano art and Chicano history. The book concludes with reproductions of original documents related to the group, including Casas’s “Brown Paper Report."

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Corporate social responsibility now touches upon most aspects of the interaction between business and society. The approaches taken to research in this area are as varied as the topics that are researched; yet this is the first book to address the whole range of methods available. The Handbook identifies the methods available, evaluates their use and discusses the circumstances in which they might be appropriate.The design of a research project is an essential part of undertaking research, as is choosing appropriate methods for investigation and analysis. In addition, business and management research raises theoretical and practical problems that are not encountered in other fields. The chapters address this challenge over distinct parts. Part I on methodology planning is concerned with various aspects of planning the research project, including secondary data and ethics in the research process. Parts II and III outline quantitative and qualitative methods respectively, covering the vast majority of relevant approaches. Part IV provides forward-thinking guidance from experienced academics on the future directions of research in the area.Aimed specifically at researchers, this comprehensive and in-depth Handbook provides and essential resource for anyone working at the forefront of CSR research.Contributors include: K. Abadi, G.K. Amoako, A. Behl, S. Bhattacharya, C. Boachie, N. Capaldi, J.G. Clavel, J. Claydon, D. Crowther, F. de Paiva Duarte, M. Green, J. Gunawan, M.A. Islam, R. Kalinauskaite, H.Z. Khan, Md.R. Khan, L.M. Lauesen, S. Moggi, E. Ortiz, I. Oruc, D.E.R. Ospina, J.F.M. Ospina, L. Raimi, J.D. Rendtorff, F. Robertson, M. Samy, S. Seifi, H. Semeen, M. Sethi, H.J. Shaw, J.J.A. Shaw, L. Tauginiene, D. Turker, V.G. Venkatesh, K. Yekini, V. Zydziunaite

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Corporate social responsibility now touches upon most aspects of the interaction between business and society. The approaches taken to research in this area are as varied as the topics that are researched; yet this is the first book to address the whole range of methods available. The Handbook identifies the methods available, evaluates their use and discusses the circumstances in which they might be appropriate.The design of a research project is an essential part of undertaking research, as is choosing appropriate methods for investigation and analysis. In addition, business and management research raises theoretical and practical problems that are not encountered in other fields. The chapters address this challenge over distinct parts. Part I on methodology planning is concerned with various aspects of planning the research project, including secondary data and ethics in the research process. Parts II and III outline quantitative and qualitative methods respectively, covering the vast majority of relevant approaches. Part IV provides forward-thinking guidance from experienced academics on the future directions of research in the area.Aimed specifically at researchers, this comprehensive and in-depth Handbook provides and essential resource for anyone working at the forefront of CSR research.Contributors include: K. Abadi, G.K. Amoako, A. Behl, S. Bhattacharya, C. Boachie, N. Capaldi, J.G. Clavel, J. Claydon, D. Crowther, F. de Paiva Duarte, M. Green, J. Gunawan, M.A. Islam, R. Kalinauskaite, H.Z. Khan, Md.R. Khan, L.M. Lauesen, S. Moggi, E. Ortiz, I. Oruc, D.E.R. Ospina, J.F.M. Ospina, L. Raimi, J.D. Rendtorff, F. Robertson, M. Samy, S. Seifi, H. Semeen, M. Sethi, H.J. Shaw, J.J.A. Shaw, L. Tauginiene, D. Turker, V.G. Venkatesh, K. Yekini, V. Zydziunaite

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Shattered Dreams delves into the personal stories and recollections of several men and women who were in line to fly a specific or future space mission but lost that opportunity due to personal reasons, mission cancellations, or even tragedies. While some of the subjects are familiar names in spaceflight history, the accounts of others are told here for the first time. Colin Burgess features spaceflight candidates from the United States, Russia, Indonesia, Australia, and Great Britain.Shattered Dreams brings to new life such episodes and upheavals in spaceflight history as the saga of the three Apollo missions that were cancelled due to budgetary constraints and never flew; NASA astronaut Patricia Hilliard Robertson, who died of burn injuries after her airplane crashed before she had a chance to fly into space; and a female cosmonaut who might have become the first journalist to fly in space. Another NASA astronaut was preparing to fly an Apollo mission before he was diagnosed with a disqualifying illness. There is also the amazing story of the pilot who could have bailed out of his damaged aircraft but held off while heroically avoiding a populated area and later applied to NASA to fulfill his cherished dream of becoming an astronaut despite having lost both legs in the accident. These are the incredibly human stories of competitive realists fired with an unquenchable passion. Their accounts reveal in their own words—and those of others close to them—how their shared ambition would go awry through personal accidents, illness, the Challenger disaster, death, or other circumstances.

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Addicted to Noise collects the best interviews, profiles, and essays Michael Goldberg has written during his forty-plus years as a journalist. From combative interviews with Frank Zappa and Tom Waits to essays on how Jack Kerouac influenced Bob Dylan and the lasting importance of San Francisco’s first punk rock club, Goldberg, as novelist Dana Spiotta wrote, “shows us how consequential music can be.”Contained within these pages: interviews with Sleater-Kinney, Sonic Youth, Patti Smith, Lou Reed, Flipper, John Fogerty, Neil Young, and Rick James, along with profiles of Robbie Robertson, John Lee Hooker, James Brown, the Clash, Prince, Michael Jackson, the Flamin’ Groovies, Ramblin’ Jack Elliott, X, Laurie Anderson, Stevie Wonder, George Clinton, Devo, San Francisco punks Crime, and more. Plus short takes on Muddy Waters, Townes Van Zandt, Captain Beefheart, Professor Longhair, and others. As Greil Marcus writes in the Foreword, “You can feel the atmosphere: someone has walked into a room with a pencil in his hand—as the words go in perhaps the first song about a music critic, not counting Chuck Berry’s aside about the writers at the rhythm reviews—and suddenly people are relaxed . . . He isn’t after your secrets. He doesn’t want to ruin your career to make his. He doesn’t care what you think you need to hide. He actually is interested in why and how you make your music and what you think of it. So people open up, very quickly, and, very quickly, as a reader, you’re not reading something you’ve read before.”

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Publicados muchos de ellos en el diario " La Stampa " de Turín, " 39 (simples) cuentos filosóficos " es un ameno y original recorrido por la filosofía y muchos de sus principales dominios y problemas. A través de diversas situaciones posiblemente corrientes y diferentes personajes, Roberto Casati y Achille Varzi nos descubren una forma diferente, divertida y apasionante de hacer filosofía y ponen de relieve el que acaso sea su principal rasgo distintivo: el desafío al pensamiento. No podemos garantizar la veracidad de las historias que vienen a continuación (dicen los autores). No obstante, y dado que podrían ser verdaderas, invitamos al lector a reflexionar sobre el sentido de tal posibilidad. En caso de que llegara a la conclusión de que no es así o de que alguna, además de carecer del don de la Veracidad carece también del don de la Posibilidad, estaríamos dispuestos a retractarnos. Un comienzo estimulante para un libro único.

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In 1925, Scotland played their first ever game at Murrayfield Stadium. They opened this new home with a landmark result, defeating England with a late drop-goal to secure their first Grand Slam title. This was the first in a long line of epic encounters to have taken place on that hallowed ground over the next century.In This is Murrayfield, celebrated rugby writers Peter Burns and Rob Robertson curate 100 of the most memorable, significant and sometimes quirky fixtures to have been played at Murrayfield over the last 100 years. Gorgeously illustrated with black and white and colour photography throughout, this is an insightful, fun and fascinating record of some of the greatest moments in Scottish rugby history.

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It's Poppy Kinsey's birthday.She should be blowing out candles and opening presents - but hers falls on the type of heart-wrenching, agonising anniversary she would far rather forget.The worst day of them all. The day her mother died.But this year is special because the person she misses most in the world has left her a set of letters, one for each of her next ten birthdays.As Poppy opens them year by year, she discovers that no matter how tough life gets, her mum will always be by her side, guiding her along the way.Fans of Cecelia Ahern and S.D. Robertson will love this page turning tear-jerker about making every moment count.

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Carlos Chavez (1899-1978) is the central figure in Mexican music of the twentieth century and among the most eminent of all Latin American modernist composers. An enfant terrible in his own country, Chavez was an integral part of the emerging music scene in the United States in the 1920s. His highly individual style--diatonic, dissonant, contrapuntal--addressed both modernity and Mexico's indigenous past. Chavez was also a governmental arts administrator, founder of major Mexican cultural institutions, and conductor and founder of the Orquesta Sinfonica de Mexico. Carlos Chavez and His World brings together an international roster of leading scholars to delve into not only Chavez's music but also the history, art, and politics surrounding his life and work. Contributors explore Chavez's vast body of compositions, including his piano music, symphonies, violin concerto, late compositions, and Indianist music. They look at his connections with such artistic greats as Aaron Copland, Miguel Covarrubias, Henry Cowell, Silvestre Revueltas, and Paul Strand. The essays examine New York's modernist scene, Mexican symphonic music, portraits of Chavez by major Mexican artists of the period, including Diego Rivera and Rufino Tamayo, and Chavez's impact on El Colegio Nacional. A quantum leap in understanding Carlos Chavez and his milieu, this collection will stimulate further work in Latin American music and culture. The contributors are Ana R. Alonso-Minutti, Amy Bauer, Leon Botstein, David Brodbeck, Helen Delpar, Christina Taylor Gibson, Susana Gonzalez Aktories, Anna Indych-Lopez, Roberto Kolb-Neuhaus, James Krippner, Rebecca Levi, Ricardo Miranda, Julian Orbon, Howard Pollack, Leonora Saavedra, Antonio Saborit, Stephanie Stallings, and Luisa Vilar Paya. Bard Music Festival 2015: Carlos Chavez and His World Bard College August 7-9 and August 14-16, 2015

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This is a new translation of Quiccheberg's seminal 16th century text on the collection and display of objects. Samuel Quiccheberg's Inscriptiones, first published in Latin in 1565, is an ambitious effort to demonstrate the pragmatic value of curiosity cabinets, or Wunderkammer, to princely collectors in 16th-century Europe and, by so doing, inspire them to develop their own such collections. Quiccheberg shows how the assembly and display of physical objects offered nobles a powerful means to expand visual knowledge, allowing them to incorporate empirical and artisanal expertise into the realm of the written word. Quiccheberg's descriptions of early modern collections provide both a point of origin for today's museums and an implicit critique of their aims, asserting the fundamental research and scholarly value of collections: collections are to be used, not merely viewed. The First Treatise on Museums makes Quiccheberg's now rare publication available in English translation. Complementing the translation are a critical introduction by Mark Meadow and a preface by Bruce Robertson.

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In 1960, when World War II might seem to have been receding into history, a number of artists and writers instead turned back to it. They chose to confront the unprecedented horror and mass killing of the war, searching for new creative and political possibilities after the conservatism of the 1950s in the long shadow of genocide.Al Filreis recasts 1960 as a turning point to offer a groundbreaking account of postwar culture. He examines an eclectic group of artistic, literary, and intellectual figures who strove to create a new language to reckon with the trauma of World War II and to imagine a new world. Filreis reflects on the belatedness of this response to the war and the Holocaust and shows how key works linked the legacies of fascism and antisemitism with American racism. In grappling with the memory of the war, he demonstrates, artists reclaimed the radical elements of modernism and brought forth original ideas about testimony to traumatic history.1960 interweaves the lives and works of figures across high and popular culture—including Chinua Achebe, Hannah Arendt, James Baldwin, Amiri Baraka, Paul Celan, John Coltrane, Frantz Fanon, Roberto Rossellini, Muriel Rukeyser, Rod Serling, and Louis Zukofsky—and considers art forms spanning poetry, fiction, memoir, film, painting, sculpture, teleplays, musical theater, and jazz. A deeply interdisciplinary cultural, literary, and intellectual history, this book also offers fresh perspective on the beginning of the 1960s.

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Un texto fundacional de la narrativa norteamericana, arquetipo de la adolescencia y la libertad. Una lectura deliciosa, imprescindible a cualquier edad.Dijimos que no había hogar como una balsa, después de todo. Otros sitios parecen estrechos y asfixiantes; pero una balsa, no. Criticada y elogiada por igual, esta novela no solo constituye la culminación de la narrativa de Mark Twain, sino también el clásico por excelencia de la literatura estadounidense. Mark Twain, con su irónico sentido del humor y su prosa ágil y precisa, nos lleva por el Mississippi de la mano del inolvidable Huck Finn y su fiel amigo Jim, quien huye de la esclavitud. Novela sobre el racismo, la violencia, la amistad y la libertad en unos años turbulentos, Las aventuras de Huckleberry Finn es una lectura imprescindible a cualquier edad.Roberto Bolaño, autor del prólogo de esta edición, dijo...Sobrevivir. Esa es una de las magias que el lector encuentra en esta novela. Capaci

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Following the fi rst volume of Bill Hare's exploration Scottish Artists, Scottish Artists in an Age of Radical Change, this new volume, Scottish Art and Artists in Historical and Contemporary Context will expand on the invaluable contribution to the cultural development of modern and contemporary Scotland.Joan Eardley, Alan Davies, the Boyle Family, Ken Currie, Anthony Hatwell, Doug Crocker, Jack Knox, Lys Hansen, William Turnbull, Iain Robertson, Douglas Gordon and John Kennedy are just some of the artists who Bill Hare explores in both their historical and contemporary contexts. From body politics to the Athenian way to Scottish artists in Venice, this book will reveal the importance and intellectual power this generation of Scottish artists have had over decades of time through a compilation of in-depth essays and interviews.

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‘Gruesome, terrifying, pulse-pounding’ Stephen King Shortlisted for the CWA Steel Dagger Award for Best Thriller of the Year ‘Frightening’ Mail on Sunday They thought it was contained. They were wrong. After decades underground in a forgotten sub-basement, a highly mutative organism – capable of extinction-level destruction – has found its way out. Only Pentagon bioterror operative Roberto Diaz can stop it. With the help of two unwitting security guards, he has one night to quarantine this horror, before it destroys all of humanity. ‘You need to get on this right away’ Stephen King ‘Chilling end-of-the-world terror’ Linwood Barclay ‘Pure entertainment’ New York Times ‘A gripping, fast-paced outbreak thriller’ Sci-Fi Now ‘chilling’Daily Mail ‘Frightening’ Mail on Sunday ‘Riotously entertaining’ Blake Crouch

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How climate influenced the design strategies of modernist architectsModern Architecture and Climate explores how leading architects of the twentieth century incorporated climate-mediating strategies into their designs, and shows how regional approaches to climate adaptability were essential to the development of modern architecture. Focusing on the period surrounding World War II—before fossil-fuel powered air-conditioning became widely available—Daniel Barber brings to light a vibrant and dynamic architectural discussion involving design, materials, and shading systems as means of interior climate control. He looks at projects by well-known architects such as Richard Neutra, Le Corbusier, Lúcio Costa, Mies van der Rohe, and Skidmore, Owings, and Merrill, and the work of climate-focused architects such as MMM Roberto, Olgyay and Olgyay, and Cliff May. Drawing on the editorial projects of James Marston Fitch, Elizabeth Gordon, and others, he demonstrates how images and diagrams produced by architects helped conceptualize climate knowledge, alongside the work of meteorologists, physicists, engineers, and social scientists. Barber describes how this novel type of environmental media catalyzed new ways of thinking about climate and architectural design.Extensively illustrated with archival material, Modern Architecture and Climate provides global perspectives on modern architecture and its evolving relationship with a changing climate, showcasing designs from Latin America, Europe, the United States, the Middle East, and Africa. This timely and important book reconciles the cultural dynamism of architecture with the material realities of ever-increasing carbon emissions from the mechanical cooling systems of buildings and offers a historical foundation for today’s zero-carbon design.

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The Storm at Sea: Political Aesthetics in the Time of Shakespeare counters a tradition of cultural analysis that judges considerations of aesthetic autonomy in the early modern context to be either anachronistic or an index of political disengagement. Pye argues that for a post-theocratic era in which the mise-en-forme of the social domain itself was for the first time at stake, the problem of the aesthetic lay at the very core of the political; it is precisely through its engagement with the question of aesthetic autonomy that early modern works most profoundly explore their relation to matters of law, state, sovereignty, and political subjectivity. Pye establishes the significance of a “creationist” political aesthetic—at once a discrete historical category and a phenomenon that troubles our familiar forms of historical accounting—and suggests that the fate of such an aesthetic is intimately bound up with the emergence of modern conceptions of the political sphere. The Storm at Sea moves historically from Leonardo da Vinci to Thomas Hobbes; it focuses on Shakespeare and English drama, with chapters on Hamlet, Othello, A Winter’s Tale, and The Tempest, as well as sustained readings of As You Like It, King Lear, Thomas Kyd’s Spanish Tragedy, and Christopher Marlowe’s Doctor Faustus. Engaging political thinkers such as Carl Schmitt, Giorgio Agamben, Claude Lefort, and Roberto Esposito, The Storm at Sea will be of interest to political theorists as well as to students of literary and visual theory.

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An anthology of landmark scholarship on the histories of the common soldier in the U.S. Civil War In 1943, Bell Wiley's groundbreaking book Johnny Reb launched a new area of study: the history of the common soldier in the U.S. Civil War. This anthology brings together landmark scholarship on the subject, from a 19th century account of life as a soldier to contemporary work on women who, disguised as men, joined the army. One of the only available compilations on the subject, The Civil War Soldier answers a wide range of provocative questions: What were the differences between Union and Confederate soldiers? What were soldiers' motivations for joining the army—their "will to combat"? How can we evaluate the psychological impact of military service on individual morale? Is there a basis for comparison between the experiences of Civil War soldiers and those who fought in World War II or Vietnam? How did the experiences of black soldiers in the Union army differ from those of their white comrades? And why were southern soldiers especially drawn to evangelical preaching? Offering a host of diverse perspectives on these issues, The Civil War Soldier is the perfect introduction to the topic, for the student and the Civil War enthusiast alike. Contributors: Michael Barton, Eric T. Dean, David Donald, Drew Gilpin Faust, Joseph Allen Frank, James W. Geary, Joseph T. Glaatthaar, Paddy Griffith, Earl J. Hess, Thomas Wentworth Higginson, Perry D. Jamieson, Elizabeth D. Leonard, Gerald F. Linderman, Larry Logue, Pete Maslowski, Carlton McCarthy, James M. McPherson, Grady McWhiney, Reid Mitchell, George A. Reaves, Jr., James I. Robertson, Fred A. Shannon, Maris A. Vinovskis, and Bell Irvin Wiley.

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An inspiring anthology of writings by trailblazing women astronomers from around the globeThe Sky Is for Everyone is an internationally diverse collection of autobiographical essays by women who broke down barriers and changed the face of modern astronomy. Virginia Trimble and David Weintraub vividly describe how, before 1900, a woman who wanted to study the stars had to have a father, brother, or husband to provide entry, and how the considerable intellectual skills of women astronomers were still not enough to enable them to pry open doors of opportunity for much of the twentieth century. After decades of difficult struggles, women are closer to equality in astronomy than ever before. Trimble and Weintraub bring together the stories of the tough and determined women who flung the doors wide open. Taking readers from 1960 to today, this triumphant anthology serves as an inspiration to current and future generations of women scientists while giving voice to the history of a transformative era in astronomy.With contributions by Neta A. Bahcall, Beatriz Barbuy, Ann Merchant Boesgaard, Jocelyn Bell Burnell, Catherine Cesarsky, Poonam Chandra, Xuefei Chen, Cathie Clarke, Judith Gamora Cohen, France Anne Córdova, Anne Pyne Cowley, Bożena Czerny, Wendy L. Freedman, Yilen Gómez Maqueo Chew, Gabriela González, Saeko S. Hayashi, Martha P. Haynes, Roberta M. Humphreys, Vicky Kalogera, Gillian Knapp, Shazrene S. Mohamed, Carole Mundell, Priyamvada Natarajan, Dara J. Norman, Hiranya Peiris, Judith Lynn Pipher, Dina Prialnik, Anneila I. Sargent, Sara Seager, Gražina Tautvaišienė, Silvia Torres-Peimbert, Virginia Trimble, Meg Urry, Ewine F. van Dishoeck, Patricia Ann Whitelock, Sidney Wolff, and Rosemary F. G. Wyse.

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Wenxin diaolong by Liu Xie (ca. 465-ca. 521) is arguably the most complex and comprehensive work of literary criticism in ancient China. For centuries it has intrigued and inspired Chinese literati, and modern English-speaking scholars have also found it an important source for inquiries into traditional Chinese poetics and aesthetics. The present volume of ten essays is the first book-length study in English of this classic work. The first two parts of the book focus on cultural traditions, showing how Liu canonized the Chinese literary tradition, assessing where Liu's work stands in that tradition, and demonstrating his debts to the intellectual currents of his time. The third part explores Liu's theory of literary creation by using contemporary critical perspectives to analyze Liu's conception of imagination. The fourth part presents three detailed studies of Liu's views on rhetoric: a close reading of his chapter on rhetorical parallelism, a discussion of his own use of parallelism as a means of analysis and textual production, and an investigation of his views on changes and continuities in Chinese literary styles. The book concludes with a critical survey of Asian-language scholarship on Wenxin diaolong in this century. The contributors are Zong-qi Cai, Kang-i Sun Chang, Ronald Egan, Wai-yee Li, Shuen-fu Lin, Richard John Lynn, Victor H. Mair, Stephen Owen, Andrew H. Plaks, Maureen Robertson, and Zhang Shaokang.

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Essays highlight the interplay between opera, art and ideology across three centuries. Three broad themes are opened up from a variety of approaches: nationalism, cosmopolitanism and national opera; opera, class and the politics of enlightenment; and opera and otherness. Opera, that most extravagant of the performing arts, is infused with the contexts of power-brokering and cultural display in which it was conceived and experienced. For individual operas such contexts have shifted over time and new meanings emerged, often quite remote from those intended by the original collaborators; but tracing this ideological dimension in a work's creation and reception enables us to understand its cultural and political role more clearly - sometimes conflicting with its status as art and sometimes enhancing it. This collection is a Festschrift in honour of Julian Rushton, one of the most distinguished opera scholars of his generation and highly regarded for his innovative studies of Gluck, Mozart and Berlioz, among many others. Colleagues, associates and former students pay tribute to his work with essays highlighting the interplay between opera, art and ideology across three centuries. Three broad themes are opened up from a variety of approaches: nationalism, cosmopolitanism and national opera; opera, class and the politics of enlightenment; and opera and otherness. British opera is represented bystudies of Grabu, Purcell, Dibdin, Holst, Stanford and Britten, but the collection sustains a truly European perspective rounded out with essays on French opera funding, Bizet, Mozart, Mendelssohn, Verdi, Puccini, Janácek, Nielsen, Rimsky-Korsakov and Schreker. Several works receive some of their first extended discussion in English. RACHEL COWGILL is Professor of Musicology at Liverpool Hope University. DAVID COOPER is Professor of Music and Technology at the University of Leeds. CLIVE BROWN is Professor of Applied Musicology at the University of Leeds. Contributors: MARY K. HUNTER, CLIVE BROWN, PETER FRANKLIN, RALPH LOCKE, DOMINGOS DE MASCARENHAS,DAVID CHARLTON, KATHARINE ELLIS, BRYAN WHITE, PETER HOLMAN, RACHEL COWGILL, ROBERTA MONTEMORRA MARVIN, DAVID COOPER, RICHARD GREENE, J.P.E. HARPER-SCOTT, DANIEL GRIMLEY, STEPHEN MUIR, JOHN TYRRELL.

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Postcolonial theory has developed mainly in the U.S. academy, and it has focused chiefly on nineteenth-century and twentieth-century colonization and decolonization processes in Asia, Africa, the Middle East, and the Caribbean. Colonialism in Latin America originated centuries earlier, in the transoceanic adventures from which European modernity itself was born. Coloniality at Large brings together classic and new reflections on the theoretical implications of colonialism in Latin America. By pointing out its particular characteristics, the contributors highlight some of the philosophical and ideological blind spots of contemporary postcolonial theory as they offer a thorough analysis of that theory’s applicability to Latin America’s past and present. Written by internationally renowned scholars based in Latin America, the United States, and Europe, the essays reflect multiple disciplinary and ideological perspectives. Some are translated into English for the first time. The collection includes theoretical reflections, literary criticism, and historical and ethnographic case studies focused on Ecuador, Guatemala, Mexico, Brazil, the Andes, and the Caribbean. Contributors examine the relation of Marxist thought, dependency theory, and liberation theology to Latin Americans’ experience of and resistance to coloniality, and they emphasize the critique of Occidentalism and modernity as central to any understanding of the colonial project. Analyzing the many ways that Latin Americans have resisted imperialism and sought emancipation and sovereignty over several centuries, they delve into topics including violence, identity, otherness, memory, heterogeneity, and language. Contributors also explore Latin American intellectuals’ ambivalence about, or objections to, the “post” in postcolonial; to many, globalization and neoliberalism are the contemporary guises of colonialism in Latin America.Contributors: Arturo Arias, Gordon Brotherston, Santiago Castro-Gómez, Sara Castro-Klaren, Amaryll Chanady, Fernando Coronil, Román de la Campa, Enrique Dussel, Ramón Grosfoguel, Russell G. Hamilton, Peter Hulme, Carlos A. Jáuregui, Michael Löwy, Nelson Maldonado-Torres, José Antonio Mazzotti, Eduardo Mendieta, Walter D. Mignolo, Mario Roberto Morales, Mabel Moraña, Mary Louise Pratt, Aníbal Quijano, José Rabasa, Elzbieta Sklodowska, Catherine E. Walsh

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Cómo transformar nuestros límites en recursos? Cómo hacer de nuestros puntos flacos nuestras mayores fortalezas? Cómo gestionar nuestras debilidades antes de que se conviertan en problemas que nos invaliden? A partir de las nociones de la Terapia Breve Estratégica de Giorgio Nardone ?el autoengaño estratégico, la solución intentada redundante, el diálogo estratégico, el recurso a las estratagemas?, Roberta Milanese y Paolo Mordazzi proponen en este libro un enfoque inédito del coaching y muestran su validez, tanto en la teoría como en la práctica, a través de la exposición de casos específicos. El Coaching estratégico no se dirige a la búsqueda de las causas, sino a la solución de los problemas, a lograr un decidido y sorprendente cambio en las dinámicas relacionales y comunicativas. En este cambio de perspectiva, el coach desvela el sentido más profundo de la propia disciplina: hacer emerger los talentos de las personas, transformando los límites en valiosos recursos creativos y produ

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In J. L. Torres’s second story collection Migrations, the inaugural winner of the Tomás Rivera Book Prize, a “sucio” goes to an underground clinic for therapy to end his machista ways and is accidentally transitioned. Ex-gangbangers gone straight deal with a troubled, gifted son drawn to the gangsta lifestyle promoted by an emerging music called hip-hop. Dead and stuck “between somewhere and nowhere,” Roberto Clemente, the great Puerto Rican baseball icon, soon confronts the reason for his predicament. These stories take us inside the lives of self-exiles, unhomed and unhinged people, estranged from loved ones, family, culture, and collective history. Despite the effects of colonization of the body and mind, Puerto Ricans have survived beyond geography and form an integral part of the American mosaic.

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'"Stand firm'" said Peter, "and wave like mad!"' They were not railway children to begin with. When their Father mysteriously leaves home Roberta (everyone calls her Bobbie), Phyllis and Peter must move to a small cottage in the countryside with Mother. It is a bitter blow to leave their London home, but soon they discover the hills and valleys, the canal and of course, the railway. But with the thrilling rush and rattle and roar of the trains comes danger too. Will the brave trio come to the rescue? And most importantly, can they solve the disappearance of their Father?BACKSTORY: Find out all about steam trains and learn what it was really like to be a child in Edwardian times.

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When Father goes away with two strangers one evening, the lives of Roberta, Peter and Phyllis are shattered. They and their mother have to move from their comfortable London home to go and live in a simple country cottage, where Mother writes books to make ends meet. However, they soon come to love the railway that runs near their cottage, and they make a habit of waving to the Old Gentleman who rides on it. They befriend the porter, Perks, and through him learn railway lore and much else. They have many adventures, and when they save a train from disaster, they are helped by the Old Gentleman to solve the mystery of their father's disappearance, and the family is happily reunited.

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