Search results for ""edition de l"

"In 1871, the greatest, most revolutionary poets of their time—Arthur Rimbaud, Paul Verlaine, Charles Cros, Germain Nouveau, André Gill—gathered at the Hôtel des Étrangers in Paris to realize a joint, subversive, and forward-looking project: the Album Zutique. Later, in the 20th century, artists and poets, initially close to Dadaism and Surrealism, dedicated themselves to cooperative ways of working. Their Cadavres exquis—works characterized by chance and playfulness, and based on the principle of “blind” team work—are still outstanding examples of artistic collaborations today. These were characterized in the 20th and 21st centuries by friendships as well as by political convictions. This publication explores the genesis of these collaborative artworks. The methods of production and the synergetic and often cross-genre nature of these collaborations are for the first time the focus of a detailed art-historical examination. Featuring Pablo Picasso and Francis Picabia, Alexander Calder and Joan Miró, Joseph Beuys and Nam June Paik, Andy Warhol and Jean-Michel Basquiat, Yayoi Kusama and Carolee Schneemann, Jenny Holzer and Landy Pink, and many more, the catalogue brings together some one hundred works. Also included are collective works by performers, musicians, and filmmakers."

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Through 14 stories, this picture book edition of the multi-award-winning Black Artists Shaping the World makes the work and lives of Black artists accessible to a younger generation. Featuring full colour reproductions of 14 artworks and illustrations of the artists at work, this picture book is an ideal introduction to contemporary art for young children, and a fantastic tool for teachers wishing to de-colonise and diversify their classroom. Sharna Jackson's experience as a children's author who has worked for over a decade in the cultural sector, both at Tate in London and at Site Gallery in Sheffield, is combined here with the curatorial expertise of Dr Zoé Whitley, Director of London's Chisenhale Gallery and co-curator of the landmark Tate exhibition Soul of a Nation: Art in the Age of Black Power'. Their book features artists working in a variety of media from painting and sculpture to ceramics and installation. The result is a refreshingly contemporary celebration of

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Sor María de Santa Isabel, writing under the pseudonym Marcia Belisarda, was one of the most prolific female poets of seventeenth-century Spain. The body of her known work is preserved in one manuscript in the Biblioteca Nacional Española (Madrid), ms. 7469, prepared for publication but never published. Belisarda has received some critical attention; she is represented in a number of anthologies of women’s writings from Iberia, and a recent edition of her poems appeared in Spanish (2015). The present edition provides students and researchers with the first transcription of ms. 7469 together with an English translation for those interested in women’s writing from the early Modern Period but who are not trained as Hispanists.

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The "Cort d'Amor" is a late 12th-century allegorical romance in Occitan which fuses a variety of lyric and narrative genres together and which predates the "Roman de la Rose" by some 50 years. In this edition, Matthew Bardell highlights the work's intertextuality with Andreas Capellanus' "De Amore" to show how the Occitan work presents a dialogue between gendered approaches to love whilst parodying the exegetical tradition. It juxtaposes lyric passages with some of the standard Ovidian teaching on love and undermines the reader's attempts to distinguish between the two. This volume has a facing English translation and aims to make an important contribution to the study of medieval allegory and courtly love in general, as well as to the dissemination of Ovid in the Middle Ages and the narrative transformations of Old French and Occitan lyric.

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