Search results for ""between the lines""

Subtexts are all around us. In conversation, business transactions, politics, literature, philosophy, and even love, the art of expressing more than what is explicitly said allows us to live and move in the world. But rarely do we reflect on this subterranean dimension of communication.In this book, renowned classicist and scholar of rhetoric Laurent Pernot explores the fascinating world of subtext. Of the two meanings present in any instance of double meaning, Pernot focuses on the meaning that is unstated—the meaning that counts. He analyzes subtext in all its multifarious forms, including allusion, allegory, insinuation, figured speech, irony, innuendo, esoteric teaching, reading between the lines, ambiguity, and beyond. Drawing on examples from figures as varied as Homer, Shakespeare, Molière, Proust, Foucault, and others, as well as from popular culture, Pernot shows how subtext can be identified and deciphered as well as how prevalent and essential it is in human life.With erudition and wit, Pernot explains and clarifies a device of language that we use and understand every day without even realizing it. The Subtle Subtext is a book for anyone who is interested in language, literature, hidden meanings, and the finer points of social relations.

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Firtexting (flûr-teksting)Text messages sent between you and someone you are dating, or would like to date; comprised of witty, playful banter that typically leads to a date, and, if you play your cards right, much, much more . . .Flirtexting is the first step in dating, making it crucial to send the best possible text to get the best possible results. These days, texts, Facebook messages, and quippy emails not only get attention, but, when written strategically,can make or break a budding relationship. Embrace it: Flirtexting is the way to his heart. With sassy—yet classy—advice, playful prepackaged responses, and hilarious real-life dating scenarios, the experts guide you through the digital game of love.Learn to: Read between the lines—how to decode the subtext of his text Hold the power in the palm of your hands—what your response time implies Keep 'em coming back for more—learn to craft the best possible text NEW: Insightful tips to successfully navigate sites Expert advice to create a captivating online profile Direct from the dudes—what they love and hate in your dating profile

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Learn how to integrate and evaluate primary and secondary sources by using the SOURCES framework. SOURCES is an acronym for an approach that educators can use with students in all grades and content areas: Scrutinize the fundamental source, Organize thoughts, Understand the context, Read between the lines, Corroborate and refute, Establish a plausible narrative, and Summarize final thoughts. Waring outlines a clearly delineated, step-by-step process of how to progress through the seven stages of the framework, and provides suggestions for seamlessly integrating emerging technologies into instruction. The text provides classroom-ready examples and explicit scaffolding, such as sources analysis sheets for various types of primary and secondary sources. Readers can use this resource to give students the skills and knowledge necessary to think critically and create evidence-based narratives, in a manner similar to professionals in the field.Book Features: Offers a grounded means for conducting higher-order reasoning and inquiry. Demonstrates how to integrate this approach in various disciplinary areas, such as social studies, English/language arts, mathematics, and science. Provides user-friendly lessons and activities. Includes resources to assist students throughout the inquiry process.

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Jan Morris (then James) first visited Trieste as a soldier at the end of the Second World War. Since then, the city has come to represent her own life, with all its hopes, disillusionments, loves and memories. Here, her thoughts on a host of subjects - ships, cities, cats, sex, nationalism, Jewishness, civility and kindness - are inspired by the presence of Trieste, and recorded in or between the lines of this book.Evoking the whole of its modern history, from its explosive growth to wealth and fame under the Habsburgs, through the years of Fascist rule to the miserable years of the Cold War, when rivalries among the great powers prevented its creation as a free city under United Nations auspices, Trieste and the Meaning of Nowhere is neither a history nor a travel book; like the place, it is one of a kind. Jan Morris's collection of travel writing and reportage spans over five decades and includes such titles as Venice, Coronation Everest, Hong Kong, Spain, Manhattan '45, A Writer's World and the Pax Britannica Trilogy. Hav, her novel, was shortlisted for the Booker Prize and the Arthur C. Clarke Award.

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The Lost Matriarch offers a unique response to the sparse and puzzling biblical treatment of the matriarch Leah. Although Leah is a major figure in the book of Genesis, the biblical text allows her only a single word of physical description and two lines of direct dialogue. The Bible tells us little about the effects of her lifelong struggles in an apparently loveless marriage to Jacob, the husband she shares with three other wives, including her beautiful younger sister, Rachel. Fortunately, two thousand years of traditional and modern commentators have produced many fascinating interpretations (midrash) that reveal the far richer story of Leah hidden within the text. Through Jerry Rabow’s weaving of biblical text and midrash, readers learn the lessons of the remarkable Leah, who triumphed over adversity and hardship by living a life of moral heroism. The Lost Matriarch reveals Leah’s full story and invites readers into the delightful, provocative world of creative rabbinic and literary commentary. By experiencing these midrashic insights and techniques for reading “between the lines,” readers are introduced to what for many will be an exciting new method of personal Bible interpretation.

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The Satires of Horace offer a hodgepodge of genres and styles: philosophy and bawdry; fantastic tales and novelistic vignettes; portraits of the poet, his contemporaries, and his predecessors; jibes, dialogue, travelogue, rants, and recipes; and poetic effects in a variety of modes. For all their apparent lightheartedness, however, the poems both illuminate and bear the marks of a momentous event in world history, one in which Horace himself played an active role--the death of the Roman Republic and the birth of the Principate.John Svarlien's lively blank-verse translation reflects the wide range of styles and tones deployed throughout Horace's eighteen sermons or conversations, deftly reproducing their distinctive humor while tracking the poet's changing mannerisms and moods.David Mankin's Introduction offers a brief account of the political upheavals in which Horace participated as well as the social setting in which his Satires were produced, and points up hallmarks of the poet's distinctive brand of satire. His detailed commentary offers a behind-the-scenes look at Roman society and an often between-the-lines examination of a key work of one of Rome's sharpest observers.

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For a brilliant forensic linguist, crimes of the past hold clues to new series of murders in a twisting novel of suspense by the Wall Street Journal bestselling author of A Familiar Sight. The double murder of a married couple in a small Washington town draws FBI forensic linguist Raisa Susanto into an investigation that mirrors a decades-old crime. Twenty-five years ago—to the day—Alex Parker murdered his parents, then took his own life, leaving behind a note admitting everything. Raisa, paired with forensic psychologist Callum Kilkenny, uses her skills to read between the lines. Especially now that paranoid postings on a conspiracy thread suggest that Alex was a victim himself—theories that have piqued the interest of a perceptive content moderator and a true-crime podcaster eager for a big break. As old and new crimes converge, messages from the living and the confessions of the dead take on new meaning for Raisa. Something more sinister than a copycat crime is at play, and plundering the darkest corners of a killer’s mind leaves her vulnerable to a deadly twist even she never saw coming.

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Until well into the twentieth century, the claims to citizenship of women in the US and in Europe have come through men (father, husband); women had no citizenship of their own. The case studies of three expatriate women (Renée Vivien, Romaine Brooks, and Natalie Barney) illustrate some of the consequences for women who lived independent lives. To begin with, the books traces the way that ideas about national belonging shaped gay male identity in the nineteenth century, before showing that such a discourse was not available to women and lesbians, including the three women who form the core of the book. In addition to questions of sexually non-conforming identity, women's mediated claim to citizenship limited their autonomy in practical ways (for example, they could be unilaterally expatriated). Consequently, the situation of the denizen may have been preferable to that of the citizen for women who lived between the lines. Drawing on the discourse of jurisprudence, the history of the passport, and original archival research on all three women, the books tells the story of women's evolving claims to citizenship in their own right.

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“A deeply compelling and immersive narrative about love, desire, loneliness and landscape.”—Elif Shafak (on book 1 of the series) “Altan uses a Tolstoyan combination of the epic and the intimate to explore questions of national identity and historical narrative.”—The Observer “Altan’s descriptions of a stifling atmosphere of authoritarian repression in Istanbul in the early 1900s conjure up constant comparisons with today’s Turkey.”—The TLS The third book in the Ottoman Quartet, set in the years leading up to WWI, is steeped in the tumultuous events and the political struggle that shaped 20th century Turkey, from the war against the Bulgarian army and the coup that resulted in the nation’s one-party rule. Against this background, a tormented, obsessive love affair unfolds between Nizam, the son of Hikmet Bey, and Russian pianist Anya. This tapestry of love and war allows Altan to analyse the structure of male power and its degeneration into violence against women, uncompromising nationalism, and pervasive censorship. Atan confirms himself as a caustic, courageous writer, never afraid to denounce an arrogant and undemocratic power, allowing the reader to read between the lines the situation of contemporary Turkey.

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An enchanting YA novel from Number One bestselling author Jodi Picoult, co-written with her daughter.Meant for each other . . . Meet Oliver, a prince literally taken from the pages of a fairy tale and transported into the real world. Meet Delilah, the girl who wished Oliver into being. It's a miracle that seems perfect at first - but there are complications. To exist in Delilah's world, Oliver must take the place of a regular boy. Enter Edgar, who agrees to play Oliver's role in the pages of Delilah's favorite book. But just when it seems that the plan will work, everything gets turned upside down. In this multilayered universe, the line between what's on the page and what's possible is blurred. Is there a way for everyone to live happily ever after? OFF THE PAGE is a stand-alone novel as well as the sequel to the authors' bestseller BETWEEN THE LINES, and is perfect for readers looking for a fairytale ending.*Featuring an augmented reality cover which readers can bring to life using the Zappar app to see Oliver and Delilah come off the page!*

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'The late Jim Harrison was one of the true greats when it came to writing about food. He combined an attention to detail with a glorious prose style and a massive appetite... A must read.' - ObserverNew York Times bestselling author Jim Harrison was one of America's most beloved writers, a muscular, brilliantly economic stylist with a salty wisdom. He also wrote some of the best essays on food around, earning praise as 'the poet laureate of appetite' (Dallas Morning News). A Really Big Lunch collects many of his food pieces for the first time - and taps into his larger-than-life appetite with wit and verve. Jim Harrison's legendary gourmandise is on full display in A Really Big Lunch. From the titular New Yorker piece about a French lunch that went to thirty-seven courses, to pieces from Brick, Playboy, the Kermit Lynch Newsletter and more on the relationship between hunter and prey, or the obscure language of wine reviews, A Really Big Lunch is shot through with Harrison's pointed aperçus and keen delight in the pleasures of the senses. And between the lines the pieces give glimpses of Harrison's life over the last fifteen years. A Really Big Lunch is a literary delight that will satisfy every appetite.

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Book Two in the Rogues of the Republic series. Who would have thought a book of naughty poems by elves could mean the difference between war and peace? But if stealing the precious volume will keep the Republic and the Empire from tearing out each other’s throats, rogue soldier Isafesira de Lochenville—“Loch” to friends and foes alike—is willing to do the dishonest honors. With her motley crew of magic-makers, law-breakers, and a talking warhammer, she’ll match wits and weapons with dutiful dwarves, mercenary knights, golems, daemons, an arrogant elf, and a sorcerous princess. But getting their hands on the prize—while keeping their heads attached to their necks—means Loch and company must battle their way from a booby-trapped museum to a monster-infested library, and from a temple full of furious monks to a speeding train besieged by assassins. And for what? Are a few pages of bawdy verse worth waging war over? Or does something far more sinister lurk between the lines? From Patrick Weekes, one of the minds behind the critically acclaimed Mass Effect video game series, The Prophecy Con continues the action-packed fantasy adventure that kicked off in The Palace Job.

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Untitled 19” x 15” captures unlikely characters comprised of found objects derived from the streets of New York. The artist’s publication sheds light on the infinite possibilities one can achieve when allowing your perspective to change, and in turn allowing the material to separate from its materiality. Although the final pieces are represented in photographs, each image evokes the understanding and intimacy of sculpture. The level of detail forces the viewer to get closer to the image itself, to discover the beauty that lives in between the lines. The infrathin moment revealing itself. The feeling of a thing, as opposed to the actual thing itself is what I am drawn to. For Salinas, altering the sense of objects is a way of forcing himself to see the object differently, to question the permanence of the objects original intent. Although his work involves everyday objects, Salinas does not see his photographs as glorifying or treasuring these objects. Instead he views himself as curating his expansive collection of materials, altering and manipulating them into compositions that transform their meaning. The balance created in his images comes from arranging and rearranging these objects until the right chord is struck, creating harmony out of discord.

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It's the Subtleties that Matter! What is the real difference between competent leader and extraordinary executive? Is it pedigree, experience, intelligence? The answer is yes...and much more. Exceptional leadership hinges on a complex interaction between individual psychology and unique business needs. At the top rung of the ladder, where the dynamics are most complicated, subtle adjustments in style can produce outstanding results. In his new book, The Intangibles of Leadership, Management Psychologist Richard Davis, Ph.D., uncovers patterns in the attributes that truly distinguish those who succeed at the top. What he found was that extraordinary leaders possess certain characteristics that fall between the lines of existing leadership models, yet are fundamental to executive success. Davis explains each of these qualities, the people who exemplify them, how to detect them in others, and most importantly, how to develop the subtle characteristics that will enable them to stand out from the pack. Learn why... It's often better to aim for silver than for gold Playing hard to get attracts people to you It's important to have a slightly inflated view of your abilities Your peripheral vision is so important It's ok to get angry with your team So many extraordinary executives have gone through crises early in their lives

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This volume provides the first English translation of Nietzsche's unpublished notes from late 1879 to early 1881, the period in which he authored Dawn, the second book in the trilogy that began with Human, All Too Human and concluded with The Joyful Science. In these fragments, we see Nietzsche developing the conceptual triad of morals, customs, and ethics, which undergirds his critique of morality as the reification into law or dogma of conceptions of good and evil. Here, Nietzsche assesses Christianity's role in the determination of moral values as the highest values and of redemption as the representation of humanity's highest aspirations. These notes show the resulting tension between Nietzsche's contrasting thoughts on modernity, which he critiques as an unrecognized aftereffect of the Christian worldview, but also views as the springboard to "the dawn" of a transformed humanity and culture. The fragments further allow readers insight into Nietzsche's continuous internal debate with exemplary figures in his own life and culture—Napoleon, Schopenhauer, and Wagner—who represented challenges to hitherto existing morals and culture—challenges that remained exemplary for Nietzsche precisely in their failure. Presented in Nietzsche's aphoristic style, Dawn is a book that must be read between the lines, and these fragments are an essential aid to students and scholars seeking to probe this work and its partners.

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Letters from Helfenberg tells the story of a family and a house, and between the lines also of two countries, Germany and England, over a span of forty years. Starting in Berlin in 1909, when the shops were full of ‘modern hats with big brims and ostrich feathers, delicious fruit from southern lands, English jams and all kinds of fish in aspic, poultry, venison, sausages, partridge and pheasant pie’, it reaches its end again in Berlin in 1948, when survival depended on dangerous foraging for fruit or bartering with cigarettes and reels of cotton. Between these two extremes, the correspondence records the intervening years of war and peace, when marriage had led one part of the von Lippe family from Dresden to Cambridge. From operas to zeppelins, potato harvests to elections, the letters describe events as the family experienced them, together with a rich overlay of literary allusions and philosophical reflections. Their home in Helfenberg and its surrounding countryside are a constant theme, giving inspiration and support in times of joy and sorrow. Letters from a brother in the German navy also give a colourful picture of his voyages to the Americas in the decade before the First World War. From an age in which letters were the principal method of communication, this collection presents a vivid picture of social and family life in the shadow of great international events.

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This book spells out exactly what happens within the personality when psychotherapy is successful. Much of the answer has long been written between the lines of Freud’s seminal works, awaiting their coming together and integration. The book considers what changes within various psychic systems and how these are functions of the underlying disorders are spelled out for neurotic, borderline and psychotic illnesses. The result is the identification of another vein of ore in Freud’s ideas that clarifies the healing aspects of his model, and adds a new level of precision to the therapeutic process.Freud’s writings on the nature of healing and growth take second place to his ideas on the structure of the personality and pathology. His well-defined ideas on the mechanism of healing and growth are scattered across his writings and rarely, if ever, drawn together into a unified presentation. His following has deeply explored the meanings of his seminal ideas when it comes to theory and practice, but is short in the area of what actually takes place within successful psychotherapy. This text’s effort to gather up and unify his thoughts in this area results in both theoretical and therapeutic gains, the former for clarifications of how various psychic systems function within healing and growth, and the latter because of a more exact identification of the signs of it.

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"Just might convince complaining children that their school isn't so bad after all."--Kirkus reviews A hilarious back-to-school story told through journal entries about a boy who finds himself at a new school where the other students are REAL animals. Perfect for fans of Ryan T. Higgins's We Don't Eat Our Classmates and Elise Parsley's If You Ever Want to Bring an Alligator to School, Don't!Dear Diary,Today is the first day at my new school and I think there's been a mistake. My desk mate stinks, my locker buddy bites, and my teacher is unbearable! I told Mom my classmates are WILD ANIMALS but she said all little kids are wild animals. I think I'm going to be sick tomorrow. Celebrate back to school (and even calm some back-to-school nerves) with this clever and funny story about a boy who accidentally winds up at a school for animals, but soon realizes friends can come in all shapes, sizes, and species. A great read for kindergarten through second grade! Praise for My School Stinks!: "Along with being a good choice for children anxious about their own upcoming “first day,” this offers a nifty exercise in reading between the lines."--Booklist "An encouraging new-kid narrative told from an entertaining perspective." --Publishers Weekly

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This volume provides the first English translation of Nietzsche's unpublished notes from late 1879 to early 1881, the period in which he authored Dawn, the second book in the trilogy that began with Human, All Too Human and concluded with The Joyful Science. In these fragments, we see Nietzsche developing the conceptual triad of morals, customs, and ethics, which undergirds his critique of morality as the reification into law or dogma of conceptions of good and evil. Here, Nietzsche assesses Christianity's role in the determination of moral values as the highest values and of redemption as the representation of humanity's highest aspirations. These notes show the resulting tension between Nietzsche's contrasting thoughts on modernity, which he critiques as an unrecognized aftereffect of the Christian worldview, but also views as the springboard to "the dawn" of a transformed humanity and culture. The fragments further allow readers insight into Nietzsche's continuous internal debate with exemplary figures in his own life and culture—Napoleon, Schopenhauer, and Wagner—who represented challenges to hitherto existing morals and culture—challenges that remained exemplary for Nietzsche precisely in their failure. Presented in Nietzsche's aphoristic style, Dawn is a book that must be read between the lines, and these fragments are an essential aid to students and scholars seeking to probe this work and its partners.

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This extensive and unique collection, consisting of over 180 letters and hundreds of drawings, covers Reed's period of service (1862-65) and provides the modern reader a wealth of information on the role of the Union army in the eastern theater, the events in the life of the Civil War soldier, and the war in general. A native of Boston, Reed served as bugler of the Ninth Massachusetts Battery, whose desperate holding action at Gettysburg ranks as one the most heroic actions of the war. During this battle Reed performed a deed of selfless bravery by saving his wounded captain from between the lines, an act for which he was later awarded the Medal of Honor. In addition to Gettysburg, Reed saw action in nearly all of the battles in the East from 1862 to 1865, including Bristoe Station, Mine Run, the Wilderness, Spotsylvania, North Ana, Bethesda Church, Cold Harbor, and the siege of Petersburg. Reed's letters chronicle events, from the most common to the extraordinary, with simple yet thoughtful eloquence. His drawings capture a wide variety of events to which he was not only an eyewitness but also a participant. His talent was considered equal to that of leading newspaper artists of his day, and his drawings were used to illustrate a best-selling Civil War book, Hardtack and Coffee (1887). We are fortunate that Reed's writings and drawings have been preserved, and can be presented here in a single volume.

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‘Anyone who loved the great Maeve Binchy will adore this gorgeous gem of a book’ – Claudia Carroll The gripping new novel from Irish Times bestseller Carmel Harrington, shortlisted for Newcomer of the Year at the BGE Irish Book Awards. Every family has a story… Meet the Guinness family… But for the Guinness family a happy ending looks out of reach. Olly and Mae's marriage is crumbling, their teenage daughter Evie is on a mission to self-destruct and their beloved Pops is dying of cancer. Their once strong family unit is slowly falling apart. But Pops has one final gift to offer his beloved family – a ray of hope to cling to. As his life's journey draws to a close, he sends his family on an adventure across Europe in a camper van, guided by his letters, his wisdom and his love. Because Pops knows that all his family need is time to be together, to find their love for each other and to find their way back home… What readers are saying about Carmel Harrington: ‘Carmel Harrington…will make you see life in a different way’ – Woman’s Way ‘A wonderfully life-affirming, heart-warming book. Carmel Harrington writes with such honesty, you'd have to be made of stone not to laugh and cry’ – New York Times bestselling author Hazel Gaynor ‘I always feel a little richer for having read one of Carmel’s books…this inspiring and emotional family-centred read stole my heart’ – Between the Lines

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Maybe Jesus was joking, the disciples didn’t know what they were doing and the New Testament is a lot funnier than you might think. You would think it weird if someone suddenly ascended into heaven, right? Reading between the lines, do we detect a touch of rivalry between Peter and John? And surely the lack of parables in the latter’s mystical tome is simply crying out to be redressed . . . In this sparklingly witty book, BBC sitcom writer James Cary gives us a new and liberating way of looking at the gospel as he entertainingly relates it to a modern context, with references ranging from Charles Dickens to The Vicar of Dibley. Cheerfully playing around with the text, he takes the Bible seriously but allows us to laugh at our own petty vanities and foibles – and be enlightened in the process. The Gospel According to a Sitcom Writer is ideal for anyone wanting to liven up their Bible reading and looking for new ways to be thrilled by this sacred text. It’s also perfect for priests, pastors, youth leaders and all those involved in ministry and giving sermons, as James Cary shows using comedy and humour is a brilliant way to communicate the gospel. Warm, funny and full of brilliant insight and Christian humour, The Gospel According to a Sitcom Writer will make you laugh out loud and shake your head in awe. You’ll never read the Bible the same way again.

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Communicate more easily and effectively in any situation! Every day, you have the opportunity to interact with people in different areas of your life; in public, at work and at home, with colleagues and clients, with friends and family. Your ability to exchange ideas and opinions with other people, understand their thoughts and feelings, their point of view and solve problems between you depends on how effectively you’re able to communicate. But being understood, and understanding others is not always easy! Communication is a dynamic, complex process, influenced by all the complexities and differences in human motivation and behaviour. Communication: How to Connect with Anyone will help you connect with others, build friendships and develop better relationships with colleagues and clients, friends and family. This engaging, practical guide shares everything you need to know to develop empathy and rapport with others, and feel confident about communicating with a diverse range of people. This book will help you: Identify, understand and overcome the barriers to communication Explain yourself clearly and be able to manage other people’s responses – whatever they are Know what to say to get others to open up to you Learn how to read between the lines and get a better insight into how others feel, what they do and don’t want Learn how to persuade and influence others Communication: How to Connect with Anyone is a valuable guide for anyone who wishes to communicate effectively, clearly and successfully in all aspects of life.

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The Sixth Doctor and new companion Constance Clarke encounter the Doctor's old enemy the Rani - who has some problems of her own: Miasimia Goria was a quiet planet, an ancient world of bucolic tranquillity...until the Rani arrived with ideas of her own. She planned to create a race of new gods...gods that she could keep on her leash, but those plans went horribly wrong. Now, she languishes in the high security of Teccaurora Penitentiary, consigned there by her arch enemy and old student colleague, the Doctor. But the Rani, always resourceful, ever calculating, knows things about the Doctor's past that he would rather forget. She wants revenge, even if it takes a hundred years...and then she has other unfinished business. The ruins of Miasimia Goria await...This is the first of a new run of stories with Colin Baker as the Doctor, a role he's been playing for Big Finish since 1999. New companion Constance Clarke is played by Miranda Raison, a familiar face from British stage and screen including Spooks, Poirot, Merlin, Doctor Who and 24: Live Another Day...Arch nemesis the Rani - a conscience-less Time Lord - is played by Siobhan Redmond, from BBC's Between the Lines, Taggart, Holby City and cult hit The High Life. CAST: Colin Baker (The Doctor), Miranda Raison (Constance Clarke), Siobhan Redmond (The Rani), James Joyce (Raj Kahnu/Guard), Olivia Poulet (Pazmi), Dominic Thorburn (Brejesh/Security Leader), Tim Bentinck (Chowdras/Governor), Chris Porter (Degoor/Montain).

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"In the space of one day, Jubal E. Gainer, high school dropout and draft dodger, manages to rack up an impressive array of crimes...He steals a friend's motorcycle, rapes a simple-minded spinster, mugs a pixyish professor, and stabs an obese visionary who runs a surplus store. He then waits out an Indiana twister and goes his way, leaving as much wreckage in his path as the twister itself."--Library Journal. "In Orbit is a short novel, full of action, and the seriousness can mostly be found between the lines. [There] one can see against what Jubal Gainer's rebellion, thoughtless and aimless as it seems, is directed. One might say that he is, like millions of his contemporaries, a Huck Finn without a Mississippi."-- Granville Hicks, Saturday Review. "Here is another of Wright Morris's craftsmanly novels--terse, colloquial, restrained, fragmented, deliberately shadowy. Above all, small; not slight, not inconsequential, but a miniature...All readers will surely appreciate the quality of the prose style one has come to expect in a Wright Morris novel...There is also a muscular quality to Mr. Morris's writing that makes it a suitable instrument for conveying harsher things; and there is his sense of the comic, which springs up constantly. In all, this is a quiet but rich performance."--New York Times Book Review. One of the most distinguished American authors, Wright Morris (1910-1988) wrote thirty-three books including The Field of Vision, which won the National Book Award.

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Winner, 2022 Nellie Bly Book Award, Chanticleer International Book AwardsMore than a decade ago, counterterrorism expert Rita Katz began browsing white supremacist and neo-Nazi forums. The hateful rhetoric and constant threats of violence immediately reminded her of the jihadist militants she spent her days monitoring, but law enforcement and policy makers barely paid attention to the Far Right. Now, years of attacks committed by extremists radicalized online—including mass murders at a synagogue in Pittsburgh and mosques in Christchurch, New Zealand, as well as the Capitol siege—have brought home the danger. How has the internet shaped today’s threats, and what do the online origins of these movements reveal about how to stop them?In Saints and Soldiers, Katz reveals a new generation of terrorist movements that don’t just use the internet, but exist almost entirely on it. She provides a vivid view from the trenches, spanning edgy video game chat groups to what ISIS and Far-Right mass-shooters in El Paso, Orlando and elsewhere unwittingly reveal between the lines of their manifestos. Katz shows how the online cultures of these movements—far more than their ideologies and leaders—create today’s terrorists and shape how they commit “real world” violence. From ISIS to QAnon, Saints and Soldiers pinpoints the approaches needed for a new era in which arrests and military campaigns alone cannot stop these never-before-seen threats.

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This book looks at company announcements, focussing on those issued through the London Stock Exchange by listed companies. Almost all these announcements - such as annual results, share buying by directors, profit warnings and updates on current trading - are required under stock exchange rules or European Union directives. This book explains these rules and shows how to make sense of the announcements; enabling investors and others to take informed decisions. The book is divided into three sections: Section A looks at what the rules are, why they have been imposed and how they have evolved to give private investors a much fairer opportunity of competing with professional investors. Section B lists and explains the routine statements that all companies issue on a regular basis: trading statements and profit figures. It tells readers what to look for, explains company jargon and shows how to read between the lines when all is not as well as it seems. Section C considers important announcements, such as profit warnings and directors' share dealings, that are issued on an irregular basis as they arise. It explains which announcements are likely to affect the share price and why. "Understanding Company News" is for all those baffled shareholders who throw communications from their companies straight into the bin and any investors who read company pronouncements but perhaps naively take everything they see at face value. And anyone working in related industries looking to untangle these company announcements will also find this book extremely valuable.

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As heard on BBC Radio 4's 'A Good Read’ 'Where and how Dada began is almost as difficult to determine as Homer's birthplace', writes Hans Richter, the artist and film-maker closely associated with this radical movement from its earliest days. Here, he records and traces Dada's history, from its inception in wartime Zurich, to its collapse in Paris in the 1920s when many of its members were to join the Surrealist movement, to its reappearance in the 1960s in movements such as Pop Art. This absorbing eyewitness narrative is enlivened by extensive use of Dada documents, illustrations and texts by fellow Dadaists. The complex personalities, relationships and contributions of, among others, Hugo Bali, Tristan Tzara, Picabia, Arp, Schwitters, Hausmann, Duchamp, Ernst and Man Ray, are vividly brought to life. Over a hundred years on from the riotous inception of Dada at the Cabaret Voltaire in Zurich in 1916, art historian Michael White provides a new introduction and commentary to a book that has become a legend in its own right, influencing a generation of performers and artists since its first publication in 1965 - David Bowie even quoted from Dada: Art and Anti-Art in his Scary Monsters album. Michael White has unearthed Richter's private correspondence with his fellow Dada artists to tell the story of how the book came about and, using previously unseen archive sources, enables us to read between the lines and discover the truth behind this most elusive of art movements.

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A fiercely personal and startlingly universal essay collection about the mysteries of gender and desire, of identity and class, of the stories we tell and the places we call home. Flyover country, the middle of nowhere, the space between the coasts. The American Midwest is a place beyond definition, whose very boundaries are a question. It’s a place of rolling prairies and towering pines, where guns in bars and trucks on blocks are as much a part of the landscape as rivers and lakes and farms. Where girls are girls and boys are boys, where women are mothers and wives, where one is taught to work hard and live between the lines. But what happens when those lines become increasingly unclear? When a girl, like the land that raised her, finds herself neither here nor there? In this intrepid collection of essays, Melissa Faliveno traverses the liminal spaces of her childhood in working-class Wisconsin and the paths she’s traveled since, compelled by questions of girlhood and womanhood, queerness and class, and how the lands of our upbringing both define and complicate us even long after we’ve left. Part personal narrative, part cultural reportage, Tomboyland navigates midwestern traditions, mythologies, landscapes, and lives to explore the intersections of identity and place. From F5 tornadoes and fast-pitch softball to gun culture, strange glacial terrains, kink party potlucks, and the question of motherhood, Faliveno asks curious, honest, and often darkly funny questions about belonging and the body, isolation and community, and what we mean when we use words like woman, family, and home.

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This book takes its title from the homonymous novel by Nella Larsen who, during the Harlem Renaissance, posed the question of what it means to be black in a racist country. The practice of passing was in fact used by African Americans to escape discrimination during the time of segregation. Nella Larsen condemns this practice, but also shows its potential, defining it as 'not entirely strange perhaps . . . but certainly not entirely friendly.' Starting from this consideration, Camaiti Hostert's book turns the meaning of the social practice of passing upside down and makes it become a universal tool to redefine any social, ethnic, gender, and religious identity. Based on the Foucauldian consideration that total visibility is a 'trap,' the author focuses her attention on the interstices, on the spaces off and on the narratives between the lines. The emphasis is on the transitional moment, in a Gramscian sense: the fluid state flowing between the starting and ending points becomes the place of a counter-hegemony, which helps not only to rewrite history but also to change the political status quo. More interesting than the departure or arrival point is the phase any individual has to go through in order to redefine his/her own self and his/her position in society. It is a deterritorialization of the self and of social practices. It is a way to oppose any form of binary thinking and particularly cultural barriers. Post-colonial literatures, cinema, and new communication technologies that shape the many forms of popular culture are the common ground on which passing relies. From there, from the different conditions of in betweeness, stems the possibility of change.

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London in the early nineties is a hotbed of political activism and intrigue, prey and predator, and times are changing fast - too fast for DCI Rick Bailey, who is starting to think he cannot keep up. But then a young woman goes missing in the run-up to Christmas, and he's convinced Alice's disappearance is related to an unsolved murder that has haunted him for the last three years.He stumbles upon a suspect connected to all the clues, among them a care worker facing betrayal and abuse, a cemetery worker hearing music that does not play, an activist running from himself and a blind man who sees more than anyone else.Who will lead them to Alice before the church bells ring?_____Praise for S. J. Butler:'S.J. Butler writes like a dream and tells tales from the stuff of nightmares . . . This is high-octane crime fiction' TONY PARSONS'Class warfare in all its glory or goriness' TONY MILLINGTON'⭐ ⭐ ⭐ ⭐ ⭐ This story gets hold of you and makes you shudder. Five stars''⭐ ⭐ ⭐ ⭐ ⭐ An extraordinarily fantastic literary thriller. A huge five star read for me' '⭐ ⭐ ⭐ ⭐ ⭐ Plenty of twists to keep you guessing! Just brilliant''⭐ ⭐ ⭐ ⭐ ⭐ Gritty, well written, a real page turner' '⭐ ⭐ ⭐ ⭐ ⭐ Gem of a debut''⭐ ⭐ ⭐ ⭐ ⭐ Great twists and turns . . . Can't wait to read more of S. J Butlers books!!'An addictive and nail-biting crime thriller from the author of Between the Lines and Deadly Lesson. Perfect for fans of Biba Pearce, Robert Bryndza and Patricia Gibney.

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Are you done with generic gin and tonics, mediocre Manhattans and basic martinis? You can use pantry staples and basic liquors to produce more than 200 game-changing craft cocktails worthy of a seat at the bar. Many cocktail books call for hard-to-find ingredients and complicated techniques that can frustrate home cocktail makers. Shake Strain Done shows a better way:* If you can shake, strain, stir and turn on a blender, you can make great cocktails.* No tedious secondary recipes hidden between the lines.* No mysteries. You'll know what each drink will taste like before you pick up a bottle.* No fancy equipment needed. A shaker, strainer and spoon are as exotic as it gets.* The ingredients are mostly pantry and bar staples--things you already have on hand.Every drink is rated by its characteristics--Warm, Refreshing, Sweet, Sour, Bitter, Fruity, Herbal, Creamy, Spicy, Strong and Smoky--to help expand your horizons and find more drinks to love. These are drinks with the sophistication of a high-end speakeasy, minus the fuss, like:* The Sazerac 2.0 - a spice cabinet update that takes the classic back to its origins* A new White Russian that lightens the load with coconut water instead of cream* A grownup Singapore Sling that's fruity without tasting like fruit punch* A Scorched Margarita that uses the broiler to char those lemons and limes* A feisty new Gin and Tonic in which black pepper is the star ingredient* And plenty of originals, like the Pooh Bear. Butter, honey and bourbon? Yes, please! And Mistakes Were Made, for tiki time

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Mormon Women’s History: Beyond Biography demonstrates that the history and experience of Mormon women is central to the history of Mormonism and to histories of American religion, politics, and culture. Yet the study of Mormon women has mostly been confined to biographies, family histories, and women’s periodicals. The contributors to Mormon Women’s History engage the vast breadth of sources left by Mormon women—journals, diaries, letters, family histories, and periodicals as well as art, poetry, material culture, theological treatises, and genealogical records—to read between the lines, reconstruct connections, recover voices, reveal meanings, and recast stories.Mormon Women’s History presents women as incredibly inter-connected. Familial ties of kinship are multiplied and stretched through the practice and memory of polygamy, social ties of community are overlaid with ancestral ethnic connections and local congregational assignments, fictive ties are woven through shared interests and collective memories of violence and trauma. Conversion to a new faith community unites and exposes the differences among Native Americans, Yankees, and Scandinavians. Lived experiences of marriage, motherhood, death, mourning, and widowhood are played out within contexts of expulsion and exile, rape and violence, transnational immigration, establishing “civilization” in a wilderness, and missionizing both to new neighbors and far away peoples. Gender defines, limits, and opens opportunities for private expression, public discourse, and popular culture. Cultural prejudices collide with doctrinal imperatives against backdrops of changing social norms, emerging professional identities, and developing ritualization and sacralization of lived religion.The stories, experiences, and examples explored in Mormon Women’s History are neither comprehensive nor conclusive, but rather suggestive of the ways that Mormon women’s history can move beyond individual lives to enhance and inform larger historical narratives.

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PRE-ORDER PRECIPICE, THE THRILLING NEW NOVEL FROM ROBERT HARRIS, NOW - PUBLISHING AUGUST 2024WHAT IF YOUR FUTURE LIES IN THE PAST?'One word: wonderful. Two words: compulsive reading. Three words: buy it tomorrow. Four words: tonight, if possible.' STEPHEN KING'A thoroughly absorbing, page-turning narrative.' SUNDAY TIMES'Genuinely thrilling.' DAILY TELEGRAPHDusk is gathering as a young priest, Christopher Fairfax, rides across a silent land.He must arrive at a remote village in the wilds of Exmoor before night falls. He's lost and he's becoming anxious as he slowly picks his way across a countryside strewn with the ancient artefacts of a civilisation that seems to have ended in cataclysm.What Fairfax cannot know is that, in the days and weeks to come, everything he believes in will be tested as he uncovers a secret that is as dangerous as it is terrifying . . .'[Harris] takes us on a thrilling ride while serving up serious food for thought.' SUNDAY EXPRESS'A truly surprising future-history thriller. Fabulous, really.' EVENING STANDARD'The book's real power lies in its between-the-lines warning that our embrace of the internet represents some kind of sleepwalk into oblivion. It's a provocative, tub-thumping sci-fi of which H. G. Wells might have been proud.' DAILY MAIL'Harris' latest work intelligently warps historical fiction and tackles issues of religion, science and the apocalypse in the process. As he flexes his imagination, you will be left pondering as often as you are page-turning.' HERALD'A brilliantly imaginative thriller' READER'S DIGESTAct of Oblivion, Sunday Times bestseller, June 2023

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This volume provides a rich new resource for exploring religion and daily life in Interregnum and Restoration England. Thomas Larkham kept his 'diary' - an account book with spiritual musings and autobiographical notes - throughout his time as Vicar of Tavistock, Devon, and on into his days as a nonconformist apothecary in the town. Only fragmentshave appeared in print before. This edition provides a new resource for exploring religion and daily life in Interregnum and Restoration England. Larkham's life captures the twists and turns a clerical career could take in the 17th century. He went to New England in the 1630s, then came back and joined the Parliamentary army. As Vicar of Tavistock in the 1650s, he took a controversial path. He preached to the parish at large but restricted baptism and communion to an ever smaller circle. Local resentment erupted in a no-holds-barred pamphlet war. A watershed came in 1660. Larkham scored a thick black line in his diary under these words: 'The Lords day Oct. 21. I left mine imployment of preaching in feare & upon demand of the Patron'. The entries that follow show how his fortunes changed as a result - prisoner, fugitive preacher, Tavistock apothecary. The diary illuminates the private side of a turbulent public life. It is intriguing both for what it includes and for what has to be read between the lines. The edition also includes two rare tracts - Naboth and Judas hanging himselfe - from the vociferous debate his activities provoked. A substantial introduction sets Larkham and his diary in context. SUSAN HARDMAN MOORE is Senior Lecturer in Divinity at the University of Edinburgh.

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"Picturing myself dying in a way I choose myself seems so comforting, healing and heroic. I'd look at my wrists, watch the blood seeping, and be a spectator in my last act of self-determination. By having lost all my self-respect it seems like the last pride I own, determining the time I die."-Kyra V., seventeen Reading the confessions of a teenager contemplating suicide is uncomfortable, but we must do so to understand why self-harm has become epidemic, especially in the United States. What drives teenagers to self-harm? What makes death so attractive, so liberating, and so inevitable for so many? In Teenage Suicide Notes, sociologist Terry Williams pores over the writings of a diverse group of troubled youths to better grasp the motivations behind teenage suicide and to humanize those at risk of taking their own lives. Williams evaluates young people in rural and urban contexts and across lines of race, class, gender, and sexual orientation. His approach, which combines sensitive portrayals with sociological analysis, adds a clarifying dimension to the fickle and often frustrating behavior of adolescents. Williams reads between the lines of his subjects' seemingly straightforward reflections on alienation, agency, euphoria, and loss, and investigates how this cocktail of emotions can lead to suicide-or not. Rather than treating these notes as exceptional examples of self-expression, Williams situates them at the center of teenage life, linking them to abuse, violence, depression, anxiety, religion, peer pressure, sexual identity, and family dynamics. He captures the currents that turn self-destruction into an act of self-determination and proposes more effective solutions to resolving the suicide crisis.

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'A daring and mesmerizing twist on the art of biography' – Douglas Smith, author of Rasputin: The Biography 'Anyone who loves [Dostoevsky's] novels will be fascinated by this book' – Sue Prideaux, author of I Am Dynamite! A Life of Friedrich Nietzsche Dostoevsky’s life was marked by brilliance and brutality. Sentenced to death as a young revolutionary, he survived mock execution and Siberian exile to live through a time of seismic change in Russia, eventually being accepted into the Tsar’s inner circle. He had three great love affairs, each overshadowed by debilitating epilepsy and addiction to gambling. Somehow, amidst all this, he found time to write short stories, journalism and novels such as Crime and Punishment, The Idiot and The Brothers Karamazov, works now recognised as among the finest ever written. In Dostoevsky in Love Alex Christofi weaves carefully chosen excerpts of the author’s work with the historical context to form an illuminating and often surprising whole. The result is a novelistic life that immerses the reader in a grand vista of Dostoevsky’s world: from the Siberian prison camp to the gambling halls of Europe; from the dank prison cells of the Tsar’s fortress to the refined salons of St Petersburg. Along the way, Christofi relates the stories of the three women whose lives were so deeply intertwined with Dostoevsky’s: the consumptive widow Maria; the impetuous Polina who had visions of assassinating the Tsar; and the faithful stenographer Anna, who did so much to secure his literary legacy. Reading between the lines of his fiction, Christofi reconstructs the memoir Dostoevsky might have written had life – and literary stardom – not intervened. He gives us a new portrait of the artist as never before seen: a shy but devoted lover, an empathetic friend of the people, a loyal brother and friend, and a writer able to penetrate to the very depths of the human soul.

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Conventional wisdom holds that television was a co-conspirator in the repressions of Cold War America, that it was a facilitator to the blacklist and handmaiden to McCarthyism. But Thomas Doherty argues that, through the influence of television, America actually became a more open and tolerant place. Although many books have been written about this period, Cold War, Cool Medium is the only one to examine it through the lens of television programming. To the unjaded viewership of Cold War America, the television set was not a harbinger of intellectual degradation and moral decay, but a thrilling new household appliance capable of bringing the wonders of the world directly into the home. The "cool medium" permeated the lives of every American, quickly becoming one of the most powerful cultural forces of the twentieth century. While television has frequently been blamed for spurring the rise of Senator Joseph McCarthy, it was also the national stage upon which America witnessed-and ultimately welcomed-his downfall. In this provocative and nuanced cultural history, Doherty chronicles some of the most fascinating and ideologically charged episodes in television history: the warm-hearted Jewish sitcom The Goldbergs; the subversive threat from I Love Lucy; the sermons of Fulton J. Sheen on Life Is Worth Living; the anticommunist series I Led 3 Lives; the legendary jousts between Edward R. Murrow and Joseph McCarthy on See It Now; and the hypnotic, 188-hour political spectacle that was the Army-McCarthy hearings. By rerunning the programs, freezing the frames, and reading between the lines, Cold War, Cool Medium paints a picture of Cold War America that belies many black-and-white cliches. Doherty not only details how the blacklist operated within the television industry but also how the shows themselves struggled to defy it, arguing that television was preprogrammed to reinforce the very freedoms that McCarthyism attempted to curtail.

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Sollers once wrote that, to him, Claudel was first and foremost the man who wrote, “Paradise is around us at this very moment, all its forests attentive like a great orchestra that invisibly adores and implores. The whole invention of the Universe with its notes falling vertiginously one by one into the abyss where the wonders of our dimensions are written.” Well, Lacan is, to me, the one who says in this Seminar, “We are all familiar with hell, it is everyday life.” Is that the same thing? No, I don't think so. Here there is no adoration, no invisible orchestra, no vertigo or wonders. Let us begin by the end: Lacan “evacuated” from the rue d’Ulm along with his audience, not without resistance or an uproar. The episode was in all the papers. What had he done to deserve such a fate? He had spoken not only to psychoanalysts, but also to young people who were still fired up by the events of May 1968, who nevertheless accepted him as a master of discourse at the same time as they dreamt of subverting the university system. What did he tell them? That “Revolution” means returning to the same place. That knowledge now imposes its law on power and has become uncontrollable. That thought is censorship itself. He spoke to them about Marx, but also about Pascal's wager—which became in his hands a new version of the master/slave dialectic—not to mention the foundations of set theory. He moved on to a discussion of perversion, and models of hysteria and obsession. All of that is connected, scintillates, and captivates. Between the lines, the dialogue between Lacan and himself continues regarding the subject of jouissance and the relationship between jouissance and speech and language.

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'A daring and mesmerizing twist on the art of biography' – Douglas Smith, author of Rasputin: The Biography 'Anyone who loves [Dostoevsky's] novels will be fascinated by this book' – Sue Prideaux, author of I Am Dynamite! A Life of Friedrich Nietzsche Dostoevsky’s life was marked by brilliance and brutality. Sentenced to death as a young revolutionary, he survived mock execution and Siberian exile to live through a time of seismic change in Russia, eventually being accepted into the Tsar’s inner circle. He had three great love affairs, each overshadowed by debilitating epilepsy and addiction to gambling. Somehow, amidst all this, he found time to write short stories, journalism and novels such as Crime and Punishment, The Idiot and The Brothers Karamazov, works now recognised as among the finest ever written. In Dostoevsky in Love Alex Christofi weaves carefully chosen excerpts of the author’s work with the historical context to form an illuminating and often surprising whole. The result is a novelistic life that immerses the reader in a grand vista of Dostoevsky’s world: from the Siberian prison camp to the gambling halls of Europe; from the dank prison cells of the Tsar’s fortress to the refined salons of St Petersburg. Along the way, Christofi relates the stories of the three women whose lives were so deeply intertwined with Dostoevsky’s: the consumptive widow Maria; the impetuous Polina who had visions of assassinating the Tsar; and the faithful stenographer Anna, who did so much to secure his literary legacy. Reading between the lines of his fiction, Christofi reconstructs the memoir Dostoevsky might have written had life – and literary stardom – not intervened. He gives us a new portrait of the artist as never before seen: a shy but devoted lover, an empathetic friend of the people, a loyal brother and friend, and a writer able to penetrate to the very depths of the human soul.

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During a time when female reporters were almost always relegated to the society and women’s pages of the newspapers, a few hundred notable women broke barriers and wrote their way onto the front pages of metropolitan newspapers. Front-Page Women Journalists, 1920–1950 takes a look at the lives and careers of women who worked successfully in this male-dominated profession. Kathleen A. Cairns examines the roles women played in early-twentieth-century newspaper journalism and the influence they had on future generations of newspaperwomen through the examples of Agness Underwood, Charlotta Bass, and Ruth Finney. Each of these front-page women faced her own challenges, whether in regard to class, race, or gender. To get to the newsroom, and to stay there, they had to craft subtle, clever, and exhausting strategies. They had to be tough but compassionate, deferential yet independent, tenacious but also gracious. Most important, they could never openly challenge larger cultural assumptions about gender or suggest that they sought to advance the status of all women as well as themselves. In spite of these challenges, front-page women played a significant role in reshaping public perceptions about women’s roles. The public nature of journalism gave these women a large audience and a prominent stage on which to act out new professional identities. Their audience witnessed them traipsing through war zones, debating politics, and gaining scoops on high-profile criminal cases. The women viewed themselves as path-breakers, although they rarely openly acknowledged it. Between the lines, however, they suggested that they understood how important their success was to future generations of women. They quietly mentored other young female reporters, paved the way for the eventual admission of women into the all-male press clubs, and opened up more career opportunities for women.

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Milligan's Meaning of Life is a glorious celebration of the legendary Spike Milligan. Here you will find his most intimate and hilarious reflections on life.With his lightning-quick wit, unbridled creativity and his ear for the absurd, Milligan revolutionised British comedy. Throughout his life, Milligan also wrote prolifically - scripts, poetry, fiction, as well as several volumes of memoir, in which he took an entirely idiosyncratic approach to the truth. In this ground-breaking work, Norma Farnes, his long-time manager, companion, counsellor and confidante, gathers together the loose threads, reads between the lines and draws on the full breadth of his writing to present his life in his own words: an autobiography - of sorts.From his childhood in India, through his early career as a jazz musician and sketch-show entertainer, his spells in North Africa and Italy with the Royal Artillery, to that fateful first broadcast of The Goon Show and beyond into the annals of comedy history, this is the autobiography Milligan never wrote.'Milligan is the Great God to all of us' John Cleese'The Godfather of Alternative Comedy' Eddie IzzardSpike Milligan was one of the greatest and most influential comedians of the twentieth century. Born in India in 1918, he served in the Royal Artillery during WWII in North Africa and Italy. At the end of the war, he forged a career as a jazz musician, sketch-show writer and performer, before joining forces with Peter Sellers and Harry Secombe to form the legendary Goon Show. Until his death in 2002, he had success as on stage and screen and as the author of over eighty books of fiction, memoir, poetry, plays, cartoons and children's stories.

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"Even in death, who has ownership over Black women's bodies?"Questions like this sit between the lines of this stunning collection of stories that engage the nuance of African women's histories. Their history is not just one thing, there is heartbreak and pain, and joy, and flying and magic, so much magic. An avenging spirit takes on the patriarchy from beyond the grave.An immigrant woman undergoes a naturalization ceremony in an imagined American state that demands that immigrants pay a toll of the thing they love the most to be allowed to stay. A first-generation Zimbabwean-American woman haunted by generational trauma is willing to pay the ultimate price to take her pain away - giving up her memories. A neighborhood gossip wakes up to find that houses are mysteriously vanishing in the night. A shapeshifting freedom fighter leaves a legacy of resistance to her granddaughter.In Drinking from Graveyard Wells, Yvette Lisa Ndlovu assembles a collection of poignantly reflective stories that ventilate the voices of African women charting a Black history across oceans between southern Africa and America. Ndlovu's stories play with genres ranging from softly surreal to deeply fantastical. Each narrative is wrapped in the literary eloquence and tradition of southern African mythology, in a way that transports readers into the lives of African women who have fought across time and space to be seen.Drawing on her own experiences as a Zimbabwean whose early life was spent under the Mugabe dictatorship, Ndlovu's stories are grounded in truth and empathy. Ndlovu boldly offers up alternative interpretations of a past and a present that speculates into the everyday lives of a people disregarded. Her words explore the erasure of African women - while highlighting their beauty potential and limitless possibility. Immersed in worlds both fantastical and familiar, readers find themselves walking alongside these women, grieving their pain, and celebrating their joy, all against the textured backdrop of African histories, languages, and cultures.

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'A fantastic guide for anyone looking for real connection, but struggling to understand what messages really mean.' Thomas Erikson, author of Surrounded by IdiotsSpeaking in Thumbs is an essential look at the love language of text, helping you decipher the personalities of online daters, the subtle signals from your romantic partner, and the red flags hiding in plain sight.When it comes to modern relationships, our thumbs do the talking. We swipe right into a stranger's life, flirt inside text bubbles, spill our hearts onto the screen, use emojis to convey desire, frustration, rage. Where once we pored over love letters, now we obsess over response times, or wonder why the three-dot ellipsis came . . . and went.Nobody knows this better than Dr. Mimi Winsberg. A Harvard and Stanford-trained psychiatrist, she co-founded a behavioral health startup while serving as resident psychiatrist at Facebook. Her work frequently finds her at the intersection of Big Data and Big Dating. Like all of us, Winsberg has been handed a smart phone accompanied by the urgent plea: 'What does this mean?' Unlike all of us, she knows the answer. She is a text whisperer.Speaking in Thumbs is a lively and indispensable guide to interpreting our most important medium of communication. Drawing from of-the-moment research and a treasure trove of real-life online dating chats, including her own, Winsberg helps you see past the surface and into the heart of the matter. What are the telltale signs of deception? How do we recognize pathology before it winds up at our front door? How can we draw out that important-but-sensitive piece of information – Do you want kids? Do you use drugs? Are you seeing someone else? – without sending a potential partner heading for the hills?Insightful, timely and impossible to put down, Speaking in Thumbs is an irresistible guide to the language of love. With wit and compassion, Winsberg empowers you to find and maintain real connection by reading between the lines.

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In this entertaining anthology, editors, writers, art directors, and publishers from such magazines as Vanity Fair, The New Yorker, The New Republic, Elle, and Harper's draw on their varied, colorful experiences to explore a range of issues concerning their profession. Combining anecdotes with expert analysis, these leading industry insiders speak on writing and editing articles, developing great talent, effectively incorporating art and design, and the critical relationship between advertising dollars and content. They emphasize the importance of fact checking and copyediting; share insight into managing the interests (and potential conflicts) of various departments; explain how to parlay an entry-level position into a masthead title; and weigh the increasing influence of business interests on editorial decisions. In addition to providing a rare, behind-the-scenes look at the making of successful and influential magazines, these contributors address the future of magazines in a digital environment and the ongoing importance of magazine journalism. Full of intimate reflections and surprising revelations, The Art of Making Magazines is both a how-to and a how-to-be guide for editors, journalists, students, and anyone hoping for a rare peek between the lines of their favorite magazines. The chapters are based on talks delivered as part of the George Delacorte Lecture Series at the Columbia School of Journalism. Essays include: "Talking About Writing for Magazines (Which One Shouldn't Do)" by John Gregory Dunne; "Magazine Editing Then and Now" by Ruth Reichl; "How to Become the Editor in Chief of Your Favorite Women's Magazine" by Roberta Myers; "Editing a Thought-Leader Magazine" by Michael Kelly; "Fact-Checking at The New Yorker" by Peter Canby; "A Magazine Needs Copyeditors Because..." by Barbara Walraff; "How to Talk to the Art Director" by Chris Dixon; "Three Weddings and a Funeral" by Tina Brown; "The Simpler the Idea, the Better" by Peter W. Kaplan; "The Publisher's Role: Crusading Defender of the First Amendment or Advertising Salesman?" by John R. MacArthur; "Editing Books Versus Editing Magazines" by Robert Gottlieb; and "The Reader Is King" by Felix Dennis

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Philippe Eberhard proposes a medial interpretation of Hans-Georg Gadamer's philosophical hermeneutics and draws theological implications concerning faith and our human condition from a Christian humanist standpoint. He brings into focus the middle voice as a way to articulate what it means to listen to language and the Word.His thesis is twofold. First, the hermeneutic event is medial throughout. The core of the mediality of hermeneutics is the subtle balance between the event of understanding, which happens to the subject, and the subject who understands within it. Second, the mediality of understanding is the primary reason why hermeneutics is theologically meaningful. Both understanding as well as faith and theology are medial experiences leading to an always renewed understanding of what it is to be a human being in the world.The author analyzes the notion of the middle voice from a linguistic as well as from a philosophical standpoint and establishes that the middle voice is conspicuous by its absence in most commentaries about Gadamer: usually mediality shines between the lines but does not receive any explicit treatment. The author describes understanding as an event following Gadamer's notions of play, fusion of horizon(s), and linguistic speculation and considers the same event from the standpoint of the subject within it. Though understanding is an event that happens to the subject, the subject is not passive but involved. The examination of Gadamer's use of theology leads to the argument that he tends to exclude the Christian kerygma from the hermeneutic event. Gadamer does not apply back to theology the insights he gained from it for his description of hermeneutics. Philippe Eberhard, by contrast, includes the kerygma and faith in hermeneutics and proposes a medial account of faith based on the medial interpretation of hermeneutics. Finally, the conclusion sums up the argument and goes one step further: although faith is a hermeneutic experience, it differs from hermeneutics because it is not only a constant effort to be at home in the world, but above all it keeps questioning the world that is to be our home.

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To understand all the documents you come across at work you need to practise reading different kinds of text. This brand new self-study book is the ideal way for business people to refine their reading skills in English. It provides practice reading the kinds of texts that business people come into contact with at work every day, using authentic examples from real business situations. It is aimed particularly at executives who communicate in English frequently or work in foreign or multinational companies. The twenty 4-page units focus on a wide variety of texts, which are useful as a quick-reference guide or for more in depth study and practice: Section 1: Emails Section 2: Business documents such as agendas, CVs, job descriptions and annual reports Section 3: Marketing and advertising, including company websites, brochures and social media such as Twitter Section 4: Business media, for example reading newspaper reports, financial news and business blogs Each unit contains practice activities and exercises; key vocabulary and phrases and grammar tips, with notes on American English variants Includes helpful advice on different reading styles, such as reading for gist and reading for detail Reference section with advice on how to improve your reading speed, and tips to help you choose the best reading method to find the information you need Also focuses on useful skills not covered in traditional reading courses, such as ‘reading between the lines’ or understanding the true meaning behind the message Includes an answer key, making it ideal for self-study Powered by COBUILD – using the real language of business English Collins English for Business is an innovative series of self-study skills books which focus on the language you really need to do business in English – wherever you are in the world. Each title includes tips on how to communicate effectively and how to communicate inter-culturally. Other titles in this series are Speaking, Listening and Writing.

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Posth arrived in China with a vision. He navigated a steep learning curve, achieved his goals and now shares an insightful, first-hand account of an intriguing journey that included bumps and highlights. 1,000 Days in Shanghai is a breathtaking manual for anyone contemplating a business career in the increasingly vibrant arena of today's China. It is also a personal account, done with great sensitivity, revealing between the lines a deep respect for the spirit that propels China's social and industrial revolution today. —Hans Michael Jebsen, Chairman, Jebsen and Co., Ltd. To really understand China's economic development, one needs to look at the history of individual projects. This applies in particular to those who are considering a venture on site. This book by Martin Posth is a unique document on the subject: evidence of profound knowledge, didactically sound, with comprehensible conclusions--simply readable! —Prof. Heinrich v. Pierer, Former Chairman of the Supervisory Board, Siemens AG, Former Chairman of the German Asian-Pacific Business Commission, Co-Chairman of the German-Chinese Dialog Forum This book is a must-read for anyone seeking to work in or via China. The personal experiences of a pioneering manager can also help management to see the transformation of China in a new light. Anybody wanting to be successful in China should heed the practical lessons that Martin Posth draws. —Prof. Dr. Eberhard Sandschneider, Otto-Wolff-Director, Research Institute, Executive Officer, German Council on Foreign Relations (DGAP) In establishing the Volkswagen works in Shanghai at the beginning of Deng Xiaoping's reform era, Martin Posth made a breach in the wall behind which the People's Republic of China had dug its trenches up until then. His experiences are useful for anyone wanting to work the Chinese market with any degree of success. The fascinating reading that his report makes, and heeding his lessons, can help any entrepreneur to avoid costly mistakes. —Dr. Theo Sommer, DIE ZEIT, Editor-at-Large For the Chinese, this book by Martin Posth is a historic document on the Open Door Policy for foreign investors. It is a must-read. —Prof. Xu Kuangdi, Mayor of Shanghai 1995-2001; Chairman, China Federation of Industrial Economics (CFIE); Co-Chairman of the German-Chinese Dialog Forum

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