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Based on the life of Roman emperor Titus, La Clemenza di Tito was composed during the same period as Requiem and The Magic Flute. Authoritative Breitkopf & Hartel edition."

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Standard Italian libretto, with complete English translation. Convenient and thoroughly portable -- an ideal companion for reading along with a recording or the performance itself. Introduction. List of Characters. Plot Summary.

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These Opera Guides are ideal com-panions to the opera. They provide stimulating introductory articles together with the complete text of each opera in English and the original. This famous opera ends, after the hero is dragged down to hell, with a warning that evil shall not go unpunished. ‘Hardly’, as Michael F. Robinson notes, ‘one’s usual idea of a “comic” subject!’ So this guide opens with a brief look at what is actually comic about it. David Wyn Jones gives an overall view of the score: he shows how the musical keys are arranged so that the dramatic momentum over two long acts is maintained and discusses orchestration and dramatic pacing in the most important scenes. Christopher Raeburn contributes a lively portrait of the ‘libertine librettist’ who, after his Vienna triumphs, was hounded out of London for his debts and eventually died in New York – ‘revered as the father of Italian studies in America’. The full original text is given, with a pointed modern translation.

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The Black Dog Opera Library is the best, easiest and most informative and budget-friendly way to enjoy four of the greatest operas of all time. Finally available again, and packaged with gorgeous new covers, each book in the library includes the complete opera on 2 CDs, featuring world-class performances and orchestras; the complete libretto, plus its English translation; an exciting history of the opera; a biography of the composer; a synopsis of the story, broken down by act and scene; and dozens of photographs and drawings depicting performances, singers, sets, costumes, and more.The Marriage of Figaro features Dietrich Fischer-Dieskau, Heather Harper, Judith Blegen, Geraint Evans, Teresa Berganza, and Birgit Finnil?, with Daniel Barenboim conducting the English Chamber Orchestra.Also available:La Boh?me featuring Nicolai Gedda and Mirella Freni, with Thomas Schippers conducting the Orchestro e Coro del Teatro dell'Opera di Roma;?Carmen featuring Grace Bumbry, Jon Vickers, Mirella Freni, and Kostas Paskalis, with Rafael Fru?beck de Burgos conducting the Orchestra of the Th??tre National de l'Op?ra. La Traviata featuring Beverly Sills, Nicolai Gedda, and Rolando Panerai, with Aldo Ceccato conducting the Royal Philharmonic Orchestra.Listen. Enjoy. Learn.

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“It was a treat so truly intellectual that every ear and every breast, susceptible of harmony and of impression, was gratified to a degree beyond our power to describe.” Thus reads one of the first London reviews of Così fan tutte. Its enigmatic mixture of a detached experiment in human foibles and a struggle of sincere emotions has often disturbed audiences. H.C. Robbins Landon observes, however, that Mozart’s heartfelt music proves he is openly on the side of the angels – the ladies – not the deceivers, however cynical Da Ponte’s words appear to be. Brian Trowell describes the sophisticated world in which the opera was conceived, while John Stone traces the origins of the libretto to Ancient Greece, medieval Italy and even to China. The text is certainly Da Ponte’s most original work, and is here presented in Revd M.E. Browne’s acclaimed translation, revised by John Cox. Contents: Mozart at the time of ‘Così fan tutte’, Brian Trowell; A Commentary on the Score, H.C. Robbins Landon; The Background to the Libretto, John Stone; A Performance History, Nicholas John; Così fan tutte: Libretto by Lorenzo da Ponte; Così fan tutte: English translation by Marmaduke E. Browne, revised by John Cox

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