Search results for ""author robert"

Robert Rauschenberg (1925–2008) was a breaker of boundaries and a consummate collaborator. He used silk-screen prints to reflect on American promise and failure, melded sculpture and painting in works called combines, and collaborated with engineers and scientists to challenge our thinking about art. Through collaborations with John Cage, Merce Cunningham, and others, Rauschenberg bridged the music, dance, and visual-art worlds, inventing a new art for the last half of the twentieth century.Robert Rauschenberg is a work of collaborative oral biography that tells the story of one of the twentieth century’s great artists through a series of interviews with key figures in his life—family, friends, former lovers, professional associates, studio assistants, and collaborators. The oral historian Sara Sinclair artfully puts the narrators’ reminiscences in conversation, with a focus on the relationship between Rauschenberg’s intense social life and his art. The book opens with a prologue by Rauschenberg’s sister and then shifts to New York City’s 1950s and ’60s art scene, populated by the luminaries of abstract expressionism. It follows Rauschenberg’s eventual move to Florida’s Captiva Island and his trips across the globe, illuminating his inner life and its effect on his and others’ art.The narrators share their views on Rauschenberg’s work, explore the curatorial thinking behind exhibitions of his art, and reflect on the impact of the influx of money into the contemporary art market. Included are artists famous in their own right, such as Laurie Anderson and Brice Marden, as well as art-world insiders and lesser-known figures who were part of Rauschenberg’s inner circle. Beyond considering Rauschenberg as an artist, this book reveals him as a man embedded in a series of art worlds over the course of a long and rich life, demonstrating the complex interaction of business and personal, public and private in the creation of great art.

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Robert A. Heinlein began publishing in the 1940s at the dawn of the Golden Age of science fiction, and today he is considered one of the genre's 'big three' alongside Arthur C. Clarke and Isaac Asimov. His short stories were instrumental in developing its structure and rhetoric, while novels such as Stranger in a Strange Land and Starship Troopers demonstrated that such writing could be a vehicle for political argument.Heinlein’s influence remains strong, but his legacy is fiercely contested. His vision of the future was sometimes radical, sometimes deeply conservative, and arguments have flared up recently about which faction has the most significant claim on his ideas.In this major critical study, Hugo Award-winner Farah Mendlesohn carries out a close reading of Heinlein’s work, including unpublished stories, essays, and speeches. It sets out not to interpret a single book, but to think through the arguments Heinlein made over a lifetime about the nature of science fiction, about American politics, and about himself.

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An amnesiac on the edge of death presents a challenge much too close to home for Jason Bourne 'The real titan of the genre is Robert Ludlum' GQ'Watch your back 007 - Bourne is out to get you' - Sunday TimesJason Bourne pulls a drowning man from a lake - a man not only freezing, but bleeding profusely from a gunshot wound. He wakes as an amnesiac, with no memory of who he is or why he was shot...an eerie reminder of Bourne's own past.Meanwhile, Mossad agent Rebekah is so determined to find this man that she's gone off the grid, cut her ties to her agency and risks a summary execution if caught by her former colleagues. And back in the US, a new agent has been recruited - but does he have a secret mission of his own?Everything turns on the mysterious amnesiac. Will Bourne learn his identity or will other, powerful forces get to him first?

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1. Just shy of the event’s 30th ANNIVERSARY, this book contains enough poetic and political detail to interest writers, history buffs, and the general public familiar with Frost’s life and work. 2. Back in print due to academic interest 3. A travelogue of the American Frost’s last voyage from the continent, in a bid to bring East and West together within the Cold War. 4. A vital component needed for the constant reassessment of Frost’s place within American Letters.

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This major interpretation of the life and art of Robert Lowell exposes the full relationship between the poetry and the personal and national experience to which it is so remarkably connected. Steven Axelrod proposes that the key to our understanding of Lowell's poetic achievement lies precisely in this interpenetration of his life and his art. Originally published in 1978. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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This wide-ranging collection is the first to set Robert Louis Stevenson in detailed social, political and literary contexts. The book takes account of both Stevenson's extraordinary thematic and generic diversity and his geographical range. The chapters explore his relation to late nineteenth-century publishing, psychology, travel, the colonial world, and the emergence of modernism in prose and poetry. Through the pivotal figure of Stevenson, the collection explores how literary publishing and cultural life changed across the second half of the nineteenth century. Stevenson emerges as a complex writer, author both of hugely popular boys' stories and of seminally important adult novels, as well as the literary figure who debated with Henry James the theory of fiction and the nature of realism. The collection shows how interest in the unconscious and changes in the conception of childhood demand that we re-evaluate our ideas of his writing. Individual essays by international experts trace Stevenson' literary contexts from Scotland to the South Pacific, and show him to be one of the key writers for understanding the growing sense of globalisation and cultural heterogeneity in the late nineteenth century. Key Features * Sets Stevenson in his literary, scientific and political contexts * Covers a broad range of Stevenson's fiction and non-fiction * Written by a team of international scholars * Includes an authoritative introduction and select bibliography

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This book is a complete edition of the authentic poems, English and Latin, of the Elizabethan priest, poet and martyr S. Robert Southwell, offering new texts based on the very manuscripts which were circulated in secret among English Catholics in the years after the poet's death. This edition, by drawing its texts directly from a complete re-examination of these contemporary manuscripts, makes these poems more than items of literature; it allows them to regain some of their original purpose of communicating forbidden theologies and doctrines amongst a criminalised and near-silenced readership of secret, persecuted groups. These are the poems of those Catholics who did not or could not flee the country as the Elizabethan State bore down upon their faith in the last two decades of the sixteenth century. Southwell's new visions and visualisations in English bear their fruit a generation later in the works of Donne and Herbert. His rare Latin verses (here widely available for the first time, accompanied by a new translation) show also that that the Augustans, even Milton, owe him a creative debt.

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Japan and China are thrown close to the brink of war when a Japanese warship is attacked. Meanwhile top Covert-One operative Jon Smith is sent to recover mysterious material from the wrecked Fukushima nuclear reactor. Smith vanishes, and CIA agent Randi Russell goes on an unsanctioned mission to find him. She discovers that the missing samples may be evidence that Japan, led by Chief of Staff Masao Takahashi, has been developing next-generation weapons systems in preparation for a conflict with China. The Covert-One team must prevent Takahashi from sparking a war, or the world will be dragged into a battle certain to kill tens of millions of people and leave much of the planet uninhabitable.

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Paul Janson returns in a thrilling new adventure...Paul Janson has set a new mission for himself. In partnership with champion sharpshooter Jessica Kincaid, he rehabilitates disenchanted agents, helping them to create new lives outside the violent intelligence sector.But he still takes on independent assignments - for a fee. So when an oil executive begs Janson to rescue his wife, Allegra, from Somali pirates, Janson and Kincaid take on the case.However, pirates are the least of their worries in the violent chaos of oil-rich East Africa. And when Janson and Kincaid stumble into a bewildering storm of plots and counter plots, they begin to fear the only way to escape would be to abandon the kidnapped Allegra.

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Flannery O'Connor is considered one of America's greatest fiction writers. The immensely talented Robert Giroux, editor-in-chief of Harcourt, Brace & Company and later of Farrar, Straus; Giroux, was her devoted friend and admirer. He edited her three books published during her lifetime, plus Everything that Rises Must Converge, which she completed just before she died in 1964 at the age of thirty-nine, the posthumous The Complete Stories of Flannery O'Connor, and the subsequent award-winning collection of her letters titled The Habit of Being. When poet Robert Lowell first introduced O'Connor to Giroux in March 1949, she could not have imagined the impact that meeting would have on her life or on the landscape of postwar American literature. Flannery O'Connor and Robert Giroux: A Publishing Partnership sheds new light on an area of Flannery O’Connor’s life—her relationship with her editors—that has not been well documented or narrated by critics and biographers. Impressively researched and rich in biographical details, this book chronicles Giroux’s and O’Connor’s personal and professional relationship, not omitting their circle of friends and fellow writers, including Robert Lowell, Caroline Gordon, Sally and Robert Fitzgerald, Allen Tate, Thomas Merton, and Robert Penn Warren. As Patrick Samway explains, Giroux guided O'Connor to become an internationally acclaimed writer of fiction and nonfiction, especially during the years when she suffered from lupus at her home in Milledgeville, Georgia, a disease that eventually proved fatal. Excerpts from their correspondence, some of which are published here for the first time, reveal how much of Giroux's work as editor was accomplished through his letters to Milledgeville. They are gracious, discerning, and appreciative, just when they needed to be. In Father Samway's portrait of O'Connor as an extraordinarily dedicated writer and businesswoman, she emerges as savvy, pragmatic, focused, and determined. This engrossing account of O'Connor's publishing history will interest, in addition to O'Connor's fans, all readers and students of American literature.

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Boston PI Sunny Randall investigates the dark side of social media in this new thriller. Sunny Randall's newest client, Blake, seems to have it all: he is an Instagram influencer, with all of the perks that the lifestyle entails - a beautiful girlfriend, wealth, and adoring fans. But one of those fans has turned ugly, and Sunny is brought on board to protect Blake and to uncover who is out to kill him. In doing so, she investigates a glamorous world rife with lies, schemes and ties to Boston's mob. Soon the threats against Blake grow to include personal attacks on Sunny. Sunny must learn new tricks - and call in old friends - to stop a killer.

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When an unknown man is found murdered in Paradise, Jesse Stone will have his hands full finding out who he was - and what he was seeking. When a body is discovered at the lake in Paradise, Police Chief Jesse Stone is surprised to find he recognizes the murder victim - the man had been at the same AA meeting as Jesse the evening before. But otherwise, Jesse has no clue as to the man's identity. He isn't a local, nor does he have ID on him, nor does any neighboring state have a reported missing person matching the man's description. Their single lead is from a taxi company that recalls dropping off the mysterious stranger outside the gate at the mansion of one of the wealthiest families in town... Meanwhile, after Jesse survives a hail of gunfire on his home, he wonders if it could be related to the mysterious murder. When both Molly Crane and Suitcase Simpson also become targets, it's clear someone has an axe to grind against the entire Paradise Police Department.

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Examines representations of Robert Burns and his work in a wide range of performance modes Examination of representation of Robert Burns and his work in a wide range of performance modes Analysis of 'Robert Burns' as a cultural performance rising from different representations of his work by different editors, composers, writers, performers and film-makers Fresh detailed studies of Burns as a performed and performative construct, exploring ways in which he is encountered as a living author Contributions by leading experts in music, drama, film and history as well as literature Perspectives on Burns songs offered by musical experts and leading performers This book opens up fresh aspects of performance and performativity and their impact on our perception of Robert Burns and his work. Bringing together leading experts on music, song, drama, public ceremonial and literature, it studies Burns as a performed and performative construct. It explores ways in which he is encountered as a living author, setting the popularity of his poetry and songs in the context of his representation in popular culture. A key part of this volume's attraction lies in the way it opens up fresh issues and aspects of performance and performativity and their impact on our perception of Robert Burns and his work.

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Robert Browning was one of the greatest English poets of the Victorian era. This biography contains letters Browning wrote to relatives and friends throughout his life, giving an insight into his formation as a poet.

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Samuel N. Rosenberg, one of the premier translators of Old French, presents in this volume the first modern English-language version of the thirteenth-century French romance Robert le Diable, a tale of supernatural birth and spiritual redemption.Robert is born after his mother, a childless noblewoman, secretly calls upon Satan to help her conceive. His wicked behavior as a boy and, later, as a destructive young man is so brutal that one day Robert prevails upon his mother to reveal the secret of his birth and thus the source of his wickedness. Upon learning the truth, he leaves his privileged home in Normandy to seek salvation. Robert’s lengthy penance—under the aegis of the Pope and a pious hermit—begins with his acting as a mute fool in the Roman Emperor’s court and ends with his sainthood. In between he plays the hero’s role in defeating the Turks in battle and turns down the hand of the Emperor’s daughter in marriage, choosing instead to return to the hermit’s abode.The legend of Robert le Diable was extraordinarily influential in the seven hundred years after its creation, generating new versions and adaptations in various languages, ranging from sixteenth-century English adaptations by Wynken de Worde and Thomas Lodge to Giacomo Meyerbeer’s esteemed 1831 opera. Framed by a thoughtful introduction and thorough bibliography, this accessible translation renders the original octosyllabic rhymed couplets of the metrical Old French romance in energetic free verse.

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To find more information about Rowman and Littlefield titles, please visit www.rowmanlittlefield.com.

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It''s been over a decade since Nash Rollins recruited a brilliant, talented, but disaffected young man named David Webb to join Treadstone. Webb became the agent known as Cain-and later took on the identity of Jason Bourne. That violent winter-which included Cain''s first mission for Treadstone-was also a story of betrayal in ways that David never knew. So after the injury that erased Bourne''s whole life, Nash lied about the circumstances of David''s recruitment to Treadstone. He was afraid that learning the truth might drive Bourne out of the agency forever. But now, when Bourne meets a woman who recognises him as David Webb, the secrets of those days begin to come out-and Bourne is forced to confront the dangerous ghosts of a past he doesn''t even remember.

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'Watch your back 007 - Bourne is out to get you' - Sunday Times'Olympic style, all-out espionage' Daily ExpressReaders were first introduced to Jason Bourne's nemesis Leonid Arkadin, a brilliant Russian assassin and fearless international mercenary, in THE BOURNE SANCTION. His girlfriend was killed during a fight for which an enraged Arkadin blames Bourne. In THE BOURNE DECEPTION, Arkadin hunted Bourne to take revenge and kill him. Bourne, in a fight for his life, learned that Arkadin's skills mirror Jason's because he received the same original CIA Treadstone training.Now, in THE BOURNE OBJECTIVE, Jason turns the tables and targets Arkadin. Hunter will become hunted.But revenge can cause great psychological devastation. Has this become too personal for Bourne? Will this hunt be Bourne's downfall?

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The Letters of Robert Frost, Volume 2: 1920–1928 is the second installment of Harvard’s five-volume edition of the poet’s correspondence. Nearly three hundred letters in the critically-acclaimed first volume had never before been collected; here, close to four hundred are gathered for the first time. Volume 2 includes letters to some 160 correspondents: family and friends; colleagues, fellow writers, visual artists, editors, and publishers; educators of all kinds; farmers, librarians, and admirers.In the years covered here, publication of Selected Poems, New Hampshire, and West-Running Brook enhanced Frost’s stature in America and abroad, and the demands of managing his career—as public speaker, poet, and teacher—intensified. A good portion of the correspondence is devoted to Frost’s appointments at the University of Michigan and Amherst College, ​through which he played a major part in staking out the positions poets would later hold in American universities.​​ Other letters show Frost helping to shape the Bread Loaf School of English and its affiliated Writers’ Conference.​ We encounter him discussing his craft with students and fostering the careers of younger poets. His ​​observations (and reservations) about educators are illuminating and remain pertinent. And family life—with all its joys and sorrows, hardships and satisfactions—is never less than central to Frost’s concerns.Robert Frost was a masterful prose stylist, often brilliant and always engaging.​ Thoroughly annotated and accompanied by a biographical glossary, chronology, and detailed index, these letters are both the record of a remarkable literary life and a unique contribution to American literature.

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The early years of film were dominated by competition between inventors in America and France, especially Thomas Edison and the Lumiere brothers . But while these have generally been considered the foremost pioneers of film, they were not the only crucial figures in its inception. Telling the story of the white-hot years of filmmaking in the 1890s, Robert Paul and the Origins of British Cinema seeks to restore Robert Paul, Britain's most important early innovator in film, to his rightful place. From improving upon Edison's Kinetoscope to cocreating the first movie camera in Britain to building England's first film studio and launching the country's motion-picture industry, Paul played a key part in the history of cinema worldwide. It's not only Paul's story, however, that historian Ian Christie tells here. Robert Paul and the Origins of British Cinema also details the race among inventors to develop lucrative technologies and the jumbled culture of patent-snatching, showmanship, and music halls that prevailed in the last decade of the nineteenth century. Both an in-depth biography and a magnificent look at early cinema and fin-de-siecle Britain, Robert Paul and the Origins of British Cinema is a first-rate cultural history of a fascinating era of global invention, and the revelation of one of its undervalued contributors.

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The world's most ruthlessly efficient assassin, Jason Bourne, has carved a bloody swathe through all his opponents but now he's facing the one force he can't defeat – his own past – in the latest thrilling entry in Robert Ludlum's New York Times bestselling series. Three years ago, Jason Bourne embarked on a mission in Estonia with his partner and lover, a fiery Treadstone agent codenamed Nova. Their job was to rescue a Russian double agent, recently been smuggled out of St. Petersburg in the midst of an FSB manhunt. They failed. Their charge died at the hands of a shadowy assassin. Now, three years later, everything has changed. Nova is gone, killed in a mass shooting in Las Vegas. Bourne is a lone operative working in the shadows for Treadstone. He's awaiting his next assignment when his handler bring him shocking news. The Estonian mission was a set up. The double agent is still alive, deep in hiding from the Russian State Intelligence Agency. In order to find her, Bourne will have to come face to face with the errors of his past — and the death of the woman he love. And with the body count rising. he comes to an invevitable conclusion: Some secrets should stay buried.

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Celebrate Robert Frost's 150th birthday with a deluxe keepsake edition featuring 16 of his greatest poems—with brilliant essays highlighting his special genius and the power of memorization to unlock the magic of his languageDuring a public reading Robert Frost was once asked why he so frequently recited his poems from memory. With typical wit, he replied: “If they won’t stick to me, I won’t stick to them.” Remarkably among the modern poets, his poems “stick” to the reader:  Mending Wall, with its famous invocation of the rural maxim Good fences make good neighbors The Road Not Taken, about the beguiling possibilities of life Birches, which reminds us that One could do worse than be a swinger of birches Stopping by Woods on a Snowy Evening, with its unforgettable final line: And miles to go before I sleep. Here, poet and Frost biographer Jay Pari

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With an Introduction by Donald McFarlan.Robert Burns, the most celebrated of all Scottish poets, is remembered with great devotion - his birthday on 25th January provokes fervour and festivity among Scots and many others the world over. Born in 1759 into miserable rustic poverty, by the age of eighteen Burns had acquired a good knowledge of both classical and English literature. In June 1786 his first collection of verse, Poems Chiefly in the Scottish Dialect, which included 'To a Mouse' and 'The Cotter's Saturday Night', was greeted with huge acclaim by all classes of society. His later poems and ballads include 'Auld Lang Syne', the beautiful song 'My Love is like a Red Red Rose', 'Highland Mary', 'Scots Wha Hae' and his masterpiece, 'Tam o'Shanter'.

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