Search results for ""alma books ltd""

At the end of an industrious political career in conflictriven Italy, the Florentine diplomat Niccolo Machiavelli composed his masterpiece The Prince, a classic study of power and politics, and a manual of ruthlessness for any ambitious ruler. Controversial in his own time, The Prince made Machiavelli's name a byword for manipulative scheming, and had an impact on such major figures as Napoleon and Frederick the Great. It contains principles as true today as when they were first written almost five centuries ago.

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The tale of Heathcliff and Cathy's ungovernable love and suffering, and the havoc that their passion wreaks on the families of the Earnshaws and the Lintons, shocked the book's first readers, with even Emily's sister Charlotte wondering whether it is right or advisable to create beings like Heathcliff . Replete with unforgettable characters and situations that have seared themselves into our literary consciousness, Emily Bronte's intense masterpiece is one of the most haunting love stories in the canon of English literature.

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Since it was first published in 1818, Mary Shelley's seminal novel has generated countless print, stage and screen adaptations, but none has ever matched the power and philosophical resonance of the original. Composed as part of a challenge with Byron and Shelley to conjure up the most terrifying ghost story, Frankenstein narrates the chilling tale of a being created by a bright young scientist and the catastrophic consequences that ensue. Considered by many to be the first science-fiction novel, the tragic tale of Victor Frankenstein and the tortured creation he rejects is a classic fable about the pursuit of knowledge, the nature of beauty and the monstrosity inherent to man.

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An unsuccessful writer and an inveterate alcoholic, Boris Alikhanov is running out of money and has recently divorced from his wife Tatyana, who intends to emigrate to the West with their daughter Masha. The prospect of a summer job as a tourist guide at the Pushkin Hills preserve offers him hope of bringing back some balance into his existence, but during his stay in the rural estate of Mikhaylovskoye, Alikhanov's life continues to unravel.

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Caught up in an oil spill, a dying seagull scrambles ashore to lay her final egg and lands on a balcony, where she meets Zorba, a big black cat from the port of Hamburg. The cat promises the seagull to look after the egg, not to eat the chick once it's hatched and - most difficult of all - to teach the baby gull to fly. Will Zorba and his feline friends honour the promise and give Lucky, the adopted little seagull, the strength to discover her true nature? A moving, uplifting and life-enhancing story with a strong environmental theme, Luis Sepulveda's instant children's classic has been a worldwide best-seller and is presented here with new drawings by acclaimed illustrator Satoshi Kitamura.

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Mademoiselle Charlotte, the new teacher, is not like the others: she wears a large hat and a crumpled dress that make her look like a scarecrow, and she talks to a rock. The children think she is crazy at first, but soon realize she makes school more fun than ever, getting them to measure the room with cooked spaghetti in maths class, telling fascinating stories about a gorilla and even taking the pupils on at football. The first book in Dominique Demers’s popular series, The New Teacher, brilliantly illustrated by Tony Ross, is an entertaining, imaginative and inspiring book that will make you wish you had a teacher just like Mademoiselle Charlotte.

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Toddler in tow, Bee Rowlatt embarks on an extraordinary journey in search of the life and legacy of the first celebrity feminist: Mary Wollstonecraft. From the wild coasts of Norway to a naked re-birthing in California, via the blood-soaked streets of revolutionary Paris, Bee learns what drove her hero on and what’s been won and lost over the centuries in the battle for equality. On this biographical treasure hunt she finds herself consulting a witch, a porn star, a quiet Norwegian archivist and the tenants of a blighted council estate in Leeds – getting much more than she bargained for. In her quest to find a new balance between careers and babies, Bee also discovers the importance of celebrating the radiant power of love in all our lives.

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When Francesco decides to embark on his first trip outside his native Italy, he leaves behind a difficult relationship with his father, the narrow vistas of a small provincial town and the stifling atmosphere of a country he feels has become degraded. All he brings with him are a change of clothes, a map of Europe and the desire to discover new places, new people and, perhaps, a new life. But a chance encounter in Munich takes him off course, on an incredible journey that will see him fall in love in Sweden, lose all his money in Amsterdam, sleep rough in the streets of London, win big in Monte Carlo and get caught up in an international imbroglio.

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When Sofia Behrs married Count Leo Tolstoy, the author of "War and Peace", husband and wife regularly exchanged diaries covering the years from 1862 to 1910. Sofia's life was not an easy one: she idealized her husband, but was tormented by him; even her many children were not an unmitigated blessing. In the background of her life was one of the most turbulent periods of Russian history: the transition from old feudal Russia to the three revolutions and three major international wars. Yet it is as Sofia Tolstoy's own life story, the study of one woman's private experience, that the diaries are most valuable and moving. They are a testament to a woman of tremendous vital energy and poetic sensibility who, in the face of provocation and suffering, continued to strive for the higher things in life and to remain indomitable. It contains a forward by Doris Lessing.

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A young woman, who works as a maid for a living, takes her charge out to play in a Parisian garden square. Sitting on a bench, she starts talking to a stranger, a travelling salesman, and their conversation gradually turns into an exchange of confidences, as she speaks of her desire for a more stable future and he of his feelings of rootlessness and disillusionment. As the afternoon wears on, the two sense an increasing connection between them. Understated and impressionistic, and consisting almost entirely of dialogue, The Garden Square is one of Marguerite Duras’s finest novels, which she also adapted for the stage.

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The Battle of Reichenfels has been fought and lost. The army is in flight. The enemy is expected to arrive in town at any moment. A soldier, carrying a parcel under his arm, is wandering through an unknown town. All the streets look the same, and he cannot remember the name of one where he was supposed to meet the man who had agreed to take the parcel. But he must deliver the parcel or at least get rid of it… A brilliant work from one of the finest exponents of the Nouveau Roman, In the Labyrinth showcases an inventive, hypnotic style which creates an uncanny atmosphere of déjà vu, yet undermines the reader’s expectations at every turn.

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In his most famous and perhaps most typical work, Robbe-Grillet explores his principal preoccupation: the meaning of reality. The novel is set on a tropical banana plantation, and the action is seen through the eyes of a narrator who never appears in person, never speaks and never acts. He is a point of observation, his personality only to be guessed at, watching every movement of the other characters’ actions as they flash like moving pictures across the distorting screen of a jealous mind. The result is one of the most important and influential books of our time, a completely integrated masterpiece that has already become a classic.

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During the German advance through Belgium into France in 1940, Captain de Reixach is shot dead by a sniper. Three witnesses, involved with him during his lifetime in different capacities – a distant relative, an orderly and a jockey who had an affair with his wife – remember him and help the reader piece together the realities behind the man and his death. A groundbreaking work, for which Claude Simon devised a prose technique mimicking the mind’s fluid thought processes, The Flanders Road is not only a masterpiece of stylistic innovation, but also a haunting portrayal – based on a real-life incident – of the chaos and savagery of war.

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According to many experts, China is already the largest economy on the planet – yet its relations with the rest of the world have deteriorated in recent years, and are now at an all-time low. Is this a passing phase caused by the shockwaves of the Covid pandemic and the personalities of leaders in China and in the USA, or are the current divergencies going to become wider and more entrenched, as China grows economically and develops technological leadership? Can the West learn from its past mistakes and engage successfully with China on many common interests, or are we on the verge of a new Cold War? In The Chinese Conundrum, Vince Cable – author of the Sunday Times number-one bestseller The Storm: The World Economic Crisis and What it Means – provides an answer to these and many other topical questions of global politics and economy, examining the long history of relationships between China and the West, as well as the change in attitudes on both sides of the divide, with a particular focus on the possible repercussions of the recent election of Joe Biden as president of the United States. The result is a gripping, insightful and accessible investigation into the intricacies of today’s economic and geopolitical situation.

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It is New Year’s Eve, and Nellie, the pretty daughter of a landowning general, is sitting in her room looking in the mirror. Although she is tired and her eyes are half closed, she is spellbound as the reflection in the looking glass dissolves into a sea of grey mist, in which she starts to discern the beloved features of her fiancé. As in a diorama, the scene keeps changing, and to the early snapshots of joyful marital life succeed other, more sinister images of care, sickness and bereavement, casting a long shadow onto the girl’s future. With ‘The Looking Glass’ Chekhov captured the very essence of the Russian soul. This short story, along with the others included in this collection, demonstrates why he is considered the absolute master of the genre.

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A unique edition containing two stories, both precursors to Flaubert's later masterpiece, A Sentimental Education

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Gripped by mounting horror at the discovery of secrets harboured by the isolated school community, Barney Holland personifies the struggle of a young peace-time generation finding its way out of the shadow of war.

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A secret terrorist group infiltrates the household of a government official's son, with a view to spying on the father and, ultimately, assassinating him. But the young man entrusted with the task - an ailing, world-weary "nobody" - seized with the purposelessness of life and a sense of his own impending death, gradually becomes disillusioned with his mission, and decides to embark on a new path which will lead him to tragedy. Combining psychological detail with a strong sense of place and time, The Story of a Nobody bears all the hallmarks of Chekhov's genius, and perfectly captures the political and social tensions of its day.

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The articles which Stendhal contributed as French correspondent for the ‘London Magazine’, ‘New Monthly Magazine’ and other English Marketing Reviews of the 1820s are here brought together in a single volume, the only edition available in English. In them Stendhal – defying fashion and giving proof of the bold originality of his creative writing – provides an illuminating and often entertaining commentary on the politics and mores of post-Napoleonic France and Italy, and reveals his outstanding and all too rarely acknowledged gifts as a reviewer and literary critic. Together with the articles from the English Marketing Reviews, this edition includes translations of articles, essays and notes on Cornielle, Scott and Lord Byron, who was on terms of close acquaintance with Stendhal during his stay in Milan in 1816.

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The notorious adventurer and seducer Giacomo Casanova tells of his travels – on the run from the authorities of his native Venice – around northern Europe, poking fun at the ruling classes he encounters there, before focusing on a pivotal incident that occurs in Warsaw. Insulted by a Polish count over an Italian ballerina, Casanova finds himself forced to challenge his rival to a duel, and the sequence of events and their aftermath are described with gusto by the narrator. A rollicking autobiographical account by one of the most iconic figures of eighteenth-century Europe, The Duel is presented here with an extract about the same event from Casanova’s memoirs, written fifteen years later.

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In this dispassionate analysis of the act of murder, De Quincey’s innovative, idio­syncratic artistic vision found space for gruesome reportage, satire, aesthetic and literary criticism, in a work strewn with examples ranging from antiquity to his own time, including the urban serial-killer John Williams. De Quincey’s seminal 1827 work was greatly influential on such writers as Poe, Baudelaire and Borges, and the trace of its impact can still be found today in modern satire, black humour and crime and detective fiction.

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Documenting the colourful escapades of the former gladiator Encolpius and his less than faithful lover Giton, the "Satyricon" plunges the reader into the lives of ordinary Roman citizens, vividly revealing the Empire's seamy underbelly. A host of unforgettable characters are satirically presented, such as Trimalchio, the pretentious parvenu host, in a memorable banquet scene, the lascivious priestess Quartilla and the narrator's unreliable, roguish friend Ascyltus. Sometimes referred to as the first novel - although surviving only in fragments - this bawdy, picaresque and surprisingly modern narrative is considered one of the founding masterpieces of Western literature.

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Cecco Angiolieri, the enfant terrible of Italian literature, loved women, gambling, food and wine. It is said that he found comfort for his bad luck at the dice and with Becchina, his unreciprocating lover, only by pouring venomous scorn upon his miserly parents. Cecco’s outbursts of rage against his fate and his earthly view of the world – poles apart from the Stil Novo of Cavalcanti and Dante, the target of some of his fiercest sonnets – are perfectly encapsulated in his poetry, which is presented here with the facing Italian text in the witty verse translation of C.H. Scott and Anthony Mortimer.

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Baron Eduard and his second wife Charlotte enjoy a quiet, humdrum existence in their opulent castle, but when he invites his friend the Captain and she invites her niece Ottilie to stay with them, their lives are turned inside out as both hosts begin to feel attracted to their guests. Using one of the chemistry theories of the time as a metaphor throughout the novel, Goethe juxtaposes social interactions with scientific principles, while illustrating the typically Romantic concern of the individual coming to terms with society. Controversial when first published and still much critically debated today, Goethe’s Elective Affinities is an early model for the modern novel.

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Arriving at a rural monastery, the monk Ambrosius meets a young girl called Benedicta, shunned by the local community for being the daughter of the local hangman. Ambrosius is drawn into a dangerous friendship with her and, in defiance of the community and his superiors, he starts spending time alone with her. But when her virtue is corrupted by an impetuous young man, the stage is set for a battle between body and spirit, the sins of the past and the desire for redemption. Allegedly a rewriting from a lost German original, Ambrose Bierce’s 1892 novel reads as a seamless, almost folk-tale-like masterpiece.

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"This collection brings together four of Copi’s best-known works for stage: Eva Perón, The Homosexual, The Four Twins and Loretta Strong. Set on the borderline of reality and delirium, and featuring such charismatic icons as Eva Perón and Greta Garbo, they are imbued with Copi’s trademark racy wit and manic pace, intended at once to shock the bien-pensant and to open up radically new insights. The product of one of the most talked-about dramatists in the French language since Arrabal and the advent of the theatre of panic, Copi’s works continue to shock and challenge all they come into contact with."

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Musorgsky's last opera is set at the end of the seventeenth century, a turbulent period of Russian history. The title refers to the conspiracy of Prince Khovansky against the young Tsar Peter the Great, and the epic drama ends with the exile, murder and suicide of all the power groups of old Russia. When Musorgsky died in 1881, it was unfinished, and Rimsky-Korsakov completed it; Ravel and Stravinsky made another version for Diaghilev in 1911; in 1959 Shostakovich went back to the original and, in the process of reorchestrating it, he rediscovered a masterpiece. Caryl Emerson surveys the compositional and historical background and offers a provocative reading of Musorgsky's achievement. Gerard McBurney relates the non-European inspiration in the score to Musorgsky's conception of history, while Rosamund Bartlett describes the cultural impetus for his historical vision. A new translation enables us to appreciate the subtleties of this absorbing drama, which gives an apocalyptic vision of Russia.

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The legend of the Swan Knight who rescues a princess from the forces of pagan evil is one of the foundation myths of Christian Europe. Lohengrin's transformed Wagner into an international figure almost overnight, and it remained his most popular work throughout the nineteenth century. Thomas Grey proposes that this was because it offered a 'cautious taste' of his later works, while preserving some of the comfortably familiar traditions of French grand opera. John Deathridge asks why Wagner was so quick to deny its specifically Christian symbolism, and Janet Nelson argues that his vision of the Christian Middle Ages uncannily prefigured a modern historical approach. This new English translation is by Amanda Holden.

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In 1972 Elias Canetti said that 'with Wozzeck Buchner achieved the most complete revolution in the whole of literature'. The same can be said of Berg's opera, as revolutionary in the history of music - and opera in particular - in the twentieth century. Mark DeVoto and Theo Hirsrunner discuss why this complex score perfectly suits the chaotic nature of the play. In his famous essay about the opera (written in 1968, but given here for the first time in English) Theodor Adorno shows how what seems fragmentary in the text is actually complete, and how the music responds to the words; Kenneth Segar offers a new interpretation of the play in the light of the most recent Buchner research. Also for the first time, the complete edition of the play as Berg knew it is set out with a translation so that readers can see not only what he kept for his libretto, but also what he omitted. This unique source material is complemented by a series of critical reactions to the first London production in 1952 illustrating the controversy which has surrounded the opera since its 1925 Berlin premiere, and the extent to which our aesthetics have changed since then.

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Das Rheingold, the opening of Wagner's four-part Ring of Nibelung, stands out as more genteel and picturesque than the others. But it immediately establishes the huge scale of the overall work, and the extraordinary musical language that will be displayed throughout. It is a miracle of musical history that Wagner's 1850 conception could be brought to completion, in an organic whole, some twenty-five years later. Stewart Spencer discusses the way in which Wagner fuses genuine mythology with his own invention and John Deathridge places the opera in the context of The Ring and its century.

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“Things like this are written only for people who have good powers of endurance (so really for nobody!)”, wrote Wagner about Die Walküre. Yet, as Geoffrey Skelton points out, the opera has enjoyed a separate popularity and existence from the Ring Cycle. George Gillespie shows just how the string of mythical events was converted into a drama remarkable for its concentrated excitement and fine construction. Barry Millington introduces the web of motifs in the complex score. The English version, with Elizabeth Forbes’s translation of the verses that Wagner did not eventually set to music but retained as footnotes to his published version, is by acclaimed translator Andrew Porter. Contents: A Conflict of Power and Love, Geoffrey Skelton; Chronology of the Composition of ‘The Valkyrie’; An Introduction to the Music of ‘The Valkyrie’, Barry Millington; New Myths for Old, George Gillespie; Translating ‘The Ring’, Andrew Porter; Die Walküre: Poem by Richard Wagner; The Valkyrie: English translation by Andrew Porter

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“It was a treat so truly intellectual that every ear and every breast, susceptible of harmony and of impression, was gratified to a degree beyond our power to describe.” Thus reads one of the first London reviews of Così fan tutte. Its enigmatic mixture of a detached experiment in human foibles and a struggle of sincere emotions has often disturbed audiences. H.C. Robbins Landon observes, however, that Mozart’s heartfelt music proves he is openly on the side of the angels – the ladies – not the deceivers, however cynical Da Ponte’s words appear to be. Brian Trowell describes the sophisticated world in which the opera was conceived, while John Stone traces the origins of the libretto to Ancient Greece, medieval Italy and even to China. The text is certainly Da Ponte’s most original work, and is here presented in Revd M.E. Browne’s acclaimed translation, revised by John Cox. Contents: Mozart at the time of ‘Così fan tutte’, Brian Trowell; A Commentary on the Score, H.C. Robbins Landon; The Background to the Libretto, John Stone; A Performance History, Nicholas John; Così fan tutte: Libretto by Lorenzo da Ponte; Così fan tutte: English translation by Marmaduke E. Browne, revised by John Cox

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Der Rosenkavalier has one of the longest and most exquisitely crafted texts of all opera. The depth and subtlety of the characterization can only be appreciated after a careful reading. Derrick Puffett notes that the sentimentality and parody of the subject perfectly matched Strauss’s genius. Michael Kennedy’s detailed musical commentary shows how the large orchestra is handled with exceptional skill. Peter Branscombe points out that Hofmannsthal set a new standard of libretto-writing and shows how the ideas in Der Rosenkavalier may be traced to his other works for the stage, in his prose and poetry. Contents: An Introduction to ‘Der Rosenkavalier’, Derrick Puffett; Comedy for Music, Michael Kennedy; Hugo von Hofinannsthal – Man of Letters, Peter Branscombe; Der Rosenkavalier: Libretto by Hugo von Hofmannsthal; Der Rosenkavalier: English translation by Alfred Kalisch

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Among the features of this guide to La Cenerentola, Philip Gossett throws new light on the remarkable story of the opera’s composition, while Colin Graham, ENO producer, argues that it is the most sympathetic of all Rossini’s comic masterpieces, and Mark Elder, ENO Music Director, shows how Rossini’s musical style is exceptionally well suited to this enchanting story. Contents: Fairy tale and opera buffa: the genre of Rossini’s ‘La Cenerentola’, Philip Gossett; ‘La Cenerentola’ – a musical commentary, Arthur Jacobs; ‘Cinderella’ in performance: I: A conversation with Mark Elder, II: A conversation with Colin Graham; La cenerentola: Libretto by Giacomo Ferretti; Ciderella: English translation by Arthur Jacobs

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Aida is, for most of us, the quintessence of Ancient Egypt but it is certainly not just for archaeologists. Michael Rose points out that it is really about patriotism - an issue of burning importance to Verdi and his contemporaries. Music critic William Mann reflects that even a short look at the score reveals subtleties that repay careful listening. And Verdi's own letters show the germs of the opera grow from suggestion to creation.

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Shortly before his death at the age of twenty, the young literary sensation Raymond Radiguet compiled a volume of his poetry, composed between the ages of fourteen and eighteen. Presented here, this prodigious oeuvre is notable as much for its homage to classical style as it is for its risqué and even licentious undertones: it is, by Radiguet's own admission, an interpretation of ""the birth of Venus"", a depiction of the awakening of the senses. Based on the authoritative 1925 text, this dual-language edition also contains Radiguet's foreword to the collection, providing an invaluable insight into the history and interpretation of the works.

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Pauline García Viardot, the daughter of the famous singer and composer Manuel García and younger sister of the celebrated Malibran, was a singer of genius and a woman of outstanding intellect. The first biography of Viardot not only recreates the drama of the prima donna’s own life, but perfectly captures the scintillating brilliance of nineteenth-century artistic life: the colourful and diverse personalities of the Musset brothers, Chopin, George Sand, Meyerbeer, Berlioz, Gounod and Saint-Saëns move in and out of Viardot’s life. In 1843 Madame Viardot met the young Ivan Turgenev. From their first meeting until his death in 1883, he remained passionately devoted to her, following her around Europe and spending long periods of time as a member of her household. This authoritative study, which makes use of much hitherto unknown source material, has the fascination of a great Russian novel.

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In late 1927, at the age of twenty-four, George Orwell relocated to a tiny flat on London's Portobello Road, and from there embarked on a series of exploratory tramping expeditions to the city's East End, then a place of great squalor and deprivation. Later he moved to Paris's bohemian Latin Quarter, where, in early 1929, during a bout of serious illness, he was the victim of a robbery that left him in a state of near destitution, forcing him to work punishing hours in a series of menial jobs, including as a restaurant dishwasher. These real-life experiences laid the foundations for what would be the young writer's first full-length work.Populated by a troupe of colourful characters, replete with penetrating observations and cast in the limpid prose that would become Orwell's hallmark, Down and Out in Paris and London published by Victor Gollancz in 1933 provides both an invaluable historical snapshot and an insight into the perennial social evils of inequality, poverty an

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In January 1936, the thirty-two-year-old George Orwell left his home in London and travelled to the industrial north of England with the intention of experiencing first-hand the conditions in which the working-class poor were compelled to live their lives. During his two-month expedition he visited Manchester, Wigan and Liverpool in the north-west, then Sheffield, Leeds and Barnsley in Yorkshire, recording his impressions as he went in a diary that would later form the basis of one of the most significant works of literary reportage ever written.Part sociological survey, part polemic about the potential benefits of socialism as well as the failures and idiosyncrasies of many of its middle-class exponents The Road to Wigan Pier represents a unique record of a country riven by class inequality and plagued by unemployment, inadequate housing, unsafe working conditions and other social ills, and provides an invaluable insight into the evolution of Orwell's political consciousness.

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Turgenev's first major publication, Memoirs of a Hunter is a series of tales based largely on the author's own experiences while hunting on his mother's estate of Spasskoye, where he became aware of the iniquities of the system of serfdom and the privations and indignities suffered by the Russian peasantry. Told from the perspective of a dispassionate, observing narrator, the stories in this volume are concerned with the relationship between landowner and labourer, presenting a vivid and moving portrait of life in the era before the emancipation of the serfs in 1861 a watershed whose advent some believe was hastened by Turgenev's sympathetic depiction of the ordinary folk of rural Russia.Originally published individually in the St Petersburg journal Sovremennik before appearing as a single volume in 1852, and presented here in a masterful new translation by Michael Pursglove, this landmark collection of stories established the literary reputation of the author, who considered it his m

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In 1807, Charles Lamb and his sister Mary wrote a collection of stories retelling twenty of Shakespeare’s plays for children. While making sure that the pieces were accessible for a younger audience, they took care to stay faithful to the language and vocabulary of the Bard as much as possible. Ranging from the high drama of Romeo and Juliet to the delightful fancy of A Midsummer Night’s Dream and the humour of As You Like it, this collection of vivid adaptations – here presented in a lavish new edition – has been a much loved children’s classic for more than two hundred years, offering budding readers an accessible route to Shakespeare’s works.

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A Hollywood hack who has fallen on hard times since the end of the Silent Era, Pat Hobby spends his time hanging out in the studio lot attempting to devise schemes - such as pressing his secretary for blackmail material against a studio executive - to get more work and earn on-screen credits. Oblivious to his own shortcomings and filled with feelings of self-importance, he embarks on a course towards ever-increasing humiliation, suffering setbacks on both the professional and romantic fronts. A vivid account of Hollywood and its politics and hierarchies, these stories - which draw from Fitzgerald's own travails as a screenwriter - were first printed in Esquire, although they were written with a view to being published as a cohesive volume.

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