Search results for ""University of Illinois Press""

In House of Poured-Out Waters, Jane Mead's substantial new collection, she continues to grapple with a world both personal and cultural. Poised in the slender moment between too early and too late, between the difficult past and the unimaginable future, Mead's poems remind us that the old debates about fate and free will, nature and nurture, are also matters of personal urgency. More than anything, it is her spiritual dimension that offers Mead a way into the future--but that way must be paved, image by image, with the world before her. Simultaneously conversational and lyrical, these fearless poems extend the possibilities of narrative verse.

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Known as the Forgotten War, the "police action" in Korea resulted in almost as many American combat deaths in three years as the Vietnam War did in ten. Yet for many Americans today, the Korean War brings to mind nothing more than the television series "M*A*S*H." William Dannenmaier served in Korea with the U.S. Army from December 1952 to January 1954, first as a radioman and then as a radio scout with the Fifteenth Infantry Regiment. Eager to serve a cause in which he fervently believed—the safeguarding of South Korea from advancing Chinese Communists—he enlisted in the army with an innocence that soon evaporated. His letters from the front, most of them to his sister, Ethel, provide a springboard for his candid and wry observations of the privations, the boredom, and the devastation of infantry life. At the same time these letters, designed to disguise the true danger of his tasks and his dehumanizing circumstances, reflect a growing failure to communicate with those outside the combat situation. Woven through the letters is Dannenmaier's narrative account of his combat experiences, including a vivid re-creation of the bloody battle for Outpost Harry, which he describes as "trivial and insignificant—except to the men who fought it."A high-intensity, eight-day battle for a hill American forces would abandon three months later with the signing of the truce, Outpost Harry was largely ignored by the press despite heavy casualties and many official citations for heroism. From his vantage point as an Everyman, Dannenmaier describes the frustration of men on the front lines who never saw their commanding superiors, the exhaustion of soldiers whose long-promised leaves never materialized, the transitory friendships and shared horrors that left indelible memories. Endangered by minefields and artillery fire, ground down by rumors and constant tension, these men returned—if they returned at all—profoundly and irrevocably changed. This intimate, revealing memoir, a rare account by a common soldier, is a tribute to the Americans who served in a conflict that has only recently begun to gain a place in official public memory.

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The seminal work of Ruth Rubin, a pioneering collector, singer, folklorist, writer, and crusader for the vanishing legacy of the Yiddish world, Voices of a People remains the only general introduction to Yiddish folksong. A priceless collection of song texts in Yiddish and English, as well as a selection of tunes Rubin transcribed, this volume brings the Jews' ancient, itinerant culture alive through children's songs, dancing songs, and songs about love and courtship, poverty and work, crime and corruption, immigration, and the dream of a homeland. Rubin's notes and annotations weave each text into the larger story of the Jewish experience. Noted scholar Mark Slobin provides a new foreword that includes a biographical sketch of Rubin and an assessment of her contributions over a lifetime of collecting, absorbing, and disseminating Yiddish folksong.

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A landmark work of literary criticism by one of the foremost interpreters of nineteenth-century England, The Disappearance of God confronts the consciousness of an absent (though perhaps still existent) God in the writings of Thomas De Quincey, Robert Browning, Emily Brontë, Matthew Arnold, and Gerard Manley Hopkins. J. Hillis Miller surveys the intellectual and material developments that conspired to cut man off from God--among other factors the city, developments within Christianity, subjectivism, and the emergence of the modern historical sense--and shows how each writer's body of work reflects a sustained response to the experience of God's disappearance.

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Throughout the world, people believe that much of what they do is accidental, ordinary, and inconsequential, while other acts can bring on divine retribution or earn eternal grace. In Man and the Sacred, Caillois demonstrates how humanity's ambiguous attitude toward the sacred influences behavior and culture. Drawing on a diverse array of ethnographic contexts, including the sexual rituals of the Ba-Thong of South Africa and evidence drawn from aboriginal Australian, Eskimo, and traditional Chinese social systems, Caillois analyzes the role of the forbidden in the social cohesion of the group. He examines the character of the sacred in the light of specific instances of taboos and transgressions, exploring wide differences in attitudes toward diet and sex and extreme behaviors associated with the sacred, such as rapture and paroxysm. He also discusses the festival--an exuberant explosion following a period of strict repression--and compares its functions with those of modern war. A classic study of one of the most fundamental aspects of human social and spiritual life, Man and the Sacred--presented here in Meyer Barash's superb English translation--is a companion volume to Caillois's Man, Play and Games.

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A career-spanning collection of writings by the legendary labor historian One of American labor history's most prominent scholars, Melvyn Dubofsky curated an accessible style and historical reach that have long marked his work as required reading for students and scholars. This collection juxtaposes Dubofsky's early writings with scholarship from the 1990s. Selections include work on western working-class radicalism, U.S. labor history in transnational and comparative settings, and the impact of technological change on American worker’s movements. Throughout, the writings provide an invaluable eyewitness perspective on the academic and political climate of the 1960s and 1970s while tracing the development of labor history as a discipline. An exploration of important themes in labor history, Hard Work combines essential scholarship with the story of how past and present interact in the work of historians.

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The revised and expanded edition of Touching Base examines the myths, realities, symbols, and rituals of America's national pastime. Steven Riess details the relationships among urban politics, communities, and baseball while exploring how Progressive Era sensibilities shaped debates over issues like Sunday games, ballpark construction, and promotion of the games. Focusing on Atlanta, New York, and Chicago, Riess looks at all the participants--from spectators to owners to players--in analyzing how baseball both influenced and mirrored broader society.

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Newspapers catalyzed public opinion in the nineteenth century, and the press's coverage and practices shaped the representation of Native Americans for white audiences. John M. Coward delves into the complex ways journalism both perpetuated and created the many stereotypes of the American Indian. The newspaper Indian emerged not only from centuries of stereotypes but also as an Other standing in the way of economic growth and national expansion. As economic entities hungry for profits, newspapers sought colorful and exciting stories that attracted readers and confirmed the correctness of American values and goals. Journalists came to rely on easily understood formulas and clichés to explain American Indians while the changing technology of newsgathering promoted a fact-based but narrow native identity that standardized the representations of indigenous peoples. The result was a harsh, paternalistic identity that dominated American newspapers for decades—and still influence misrepresentations of Native American people in our own time. Fascinating and thought-provoking, The Newspaper Indian shows how the press wove Native Americans into the fabric of a modernizing America.

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In the modern era, there arose a prolific and vibrant print culture—books, newspapers, and magazines issued by and for diverse, often marginalized, groups. This long-overdue collection offers a unique foray into the multicultural world of reading and readers in the United States. The contributors to this award-winning collection pen interdisciplinary essays that examine the many ways print culture functions within different groups. The essays link gender, class, and ethnicity to the uses and goals of a wide variety of publications and also explore the role print materials play in constructing historical events like the Titanic disaster. Contributors: Lynne M. Adrian, Steven Biel, James P. Danky, Elizabeth Davey, Michael Fultz, Jacqueline Goldsby, Norma Fay Green, Violet Johnson, Elizabeth McHenry, Christine Pawley, Yumei Sun, and Rudolph J. Vecoli

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William Monroe addresses what William J. Bennett ignores in The Book of Virtues: How do readers use literature as "equipment for living"? Tackling modernism and postmodernism, Monroe outlines "virtue criticism," an alternative to current theory. Focusing on works by T. S. Eliot, Vladimir Nabokov, and Donald Barthelme, he demonstrates that these alienistic texts are not just filled with belligerence but are also endowed with virtues, such as trust and the promise of solidarity with the reader. By considering these vital texts as responses to personal situations and institutional practices, Monroe brings literature back to the common reader and shows how it offers functional responses to the dysfunctional situations of modern life. Readers interested in literary criticism, American culture, and the relationship between ethics and literature will be fascinated by virtue criticism and this fresh look at the virtues and vices of alienation. Chosen as a Choice Magazine's Outstanding Academic Book for 1999.

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Setting the tone for the collection, NASA chief historian Roger D. Launius and Howard McCurdy maintain that the nation's presidency had become imperial by the mid-1970s and that supporters of the space program had grown to find relief in such a presidency, which they believed could help them obtain greater political support and funding. Subsequent chapters explore the roles and political leadership, vis-à-vis government policy, of presidents Eisenhower, Kennedy, Johnson, Nixon, Ford, Carter, and Reagan.

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Marli Weiner challenges much of the received wisdom on the domestic realm of the nineteenth-century southern plantation—a world in which white mistresses and female slaves labored together to provide food, clothing, and medicines to the larger plantation community. Black and white women, though divided by race, shared common female experiences and expectations of behavior. Influenced by work and gender as much as race, the mistresses and female slaves interacted with one another very differently than they did with men. Weiner draws on the women's own words to offer fresh interpretations of the ideology of domesticity that influenced women's race relations before the Civil War, the gradual changes in attitudes during the war, and the harsh behaviors that surfaced during Reconstruction.

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Funmilayo Ransome-Kuti was a Nigerian activist who fought for suffrage and equal rights for her countrywomen long before the second wave of the women's movement in the United States. Her involvement in international women's organizations led her to travel the world in the period following World War II. She championed the causes of the poor and downtrodden of both sexes as she joined the anticolonial movement struggling for Nigeria's independence. For Women and the Nation is the story of this courageous woman. One of a handful of full-length biographies of African women, let alone of African women activists, it will be welcomed by students of women's studies, African history, and biography, as well as by those interested in exploring the historical background of Nigeria.

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The richness and the range of Native American spirituality has long been noted, but it has never been examined so thoroughly, nor with such an eye for the amazing interconnectedness of Indian tribal ceremonies and practices, as in An Archaeology of the Soul. In this monumental work, destined to become a classic in its field, Robert Hall traces the genetic and historical relationships of the tribes of the Midwest and Plains--including roots that extend back as far as 3,000 years. Looking beyond regional barriers, An Archaeology of the Soul offers new depths of insight into American Indian ethnography. Hall uncovers the lineage and kinship shared by Native North Americans through the perspectives of history, archaeology, archaeoastronomy, biological anthropology, linguistics, and mythology. The wholeness and panoramic complexity of American Indian belief has never been so fully explored--or more deeply understood.

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A milestone work in Christian theology--available again! "As a critic of the contemporary theological scene, Van Harvey has few, if any, competitors. This is nowhere clearer than in The Historian and the Believer . . . the classic discussion of its topic. Rich in insight and penetrating in argument, it is one book that belongs in the library of every theologian and seminarian." -- Schubert M. Ogden, author of Doing Theology Today Is it possible to be both a historian and a Christian? Van Harvey's classic The Historian and the Believer posed that question when it was first published. In this printing, the author has provided a new introduction in which he reflects on how he would reframe his original argument in order to bring out more fully the basic theological intention underlying his view that Christian faith cannot rest on dubious historical claims. From reviews of the first edition: "Probably the most interesting piece of American theological writing to appear this year." -- John Reumann, Union Seminary Quarterly Review

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"A stunning piece of work. If Fitzgerald could have wished for one reader of The Great Gatsby, it would have been Ronald Berman. Berman's criticism creates an ideal companion piece to the novel--as brilliantly illuminating about America as it is about fiction, and composed with as much thought and style." -- Roger Rosenblatt "An impressive study that brilliantly highlights the oneness of Fitzgerald's art with the overall context of modernism." -- Milton R. Stern, author of The Golden Moment: The Novels of F. Scott Fitzgerald "Citing films, dates, places, schedules, Broadway newsstands, and the spoils of manufacture, the author, never lapsing into critical jargon, locates the characters in 'the moving present.' Gatsby, the first of the great novels to emerge from B movies, uses the language of commodities, advertisements, photography, cinematography, and Horatio Alger to present models of identity for characters absorbed in and by what is communicated. . . . Berman concludes that Gatsby 'reassembled' rather than 'invented' himself." -- A. Hirsh, Choice

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Warring factions in the United States like to use children as weapons for their political agendas as Americans try to determine the role--if any--of the federal government in the lives of children. But what is the history of child welfare policy in the United States? What can we learn from the efforts to found the U.S. Children's bureau in 1903 and its eventual dismemberment in 1946? This is the first history of the Children's Bureau and the first in-depth examination of federal child welfare policy from the perspective of that agency. Its goal was to promote "a right to childhood," and Kriste Lindenmeyer unflinchingly examines the successes--and the failures--of the Bureau. She analyzes infant and maternal mortality, the promotion of child health care, child labor reform, and the protection of children with "special needs" from the Bureau's inception through the Depression, and through all the legislation that impacted on its work for children. The meaningful accomplishments and the demise of the Children's Bureau have much to tell parents, politicians, and policy-makers everywhere.

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"The origins of the Chicago race riot of 1919 are to be found, not in high-level policy, but in gut-level animosities between black and white people who were generally inarticulate and presentist-oriented, and who did not record their motivations or feelings for posterity. . . To explain the Chicago riot, this evidence has to be found; and though such evidence is not abundant by any means, it does exist."--From the preface

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This is the first comprehensive overview of rockabilly, beginning with its crystallization as a distinct style in 1954 with Elvis Presley's world-changing release of "That's All Right." Presenting the who, what, where, and when of the music, Craig Morrison's lively account sparks memories of "Blue Suede Shoes," "Be-Bop-A-Lula," Jerry Lee Lewis, and Buddy Holly. Morrison traces how a genre with roots in country and country blues, R&B, and western swing became the sound that helped build rock and roll, profiling not just rockabilly artists and recordings but the attitude and instrumentation that made the music a phenomenon.

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Law and and justice are important themes in film, not only in courtroom dramas, but also in the western, the film noir, even the documentary. In the Godfather trilogy Francis Ford Coppola shows that the Mafia possesses its own strict codes, even though they are in conflict with those of the criminal justice system. In Woody Allen's Crimes and Misdemeanors the protagonist also "gets away with murder," but with a different dramatic intent by the director and a different effect on the audience. Shedding light on myriad facets of the law/film relationship, fourteen contributors to Legal Reelism analyze films ranging from The Man Who Shot Liberty Valance,It's a Wonderful Life, and Drums Along the Mohawk to Do the Right Thing,Basic Instinct,The Thin Blue Line, and Thelma and Louise. The first volume to contain work by both humanists and legal specialists, Legal Reelism is a landmark text for those concerned with depictions of justice in the media and the impact of those depictions on society at large.

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Robert Pruter's classic look at black doowop in the Windy City moves from street corners to South Side clubs to the studios at Chess Records to recapture the doowop scene of the 1950s. Pruter combines long-lost material from fanzines to the Chicago Defender with in-depth interviews to chronicle legendary African American vocal groups like the Flamingos, the Moonglows, the Spaniels, and the El Dorados. But Pruter also delves into the neighborhood scene that produced the likes of the Quintones and Five Chimes, and returns non-recording acts to their rightful place in Chicago music history. Rich with detail and including an irreplaceable discography, Doowop offers doowop obsessives and fans of early rock 'n' roll and R&B a must-have look at the genre.

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"A significant collection . . . that provides a depth and breadth of understanding reflective of the latest and best in Mormon history." -- Paul M. Edwards, author of Our Legacy of Faith: A Brief History of the RLDS Who were the Nauvoo Mormons? Were they Jacksonian Americans or did they embody some other weltanschaung? Why did this tiny Illinois town become such a protracted battleground for the Mormons and non-Mormons in the region? And what is the larger meaning of the Nauvoo experience for the various inheritors of the legacy of Joseph Smith, Jr.? Kingdom on the Mississippi Revisited includes fourteen thoughtful explanations that represent the most insightful and imaginative work on Mormon Nauvoo published in the last thirty years. The range of topics includes the Nauvoo Legion, the Mormon press, the political kingdom of God, the opposition of non-Mormons, the martyrdom of Joseph Smith, and the meaning of Nauvoo for Mormons. The introduction provides a critique of Nauvoo scholarship, and a closing bibliographical essay analyzes the historical literature on the Mormon experience at Nauvoo.

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Extensive archival and anecdotal sources support Michael Mullin's description of slavery as it was practiced in tidewater Virginia, on the rice coast of the Carolinas, and in Jamaica and Barbados. Drawing upon case histories, Mullin offers new and definitive information about how African people met and often overcame the challenges and deprivations of their new lives through religion, family life, and economic strategies.

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Cuts a feminist swath through orthodox readings of southern literature. "Distinguished. . . . These essays reclaim women's traditions which have been neglected by critics who ought to have known better." -- Kathryn Lee Seidel, author of The Southern Belle in the American Novel

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In the early twentieth century, office jobs allowed increasing numbers of women a new option for careers. Sharon Hartman Strom's detailed account of early office working conditions and practices draws on archival and anecdotal data to analyze women office workers' ambitions. She also explores how the influences of scientific management, personnel management, and secondary vocational education affected office workplaces and hierarchies.

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Nietzsche's Revaluation of Values is an assessment of Nietzsche's challenging plan to revalue all values, including knowledge, morality, religion, art, and the state. E. E. Sleinis analyzes the success of Nietzsche's enterprise as well as its inadequacies; among the positive contributions he singles out Nietzsche's theory of value, his conception of higher-order values, and his conception of the maximally affirmative attitude as creations of enduring importance.

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Stevick's classic work remains the only text of its kind aimed at fostering the linguistic competence necessary to understand its poems in Middle English. The wide range of lyric poems in the book are normalized to a Chaucerian dialect. The introduction has been revised to take into account the scholarship and criticism published since the first edition appeared in 1964. It gives the background for the poetry, explains how and why the texts are normalized, and reviews significant critical scholarly studies of the works. Included is a section on morphology and grammar that introduces students to the language of the lyrics, and a section on the evolving meter of Middle English. "A fine piece of work. . . . Learned, wide-ranging, and judicious." -- John B. Friedman, author of The Monstrous Races in Medieval Art and Thought "An impressive collection. Stevick's decision to normalize the texts makes it highly accessible." -- Ralph Hanna III, University of California, Riverside

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"This book is about the historical influence of late nineteenth-century medical beliefs and values on the perceived benefits of physical activity for women across their life span. The practice of medicine and the knowledge which underpins it have never been simple and logical progressions from one truth to another. Rather, scientific knowledge, medical practice and social perception have interacted to affect views concerning what kinds of amounts of physical activity, including sport and healthful exercise, might be most appropriate for girls and women at different points in their life course. "A review of thinking is needed in the field of sociohistorical analysis concerning attitudes toward the female body and attempts to regulate female physical activity. Such analyses may generate new insights into the questions of both social control and the unevenness of progress in women's real or perceived opportunities for participating freely and fully in sports and exercise of their choice."

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The legendary filmmaker D. W. Griffith directed nearly 200 films during 1908 and 1909, his first years with the Biograph Company. While those one-reel films are a testament to Griffith's inspired genius as a director, they also reflect a fundamental shift in film style from "cheap amusements" to movie storytelling complete with characters and narrative impetus. In this comprehensive historical investigation, drawing on films preserved by the Library of Congress and the Museum of Modern Art, Tom Gunning reveals that the remarkable cinematic changes between 1900 and 1915 were a response to the radical reorganization within the film industry and the evolving role of film in American society. The Motion Picture Patents Company, the newly formed Film Trust, had major economic aspirations. The newly emerging industry's quest for a middle-class audience triggered Griffith's early experiments in film editing and imagery. His unique solutions permanently shaped American narrative film.

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Conserving Culture examines heritage protection in the United States and how it has been implemented in specific cases. Contributors challenge the division of heritage into nature, the built environment, and culture. They describe cultural conservation as an integrated process for resource planning and recommend supplanting the current prescriptive approach with one that is more responsive to grass-roots cultural concerns.

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Arriving in New England first as crew members of whaling vessels, Afro-Portuguese immigrants from Cape Verde later came as permanent settlers and took work in the cranberry industry, on the docks, and as domestic workers. Marilyn Halter combines oral history with analyses of ships' records to chart the history and adaptation patterns of the Cape Verdean Americans. Though identifying themselves in ethnic terms, Cape Verdeans found that their African-European ancestry led their new society to view them as a racial group. Halter emphasizes racial and ethnic identity formation to show how Cape Verdeans set themselves apart from the African Americans while attempting to shrug off white society's exclusionary tactics. She also contrasts rural life on the bogs of Cape Cod with New Bedford’s urban community to reveal the ways immigrants established their own social and religious groups as they strove to maintain their Crioulo customs.

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America's female benevolent societies took root in the 1790s. Initially founded on notions of Christian duty and hope of heavenly reward, these groups produced volunteers dedicated to providing aid to unfortunates in general and women and children in particular. Anne Frior Scott explores the history of these aid societies and how they allowed women to influence America's social agenda and make inroads into politics long before they could vote. Scott reveals how women from all corners of society took part; examines their changing role in the midst of tumultuous times and during the rise of the welfare state; assesses the overlooked accomplishment of black women's organizations from the early days of the republic; and looks at the kinds of enduring community institutions women's organizations founded and maintained.

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William Boddy provides a wide-ranging, rigorous analysis of the fledging American television industry during the period of its greatest economic growth, programming changes, and critical controversy. He traces the medium's development from the experimental era through the regulatory battles of the 1940s and the network programming wars of the 1950s.

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Completely rewritten, the updated third edition of American Music broadens the scope of the classic text. Gilbert Chase devotes greater attention to modern forms like jazz, folk, and popular music, while expanding existing scholarship. Chase's musical tour begins with the various religious movements that dominated our musical expression for over two centuries. From there, he explores the rapid changes and artistic flowerings of the twentieth century—a series of musical revolutions that saw the development of "serious" instrumental music and an influential avant-garde alongside the birth of ragtime, jazz, and a far-reaching constellation of popular forms. Written by the leading expert of his era, American Music is a long-standing classroom perennial and an indispensable guide to anyone interested in the United States and its musical heritage.

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Among early directors, Sergei Eisentein stands alone as the maker of a fully historical cinema. James Goodwin treats issues of revolutionary history and historical representation as central to an understanding of Eisentein's work, which explores two movements within Soviet history and consciousness: the Bolshevik Revolution and the Stalinist state. Goodwin articulates intersections between Eisentein's ideas and aspects of the thought of Walter Benjamin, Georg Lukács, Ernst Bloch, and Bertolt Brecht. He also shows how the formal properties and filmic techniques of each work reveal perspectives on history . Individual chapters focus on Strike, Battleship Potemkin, October, Old and New, projects of the 1930s, Alexander Nevsky, and Ivan the Terrible.

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Lonnie Athens examines a problem that has long baffled experts and lay people alike: How does a person become a dangerous violent criminal? He explains how those who commit brutal crimes begin as relatively benign individuals who undergo lengthy, at times tortuous. development leading them to malevolence. The process that Athens labels "violentization" encompasses four stages: brutalization, belligerency, violent performance, and virulency. Athens uses vivid first-person accounts gleaned from in-depth interviews with nascent and hardened violent criminals to back up his theory, producing a book that will appeal to a wide variety of readers interested in criminal justice, law, and sociology.

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"A highly intelligent and successful study exploring the uncanny features of Conrad's art that respond, and lend depth, to the concerns of theorists such as Bakhtin and Lyotard." -- Suresh Raval, University of Arizona

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The American film noir, the popular genre that focused on urban crime and corruption in the 1940s and 1950s, exhibits the greatest amount of narrative experimentation in the modern American cinema. Spurred by postwar disillusionment, cold war anxieties, and changing social circumstances, these films revealed the dark side of American life and , in doing so, created unique narrative structures in order to speak of that darkness. J.P. Telotte's in-depth discussion of classic films noir--including The Lady from Shanghai, The Lady in the Lake, Dark Passage, Double Indemnity, Kiss Me Deadly, and Murder, My Sweet--draws on the work of Michel Foucault to examine four dominant noir narrative strategies.

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The luxurious appearance and handsome profits of American department stores from 1890 to 1940 masked a three-way struggle among saleswomen, managers, and customers for control of the selling floor. Counter Cultures explores the complex nature and contradictions of the conflict in an arena where class, gender, and the emerging culture of consumption all came together. The result is a fascinating illumination of the emotional labor of the workplace and the work-culture of consumerism that still defines the workday for millions of Americans.

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The Hmong diaspora radiates from Southeast Asia to include far-flung nations like the United States, New Zealand, and Argentina. Sangmi Lee draws on the concept of diasporic identity to explore the contemporary experiences of Hmong people living in Vang Vieng, Laos, and Sacramento, California. Hmong form a sense of belonging based on two types of experiences: shared transnational cultural and social relations across borders; and national differences that arise from living in separate countries. As Lee shows, these disparate influences contribute to a dual sense of belonging but also to a transnational mobility and cultural fluidity that defies stereotypes of Hmong as a homogenous people bound to one place. Lee’s on-the-ground fieldwork lends distinctive detail to communities and individuals while her theoretically informed approach clarifies and refines what it means when already hybrid and dynamic identities become diasporic. In-depth and interdisciplinary, Reclaiming Dia

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Front office executives have become high-profile commentators, movie and video game protagonists, and role models for a generation raised in the data-driven, financialized world of contemporary sports. Branden Buehler examines the media transformation of these once obscure management figures into esteemed experts and sporting idols. Moving from Moneyball and Football Manager to coverage of analytics gurus like Daryl Morey, Buehler shows how a fixation on managerial moves has taken hold across the entire sports media landscape. Buehler’s chapter-by-chapter look at specific media forms illustrates different facets of the managerial craze while analyzing the related effects on what fans see, hear, and play. Throughout, Buehler explores the unsettling implications of exalting the management class and its logics, in the process arguing that sports media’s managerial lionization serves as one of the clearest reflections of major material and ideological changes taking place across culture and society. Insightful and timely, Front Office Fantasies reveals how sports media moved the action from the field to the executive suite.

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“Chicagoland Dream Houses is an engaging addition to the growing body of scholarship concerning Chicago’s twentieth-century residential landscape characterized by a diverse group of architects and builders.”--Michelangelo Sabatino, coauthor of Modern in the Middle: Chicago Houses 1929–1975

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How music embodies and contributes to historical and contemporary nationalism What does music in Portugal and Spain reveal about the relationship between national and regional identity building? How do various actors use music to advance nationalism? How have state and international heritage regimes contributed to nationalist and regionalist projects? In this collection, contributors explore these and other essential questions from a range of interdisciplinary vantage points. The essays pay particular attention to the role played by the state in deciding what music represents Portuguese or Spanish identity. Case studies examine many aspects of the issue, including local recording networks, so-called national style in popular music, and music’s role in both political protest and heritage regimes. Topics include the ways the Salazar and Franco regimes adapted music to align with their ideological agendas; the twenty-first-century impact of UNESCO’s Intangible Cultural Heritage program on some of Portugal and Spain's expressive practices; and the tensions that arise between institutions and community in creating and recreating meanings and identity around music. Contributors: Ricardo Andrade, Vera Marques Alves, Salwa El-Shawan Castelo-Branco, Cristina Sánchez-Carretero, José Hugo Pires Castro, Paulo Ferreira de Castro, Fernán del Val, Héctor Fouce, Diego García-Peinazo, Leonor Losa, Josep Martí, Eva Moreda Rodríguez, Pedro Russo Moreira, Cristina Cruces Roldán, and Igor Contreras Zubillaga

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Care activism challenges the stereotype of downtrodden migrant caregivers by showing that care workers have distinct ways of caring for themselves, for each other, and for the larger transnational community of care workers and their families. Ethel Tungohan illuminates how the goals and desires of migrant care worker activists goes beyond political considerations like policy changes and overturning power structures. Through practices of subversive friendships and being there for each other, care activism acts as an extension of the daily work that caregivers do, oftentimes also instilling practices of resistance and critical hope among care workers. At the same time, the communities created by care activism help migrant caregivers survive and even thrive in the face of arduous working and living conditions and the pains surrounding family separation. As Tungohan shows, care activism also unifies caregivers to resist society’s legal and economic devaluations of care and domestic work by reaffirming a belief that they, and what they do, are important and necessary.

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Films like Shoplifters and After the Storm have made Kore-eda Hirokazu one of the most acclaimed auteurs working today. Critics often see Kore-eda as a director steeped in the Japanese tradition defined by Yasujirō Ozu. Marc Yamada, however, views Kore-eda’s work in relation to the same socioeconomic concerns explored by other contemporary international filmmakers. Yamada reveals that a type of excess, not the minimalism associated with traditional aesthetics, defines Kore-eda’s trademark humanism. This excess manifests in small moments when a desire for human connection exceeds the logic of the institutions and policies formed by the neoliberal values that have shaped modern-day Japan. As Yamada shows, Kore-eda captures the shared spaces formed by bodies that move, perform, and assemble in ways that express the humanistic impulse at the core of the filmmaker’s expanding worldwide appeal.

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Black vaudevillians and entertainers joked that T.O.B.A. stood for “tough on black artists.” But the Theater Owner’s Booking Association (T.O.B.A.) played a foundational role in the African American entertainment industry and provided a training ground for icons like Cab Calloway, Bessie Smith, Ethel Waters, Sammy Davis Jr., the Nicholas Brothers, Count Basie, and Butterbeans and Susie. Michelle R. Scott’s institutional history details T.O.B.A.’s origins and practices while telling the little-known stories of the managers, producers, performers, and audience members involved in the circuit. Looking at the organization over its eleven-year existence (1920–1931), Scott places T.O.B.A. against the backdrop of what entrepreneurship and business development meant in black America at the time. Scott also highlights how intellectuals debated the social, economic, and political significance of black entertainment from the early 1900s through T.O.B.A.’s decline during the Great Depression.Clear-eyed and comprehensive, T.O.B.A. Time is a fascinating account of black entertainment and black business during a formative era.

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