Search results for ""University of Chicago Press""

The first collection of Italian poet Jolanda Insana's work to be published in English, featuring transgressive poems that evidence the power of language. Jolanda Insana's Slashing Sounds uses invectives, fragments, epigrams, and epigraphs to construct poems that pulse with the texture of an idiosyncratic Sicilian dialect. The poems in this collection are ferocious, irreverent, strange, snarky, and otherworldly. Insana's commitment to contentiousness, her brutal and skeptical eye, and her preoccupation with language make Insana's poetry particularly arresting. For Insana, there is no subject more worthy of our interest than language's misfires and contradictory impulseslanguage being the ultimate arrow, forging a direction in the world and forcing a turn toward whatever reality appears in front of you. The first book-length collection of Insana's poetry published in English, Slashing Sounds is a powerful offering that addresses a lack of female Italian voices in anglophone poetry pub

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A gripping history that spans law, international affairs, and top-secret technology to unmask the tension between intellectual property rights and national security. At the beginning of the twentieth century, two British inventors, Arthur Pollen and Harold Isherwood, became fascinated by a major military question: how to aim the big guns of battleships. These warshipsof enormous geopolitical import before the advent of intercontinental missiles or droneshad to shoot in poor light and choppy seas at distant moving targets, conditions that impeded accurate gunfire. Seeing the need to account for a plethora of variables, Pollen and Isherwood built an integrated system for gathering data, calculating predictions, and transmitting the results to the gunners. At the heart of their invention was the most advanced analog computer of the day, a technological breakthrough that anticipated the famous Norden bombsight of World War II, the inertial guidance systems of nuclear missiles, and the

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As the glittering skyline in Shanghai seemingly attests, China has quickly transformed itself from a place of stark poverty into a modern, urban, technologically savvy economic powerhouse. But as Scott Rozelle and Natalie Hell show in Invisible China, the truth is much more complicated and might be a serious cause for concern.China’s growth has relied heavily on unskilled labor. Most of the workers who have fueled the country’s rise come from rural villages and have never been to high school. While this national growth strategy has been effective for three decades, the unskilled wage rate is finally rising, inducing companies inside China to automate at an unprecedented rate and triggering an exodus of companies seeking cheaper labor in other countries. Ten years ago, almost every product for sale in an American Walmart was made in China. Today, that is no longer the case. With the changing demand for labor, China seems to have no good back-up plan. For all of its investment in physical infrastructure, for decades China failed to invest enough in its people. Recent progress may come too late. Drawing on extensive surveys on the ground in China, Rozelle and Hell reveal that while China may be the second-largest economy in the world, its labor force has one of the lowest levels of education of any comparable country. Over half of China’s population—as well as a vast majority of its children—are from rural areas. Their low levels of basic education may leave many unable to find work in the formal workplace as China’s economy changes and manufacturing jobs move elsewhere.In Invisible China, Rozelle and Hell speak not only to an urgent humanitarian concern but also a potential economic crisis that could upend economies and foreign relations around the globe. If too many are left structurally unemployable, the implications both inside and outside of China could be serious. Understanding the situation in China today is essential if we are to avoid a potential crisis of international proportions. This book is an urgent and timely call to action that should be read by economists, policymakers, the business community, and general readers alike.

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This gripping history shows how the electronic devices we use to access care influence the kind of care we receive.The Doctor Who Wasn’t There traces the long arc of enthusiasm for—and skepticism of—electronic media in health and medicine. Over the past century, a series of new technologies promised to democratize access to healthcare. From the humble telephone to the connected smartphone, from FM radio to wireless wearables, from cable television to the “electronic brains” of networked mainframe computers: each new platform has promised a radical reformation of the healthcare landscape. With equal attention to the history of technology, the history of medicine, and the politics and economies of American healthcare, physician and historian Jeremy A. Greene explores the role that electronic media play, for better and for worse, in the past, present, and future of our health. Today’s telehealth devices are far more sophisticated than the hook-and-ringer telephones of the 1920s, the radios that broadcasted health data in the 1940s, the closed-circuit televisions that enabled telemedicine in the 1950s, or the online systems that created electronic medical records in the 1960s. But the ethical, economic, and logistical concerns they raise are prefigured in the past, as are the gaps between what was promised and what was delivered. Each of these platforms also produced subtle transformations in health and healthcare that we have learned to forget, displaced by promises of ever newer forms of communication that took their place. Illuminating the social and technical contexts in which electronic medicine has been conceived and put into practice, Greene’s history shows the urgent stakes, then and now, for those who would seek in new media the means to build a more equitable future for American healthcare.

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In 2020, an invisible germ—a virus—wholly upended our lives. We’re most familiar with the viruses that give us colds or Covid-19. But viruses also cause a vast range of other diseases, including one disorder that makes people sprout branch-like growths as if they were trees. Viruses have been a part of our lives for so long that we are actually part virus: the human genome contains more DNA from viruses than our own genes. Meanwhile, scientists are discovering viruses everywhere they look: in the soil, in the ocean, even in deep caves miles underground. Fully revised and updated, with new illustrations and a new chapter about coronaviruses and the spread of Covid-19, this third edition of Carl Zimmer’s A Planet of Viruses pulls back the veil on this hidden world. It presents the latest research on how viruses hold sway over our lives and our biosphere, how viruses helped give rise to the first life-forms, how viruses are producing new diseases, how we can harness viruses for our own ends, and how viruses will continue to control our fate as long as life endures

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In the year 62, citing health issues, the Roman philosopher Seneca withdrew from public service and devoted his time to writing. His letters from this period offer a window into his experience as a landowner, a traveler through Roman Italy, and a man coping with the onset of old age. They describe the roar of the arena, the festival of Saturnalia, and the perils of the Adriatic Sea, and they explain his thoughts about political power, the treatment of slaves, the origins of civilization, and the key points of Stoic philosophy. This selection of fifty of his letters brings Seneca to readers in a fresh modern voice and shows how, as a philosopher, he speaks to our time. Above all, these letters explore the inner life of the individual: from the life of heedless vanity to the first interest in philosophy, to true friendship, self-determination, and personal excellence.

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The sixteenth Parker novel, "Butcher's Moon" is more than twice as long as most of the master heister's adventures and absolutely jammed with the action, violence, and nerve-jangling tension readers have come to expect. Back in the corrupt town where he lost his money, and nearly his life, in Slayground, Parker assembles a stunning cast of characters from throughout his career for one gigantic, blowout job: starting - and finishing - a gang war. It feels like the Parker novel to end all Parker novels, and for nearly twenty-five years that's what it was. After its publication in 1974, Donald Westlake said, 'Richard Stark proved to me that he had a life of his own by simply disappearing. He was gone.' And readers waited. But nothing bad is truly gone forever, and Parker's as bad as they come. According to Westlake, one day in 1997, 'suddenly, he came back from the dead, with a chalky prison pallor' - and the resulting novel, "Comeback", showed that neither Stark nor Parker had lost a single step. Knocking over a highly lucrative religious revival show, Parker reminds us that not all criminals don ski masks - some prefer to hide behind the wings of fallen angels. Backflash followed soon after, and it found Parker checking out the scene on a Hudson River gambling boat. Parker's no fan of either relaxation or risk, however, so you can be sure he's playing with house money - and he's willing to do anything to tilt the odds in his favor. Featuring three new introductions by Westlake's close friend and writing partner Lawrence Block, these classic Parker adventures deserve a place of honor on any crime fan's bookshelf.

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A history of how, in the mid-twentieth century, we came to believe in the concept of creativity. Named a best book of 2023 by the New Yorker and a notable book of 2023 by Behavioral Scientist. Creativity is one of American society’s signature values, but the idea that there is such a thing as “creativity”—and that it can be cultivated—is surprisingly recent, entering our everyday speech in the 1950s. As Samuel W. Franklin reveals, postwar Americans created creativity, through campaigns to define and harness the power of the individual to meet the demands of American capitalism and life under the Cold War. Creativity was championed by a cluster of professionals—psychologists, engineers, and advertising people—as a cure for the conformity and alienation they feared was stifling American ingenuity. It was touted as a force of individualism and the human spirit, a new middle-class aspiration that suited the needs of corporate America and the spirit of anticommunism. Amid increasingly rigid systems, creativity took on an air of romance; it was a more democratic quality than genius, but more rarified than mere intelligence. The term eluded clear definition, allowing all sorts of people and institutions to claim it as a solution to their problems, from corporate dullness to urban decline. Today, when creativity is constantly sought after, quantified, and maximized, Franklin’s eye-opening history of the concept helps us to see what it really is, and whom it really serves.

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For more than thirty years, Writing for Social Scientists has been a lifeboat for writers in all fields, from beginning students to published authors. It starts with a powerful reassurance: Academic writing is stressful, and even accomplished scholars like sociologist Howard S. Becker struggle with it. And it provides a clear solution: In order to learn how to write, take a deep breath and then begin writing. Revise. Repeat. This is not a book about sociological writing. Instead, Becker applies his sociologist's eye to some of the common problems all academic writers face, including trying to get it right the first time, failing, and therefore not writing at all; getting caught up in the trappings of "proper" academic writing; writing to impress rather than communicate with readers; and struggling with the when and how of citations. He then offers concrete advice, based on his own experiences and those of his students and colleagues, for overcoming these obstacles and gaining confidence as a writer. While the underlying challenges of writing have remained the same since the book first appeared, the context in which academic writers work has changed dramatically, thanks to rapid changes in technology and ever greater institutional pressures. This new edition has been updated throughout to reflect these changes, offering a new generation of scholars and students encouragement to write about society or any other scholarly topic clearly and persuasively. As Becker writes in the new preface, "Nothing prepared me for the steady stream of mail from readers who found the book helpful. Not just helpful. Several told me the book had saved their lives; less a testimony to the book as therapy than a reflection of the seriousness of the trouble writing failure could get people into." As academics are being called on to write more often, in more formats, the experienced, rational advice in Writing for Social Scientists will be an important resource for any writer's shelf.

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"Live in each season as it passes; breathe the air, drink the drink, taste the fruit, and resign yourself to the influence of each." Modernity rules our lives by clock and calendar, dividing the stream of time into units and coordinating every passing moment with the universal globe. Henry David Thoreau subverted both clock and calendar, using them not to regulate time's passing but to open up and explore its presence. This little volume thus embodies, in small compass, Thoreau's own ambition to "live in season"--to turn with the living sundial of the world, and, by attuning ourselves to nature, to heal our modern sense of discontinuity with our surroundings. Ralph Waldo Emerson noted with awe that from flowers alone, Thoreau could tell the calendar date within two days; children remembered long into adulthood how Thoreau showed them white waterlilies awakening not by the face of a clock but at the first touch of the sun. As Thoreau wrote in Walden, "Time is but the stream I go a-fishing in. I drink at it; but while I drink I see the sandy bottom and detect how shallow it is." Drawn from the full range of Thoreau's journals and published writings, and arranged according to season, The Daily Henry David Thoreau allows us to discover the endless variation and surprise to be found in the repetitions of mundane cycles. Thoreau saw in the kernel of each day an earth enchanted, one he honed into sentences tuned with an artist's eye and a musician's ear. Thoreau's world lives on in his writing so that we too may discover, even in a fallen world, a beauty worth defending.

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The Stranger is a rite of passage for readers around the world. Since its publication in France in 1942, Camus's novel has been translated into sixty languages and sold more than six million copies. It's the rare novel that's as at likely to be found in a teen's backpack as in a graduate philosophy seminar. If the twentieth century produced a novel that could be called ubiquitous, The Stranger is it. How did a young man in his twenties who had never written a novel turn out a masterpiece that still grips readers more than seventy years later? With Looking for "The Stranger", Alice Kaplan tells that story. In the process, she reveals Camus's achievement to have been even more impressive--and more unlikely--than even his most devoted readers knew. Born in poverty in colonial Algeria, Camus started out as a journalist covering the criminal courts. The murder trials he attended, Kaplan shows, would be a major influence on the development and themes of The Stranger. She follows Camus to France, and, making deft use of his diaries and letters, recreates his lonely struggle with the novel in Montmartre, where he finally hit upon the unforgettable first-person voice that enabled him to break through and complete The Stranger. Even then, the book's publication was far from certain. France was straining under German occupation, Camus's closest mentor was unsure of the book's merit, and Camus himself was suffering from near-fatal tuberculosis. Yet the book did appear, thanks in part to a resourceful publisher, Gaston Gallimard, who was undeterred by paper shortages and Nazi censorship. The initial critical reception of The Stranger was mixed, and it wasn't until after liberation that The Stranger began its meteoric rise. As France and the rest of the world began to move out of the shadow of war, Kaplan shows, Camus's book--with the help of an aggressive marketing campaign by Knopf for their 1946 publication of the first English translation--became a critical and commercial success, and Camus found himself one of the most famous writers in the world. Suddenly, his seemingly modest tale of alienation was being seen for what it really was: a powerful parable of the absurd, an existentialist masterpiece. Few books inspire devotion and excitement the way The Stranger does. And it couldn't have a better biographer than Alice Kaplan, whose books about twentieth-century French culture and history have won her legions of fans. No reader of Camus will want to miss this brilliant exploration.

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From its first magnificent sentence, "In our family, there was no clear line between religion and fly fishing", to the last, "I am haunted by waters", A River Runs Through It is an American classic. Based on Norman Maclean's childhood experiences, A River Runs Through It has established itself as one of the most moving stories of our time; it captivates readers with vivid descriptions of life along Montana's Big Blackfoot River and its near magical blend of fly fishing with the troubling affections of the heart. This handsome edition is designed and illustrated by Barry Moser. There are thirteen two-color wood engravings. "A masterpiece...This is more than stunning fiction: It is a lyric record of a time and a life, shining with Maclean's special gift for calling the reader's attention to arts of all kinds--the arts that work in nature, in personality, in social intercourse, in fly-fishing."--Kenneth M. Pierce, Village Voice Norman Maclean (1902-90), woodsman, scholar, teacher, and storyteller, grew up in the Western Rocky Mountains of Montana and worked for many years in logging camps and for the United States Forestry Service before beginning his academic career. He retired from the University of Chicago in 1973.

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When Norman Maclean sent the manuscript of A River Runs through It to New York publishers, he received a slew of rejections. One editor, so the story goes, replied, "It has trees in it." Forty years later, the title novella is recognized as one of the great American tales of the twentieth century, and Maclean as one of the most beloved writers of our time. The finely distilled product of a long life of often surprising rapture for fly fishing, for the woods and their people, and for the interlocked beauty of life and art A River Runs through It has over the decades established itself as a classic of the American West. This new edition will introduce a fresh audience to Maclean's beautiful prose and understated emotional insights. Elegantly redesigned, A River Runs through It includes a new foreword by Robert Redford, whose film adaptation of River turns twenty-five in 2017. Based on Maclean's own experiences as a young man, the two novellas and short story it contains are set in the small towns and mountains of western Montana. It is a world populated with drunks, loggers, card sharks, and whores, but also one rich in the pleasures of fly fishing, logging, cribbage, and family. By turns raunchy and elegiac, these superb tales express, in Maclean's own words, "a little of the love I have for the earth as it goes by." Though he grew up in the first decades of the twentieth century in the western Rockies working summers in logging camps and for the US Forest Service and cultivating a lifelong passion for the dry fly it was only at the age of seventy, as a retired English professor, that Norman Maclean discovered what he was meant to do: write. Moving and profound, A River Runs through It honors the literary legacy of a man who improbably gave voice to an essential corner of the American soul. "I am haunted by waters," Maclean writes at the close of A River Runs through It. So, now, are we all.

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In the songs and bubble feeding of humpback whales; in young killer whales learning to knock a seal from an ice floe in the same way their mother does; and in the use of sea sponges by the dolphins of Shark Bay, Australia, to protect their beaks while foraging for fish, we find clear examples of the transmission of information among cetaceans. Just as human cultures pass on languages and turns of phrase, tastes in food (and in how it is acquired), and modes of dress, could whales and dolphins have developed a culture of their very own? Unequivocally: yes. In The Cultural Lives of Whales and Dolphins, cetacean biologists Hal Whitehead, who has spent much of his life on the ocean trying to understand whales, and Luke Rendell, whose research focuses on the evolution of social learning, open an astounding porthole onto the fascinating culture beneath the waves. As Whitehead and Rendell show, cetacean culture and its transmission are shaped by a blend of adaptations, innate sociality, and the unique environment in which whales and dolphins live: a watery world in which a hundred-and-fifty-ton blue whale can move with utter grace, and where the vertical expanse is as vital, and almost as vast, as the horizontal. Drawing on their own research as well as a scientific literature as immense as the sea-including evolutionary biology, animal behavior, ecology, anthropology, psychology, and neuroscience-Whitehead and Rendell dive into realms both humbling and enlightening as they seek to define what cetacean culture is, why it exists, and what it means for the future of whales and dolphins. And, ultimately, what it means for our future, as well.

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Martha Gellhorn was one of the first - and most widely read - female war correspondents of the twentieth century. She is best known for her fearless reporting in Europe before and during World War II and for her brief marriage to Ernest Hemingway, but she was also an acclaimed novelist. In 1938, before the Munich pact, Gellhorn visited Prague and witnessed its transformation from a proud democracy preparing to battle Hitler to a country occupied by the German army. Born out of this experience, "A Stricken Field" follows a journalist who returns to Prague after its annexation and finds her efforts to obtain help for the refugees and to convey the shocking state of the country both frustrating and futile. A convincing account of a people under the brutal oppression of the Gestapo, "A Stricken Field" is Gellhorn's most powerful work of fiction.

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Anthropological iconoclasts Richard and Sally Price have spent the last two decades not only creating an unparalleled oeuvre of scholarship in several areas of anthropology but also unabashedly calling foul on any untenable or patronizing concepts of "us" and "them," "primitive" and "modern," that cross their path. For this pamphlet, they crack the yellowing diaries kept by Melville and Frances Herskovits on their famous 1920s expedition deep into the South American jungle, exposing—with their trademark combination of deadpan wit and theoretical rigor—the origins of the field that has come to be known as African diaspora studies.

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In 1540 Antonio Lafreri, a native of Besancon transplanted to Rome, began publishing maps and other printed images that depicted major monuments and antiquities in Rome. These prints - of statues and ruined landscapes, inscriptions and ornaments, reconstructed monuments and urban denizens - evoked ancient Rome and appealed to the taste for classical antiquity that defined the Renaissance. \Collections of these prints came to be known as the "Speculum Romanae Magnificentiae", the "Mirror of Roman Magnificence." Published in conjunction with an exhibition of the University of Chicago Library's "Speculum Romanae Magnificentiae", the largest collection of its kind in the world, "The Virtual Tourist in Renaissance Rome" places these prints in their historical context and examines their publishing history. Editor Rebecca Zorach traces their journey from their creators and publishers to pilgrims, collectors, antiquarians, and dealers - "virtual tourists" who, over several centuries, revisited and reinvented the Renaissance image of Rome. A marvelous exploration of a rich collection of engravings and etchings, this illustrated volume will fascinate anyone interested in Renaissance Rome, the history of print collecting, the reception of antiquity, and tourism.

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Art is often appreciated for its ability to delight our eyes and refresh our minds. But it can also serve as a powerful vehicle for exploring darker emotions, such as fear, sadness, and grief. And while these themes have an artistic history dating back to the ancients, the ways in which they have been represented in art have changed dramatically over time. Published to coincide with an exhibition at the Smart Museum of Art, "The Tragic Muse: Art and Emotion, 1700-1900" draws on the work of several distinguished scholars to examine the richly varied representation of tragedy in the European artistic tradition over the course of two centuries. This catalog is generously illustrated with full-color reproductions of all the works contained in the exhibition, and the fascinating contributions offer new insights into the approaches taken by the visual arts, as well as literature and drama, in expressing and eliciting strong emotions.

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When it is completed in 2009 the Three Gorges Dam, a hydroelectric dam that spans the Yangzi River in China, will generate enough electricity to power four cities the size of Los Angeles. Despite the fact that it will drastically reduce coal consumption and eliminate 100 million tons of greenhouse gas emissions per year, the project is enmeshed in controversy. Since construction began in 1994, nearly one thousand neighboring towns and villages have been submerged and over one million people have been displaced by the dam's 375-mile reservoir.With "Displacement", the University of Chicago's Smart Museum of Art extends a series of exhibition catalogs produced in conjunction with renowned Chinese art scholar and curator Wu Hung. This fascinating project reveals how four leading Chinese artists - Chen Qiulin, Liu Xiaodong, Yun-Fei Ji, and Zhuang Hui - have confronted the Three Gorges Dam, employing a variety of contemporary techniques to respond to the massive forced migration of people, the demolition of ancient architecture, and the devastation of the local landscape.Alongside the catalog's lavish illustrations are three essays, penned by Wu Hung, Stephanie Smith, and Jason McGrath, which range in topic from contemporary art and environmental sustainability to Chinese film and its treatment of the dam. In addition, interviews conducted with each of the artists offer insight into their work and address the difficult task of relating artistic practice to the wider world.

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Faced with the difficult task of discerning Plato's true ideas from the contradictory voices he used to express them, scholars have never fully made sense of the many incompatibilities within and between the dialogues. In "The Magisterial Plato's Philosophers", Catherine H. Zuckert explains for the first time how these prose dramas cohere to reveal a comprehensive Platonic understanding of philosophy. To expose this coherence, Zuckert examines the dialogues not in their supposed order of composition but according to the dramatic order in which Plato indicates they took place. This unconventional arrangement lays bare a narrative of the rise, development, and limitations of Socratic philosophy. In the drama's earliest dialogues, for example, non-Socratic philosophers introduce the political and philosophical problems to which Socrates tries to respond. A second dramatic group shows how Socrates develops his distinctive philosophical style. And the later dialogues feature interlocutors who reveal his philosophy's limitations. Despite these limitations, Zuckert concludes, Plato made Socrates the dialogues' central figure because Socrates raises the fundamental human question: what is the best way to live? Plato's dramatization of Socratic imperfections suggests, moreover, that he recognized the apparently unbridgeable gap between our understandings of human life and the nonhuman world. At a time when this gap continues to raise questions - about the division between sciences and the humanities and the potentially dehumanizing effects of scientific progress - Zuckert's brilliant interpretation of the entire Platonic corpus offers genuinely new insights into worlds past and present.

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In the summer and fall of 1998, ultranationalist Polish Catholics erected hundreds of crosses outside Auschwitz, setting off a fierce debate that pitted Catholics and Jews against one another. While this controversy had ramifications that extended well beyond Poland’s borders, Geneviève Zubrzycki sees it as a particularly crucial moment in the development of post-Communist Poland’s statehood and its changing relationship to Catholicism. In The Crosses of Auschwitz, Zubrzycki skillfully demonstrates how this episode crystallized latent social conflicts regarding the significance of Catholicism in defining “Polishness” and the role of anti-Semitism in the construction of a new Polish identity. Since the fall of Communism, the binding that has held Polish identity and Catholicism together has begun to erode, creating unease among ultranationalists. Within their construction of Polish identity also exists pride in the Polish people’s long history of suffering. For the ultranationalists, then, the crosses at Auschwitz were not only symbols of their ethno-Catholic vision, but also an attempt to lay claim to what they perceived was a Jewish monopoly over martyrdom. This gripping account of the emotional and aesthetic aspects of the scene of the crosses at Auschwitz offers profound insights into what Polishness is today and what it may become.

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Shanghai in the early twentieth century was alive with art and culture. With the proliferation of popular genres such as the martial arts film, the contest among various modernist filmmakers, and the advent of sound, Chinese cinema was transforming urban life. But with the Japanese invasion in 1937, all of this came to a screeching halt. Until recently, the political establishment has discouraged comprehensive studies of the cultural phenomenon of early Chinese film, and this momentous chapter in China's history has remained largely unexamined. The first sustained historical study of the emergence of cinema in China, "An Amorous History of the Silver Screen" is a fascinating narrative that illustrates the immense cultural significance of film and its power as a vehicle for social change. Named after a major feature film on the making of Chinese cinema, only part of which survives, "An Amorous History of the Silver Screen" reveals the intricacies of this cultural movement and explores its connections to other art forms such as photography, architecture, drama, and literature. In light of original archival research, Zhang Zhen examines previously unstudied films and expands the important discussion of how they modeled modern social structures and gender roles in early twentieth-century China. The first volume in the new and groundbreaking series "Cinema and Modernity", "An Amorous History of the Silver Screen" is an innovative - and well illustrated - look at the cultural history of Chinese modernity through the lens of this seminal moment in Shanghai cinema.

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This volume presents the most complete collection available of the work of Victor Zarnowitz, a leader in the study of business cycles, growth, inflation, and forecasting..With characteristic insight, Zarnowitz examines theories of the business cycle, including Keynesian and monetary theories and more recent rational expectation and real business cycle theories. He also measures trends and cycles in economic activity; evaluates the performance of leading indicators and their composite measures; surveys forecasting tools and performance of business and academic economists; discusses historical changes in the nature and sources of business cycles; and analyzes how successfully forecasting firms and economists predict such key economic variables as interest rates and inflation.

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Since the 1950s, many philosophers of science have attacked positivism—the theory that scientific knowledge is grounded in objective reality. Reconstructing the history of these critiques, John H. Zammito argues that while so-called postpositivist theories of science are very often invoked, they actually provide little support for fashionable postmodern approaches to science studies.Zammito shows how problems that Quine and Kuhn saw in the philosophy of the natural sciences inspired a turn to the philosophy of language for resolution. This linguistic turn led to claims that science needs to be situated in both historical and social contexts, but the claims of recent "science studies" only deepened the philosophical quandary. In essence, Zammito argues that none of the problems with positivism provides the slightest justification for denigrating empirical inquiry and scientific practice, delivering quite a blow to the "discipline" postmodern science studies.Filling a gap in scholarship to date, A Nice Derangement of Epistemes will appeal to historians, philosophers, philosophers of science, and the broader scientific community.

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If Kant had never made the "critical turn" of 1773, would he be worth more than a paragraph in the history of philosophy? Most scholars think not. But in this pioneering book, John H. Zammito challenges that view by revealing a precritical Kant who was immensely more influential than the one philosophers think they know. Zammito also reveals Kant's former student and latter-day rival, Johann Herder, to be a much more philosophically interesting thinker than is usually assumed and, in many important respects, historically as influential as Kant. Relying on previously unexamined sources, Zammito traces Kant's friendship with Herder as well as the personal tensions that destroyed their relationship. From this he shows how two very different philosophers emerged from the same beginnings and how, because of Herder's reformulation of Kant, anthropology was born out of philosophy. Shedding light on an overlooked period of philosophical development, this book is a major contribution to the history of philosophy and the social sciences, and especially to the history of anthropology.

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In recent years, a number of European countries have abolished national border controls in favor of Europe's external frontiers. In doing so, they challenged long-established conceptions of sovereignty, territoriality, and security in world affairs. Setting forth a new analytic framework informed by constructivism and pragmatism, Ruben Zaiotti traces the transformation of underlying assumptions and cultural practices guiding European policymakers and postnational Europe, shedding light on current trends characterizing its politics and relations with others. This book also includes a fascinating comparison to developments in North America, where the United States has pursued more restrictive border control strategies since 9/11. As a broad survey of the origins, evolution, and implications of this remarkable development in European integration, "Cultures of Border Control" will be of interest to students and scholars of international relations and political geography.

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Since the September 11 attacks on the United States, the Bush administration has come under fire for its methods of combating terrorism. Waging war against al Qaeda has proven to be a legal quagmire, with critics claiming that the administration's response in Afghanistan and Iraq is unconstitutional. The war on terror—and, in a larger sense, the administration's decision to withdraw from the ABM Treaty and the Kyoto accords—has many wondering whether the constitutional framework for making foreign affairs decisions has been discarded by the present administration. John Yoo, formerly a lawyer in the Department of Justice, here makes the case for a completely new approach to understanding what the Constitution says about foreign affairs, particularly the powers of war and peace. Looking to American history, Yoo points out that from Truman and Korea to Clinton's intervention in Kosovo, American presidents have had to act decisively on the world stage without a declaration of war. They are able to do so, Yoo argues, because the Constitution grants the president, Congress, and the courts very different powers, requiring them to negotiate the country's foreign policy. Yoo roots his controversial analysis in a brilliant reconstruction of the original understanding of the foreign affairs power and supplements it with arguments based on constitutional text, structure, and history. Accessibly blending historical arguments with current policy debates, The Powers of War and Peace will no doubt be hotly debated. And while the questions it addresses are as old and fundamental as the Constitution itself, America's response to the September 11 attacks has renewed them with even greater force and urgency.“Can the president of the United States do whatever he likes in wartime without oversight from Congress or the courts? This year, the issue came to a head as the Bush administration struggled to maintain its aggressive approach to the detention and interrogation of suspected enemy combatants in the war on terrorism. But this was also the year that the administration’s claims about presidential supremacy received their most sustained intellectual defense [in] The Powers of War and Peace.”—Jeffrey Rosen, New York Times “Yoo’s theory promotes frank discussion of the national interest and makes it harder for politicians to parade policy conflicts as constitutional crises. Most important, Yoo’s approach offers a way to renew our political system’s democratic vigor.”—David B. Rivkin Jr. and Carlos Ramos-Mrosovsky, National Review

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In the Los Angeles riots 2300 Korean shopkeepers lost their businesses in one day. The riots showed them the fragility of their economic base because their businesses depended on the impoverished, oppressed and rebellious classes. This is an account of Korean-black relations in Chicago and Los Angeles, with extensive quantitative analysis at the national level. In-Jin Yoon argues that a complete understanding of the contemporary Korean-American community requires systematic analyses of patterns of Korean immigration. He explains how small business has become the major economic activity of Korean immigrants, and how Korean businesses in minority neighbourhoods have intensified racial tensions between Koreans and black and Latin minorities.

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Always connect - that is the imperative of today's media. But what about those moments when media cease to function properly, when messages go beyond the sender and receiver to become excluded from the world of communication itself - those messages that state: "There will be no more messages"? In this book, Alexander R. Galloway, Eugene Thacker, and McKenzie Wark turn our usual understanding of media on its head by arguing that these moments reveal the ways the impossibility of communication is integral to communication itself - instances they call excommunication. In three linked essays, Excommunication pursues this elusive topic by looking at mediation in the face of banishment, exclusion, and heresy, and by contemplating the possibilities of communication with the great beyond. First, Galloway proposes an original theory of mediation based on classical literature and philosophy, using Hermes, Iris, and the Furies to map out three of the most prevalent modes of mediation today-mediation as exchange, as illumination, and as network. Then, Thacker goes boldly beyond Galloway's classification scheme by examining the concept of excommunication through the secret link between the modern horror genre and medieval mysticism. Finally, Wark evokes the poetics of the infuriated swarm as a queer politics of heresy that deviates from both media theory and the traditional left. Reexamining commonplace definitions of media, mediation, and communication, Excommunication offers a glimpse into the realm of the nonhuman to find a theory of mediation adequate to our present condition.

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In this pithy two-part essay, Marshall Sahlins reinvigorates the debates on what constitutes kinship, building on some of the best scholarship in the field to produce an original outlook on the deepest bond humans can have. Covering thinkers from Aristotle and Levy-Bruhl to Emile Durkheim and David Schneider, and communities from the Maori and the English to the Korowai of New Guinea, he draws on a breadth of theory and a range of ethnographic examples to form an acute definition of kinship, what he calls the "mutuality of being." Kinfolk are persons who are parts of one another to the extent that what happens to one is felt by the other. Meaningfully and emotionally, relatives live each other's lives and die each other's deaths. In the second part of his essay, Sahlins shows that mutuality of being is a symbolic notion of belonging, not a biological connection by "blood." Quite apart from relations of birth, people may become kin in ways ranging from sharing the same name or the same food to helping each other survive the perils of the high seas. In a groundbreaking argument, he demonstrates that even where kinship is reckoned from births, it is because the wider kindred or the clan ancestors are already involved in procreation, so that the notion of birth is meaningfully dependent on kinship rather than kinship on birth. By formulating this reversal, Sahlins identifies what kinship truly is: not nature, but culture.

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William Shakespeare is inextricably linked with the law. Legal documents make up most of the records we have of his life, and trials, lawsuits, and legal terms permeate his plays. Gathering an extraordinary team of literary and legal scholars and even sitting judges, "Shakespeare and the Law" demonstrates that Shakespeare's thinking about legal concepts points to a deep engagement with the law's technical workings, its underlying premises, and its social effects. "Shakespeare and the Law" opens with three essays on law and literature that emphasize both the continuities and contrasts between the two fields. In its second section, the book considers Shakespeare's awareness of common law thinking and practice through examinations of Measure for Measure and Othella. Building on this question, in the third part a judge and a former solicitor general rule on Shylock's demand for enforcement of his odd contract, and two essays by literary scholars take contrasting views on whether Shakespeare could imagine a functioning legal system. The fourth section looks at how law enters into conversation with issues of politics and community, both in the plays and in our own world. The volume concludes with a freewheeling colloquy among Supreme Court Justice Stephen J. Breyer, Judge Richard A. Posner, Martha C. Nussbaum, and Richard Strier. Celebrating the sometimes fractious intellectual energy produced by scholars and practitioners tackling the question of Shakespeare and the law, this collection is a resource and provocation for further thinking and ongoing discussion.

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We live in a surveillance society. Anyone who uses a credit card, cell phone, or even search engines to navigate the Web is being monitored and assessed - and often in ways that are imperceptible to us. The first general introduction to the growing field of surveillance studies, "SuperVision" uses examples drawn from everyday technologies to show how surveillance is used, who is using it, and how it affects our world. Beginning with a look at the activities and technologies that connect most people to the surveillance matrix, from Facebook to identification cards to GPS devices in our cars, John Gilliom and Torin Monahan invite readers to critically explore surveillance as it relates to issues of law, power, freedom, and inequality. Even if you avoid using credit cards and stay off Facebook, they show, going to work or school inevitably embeds you in surveillance relationships. Finally, they discuss the more obvious forms of surveillance, including the security systems used at airports and on city streets, which both epitomize contemporary surveillance and make impossibly grand promises of safety and security. Gilliom and Monahan are among the foremost experts on surveillance and society, and, with "SuperVision", they offer an immensely accessible and engaging guide, giving readers the tools to understand and to question how deeply surveillance has been woven into the fabric of our everyday lives.

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The implicit questions that inevitably underlie German bioethics are the same ones that have pervaded all of German public life for decades now: How could the Holocaust have happened? And how can Germans make sure that it will never happen again? In "Reasons of Conscience", Stefan Sperling considers the bioethical debates surrounding embryonic stem cell research in Germany at the turn of the twenty-first century, highlighting how the country's ongoing struggle to come to terms with its past informs the decisions it makes today. Sperling brings the reader unmatched access to the offices of the German Parliament to convey the role that morality and ethics play in contemporary Germany. He describes the separate and interactive workings of the two bodies assigned to shape German bioethics - the parliamentary Enquiry Commission on Law and Ethics in Modern Medicine and the executive branch's National Ethics Council - tracing each institution's genesis, projected image, and operations, and revealing that the content of bioethics cannot be separated from the workings of these institutions. Sperling then focuses his discussion around three core categories - transparency, conscience, and Germany itself - arguing that these categories are central to understanding German bioethics. He concludes with an assessment of German legislators' and regulators' attempts to incorporate criteria of ethical research into the German Stem Cell Law. "Reasons of Conscience" will appeal not only to cultural anthropologists, science studies scholars, and bioethicists, but also to those in the fields of political science, law, and German studies.

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Exploring Peru's lively music industry and the studio producers, radio DJs, and program directors that drive it, "Gentleman Troubadours and Andean Pop Stars" is a fascinating account of the deliberate development of artistic taste. Focusing on popular huayno music and the ways it has been promoted to Peru's emerging middle class, Joshua Tucker tells a complex story of identity making and the marketing forces entangled with it, providing crucial insights into the dynamics among art, class, and ethnicity that reach far beyond the Andes. Tucker focuses on the music of Ayacucho, Peru, examining how media workers and intellectuals there transformed the city's huayno music into the country's most popular style. By marketing contemporary huayno against its traditional counterpart, these agents, Tucker argues, have paradoxically re-inforced ethnic hierarchies at the same time that they have challenged them. Navigating between a burgeoning Andean bourgeoisie and a music industry eager to sell them symbols of newfound sophistication, "Gentleman Troubadours and Andean Pop Stars" is a deep account of the real people behind cultural change.

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From the late nineteenth century until World War II, competing spheres of professional identity and practice redrew the field of history, establishing fundamental differences between the roles of university historians, archivists, staff at historical societies, history teachers, and others. In "History's Babel", Robert B. Townsend takes us from the beginning of this professional shift - when the work of history included not just original research, but also teaching and the gathering of historical materials - to a state of micro professionalization that continues to define the field today. Drawing on extensive research among the records of the American Historical Association and a multitude of other sources, Townsend traces the slow fragmentation of the field from 1880 to the divisions of the 1940s manifest today in the diverse professions of academia, teaching, and public history. By revealing how the founders of the contemporary historical enterprise envisioned the future of the discipline, he offers insight into our own historical moment and the way the discipline has adapted and changed over time. Townsend's work will be of interest not only to historians but to all who care about how the professions of history emerged, how they might go forward, and the public role they still can play.

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The central argument of Edward Said's Orientalism is that the relationship between Britain and its colonies was primarily oppositional, based on contrasts between conquest abroad and domestic order at home. Saree Makdisi directly challenges that premise in Making England Western, identifying the convergence between the British Empire's civilizing mission abroad and a parallel mission within England itself, and pointing to romanticism as one of the key sites of resistance to the imperial culture in Britain after 1815. Makdisi argues that there existed places and populations in both England and the colonies that were thought of in similar terms - for example, there were sites in England that might as well have been Arabia, and English people to whom the idea of the freeborn Englishman did not extend. The boundaries between "us" and "them" began to take form during the romantic period, when England became a desirable Occidental space, connected with but superior to distant lands. Delving into the works of Wordsworth, Austen, Byron, Dickens, and others to trace an arc of celebration, ambivalence, and criticism influenced by these imperial dynamics, Makdisi demonstrates the extent to which romanticism offered both hopes for and warnings against future developments in Occidentalism. Revealing that romanticism provided a way to resist imperial logic about improvement and moral virtue, Making England Western is an exciting contribution to the study of both British literature and colonialism.

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A perfect fish in the evolutionary sense, the broadbill swordfish derives its name from its distinctive bill - much longer and wider than the bill of any other billfish - which is flattened into the sword we all recognize. And though the majesty and allure of this warrior fish has commanded much attention - from adventurous sportfishers eager to land one to ravenous diners eager to taste one - no one has yet been bold enough to truly take on the swordfish as a biographer. Who better to do so than Richard Ellis, a master of marine natural history? "Swordfish" is his ode to this mighty fighter. The swordfish, whose scientific name means "gladiator," can take on anyone and anything, including ships, boats, sharks, submarines, divers, and whales, and in this book Ellis regales us with tales of its vitality and strength. He makes it easy to understand why the fish has inspired so many to take up the challenge of epic sportfishing battles as well as the longline fishing expeditions recounted by writers such as Linda Greenlaw and Sebastian Junger. Swordfish, he explains, hunt at the surface as well as thousands of feet down in the depths, and like tuna and some sharks, have an unusual circulatory system that gives them a significant advantage over their prey, no matter the depth in which they hunt. Their adaptability enables them to swim in waters the world over, and the largest ever caught on rod and reel was landed in Chile in 1953, weighing in at 1,182 pounds. Ellis' detailed and fascinating, fact-filled biography takes us behind the swordfish's huge, cornflower-blue eyes and provides a complete history of the fish from prehistoric fossils to its present-day endangerment, as our taste for swordfish has had a drastic effect on their population the world over. Throughout, Ellis' own drawings and paintings capture the allure of the fish and bring it to life for armchair fishermen and landlocked readers alike.

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Filmmaker Errol Morris offers his perspective on the world and his powerful belief in the necessity of truth. In 1972, philosopher of science Thomas Kuhn threw an ashtray at Errol Morris. This book is the result. At the time, Morris was a graduate student. Now we know him as one of the most celebrated and restlessly probing filmmakers of our time, the creator of such classics of documentary investigation as The Thin Blue Line and The Fog of War. Kuhn, meanwhile, was—and, posthumously, remains—a star in his field, the author of The Structure of Scientific Revolutions, a landmark book that has sold well over a million copies and introduced the concept of “paradigm shifts” to the larger culture. And Morris thought the idea was bunk. The Ashtray tells why—and in doing so, it makes a powerful case for Morris’s way of viewing the world, and the centrality to that view of a fundamental conception of the necessity of truth. “For me,” Morris writes, “truth is about the relationship between language and the world: a correspondence idea of truth.” He has no patience for philosophical systems that aim for internal coherence and disdain the world itself. Morris is after bigger game: he wants to establish as clearly as possible what we know and can say about the world, reality, history, our actions and interactions. It’s the fundamental desire that animates his filmmaking, whether he’s probing Robert McNamara about Vietnam or the oddball owner of a pet cemetery. Truth may be slippery, but that doesn’t mean we have to grease its path of escape through philosophical evasions. Rather, Morris argues powerfully, it is our duty to do everything we can to establish and support it. In a time when truth feels ever more embattled, under siege from political lies and virtual lives alike, The Ashtray is a bracing reminder of its value, delivered by a figure who has, over decades, uniquely earned our trust through his commitment to truth. No Morris fan should miss it.

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While the modern science of medicine often seems nothing short of miraculous, religion still plays an important role in the past and present of many hospitals. When three-quarters of Americans believe that God can cure people who have been given little or no chance of survival by their doctors, how do today's technologically sophisticated health care organizations address spirituality and faith? Through a combination of interviews with nurses, doctors, and chaplains across the United States and close observation of their daily routines, Wendy Cadge takes readers inside major academic medical institutions to explore how today's doctors and hospitals address prayer and other forms of religion and spirituality. From chapels to intensive care units to the morgue, hospital caregivers speak directly in these pages about how religion is part of their daily work in visible and invisible ways. In Paging God, Cadge shifts attention away from the ongoing controversy about whether faith and spirituality should play a role in health care and back to the many ways that these powerful forces already function in healthcare today.

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"In this exciting and important work, Wyschogrod attempts to read contemporary ethical theory against the vast unwieldy tapestry that is postmodernism. . . . [A] provocative and timely study."—Michael Gareffa, Theological Studies"A 'must' for readers interested in the borderlands between philosophy, hagiography, and ethics."—Mark I. Wallace, Religious Studies Review

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In this comparative study of the development of regulatory policy for genetic engineering in the United States and the United Kingdom, the author analyzes government responses to the struggles among corporations, scientists, universities, trade unions and public-interest groups over regulating this new field. Drawing on archival materials, government records and interviews with industry executives, politicians, scientists, trade unionists and others on both sides of the Atlantic, this book provides an account of a crucial set of policy decisions and explores their implications for the political economy of science.

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"Wright's views about population genetics and evolution are so fundamental and so comprehensive that every serious student must examine these books firsthand. . . . Publication of this treatise is a major event in evolutionary biology."-Daniel L. Hartl, BioScience

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"Wright's views about population genetics and evolution are so fundamental and so comprehensive that every serious student must examine these books firsthand. . . . Publication of this treatise is a major event in evolutionary biology."-Daniel L. Hartl, "BioScience"

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The definitive history of pawnbroking in the United States from the nation's founding through the Great Depression, "In Hock" demonstrates that the pawnshop was essential to the rise of capitalism. The class of working poor created by this economic tide could make ends meet only, Wendy A. Woloson argues, by regularly pawning household objects to supplement inadequate wages. Nonetheless, businessmen, reformers, and cultural critics claimed that pawnshops promoted vice, and employed anti-Semitic stereotypes to cast their proprietors as greedy and cold-hearted. Using personal correspondence, business records, and other rich archival sources to uncover the truth behind the rhetoric, Woloson brings to life a diverse cast of characters and shows that pawnbrokers were in fact shrewd businessmen, often from humble origins, who possessed sophisticated knowledge of a wide range of goods in various resale markets. A much-needed new look at a misunderstood institution, "In Hock" is both a first-rate academic study of a largely ignored facet of the capitalist economy and a resonant portrait of the economic struggles of generations of Americans.

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Documenting four painful years in the life of German writer Christa Wolf, this collection of essays, letters and diary entries portrays the cultural and political situation in the former German Democratic Republic. An admired writer, Wolf was reviled after the publication of her novel "What Remains", which was attacked by the press as a belated attempt to establish herself as a victim of the Stasi (the GDR's secret police). The criticism discredited Wolf as a cultural hero in the eyes of many Germans, and plunged her into a deep personal crisis. This volume shows Wolf coming to terms with her ambiguous past and an unforgiving present. Among the writings gathered in this book are discourses with Jurgen Habermas and Gunter Grass, a series of diary entries, and a critical account of Berlin one year after unification, entitled "Whatever Happened to your Smile: Wasteland Berlin 1990". In addition, Wolf defends herself from the media campaign waged against her in Germany. The truth about the GDR, she argues, will be found in its literature, not in the security files used to discredit the GDR's culture.

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