Search results for ""Thames Hudson Ltd""

A celebration of a graphic design genius, published to mark what would have been his 80th birthday. The Wild World of Barney Bubbles celebrates the graphic design genius whose work linked the underground optimism of the 60s to the sardonic and manipulative art that accompanied the explosion of punk. Barney Bubbles remains a powerful influence on contemporary artists four decades after his death, having encompassed designs for Sir Terence Conran and underground magazines Oz and Friends as well as remarkable record sleeves and posters for Billy Bragg, Elvis Costello, Depeche Mode, Ian Dury, Hawkwind, The Damned and Nick Lowe. He also collaborated with artists and photographers, including Derek Boshier and Brian Griffin, and produced paintings, furniture, set designs and promo videos, not least the era-defining clip for The Specials’ 80’s hit, ‘Ghost Town’. This revised edition of Paul Gorman’s definitive Barney Bubbles monograph contains hundreds of rare and previously unpublished photographs, working sketches, notebooks and original artwork. It includes a new essay by American designer Clarita Hinojosa and sixteen extra pages of rare ephemera painstakingly collected by the author over the years.

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The mass of available data about World War II has never been as large as it is now, yet it has become increasingly complicated to interpret it in a meaningful way. Packed with cleverly designed graphics, charts and diagrams, World War II: Infographics offers a new approach by telling the story of the conflict visually. Encompassing the conflict from its roots to its aftermath, more than 50 themes are treated in great detail, ranging from the rise of the Far Right in pre-war Europe and mass mobilization, to evolving military tactics and technology and the financial and human cost of the conflict. Throughout, the shifting balance of power between the Axis and the Allies and the global nature of the war and its devastation are made strikingly clear.

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Indispensable accessories and sought-after collectors’ items, scarves were an important innovation in 20th-century fashion. From Art Deco through 1950s Hollywood, the Swinging Sixties and beyond, scarves have been represented in every major decorative arts movement over the past century and into the present one. This marvellously illustrated compendium showcases the work of a wide range of international designers: Paul Poiret, Elsa Schiaparelli, Balenciaga, Mary Quant, Gucci, Christian Lacroix, Yves Saint Laurent, Zandra Rhodes, Nicole Miller, and many more. It features more than 250 scarves, beautifully reproduced in colour and all specially photographed, and many never before seen in print.

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This ambitious and fascinating book traces the history of fashion in every part of the world, from Greco-Roman woven-cloth clothing and the silk court dress of the Chinese Tang dynasty to contemporary sportswear designers and Japanese street culture. Organized chronologically, the book traces the evolution of fashion period by period and trend by trend, while detailed timelines provide historical and cultural context. Fashion: The Whole Story is indispensable for everyone who loves the line of a superb suit or knows the joy of wearing a great pair of shoes.

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This ambitious volume, worldwide in scope and ranging from antiquity to the present, examines the human encounter with Unreason in all its manifestations, the challenges it poses to society and our responses to it. In twelve chapters organized chronologically from the Bible to Freud, from exorcism to mesmerism, from Bedlam to Victorian asylums, from the theory of humours to modern pharmacology, Andrew Scull writes compellingly about madness, its meanings, its consequences and our attempts to understand and treat it.

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Protégé of design legend Massimo Vignelli and partner in the New York office of the international design firm Pentagram, Michael Bierut has had one of the most varied careers of any living graphic designer. The projects he presents in this book illustrate the breadth of activity that graphic design encompasses today, his goal being to demonstrate not a single ideology, but the enthusiastically eclectic approach that has been a hallmark of his career. Each project is told in Bierut’s own entertaining voice and shown through historic images, preliminary drawings (including full-size reproductions of the notebooks he has maintained for over thirty-five years), working models and rejected alternatives, as well as the finished work. Along the way, he provides insights into the creative process, his working life, his relationship with clients, and the struggles that any design professional faces in bringing innovative ideas to the world today. This revised and expanded edition of Bierut’s bestselling monograph features new projects for major clients, such as Mastercard and The Poetry Foundation. Inspiring, informative and authoritative, How to... is a bible of graphic design ideas.With 833 illustrations in colour

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Linda Nochlin (1931–2017) was one of the most pioneering and provocative art historians of our time. In 1971 she published her groundbreaking article, ‘Why Have There Been No Great Women Artists?’, an impassioned feminist rallying cry that called traditional art historical practices into question and led to a major revision of the discipline. Women Artists: The Linda Nochlin Reader brings together thirty essential essays from throughout Nochlin’s career, including two written specially for this collection. The book opens with an interview with Nochlin, in which she looks back on her life’s work and reflects on the position of women artists today. Her major thematic texts, such as ‘Women Artists After the French Revolution’ and ‘Starting from Scratch: The Beginnings of Feminist Art History’ appear alongside the landmark 1971 essay and its rejoinder, ‘“Why Have There Been No Great Women Artists?”: Thirty Years After.’ Also included are entries focusing on a selection of major women artists, such as Mary Cassatt, Louise Bourgeois, Cecily Brown, Kiki Smith, Miwa Yanagi and Sophie Calle, as well as concise biographies of all the artists discussed in the book and a complete bibliography of Nochlin’s publications.

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Christopher Neve’s classic book is a journey into the imagination through the English landscape. How is it that artists, by thinking in paint, have come to regard the landscape as representing states of mind? ‘Painting’, says Neve, ‘is a process of finding out, and landscape can be its thesis.’ What he is writing is not precisely art history: it is about pictures, about landscape and about thought. Over the years, he was able to have discussions with many of the thirty or so artists he focuses on, the inspiration for the book having come from his talks with Ben Nicholson; and he has immersed himself in their work, their countryside, their ideas. Because he is a painter himself, and an expert on 20th-century art, Neve is well equipped for such a journey. Few writers have conveyed more vividly the mixture of motives, emotions, unconscious forces and contradictions which culminate in the creative act of painting. Each of the thirteen chapters has a theme and explores its significance for one or more of the artists. The problem of time, for instance, is considered in relation to Paul Nash, God in relation to David Jones, music to Ivon Hitchens, hysteria to Edward Burra, abstraction to Ben Nicholson, ‘the spirit in the mass’ to David Bomberg. There are also chapters about painters’ ideas on specific types of country: about Eric Ravilious and the chalk landscape, Joan Eardley and the sea, and Cedric Morris and the garden.

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Design for the Real World has been translated into over twenty languages since it first appeared in 1971; it has become the world’s most widely read book on design and is an essential text in many design and architectural schools. This edition offers a blueprint for survival in the third millennium. Victor Papanek’s lively and instructive guide shows how design can reduce pollution, overcrowding, starvation, obsolescence and other modern ills. He leads us away from ‘fetish objects for a wasteful society’ towards a new age of morally and environmentally responsible design.

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‘A photographer’s gift to the viewer is sometimes beauty in the overlooked ordinary’ Saul Leiter Photography lovers the world over are now embracing Saul Leiter, who has enjoyed a remarkable revival since fading into relative obscurity in the 1980s. This collection reveals the secrets of his appeal, from his life philosophy and lyricism to masterful colours and compositions. Some 200 works – including early street photographs, images for advertising, nudes and paintings – cover Leiter’s career from the 1940s onwards, accompanied by quotations from the artist himself that express his singular world view.

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Anime Architecture presents the most breathtaking environments created by the most important and revered directors and illustrators of Japanese animated films. From futuristic cities of steel to romantic rural locales, the creators of anime have conjured memorable and painstakingly detailed worlds, the influences of which have been felt across cinema, literature, comic books and videogames for decades. This volume offers a peerless survey of these cinematic arenas – including materials from Akira, Ghost in the Shell, Patlabor, Neon Genesis Evangelion and Tekkonkinkreet – through original background paintings, storyboards, drafts, sources of inspiration and film excerpts. A celebration and resource produced in direct collaboration with the original Japanese production studios, Anime Architecture offers privileged views into the earliest conception stages of iconic scenes, through to their development into finished films. Anyone who has been touched by the beauty and imagination of classic anime will find page after page of revelation and inspiration. Containing the often secretive creative processes of the major anime studios, this enthusiast’s treasure trove will have its significance for future generations of artists, illustrators, architects, designers, videogame makers and dreamers.

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This fascinating book continues the story begun in the bestselling and critically acclaimed book The Mind in the Cave. Drawing on the latest research and recent discoveries, the authors skilfully link material on human consciousness, imagery and belief systems to propose provocative new theories about the causes of an ancient revolution in cosmology, the origins of social complexity and even the drive behind the domestication of plants and animals. In doing so they create a fascinating neurological bridge to the mysterious thought-lives of the past and reveal the essence of a momentous period in human history.

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The Middle East: The Cradle of Civilization synthesizes the latest research and information from a range of disciplines to tell the compelling story, from the Neolithic period through to the Arab conquest, of how a group of linguistically disparate, nomadic tribes responded to specific social, economic and environmental factors to form the world’s first complex societies. This is an authoritative, detailed and accessible story, divided into six easily navigable parts arranged chronologically, and then into chapters exploring the history, religion, political and social organization, art, science and architecture of the peoples of the region. The text is illustrated with more than 500 superb full colour images – artifacts, artworks, statues, reliefs, buildings and landscapes – as well as six detailed maps, which bring the region’s dramatic past vividly to life.

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Chineasy® Travel presents over 100 of the most used and useful Chinese characters, phrases and sentences for travellers, wherever they may find themselves in the Chinese-speaking world. Ingeniously illustrated throughout by Noma Bar, this guide breaks down the essentials in six themed chapters, from reading directions and using public transport, to ordering food off a menu. A chapter on culture explores the country’s history, philosophy and religion, including annual festivals. Whether you are planning a business trip, holiday or longer adventure, the Chineasy method provides a great starting point to broadening your knowledge of the language and culture. Including a list of useful phrases and instructions on Chinese pronunciation and basic grammar, this handy pocket guide brings the stories and myths behind the characters to life, providing a welcome primer for breaking down the barriers of language.

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This authoritative volume has been revised throughout and expanded, with stunning new images and accounts of the major discoveries of recent years. Recent findings have been added to expand our understanding of the Olmecs outside of their heartland, and new research on the legacy of the Maya offers a wider and more cohesive narrative of Mexico’s history. New co-author Javier Urcid has added greater coverage of Oaxaca and of Monté Alban, one of the earliest cities in Mesoamerica and the center of the Zapotec civilization, and a fully revised Epilogue discusses the survival of indigenous populations in Mexico from the Conquest up to the present. This longstanding classic now features full-colour photos of the vibrant art and architecture of ancient Mesoamerica throughout.

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Edgar Degas (1834–1917) was one of the outstanding draughtsmen of the 19th century: drawing was not only a central tenet of his art, but essential to his existence. Through an examination of the artist’s drawings and pastels, Christopher Lloyd reveals the development of Degas’s style as well the story of his life, including his complicated relationship with the Impressionists. Following a broadly chronological approach, the author discusses the various subject areas, not only the images of dancers (which form over half of Degas’s total oeuvre) but also of nudes and milliners, and the less well-known racehorse and landscape drawings. He covers his whole career, from when Degas was copying the Old Masters to learn his craft to when he ceased work in 1912 because of failing eyesight, setting him within the artistic context of the period. Lloyd’s extensive research, which includes consulting the artist’s detailed notebooks, has resulted in a comprehensive exposition with, at its heart, some 250 pencil, black-chalk, pen-and-ink, and charcoal drawings and pastels of timeless appeal.

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Hand Drawn Maps is a fun ‘how to’ book about hand drawn cartography. It is introduced by a brief history of maps and map making, followed by five sections covering everything you need to know to make your own maps. Section 1 covers the practicalities, so by the end of it you are equipped to create your own map using compasses, neatlines, cartouche, handlettering, and your own symbols. Section 2 looks at different types of map, from picture and word maps to architectural blueprints and video game maps. Section 3 uses a wide range of examples to show the reader how to create maps of places, from early strip maps used to describe the journeys taken by 18th-century stagecoaches to dungeon and treasure maps. Section 4 covers maps of ideas. There are exercises throughout to enable the reader to build on the knowledge they have just gained. The book is completed by six stand-alone projects.

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The final edition of the late Tom Phillips’s ‘defining masterpiece of postmodernism’. In 1966 the artist Tom Phillips discovered A Human Document (1892), an obscure Victorian romance by W.H. Mallock, and set himself the task of altering every page, by painting, collage or cut-up techniques, to create an entirely new version. Some of Mallock’s original text remains intact and through the illustrated pages the character of Bill Toge, Phillips’s anti-hero, and his romantic plight emerges. First published in 1973, A Humument – as Phillips titled his altered book – quickly established itself as a cult classic. From that point, the artist worked towards a complete revision of his original, adding new pages in successive editions. That process is now finished. This final edition presents an entirely new and complete version of A Humument. It includes a revised Introduction by the late artist, in which he reflects on the 50-year project, and 92 new illustrated pages.

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In 1984, photographers Martha Cooper and Henry Chalfant captured the imagination of a generation with Subway Art, a groundbreaking book documenting the work of graffiti writers who illegally painted subway cars in New York City. The 2009 edition of the book is now available in a new, slightly reduced format. Henry Chalfant's images of the trains retain their impact, while Martha Cooper's narrative pictures tell the story. In the introductions, the authors recall how they gained entry to the New York graffiti community in the 1970s and 1980s and describe the techniques that they used to photograph it. Afterwords report how the lives of the original subway artists have unfolded, and chronicle the end of the subway graffiti scene in the late 1980s and its unexpected rebirth as a global art movement. This is an essential book for all fans of graffiti, stunning photography and 1980s-cool.

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David Hockney is possibly the world’s most popular living painter, but he is also something else: an incisive and original thinker on art. Here are the fruits of his lifelong meditations on the problems and paradoxes of representing a three-dimensional world on a flat surface. How does drawing make one ‘see things clearer, and clearer, and clearer still’, as Hockney suggests? What significance do different media – from a Lascaux cave wall to an iPad – have for the way we see? What is the relationship between the images we make and the reality around us? How have changes in technology affected the way artists depict the world? The conversations are punctuated by wise and witty observations from both parties on numerous other artists – Van Gogh or Vermeer, Caravaggio, Monet, Picasso – and enlivened by shrewd insights into the contrasting social and physical landscapes of California, where Hockney lives, and Yorkshire, his birthplace. Some of the people he has encountered along the way – from Henri Cartier-Bresson to Billy Wilder – make entertaining appearances in the dialogue.

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Interviews with leading contemporary designers, including Paul Smith, Stephen Jones, and Maria Cornejo and education professionals, including Willie Walters, Course Director at Central St Martins, Andrew Groves from the University of Westminster and a Foreword by Shelley Fox, the Donna Karan Professor of Fashion, Director of the MFA Fashion Design and Society Program at Parsons, New York, will enable all readers both to understand the vital role of research and to discover the techniques the designers have adapted for themselves, while a richly illustrated profile of the major themes of fashion is both a highly original resource and a mine of information about each theme for readers to draw on in their own research.

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Between 1790 and 1910, Danish painters developed a national school of art that matched the artistic centres of France, Germany and Britain. The range of outstanding works created by Nicolai Abildgaard, Jens Juel, Christoffer Wilhelm Eckersberg, Christen Købke, P. S. Krøyer and Vilhelm Hammershøi reflect and refract the great stylistic tendencies of European art of the 19th century, including Classicism, Romanticism, Impressionism and Symbolism. Illustrated with over two hundred key works of art drawn from the leading Danish collections, this is the only book available in English that surveys Danish painting across the 19th century. Written by a major scholar in the field, and featuring all the icons of the Danish Golden Age, this is an essential addition to all art libraries.

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This is a highly readable history and a unique work of reference. Focusing on the succession of the rulers of imperial Rome, it uses timelines with at-a-glance visual guides to each reign and its main events. Biographical portraits of the 56 principal emperors from Augustus to Constantine, together with a concluding section on the later emperors, build into a highly readable single-volume history of imperial Rome. Biographical information is illustrated with busts of each emperor, coin portraits, battle plans and cutaway diagrams of imperial monuments. Supporting datafiles for every emperor list key information such as name at birth, wives and children, full imperial titles and place and manner of death. Genealogical trees and over 90 sidebars and special features on subjects ranging from Nero’s Golden House to Diocletian’s Palace allow the reader to delve even deeper. Colourful contemporary judgments by such writers as Suetonius and Tacitus are balanced by judicious character assessments made in the light of modern research. The famous and the infamous – Caligula and Claudius, Trajan and Caracalla – receive their due, while lesser names emerge clearly from the shadows for the first time. Chronicle of the Roman Emperors is at once a book to be enjoyed as popular history, an essential work of reference, and a source of visual inspiration, bringing to life one of the most powerful and influential empires the world has ever known. ‘A valuable volume providing a nice blend of information and entertainment’ – Teaching History ‘Marvellous’ – New Scientist

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Nearly 300 entries, from accession to yoke, describe the main gods and symbols of the Aztecs, Olmecs, Zapotecs, Maya, Teotihuacanos, Mixtects and Toltecs.Introductory essays provide succinct accounts of Mesoamerican history and religion.This authoritative work is a standard reference for students, scholars and travellers.

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In his ‘illuminated’ books, William Blake combined his handwritten text with his exuberant imagery on pages the like of which had not been seen since the great decorated books of the Middle Ages. To have Blake’s great prophetic poems - Jerusalem and Songs of Innocence and of Experience, for example - in cold letterpress bears no comparison to seeing and reading them in Blake’s own medium, with his sublime and exhilarating colours.This edition, produced together with The William Blake Trust, contains all the pages of Blake’s twenty or so illuminated books reproduced in true size, an appendix with all Blake’s text set in type and an introduction by the noted Blake scholar, David Bindman.

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This legendary book has been universally hailed as the best, the most readable and the most provocative account of modern art ever written. Through each of the thematic chapters Hughes keeps his story grounded in the history of the 20th century, demonstrating how modernism sought to describe the experience of that era and showing how for many key art movements this was a task of vital importance. The way in which Hughes brings that vitality and immediacy back through the well-chosen example and well-turned phrase is the heart of this book's success.

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A compelling, fully illustrated account of the worldwide phenomenon of science fiction as depicted in film, literature and art, and the scientific advances and imagination behind it. Drawing on a wide range of examples from the literary and visual canons – short stories, novels, films, television programmes, video games, graphic novels, artworks and more – in both cult and popular culture, this extensively illustrated book examines how science fiction has provided a human response to science, exploring every reaction from complacency to exhilaration, and from hope to terror. Across five chapters this volume reviews the role played by science fiction in exploring our world and a multitude of ideas about our relationship with the human condition. This encompasses a fascinating range of themes – machines, travel, aliens (the Other), communication, threats and anxiety. Featuring a range of essays by experts on the subject as well as interviews with well-known science-fiction authors and reproductions of classic ephemera, graphics and objects throughout, it also focuses on the darker elements of this fascinating genre – the anxieties, fears, dystopias, monsters and apocalypses that have populated science fiction from the beginning. Ultimately, science fiction asks what makes us human, and what lies in the future to test, threaten and even destroy humanity. This publication has these questions at its core, making it especially relevant for a contemporary readership in an age preoccupied with the climate emergency, the coronavirus pandemic, the development of nuclear missiles and military technologies, and other global challenges.

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Maureen Furniss surveys the cultural, political and economic context of how this dynamic industry evolved, emphasizing both artistic and technical achievements from around the world – from Hollywood to Tokyo, from Moscow to Sydney. Featuring a timeline for each of its six parts, Animation: The Global History provides readers with a clear and accessible chronology of events. A ‘Global Storyline’, highlighting the major themes of the era, opens each chapter, and an end-of-book glossary defines key terms used throughout the book.

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A fresh look at the stories at the heart of Norse mythology, exploring their cultural impact right up to the present day. The heroes and villains of Norse mythology have endured for centuries, infiltrating art, opera, film, television and books, shape-shifting – like the trickster Loki – to suit the cultures that encountered them. Through careful analysis of the literature and archaeology of the Norse world, Carolyne Larrington takes us deep into the realm described in the Icelandic sagas, from the gloomy halls of Hel to the dazzling heights of Asgard. She expertly examines the myths’ many modern-day reimaginings, revealing the guises that have been worn by the figures of Norse myth, including Marvel’s muscled, golden-haired Thor and George R.R Martin’s White Walkers, who march inexorably southwards, bringing their eternal winter with them. This sophisticated yet accessible guide explores how these powerful stories have inspired our cultural landscape, from fuelling the creative genius of Wagner to the construction of the Nazi’s nationalist ideology. Larrington’s elegantly written retellings capture the essence of the original myths while also delving into the history of their meanings. The myths continue to speak to such modern concerns as masculinity and environmental disaster – after the inevitable, apocalyptic ragna rök, renewal comes from the roots of Yggdrasill, the World Tree.

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Only 16% of the most recent Venice Biennale artists were female. A mere 14% of MoMA’s 2016 display is by non-white artists. Only one third of artists represented by US galleries are female, but over two-thirds of the enrolment in art and art-history programmes is young women… The fight for gender and race equality in the art world is far from over. Indeed, the more closely one examines the numbers, the more glaring it becomes that white, Euro-American, heterosexual, privileged and, above all, male artists continue to dominate the art world. Arranged in thematic sections focusing on feminism, race and sexuality, this book examines and illustrates pioneering examples of exhibitions that have broken down boundaries and demonstrated that new approaches are possible, from Nochlin’s ‘Women Artists’ at the LACMA in the mid-1970s to Martin’s ‘Carambolages’ in 2016 at the Grand Palais in Paris. By exposing both the disparities and inclusive solutions, the author addresses the urgent need in the contemporary art world for curatorial strategies that provide alternatives to exclusionary models of collecting and display. In so doing, she provides an invaluable source of information for current thinkers and, in a world dominated by visual culture, a vital source of inspiration for today’s ever-expanding new generation of curators.

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From the first millennium BC onwards, Greek myths have been repeated in an inexhaustible series of variations and reinterpretations. Nowadays they can be found in film, television and computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed. Throughout, the author draws upon the latest research into ancient Greek story-telling, presenting the material in an attractive, accessible and authoritative style. With its lavish illustrations, detailed genealogical tables of gods and heroes, box features and specially commissioned maps, this is the one essential resource on these classic stories that lie at the heart of western civilization.

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Leonardo da Vinci (1452–1519) was a painter, architect, inventor and student of all things scientific. His natural genius crossed so many disciplines that he epitomized the term ‘Renaissance man’. Today he remains best known for his art, including two paintings that remain among the world’s most famous and admired, Mona Lisa and The Last Supper. This book features six meticulously crafted pop-ups of his most famous works: Self portrait; Annunciation; Ornithopter; Virgin & Child; Architecture – an overview of his drawings and designs; and Vitruvian Man.

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Marcel Duchamp (1887–1968) has entered mainstream culture as one of the founding fathers of modern art. Despite his popularity, books on Duchamp often shroud his work in theoretical and critical writing. Here, instead, is a book exploring the artist’s life and work in a thoroughly new and engaging manner, with short, alphabetical dictionary entries written in lively, jargon- free prose that at last allow Duchamp’s work and influence to be accessible and enjoyable for a wide audience. The book features more than 200 entries on the most interesting and important artworks, relationships, people and ideas in Duchamp’s life, from chess, puns, the fourth dimension, love and genius, to the Bicycle Wheel and Fountain, Walter and Louise Arensberg, Peggy Guggenheim, Katherine S. Dreier and Arturo Schwarz. A contextual introduction shows how the dictionary form has been an inspiration to artists and writers from Flaubert to the Surrealists. Underpinned by the latest scholarship and research, Thomas Girst’s texts show how, in the words of contemporary artist Thomas Hirschhorn, Duchamp was ‘the most intelligent mind of his time’.

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‘Eco’ awareness has had an enormous impact across all cultural and political spectrums, not least in the art world. This accessible and thought-provoking book is the first in-depth exploration of the ways in which contemporary artists are confronting nature, the environment, climate change and ecology. Organized into six chapters, the book moves through the various levels of artists’ engagement, from those who act as independent commentators, documenting and reflecting on nature, to those who use the physical environment as the raw material for their art, and those committed activists who set out to make art that transforms both our attitudes and our habits. More than 300 illustrations feature the work of 95 artists and art collectives from all over the world, including The Artist as Family, Nyaba Leon Ouedraogo, Yao Lu, Tue Greenfort, Eva Jospin, Ravi Agarwal, Nadav Kander, Naoya Hatakeyama, Tattfoo Tan, Berndnaut Smilde, Simon Starling, and Jennifer Allora and Guillermo Calzadilla.

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This glorious gift book presents Van Gogh’s lifelong love affair with the garden. Illustrated with an extraordinary range of works, from iconic oils such as Irises to exquisite etchings and intimate sketches, the book is a visual feast. The images are illuminated by a sensitive commentary, which augments the well-known facts of Van Gogh’s life by exploring the importance of the garden locations he sought out wherever he went.

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A history of women designers and consumers from 1900 to the present day. The work of women designers has not traditionally been the focus of mainstream histories of design. By revealing the untold story of female design pioneers, this comprehensive introduction celebrates their crucial role in the history of modern processes of making. Arranged chronologically, this guide considers the structural barriers to professional success and how women overcame these hurdles, charting the success of designers including Anni Albers at the Bauhaus, the architect Eileen Grey, interior decorator Elsie de Wolfe and fashion icon Mary Quant, focusing on the key subjects of architecture, craft, fashion, furniture, graphics, interior, product and textile design. The link between early twentieth-century revolutionary design and lifestyle is explored, as well the ideas of shopping and consumerism as a liberating activity. The important contribution of designers during and after the Second World War is also discussed, along with design activism, design collectives and the current success of women working transnationally in architecture and design.

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Genius. Anti-artist. Charlatan. Impostor! Since 1914 Marcel Duchamp has been called all of these. No artist of the 20th century has aroused more passion and controversy, nor exerted a greater influence on art, the very nature of which Duchamp challenged and redefined as concept rather than product by questioning its traditionally privileged optical nature. At the same time, he never ceased to be engaged, openly or secretly, in provocative activities and works that transformed traditional artmaking procedures. Written with the enthusiastic support of Duchamp’s widow, this is one of the most original and important books ever written on this enigmatic artist, and challenges received ideas, misunderstanding and misinformation.With 172 illustrations in colour

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This standard introduction to visual art since 1945 has been revised, updated and redesigned for the first time since 2001. Movements, trends and individual artists from abstract expressionism to the present day are summarized, with detailed coverage of major developments such as pop art, conceptual and performance work, minimal art, neo-expressionist and figurative painting, the YBAs and the globalized art scene of the twenty-first century. A new chapter on art since 2000 includes discussion of work by Banksy and Ai Weiwei, as well as recent trends in art from Russia and Eastern Europe. Writing with exceptional clarity and a strong sense of narrative, Edward Lucie-Smith demystifies the work of dozens of artists, revealing how the art world has interacted with social, political and environmental concerns. Nearly 300 images of key artworks range from the paintings of Jackson Pollock via graffiti from 1980s New York and land art of the 1970s to contemporary painting from China and video from Japan. The book is as global in its reach as art has become in the 21st century.

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Expanded and revised in its sixth edition, The Art of Mesoamerica surveys the artistic achievements of the high prehispanic civilizations of Central America – Olmec, Maya, Teotihuacan, Toltec and Aztec – as well as those of their lesser-known contemporaries. Providing an in-depth examination of central works, this book guides readers through the most iconic palaces, pyramids, sculptures and paintings. From the Olmec Colossal Head 5 recovered from San Lorenzo to the Aztec Calendar Stone found in Mexico City’s Zócalo in 1790, this book reveals the complexity and innovation behind the art and architecture produced in prehispanic civilizations. This new edition incorporates new lavish colour images and extensive updates based on the latest research and dozens of recent discoveries, particularly in Maya art, where excavations at Teotihuacan, the largest city of Mesoamerica, and Tenochtitlan, the capital of the Aztecs, have yielded new sculptures.

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Since the early years of the 20th century, Western abstract art has fascinated, outraged and bewildered audiences. Its path to acceptance within the artistic mainstream was slow. Anna Moszynska traces the origins and evolution of abstract art, placing it in broad cultural context. She examines the pioneering work of Kandinsky, Malevich and Mondrian alongside the Russian Constructivists, the De Stijl group and the Bauhaus artists, contrasting European geometric abstraction in the 1930s and 40s with the emphasis on personal expression after the Second World War. Op, Kinetic and Minimal art of the postwar period is discussed and illustrated in detail, and new chapters bring the account up to date, exploring the crisis in abstraction of the 1980s and its revival – in paint, fabric, sculpture and installation – in recent decades. The first edition of this book, published in 1990, was acclaimed by reviewers; now in full colour and comprehensively revised, it will serve as the best introduction to abstract art for a new generation.

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Born in Yorkshire in 1903, of the heroic generation in twentieth-century British Art which included Henry Moore (with whom she studied in Leeds) and Ben Nicholson (whom she married), she explored in her sculpture the forms of life – especially human life – as well as those of mathematics. Professor Hammacher knew Hepworth for many years, and has written an intimate and highly readable account of her life and work.

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‘For millions of children, Dick Bruna’s books are the first they will encounter. They don’t know how lucky they are’ Michael Bond This latest instalment in The Illustrators on Dutch artist Dick Bruna (1927–2017) takes readers behind the scenes of the creation of some of the world’s most endearing children’s characters. Offering a deeper appreciation of the artistry and skills behind the international icon Miffy, fellow illustrator Bruce Ingman also reveals Bruna’s lesser-known work, including his striking book and poster designs. A glimpse into his studio in Utrecht reveals a man of many media, including drawing, painting, collage and photography. All the elements of Bruna’s extensive body of work, spanning book covers, posters, stamps and merchandise, are given due significance in this illuminating study of his reputation and success. By the time of Bruna’s retirement, Miffy had become an industry in her own right and Bruna an international star far beyond the sphere of children’s books. Ingman shows us how the simple complexity of Bruna’s work appeals to children, artists and designers alike, capturing the imagination across ages and artistic disciplines.

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An updated authorized edition of Isabelle Fiemeyer’s literary biography of Coco Chanel, which demystifies the legendary designer’s life. Coco Chanel was an emancipated fashion revolutionary. Raised by nuns in an orphanage, she rose to become a star of the world of couture and a byword for stylish elegance. But now, a fascinating new light can be shed on her life and career. During the Second World War, Chanel closed her couture house, but accepted the enemy’s help in rescuing her beloved nephew from a prison camp. However, as newly declassified information reveals, she did not supply any information in exchange for this favour. Moreover, it now seems that she was unknowingly listed as an agent because of her British connections and friendship with Winston Churchill. Featuring unpublished and exclusive content based on first-hand interviews with Chanel’s great-niece and confidante, this evocative portrait is based on years of painstaking archive research and tells the true story of the twentieth century’s most celebrated yet enigmatic fashion icon.

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Five years in the making, Pentagram: Living by Design is an in-depth survey of the group from its beginnings in 1970s London to its current status as one of the powerhouses of international design. Pentagram: Living by Design (two volumes) is the definitive statement on 50 years of Pentagram. This is an in-depth survey of the group from its beginnings in 1970s London to its current status as one of the powerhouses of international design. Book one, The Biography, offers a comprehensive analysis of the group, its partners, its achievements, its multidisciplinary approach, and its unique business model. This is accompanied by a plethora of images (some never published), a visual essay of Pentagram’s work across four main sectors, a selection of partners writings, a Pentagram family tree, and much more.Book two, The Directory, has profiles of 50 partners, past and present, accompanied by extensive coverage of their work. It’s a stellar roll call: from the five famous founders to some of the most celebrated names in contemporary design. It also includes a list of everyone who worked in the firm’s various offices. Both books are designed by Tony Brook and the Spin design team and use a range of paper stocks and special colours.

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A thrilling photographic adventure around an offbeat selection of the world's abandoned buildings, captured by one of the videogame industry's most beloved creatives. Urban exploration is a way of life for those who choose it as their passion. The secrets and mysteries that disused places incite can be intoxicating and inspiring. As Nakamura has said herself, I love breaking boundaries and making people say WOW. As artists, we use our imagination to see the INVISIBLE. Project UrbEx documents a multitude of abandoned spaces, placing them into thematic sections from lost hotels and ex-military sites to factories, laboratories and hospitals. A bright Pantone orange ink is used throughout for the text and chapter openers popping on the page to reflect Nakamura's sense of fun, vibrance and imagination. With a foreword by videogame-designer-turned-photographer Liam Wong, the book also features sections of Nakamura's personal travel diary, printed on pages with a narrower width,

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Bestselling author Philip Matyszak explores how the Greeks and Romans used magic, who performed it – and why. Magic was everywhere in the ancient world. The supernatural abounded, turning flowers into fruit and caterpillars into butterflies. Magic packed a cloud of water vapour with energy enough to destroy a house with one well-aimed thunderbolt. It was everyday magic, but it was still magical. Philip Matyszak takes readers into that world. He shows us how to make a love potion or cast a curse, how to talk to the dead and how to identify and protect oneself from evil spirits. He takes us to a world where gods, like humans, were creatures of space and time; where people could not just talk to spirits and deities, but could even themselves become divine; and where divine beings could fall from – or be promoted to – full godhood. Ancient Magic offers us a new way of understanding the role of magic, looking at its history in all of its classical forms. Drawing on a wide array of sources, from Greek dramas to curse tablets, lavishly illustrated throughout, and packed with information, surprises, lore and learning, this book offers an engaging and accessible way into the supernatural for all.

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Timeless, evocative and hauntingly beautiful: a retrospective monograph by a truly innovative image maker whose female gaze transformed fashion photography. American photographer Deborah Turbeville defies classification. She belongs to no school or movement. Her unique visual signature has been recognizable since her emergence as a major talent in the 1970s. Her images are evocative, difficult to date at first glance, and seem dreamlike to our 21st-century eyes. Turbeville stands apart from her male contemporaries, whose hard-edged, highly sexualized photographs of women now seem to be of their time in comparison with Turbeville’s very different representation of beauty. This book focuses on the area of Turbeville’s practice where her genius as an artist can be found: photocollage. In contrast to her contemporaries in fashion photography, she was deliberately playful with her images: xeroxing, cutting, scraping and pinning prints together, writing in the margins and creating narrative sequences. Her work is located far from single, glossy images. It inhabits a liminal zone between art and commerce. Built upon extensive research in the Deborah Turbeville archive, the work shown spans commercial and personal projects, with many images published for the first time. With texts by Vince Aletti, Anna Tellgren and Felix Hoffmann, this book brings into the spotlight the ways in which Turbeville redefined fashion photography, moving away from the sexual provocation and stereotypes assigned by male photographers to an idea of femininity on her terms. Deborah Turbeville: Photocollage will be an essential publication with modern relevance for all with a passion for fashion photography.

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A stylish collection of legendary designer Yves Saint Laurent’s maxims on fashion, craft, women and inspiration, presented in an attractive gift format. Founded by Yves Saint Laurent and Pierre Bergé in 1962, shortly after the young couturier left his post at the helm of Christian Dior, Yves Saint Laurent would soon become one of the most successful and influential haute couture houses in Paris. Introducing Le Smoking, the first tuxedo suit for women, in 1966, Saint Laurent also presented iconic art-inspired creations, from Mondrian dresses to precious Van Gogh embroidery and the famous Ballets Russes collection. The designer put the women who wore his clothes first (‘What’s most important in couture is the body we dress, the woman we dress, more so than the ideas we might have’) and was determined to change attitudes of the era (‘Fashion’s purpose was not only to make a woman look beautiful, but also to reassure them and to give them confidence’). He could be critical of the fashion industry (‘I adore clothes but I hate fashion’) and saw himself as a craftsman who perfectly understood his customer (‘I think there are three kinds of designers. The big ones, the real ones, and those who know how to strike a chord with a woman just by making a very simple dress, or a very simple suit’). Presented in a beautiful package and accessible format, The World According to Yves Saint Laurent is the perfect gift for fashion fans, capturing the essence of a true visionary.

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