Search results for ""NICK HERN BOOKS""

Drama Classics: The World's Great Plays at a Great Little Price Oscar Wilde's undying comedy – in an edition to fit any handbag. Jack Worthing pretends to be Earnest to avoid certain social obligations. But Gwendolen has fallen in love with him as Earnest - and he with her. Quizzed as to his origins by her aunt Lady Bracknell, Jack has to admit to being found in a handbag. After further complications involving Jack's friend Algernon, who is also passing himself off as Earnest, Jack's true origins are revealed. Oscar Wilde's The Importance of Being Earnest was first performed in February 1895 at the St James's Theatre in London. This edition in the Nick Hern Books Drama Classics series includes an introduction by Dan Rebellato.

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Drama Classics: The World's Great Plays at a Great Little Price A tragic tale of duty, retribution and fate. King Agamemnon, on returning from the Trojan Wars, is murdered by his wife, Clytemnestra, and her lover. Now, to avenge the crime, their daughter Electra must commit one even worse and face the inevitable consequences. This edition of Sophocles' play Electra, in the Nick Hern Books Drama Classics series, is translated and introduced by Marianne McDonald and J. Michael Walton.

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Drama Classics: The World's Great Plays at a Great Little Price Restless and discontented in her marriage, Hedda Gabler is drawn to a former admirer, Lovborg, now a brilliant writer. But he is more taken with Hedda's old schoolfriend. Driven by jealousy, Hedda destroys Lovborg and his precious manuscript and, finally, herself. This English version of Henrik Ibsen's play Hedda Gabler, published in the Nick Hern Books Drama Classics series, is translated and introduced by Kenneth McLeish.

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Drama Classics: The World's Great Plays at a Great Little Price A classic comedy of manners, ridiculing affectation and pretentiousness. Joseph Surface is apparently a model citizen; his brother Charles is a dissolute wastrel. But when the schemings of the scandalmongers go awry, the reverse is shown to be true. Richard Brinsley Sheridan's play The School for Scandal was first performed in London at Drury Lane Theatre in 1777. This edition, in the Nick Hern Books Drama Classics series, is edited and introduced by Colin Counsell.

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Drama Classics: The World's Great Plays at a Great Little Price The best comedy of manners written in England before Congreve, The Man of Mode was first staged in 1676 and contains all the classic ingredients of Restoration Comedy: adultery, intrigue, gossip - as well as the first and greatest of the Restoration fops, Sir Fopling Flutter. This edition, in the Nick Hern Books Drama Classics series, is edited by Trevor Griffiths, presenting the complete text, uncluttered by footnotes, with a full introduction setting out the historical context.

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Drama Classics: The World's Great Plays at a Great Little Price The story of the mythical Greek king of Thebes, the archetypal tragic hero who accidentally fulfills a prophecy that he will end up killing his father and marrying his mother, thereby bringing disaster down upon his city and family. This volume, in the Nick Hern Books Drama Classics series, contains two plays by Sophocles, Oedipus Rex and Oedipus at Colonos, in English translations by Kenneth McLeish. It also includes an introduction to the plays.

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Drama Classics: The World's Great Plays at a Great Little Price A Jacobean tale of personal vengeance in a morally bankrupt world. Vindice has vowed to revenge the murder of his beloved Gloriana by the lustful Duke, and when he gains access to the court in disguise, havoc ensues... The Revenger's Tragedy was first performed in London in 1606 or 1607, and was subsequently published anonymously. It has been variously attributed to Cyril Tourneur and Thomas Middleton. This edition of the play, in the Nick Hern Books Drama Classics series, is edited by R.A. Foakes and includes an introduction by Trevor R. Griffiths.

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Drama Classics: The World's Great Plays at a Great Little Price A classic Restoration-era comedy about the sexual exploits of two officers, the womanising Plume and the cowardly Brazen, as they go about their task of recruiting soldiers in the town of Shrewsbury. George Farquhar's play The Recruiting Officer was first staged at Drury Lane in 1706. It was an immediate hit and went on to become one of the most frequently performed plays of the 18th century. This edition in the Nick Hern Books Drama Classics series is edited and introduced by Simon Trussler.

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Drama Classics: The World's Great Plays at a Great Little Price The Italian Court is riddled with corruption in this classic Jacobean tragedy. The Duke Brascino is openly seducing a married woman, Vittoria, while plotting the murder of his own wife. Vittoria's brother Flamineo, a cold-blooded murderer, tries to exploit his position as Brascino's servant and pander. Finally Brascino's enemies, outraged by his perversions, seek a vicious revenge. John Webster's play The White Devil was first performed at the Red Bull Theatre, London, by Queen Anne's Men in 1612. This edition, in the Nick Hern Books Drama Classics series, is edited by J.R. Brown, with an introduction from Simon Trussler.

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Drama Classics: The World's Great Plays at a Great Little Price A masterpiece of the Spanish Golden Age. It is foretold that Prince Sigismund will become a tyrant. Alarmed, his father, the king, imprisons him. When he is released for a day as an experiment he proves the omens only too right, and, as a result, is incarcerated once more. Sigismund persuades himself that all that has passed is a dream and emerges to rule wisely and justly. Pedro Calderon's play Life is a Dream was first published in 1635. This English translation by John Clifford was first performed at the Lyceum Theatre, Edinburgh, in 1998. It is published in the Nick Hern Books Drama Classics series.

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Drama Classics: The World's Great Plays at a Great Little Price George Farquhar's immortal comedy about two young gentlemen with a misguided plan to get enrich themselves at the expense of a series of young heiresses. A pair of London gentlemen, Archer and Aimwell, pose as a Lord and his servant in order to procure one handsome dowry to split between them. While Aimwell, the 'lord', works on the affections of Lady Bountiful's daughter Dorinda, his 'servant' Archer makes his bid for her son's wife. George Farquhar's play The Beaux Stratagem was first produced at the Theatre Royal, London, in 1707. This edition, in the Nick Hern Books Drama Classics series, is edited and introduced by Simon Trussler.

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On a reality television show, six remarkable - and remarkably young - geniuses are competing for the coveted Golden Brain trophy and the title 'Britain's Brainiest Child'. As the contestants battle it out round after round, the pressure mounts, the spotlight gets harsher, and each is faced with questions they were never expecting. Who will win and who will lose - and what exactly does winning mean anyway? Georgia Christou's Bright. Young. Things. is a funny, fast-paced play about identity, truth and the challenge of finding out who you really are. It is part of Platform, an initiative from Tonic Theatre in partnership with Nick Hern Books. Aimed at achieving greater gender equality in theatre, Platform comprises big-cast plays with predominantly, or all, female casts, written specifically for performance by young actors.

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Drama Classics: The World's Great Plays at a Great Little Price J.M. Synge's extraordinary play about a young man on the run, and his unexpected elevation to folk hero. A stranger, Christy Mahon, arrives in a village bar in County Mayo in the West of Ireland, claiming to have killed his father. The locals are impressed – some can even directly relate to the deed – and Christy is lauded as a folk hero. He can't believe his luck, and confidently pursues the affections of the barmaid Pegeen, until the arrival of his not-so-dead father takes the winds out of Christy's sails... The Playboy of the Western World was first performed at the Abbey Theatre, Dublin, in January 1907, causing riots across the city. This edition of the play, in the Nick Hern Books Drama Classics series, is introduced by Margaret Llewllyn Jones.

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Drama Classics: The World's Great Plays at a Great Little Price A fresh, performable version by John Clifford of Goethe's 'unstageable' masterpiece. God and Mephistopheles vie for the mortal soul of Dr Faust. Signing a pact with the nihilistic spirit, Faust is privy to knowledge unbound and sensual delights of which most men can only dream. But before long, the Doctor comes to realise that you should always be very careful what you wish for. Goethe began working on Faust in about 1772-5. He published a first fragment of it in 1790, then the whole of Part One in 1808. He saw the first performance of Part One in Brunswick in 1829, and was still making minor revisions to Part Two shortly before his death in March 1832. This two-part English version by John Clifford, in the Nick Hern Books Drama Classics series, was first performed at the Royal Lyceum Theatre, Edinburgh, in February 2006.

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‘Do you love what you do? Because I loved making the photographs. I loved the feeling of taking charge. Putting things in the frame, taking them out again. Writing with my eyes.’ During the First World War, seventeen-year-old Elsie Wright fools the world into believing she has photographed fairies in her garden. An ambitious young reporter seeks to expose Elsie as a fraud. But as she looks at the facts, she begins to think there's more to Elsie's story than a simple hoax. Inspired by the true story of the Cottingley Fairies, The Light Burns Blue by Silva Semerciyan is part of Platform, an initiative from Tonic Theatre in partnership with Nick Hern Books aimed at addressing gender imbalance and inequality in theatre. Platform comprises big-cast plays with predominantly or all-female casts, written specifically for performance by school, college and youth-theatre groups. ‘Drama is an important tool for building confidence and empowering young people. Platform will give girls opportunity to access these benefits as much as their male counterparts.’ - Moira Buffini

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Three of Federico García Lorca's most famous plays in a single volume, translated from the Spanish and introduced by one of Scotland's finest playwrights, Jo Clifford. 'There's fire burning in my head. There's an ocean drowning my heart.' Lorca's passionate, lyrical tales of longing and revenge put the spotlight on the rural poor of 1930s Spain and are considered masterpieces of twentieth-century theatre. These plays exhibit Lorca's intense anger at the injustices of society, and his determination to create art that might remedy it. The collection contains Blood Wedding, Yerma and The House of Bernarda Alba, in sensitive and playable translations, and a full introduction to Lorca, his times and his work. The Nick Hern Books Drama Classic Collections series brings together the most popular plays from a single author or a particular period. They offer students, actors and theatregoers a series of uncluttered, accessible editions, accompanied by comprehensive introductions. Where the originals are in English, there is a glossary of unfamiliar words and phrases. Where the originals are in a foreign language, the translations aim to be both actable and accurate – and are made by translators whose work is regularly staged in the professional theatre.

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Drama Classics: The World's Great Plays at a Great Little Price A rumbustious Elizabethan comedy featuring identity fraud, love triangles and a marriage proposal disguised as a shoe fitting. Thomas Dekker's play The Shoemaker's Holiday was first staged in London in 1599. This edition of the play, in the Nick Hern Books Drama Classics series, is edited and introduced by Peter J. Smith.

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Drama Classics: The World's Great Plays at a Great Little Price A Jacobean gore-fest of enforced seduction and ultimate revenge. Written in 1623, two years after The Changeling, Women Beware Women is the second of Thomas Middleton's two great tragedies. It is the story of the corruption of three young people, seduced and destroyed by the lust and treachery of the court of the Duke of Florence. This edition, in the Nick Hern Books Drama Classics series, is edited and Introduced by Colin Counsell.

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101 great drama games for use in any classroom or workshop setting. Part of the Nick Hern Books Drama Games series. A dip-in, flick-through, quick-fire resource book, packed with 101 lively drama games suitable for players of all ages, with many appropriate for children from age 6 upwards. Whilst aimed primarily at school, youth theatre and community groups, they are equally fun - and instructional - for adults to play in workshop or rehearsal settings. 'An extraordinarily helpful compendium... a valuable help to directors, teachers and workshop leaders' Max Stafford-Clark, from his Foreword

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Drama Classics: The World's Great Plays at a Great Little Price The Rolls-Royce of English comedies, Oscar Wilde's An Ideal Husband explores corruption and morality, bringing an act of political sin into the heart of the English home. Ambitious government minister Sir Robert Chiltern seems assured of a smooth ascent to the top. Until Mrs Cheveley appears in London with damning proof of his past financial chicanery. An Ideal Husband was first staged at the Haymarket Theatre, London, in 1895. This edition of An Ideal Husband in the Nick Hern Books Drama Classics series is edited and introduced by Laurie Wolf.

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Drama Classics: The World's Great Plays at a Great Little Price Ben Jonson's comedy, one of the finest of the Jacobean era. Volpone is a Venetian aristocrat, a loveable rogue who enjoys the cunning pursuit of wealth more than money itself. Pretending to be mortally ill, he watches as his greedy neighbours swarm around him with expensive gifts in the hope of inheriting his fortune. Volpone was premiered by the King's Men at the Globe Theatre, London, in 1606. This edition of Volpone, in the Nick Hern Books Drama Classics series, is edited by R.B.Parker, and introduced by Colin Counsell.

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Drama Classics: The World's Great Plays at a Great Little Price Chekhov's early tragedy, translated and introduced by Stephen Mulrine. Arkadina, a famous actress, and her lover, a famous novelist, are spending the summer on her country estate, but their glamorous presence proves fatally disruptive to the lives of all those present, especially her son, Konstantin and Nina, the girl he loves. Anton Chekhov's play The Seagull was first staged at the Alexandrinsky Theatre in St Petersburg in October 1896. This translation by Stephen Mulrine, published in the Nick Hern Books Drama Classics series, was first staged by English Touring Theatre in 1997.

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Drama Classics: The World's Great Plays at a Great Little Price Molière's classic farce, Le Malade Imaginaire, in a fresh and performable translation. The 'imaginary invalid' Argan is so obsessed with his health that he fails to notice what is happening around him in his own family. His scheming wife and loving daughter are finally revealed to him in their true light by Argan's brother, who poses as a quack doctor and suggests he feigns death to test their loyalty. This English version of Molière's The Hypochondriac, in the Nick Hern Books Drama Classics series, is translated and introduced by Martin Sorrell.

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'Lucy Kerbel's work has become increasingly pivotal in helping the entire industry raise its game... this illuminating book answers the cynic, informs the impartial, converts the supporter into an activist and equips them all; not in a rallying cry of anger-fuelled idealism, but in a calm, pragmatic and clear-eyed way.' Rufus Norris, Director of the National Theatre, from his Foreword Theatre needs to change. Everywhere – in its boardrooms, on its stages, throughout its repertoires – it could be so much more successful at reflecting the gender balance of the world it seeks to represent. This is a book about why change matters, its benefits – artistic, commercial, ethical and social – and how, with everyone's help, we can actually achieve it. From small shifts, such as how you run your meetings, or what's on the shelves of your school library, to rethinking concepts as huge as the art we inherit, how we attribute excellence, and the constraints we unwittingly pass on to the next generation, there are things we can all do to bring about change. In this book, you'll find provocations to help you consider your current practices and their effects, challenge unconscious biases and identify opportunities for change, plus strategies and tools to help you decide where best to focus your efforts, to convince others why change matters, and to achieve meaningful, lasting success. Eye-opening, empowering and inspiring, All Change Please is a book for anyone who loves theatre. Whether you make it, teach it, watch it or study it, everyone has their own unique part to play in helping refresh, reshape and re-imagine the industry as truly diverse, equal and inclusive. 'We are the industry. If things will shift it is down to us, all of us, to make that happen. We all need to reflect on how we work, how we think, and how we make choices. That's what will drive the greatest change.' Since 2011, Lucy Kerbel and her organisation Tonic Theatre have been working with companies and individuals across the theatre industry to support them in achieving greater gender equality in their work and workforces. Her first book, 100 Great Plays for Women, is also published by Nick Hern Books.

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Michael Pennington's solo show about Shakespeare, Sweet William, has been acclaimed throughout Europe and in the US as a unique blend of showmanship and scholarship. In this book, he deepens his exploration of Shakespeare's life and work - and the connection between the two - that lies at its heart. It is illuminated throughout by the unrivalled insights into the plays that Pennington has gained from the twenty thousand hours he has spent working on them as a leading actor, an artistic director and a director - and as the author of three previous books on individual Shakespeare plays. 'Michael Pennington is a great Shakespearian actor who writes with the authority of an academic. His book analyses the plays, the characters and the playwright's life. It will intrigue, entertain and challenge students, actors and their audiences. It undoubtedly leads the field in modern Shakespeare scholarship' Ian McKellen ‘There are very few who can bring to Shakespeare the thoughts that are born in the burning heart of hard-earned experience. Michael Pennington not only knows what he means, he has the writer's talent to put this into irresistibly readable words.' Peter Brook

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Two plays from Molière, by 'Scotland's greatest living dramatist' (Scotland on Sunday). Miseryguts is a Scots version of Molière's Le Misanthrope, a bitter comedy about a worldly sophisticate who cannot help telling uncomfortable truths about his fellow men – and women, with one of whom, despite himself, he is deeply and painfully in love. In this Scots version of Molière's play, Liz Lochhead transposes the action of the play into the world of media and politics in 21st-century, devolved Scotland, allowing for a rich seam of contemporary satire. Miseryguts was first performed in March 2002 at the Royal Lyceum Theatre, Edinburgh. Tartuffe is a rollicking Scots version of Molière's comic masterpiece. Lochhead brings out Molière's mix of political satire and black comedy as the religious hypocrite, Tartuffe, worms his way into Orgon's household. Liz Lochhead's version is written in a robust Scots dialect, while retaining the rhyming couplet form of the French original. It was first performed in January 1986 at the Royal Lyceum Theatre, Edinburgh.

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Drama Classics: The World's Great Plays at a Great Little Price The classic story of the learned Doctor Faustus who sells his soul to the devil. This edition of Christopher Marlowe's play contains two self-contained versions, known as the A-text and the B-text, allowing readers to compare the available versions, and performers to choose the version that suits them best. It also contains a full introduction, notes on further reading, a chronology and a glossary of difficult words. Edited by D. Bevington & E. Rasmussen, and introduced by Simon Trussler.

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A bawdy, fast-paced, raunchy comedy musical from one of the world's most influential and innovative creators of musical theatre, loosely based on the plays of Plautus. Pseudolus, a simpering slave, is trying to win his own freedom by cooking up a romance for his master's son, Hero, with the pretty young virgin Philia. But there's a problem – not only is Philia owned by Marcus Lycus, an infamous courtesan dealer, but she's also already promised to swaggering soldier Miles Gloriosus... and neither of them are keen to give her up. Stephen Sondheim's A Funny Thing Happened on the Way to the Forum, with a book by Burt Shevelove and Larry Gelbart, ran for three years on Broadway. The first British production, starring Frankie Howerd as the cowardly slave Pseudolus, ran almost as long and spawned the TV series Up Pompeii! A Funny Thing Happened on the Way to the Forum won the 1962 Tony Award for Best Musical.

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Clara and Nyri. Two very different women. Two complicated lives. Both having a very bad day. Mental health nurse Nyri's woken up hungover with a younger man. Meanwhile, Clara has developed a compulsive wink and can't remember if she's taken her meds. Nyri needs to get to Ebbw Vale Hospital via Greggs, and Clara's got to get cracking with her shoplifting list for The Devil. Lives interweave and unexpectedly connect in Alan Harris's fast-moving, touchingly funny play. Originally performed by one actor, as part of National Theatre Wales' celebration of the NHS in 2018, the play subsequently transferred to the 2019 Edinburgh Festival Fringe.

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A vivid and fast-paced ride through a working-class estate, which fuses Shakespeare-inspired lyricism with Cockney accents. Flesh and Bone premiered at the Etcetera Theatre, London, in December 2016, before going on to win a Fringe First Award at the 2017 Edinburgh Fringe. It is published alongside its transfer to Soho Theatre, London. Flesh & Bone won the Olivier Award for Outstanding Achievement in an Affiliate Theatre, 2019.

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Terence Rattigan's devastating masterpiece, a classic study of forbidden love, suppressed desire and the fear of loneliness - but at heart a deeply moving love story. Published alongside its revival at the National Theatre in 2016.

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The Smith family hatch a plan to murder their estranged matriarch for her insurance money. They hire Joe Cooper, a police detective and part-time contract killer, to do the job. But once he enters their trailer home and comes face to face with their innocent daughter, the plan spirals out of control...A tense, gut-twisting thriller, Killer Joe asks where the moral line is drawn in the fight for survival This edition of Tracy Letts' gripping thriller is published alongside the West End production, starring Orlando Bloom in the title role.

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In the aftermath of civil war, Richard, Duke of Gloucester, resolves to claw his way to political power at any cost. A master of manipulation, subtle wit and beguiling charm, he orchestrates his unlawful ascent by spinning a ruthless web of deceit and betrayal. His staunch ambition has horrifying consequences when, finding himself utterly alone and steeped in dread, he is forced to answer for his bloody deeds. This official tie-in edition of Richard III was published alongside director Jamie Lloyd's new production for his Trafalgar Transformed season at the Trafalgar Studios, London, in 2014. It starred BAFTA Award-winning Martin Freeman as Richard III and Gina McKee as Queen Elizabeth. This volume includes the version of Shakespeare's text performed in the production, as well as additional material including an exclusive rehearsal diary and an interview with the director.

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A startling psychological drama about the darker side of modern parenthood. Behind the shiny door of Hazel Robinson's immaculate London home, things aren't as good as they look. Her plastic surgeon husband, Richard, has embarked on his latest charitable mission to Haiti, leaving the heavily pregnant Hazel to cope with a failing business and a problem son. When a professional nanny arrives unannounced on her doorstep, Hazel finds her home under the shadow of a seemingly perfect stranger, and one who has an agenda of her own. Nancy Harris's play Our New Girl was first performed at the Bush Theatre, London, in 2012. This volume also includes her short play Little Dolls, first performed as part of the Bush Theatre's Broken Space season in 2008.

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A landmark dramatisation for the Royal Shakespeare Company of one of the foundation stones of English literature. This two-play adaptation of Chaucer's Canterbury Tales encompasses all 23 stories. All the famous characters are here – as well as many less well-known but equally full of life. Each of the stories has its own style – heroic verse for the Knight's Tale, vernacular rhymes for the Miller's Tale etc – echoing the many narrative voices employed by Chaucer himself. Mike Poulton's adaptation of The Canterbury Tales was first staged by the Royal Shakespeare Company in the Swan Theatre, Stratford-upon-Avon, in 2005.

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A unique collection of performance pieces and improvisation exercises in the Commedia style, a companion volume to the author's best-selling Playing Commedia. Commedia Plays offers eight original short plays from across the different periods and styles of Commedia dell'Arte - suitable for performance on stage as well as classroom and workshop study. Also included is a collection of Lazzi, the pieces of 'business' that form the basis of Commedia's comic action, ranging from the 'Double Takes' to 'The Unwanted Proposal'. These can be inserted into the written text or explored and improvised in the drama studio.

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THE GOOD AUDITION GUIDES: Helping you select and perform the audition piece that is best suited to your performing skills Each Good Audition Guide contains a range of fresh monologues, all prefaced with a summary of the vital information you need to place the piece in context and to perform it to maximum effect in your own unique way. Each volume also carries a user-friendly introduction on the whole process of auditioning. Classical Monologues for Women contains 50 monologues drawn from classical plays throughout the ages and ranging across all of Western Theatre: * Classical Greek and Roman * Elizabethan and Jacobean * French and Spanish Golden Age * Restoration and Eighteenth Century * Nineteenth and Early Twentieth Centuries Also available: Classical Monologues for Men

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THE GOOD AUDITION GUIDES: Helping you select and perform the audition piece that is best suited to your performing skills Each Good Audition Guide contains a range of fresh monologues, all prefaced with a summary of the vital information you need to place the piece in context and to perform it to maximum effect in your own unique way. Each volume also carries a user-friendly introduction on the whole process of auditioning. Classical Monologues for Men contains 50 monologues drawn from classical plays throughout the ages and ranging across all of Western Theatre: * Classical Greek and Roman * Elizabethan and Jacobean * French and Spanish Golden Age * Restoration and Eighteenth Century * Nineteenth and Early Twentieth Centuries Also available: Classical Monologues for Women

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Mysterious yet compelling, bewildering yet intoxicating, a play that mixes poetic rhythms with vernacular phrases, rap-song repetitions with complex psychology. 'So what happened to the bitches that gotta conscience? The underclass bitches, the womanist bitches... What about alla them then? Not a one of them would march for me?' A husband and wife row about a prescription. A mother and father row about their son, who has become a child soldier. Two sisters row about which one is superior to the other. It emerges that the younger sister, Mary, has killed the child soldier. She is to be stoned to death... What if all these things were happening here? And what if these people were white? debbie tucker green's play stoning mary was first performed at the Royal Court Theatre, London, in April 2005.

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A tough but tender portrait of urban squalor, from the award-winning Siberian-born author of Plasticine. Dima, 19, lives with his alcoholic father. The night before he leaves for the war in Chechnya to do his national service, he throws a party. Lera, 20, lives in the same block. She's convinced that she'll win a fortune if only she can borrow enough money for a lottery ticket. Lera's cousin Yulka, 18, is more interested in seeing just how far Dima will go to prove his devotion to her. Vassily Sigarev's play Ladybird was first performed in this English translation by Sasha Dugdale at the Royal Court Theatre, London, in 2004.

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A darkly comic fable of brotherly love and family identity, winner of the 2002 Pulitzer Prize for Drama. Suzan-Lori Parks' play Topdog/Underdog tells the story of Lincoln and Booth, two brothers whose names were given to them as a joke, foretelling a lifetime of sibling rivalry and resentment. Haunted by the past, the brothers are forced to confront the shattering reality of their future. Topdog/Underdog was first performed at the Joseph Papp Public Theater, New York, in 2001. Its UK premiere was at the Royal Court Theatre, London, in 2003.

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A brilliant and unsettling play from one of the UK's leading dramatists. At the opening of the play, a young girl is questioning her aunt about having seen her uncle hitting people with an iron bar; by the end, several years later, the whole world is at war - including birds and animals. Caryl Churchill's play Far Away is a howl of anguish at the increasing – and increasingly accepted – levels of inhumanity in a world seemingly perpetually involved in conflict. The play was first performed at the Royal Court Jerwood Theatre Upstairs, London, in November 2000.

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A fascinating meditation on human cloning, personal identity and the conflicting claims of nature and nurture. Bernard thought he was an only child. One day he learns the shocking truth: he is just one of a number of clones. Together, he and his father confront epic questions of identity, intimacy and belonging. Caryl Churchill's play A Number pushes the boundaries of science and ethics with an astonishing twist on the dynamics of the father/son relationship. It was originally produced at the Royal Court Theatre, London, in 2002, winning the Evening Standard Award for Best Play. Set Text: A Number is a set text for AS/A-Level Drama (WJEC) A Number is also available in the volume Caryl Churchill Plays: Four.

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An unsettling play about infidelity seen from the perspective of the three women involved: the wife, the lover and the daughter. George and Honor have been happily married for thirty-two years. She is a successful writer, he is a revered columnist. They have a perfect understanding of each other. Until a pushy young female journalist - on an assignment to 'profile' George - quite deliberately seeks to undermine that understanding. The fallout is dreadful - but beautifully and convincingly portrayed in all its painful consequences. Joanna Murray-Smith's play Honour was first performed at the Playbox Theatre, Melbourne, Australia, in November 1995. It received its UK premiere, in this revised version, at the National Theatre, London, in February 2003, and was revived in the West End in 2006.

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A gripping play exploring Western guilt towards the Third World, from an author well-known for her award-winning adaptations for Shared Experience and the National Theatre. 'You're not a saint. Saints don't exist. You're just a woman doing her best.' Mark arrives in a village in India to try and find his wife. He doesn't understand what has driven her to abandon her young son. Jane cannot explain why she needed to escape or how she ended up looking after children in India – or what is in the bag she's been holding on to. It is hot, dusty and poor, and a long way from their comfortable life in London. Helen Edmundson's play Mother Teresa is Dead was first performed at the Royal Court Theatre, London, in June 2002.

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A darkly comic thriller set in the grim, seething and sometimes hilarious criminal world of Dublin's suburbs. Carl, a youngish but overweight Dublin taxi driver, owes Jackie three grand in gambling debts. Jackie wants the money, and he wants it now, not least because an armed robbery he has master-minded has just gone badly wrong. From there it is all downhill for Carl and his father-in-law George. And not in a good way. Robert Massey's play Rank was first staged by Fishamble: The New Play Company in October 2008 as part of the Dublin Theatre Festival. It transferred to the Tricycle Theatre, London, in November 2008.

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A riotously funny satirical farce in the tradition of Rosencrantz and Guildenstern are Dead and Shakespeare in Love, from the author of The Libertine. Elizabeth I is tottering at death's door. Conspirators are everywhere. Lucius Bodkin, an Elizabethan stand-up comedian, becomes unwillingly involved in the political skullduggery and jiggery-pokery surrounding the ailing queen. The Clink could pass itself off as a long-lost Elizabethan comedy. In fact it is a brilliant political satire offering many sharp parallels with our own times, when art must be sponsored, but to be sponsored it must be 'safe'. Stephen Jeffreys's play was first staged by Paines Plough in 1990 on tour in Britain and Holland.

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A smouldering political allegory about a political protest in a country ruled by a military junta. From the author of Death and the Maiden, written in collaboration with Tony Kushner, author of Angels in America. In a war-torn village the men have disappeared. The women – their mothers, wives, daughters – wait by the river, hope and mourn. Their anguish is unspoken until bruised and broken bodies begin being washed up on the banks and the women defy the military in the only form of protest left to them. Ariel Dorfman’s play Widows is based on his 1983 novel of the same name. The play was first presented by the Traverse Theatre Company at the Cambridge Arts Theatre in March 1997. (An earlier version of the play was first performed at the Mark Taper Forum in Los Angeles in July 1991).

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