Search results for ""Edinburgh University Press""

Focusing on the writing of Wyndham Lewis, D. H. Lawrence, H.D. and Samuel Beckett, this book uncovers a shared fascination with the aesthetic possibilities of the insect body its adaptive powers, distinct stages of growth and swarming formations. Through a series of close readings, it proposes that the figure of the exoskeleton, which functions both as a protective outer layer and as a site of encounter, can enhance our understanding of modernism's engagement with nonhuman life, as well as its questioning of the boundaries of the human.

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Presents the first extended collection of new William Morris essays in several decade The first collection of new Morris essays in several decades, gathered from manuscripts, newspapers and long out-of-print contemporary sources Follows Morris's development from a youthful art reformer and anti-imperialist through his years as a skilled political theorist and widely influential pan-socialist presence Adds to our understanding of Morris's views on competition, war, violence, social justice and the need to protect our natural environment William Morris's socialist essays remain uncannily relevant for our time, as he addresses issues of inequality, precarity, and the need for pleasure and creative fulfilment in work and life. This scholarly edition traces Morris's opinions from his early insistence that all must have access to art in its broadest sense, through his years as a leader and theorist of the nascent British socialist movement. Finally, as Morris became the elder statesman of the socialist/labour cause, these writings demonstrate his efforts to reconcile competing factions in the service of common aims.

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Demonstrates how and why the transnational figure of the vampire was appropriated by Italian genre filmmakers between 1956 and 1975

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This book brings together a range of new models for modern living that emerged in response to social and economic changes in nineteenth-century London, and the literature that gave expression to their novelty.

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The second edition of Arabic Sociolinguistics offers an extended commentary on the important findings of new critical approaches to language and society in Arab-speaking countries. Following a recent wave of political upheavals in the Middle East, the book engages with latest academic works that relate language to power and conflict in the Arab world. In addition to thoroughly updated accounts of diglossia, code-switching, gender, language policy and language variation in the region, Reem Bassiouney discusses the most important recent development in the field - critical sociolinguistics - in a new dedicated chapter that challenges the tendency of applying Western linguistic methods and terms to superdiverse communities. By covering the key developments of linguistic theories and contexts with up-to-date examples to help explain the phenomena under discussion, this is the most comprehensive book on Arabic sociolinguistics today.

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Galt's tragi-comic novel of conflicted desires presented in historical, legal, and local contexts.

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Immateriality and Early Modern English Literature explores how early modern writers responded to rapidly shifting ideas about the interrelation of their natural and spiritual worlds. It provides six case studies of works by Shakespeare, Donne and Herbert, offering new readings of important literary texts of the English Renaissance alongside detailed chapters outlining attitudes towards immateriality in works of natural philosophy, medicine and theology. Building on the importance of addressing material culture in order to understand early modern literature, Knapp demonstrates how the literary imagination was shaped by changing attitudes toward the immaterial realm.

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Examines representations of Robert Burns and his work in a wide range of performance modes Examination of representation of Robert Burns and his work in a wide range of performance modes Analysis of 'Robert Burns' as a cultural performance rising from different representations of his work by different editors, composers, writers, performers and film-makers Fresh detailed studies of Burns as a performed and performative construct, exploring ways in which he is encountered as a living author Contributions by leading experts in music, drama, film and history as well as literature Perspectives on Burns songs offered by musical experts and leading performers This book opens up fresh aspects of performance and performativity and their impact on our perception of Robert Burns and his work. Bringing together leading experts on music, song, drama, public ceremonial and literature, it studies Burns as a performed and performative construct. It explores ways in which he is encountered as a living author, setting the popularity of his poetry and songs in the context of his representation in popular culture. A key part of this volume's attraction lies in the way it opens up fresh issues and aspects of performance and performativity and their impact on our perception of Robert Burns and his work.

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Offers a novel, body-centric approach to Burton's films that provides a distinctive way to consider his filmmaking Explores unique technical personnel perspectives into creative processes of Corpse Bride that enhances knowledge about Burton as a filmmaker, and provides previously undocumented facts about the film Includes a range of theoretical approaches, drawn from psychoanalysis, philosophy, animal studies, aesthetics, feminism and representation Provides a multidisciplinary approach with inclusion of animal studies' expertise that illuminates different strategies for analysing characters/bodies Examines works including The Jar that are little explored and which will extend knowledge of Burton's canon Provides up-to-date research including Burton's most recent film Dumbo (2019) Tim Burton is an internationally celebrated director, critically acclaimed for his fantasy horror films and the macabre ghosts, animated corpses and grotesques that inhabit them. This innovative study centres on the body as a centripetal force in Burton's work and considers the array of anomalous, extraordinary and transgressive beings that pervade his canon. It broadens the focus of living forms to include animated, creaturely, corporeal and Gothic bodies, exploring the way that Burton celebrates the body - whether human, animal, animated or anthropomorphised. In prioritising the somatic aspects of characters, Tim Burton's Bodies spotlights actual physical attributes and behaviour, and considers what meanings these may impart in terms of race, class, gender, sexuality, humanimality and disability.

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Horror cinema is a genre that is undergoing constant evolution, from the sub-genre of 'found footage' to post-cinematic new media forms such as YouTube horror, horror video games and cinematic virtual reality horror. By investigating how these new forms alter the dynamics of spectatorship, this book charts how cinema's affective capacities have shifted in relation to these modifications in the forms of cinematic horror. It applies a rich theoretical synthesis of phenomenological and Deleuzian approaches to a number of case studies, including films like The Blair Witch Project, Paranormal Activity and Creep as well as video games such as Alien: Isolation.

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This book provides an in-depth examination of Scottish Romantic literary ideas on memory and their influence among various cultures in the British Atlantic, broken down into distinct writing modes such as memoirs, slave narratives and emigrant fiction, and contexts including pre- and post-Revolution America and French-Canadian cultural nationalism. Scots, who were at the vanguard of British colonial expansion in North America in the Romantic period, believed that their own nation had undergone an unprecedented transformation in only a short span of time. Scottish writers became preoccupied with collective memory, its powerful role in shaping group identity as well as its delicate fragility. McNeil reveals why we must add collective memory to the list of significant contributions Scots made to a culture of modernity.

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Following a period of rapid political change, both globally and in relation to the Middle East and South Asia, this collection sets new terms of reference for an analysis of the intersections between global, state, non-state and popular actors and their contradictory effects on the politics of gender.

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Ottoman attitudes towards children on the part of adults, religious institutions and the state from the 15th to the early 20th century are explored in this volume. Specialists in the social history of the Ottoman Empire as a whole, in regions ranging from Anatolia, through the Arab provinces to the Balkans, respond to recent theoretical calls to recognise children as active agents in history.

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This book takes an exciting new approach to characterisation and plot in the Victorian novel, examining the vital narrative work performed by disabled characters, and demonstrating how attention to disability sheds new light on these texts' arrangement and use of bodies. It also argues that the representation of the disabled body shaped and signalled different generic traditions in nineteenth-century fiction. This wide-ranging study offers new readings of major authors including Charles Dickens, Wilkie Collins, George Eliot and Henry James, as well as exploring lesser known writers such as Charlotte M. Yonge and Dinah Mulock Craik.

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Queer Communism and the Ministry of Loveseeks to transform current narratives of midcentury literary, cultural, and intellectual history from a queer Marxist perspective.

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The Edinburgh Companion to Contemporary Narrative Theories showcases the latest approaches to diverse narratives across many media and in numerous disciplines.

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Through several historical case studies from the last 300 years, Luis de Miranda shows how the phrase 'esprit de corps' acts as a combat concept with a clear societal impact. He also reveals how interconnected, yet distinct, French, English and American modern intellectual and political thought is.

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This book focuses on the military and statebuilding components of the international project in Afghanistan since 2001.

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The first substantial academic study on Tyrone Power Explores the whole of Power's on-screen career Discusses Power's off-screen image Analyses the concept of the social construction of male beauty which is understudied in star studies and in academia in general One of the most popular actors of the Classical Hollywood period, Tyrone Power's appeal was initially based around his outstanding beauty, his looks remaining key to his star persona throughout his 25-year career and almost 50 films. This book presents the first substantial academic study of Power and employs a range of approaches, including stardom and genre theory, to reappraise his career from various angles including gender, genre and image. Textual analysis coincides with discussions of Power's multi-layered performances in a variety of genres while engaging with industry systems, specifically Twentieth Century-Fox, his home studio for almost two decades, and situates Power's performances within the contexts of industry regulations, such as the Production Code, and industry technological advances, such as CinemaScope.

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This book reveals, for the first time, a hitherto unexplored dimension of Britain's engagement with the post-war Middle East: the counter-subversive policies and measures conducted by the British Intelligence and Security Services and he Information Research Department (IRD) of the Foreign Office, Britain's secret propaganda apparatus.

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Christian Thomsen offers a study of political institutions on the island state of Rhodes an important power in the eastern Mediterranean and the first city of the Hellenistic world. Using Aristotle's notion of the polis as an 'association of associations' as its point of departure, Thomsen provides an analysis of political institutions, taking a broader view of what constitutes an institution than traditional studies of the ancient Greek city-state. Among the institutions surveyed are the family, civic subdivisions such as tribes and demes as well as private associations. He argues that these organisations served as important junctions in the networks of political elites and shaped the political landscape of Hellenistic Rhodes.

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Writing the Radio War merges the fields of sound studies, radio studies, and Second World War literary studies through considerations of both major and marginalized figures of wartime broadcasting.

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Self-Harm in New Woman Writing' offers a trans-disciplinary study of Victorian literature, culture and medicine through engagement with the recurrent trope of self-harm in writing by and about the British New Woman.

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Hieroglyphic Modernisms' explores this conjunction of hieroglyphs and modernist fiction and film, revealing how the challenge of new media spurred a fertile interplay among practitioners of old and new media forms.

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Joseph O'Mahoney systematically analyses 21 case studies including the Manchurian Crisis, the Turkish invasion of Cyprus and Russia's annexation of Crimea to explore why so many states have adopted a policy of non-recognition of the spoils of war.

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Explores the transformative reign of the Catholic King James VII and the revolution that brought about his fall

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Drawing on the work of Hannah Arendt and Theodor W. Adorno, Claudia Leeb discussesguilt and democracy in the case of Austrian Nazi perpetrators and recent public controversies surrounding Austria's involvement in the Nazi atrocities. She shows us that only by guilt can individuals and nations take responsibility for their past crimes.

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Irish Drama and the Other Revolutions 'shows how Irish playwrights mediated between the sexual and the socialist revolutions, and traces their impact on left theatre in Europe and America from the 1890s to the 1960s.

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Analyses modernity and Orientalist discourses in Iranian millenarian movements Employs historical and discourse analysis to probe the conflict between orthodox and heterodox religious movements in 19th- and 20th-century Iran Links the conflict between orthodoxy and heterodoxy to the impact of modernity on Iran's society and religion and to colonisation on India's Muslims Broadens the scope of this conflict to include Palestine, Central Asia and Turkey Presents a postcolonial analysis of the new movements and their broader relationship to the Islamic world during the age of imperialism Religion, Orientalism and Modernity explores the emergence of the revolutionary Babis and reformist Baha'is and their conflict with mainstream Shi'a Muslims in Iran, and of the parallel Ahmadi movement in North India. It gives fresh insights into the writings that defined these innovatory movements, penned on the one hand by their proponents, and on the other by western interpreters. Comparing these movements shows that, together, they define important aspects of Islamic modernity. A focus on two case studies (Babis and Baha'is in Iran, and Ahmadis in India) reveals similarities and differences in their responses to a perceived need for change and renewal of religious authority.

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