Search results for ""City Lights Books""

This is the story of Olga, a retired mathematician, and Mateo, a college student passionate about robotics, and their plot to influence Google."This book has excited me more than any that I have read this year."—Sam Sacks, Wall Street Journal"This is a beautifully written, endlessly provocative meditation on humanity's relationship to technology, monopoly, memory and fate."— Dave Eggers, author of The Circle and The EveryAfter a chance encounter at the public library, two new friends begin to meet up regularly. Together they decide to submit an application for Google sponsorship to an elite technology-training program. Hoping to stand out, they frame their submission as a direct appeal to the "conscience" of the seemingly all-powerful corporation.Olga, a retired entrepreneur, and Mateo, a college student, find unexpected connection and solace in their conversations. Ideas and arguments open into personal stories as they debate the possibility of free will, the existence of merit, and the role of artificial intelligence. They ask the most basic and important of questions: What does it mean to be human in a reality shaped by data and surveillance? Is there still space for empathy and care? What could we be, what could we build, if we used our resources in different ways?

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Clark Coolidge’s book-length meditation on a crystal—long considered a masterpiece of American avant-garde poetry—returns in a new edition.“No other poet ever has so exquisitely, and sometimes also turbulently, written sheer sonic wonder into poetry.”—Lyn Hejinian, author of My Life and My Life in the NinetiesIn the summer of 1982, Clark Coolidge received an unexpected gift of a crystal; small, clear, entirely unexceptional, the crystal nonetheless provoked the poet into writing what has long been considered his masterpiece, The Crystal Text (1986). A durational poem composed over the course of 10 months, in daybook-like entries of varying length, The Crystal Text is multifaceted and elusive, constantly interrogating itself. Is it a meditation on its titular object like Keats’s “Urn” or a radical investigation of the limits of language as a signifying system? Is the poet channeling the crystal to access its message or is the crystal channeling the poet, drawing language from him to fill its colorless emptiness? Is it dictation or improvisation? Is the poem a record of its own crystalline growth or does it capture the process of consciousness itself? The Crystal Text refuses to resolve the questions it raises but rather inhabits its various possibilities simultaneously, resulting in one of the major works of late 20th century American avant-garde poetry. This new edition includes a preface by poet and scholar Peter Gizzi and an afterword in which Coolidge discusses the text with poet Jason Morris and City Lights editor Garrett Caples. Associated with the New York School and subsequently inspiring the Language Poets, Coolidge remains one of the most singular and original American poets of our time.

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Nine women who have dedicated their lives to the struggle for social justice—movement leaders, organizers, and cultural workers—tell their life stories in their own words. Sharing their most vulnerable and affirming moments, they talk about the origins of their political awakenings, their struggles and aspirations, insights and victories, and what it is that keeps them going in the fight for a better world, filled with justice, hope, love and joy.Featuring Malkia Devich-Cyril, Priscilla Gonzalez, Terese Howard, Hilary Moore, Vanessa Nosie, Roz Pelles, Loretta Ross, Yomara Velez, and Betty Yu

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An intimate account of a seminal filmmaker’s development—as a creator and as a woman—both in art and in life."Joyce Chopra, what a gift of an extraordinary filmmaker you are, and one of our great pioneers who forged a very difficult path. And for female filmmakers everywhere, we are so blessed to have you as a storyteller to forge the way to make it easier for others."—Laura Dern, actorHailed by the New Yorker as “a crucial forebear of generations,” award–winning director Joyce Chopra came of age in the 1950s, prior to the dawn of feminism, and long before the #MeToo movement. As a young woman, it seemed impossible that she might one day realize her dream of becoming a film director—she couldn’t name a single woman in that role. But with her desire fueled by a stay in Paris during the heady beginnings of the French New Wave, she was determined to find a way.Chopra got her start making documentary films with the legendary D.A. Pennebaker. From her ground-breaking autobiographical short, Joyce at 34 (which was acquired for NY MoMA’S permanent collection), to her rousingly successful first feature, Smooth Talk (winner of the Best Director and Grand Jury Prize at Sundance in 1985), to a series of increasingly cruel moves by Hollywood producers unwilling to accept a woman in the director’s role, Chopra’s career trajectory was never easy or straightforward.In this engaging, candid memoir, Chopra describes how she learned to navigate the deeply embedded sexism of the film industry, helping to pave the way for a generation of women filmmakers who would come after her. She shares stories of her bruising encounters with Harvey Weinstein and Sydney Pollack, her experience directing Diane Keaton, Treat Williams, and a host of other actors, as well as her deep friendships with Gene Wilder, Arthur Miller, and Laura Dern.Along with the successes and failures of her career, she provides an intimate view of a woman’s struggle to balance the responsibilities and rewards of motherhood and marriage with a steadfast commitment to personal creative achievement. During a career spanning six decades, Joyce Chopra has worked through monumental shifts in her craft and in the culture at large, and the span of her life story offers a view into the implacable momentum of the push for all womens’ liberation."Joyce Chopra has written a devastatingly frank, candid, and unsparing memoir of her life as a film director—a 'woman director' in a field notoriously dominated by men. The reader is astonished on her behalf, at times infuriated, moved to laughter, and then to tears. Lady Director: Adventures in Hollywood, Television, and Beyond is one of its kind—highly recommended." —Joyce Carol Oates, author of "Where Are You Going, Where Have You Been?"

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Winner of the 2020 PEN Open Book AwardBest of 2019: Nonfiction - Entropy MagazineA memoir and book of mourning, a grandson’s attempt to reconcile his own uncontested citizenship with his grandfather’s lifelong struggle.Award-winning poet Brandon Shimoda has crafted a lyrical portrait of his paternal grandfather, Midori Shimoda, whose life—child migrant, talented photographer, suspected enemy alien and spy, desert wanderer, American citizen—mirrors the arc of Japanese America in the twentieth century. In a series of pilgrimages, Shimoda records the search to find his grandfather, and unfolds, in the process, a moving elegy on memory and forgetting.Praise for The Grave on the Wall:"Shimoda brings his poetic lyricism to this moving and elegant memoir, the structure of which reflects the fragmentation of memories. … It is at once wistful and devastating to see Midori's life come full circle … In between is a life with tragedy, love, and the horrors unleashed by the atomic bomb."—Booklist, starred review"In a weaving meditation, Brandon Shimoda pens an elegant eulogy for his grandfather Midori, yet also for the living, we who survive on the margins of graveyards and rituals of our own making."—Karen Tei Yamashita, author of Letters to Memory"Sometimes a work of art functions as a dream. At other times, a work of art functions as a conscience. In the tradition of Juan Rulfo’s Pedro Páramo, Brandon Shimoda's The Grave on the Wall is both. It is also the type of fragmented reckoning only America could instigate."—Myriam Gurba, author of Mean“Within this haunted sepulcher built out of silence, loss, and grief—its walls shadowed by the traumas of racial oppression and violence—a green river lined with peach trees flows beneath a bridge that leads back to the grandson."—Jeffrey Yang, author of Hey, Marfa: Poems"It is part dream, part memory, part forgetting, part identity. It is a remarkable exploration of how citizenship is forged by the brutal US imperial forces—through slave labor, forced detention, indiscriminate bombing, historical amnesia and wall. If someone asked me, Where are you from? I would answer, From The Grave on the Wall."—Don Mee Choi, author of Hardly War"Shimoda intercedes into the absences, gaps and interstices of the present and delves the presence of mystery. This mystery is part of each of us. Shimoda outlines that mystery in silence and silhouette, in objects left behind at site-specific travels to Japan and in the disparate facts of his grandpa’s FBI file. Gratitude to Brandon Shimoda for taking on the mystery which only literature accepts as the basic challenge."—Sesshu Foster, author of City of the Future"Shimoda is a mystic writer … He puts what breaches itself (always) onto the page, so that the act of writing becomes akin to paper-making: an attention to fibers, coagulation, texture and the water-fire mixtures that signal irreversible alteration or change. … he has written a book that touches the bottom of my own soul."—Bhanu Kapil, author of Ban en Banlieue"The Grave on the Wall is a passage of aching nostalgia and relentless assembly out of which something more important than objective truth is conjured—a ritual frisson, a veracity of spirit. I am grateful to have traveled along.”—Trisha Low, The Believer"It's not just a document from which Brandon Shimoda untangles the dead, but it's a portal through which the ghosts can show themselves to him. To exchange that kind of attention between the living and the dead is love."—Zachary Schomburg, Willamette Week

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Cruel Futures is a witchy confessional and wildly imagistic volume that examines subjects as divergent as Alzheimers, Medusa, mumblecore, and mental illness in sharp-witted, taut poems dense with song. Chronicling life on an endangered planet, in a country on the precipice of profound change compelled by a media machine that produces our realities, the book is a high-energy analysis of popular culture, as well as an exploration of the many social roles that women occupy as mother, daughter, lover, and the resulting struggle to maintain personhood—all in a late capitalist America. Praise for Cruel Futures: "Giménez Smith seeks release from the pressures of societal expectations in this collection of brief yet powerful poems. … Giménez Smith’s crisp lyrics and imagery highlight ever-present threats to female personhood and autonomy."—Publishers Weekly "Cruel Futures is one of those rare books, rare pieces of art, that manages to be extremely intimate, vulnerable and close while also doing a kind of searing cultural critique. The poems can be tender or ironic, and sometimes a blending of the two, which is not easy."—Ross Gay "In the body, through the lyric, and twitching with every sense of the word 'nerve,' this book sings a mongrel nation into and across its cruel futures. Like Neruda in his Plenos Poderes/Full Powers, Giménez Smith has all the mastery she needs to cast a cold eye on her positioning, and ours. In this way Cruel Futures is an autobiography that won't stay in its genre or premise, caring less to author a self than to follow turns of magic in words that might soothe our 'collisions with the living.'"—Farid Matuk "Declamatory anthems to no nation, these songs stride as they deal and wheel with skin and kin: history, catastrophe, the body, love. 'Upturned and defiant, all types of shade, no outskirt, / vital like a saint,' the poems in Cruel Futures shimmer with Giménez Smith’s lyric attention: full of grit, sharp and knowing."—Hoa Nguyen

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A far-ranging critique of the rise of authoritarianism and white nationalism in the US and the consequences for democracy.In this searing critique of the Trump presidency and the rise of authoritarianism in the U.S., Henry Giroux asks, How have we arrived here, and what can be done? In a discussion of events that ranges from the Administration's ongoing attempts to repeal Obamacare and its anti-immigration policies and travel bans, to the normalization of a culture of cruelty and the "weaponization of ignorance," Giroux details the urgency of our current crisis.Giroux explores the political dystopias—those of recent history and those depicted in some of the classics of Western literature—that result when authoritarian forces outmaneuver accountability. He argues that only through increased civic investment in multicultural democracy, education, and resistance can we hope to push back the ominous convergence of white nationalism and elite economic interests.Praise for American Nightmare:"In this current era of corporate media misdirection and misinformation . . . Henry Giroux is one of the few great political voices of today, with powerful insight into the truth. Dr. Giroux is defiantly explaining, against the grain, what's REALLY going on right now, and doing so quite undeniably. Simply put, the ideas he brings forth are a beacon that need to be seen and heard and understood in order for the world to progress."—Julian Casablancas, lead vocalist for The Strokes"In frightening times like these, what is desperately needed is an informed and wise voice that speaks clearly and with conviction about the situation we are in, and what can be done. Henry Giroux is one of the great public intellectuals of our times, and American Nightmare is exactly the book for people grappling with how to understand the Trump era and how to proceed. This is precisely the book that needs to be shared with friends and acquaintances. It will provoke hard thinking, bring clarity, and stimulate much needed conversation and action."—Robert W. McChesney, co-author of People Get Ready: The Fight Against a Jobless Economy and a Citizenless Democracy"We have no greater chronicler of these dystopian times. Giroux's critique cuts to the crux of today’s authoritarian crisis, yet his voice remains of one hope that the people may collectively regain control. Even while living though systemic efforts to privatize hope, Giroux’s critique enacts the sort of shared resistance that can effectively challenge authoritarianism. American Nightmare demonstrates how we can resist the normalization of hate, authoritarianism and alienation in Trump’s America. He shows us that not only are we not alone, but we are among a majority who oppose the cruelties of American social policies."—David H. Price, author of Cold War Anthropology: The CIA and the Growth of Dual Use Anthropology"At a moment when the news cycle presents the dangers of Trumpian authoritarianism through disjointed and discrete hottakes, Giroux's wide-reaching analysis accounts for our current American nightmare with necessary historical context, and in so doing creates an aperture for resistance more meaningful than a hashtag."—Natasha Lennard, contributing writer for The Intercept, co-editor of Violence: Humans in Dark Times"In this passionately argued volume, Henry Giroux, long known for his critical commentaries on the de-democratization of the U.S.A., on its rising inequ(al)ity and neoliberal excesses, reflects very thoughtfully on the specter of Trump’s America: on its violence, cruelty, and incivility, its burgeoning authoritarianism, its inexorable edging toward a Grave Neo World: in short, a rising specter that demands to be countered at all cost if the U.S. is to be rescued from itself.”—John Comaroff, Professor of African and African American Studies and of Anthropology, Harvard University

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"Tim Wise is one of the great public moralists in America today. In his bracing new book, Under the Affluence, he brilliantly engages the roots and ramifications of radical inequality in our nation, carefully detailing the heartless war against the poor and the swooning addiction to the rich that exposes the moral sickness at the heart of our culture. Wise's stirring analysis of our predicament is more than a disinterested social scientific treatise; this book is a valiant call to arms against the vicious practices that undermine the best of the American ideals we claim to cherish. Under the Affluence is vintage Tim Wise: smart, sophisticated, conscientious, and righteously indignant at the betrayal of millions of citizens upon whose backs the American Dream rests. This searing testimony for the most vulnerable in our nation is also a courageous cry for justice that we must all heed."--Michael Eric Dyson, author of The Black Presidency: Barack Obama and the Politics of Race in America Tim Wise is one of America's most prolific public intellectuals. His critically acclaimed books, high-profile media interviews, and year-round speaking schedule have established him as an invaluable voice in any discussion on issues of race and multicultural democracy. In Under the Affluence, Wise discusses a related issue: economic inequality and the demonization of those in need. He reminds us that there was a time when the hardship of fellow Americans stirred feelings of sympathy, solidarity for struggling families, and support for policies and programs meant to alleviate poverty. Today, however, mainstream discourse blames people with low income for their own situation, and the notion of an intractable "culture of poverty" has pushed our country in an especially ugly direction. Tim Wise argues that far from any culture of poverty, it is the culture of predatory affluence that deserves the blame for America's simmering economic and social crises. He documents the increasing contempt for the nation's poor, and reveals the forces at work to create and perpetuate it. With clarity, passion and eloquence, he demonstrates how America's myth of personal entitlement based on merit is inextricably linked to pernicious racial bigotry, and he points the way to greater compassion, fairness, and economic justice. Tim Wise is the author of many books, including Dear White America and Colorblind.

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"In his scathing and deeply reported examination of the U.S. Border Patrol, Todd Miller argues that the agency has gone rogue since the Sept. 11 terrorist attacks, trampling on the dignity and rights of the undocumented with military-style tactics...Miller's book arrives at a moment when it appears that part of the Homeland Security apparatus is backpedaling by promising to tone down its tactics, maybe prodded by investigative journalism, maybe by the revelations of NSA leaker Edward Snowden...Border Patrol is quite possibly the right book at the right time ..."--Tony Perry, Los Angeles Times "At the start of his unsettling and important new book, Border Patrol Nation, Miller observes that these days 'it is common to see the Border Patrol in places--such as Erie, Pennsylvania; Rochester, New York; or Forks, Washington--where only fifteen years ago it would have seemed far-fetched, if not unfathomable.'"--Barbara Spindel, Christian Science Monitor "Miller's approach in Border Patrol Nation is to offer a glimpse into the secretive operations of the Border Patrol, reporting with a journalist's objectivity and nose for a good story. Miller's book is full of facts, and it's clear he's outraged, but he gives voices to people on every side of the issue...Miller's book is a fascinating read...and bring the work of Susan Orlean to mind."--Amanda Eyre Ward Kirkus Reviews "Todd Miller's invaluable and gripping book, Border Patrol Nation: Dispatches from the Front Lines of Homeland Security is the story of how this country's borders are being transformed into up-armored, heavily militarized zones run by a border-industrial complex. It's an achievement and an eye opener."--Tom Engelhardt, TomDispatch "What Jeremy Scahill was to Blackwater, Todd Miller is to the U.S. Border Patrol!"--Tom Miller, author, On the Border: Portraits of America's Southwestern Frontier "Todd Miller has entered a secret world, and he has gone deep...Powerful."--Luis Alberto Urrea, author of The Devil's Highway: A True Story "Journalist Miller tells an alarming story of U.S. Border Patrol and Homeland Security's ever-widening reach into the lives of American citizens and legal immigrants as well as the undocumented. In addition to readers interested in immigration issues, those concerned about the NSA's privacy violations will likely be even more shocked by the actions of Homeland Security."--Publishers Weekly, Starred Review Armed authorities watch from a military-grade surveillance tower as lines of people stream toward the security checkpoint, tickets in hand, anxious and excited to get through the gate. Few seem to notice or care that the US Border Patrol is monitoring the Super Bowl, as they have for years, one of the many ways that forces created to police the borders are now being used, in an increasingly militarized fashion, to survey and monitor the whole of American society. In fast-paced prose, Todd Miller sounds an alarm as he chronicles the changing landscape. Traveling the country--and beyond--to speak with the people most involved with and impacted by the Border Patrol, he combines these first-hand encounters with careful research to expose a vast and booming industry for high-end technology, weapons, surveillance, and prisons. While politicians and corporations reap substantial profits, the experiences of millions of men, women, and children point to staggering humanitarian consequences. Border Patrol Nation shows us in stark relief how the entire country has become a militarized border zone, with consequences that affect us all. Todd Miller has worked on and written about US border issues for over fifteen years.

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Winner of the 2015 PEN Oakland Josephine Miles Literary Award In her debut collection of verse and prose, Moise moves deftly between memories of growing up as a Haitian immigrant in the suburbs of Boston, to bearing witness to brutality and catastrophe, to intellectual, playful explorations of pop culture enigmas like Michael Jackson and Jean-Michel Basquiat. Be it the presence of a skinhead on the subway, a newspaper account of unthinkable atrocity, or the 'noose loosened to necklace' of desire, the cut of Haiti Glass lays bare a world of resistance and survival, mourning and lust, need and process, triumph and prayer. Lenelle Moise is an award-winning poet, playwright, essayist and internationally touring performance artist. She creates jazz-infused, hip-hop bred, politicized texts about identity, memory and magic. Her poems and essays are featured in several anthologies, including: Word Warriors: 35 Women Leaders in the Spoken Word Revolution and We Don't Need Another Wave: Dispatches from the Next Generation of Feminists. Her writing has also been published in the Utne Reader, Make/Shift, Left Turn, and numerous other magazines and journals. A current Huntington Theatre Company Playwriting Fellow, her plays include Expatriate, Merit and The Many Faces of Nia. She lives in Northampton, MA where she was the 2010-2012 Poet Laureate. Haiti Glass is her long-awaited first book and she is available for interview. Praise for Haiti Glass: "Haiti Glass is a magnificent collection of poetry and prose. Part mantra, part lamentation, part prayer, this incredible book puts us wholly in the presence of an extraordinary and brave talent, whose voice will linger in your heart and mind long after you read the last word of this book."--Edwidge Danticat "Very powerful poetry and prose. The spoken word cadence to many of the poems works really well on the page. Moise takes up the complexities of Haitian culture, the immigrant experience, sexuality and gender, and bearing witness. Highly recommended."--Roxane Gay, author of An Untamed State "With a bold, unblinking eye, Lenelle Moise shows us the tragic yet beautiful world in which we live and challenges us not to turn away, but to turn towards with hope, compassion, and love. With all my heart, I thank her for writing these poems." --Leslea Newman, author of October Mourning, A Song for Matthew Shepard "Haiti Glass is a book fierce with ambition: make the reader feel Haiti, make the reader think Haiti, make the reader understand Haiti. Lenelle Moise's poems render the abstract- policy, disaster, history, diaspora- specific. Her words make the political not just personal, but corporeal: the beautiful system of the human body as canvas and subject, perfect in all its attendant complications and complexity, and still ruled, undeniably, by a warm, beating heart."--Erin McKeown, musician "The year 2014 will be hard pressed to give us a more powerful debut poetry collection than Lenelle Moise's Haiti Glass ...This is the rare book of poetry that makes one pause while reading, look up from the page, whistle low."--Courtney Gillette, Lambda Literary Review Praise for Lenelle Moise: "Lenelle Moise brings fierce passion."--New York Times "Piercing, covering territory both intimate and political ...vivid and powerful."--Curve Magazine "See Moise push stories from her mouth like it might save your life."--The Root

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After his graduation from Black Mountain College, Michael Rumaker made his way to the post-Howl, pre-Stonewall gay literary milieu of San Francisco, where he entered the circle of Robert Duncan. Contrasting Duncan's daringly frank homosexuality with Rumaker's own then-closeted life, Robert Duncan in San Francisco conjures up with harrowing detail an era of police prosecution of a clandestine gay community struggling to survive in the otherwise "open city" of San Francisco. This expanded edition includes a selection of previously unpublished letters between Rumaker and Duncan, and an interview conducted for this edition, in which Rumaker provides further reflections on the poet and the period. "This is a wonderfully revealing account of a series of lifechanging collisions between a young writer (Rumaker), an older writer (Duncan), a still older mentor for both (Charles Olson), a city (San Francisco), and an important era in American literature (the 1950s), when it was being turned upside down by these individuals and their friends. It's also a tender and intelligent account of a young man's coming to grips with being gay in the midst of this upheaval. Much more than memoir; it's history." --Russell Banks, author of Cloudsplitter Robert Duncan in San Francisco offers a surprising portrait of a mentor in all his witty, wicked, luminous, and vulnerable complexity. Straddling the lines of memoir and cultural history, Michael Rumaker gives a rare and delightful view of Duncan at home in the gay community while also documenting the struggles of that community in 1950s America." --Lisa Jarnot, author of Robert Duncan, The Ambassador from Venus "In this fine memoir of this 16 months in San Francisco, Rumaker learns many lessons about being at home with who he is, in what he calls 'Robert's city.'" --Joanne Kyger, About Now: Collected Poems Michael Rumaker has written several novels and short story collections, as well as the memoir Black Mountain Days. He was born in Philadelphia and is a graduate of Black Mountain College -- where Duncan served as his outside thesis advisor--and Columbia University. He taught at City University of New York and the New School for Social Research. Robert Duncan (1919-1988) was an American poet and well-known as a key figure in the San Francisco Renaissance. City Lights published a book of his poetry titled Selected Poems.

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A mosaic of lyrical vignettes, at once deeply personal and political, set against the turbulent backdrop of Arab/Western relations. Adnan writes, "Contrary to what is usually believed, it is not general ideas and grandiose unfolding of great events that impress the mind during times of heightened historic upheavals, but rather the uninterrupted flow of little experiences, observations, disturbances, small ecstasies, or barely perceptible discouragements that make up day-to-day living." Etel Adnan, a Lebanese American poet, painter, and essayist, lives in Paris, Beirut, and the San Francisco Bay Area. Among her books, the novel Sitt Marie Rose is considered a classic of Middle Eastern literature. She has been a powerful voice for compassion and empowerment in feminist and antiwar movements.

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"At last, at last, at last, Pessoa again! More Pessoa! One of the very great poets of the twentieth century, again and more! And one of the fascinating figures of all literature, with his manifold identities, his amazing audacities, his brilliance and his shyness. I think I have under control the reluctance I feel in having to share Pessoa with the public he should have had all along in America: until now, only the poets, so far as I can tell, have even heard of him, and delighted and exulted in him. He is, in some ways, the poet of modernism, the only one willing to fracture himself into the parcels of action, anguish, and nostalgia which are the grounds of our actual situation." --C. K. Williams "Pessoa is one of the great originals (a fact rendered more striking by his writing as several distinct personalities) of the European poetry of the first part of this century, and has been one of the last poets of comparable stature, in the European languages, to become known in English. Edwin Honig's translations of Spanish and Portuguese poetry have been known to anyone who cares about either, since his work on Lorca in the forties, and his Selected Poems of Pessoa (1971) was a welcome step toward a long-awaited larger colection." -- W. S. Merwin "Fernando Pessoa is the least known of the masters of the twentieth-century poetry. From his heteronymic passion he produced, if that is the word, two of our greatest poets, Alberto Caeiro and Alvaro de Campos, and a third, Ricardo Reis, who isn't bad. Pessoa is the exemplary poet of the self as other, of the poem as testament to unreality, proclamation of nothingness, occasion for expectancy. In Edwin Honig's and Susan Brown's superb translations, Pessoa and his "others" live with miraculous style and vitality." --Mark Strand Fernando Pessoa is Portugal's most important contemporary poet. He wrote under several identities, which he called heteronyms: Albet Caeiro, Alvaro de Campos, Ricardo Reis, and Bernardo Soares. He wrote fine poetry under his own name as well, and each of his "voices" is completely different in subject, temperament, and style. This volume brings back into print the comprehensive collection of his work published by Ecco Press in 1986.

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The Italian film-maker Pier Paolo Pasolini was first and always a poet--the most important civil poet, according to Alberto Moravia, in Italy in the second half of this century. His poems were at once deeply personal and passionately engaged in the political turmoil of his country. In 1949, after his homosexuality led the Italian Communist Party to expel him on charges of "moral and political unworthiness," Pasolini fled to Rome. This selection of poems from his early impoverished days on the outskirts of Rome to his last (with a backward longing glance at his native Friuli) is at the center of his poetic and filmic vision of modern Italian life as an Inferno. "From all these refusals, we know what Pasolini stood against--political ideologies of all kinds, the complacency inherent in the established social order, the corruption of the institutions of church and state. If Pasolini could be said to have stood for anything it was for the struggles of Italy's working class--both the rural peasants and those barracked in the urban slums at the edges of Italian cities--whose humanity he evoked with great eloquence and nuance. But it is his refusals that animate his legacy with an incandescent rage, a passionate and profound fury that did not, as Zigaina suggests, cry out for death--but for just the opposite." -Nathaniel Rich, The New York Review of Books Pier Paolo Pasolini was born in 1922 in Bologna. In addition to the films for which he is world famous, he wrote novels, poetry, and social and cultural criticism, and was an accomplished painter. He was murdered in 1975 at Ostia, near Rome.

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Gasoline & Vestal Lady on Brattle is volume number 8 in the City Lights Pocket Series. "Open this book as you would a box of crazy toys, take in your hands a refinement of beauty out of a destructive atmosphere. These combinations are imaginary and pure, in accordance with Corso's individual (therefore universal) desire." --Allen Ginsberg "Gregory is a gambler. He suffers reverses, like every man who takes chances. But his vitality and resilience always shine through, with a light that is more than human: The immortal light of his muse." --William S. Burroughs "...A touch young kid from the Lower East Side who rose like an angel over the rooftops and sang Italian songs as sweet as Caruso and Sinatra, but in words...Amazing and Beautiful Gregory Corso, The one and only Gregory the Herald. Read slowly and see."--Jack Kerouac "[M]ore than fifty years on from when it was first published in 1958, Gasoline (City Lights, 1958) by Beat poet Gregory Corso is a seminal book in the birth of that particular literary generation." --Paul Stubbs, 3AM Magazine Gregory Corso's first book of poetry, The Vestal Lady on Brattle, was published by City Lights Press in 1955. Born in New York City and raised in Little Italy, Gregory Corso was an American Poet and the youngest of the iconic Beat Generation writers. Homeless and family-less, Corso was arrested at 13 for petty theft and larcenry and spent some time in New York's infamous jail "The Tombs." He was arrested again, but was admitted to Bellevue Hospital Center. On the night of his 18th birthday, he was arrested again and convicted as an adult, resulting in being detained in Clinton State Prison. Gasoline is dedicated to "the Angels of Clinton Prison..." Corso met Allen Ginsberg in 1951 and Ginsberg recognized Corso as "spiritually gifted." Together they traveled from New York to San Francisco to Paris where Corso wrote some of his most famous poems Bombs and Marriage. His journey to, in, and around Paris resulted in his third book of poetry which included poems The Happy Birthday of Death, Minutes to Go, The American Express, and Long LIve Man. He returned to New York in 1958 only to discover he and the other Beat writers had become famous literary figures. Corso and Ginsberg traveled to college campuses and read their famous works Howl and Bomb and Marriage. On January 17, 2001, Corso died from prostate cancer.

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"I am the man," wrote Artaud, "who has best charted his inmost self." Antonin Artaud was a great poet who, like Poe, Holderlin, and Nerval, wanted to live in the infinite and asked that the human spirit burn in absolute freedom. To society, he was a madman. Artaud, however, was not insane but in luciferian pursuit of what society keeps hidden. The man who wrote Van Gogh the Man Suicided by Society raged against the insanity of social institutions with insight that proves more prescient with every passing year. Today, as Artaud's vatic thunder still crashes above the "larval confusion" he despised, what is most striking in his writings is an extravagant lucidity. This collection gives us quintessential Artaud on the occult, magic, the theater, mind and body, the cosmos, rebellion, and revolution in its deepest sense. Antoine Marie Joseph Artaud, better known as Antonine Artaud, was a French dramatist, poet, essayist, actor, and theatre director, widely recognized as one of the major figures of twentieth-century theatre and the European avant-garde. Jack Hirschman (b. December 13, 1933, in New York, NY) is a poet and social activist who has written more than 50 volumes of poetry. Dismissed from teaching at UCLA for anti-war activities in 1966, he moved to San Francisco in 1973, and was the city's present poet laureate. Hirschman translates nine languages and edited The Artaud Anthology.

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"After looking for him in the poems, we search for him in the prose. The pursuit of the Other in Pessoa's work is never-ending," writes Edwin Honig. Essential to understanding the great Portuguese poet are the essays written about (and by) his heteronyms--Alberto Caeiro, Ricardo Reis, and Alvaro de Campos--the several pseudonyms under which he wrote an extraordinary body of poetry. In Always Astonished, Pessoa and his several selves debate and discuss one another's work, revealing how Portuguese modernism was shaped. Fernando Pessoa is one of the great voices of twentieth-century literature, and these manifestos, letters, journal notes, and critical essays range through aesthetics, lyric poetry, dramatic and visual arts, and the psychology of the artist. He gives us, too, a singularly heterodox political position in his strange work of fiction, The Anarchist Banker. "Eloquent, volatile and obsessed with life--and death--[Pessoa is one of the] modernist giants in whose shadow we live and who made our century one of the extraordinary richness."--The New York Times "Only a few years ago Fernando Pessoa was all but invisible in English. Now this outsider's outsider looms as the latest icon of modern poetry. Eugenio Lisboa devised A Centenary Pessoa in 1995, a lavish miscellany of poems, essays, biography, photographs, even paintings he inspired. Edwin Honig and Susan M. Brown reissued Poems of Fernando Pessoa, along with Honig's Always Astonished, a selected prose."-Robert Polito, BOMB Magazine Fernando Pessoa is Portugal's most important contemporary poet. He wrote under several identities, which he called heteronyms: Albet Caeiro, Alvaro de Campos, Ricardo Reis, and Bernardo Soares. He wrote fine poetry under his own name as well, and each of his "voices" is completely different in subject, temperament, and style.

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An inventory of the General Security headquarters in central Baghdad reveals an obscure manuscript. Written by a young man in detention, the prose moves from prison life, to adolescent memories, to frightening hallucinations, and what emerges is a portrait of life in Saddam Hussein's Iraq. In the tradition of Kafka's The Trial or Orwell's 1984, I'jaam offers insight into life under an oppressive political regime and how that oppression works. This is a stunning debut by a major young Iraqi writer-in-exile. Sinan Antoon has been published in leading international journals and has co-directed About Baghdad, an acclaimed documentary about Iraq under US occupation.

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Spinoza's theoretical philosophy is one of the most radical attempts to construct a pure ontology, with a single infinite substance, and all beings as the modes of being his substance. This book, which presents Spinoza's main ideas in dictionary form, has as its subject the opposition between ethics and morality, and the link between ethical and ontological propositions. His ethics is an ethology, rather than a moral science. Attention has been drawn to Spinoza by deep ecologists such as Arne Naess, the Norwegian philosopher; and this reading of Spinoza by Deleuze lends itself to a radical ecological ethic. As Robert Hurley says in his introduction, "Deleuze opens us to the idea that the elements of the different individuals we compose may be nonhuman within us. One wonders, finally, whether Man might be defined as a territory, a set of boundaries, a limit on existence." Gilles Deleuze, known for his inquiries into desire, language, politics, and power, finds a kinship between Spinoza and Nietzsche. He writes, "Spinoza did not believe in hope or even in courage; he believed only in joy and in vision ...he more than any other gave me the feeling of a gust of air from behind each time I read him, of a witch's broom that he makes one mount. " Gilles Deleuze (1925-1995) was a French philosopher whose writings influenced many philosophical disciplines such as literary theory, post-structuralism, and postmodernism. He also taught philosophy at the University of Paris at Vicennes. Robert Hurley was a translator for many French philosophers including Michael Foucault (History of Sexuality), Gilles Deleuze, and George Bataille (Theory of Religion).

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Christopher Sawyer-Laucanno writes in his introduction to Destruction of the Jaguar that "The Books of Chilam Balam are the only principal surviving texts of the ancient Maya. Written in the Mayan language but in European script, they are generally considered to be transcriptions and recompilations from memory of material originally contained in the hieroglyphic books, all of which were apparently destroyed by the Spaniards...As they stand now, they are a curious and fascinating combination of prophecy, history, chronology, ritual and mythology." Here is an English translation that captures the unparalleled beauty of one of the great pre-Columbian masterpieces. This stirring, prophetic poetry haunts our own times. "The Destruction of the Jaguar is Mayan surrealism, dark with jungle shadows and bright with macaw plumage. It is the savage song of a world turned to dust, and in Sawyer-Laucannos voice, it echoes loud and long for the first time in centuries."--Mark Dery, Chicago Tribune Christopher Sawyer-Laucanno lives in Montague, Massachusetts, with his wife, the poet Patricia Pruitt, and their little white dog, Salty. In 2007 he was guest writer at the first Mussoorie Writers' Festival in India. His books include E.E. Cummings: A Biography (Methuen Publishing, 2005) and The Continual Pilgrimage: American Writers in Paris, 1944-1960 (City Lights, 2001).

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Important poems by the late New York poet published in The New American Poetry, Evergreen Review, Floating Bear and stranger places. Often this poet, strolling through the noisy splintered glare of a Manhattan noon, has paused at a sample Olivetti to type up thirty or forty lines of ruminations, or pondering more deeply has withdrawn to a darkened ware- or firehouse to limn his computed misunderstandings of the eternal questions of life, coexistence, and depth, while never forgetting to eat lunch, his favorite meal. "O'Hara speaks directly across the decades to our hopes and fears and especially our delights; his lines are as intimate as a telephone call. Few books of his era show less age." --Dwight Garner, New York Times "As collections go, none brings...quality to the fore more than the thirty-seven Lunch Poems, published in 1964 by City Lights." --Nicole Rudick, The Paris Review "What O'Hara is getting at is a sense of the evanescence, and the power, of great art, that inextricable contradiction -- that what makes it moving and transcendent is precisely our knowledge that it will pass away. This is the ethos at the center of "Lunch Poems": not the informal or the conversational for their own sake but rather in the service of something more intentional, more connective, more engaged." --David L. Ulin, Los Angeles TImes "The collection broadcasts snark, exuberance, lonely earnestness, and minute-by-minute autobiography to a wide, vague audience--much like today's Twitter and Facebook feeds." --Micah Mattix, The Atlantic Among the most significant post-war American poets, Frank O'Hara grew up in Grafton, MA, graduating from Harvard in 1950. After earning an MA at Michigan in 1951, O'Hara moved to New York, where he began working for the Museum of Modern Art and writing for Art News. By 1960, he was named Assistant Curator of Painting and Sculpture Exhibitions at MOMA. Along with John Ashbery, Kenneth Koch, James Schuyler, and Barbara Guest, he is considered an original member of the New York School. Though he died in a tragic accident in 1966, recent references to O'Hara on TV shows like Mad Men or Thurston Moore's new single evidence our culture's continuing fascination with this innovative poet.

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“Philip was a visionary like Blake, and he really saw the whole world in a grain of sand.” —Lawrence Ferlinghetti“An inspired consciousness set at full tilt in raging protest, kisses, prayers, blessings, and outraged demands. All from the deepest silence and farthest travel.” —Michael McClurePreserving Fire recounts the life and thought of the Surrealist, Beat Generation, and San Francisco Renaissance poet Philip Lamantia through his fugitive prose works. Ranging from poetry to politics to mythology to dance, from manifestos to travelogues to wartime declarations of conscientious objection, these writings, expertly collected by friend and longtime City Lights editor Garrett Caples, offer a dynamic picture of Lamantia’s multifaceted intellectual life and the artistic movements he helped shape.Philip Lamantia (1927–2005) was an influential Surrealist, Beat, and San Francisco Renaissance poet. He is the author of many books, including Erotic Poems, Touch of the Marvelous, Meadowlark West, Tau and Journey to the End, and The Collected Poems of Philip Lamantia.Garrett Caples is the author of many books, most recently Power Ballads and Retrievals. He is the co-editor of The Collected Poems of Philip Lamantia and is an editor at City Lights Books, where he curates the Spotlight Poetry Series.

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With Reading the Obscene, Jordan Carroll reveals new insights about the editors who fought the most famous anti-censorship battles of the twentieth century. While many critics have interpreted obscenity as a form of populist protest, Reading the Obscene shows that the editors who worked to dismantle censorship often catered to elite audiences composed primarily of white men in the professional-managerial class. As Carroll argues, transgressive editors, such as H. L. Mencken at the Smart Set and the American Mercury, William Gaines and Al Feldstein at EC Comics, Hugh Hefner at Playboy, Lawrence Ferlinghetti at City Lights Books, and Barney Rosset at Grove Press, taught their readers to approach even the most scandalizing texts with the same cold calculation and professional reserve they employed in their occupations. Along the way, these editors kicked off a middle-class sexual revolution in which white-collar professionals imagined they could control sexuality through management science. Obscenity is often presented as self-shattering and subversive, but with this provocative work Carroll calls into question some of the most sensational claims about obscenity, suggesting that when transgression becomes a sign of class distinction, we must abandon the idea that obscenity always overturns hierarchies and disrupts social order. Winner of the 2022 MLA Prize for Independent Scholars, sponsored by the Modern Language Association

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With Reading the Obscene, Jordan Carroll reveals new insights about the editors who fought the most famous anti-censorship battles of the twentieth century. While many critics have interpreted obscenity as a form of populist protest, Reading the Obscene shows that the editors who worked to dismantle censorship often catered to elite audiences composed primarily of white men in the professional-managerial class. As Carroll argues, transgressive editors, such as H. L. Mencken at the Smart Set and the American Mercury, William Gaines and Al Feldstein at EC Comics, Hugh Hefner at Playboy, Lawrence Ferlinghetti at City Lights Books, and Barney Rosset at Grove Press, taught their readers to approach even the most scandalizing texts with the same cold calculation and professional reserve they employed in their occupations. Along the way, these editors kicked off a middle-class sexual revolution in which white-collar professionals imagined they could control sexuality through management science. Obscenity is often presented as self-shattering and subversive, but with this provocative work Carroll calls into question some of the most sensational claims about obscenity, suggesting that when transgression becomes a sign of class distinction, we must abandon the idea that obscenity always overturns hierarchies and disrupts social order. Winner of the 2022 MLA Prize for Independent Scholars, sponsored by the Modern Language Association

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"Thom Gunn, Barbara Guest, Robert Creeley, Philip Lamantia, all ghosts now, are invoked without sentiment and with plenty of wry humor." --Kevin Killian, Attention Span A power ballad was a hair metal band's voyage into the softer side of rock, compromising to the integrity of the genre, but genuine and trailblazing. So too is Caples's Power Ballads. His poems and prose pieces are bizarre and hilarious, in which Dylan and Bowie sit alongside the French surrealists, with the occasional turn into heartfelt romanticism. From "Garrett Caples Rides Again": my concealed carry personality has deformed my trouser content to the extent my permit permits i'm shooting off often in public i'm a blow dart in a wind tunnel aimed in the wrong direction a boycotted russian vodka distiller an assdial away from arrest Garrett Caples is the author of the essay collection Retrievals, two books of poetry, The Garrett Caples Reader, Complications, and the pamphlet Quintessence of the Minor. He is the co-editor of The Collected Poems of Philip Lamantia, Particulars of Place by Richard O. Moore, and Incidents of Travel in Poetry: New and Selected Poems by Frank Lima. He is an editor at City Lights Books and curates the Spotlight Poetry Series there. He was also a contributing writer to the San Francisco Bay Guardian. He has written articles and blogged for the Poetry Foundation and occasionally blogs for blogcitylights.com. He has a PhD in English from the University of California, Berkeley and lives in San Francisco.

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"I adore [Caples'] prescription to read widely and even perversely; and his breezy style is engaging." --Don Share "Caples' discussions are careful, nuanced, personal, and opinionated." --Steven Fama "Caples is part of a younger generation of writers reinvigorating contemporary poetry by combining modernist and Language-poetic verbal angularity with the sheer enthusiasm and lustiness of adolescence." --Publishers Weekly "Caples supplies us with a full aesthetic meal, with alarming images right out of the French Surrealists. He also means what he says; regardless of any implications to the contrary, Caples is writing out of emotion, even well-done sentiment." --Rain Taxi From "Theory on Retrievals": The concept of the poet-critic has always been a compelling one to me; it's hard not to admire 19th century French poets like Gautier, writing elegant prose in newspapers on topics the general public was more interested in reading about than it was in reading his poetry. (I've never been one to hold the general public's lack of interest in poetry against it; that's the way of the world.) The compensation was that being a poet gave one a certain license as a critic to roam among all the arts. Retrievals is a book of essays written over the course of ten years about underrecognized poets, unfairly discredited critics, and artists obscured by more famous relations. Garrett Caples is the author of The Garrett Caples Reader (Angle Press/Black Square Editions, 1999), Complications (Meritage Press, 2007), and Quintessence of the Minor (Wave Books, 2010). He is the co-editor of The Collected Poems of Philip Lamantia (University of California Press, 2013). He is the poetry editor at City Lights Books, and curates the Spotlight Poetry Series there. He has a PhD in English from the University of California, Berkeley, and lives in Oakland.

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The Skipping Stone Magazine Honor Award (one of the best multicultural books for children in 2020) Green Was My Forest is an illustrated collection of twelve short stories about each of Ecuador's six remaining Amazon indigenous groups, told from the point-of-view of the indigenous children themselves. In simple, yet beautiful language, the stories explore the culture, customs and ancestral wisdom of the indigenous groups living in the Ecuadorian Amazon, highlighting their collective love, respect and custodianship of the natural world. These stories offer a rare perspective on these indigenous peoples whose culture and way of life are continuously being threatened by outsiders and the forces of modernization. They portray the way of life of the people who live in Ecuadorian Amazonia known for its forest, exotic animals, and indigenous towns. After traveling to this little-known region and meeting the people who inhabit it, Iturralde studied their way of life, observed their culture, and then wrote these imaginative entertaining stories remaining faithful to these tribes and their world.Ecuadorian author, Edna Iturralde, is considered the most important figure in children and young adult's literature in Latin America with nearly sixty published books. In 2014, her collection of short stories, Verde fue mi selva, now translated and published here in English for the first time as Green Was My Forest, was selected as one of the ten best children’s books written in Latin America during the 20th Century. Iturralde’s books are used in the school curriculum of Houston and Los Angeles. The Texas Library Association selected two of her books for its 2016-17 list of ten recommended books. Two of her books are part of the Required Summer Reading Books recommended by Scholastic Books. Three of her books have won the Skipping Stones International Book Prize, and five of her books won the International Latino Book Award.Jessica Powell, has translated dozens of works by a wide variety of Latin American writers. Her translation of Antonio Benítez Rojo's novel Woman in Battle Dress (City Lights, 2015) was a finalist for the PEN Center USA Literary Award for Translation. Her translation of Wicked Weeds by Pedro Cabiya (Mandel Vilar Press, 2016), was named a finalist for the 2017 Best Translated Book Award and made the longlist for the 2017 National Translation Award. Her most recent translation, the first-ever English translation of Pablo Neruda’s book-length poem, venture of the infinite man, was just published by City Lights Books in October of 2017.

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