Search results for ""Author Maya""

In these dense and startling stories, Maya Sonenberg telescopes seasons, decades, and generations in candid depictions of women’s family lives. What happens when the urge to ditch your family outpaces the desire to love them? The stories in Bad Mothers, Bad Daughters, winner of the Richard Sullivan Prize in Short Fiction, attempt to answer this question, heading straight for the messiness of domestic relationships and the constraints society places on women as they navigate their obligations. Daughters desert their rheumy-eyed elders in dusty museums, steal a mother’s favorite teacup, or consider throwing their dead parents’ nostalgia-riddled belongings out the window. Mothers conclude that they love one child more than their others. Fathers puzzle over a wife’s inability to balance family and career or accuse a partner of blaming their child for her own misdeeds. Women mourn the children they decided not to have and fret over the legacy they’ll leave the children they do have. But sometimes the generations reconcile or siblings manage to rescue each other. Love tears these people apart, but it mends them too. The emotions expressed in these stories are combustible, both fraught and nuanced, uncontrollable and common, but above all often ignored or hushed because we’re not supposed to be bored by our children or annoyed with our aged parents, even as we love them. The careful shapes of these stories adapted from fairy tales, verse, letters, or newspaper announcements, the surprise of their wordplay, and the blaze of their lyrical sentences allow them to dig into and contain all those messy emotions at the same time. In these works, constraint creates both understanding and fire.

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This dazzling Christmas poem by Maya Angelou is powerful and inspiring for people of all faiths.In this beautiful, deeply moving poem, Maya Angelou inspires us to embrace the peace and promise of Christmas, so that hope and love can once again light up our holidays and the world. “Angels and Mortals, Believers and Nonbelievers, look heavenward,” she writes, “and speak the word aloud. Peace.” Read by the poet at the lighting of the National Christmas Tree at the White House on December 1, 2005, Maya Angelou’ s celebration of the “Glad Season” is a radiant affirmation of the goodness of life.

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The Many Half-Lived Lives of Sam Sylvester explores healing in the aftermath of trauma and the fullness of queer joy. In this queer contemporary YA mystery, a nonbinary autistic teen realizes they must not only solve a 30-year-old mystery but also face the demons lurking in their past in order to live a satisfying life. Sam Sylvester has long collected stories of half-lived lives—of kids who died before they turned nineteen. Sam was almost one of those kids. Now, as Sam’s own nineteenth birthday approaches, their recent near-death experience haunts them. They’re certain they don’t have much time left. . . . But Sam's life seems to be on the upswing after meeting several new friends and a potential love interest in Shep, their next-door neighbour. Yet the past keeps roaring back—in Sam’s memories and in the form of a thirty-year-old suspicious death that took place in Sam’s new home. Sam can’t resist trying to find out more about the kid who died and who now seems to guide their investigation. When Sam starts receiving threatening notes, they know they’re on the path to uncovering a murderer. But are they digging through the past or digging their own future grave? “Look no further for your next favourite read, because The Many Half-Lived Lives of Sam Sylvester has it all: a gripping murder mystery that will keep you turning pages, ghosts, romance, and a treasure trove of queer characters with depth and heart. Here’s something rare—a suspenseful story that also feels like a hug.” —Sarah Glenn Marsh, author of the Reign of the Fallen series

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Editor of the award-winning site Feministing.com, Maya Dusenbery brings together scientific and sociological research, interviews with doctors and researchers, and personal stories from women across the country to provide the first comprehensive, accessible look at how sexism in medicine harms women today. In Doing Harm, Dusenbery explores the deep, systemic problems that underlie women’s experiences of feeling dismissed by the medical system. Women have been discharged from the emergency room mid-heart attack with a prescription for anti-anxiety meds, while others with autoimmune diseases have been labeled “chronic complainers” for years before being properly diagnosed. Women with endometriosis have been told they are just overreacting to “normal” menstrual cramps, while still others have “contested” illnesses like chronic fatigue syndrome and fibromyalgia that, dogged by psychosomatic suspicions, have yet to be fully accepted as “real” diseases by the whole of the profession.An eye-opening read for patients and health care providers alike, Doing Harm shows how women suffer because the medical community knows relatively less about their diseases and bodies and too often doesn’t trust their reports of their symptoms. The research community has neglected conditions that disproportionately affect women and paid little attention to biological differences between the sexes in everything from drug metabolism to the disease factors—even the symptoms of a heart attack. Meanwhile, a long history of viewing women as especially prone to “hysteria” reverberates to the present day, leaving women battling against a stereotype that they’re hypochondriacs whose ailments are likely to be “all in their heads.” Offering a clear-eyed explanation of the root causes of this insidious and entrenched bias and laying out its sometimes catastrophic consequences, Doing Harm is a rallying wake-up call that will change the way we look at health care for women.

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A THIEF MADE A LORD. A PRINCE MADE A VILLAIN. A DEADLY GAME FOR POWER.The exhilarating sequel to the LatinX Sunday Times bestseller Nocturna, about a face-changing thief and a risk-taking prince who must reunite when a deadly enemy threatens their kingdom's chance at establishing a global peace.After joining forces to save Castallan from an ancient magical evil, Alfie and Finn haven't seen each other in months. Alfie is finally stepping up to his role as heir and preparing for an International Peace Summit, while Finn is traveling and reveling in her newfound freedom from Ignacio.That is, until she's unexpectedly installed as the new leader of one of Castallan's powerful crime families. Now one of the four Thief Lords of Castallan, she's forced to preside over the illegal underground Oculta competition, which coincides with the summit and boasts a legendary prize.Just when Finn finds herself back in San Cristobal, Alfie's plans are also derailed. Los Toros, the mysterious syndicate responsible for his brother's murder, has resurfaced-and their newest target is the summit. And when these events all unexpectedly converge, Finn and Alfie are once again forced to work together to follow the assassins' trail and preserve Castallan's hopes for peace with Englass. But will they be able to stop these sinister foes before a new war threatens their kingdom?

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The arduous, confusing and fraught journey that immigrants take through immigration court Each year, hundreds of thousands of migrants are moved through immigration court. With a national backlog surpassing one million cases, court hearings take years and most migrants will eventually be ordered deported. The Slow Violence of Immigration Court sheds light on the experiences of migrants from the “Northern Triangle” (Guatemala, Honduras, and El Salvador) as they navigate legal processes, deportation proceedings, immigration court, and the immigration system writ large. Grounded in the illuminating stories of people facing deportation, the family members who support them, and the attorneys who defend them, The Slow Violence of Immigration Court invites readers to question matters of fairness and justice and the fear of living with the threat of deportation. Although the spectacle of violence created by family separation and deportation is perceived as extreme and unprecedented, these long legal proceedings are masked in the mundane and are often overlooked, ignored, and excused. In an urgent call to action, Maya Pagni Barak deftly demonstrates that deportation and family separation are not abhorrent anomalies, but are a routine, slow form of violence at the heart of the U.S. immigration system.

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Eye-witness account of the theft of the crown of St Stephen in 15c Hungary. Helene Kottanner was servant and confidante of the widowed Queen Elizabeth of Hungary (1409-1442). This is her first-person account of the part she played in the theft of the holy crown of St Stephen from the treasury of the royalstronghold Visegrad on 20 February, 1440, when the crown was smuggled out of the stronghold hidden in a pillow. It was immediately rushed on a sled to the queen, who within hours of its arrival at her castle in Komorn was delivered of a baby boy, Ladislaus Posthumous (1440-1457), who was crowned king of Hungary three months later. Helene Kottanner's account is unconsciously revealing about herself and her ambitions, allowing a rare glimpse into the innerworld of a late-medieval woman.

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Winner of the 2018 Richard Wall Memorial Award​ from the Theater Library AssociationLiberating Hollywood examines the professional experiences and creative output of women filmmakers during a unique moment in history when the social justice movements that defined the 1960s and 1970s challenged the enduring culture of sexism and racism in the U.S. film industry. Throughout the 1970s feminist reform efforts resulted in a noticeable rise in the number of women directors, yet at the same time the institutionalized sexism of Hollywood continued to create obstacles to closing the gender gap. Maya Montañez Smukler reveals that during this era there were an estimated sixteen women making independent and studio films: Penny Allen, Karen Arthur, Anne Bancroft, Joan Darling, Lee Grant, Barbara Loden, Elaine May, Barbara Peeters, Joan Rivers, Stephanie Rothman, Beverly Sebastian, Joan Micklin Silver, Joan Tewkesbury, Jane Wagner, Nancy Walker, and Claudia Weill. Drawing on interviews conducted by the author, Liberating Hollywood is the first study of women directors within the intersection of second wave feminism, civil rights legislation, and Hollywood to investigate the remarkable careers of these filmmakers during one of the most mythologized periods in American film history.

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The book provides the first broad survey of church textiles of Spanish America and demonstrates that, while overlooked, textiles were a vital part of visual culture in the Catholic Church. When Catholic churches were built in the New World in the sixteenth century, they were furnished with rich textiles known in Spanish as “church clothing.” These textile ornaments covered churches’ altars, stairs, floors, and walls. Vestments clothed priests and church attendants, and garments clothed statues of saints. The value attached to these textiles, their constant use, and their stunning visual qualities suggest that they played a much greater role in the creation of the Latin American Church than has been previously recognized. In Clothing the New World Church, Maya Stanfield-Mazzi provides the first comprehensive survey of church adornment with textiles, addressing how these works helped establish Christianity in Spanish America and expand it over four centuries. Including more than 180 photos, this book examines both imported and indigenous textiles used in the church, compiling works that are now scattered around the world and reconstructing their original contexts. Stanfield-Mazzi delves into the hybrid or mestizo qualities of these cloths and argues that when local weavers or embroiderers in the Americas created church textiles they did so consciously, with the understanding that they were creating a new church through their work. The chapters are divided by textile type, including embroidery, featherwork, tapestry, painted cotton, and cotton lace. In the first chapter, on woven silk, we see how a “silk standard” was established on the basis of priestly preferences for this imported cloth. The second chapter explains how Spanish-style embroidery was introduced in the New World and mastered by local artisans. The following chapters show that, in select times and places, spectacular local textile types were adapted for the church, reflecting ancestral aesthetic and ideological patterns. Clothing the New World Church makes a significant contribution to the fields of textile studies, art history, Church history, and Latin American studies, and to interdisciplinary scholarship on material culture and indigenous agency in the New World.

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Two all-new novellas that cross the boundaries of desire. Exiled by Maya Banks…Enticed to the island paradise where an enigmatic prince is living in exile, beautiful, virginal Talia is introduced to a world of forbidden pleasure where the prince’s every whim is fulfilled and her fantasies are rendered in exquisite detail. But when the prince is summoned back to fulfill his duty to his struggling country, reality is thrust upon Talia all too soon. She returns home, heartbroken, convinced she was a passing fancy for an idle ruler and his most trusted men. Until the day they arrive on her doorstep, determined to have her back where she belongs. Sway by Lauren Dane…Levi Warner is an established, older man—wealthy, powerful, and above all, respectable. Then Levi meets Daisy, an uninhibited 24-year-old dance instructor and artist, not exactly the kind of woman Levi is accustomed to. But the young, free spirit, brings out something in him he only experienced in fantasies. When their scorching affair turns into something unexpectedly deeper, Levi finds himself torn between preserving his reputation, and exploring a wilder and much more satisfying kind of life.

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Media Culture in Transnational Asia: Convergences and Divergences examines contemporary media use within Asia, where over half of the world’s population resides. The book addresses media use and practices by looking at the transnational exchanges of ideas, narratives, images, techniques, and values and how they influence media consumption and production throughout Asia, including Sri Lanka, Bangladesh, South Korea, Singapore, Vietnam, Afghanistan, Iran and many others. The book’s contributors are especially interested in investigating media and their intersections with narrative, medium, technologies, and culture through the lenses that are particularly Asian by turning to Asian sociopolitical and cultural milieus as the meaningful interpretive framework to understand media. This timely and cutting-edge research is essential reading for those interested in transnational and global media studies.

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Here to the rescue of everyone who has celiac disease or gluten sensitivity, or simply likes the idea of baking with alternative flours, come over 30 recipes for festive cookies, shortbread, bars, and more using oat flour, sorghum flour, teff, coconut flour, and nut flours. There are gluten-free versions of traditional favorites like Classic Ginger Cookies and Cutout Cookies. And wonderful new additions, including Chestnut and Pine Nut Shortbread and Quince and Orange–Filled Chestnut Cookies.

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Ten years ago, Jim Lahey’s My Bread (ISBN 978 0 393 06630 2) caused a home-baking renaissance. Now this sequel introduces home bakers to sourdough versions of the pugliese, brioche and multigrani for which the Sullivan Street Bakery is known—including a step-by-step guide to making sourdough starter from the bloom that appears on fresh organic produce. In addition, The Sullivan Street Bakery Cookbook provides recipes for easy and elegant Italian-inspired food. This includes Lahey’s irresistible egg dishes, innovative sandwiches, salads and pizzas, simple Italian cookies, cornetti and crostatas, as well as his coveted recipe for panettone. An essential book for home bakers and lovers of Italian food.

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In this lyrical STEM gem, nests full of baby birds hatch, grow feathers, learn to fly, and then finally follow the autumn winds south along the majestic flyway for their first big migration. Rhyming, poetic text and detailed, nostalgic illustrations make for an enthralling read-aloud, carrying readers along on the birds’ sensory journey of sights and sounds. Illustrated endnotes provide factual information about bird migration, the four flyways of North America, the species of birds found in the book and sources for further reading.

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'Why does he write those ghastly plays that the whole of Paris flocks to see? And why does he paint such lifelike portraits that everyone recognizes themselves?' Moliere, The Impromptu at Versailles This volume brings together four of Moliere's greatest verse comedies covering the best years of his prolific writing career. Actor, director, and playwright, Moliere (1622-73) was one of the finest and most influential French dramatists, adept at portraying human foibles and puncturing pomposity. The School for Wives was his first great success; Tartuffe, condemned and banned for five years, his most controversial play. The Misanthrope is his acknowledged masterpiece, and The Clever Women his last, and perhaps best-constructed, verse piece. In addition this collection includes a spirited attack on his enemies and a defence of his theatre, in the form of two sparkling short plays, The School for Wives Criticized and The Impromptu at Versailles. Moliere's prose plays are available in a complementary Oxford World's Classics edition, Don Juan and Other Plays. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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The arduous, confusing and fraught journey that immigrants take through immigration court Each year, hundreds of thousands of migrants are moved through immigration court. With a national backlog surpassing one million cases, court hearings take years and most migrants will eventually be ordered deported. The Slow Violence of Immigration Court sheds light on the experiences of migrants from the “Northern Triangle” (Guatemala, Honduras, and El Salvador) as they navigate legal processes, deportation proceedings, immigration court, and the immigration system writ large. Grounded in the illuminating stories of people facing deportation, the family members who support them, and the attorneys who defend them, The Slow Violence of Immigration Court invites readers to question matters of fairness and justice and the fear of living with the threat of deportation. Although the spectacle of violence created by family separation and deportation is perceived as extreme and unprecedented, these long legal proceedings are masked in the mundane and are often overlooked, ignored, and excused. In an urgent call to action, Maya Pagni Barak deftly demonstrates that deportation and family separation are not abhorrent anomalies, but are a routine, slow form of violence at the heart of the U.S. immigration system.

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In the American imagination, the Soviet Union was a drab cultural wasteland, a place where playful creative work and individualism was heavily regulated and censored. Yet despite state control, some cultural industries flourished in the Soviet era, including animation. Drawing the Iron Curtain tells the story of the golden age of Soviet animation and the Jewish artists who enabled it to thrive. Art historian Maya Balakirsky Katz reveals how the state-run animation studio Soyuzmultfilm brought together Jewish creative personnel from every corner of the Soviet Union and served as an unlikely haven for dissidents who were banned from working in other industries. Surveying a wide range of Soviet animation produced between 1919 and 1989, from cutting-edge art films like Tale of Tales to cartoons featuring “Soviet Mickey Mouse” Cheburashka, she finds that these works played a key role in articulating a cosmopolitan sensibility and a multicultural vision for the Soviet Union. Furthermore, she considers how Jewish filmmakers used animation to depict distinctive elements of their heritage and ethnic identity, whether producing films about the Holocaust or using fellow Jews as models for character drawings. Providing a copiously illustrated introduction to many of Soyuzmultfilm’s key artistic achievements, while revealing the tumultuous social and political conditions in which these films were produced, Drawing the Iron Curtain has something to offer animation fans and students of Cold War history alike.

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Why has the large income gap between blacks and whites persisted for decades after the passage of civil rights legislation? More specifically, why do African Americans remain substantially under-represented in the highest-paying professions, such as science, engineering, information technology, and finance? A sophisticated study of racial disparity, "Opting Out" examines why some talented black undergraduates pursue lower-paying, lower-status careers despite being amply qualified for more prosperous ones. To explore these issues, Maya A. Beasley conducted in-depth interviews with black and white juniors at two of the nation's most elite universities, one public and one private. Beasley identifies a set of complex factors behind these students' career aspirations, including the anticipation of discrimination in particular fields; the racial composition of classes, student groups, and teaching staff; student values; and, the availability of opportunities to network. Ironically, Beasley also discovers, campus policies designed to enhance the academic and career potential of black students often reduce the diversity of their choices. Shedding new light on the root causes of racial inequality, "Opting Out" will be essential reading for parents, educators, students, scholars, and policy makers.

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What does it mean to be Mi’kmaq? And if Swift Fox can’t find the answer, will she ever feel like part of her family? When Swift Fox’s father picks her up to go visit her aunties, uncles, and cousins, her belly is already full of butterflies. And when he tells her that today is the day that she’ll learn how to be Mi’kmaq, the butterflies grow even bigger. Though her father reassures her that Mi’kmaq is who she is from her eyes to her toes, Swift Fox doesn’t understand what that means. Her family welcomes her with smiles and hugs, but when it’s time to smudge and everyone else knows how, Swift Fox feels even more like she doesn’t belong. Then she meets her cousin Sully and realizes that she’s not the only one who’s unsure—and she may even be the one to teach him something about what being Mi’kmaq means. Based on the author’s own experience, with striking illustrations by Maya McKibbin, Swift Fox All Along is a poignant story about identity and belonging that is at once personal and universally resonant.

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AN OPENCANADA SUMMER READ 2019 In the south of Bosnia and Herzegovina lies Mostar, a medieval town on the banks of the emerald Neretva, which flows from the “valley of sugared trees” through sunny hills to reach the Adriatic Sea. This idyllic locale is the scene of Maya Ombasic’s childhood—until civil war breaks out in Yugoslavia and the bombs begin to fall. Her family is exiled to Switzerland, and after a brief return, they leave again for Canada. While Maya adapts to their new home, her father never does, refusing even to learn the language of his new country. A portmanteau of Mostar and nostalgia, Mostarghia evokes Ombasic’s yearning for a place that no longer exists: the city before the civil war, when its many ethnicities interacted in a spirit of civility and in harmony. It refers as well to Andrei Tarkovsky’s classic film Nostalghia, the viewing of which illuminated the author’s often explosive relationship with her father, a larger-than-life figure who was both influence and psychological burden: he inspired her interest, and eventual career, in philosophy, and she was his translator, his support, his obsession. Along with this portrait of a man described by turns as passionate, endearing, maddening, and suffocating, Ombasic deftly constructs a moving personal account of what it means to be a refugee and how a generation learns to thrive despite the struggles of its predecessors.

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